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‘True Detective: Night Country’ Episode 1 Recap

True Detective Night Country Episode 1
Jodie Foster in ‘True Detective: Night Country’ episode 1 (Photograph by Michele K. Short/HBO)

Two-time Oscar winner Jodie Foster takes on her first starring role in a television series in 50 years with HBO’s True Detective: Night Country. The fourth season of the award-winning anthology series marks the first season without creator Nic Pizzolatto guiding the action. Instead, Night Country has Issa López at the helm as writer, director, and showrunner of what is easily the best season since the series’ first, proving a fresh set of eyes was exactly what was needed in this case.

Season one starred Matthew McConaughey and Woody Harrelson, and season two focused on characters played by Colin Farrell, Taylor Kitsch, and Rachel McAdams. Season three, which debuted in January 2019, starred Mahershala Ali, Carmen Ejogo, and Stephen Dorff. Season four marks the first time the central characters are two powerful, uncompromising women detectives, Ennis Police Chief Elizabeth Danvers (played by Foster) and Alaska State Trooper Evangeline Navarro (played by Kali Reis).

And now, on with the recap. Spoilers ahead!

Season four episode one begins on December 17, the last sunset of the year in Ennis, Alaska. The opening scene focuses on the Tsalal Arctic Research Station and shows the researchers going about their lives inside the facility. Suddenly, one of the men, Clark, starts convulsing. When he stops, he says, “She’s awake.”

A delivery driver arrives on December 20th and attempts to deliver supplies, but he’s unable to locate anyone. He drops his keys, and while retrieving them, he finds a severed human tongue on the floor under a table.

Over at a fish processing plant, Alaska State Trooper Evangeline “Angie” Navarro (Kali Reis) investigates a report of an injured man in need of medical attention. It’s obvious he was hit in the head with a metal bucket, and she questions the women working nearby. One admits to hitting the man but only after he punched her friend/co-worker. Navarro correctly assesses the problem and places the man under arrest.

She pauses wrestling the prisoner into submission to take a call. Whatever the call’s about stops Navarro in her tracks.

Ennis Police Chief Liz Danvers (Jodie Foster) reports to the research station to begin the investigation. She’s joined by father and son officers Hank (John Hawkes) and Peter Prior (Finn Bennett), who fill her in on the basic details. The researchers are all gone, and none of the vehicles are missing.

After gathering information on the researchers’ last known contact with the town (it’s been a week), they do a more thorough examination of the facility. Food and drinks are still out on tables, and a DVD of Ferris Bueller is still playing. Peter’s cursory review of the facility reveals it’s been in existence 18 years, and the researchers were looking into geology, biology, and climate change in the Arctic.

Liz discovers a handwritten creepy note on the whiteboard that reads: “We are all dead.”

True Detective Night Country Episode 1
Finn Bennett and Jodie Foster in ‘True Detective: Night Country’ episode 1 (Photograph by Michele K. Short/HBO)

Hank thinks they probably went out to do research, but Liz pieces the clues together and determines they have been gone for at least 48 hours. And it appears they left their cell phones behind. Who does that?

Against Hank’s objections, Liz wants to immediately call in rescue and helicopters to begin a search. Liz also quickly figures out that based on the marks on the tongue, it belongs to a Native American woman. (The marks come from working on repairing fishing nets.)

Elsewhere, Rose Aguineau (Fionna Shaw) is working processing a dead animal when she hears someone call out to her. She sees a man standing a short distance away and not dressed for the freezing weather. She says, “Hello, Travis. What do you want?”

Liz makes it back to her office and finds Agent Navarro waiting for her. Navarro is certain the severed tongue belongs a woman who was murdered years ago, but Detective Danvers is equally sure it doesn’t. That woman died six years ago, and this tongue is still fresh. Navarro won’t be dissuaded, and Danvers reminds her she was tossed off that case years ago and is a State Trooper now – not a member of the Alaska Police Force.

The tension between the two officers is palpable, and it’s obvious there’s bad blood between them. Still, Navarro got under her skin and after she leaves, Liz tells Peter to find the dead woman Anne Masu Kowtok’s file. (Anne went by “Annie K” while alive.)

All of this must wait when Liz receives an angry call from her daughter’s 16-year-old girlfriend’s mom. Liz’s daughter, Leah (Isabella Star LaBlanc), made a sex video with her girlfriend and the girl’s mom is justifiably upset.

Liz picks up Leah and while arguing, they narrowly miss getting hit by a drunk driver. The driver, Stacy, is an alcoholic whose license has already been suspended. Fortunately, she’s not injured, but she is placed under arrest.

Agent Navarro meets with Ryan, Annie’s brother, to discuss the case. Navarro learns Annie never talked about Tsalal. Ryan’s a miner and Annie used to be an activist who wanted the mines shut down, so they butted heads a lot before she died.

True Detective Night Country Episode 1
Aka Niviâna and Kali Reis in ‘True Detective: Night Country’ episode 1 (Photograph by Michele K. Short/HBO)

Navarro’s next stop is to check in on her sister. She’s mentally unstable and just called 911 saying someone is inside her apartment. The officer who responded to the call knows Navarro and did Navarro a favor by keeping the call private.

Navarro’s sister Jules apologizes for being a problem and says it was just a little freak-out. Angie promises to help her and promises not to send her to a hospital right now, if she thinks she’ll be okay.

Back at the police station, Liz and Peter dive into researching the source of Tsalal’s funding. Stacy the drunk interrupts their work, yelling from her cell. Hank tries to set her free, but Liz puts her back in the cell to dry out. She also tells Hank she needs Annie K’s files since he took them home when the station experienced flooding.

Hank drags his feet and Liz winds up calling Peter after work hours and asking him to secretly retrieve the file from his dad’s house. (Liz’s need for Peter to be at her beck and call causes tension between Peter and his wife, Kayla.) Peter does as asked and successfully grabs the file without his dad knowing what he’s doing.

Peter delivers the box of files to Liz’s house and demands to know about the case since he stole the box from his dad. Liz explains Annie K was stabbed 30+ times and her tongue was missing. Liz also reveals Navarro was first on the scene, got way too close to the case, and was taken off it by Hank.

The crime scene photos show the brutality of the murder, and Liz explains they never figured out what was used to stab her. The wounds are star-shaped, and the public was never told that her tongue was missing.

Annie K was an activist, protester, and midwife. She had a lot of enemies, and Liz believes they’ll never find her killer.

Navarro’s had a rough day and shows up at Qavvik’s door, ready to work off stress with a little sex. They’re not in a relationship but these visits apparently happen a lot. She feels comfortable enough to use and then steal his SpongeBob toothbrush. Qavvik insists he’s going to stop answering when she calls.

Leah drops our first hint that there’s a drunk driving accident in the family’s past. She tells Liz she doesn’t really need to be her mom and that her dad would have understood. Liz refuses to be drawn into this conversation.

Liz drifts off to sleep and hears a child calling out, “Mommy.” She replies, “Holden,” and then experiences the feeling of a hand touching her shoulder and someone saying, “She’s awake.” She jerks awake and is shocked to find a stuffed polar bear with only one eye on the floor by her bed.

Navarro is clearly still working the Annie K case and calls people who knew her. As the call cuts out, she, too, hears the whispered words, “She’s awake.” She slams on the brakes and stops just feet from a real-life polar bear with one eye standing in the middle of the road.

True Detective Night Country Episode 1
Kali Reis and Jodie Foster in ‘True Detective: Night Country’ episode 1 (Photograph by Michele K. Short/HBO)

Liz lays out one-sheet biographies of the missing Tsalal researchers along with dozens of photos retrieved from the research station. She then goes through Annie K’s files and discovers that in one of Annie’s mug shots, she’s wearing a pink parka that appears to be ripped on the bicep. A photo of the researchers shows one of them wearing that very same parka but with a patch where the rip now is.

Rose sees Travis again outside her window, and this time she follows him out to the middle of nowhere. He does a series of dance moves and then points to his right. She heads the direction he indicates.

Liz returns to the research facility by herself and quickly discovers Navarro has beaten her there. Liz shows her the photo of the man, Raymond Clark, wearing Annie K’s parka and they go through his room. The parka isn’t there.

Liz thinks Navarro should let Annie’s case go because it’s not going to get solved. Navarro reminds her the case isn’t closed and describes everything she saw when she discovered her body. She had broken teeth and broken ribs, and she was kicked after she was dead.

Navarro believes that since wasn’t white, the police didn’t care enough to find the killer.

Peter calls with news that Rose found the missing researchers. Danvers and Navarro hurry to the scene via helicopter, and Rose says that Travis showed her the location. Navarro seems shocked because the Travis she’s talking about is dead. Rose is well aware of that.

Episode one ends with a glimpse of the heads of some of the researchers sticking out of the snow, faces frozen in expressions of terror.

(Opening intro by Rebecca Murray. Recap by Alison Helms.)




‘Monsters: The Lyle and Erik Menendez Story’ Casts Javier Bardem and Chloe Sevigny

Monsters: The Lyle and Erik Menendez Story Javier Bardem
Nicholas Chavez as Lyle Menendez, Chloë Sevigny as Kitty Menendez, Javier Bardem as Jose Menendez in ‘Monsters: The Lyle And Erik Menendez Story’ (Cr. Courtesy Of Netflix © 2024)

Oscar winner Javier Bardem (No Country for Old Men) has signed on to play Jose Menendez and Oscar nominee Chloë Sevigny (Boys Don’t Cry) will star as Kitty Menendez in Netflix’s next installment of Monster. The anthology series kicked off with a season focused on Jeffrey Dahmer, and Monsters: The Lyle and Erik Menendez Story dives into the rich brothers who were convicted of killing their parents.

Alexander Chavez (General Hospital) has come on board as Lyle Menendez and Cooper Koch (They/Them) will play Erik Menendez. The Monster anthology series was created by Ryan Murphy and Ian Brennan, with both serving as executive producers. Additional executive producers include Alexis Martin Woodall, Eric Kovtun, David McMillan, Louise Shore, and Carl Franklin.

DAHMER – Monster: The Jeffrey Dahmer Story premiered in September 2022 and starred Evan Peters in the titular role. DAHMER earned two Critics Choice Awards and was nominated for 13 Primetime Emmys. It also stands as one of just four Netflix series to reach 1 billion views over its first 60 days in release.

Kitty and Jose Menendez were found brutally murdered on August 20, 1989. Suspicion immediately fell on their sons Lyle and Erik Menendez, and during their trial the siblings claimed they killed their parents after years of physical and emotional abuse by both parents. They also claimed they were sexually abused by their father. The prosecution argued Lyle and Erik slaughtered their parents for financial gain.

The jury didn’t believe the brothers’ story and instead sided with the prosecution, returning a verdict of guilty of first-degree murder. Lyle and Erik were sentenced to life in prison without the possibility of parole in 1996.

Monsters: The Lyle and Erik Menendez Story is targeting a 2024 premiere.

 

‘I.S.S.’ Movie Review – War on Earth Affects Life in Space

ISS Star Ariana DeBose
Ariana DeBose in ‘I.S.S’ (Photo Credit: Bleecker Street)

A battle for control of the International Space Station is the focus of director Gabriela Cowperthwaite’s sci-fi thriller I.S.S. The infinity of space provides the backdrop for Cowperthwaite’s film, which restricts the action to the space station and the combatants to just six.

The six include three Americans – played by Oscar winner Ariana DeBose (West Side Story), Chris Messina (The Boogeyman), and John Gallagher Jr. (Gaslight) – and three Russians – played by Pilou Asbæk (Game of Thrones), Masha Mashkova (For All Mankind), and Costa Ronin (The Americans). Of the six, only DeBose’s character, Dr. Kira Foster, is an I.S.S. newbie. Four of the astronauts/cosmonauts are already on board the station when she arrives. And her traveling companion, Gallagher’s Christian Campbell, has previous experience living in the structure that serves as an orbiting scientific laboratory.

Kira’s no-nonsense attitude is immediately at odds with the sociable interactions of her fellow station dwellers. Her military background may play into it, or it could be she’s just feeling like the odd-man-out as the rookie on the roster. It doesn’t help that she’s having a rough time adjusting to the very limited, almost non-existent amount of private space, the language differences, and the lack of room to conduct her experiments on mice in zero gravity.

The rules regarding personal conduct on board the floating station are simple: pay attention to what you’re doing, respect the privacy of others, and keep your political opinions to yourself. It’s that last unwritten rule that leads to drama when political differences on Earth invade the confines of the space station.

Kira’s the first to notice something’s amiss back home. The first brilliant flash that lights up the sky is thought to be a volcanic eruption. However, Kira and her fellow astronauts quickly realize the light didn’t emit from a single explainable natural source. No, it’s obvious war has broken out on Earth as entire continents are engulfed in flame.

What does this mean for the three Americans and three Russians who, up until this catastrophic event, have been living in harmony? The answer arrives via secret messages from the American and Russian governments sent to their respective citizens in space. Both messages order their people to take control of the International Space Station…by any means necessary.

Tensions ratchet up as the full impact of what’s going on 250 miles away back on Earth hits the six individuals. The first shot of the I.S.S. war is fired when one side lies about the need to fix an antenna outside the ship. That lie shatters the peace on board the I.S.S. and leads to a rapid – and fatal – escalation in the battle for control of the orbiting space station.

Screenwriter Nick Shafir and director Cowperthwaite do a terrific job of setting up the dynamics within the space station but never fully flesh out any of the characters. We know little more about these people when the film comes to its riveting conclusion than we did when Kira and Christian arrived on the I.S.S. However, the situation they’re thrust into excuses the lack of character development since it isn’t necessary to get inside their heads to know exactly what’s going on or to understand why each of the six combatants deals with this extraordinary turn of events in the manner they do.

The terrific camera work by Nick Remy Matthews captures the feeling of claustrophobia and being trapped in a space where there’s no easy way to escape. Geoff Wallace’s production design is first-rate, and the score is effective in helping to build up the tension. Cowperthwaite’s direction perfectly utilizes the small space, incorporating weightlessness as yet another way to place the characters in hard-to-control, life-threatening situations.

When push comes to shove, normal items that help the crew function onboard the station – including life-sustaining oxygen – are transformed into weapons. And as suspicions grow and the level of paranoia increases, the characters confront meaty moral issues, including the extent to which loyalty to country should guide their actions.

There’s nary an alien in sight in this suspenseful sci-fi thriller. Instead, it’s humans and our inability to co-exist peacefully that makes I.S.S. not just an entertaining psychological drama but a scary – and realistic – cautionary tale.

GRADE: B

MPAA Rating: R for some violence and language
Release Date: January 19, 2024
Running Time: 1 hour 35 minutes
Studio: Bleecker Street




‘Critics Choice Awards’ 2024 Nominees and Winners

Critics Choice Awards Oppenheimer
‘Oppenheimer’ cast, producer Emma Thomas, and director Christopher Nolan accept the Best Picture Award (Photo by Kevin Winter / Getty Images for Critics Choice Association)

Take that, Golden Globes. Chelsea Handler did a masterful job hosting the 29th Annual Critics Choice Awards, nailing the jokes and showing she completely understood the assignment. Hosting for the second consecutive year, Handler kept the show on track and even called an audible late into the broadcast, bringing Barbie‘s Greta Gerwig and Margot Robbie to the stage to accept the Best Comedy Movie award – one of a dozen not scheduled to be handed out on stage.

The acceptance speeches were heartfelt, lively, and memorable, and America Ferrera’s SeeHer acceptance speech will go down as one of the better speeches in Critics Choice Awards‘ history. Harrison Ford kept his Career Achievement Award acceptance speech short, recognizing the positive changes in the industry over his decades as an actor.

Oppenheimer topped the list of winners on the film side, earning eight including Best Picture, Best Supporting Actor (Robert Downey Jr.), Best Acting Ensemble, Best Director (Christopher Nolan), Best Cinematography, Best Editing, Best Visual Effects, and Best Score. Barbie followed with six, taking home trophies in the Best Original Screenplay, Best Production Design, Best Costume Design, Best Hair & Makeup, and Best Comedy. Ryan Gosling’s shocked face instantly went viral when “I’m Just Ken” was announced as Best Song winner.

Additional film winners included The Holdovers with three, and American Fiction, Anatomy of a Fall, Poor Things, and Spider-Man: Across the Spider-Verse with one.

The Bear and Beef tied with four wins each in the television categories, and the final season of Succession picked up three wins.

Critics Choice Awards Film Nominees and Winners:

BEST PICTURE
American Fiction
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
Maestro
WINNER: Oppenheimer
Past Lives
Poor Things
Saltburn

BEST ACTOR
Bradley Cooper – Maestro
Leonardo DiCaprio – Killers of the Flower Moon
Colman Domingo – Rustin
WINNER: Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy of a Fall
Greta Lee – Past Lives
Carey Mulligan – Maestro
Margot Robbie – Barbie
WINNER: Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Sterling K. Brown – American Fiction
Robert De Niro – Killers of the Flower Moon
WINNER: Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Emily Blunt – Oppenheimer
Danielle Brooks – The Color Purple
America Ferrera – Barbie
Jodie Foster – Nyad
Julianne Moore – May December
WINNER: Da’Vine Joy Randolph – The Holdovers

BEST YOUNG ACTOR/ACTRESS
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Ariana Greenblatt – Barbie
Calah Lane – Wonka
Milo Machado Graner – Anatomy of a Fall
WINNER: Dominic Sessa – The Holdovers
Madeleine Yuna Voyles – The Creator

BEST ACTING ENSEMBLE
Air
Barbie
The Color Purple
The Holdovers
Killers of the Flower Moon
WINNER: Oppenheimer

BEST DIRECTOR
Bradley Cooper – Maestro
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
WINNER: Christopher Nolan – Oppenheimer
Alexander Payne – The Holdovers
Martin Scorsese – Killers of the Flower Moon

BEST ORIGINAL SCREENPLAY
Samy Burch – May December
Alex Convery – Air
Bradley Cooper & Josh Singer – Maestro
WINNER: Greta Gerwig & Noah Baumbach – Barbie
David Hemingson – The Holdovers
Celine Song – Past Lives

BEST ADAPTED SCREENPLAY
Kelly Fremon Craig – Are You There God? It’s Me, Margaret.
Andrew Haigh – All of Us Strangers
WINNER: Cord Jefferson – American Fiction
Tony McNamara – Poor Things
Christopher Nolan – Oppenheimer
Eric Roth & Martin Scorsese – Killers of the Flower Moon

BEST CINEMATOGRAPHY
Matthew Libatique – Maestro
Rodrigo Prieto – Barbie
Rodrigo Prieto – Killers of the Flower Moon
Robbie Ryan – Poor Things
Linus Sandgren – Saltburn
WINNER: Hoyte van Hoytema – Oppenheimer

BEST PRODUCTION DESIGN
Suzie Davies, Charlotte Dirickx – Saltburn
Ruth De Jong, Claire Kaufman – Oppenheimer
Jack Fisk, Adam Willis – Killers of the Flower Moon
WINNER: Sarah Greenwood, Katie Spencer – Barbie
James Price, Shona Heath, Szusza Mihalek – Poor Things
Adam Stockhausen, Kris Moran – Asteroid City

BEST EDITING
William Goldenberg – Air
Nick Houy – Barbie
WINNER: Jennifer Lame – Oppenheimer
Yorgos Mavropsaridis – Poor Things
Thelma Schoonmaker – Killers of the Flower Moon
Michelle Tesoro – Maestro

BEST COSTUME DESIGN
WINNER: Jacqueline Durran – Barbie
Lindy Hemming – Wonka
Francine Jamison-Tanchuck – The Color Purple
Holly Waddington – Poor Things
Jacqueline West – Killers of the Flower Moon
Janty Yates, David Crossman – Napoleon

BEST HAIR AND MAKEUP
WINNER: Barbie
The Color Purple
Maestro
Oppenheimer
Poor Things
Priscilla

BEST VISUAL EFFECTS
The Creator
Guardians of the Galaxy Vol. 3
Mission: Impossible – Dead Reckoning Part One
WINNER: Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse

BEST COMEDY
American Fiction
WINNER: Barbie
Bottoms
The Holdovers
No Hard Feelings
Poor Things

BEST ANIMATED FEATURE
The Boy and the Heron
Elemental
Nimona
WINNER: Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem
Wish

BEST FOREIGN LANGUAGE FILM
WINNER: Anatomy of a Fall
Godzilla Minus One
Perfect Days
Society of the Snow
The Taste of Things
The Zone of Interest

BEST SONG
“Dance the Night” – Barbie
WINNER: “I’m Just Ken” – Barbie
“Peaches” – The Super Mario Bros. Movie
“Road to Freedom” – Rustin
“This Wish” – Wish
“What Was I Made For” – Barbie

BEST SCORE
Jerskin Fendrix – Poor Things
Michael Giacchino – Society of the Snow
WINNER: Ludwig Göransson – Oppenheimer
Daniel Pemberton – Spider-Man: Across the Spider-Verse
Robbie Robertson – Killers of the Flower Moon
Mark Ronson, Andrew Wyatt – Barbie

Critics Choice Awards 2024 Succession
‘Succession’ wins Best Drama at the 29th Annual Critics Choice Awards (Photo by Kevin Winter / Getty Images for Critics Choice Association)

Critics Choice Awards Television Nominees and Winners

BEST DRAMA SERIES
The Crown (Netflix)
The Diplomat (Netflix)
The Last of Us (HBO | Max)
Loki (Disney+)
The Morning Show (Apple TV+)
Star Trek: Strange New Worlds (Paramount+)
WINNER: Succession (HBO | Max)
Winning Time: The Rise of the Lakers Dynasty (HBO | Max)

BEST ACTOR IN A DRAMA SERIES
WINNER: Kieran Culkin – Succession (HBO | Max)
Tom Hiddleston – Loki (Disney+)
Timothy Olyphant – Justified: City Primeval (FX)
Pedro Pascal – The Last of Us (HBO | Max)
Ramón Rodríguez – Will Trent (ABC)
Jeremy Strong – Succession (HBO | Max)

BEST ACTRESS IN A DRAMA SERIES
Jennifer Aniston – The Morning Show (Apple TV+)
Aunjanue Ellis – Justified: City Primeval (FX)
Bella Ramsey – The Last of Us (HBO | Max)
Keri Russell – The Diplomat (Netflix)
WINNER: Sarah Snook – Succession (HBO | Max)
Reese Witherspoon – The Morning Show (Apple TV+)

BEST SUPPORTING ACTOR IN A DRAMA SERIES
Khalid Abdalla – The Crown (Netflix)
WINNER: Billy Crudup – The Morning Show (Apple TV+)
Ron Cephas Jones – Truth Be Told (Apple TV+)
Matthew MacFadyen – Succession (HBO | Max)
Ke Huy Quan – Loki (Disney+)
Rufus Sewell – The Diplomat (Netflix)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Nicole Beharie – The Morning Show (Apple TV+)
WINNER: Elizabeth Debicki – The Crown (Netflix)
Sophia Di Martino – Loki (Disney+)
Celia Rose Gooding – Star Trek: Strange New Worlds (Paramount+)
Karen Pittman – The Morning Show (Apple TV+)
Christina Ricci – Yellowjackets (Showtime)

BEST COMEDY SERIES
Abbott Elementary (ABC)
Barry (HBO | Max)
WINNER: The Bear (FX)
The Marvelous Mrs. Maisel (Prime Video)
Poker Face (Peacock)
Reservation Dogs (FX)
Shrinking (Apple TV+)
What We Do in the Shadows (FX)

BEST ACTOR IN A COMEDY SERIES
Bill Hader – Barry (HBO | Max)
Steve Martin – Only Murders in the Building (Hulu)
Kayvan Novak – What We Do in the Shadows (FX)
Drew Tarver – The Other Two (HBO | Max)
WINNER: Jeremy Allen White – The Bear (FX)
D’Pharaoh Woon-A-Tai – Reservation Dogs (FX)

BEST ACTRESS IN A COMEDY SERIES
Rachel Brosnahan – The Marvelous Mrs. Maisel (Prime Video)
Quinta Brunson – Abbott Elementary (ABC)
WINNER: Ayo Edebiri – The Bear (FX)
Bridget Everett – Somebody Somewhere (HBO | Max)
Devery Jacobs – Reservation Dogs (FX)
Natasha Lyonne – Poker Face (Peacock)

BEST SUPPORTING ACTOR IN A COMEDY SERIES
Phil Dunster – Ted Lasso (Apple TV+)
Harrison Ford – Shrinking (Apple TV+)
Harvey Guillén – What We Do in the Shadows (FX)
James Marsden – Jury Duty (Amazon Freevee)
WINNER: Ebon Moss-Bachrach – The Bear (FX)
Henry Winkler – Barry (HBO | Max)

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Paulina Alexis – Reservation Dogs (FX)
Alex Borstein – The Marvelous Mrs. Maisel (Prime Video)
Janelle James – Abbott Elementary (ABC)
Sheryl Lee Ralph – Abbott Elementary (ABC)
WINNER: Meryl Streep – Only Murders in the Building (Hulu)
Jessica Williams – Shrinking (Apple TV+)

BEST LIMITED SERIES
WINNER: Beef (Netflix)
Daisy Jones & the Six (Prime Video)
Fargo (FX)
Fellow Travelers (Showtime)
Lessons in Chemistry (Apple TV+)
Love & Death (HBO | Max)
A Murder at the End of the World (FX)
A Small Light (National Geographic)

BEST MOVIE MADE FOR TELEVISION
The Caine Mutiny Court-Martial (Showtime)
Finestkind (Paramount+)
Mr. Monk’s Last Case: A Monk Movie (Peacock)
No One Will Save You (Hulu)
WINNER: Quiz Lady (Hulu)
Reality (HBO | Max)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Matt Bomer – Fellow Travelers (Showtime)
Tom Holland – The Crowded Room (Apple TV+)
David Oyelowo – Lawmen: Bass Reeves (Paramount+)
Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie (Peacock)
Kiefer Sutherland – The Caine Mutiny Court-Martial (Showtime)
WINNER: Steven Yeun – Beef (Netflix)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Kaitlyn Dever – No One Will Save You (Hulu)
Carla Gugino – The Fall of the House of Usher (Netflix)
Brie Larson – Lessons in Chemistry (Apple TV+)
Bel Powley – A Small Light (National Geographic)
Sydney Sweeney – Reality (HBO | Max)
Juno Temple – Fargo (FX)
WINNER: Ali Wong – Beef (Netflix)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
WINNER: Jonathan Bailey – Fellow Travelers (Showtime)
Taylor Kitsch – Painkiller (Netflix)
Jesse Plemons – Love & Death (HBO | Max)
Lewis Pullman – Lessons in Chemistry (Apple TV+)
Liev Schreiber – A Small Light (National Geographic)
Justin Theroux – White House Plumbers (HBO | Max)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
WINNER: Maria Bello – Beef (Netflix)
Billie Boullet – A Small Light (National Geographic)
Willa Fitzgerald – The Fall of the House of Usher (Netflix)
Aja Naomi King – Lessons in Chemistry (Apple TV+)
Mary McDonnell – The Fall of the House of Usher (Netflix)
Camila Morrone – Daisy Jones & the Six (Prime Video)

BEST FOREIGN LANGUAGE SERIES
Bargain (Paramount+)
The Glory (Netflix)
The Good Mothers (Hulu)
The Interpreter of Silence (Hulu)
WINNER: Lupin (Netflix)
Mask Girl (Netflix)
Moving (Hulu)

BEST ANIMATED SERIES
Bluey (Disney+)
Bob’s Burgers (Fox)
Harley Quinn (HBO | Max)
WINNER: Scott Pilgrim Takes Off (Netflix)
Star Trek: Lower Decks (Paramount+)
Young Love (HBO | Max)

BEST TALK SHOW
The Graham Norton Show (BBC America)
Jimmy Kimmel Live! (ABC)
The Kelly Clarkson Show (NBC)
WINNER: Last Week Tonight with John Oliver (HBO | Max)
Late Night with Seth Meyers (NBC)
The Late Show with Stephen Colbert (CBS)

BEST COMEDY SPECIAL
Mike Birbiglia: The Old Man and the Pool (Netflix)
Alex Borstein: Corsets & Clown Suits (Prime Video)
John Early: Now More Than Ever (HBO | Max)
WINNER: John Mulaney: Baby J (Netflix)
Trevor Noah: Where Was I (Netflix)
Wanda Sykes – I’m an Entertainer (Netflix)




‘So Help Me Todd’ Season 2 Episode 1 Cast, Photos, and “Iceland Was Horrible” Plot

So Help Me Todd Season 2 Episode 1
Skylar Astin as Todd and Marcia Gay Harden as Margaret in ‘So Help Me Todd’ season 2 episode 1 (Photo: Michael Courtney © 2023 CBS Broadcasting, Inc)

Lisa Rinna guest stars a co-anchor of the Morning Show on CBS’s So Help Me Todd season two episode one. Directed by Nancy Hower from a script by Scott Prendergast, episode one – “Iceland Was Horrible” – will air on Thursday, February 15, 2024 at 9pm ET/PT.

Oscar winner Marcia Gay Harden leads the cast as Margaret Wright and Skylar Astin stars as the titular Todd. Season two also features Madeline Wise as Allison, Tristen J. Winger as Lyle, Inga Schlingmann as Susan, and Rosa Arredondo as Francey.

“Iceland Was Horrible” Plot: Margaret and Todd tackle a case involving a murder on live local morning news and must rethink their working relationship after Todd decides to open his own PI business. Additional guest stars include Jeffrey Nordling and Thomas Cadrot.

So Help Me Todd Season 2 Episode 1
Lisa Rinna as Jennifer and Marcia Gay Harden as Margaret in season 2 episode 1 (Photo: Michael Courtney © 2023 CBS Broadcasting, Inc)

The Plot, Courtesy of CBS:

So Help Me Todd stars Academy Award winner Marcia Gay Harden and Skylar Astin as razor-sharp, meticulous attorney Margaret Wright and Todd, her talented but scruffy, aimless son whom she hires as her law firm’s in-house investigator. As the black sheep of the well-heeled Wright family, Todd is a laidback, quick-thinking, excellent former private detective who fell on hard times after his flexible interpretation of the law got his license revoked.

Margaret’s penchant for excellence and strict adherence to the law is at complete odds with Todd’s scrappy methods of finding his way through sticky situations: by the seat of his wrinkled pants. When Todd inadvertently teams with his mother on a case, she’s surprised to find herself duly impressed by – and proud of – his crafty ability to sleuth out information with his charm and his wide-ranging tech savvy. At last, Margaret sees a way to put her son on a “suitable” path to living an adult, financially solvent life she approves of, and she asks him to join her firm. Todd agrees, since it means getting his license back and once again doing the job he excels at and loves.

Mother and son working together is a big first step toward mending their fragile, dysfunctional relationship, and they may even come away with a better understanding of each other at this pivotal point in their lives. But whether Todd and Margaret will be able to accept each other for who they are is another case entirely.

So Help Me Todd Season 2 Episode 1
Skylar Astin as Todd in season 2 episode 1 (Photo: Michael Courtney © 2023 CBS Broadcasting, Inc)
So Help Me Todd Season 2 Episode 1
Jeffrey Nordling as Gus Easton in season 2 episode 1 (Photo: Michael Courtney © 2023 CBS Broadcasting, Inc)
So Help Me Todd Season 2 Episode 1
Skylar Astin as Todd and Thomas Cadrot as Chet in season 2 episode 1 (Photo: Michael Courtney © 2023 CBS Broadcasting, Inc)
So Help Me Todd Season 2 Episode 1
Thomas Cadrot as Chet and Matthew Wikas as Lawrence in the “Iceland Was Horrible” episode (Photo: Michael Courtney © 2023 CBS Broadcasting, Inc)
So Help Me Todd Season 2 Episode 1
Madeline Wise as Allison in season 2 episode 1 (Photo: Michael Courtney © 2023 CBS Broadcasting, Inc)




‘Mean Girls’ Review – The 2024 Musical Version

Mean Girls
Jaquel Spivey plays Damian, Angourie Rice plays Cady and Auli’i Cravalho plays Janis in ‘Mean Girls’ (Photo: Jojo Whilden © 2023 Paramount Pictures)

It’s a badge of honor for a movie to be made into a stage musical. It’s an even bigger badge of honor for that musical to be adapted back into a movie of its own. But here we are – 20 years after Mean Girls hit theaters and six years after the show hit Broadway, Mean Girls the musical is now a movie.

Mean Girls is about a teenager named Cady Heron (Angourie Rice) who, until now, has been homeschooled by her mother while Mom does research in Africa. Cady finally gets a chance to attend a regular high school, and it goes about as well as one would expect. To put it plainly, Cady is socially awkward.

She meets a pair of like-minded misfits named Janis and Damian (Auli’i Cravalho and Jaquel Spivey), but she also catches the eye of “The Plastics,” a group of popular girls led by the ruthlessly shallow Regina George (Reneé Rapp). Janis and Damian see this as a chance to use Cady to get an inside look at The Plastics for their own gains, while Cady is left wondering who her real friends are.

Oh, and there’s a popular boy named Aaron Samuels (Christopher Briney) involved.

And everyone sings about it.

Those who are familiar with the original Mean Girls will recognize right away that this version sticks pretty closely to that story. Which is a good thing because that story would be tough to top. This adaptation of an adaptation of Mean Girls seems to have been a passion project for writer Tina Fey (who also reprises her role as Cady’s math teacher, Ms. Norbury, from the original, which she also co-wrote), and her wickedly sly sense of humor comes through wonderfully.

Directors Samantha Jayne and Arturo Perez Jr. seem to share that sense of humor, also injecting a good dose of the post-millennial anxiety that was so prominent in their short film series Quarter Life Poetry into the mix. So Mean Girls feels sympathetic towards its high school heroes while simultaneously poking fun at them. A great combination of heart and humor.

Mean Girls is also perfectly cast. If there was a way to improve upon the casting of the original, this movie found it. Angourie Rice is a great Cady, with an arc that takes her from naïve newcomer to full-fledged popular girl. Reneé Rapp’s Regina George is brilliant as well, the kind of character that makes the audience want to slap her, and her performance is helped immensely by the fact that Rapp is the strongest singer of the ensemble. The most improved character, however, is Jaquel Spivey’s Damien. The hysterical young actor has a presence that steals every scene he’s in.

And then, there’s the music. Not to throw shade at The Color Purple, but that movie musical didn’t exactly work. The music was good, and the story was good, but together, they clashed. With Mean Girls, the music and story mesh. The songs are all catchy modern pop, and each one feels like an extension of the character who sings it. Whether it’s Cady singing about being “Stupid With Love” or Regina singing about watching the “World Burn,” you know exactly who you’re dealing with when they break into song.

To say Mean Girls is fun is an understatement. It’s uproarious, raucous, hilarious fun. This is a Mean Girls for the new generation. Even if the old generation will love it just as much.

Grade – B+

MPAA Rating: PG-13 (Teen Drinking|Strong Language|Sexual Material)
Running Time: 1 hour 52 minutes
Release Date: January 12, 2024
Studio: Paramount Pictures




‘FBI’ Season 6 Episode 1 Cast, Photos, and “All the Rage” Plot

CBS’s FBI kicks off season six with an episode that finds the team on the hunt for a terrorist organization. Directed by Alex Chapple from a script by Rick Eid and Joe Halpin, season six episode one will air on Tuesday, February 13, 2024 at 8pm ET/PT.

Season six stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “OA” Zidan, and Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine. Alana De La Garza plays Special Agent in Charge Isobel Castille, John Boyd is Special Agent Stuart Scola, and Katherine Renee Kane stars as Special Agent Tiffany Wallace.

“All the Rage” Plot: When a bus explosion kills several innocent people, the team jumps into action to take down the responsible terrorist organization. Meanwhile, Scola tries to balance fatherhood with the job.

FBI Season 6 episode 1
Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom ‘OA’ Zidan, Katherine Renee Kane as Special Agent Tiffany Wallace, and John Boyd as Special Agent Stuart Scola in ‘FBI’ season 6 episode 1 (Photo: Bennett Raglin © 2023 CBS Broadcasting, Inc.)

The Plot, Courtesy of CBS:

From Emmy Award winner Dick Wolf and the team behind the Law & Order brand, FBI is a fast-paced drama about the inner workings of the New York office of the Federal Bureau of Investigation. This elite unit brings to bear all their talents, intellect, and technical expertise on major cases in order to keep New York and the country safe.

Born into a multigenerational law enforcement family, Special Agent Maggie Bell commits deeply to the people she works with as well as those she protects. Her partner is Special Agent Omar Adom “OA” Zidan, a West Point graduate via Bushwick who spent two years undercover for the DEA before being cherry-picked by the FBI. Overseeing them is Special Agent in Charge Isobel Castille, who operates under intense pressure and has undeniable command authority.

The team also includes Assistant Special Agent in Charge Jubal Valentine, the nerve center of the office whose ability to easily relate to and engage with both superiors and subordinates makes him a master motivator. The smart and outspoken Special Agent Tiffany Wallace, who spent six years with the NYPD, is partner to Special Agent Stuart Scola, an Ivy League-educated Wall Streeter-turned-FBI agent. These first-class agents tenaciously investigate cases of tremendous magnitude, including terrorism, organized crime, and counterintelligence.

FBI Season 6 episode 1
Alana De La Garza as Special Agent in Charge Isobel Castille and Zeeko Zaki as Special Agent Omar Adom ‘OA’ Zidan in season 6 episode 1 (Photo: Bennett Raglin © 2023 CBS Broadcasting, Inc)
FBI Season 6 Episode 1
John Boyd as Special Agent Stuart Scola and Katherine Renee Kane as Special Agent Tiffany Wallace in season 6 episode 1 (Photo: Bennett Raglin © 2023 CBS Broadcasting, Inc)
FBI Season 6 Episode 1
Zeeko Zaki as Special Agent Omar Adom ‘OA’ Zidan and Missy Peregrym as Special Agent Maggie Bell in the “All the Rage” episode (Photo: Bennett Raglin © 2023 CBS Broadcasting, Inc.)
FBI Season 6 Episode 1
John Boyd as Special Agent Stuart Scola, Zeeko Zaki as Special Agent Omar Adom ‘OA’ Zidan, Missy Peregrym as Special Agent Maggie Bell, and Katherine Renee Kane as Special Agent Tiffany Wallace in season 6 episode 1 (Photo: Bennett Raglin © 2023 CBS Broadcasting, Inc)
FBI Season 6 Episode 1
Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine in season 6 episode 1 (Photo: Bennett Raglin © 2023 CBS Broadcasting, Inc)
FBI Season 6 Episode 1
Missy Peregrym as Special Agent Maggie Bell and Zeeko Zaki as Special Agent Omar Adom ‘OA’ Zidan in season 6 episode 1 (Photo: Bennett Raglin © 2023 CBS Broadcasting, Inc)




‘NCIS’ Season 21 Episode 1 Preview: Photos, Cast, and Plot Details

NCIS Season 21 Episode 1
Wilmer Valderrama as NCIS Special Agent Nicholas “Nick” Torres in ‘NCIS’ season 21 episode 1 (Photo: Robert Voets © 2023 CBS Broadcasting, Inc)

Season 20 of CBS’s NCIS ended on a massive cliffhanger, and according to the official season 21 episode one synopsis, Torres’ story is going to be front and center when the new season picks up. Directed by Diana Valentine from a script by Christoper J. Waild, season 21 episode one – “Algún Día” – will air on Monday, February 12, 2024 at 9pm ET/PT.

Season 21 stars Sean Murray as Special Agent Timothy McGee, Wilmer Valderrama as Special Agent Nickolas “Nick” Torres, Brian Dietzen as Dr. Jimmy Palmer, Diona Reasonover as Forensic Scientist Kasie Hines, and Katrina Law as Special Agent Jessica Knight. Rocky Carroll plays NCIS Director Leon Vance and Gary Cole is NCIS Special Agent Alden Parker.

“Algún Día” Plot: The NCIS team must help Torres when he puts his future at stake by confronting the man who tormented his family when he was a child.

NCIS Season 21 Episode 1
Katrina Law as NCIS Special Agent Jessica Knight and Gary Cole as FBI Special Agent Alden Parker in season 21 episode 1 (Photo: Robert Voets © 2023 CBS Broadcasting, Inc)

Series Description, Courtesy of CBS:

NCIS (Naval Criminal Investigative Service) focuses on the sometimes complex and always amusing dynamics of a team forced to work together in high-stress situations. Special Agent Alden Parker, a quirky former FBI agent who solves his cases with calm professionalism and sharp, sarcastic charm, leads the NCIS team, which includes NCIS Special Agent Timothy McGee, an MIT graduate with a knack for computers who has now graduated to senior field agent; the charismatic, unpredictable and resilient NCIS Special Agent Nicholas “Nick” Torres, who has spent most of his career on solo undercover assignments; and sharp, athletic and tough NCIS Special Agent Jessica Knight, a formidable REACT agent who specializes in hostage negotiations and high-risk operations.

Assisting the team is the naïve Jimmy Palmer, who graduated from assistant to fully licensed medical examiner and now runs the morgue; and forensic scientist Kasie Hines, Ducky’s former graduate assistant. Overseeing operations is NCIS Director Leon Vance, an intelligent, highly trained agent who can always be counted on to shake up the status quo. From murder and espionage to terrorism and stolen submarines, these special agents investigate all crimes with Navy or Marine Corps ties.

Donald P. Bellisario created the series and serves as an executive producer along with Steven D. Binder, David J. North, Chas. Floyd Johnson, and Mark Harmon. Additional executive producers include Scott Williams, Christopher J. Waild, and Mark R. Schilz.

NCIS Season 21 Episode 1
Katrina Law as NCIS Special Agent Jessica Knight, Sean Murray as Special Agent Timothy McGee, and Gary Cole as FBI Special Agent Alden Parker in season 21 episode 1 (Photo: Robert Voets © 2023 CBS Broadcasting, Inc)
NCIS Season 21 Episode 1
Rocky Carroll as NCIS Director Leon Vance in season 21 episode 1 (Photo: Robert Voets © 2023 CBS Broadcasting, Inc)
NCIS Season 21 Episode 1
Rocky Carroll as NCIS Director Leon Vance, Katrina Law as NCIS Special Agent Jessica Knight, Gary Cole as FBI Special Agent Alden Parker, and Sean Murray as Special Agent Timothy McGee in season 21 episode 1 (Photo: Robert Voets © 2023 CBS Broadcasting, Inc)
NCIS Season 21 Episode 1
Wilmer Valderrama as NCIS Special Agent Nicholas “Nick” Torres in season 21 episode 1 (Photo: Robert Voets © 2023 CBS Broadcasting, Inc.)




PGA Announces the 2024 Producers Guild Awards Nominees

Killers of the Flower Moon
Director Martin Scorsese and Lily Gladstone on the set of ‘Killers of the Flower Moon’ (Photo Courtesy of Apple TV+)

The Producers Guild of America (PGA) has weighed in on the best of 2023, with nominees announced in feature films, animated films, TV series/specials, limited/anthology series, television or streamed films, and documentaries. The annual Producers Guild Awards are one of the best indicators of what film will take home the Best Picture Oscar, with the guild reporting 15 of their last 20 winners have won Academy Awards.

Last year’s winner Everything Everywhere All at Once not only won Best Picture, but also picked up six additional Oscars in the Best Original Screenplay, Best Director, Best Actress (Michelle Yeoh), Best Supporting Actress (Jamie Lee Curtis), Best Supporting Actor (Ke Huy Quan), and Best Editing categories.

Winners will be announced during the 35th Annual Producers Guild Awards set for Sunday, February 25, 2024 at The Ray Dolby Ballroom, Ovation Hollywood at Hollywood and Highland. The ceremony will also include the presentation of the David O. Selznick Achievement Award to Martin Scorsese. Charles D. King will be recognized with the Milestone Award.

Producers Guild awards Nominees:

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
The Zone of Interest

Award for Outstanding Producer of Animated Theatrical Motion Pictures
The Boy and the Heron
Elemental
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Norman Felton Award for Outstanding Producer of Episodic Television – Drama
The Crown
The Diplomat
The Last of Us
The Morning Show
Succession

Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy
Barry
The Bear
Jury Duty
Only Murders in the Building
Ted Lasso

David L. Wolper Award for Outstanding Producer of Limited or Anthology Series Television
All the Light We Cannot See
BEEF
Daisy Jones and the Six
Fargo
Lessons in Chemistry

Award for Outstanding Producer of Televised or Streamed Motion Pictures
Black Mirror: Beyond the Sea
Mr. Monk’s Last Case: A Monk Movie
Quiz Lady
Reality
Red, White & Royal Blue

Award for Outstanding Producer of Non-Fiction Television
60 Minutes
The 1619 Project
Albert Brooks: Defending My Life
Being Mary Tyler Moore
Welcome to Wrexham

Award for Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television
Carol Burnett: 90 Years Of Laughter + Love
Chris Rock: Selective Outrage
Dave Chappelle: The Dreamer
Last Week Tonight with John Oliver
Saturday Night Live

Award for Outstanding Producer of Game & Competition Television
The Amazing Race
RuPaul’s Drag Race
Squid Game: The Challenge
Top Chef
The Voice

The following nominees were previously announced:

The Award for Outstanding Producer of Documentary Motion Picture
20 Days in Mariupol
American Symphony
Beyond Utopia
The Disappearance of Shere Hite
The Mother of All Lies
Smoke Sauna Sisterhood
Squaring the Circle (The Story of Hipgnosis)

The Award for Outstanding Sports Program
100 Foot Wave
Beckham
Formula 1: Drive to Survive
Hard Knocks: Training Camp with the New York Jets
Shaun White: The Last Run

The Award for Outstanding Children’s Program
Goosebumps
Gremlins: Secrets of the Mogwai
Sesame Street
Star Wars: The Bad Batch
The Velveteen Rabbit

The Award for Outstanding Short-Form Program
Carpool Karaoke: The Series
I Think You Should Leave with Tim Robinson
The Last of Us: Inside the Episode
Only Murders in the Building: One Killer Question
Succession: Controlling the Narrative




‘Parish’ Starring Giancarlo Esposito Unveils New Teaser

AMC Networks’ new teaser trailer for Parish finds Giancarlo Esposito (Better Call Saul, The Mandalorian) reciting “The Lord’s Prayer” as scenes of car crashes and buildings on fire flit by in the background. Described as a high-octane drama, the six-episode season is targeting a March 2024 premiere.

Joining Critics Choice Award winner Giancarlo Esposito are Zackary Momoh (The Nevers), Skeet Ulrich (Riverdale), Paula Malcomson (Watchmen), Bonnie Mbuli (Invictus), Ivan Mbakop (Hawkeye), Arica Himmel (Mixed-ish), and Dax Rey (The Good Fight). Emmy winner Bradley Whitford (The West Wing) appears in a recurring role, and SAG nominee Amanda Brugel (The Handmaid’s Tale) guest stars.

“In the series, Esposito stars as Gracian ‘Gray’ Parish, a family man and proud owner of a luxury car service in New Orleans,” reads AMC’s synopsis. “After his son is violently murdered and his business collapses, an encounter with an old friend from his days as a wheelman resurfaces old habits, sending Gray on a high-stakes collision course with a violent criminal syndicate.”

Parish is based on the popular U.K. series The Driver from Danny Brocklehurst and Jim Poyser. Brocklehurst and Poyser are involved as executive producers. Additional executive producers include series star Giancarlo Esposito, Josh Kesselman, Danny Sherman, Barry Jossen, Tana Jamieson, Theo Travers, Scribbler Films’ Jolyon Symonds and David Morrissey, and Red Production’s Nicola Shindler.

Eduardo Javier Canto and Ryan Maldonado guide the series, which was shot on location in New Orleans, as showrunners and executive producers.




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