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‘Strong’: Gabrielle Reece and Dave Broome Interview

Gabrielle Reece in Strong
Gabrielle Reece hosts ‘Strong’ (Photo by: Adam Rose/NBC)

NBC’s new reality fitness competition series Strong is not about how much weight the contestants can lose. Created by Dave Broome (The Biggest Loser) and hosted by volleyball player/fitness expert Gabrielle Reece, Strong pairs up 10 women with 10 elite trainers who, over the course of 10 episodes, will transform their bodies while competing in physical challenges that will test their strength, endurance and mental stamina. The series premiered on April 14, 2016 and each episode will find one team getting eliminated on the road to crowning the season one champion.

Broome and Reece teamed up for a conference call in support of the new NBC series. Discussing what sets Strong apart from other shows Broome said that while the contestants do lose weight, this series is set apart because the focus is on getting strong.

Gabrielle Reece and Dave Broome Interview:

What makes Strong different from other health and fitness shows?

Gabrielle Reece: “I think some of the differentiating qualities in the show is first of all the fact that you have all these incredibly knowledgeable and well trained trainers but yet they’re all very different. So you’re getting exposed to various modalities of training. I think it then creates a broader appeal for people who go, ‘Well, you know what? I’m not connecting with that type of training, but that looks interesting and exciting and a way that I would like to move.’ I think you have that.

I think you have the opportunity to see the real conversation around, first of all these women come in with the decision of, ‘Hey, this is my time. I have to make the change. I’m at this place.’ But it’s not blown out in this way that seems so theatrical. It’s just very real and I think what a lot of people are feeling which is, ’10-15 years went by and I looked up and I sort of thought whoa I need to try to get this back in check,’ but for all their different reasons.

And then the teamwork aspect, I love the fact that trainers are not just dictating to the trainees, ‘Hey, this is what you’re supposed to do and this is what you’re supposed to eat.’ There’s a collaborative feeling between them and the fact that they compete together adds another element of teamwork and the community that goes into it. For me it’s just a little different than one person telling another, ‘This is what you’re doing. You’re going to go through it.’ So there’s so much information, there’s the teamwork but then you have so much variety in the trainers and ways to get it done.”


Dave Broome: “You know, for me, in creating the show and it was a mindset of I never looked at this as just a fitness show. I looked at this as a life transformation show, and it sounds corny in a lot of ways. But, yes, of course, we are fitness-based. Yes, of course, we have elite trainers and they are contestants as well with their counterpart, their female counterparts. But the truth is this is a show unlike anything that anyone has ever seen on television. It is very fast-paced. You’re going to have to buckle yourself up and hold on. And we move…I mean we move out of the gate.

And unlike my other show, The Biggest Loser, or so many other things you’ve seen there which move at a much slower pace. You’re waiting almost snapping your fingers like, ‘Come on, let’s go, let’s go, let’s go.’ Well, this is going to be a bit different. This is going to be like […]it’s coming at you left and right. But the whole concept for the show was how do you get somebody to wake up in the morning and feel like they can take on the world? How can I kick ass? How can I be better in my job, better in my relationship, better with my husband, my wife, my children, whatever it is. And to me that was about overcoming obstacles. It’s about getting physically and mentally fit and strong.

The challenges in this show are they look like Willy Wonka and the Chocolate Factory minus the chocolate and all the sweets. So it is taking people and giving them the opportunity to push themselves into a place that they feel that they can where they never thought they can conquer something and they can. That’s what this show does. And it’s really different than anything you’ve ever seen, anything.”

Gabrielle Reece: “I’d like to add one more thing, Dave. I think something important that you built into the show that’s really also important is it’s sustainable. These women can go home and put this into play in their real life. And you’ll see even if the conversation isn’t about losing weight, each and every one of them had unbelievable transformations.”

Dave Broome: “Yes, the transformations are critical.”

Strong Cast
The teams of ‘Strong’ (Photo by Chris Haston / NBC)

What was the reasoning behind the choice to only have female contestants?

Dave Broome: “They’re not female contestants; the trainers are contestants as well. Both trainer and trainees, they’re both contestants. They are teamed up together and that is a huge distinguishing point here. And the reason why we did that in this season, to have male trainers and female trainees both being contestants, goes back to what I was just mentioning. This is a challenge-based show with fitness and lifestyle woven in. In order to make it fair, you have to have really all of the same sex competing together. So all male trainers are partnered with their female trainees and they’re competing in these physical challenges together. For fairness issues, taking a male trainer versus a female trainer, no matter how great that female trainer might be, it’s most likely not going to be able to be a fair issue in a lot of those challenges. So that’s the reason why we did it because everyone are contestants in this.

It’s important to remember that the trainers are not just training their partner. They’re training themselves and they’re competing together. So that’s why we did it like that.”

Do you think the audience of this show will be mostly women or do you think it has a wider appeal?

Dave Broome: “That’s a great question. I’m going to tell you why this show has such a mass appeal. The women are going to look at our female trainees and they’re going to be inspired by them. They’re going to say, ‘Oh my gosh, that’s my mom, that’s my sister,’ whatever. They’re then going to look at the male trainers and going to go, ‘Oh my gosh, that’s pretty hot. They know what they’re doing and I want to learn from that.’ So you’re going to get that on that case.

On the male side, you’re going to look at this and guys are going to watch a show and they’re going to see (A) they’re going to watch 10 elite male trainers. And they themselves are going to get the takeaway and go, ‘Wow, that guy really knows his stuff. I want to know what he’s doing. Look how they’re training together.’

Remember, the one thing here this is not like where you’ve seen on The Biggest Loser formula where (Bob) or (Dolvett) or (Jen) is training their team. These guys are training themselves on Strong. They’re training themselves and they’re training their partner. A male viewer is going to look at this and see first from the training standpoint, they’re going to be able to relate and what to learn from the guys. And second of all the challenges and the pacing of the show is so dramatically fast, as I mentioned, that it’s going to kind of hold that male attention as well.

It’s got a little bit of everything. It’s got heart but not too soft. It’s got action but not so crazy that you’re not going to be able to have the female audience want to tune into it. It’s got a crazy and I’m telling you a crazy transformation at the end of every single episode that is jaw dropping. It’s going to be talked about every week. I know it because it’s blown me away and I’ve been doing it for a long time.”

Gabrielle Reece: “Well, as for my point of view, I’m a different type of audience then let’s say someone who would normally watch this show. And like Dave said, the challenges are so big and sexy and the fact that these teams and these individual women are taking this on, I think it attracts you in a way because you’re sort of so curious to not only see the challenge but to watch these teams perform it is so amazing.”

How did all the major players of the show came together, like Sylvester Stallone?

Dave Broome: “Sly and I had a really good, close relationship and when I was creating and developing the show we were talking and I thought […]the spirit of the show is really taking a bunch of underdogs – all of our female trainees are underdogs themselves – and this is a show about wanting to be the best version of yourself you possibly can be. That’s really what the spirit is at the end of the day. When I was talking to Sly it just came to me and I thought, ‘Here is a man who created the most iconic underdog character maybe in pulp culture history in Rocky.’ Rocky was an underdog but it came from Sly; he created it. It came from Sly being an underdog himself. You know, his story is pretty famous about how he wrote it and how he wanted to play that part and the rest is kind of history.

Sly is obviously so into fitness himself and he said if he never pursued acting, he would have been a trainer. You look at him today and he can kick my butt and just about anybody else’s I’ve seen. So it just felt like it was a great message for us so it was a very easy partnership to have for those reasons.”

The new breed of fitness shows has more of a partnership going on between the trainers and their clients. Is that the next logical progression of the weight loss show?

Dave Broome: “Well for me I don’t look at Strong as a weight loss competition and I don’t even look at it as a weight loss show. It’s not. The great thing that happens from Strong is weight falls off these people. That’s because they’re exercising right. That’s like the default factor. When I created the show I sat there and I go, ‘Of course they’re going to lose weight, but I want to actually put muscle on them. I want to change their life. I want to change their mentality. How do you change someone’s mindset?’ And so, yes, I feel like to your question about the dynamic with trainers and their counterparts whereas people are not barking out, I think you’re right. Look, I’ve already done that. That’s Biggest Loser. That was Jillian Michaels from day one when we started the show. I didn’t sit there and say to her, ‘Hey listen, be a drill sergeant and just come full force on these people.’ That was who she was. That was back in 2004-2005. We’re talking 11, 12 years ago so things have changed.

I think that’s also for me and Strong, you know, I created Strong because I saw this major shift in the world of fitness. A total mental shift in the way men and women were addressing health and fitness and getting into shape. Because, you know, we’ve seen that strong is the new skinny. Or you’re looking at Spartan races or tough mother events which look like commercials for the Marines where people are going under barbed wire fences and shocking their body parts. And then I’m looking at it and I’m seeing that the fastest growing piece of all that are not men. They are women who are signing up for these things in droves. I’m looking and I’m going, ‘what’s going on here? What is happening? Where are people’s heads at?’

What I learned a couple of years ago when I started to create the show was, you know what? Women, they don’t want to be model thin. That’s unrealistic. That’s unhealthy. Look at the covers of any single magazine. Look at some of the stuff you guys put out online whether you’re printing it or putting it in digital form. It’s always now fit, strong, healthy, sexy! You know, all of those words kind of come together. I mean I rarely have seen thin, size 0, you know? So all of this shift in…and a lot of times we’re talking about it just in the physical sense but the truth is that it’s so mental. It’s so much more about where you head space is.

I think that you show me a person who is out of shape and confident, I think that they’re either fooling themselves or fooling others. Because your physical condition so much affects your mental state that they just go hand-in-hand. That’s what this show is doing.”

‘Outlander’ Season 2 Episode 2 Recap: Not in Scotland Anymore

Outlander Season 2 Episode 2 Caitriona Balfe Red Dress
Claire Randall (Caitriona Balfe) and Duverney (Marc Duret) in ‘Outlander’ (Photo © 2016 Sony Pictures Television Inc.)

Vive Les Frasers!!! The name of Starz’s Outlander episode 2 in season 2 is ‘Not in Scotland Anymore,’ oh boy I’ll say! France could not be more polar opposite from Scotland, and the ruling class is THAT on steroids. All the external changes are troubling enough; while Jamie (Sam Heughan) is dealing with post-traumatic stress after his torture at the hands of Black Jack Randall (Tobias Menzies).

The episode opens with what you think is Jamie and Claire (Caitriona Balfe) finally having marital relations again, when suddenly Claire turns into Black Jack begging for more. Jamie pulls a dirk from somewhere unknown and starts stabbing him. Blood covers Jamie’s face, then Jamie wakes up in a cold sweat and breathing hard. He realizes it is a dream when Claire touches him and he actively tries NOT to recoil from her touch. He decides he will not go back to sleep so he should head downstairs to review some paperwork. Claire tries to reassure him that BJR is dead. Jamie admits he knows that, he just doesn’t know how to get him out of his head.

The next morning Claire is preparing to head out. The costumes in this episode are just astonishing. Claire steps out of her room in what is known as The Dior dress, a 1740s reversal on the 1940s version of a Dior original. The costume department, and more particularly Terry Dresbach, have outdone themselves. The 1940s took many of their fashion inspirations from 1740s France, so Terry and her team turned it right back around to create much of Claire’s wardrobe. The sets, created by Jon Gary Steele and his team, are so incredible and exact to the moment that you will not be able to keep from feeling you are back in the court of the King Louis XV of France.

Okay, enough fangirl gushing…back to Claire’s outing. As you follow Claire through the house you realize she is very much a fish out of water. Having come through World War II, and now the mud and roads of Scotland, Claire has not had the duty of running a formal household, especially complete with servants. The Lady’s maid, Suzette (Adrienne-Marie Zitt), is too cute begging for her to be more of a mess. I found myself wishing I had one of those – a daydream that most any mom has had, I’m sure. As Claire travels through the streets she contemplates her last visit during the end of WWII and the celebrations that took place at the war’s closing. She also thought of the revolution that was to come in this very same city just a few decades from where she is now.

Time passes so much quicker on the show, of course, than in the books. Many activities occurred between the timing of episode 1 (‘Through A Glass, Darkly’) and the timing of this episode. Nothing is made of Claire’s morning sickness, but the books put heavy emphasis on this daily exhaustive ritual in the cycle of bringing a baby into the world. Many other activities happen before Claire takes her first trip to the Apothecary and meets Master Raymond (Dominique Pinon). In the show, Jamie’s nightmares motivate her to seek herbs she does not have. This shop is just a feast for the eyes, even more so than how I pictured it in the books. Jon Gary Steele really did hide treasures in every corner of this room, as well as openly hangs an alligator from the ceiling. *snort*

Claire charms Master Raymond with her knowledge of herbs and ability to understand several of his tricks for the public. They take an instant liking to each other. He also lets her know that he has heard of her through the dust-up with Le Comte St. Germain (Stanley Weber). Claire fears he would be friends with Le Comte, but Master Raymond assures her that they are not friends, and thus it should mean that she and he can be.

Jamie is outside the house on a task of his own, with Murtagh (Duncan Lacroix). They are practicing swords, trying to strengthen Jamie’s hand. This was not in the books, but the book did reference to the fact that they did practice a lot and it helped to strengthen Jamie’s hand again. Murtagh gets far more time in the show than he was given in the books. My theory is because you can see more of Jamie’s encounters than just everything through Claire’s first person perspective as the book has it. I like the wider view of things, hence my pointing it out.

Murtagh always makes me laugh with his surly attitude; he is less than gentlemanly when he tells the gawkers standing nearby to go away. Murtagh wants to devise a plan to kill the Bonnie Prince outright and not mess with all this strategy and secrecy. Jamie, ever level-headed, points out the lack of logic in the plan.

As they return home, Jamie has a letter waiting that came for him from Jared. He has arranged an introduction with the Prince himself. The catch is that Prince Charles Edward Stewart (Andrew Gower) wants to meet in a brothel. That will make things nice and complicated for Jamie since he hasn’t been able to make love to Claire in quite a long time.

I do not possess the words to accurately describe the scene inside the doors of the establishment. You can easily see Jamie and Murtagh are highly uncomfortable as the women walk around running a hand down their arm or over their shoulders. Prince Charles is drinking it all in with his eyes, as well as the decanter of wine on the table. The Madame Elise (Michele Belgrand-Hodgson) of the house walks in to welcome the nobility in the room to her establishment and says for them to also welcome THEIR WIVES. All of the men with current occupants on their laps, remove the draped lady with gasps and eager eyes searching the room. Prince Charles knows it is a joke so he begins to laugh, as does Jamie to please the Prince. The rest of the room realizes the display was a rouse and other ladies of the night come in, half-clad, to call everyone naughty and such. The Madam of the house peddles the additional commodity of the establishment, TOYS.

Once the fun has been had the Prince and Jamie get down to the discussion at hand. The Prince wants to feel out if Jamie will give him an honest answer. Jamie does tell him that the clans are not united, much less ready for a rebellion. Prince Charles is surprised to hear this, and he was noticeably dismayed by this news. Murtagh helps Prince Charles to understand that the Scottish people are simple people, so he will need to see things differently than the way other advisers have been whispering in his ear.

Prince Charles feels it is God’s will to unite the clans and be placed back on the throne. (Odd sentiment coming from a man sitting in the middle of a brothel, but that is a personal opinion.) He does realize he has to have funds, so the Prince asks Jamie to go to court and enlist the help of the Minister of Finance to the King. Further work will have to be done to stop the rebellion, the Bonnie Prince is not listening to anyone but God, so Jamie and company will have to go to the court to prevent support for the Prince’s financial needs.

Claire has a newfound friend that can help get them to the court and to the ears of those that can aid in the prevention of the rebellion. Claire’s friend, Louise de Rohan (Claire Sermone), is getting her legs waxed. She explains to Claire that she would love to introduce Lady Broch Tuarach to the court. Then she calls in Mary Hawkins (Rosie Day) to meet Claire. Mary is very shy, the exact opposite of Louise. Claire recognizes the name but doesn’t place it yet. The book readers know why Mary is so pivotal, but the show will reveal all in time. Louise tells Claire she will introduce her to the best dressmaker in Paris, she must have something spectacular when she meets the King. Then Louise spreads her legs to allow the waxing of her hairiest part. Claire stares in amazement, poor Mary looks like she will faint dead away.

Now comes the chat most of the book readers fondly call the “honeypot” discussion. In the show Claire actually gets her honeypot shaved too, in the book she only had the legs done but it upset Jamie enough just for her to have the legs done. In the show, Claire takes Jamie’s hand and moves it down her body. Of course, Jamie is nervous given his nightmares of BJR, so he looks less than ready for what she is voicelessly asking for.

As his hand reaches the area between her legs his expression changes to that of major surprise. Claire asks if Jamie would like to see what it looks like. Now there is a new line that I love… Jamie says, “It is more complicated than it looks thatched over.” *giggle-snort* You think they are going to get down to what fans have waited for, but as activities start to get hot things take a turn for the worse. Jamie starts having flashes of BJR that stop him mid-motion. Claire tells him it is okay, but Jamie is still very disturbed by it all.

A couple of weeks later the Fraser party is on their way to Versailles. Jamie and Murtagh are waiting at the bottom of the stairs as Claire comes down in the much anticipated Red Dress. At first, you think the gentlemen think she looks beautiful, but then Jamie asks her if she is “mad”. He says the iconic line that he can see down to the third rib. The fashion of the time is very low cut for women’s gowns. The idea is to catch the eye of the King and the court, but Jamie is none too happy with this approach. When you see the King’s mistress, Claire’s gown is not so daring after all.

Outlander season 2 episode 2 Sam Heughan
Jamie Fraser (Sam Heughan), King Louis XV (Lionel Lingelser), and Murtagh Fitzgibbons (Duncan Lacroix) in ‘Outlander’ (Photo © 2016 Sony Pictures Television Inc.)

As they enter the room an old friend of Jamie’s bursts into his arms, Annalise de Marillac (Margaux Chatelier). The look on Claire’s face is priceless. He is forced to explain how he fought a duel for her. You can feel Jamie’s embarrassment during the entire exchange. {more giggles here} Annalise whisks him away to take him to watch the dressing of the King. Murtagh grumbles that he sure “wouldn’t want to miss that.” I just love that bearded curmudgeon. They come into the presence of the King of France, Louis XV (Lionel Lingelser). In a room full of gentlemen, the King is sitting on a throne (in both senses of the term), trying to move his bowels with no luck. I just love how they start offering the King advice on how to get things moving. Our always gallant Jamie offers up that the King should start each day with a bowl of porridge. Fiber is a constipated man’s friend, little does the King know.

Out in the main room with the other guests Claire is chatting with other court Ladies when she sees Mary speaking to a young gentleman. She doesn’t know who he is but is pleased to see Mary smiling for the first time. She then excuses herself to get some air. Louise notices the Minister of Finance, Monsieur Joseph Duverney (Marc Duret), across the room and rushes over to tell him that Lady Broch Tuarach is looking for him with desires to meet him. He takes this in an entirely lecherous way, his alcohol intake helps in this perspective, and he sets out to meet up with her. Claire seeks to find a nice place to sit down and has only been at her ease for a minute when the Minister found her. He introduces himself but is rather hands-y. He kneels down at her feet. The next thing she knows he takes her foot and begins kissing it, Claire protesting all the way. {insert more giggle-snorts here} Claire finally pushes him off when he raises up to attempt to kiss at her open bodice, and he bumps into Jamie as he stumbles back. Jamie throws him off the bridge about the second Claire is trying to tell him that he is the man they came to find. A waterlogged Minster of Finance exits the lake below the bridge a bit soberer and certainly humbler in countenance.

He begs their pardon and they pleasantly oblige. As they are all standing before the fire, and the Minister is trying to dry his water-soaked wig, the King walks up behind them. He is accompanied by his mistress, Madame Nesle de la Tourelle (Kimberly Smart), wearing the long-awaited nipple dress. The designs on the dress are amazing, once you get past the fact that her breasts are exposed above the bodice with swan-designed nipple piercings. The look on Murtagh’s face is just too hilarious to describe. She gives Murtagh a look of interest, and that is the first time I have seen Murtagh give a delighted smile to any woman. Jamie is about to die of embarrassment. I have to admit I busted out laughing at this entire exchange.

Then the smirk turned to rage on Murtagh’s face as he noticed the Duke of Sandringham (Simon Callow) across the room. The paper that was to give Jamie his freedom in Scotland was given to Black Jack, and he burned it right in Jamie’s face during his torture. After a pleasant {said in all sarcasm} exchange, Claire asks Jamie to take Murtagh to have a drink with their new friend, the Minister of Finance. After they leave, Claire certainly calls the Duke out for his bad deeds. Then the aid to the Duke walks up. Claire discovers that this is none other than the younger brother to the notorious Black Jack Randall, it is Alex Randall (Laurence Dobiesz).

In the book they meet this man in a different way. He looks far more like BJR, and fans were hoping that Tobias Menzies was to play a third role in the show because of the way it is done in the book, but the show handles it differently. Jamie has not seen or met him yet, but Claire now has. Alex is a much nicer person than his elder brother, and weaker of constitution. He is repeatedly coughing and Claire offers a suggestion of an herb to sooth his throat. Alex and the Duke tell Claire that Jack Randall is not dead as Claire and Jamie thought after the escape of the prison. And Claire has no idea how she will tell Jamie that his nightmare still lives. Our poor Nighean Donn.

Outlander Season Two Recaps:




‘The Neon Demon’ Trailer Starring Elle Fanning

Elle Fanning in 'The Neon Demon'
Elle Fanning in ‘The Neon Demon’

Amazon Studios has released the full trailer for The Neon Demon, the latest film from writer/director Nicolas Winding Refn (Drive). The dramatic film will have its premiere at the 69th Cannes Film Festival and stars Jena Malone, Keanu Reeves, Christina Hendricks, Elle Fanning, Abbey Lee, Bella Heathcote, Desmond Harrington, and Karl Glusman. The Neon Demon will open in theaters this June.

The Plot: When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.

The cast of the film explained what they believe the title, The Neon Demon, actually means:


“L.A., because of all the lights.” – Elle Fanning

“Otherworldly beauty, but [also] the dark underbelly of that.” – Jena Malone

“The industry and the city. It’s glossy and shiny but it will eat you alive.” – Bella Heathcote

“There’s something about the light – you can call it artificial light, but I guess all light is artificial besides the sun – and the neon quality of it. [There’s] something about those colors that attracts and repulses at the same time. And then there’s the demon part. What is the demon within; what is the demon on the outside? Is it ego? It may be a fear of death. Or desire. It’s all sorts of fun stuff.” – Keanu Reeves

“It makes me think of speed and a bunch of lights on Sunset. And the devil.” – Desmond Harrington

“The dark underbelly of beauty and the things we would do for beauty.” – Christina Hendricks

Watch The Neon Demon trailer:

‘The Birth of a Nation’ Teaser Trailer Arrives

Nate Parker in The Birth of a Nation
Nate Parker in ‘The Birth of a Nation’ (Photo by Elliot Davis)
Fox Searchlight won the bidding war and snatched up The Birth of a Nation for theatrical release following its premiere at the Sundance Film Festival. The awards buzz has been constant since the film won Sundance’s U.S. Grand Jury Prize: Dramatic and the Audience Award: U.S. Dramatic, and now those who didn’t catch a screening at the festival can watch the two-minute teaser trailer. Written, directed by and starring Nate Parker, The Birth of a Nation features Armie Hammer, Mark Boone Jr., Colman Domingo, Aunjanue Ellis, Dwight Henry, Aja Naomi King, Esther Scott, Roger Guenveur Smith, Gabrielle Union, Penelope Ann Miller and Jackie Earle Haley. The Birth of a Nation opens in theaters on October 7, 2016.


The Plot: Set against the antebellum South, The Birth of a Nation follows Nat Turner (Nate Parker), a literate slave and preacher, whose financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat’s preaching to subdue unruly slaves. As he witnesses countless atrocities – against himself and his fellow slaves – Nat orchestrates and uprising in the hopes of leading his people to freedom.

Watch The Birth of a Nation trailer:

‘Fear the Walking Dead’ is Renewed for Season 3

Cliff Curtis Ruben Blades Fear the Walking Dead season 2
Cliff Curtis as Travis and Ruben Blades as Daniel Salazar in ‘Fear the Walking Dead’ _ Season 2 (Photo Credit: Richard Foreman / AMC)

Fear the Walking Dead kicked off its second season on April 10, 2016 and on April 15, 2016 AMC announced the show will return for a third season. Dubbed Fear the Swimming Dead following the premiere of episode one, season two’s return brought in 8.8 million viewers. Airing on Sunday nights, the prequel to The Walking Dead is now second in cable ratings following behind only the series that spawned it.

Per AMC’s announcement, season three will consist of 16 episodes and will premiere in 2017. Season two stars Kim Dickens as Madison, Cliff Curtis as Travis, Frank Dillane as Nick, Alycia Debnam-Carey as Alicia, Ruben Blades as Daniel, Mercedes Mason as Ofelia, Lorenzo James Henrie as Chris, and Colman Domingo as Strand.


“What Dave Erickson and Robert Kirkman have invented in Fear The Walking Dead is to be applauded. Watching Los Angeles crumble through the eyes of our characters and seeing each make decisions and try to figure out the rules of their new world – it’s fresh, eerie and compelling and we’re all in for the ride,” said Charlie Collier, president of AMC, SundanceTV and AMC Studios. “As Victor Strand observed, ‘The only way to survive a mad world is to embrace the madness.’ We thank the millions of fans for embracing this mad world and look forward to sailing far into the future.”

The Plot: Season one left off with Madison (Dickens), Travis (Curtis) and their extended family taking temporary shelter in Strand’s (Domingo) gated estate overlooking the Pacific Ocean. As civil unrest continues to grow and the dead take over Los Angeles, Strand prepares to escape to “Abigail,” his large yacht moored offshore. Fear the Walking Dead takes us back to the beginning of the zombie apocalypse – a time when the world was changing rapidly for reasons unknown, before anyone understood exactly what was happening, when life as everyone knew it was upended and altered in ways no one could have ever imagined.

‘The Jungle Book’ Movie Review – Believe the Hype

The Jungle Book Characters
Bagheera, Baloo, Mowgli (Neel Sethi) and Raksha (Photo © 2016 Disney Enterprises, Inc)

“The jungle is no longer safe for you,” says Bagheera (voiced by Ben Kingsley). “But this is my home,” replies Mowgli (Neel Sethi) as he’s being told by his oldest friend that it’s time for him to leave the jungle and go live with his own kind – man – in Disney’s live-action remake of their animated 1967 classic film, The Jungle Book, based on Rudyard Kipling’s novel.

Orphaned when he was barely old enough to walk, the man-cub Mowgli was saved by the black panther named Bagheera who took the young child to live with and be raised by the wolves. Now old enough but still not fast enough to run with the wolves (they beat him every time during “play” hunting), Mowgli only knows life in the jungle. He’s still watched over by Bagheera and is happy as can be being raised by Raksha (voiced by Lupita Nyong’o), his wolf mother. His fun life in the jungle however is at an end because the man-hating tiger Shere Khan (voiced by Idris Elba) has returned and threatens the wolf pack. If they don’t give the man-cub over to him he will end the jungle truce and kill them all. Mowgli doesn’t want any living creature to be hurt because of him so he volunteers to leave the pack. Bagheera tells the wolves and Mowgli that he’ll take him to the man village where he will be safe and protected by his own kind.

So Bagheera and Mowgli set off through the jungle on their greatest adventure not knowing that Shere Khan is already hunting the boy or that a large python snake named Kaa (voiced by Scarlett Johansson) has her own plans for the man-cub, as does the gigantic orangutan named King Louie (voiced by Christopher Walken). And, most importantly, they’re unaware that Mowgli is about to meet his best friend, Baloo the bear (voiced by Bill Murray), who will become a vital ally for Mowgli in his eventual fight with Shere Khan.

Darker in tone than the 1967 animated original film and breathtaking to look at, 2016’s The Jungle Book live-action remake has ground-breaking CGI effects and a wonderful voice cast but a very thin storyline. Ben Kingsley is perfectly cast as the voice of Bagheera the black panther, Mowgli’s protector and teacher as well as surrogate father. He brings just the right demeanor and pathos to the character.


Bill Murray is funnier but not quite as lovable as Phil Harris was as the voice of everyone’s favorite jungle bear, Baloo. Harris brought to life the most memorable and beloved character in the original film giving the bear his own personality and stealing the animated film away from all the other characters. Murray also brings his own likeability and quick wit to the role of the bear but doesn’t steal the film in the same way.

Scarlett Johansson is a great choice to voice the sneaky, creepy, slithering snake Kaa and a big improvement over Sterling Holloway who voiced it in the original, (Seriously? The voice of “Winnie the Pooh” is supposed to be menacing? Didn’t happen). Johansson gives the snake an eerie, falsely sweet-sounding personality that is sure to chill your blood. Christopher Walken is wonderfully over-the-top as the voice of King Louie, the orangutan who wants Mowgli to create for him man’s ultimate weapon: the red flower aka fire.

Newcomer Neel Sethi is a solid choice to portray Mowgli, the young man-cub who’s growing up and has to find a way to survive and beat his first deadly enemy in the jungle. Considering the young actor was playing opposite a green screen most of the time, his performance is quite impressive.

The real stars of the film, however, are the stunning special effects that bring to life the plant life of the jungle and all the animals. It’s truly a groundbreaking achievement in special effects and looks amazing. Everything up on the screen except for Neel Sethi as Mowgli is CGI. CGI has never looked so believable or realistic as it does in The Jungle Book down to the very smallest detail such as the fur of the bear and the tiger, the drops of water on leaves, the rushing river water, the massive elephants with their tusks, and the fur and eyes of the little wolf pups. The Jungle Book has now set the bar incredibly high for CGI-driven films.

With spectacular special effects, a legendary voice cast bringing the characters to life, and some exciting action scenes, the live-action The Jungle Book should most certainly be seen up on the big screen.

GRADE: B+

MPAA Rating: PG for some sequences of scary action and peril

Running Time: 105 minutes

Release Date: April 15, 2016

Directed By: Jon Favreau

Gina Rodriguez Interview: ‘Deepwater Horizon’ and ‘Jane the Virgin’

Gina Rodriguez in Deepwater Horizon
Gina Rodriguez stars as ‘Andrea Fleytas’ in ‘Deepwater Horizon’ (Photo Credit: David Lee)

Lionsgate’s presentation at CinemaCon was interrupted 10 minutes into the screening of Now You See Me 2 after a suspicious item was found and the Coliseum at Caesars Palace had to be evacuated. Fortunately for those who wanted to check out Lionsgate’s slate of upcoming theatrical releases, that portion of the presentation had already taken place. Among the films Lionsgate was in Vegas to promote was the dramatic thriller Deepwater Horizon from director Peter Berg. Based on true events, the cast is led by Mark Wahlberg and includes Gina Rodriguez (Jane the Virgin), Kurt Russell (Bone Tomahawk), Dylan O’Brien (Teen Wolf), John Malkovich (Crossbones), and Kate Hudson (Rock the Kasbah).

Rodriguez represented the cast during the CinemaCon presentation, saying her character is a strong woman and she’s praying that people who work on oil rigs will “walk away stronger” after watching the film. Rodriguez also participated in a small press conference following Lionsgate’s shortened presentation in which she spoke passionately about working on a film based on true events and the need to get the character right. She also announced a few Jane the Virgin questions before heading off to receive CinemaCon’s Female Star of Tomorrow award during the Big Screen Achievement Awards ceremony.

Deepwater Horizon opens in theaters on September 30, 2016.

Watch the interview with Gina Rodriguez:

The Plot: On April 20, 2010, the world’s largest man-made disaster occurred on the Deepwater Horizon in the Gulf of Mexico. Directed by Peter Berg, this story honors the brave men and women whose heroism would save many on board, and change everyone’s lives forever.




Anna Kendrick, Zac Efron, Adam DeVine Interview: ‘Mike and Dave Need Wedding Dates’

Adam DeVine, Anna Kendrick, Zac Efron CinemaCon 2016
Adam DeVine, Anna Kendrick and Zac Efron at 20th Century Fox’s CinemaCon Presentation (Photo by Eric Charbonneau/Invision for Twentieth Century Fox/AP Images)
20th Century Fox’s CinemaCon presentation took place on April 14, 2016 with the studio showing off clips and trailers from their slate of upcoming releases. Among the films featured during the presentation was the adult comedy Mike and Dave Need Wedding Dates starring Zac Efron, Anna Kendrick, and Adam DeVine. Efron and DeVine play brothers who need to bring respectable women to their sister’s wedding. Kendrick and Aubrey Plaza play the women who sucker Mike and Dave into believing they’re the perfect choices but are actually playing the guys for a free trip to Hawaii.

Efron, Kendrick and DeVine took the stage at CinemaCon to introduce the film, and Kendrick joked that Efron and DeVine look nothing like brothers. DeVine begged to differ, saying when he looks at Zac it’s like looking in the mirror at a more beautiful version of himself. And following the presentation, the threesome took part in a press conference as the winners of CinemaCon’s Comedy Stars of the Year award. Together in front of a small group of press members, Efron and DeVine talked about bonding as brothers by swimming with sharks. Kendrick discussed tackling comedies and the animated movie Trolls and why she doesn’t want a recording contract. And DeVine also revealed what’s in store on Modern Family.

Watch the Anna Kendrick, Zac Efron and Adam DeVine interview:

Mike and Dave Need Wedding Dates Plot: Hard-partying brothers Mike (Adam Devine) and Dave (Zac Efron) place an online ad to find the perfect dates (Anna Kendrick, Aubrey Plaza) for their sister’s Hawaiian wedding. Hoping for a wild getaway, the boys instead find themselves outsmarted and out-partied by the uncontrollable duo.

Crypt Keeper and ‘Tales from the Crypt’ Live on at TNT

M Night Shyamalan
M Night Shyamalan at the San Diego Comic Con (Photo by Richard Chavez)

M. Night Shyamalan’s reimagining of the classic horror series Tales from the Crypt has been given a 10 episode order from TNT. The horror anthology series will once again be hosted by the Crypt Keeper, with the network saying the series’ fan favorite character will be a “newly reinvented” version of the original Crypt Keeper. The series has received an official order and is expected to debut in 2017.

Tales from the Crypt, based on the EC Comics, will be part of a new horror block on TNT. The network also ordered a pilot episode of the seasonal horror anthology series Time of Death (that title might change) from writers Guy Busick (Watch Over Me) and R. Christopher Murphy. M. Night Shyamalan, Mark Stern, and Stuart Ford are executive producing. Creatures from Naegle Ink and written by In the Flesh‘s Dominic Mitchell is also in development.


“I’m really thrilled about the way this horror block is coming together with the addition of Time of Death and Creatures,” said Shyamalan. “That such a beloved property like Tales from the Crypt is launching our evening makes it an even more unique and exciting opportunity. Across the board, the level of talent has been very inspiring.”

“We couldn’t be more excited to be in business with Night and TNT,” said IM Global Television’s Mark Stern. “Their enthusiasm for the pilot script has been obvious from the outset, and their Tales from the Crypt block is the perfect home.”

Details on Time of Death: Time of Death is planned as an anthology of season-long horror tales that unfold in real time – each one taking viewers hour-by-hour through a single “long night of hell.” The first season will follow a murderous psychopath who returns to his Midwestern hometown during the annual county fair to exact revenge on a community he believes destroyed his life. While the first season of Time of Death will pay tribute to the great slasher films of the 1980s, future seasons will be inspired by the traditions of other horror subgenres.

Details on Creatures: Creatures is a sophisticated psychological thriller that tells the disturbing tale of two former best friends who, at 12 years old, tried to cut out their classmate’s heart as a sacrifice to an internet bogeyman they invented called Mr. Gorgi. Fifteen years later, the two young women have been released from a psychiatric institute into their small town in Alaska, but it’s not long before they start to feel the alluring and terrifying presence of Mr. Gorgi once again. Creatures is a story of deep friendship and dark obsession, where a vivid imagination meets the power of suggestion and the seduction of belief.

‘The Americans’ Season 4 Episode 5 Recap: Clark’s Place

Americans Season 4 Episode 5
Frank Langella, Keri Russell, and Matthew Rhys in ‘The Americans’ (Photo by Eric Liebowitz / Copyright 2016, FX Networks)

“Pressure pushing down on me” from Queen/David Bowie’s “Under Pressure,” played in the closing minutes of this episode, perfectly captures what several characters are experiencing in The Americans season four’s fifth episode. Martha and Paige are feeling the “terror of knowing” what they believe is the truth about Clark/Philip in Martha’s case, and her parents in Paige’s case, and are suffering greatly.

“Where were you?” asks a visibly shaken Martha (an excellent Alison Wright) of Clark/Philip. Philip (Matthew Rhys) doesn’t look very well himself after the Glanders scare in the last episode, but of course he doesn’t answer her question. She tells him that she thought that she was having a heart attack after FBI Agent Gaad noticed a discrepancy in the copy machine count (she had been making copies for Clark), and then Agent Aderholt suspiciously asked her out on a date. She was worried and couldn’t reach Clark, who was quarantined with Elizabeth (Keri Russell), William (Dylan Baker), and Gabriel (Frank Langella), after the deadly bacteria Glanders had sickened Gabriel. Martha tells Clark that it was a panic attack for which she was prescribed Valium.

Paige (Holly Taylor) also asks her parents, “Where were you?” after she spent a sleepless night thinking that her actions in confiding to Pastor Tim about them had put them in danger. She tells them that she can’t pretend that everything is okay when in addition to worrying about them she has to make up stories to tell Agent Beeman (Noah Emmerich) about their absence. Paige, by the way, demonstrated an ability to think quickly on her feet with a plausible lie for Stan Beeman. Elizabeth tells her that maybe we told you too much and declines to tell her more. In keeping with the poor parenting Elizabeth and Philip have demonstrated in leaving their children home alone so much, and in divulging information about their true identities to a young teen, they ask Paige to make up with Pastor Tim even though she felt betrayed by him when he shared her confidences with his wife, Alice.


About the poor parenting issues, is it any wonder that Paige sought out a “family” with Pastor Tim and the congregation when her parents are gone so much? Henry also has found a surrogate father in Stan and spends more time at his home than his own. It’s an example of extreme lack of self-awareness when Elizabeth bemoans the fact that Henry is at Stan’s again.

Oleg (Costa Ronin) is back in the United States after attending his brother’s funeral and learning of Nina’s death. Oleg blames his father for his brother’s death and for not helping Nina (Annet Mahendru). Nina’s execution in the last episode while brutal, unexpected, and traumatic for viewers, was a typical means of execution in the Soviet Union and it could be argued that it was more humane than a long imprisonment in a small, windowless cell wondering when death would come.

Oleg and Stan (who shared a love of Nina) meet in Stan’s car where Oleg tells him of Nina’s death. Oleg, still in mourning for Nina and his brother, is disillusioned with the Soviet Union after his brother, who died fighting for his country in Afghanistan, is given a burial without military honors. Oleg might be susceptible to working with Stan. More of Oleg would be a good thing.

Philip and Elizabeth, concerned about the situation with Martha and with Pastor Tim, meet with their Soviet handler, Gabriel. Philip tells Gabriel that he’s worried that Martha is blown and nothing Gabriel says alleviates Philip’s worry about Martha. Philip genuinely cares for Martha and Elizabeth sees him on the phone with Martha telling her that he loves her. Elizabeth subsequently initiates love-making with Philip.

In a sad tribute to the success with which Elizabeth and Philip are able to deceive, Paige says that her parents “tell me the truth,” and Martha told Agent Aderholdt in last week’s episode that her relationship with Clark/Philip was “the most honest relationship” that she’s been in. Stan tells Philip that he’s a good guy, and Gabriel tells Elizabeth and Philip that they care about people. One of the painful aspects of Elizabeth and Philip’s behavior is that they are taking advantage of Paige and Martha’s love and need to believe in them. That’s why it’s so poignant seeing Paige in bed with her back turned to her parents, and Martha washing down Valium with wine at the end of the show.

Recap: The Americans Season 4 Episode 6

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