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‘Lawmen: Bass Reeves’ Episode 5 Recap

Lawmen Bass Reeves Episode 5 Recap
Forrest Goodluck as Billy Crow and David Oyelewo as Bass Reeves in ‘Lawmen: Bass Reeves’ episode 5 (Photo Credit: Lauren Smith/Paramount+)

Paramount+’s Lawmen: Bass Reeves episode five opens with the disturbing sight of a dead man hanging from a tree. Attached to his chest is a note that reads, “Bass Reeves will swing here.”

Bass (David Oyelowo) stakes out an area, sending Billy (Forrest Goodluck) into Bywater’s General Store while watching what goes down from afar. Billy returns to report that five armed men are hanging out inside, including the outlaw, Jim Webb. Bass and Billy move in closer, and Bass immediately comes under fire as he approaches the building.

Bass manages to make it to the building and exchanges Bible passages with Webb and his men. Billy and Bass bust into the store through different doors, and the ensuing shootout results in a few of Webb’s men dying and Billy taking a bullet to the side of his neck.

Jim makes a run for it, and Bass pursues him, with a corral loaded with steer separating the lawman and the outlaw. They fire at each other over the heads of the cattle, and Bass is grazed but not injured. Jim leaves the cover of the corral, and it’s an easy shot by Bass to take him down.

Back inside the store, Billy’s gotten to his feet while maintaining pressure on his neck wound. The man he shot is fatally wounded but still gasping for breath while staring at Billy. That freaks Billy out, and Bass warns him that shooting people doesn’t get any easier.

Billy does as ordered and puts the dying man out of his misery.

They collect the boots from the dead outlaws, and Bass steps outside with a sledgehammer. A dog’s chained up outside, and Bass uses the sledgehammer to break his chain, setting him free.

Bass and Billy finally arrive back in town with the men they’ve rounded up, while on the Reeves’ farm, Sally (Demi Singleton) resents having to work beside her mom on their farm. Sally believes her dad makes enough that they can afford to hire help. Jennie (Lauren E. Banks) insists that a little manual labor will keep Sally from getting spoiled.

Jennie reveals she knows Sally’s been secretly meeting up with Arthur, even though she forbids it. Sally’s frustrated and wonders when she’ll be old enough to do anything fun.

Bass steps into Judge Parker’s courtroom as Parker (Donald Sutherland) delivers a speech to a man just found guilty of murder. He then heads over to collect his earnings – $752.75 – and is happy to be heading home with cash in his pocket. Bass has been on the road rounding up criminals for 41 days and just wants to see his family. However, it turns out this reunion’s going to be a short one.

Sherrill Lynn (Dennis Quaid) delivers the bad news that Judge Parker wants Bass to escort prisoner Jackson Cole, currently locked up in Atoka for stealing horses, to Red River where he’ll be tried for killing a candidate for Texas state senator.

Apparently, Lynn’s no longer allowed to do field work and instead is stuck pushing papers – which he hates. That means it’ll be up to Bass to retrieve and deliver Cole, per Judge Parker’s orders. And he’ll have to leave tomorrow.

Bass makes it home, busting out with a huge smile as he hugs his wife. The younger kids don’t seem happy to see him, but Sally’s overjoyed that her dad’s home. She’s even picked out a dress she’s wearing to the carnival he promised to take her to.

Bass and Jennie catch up that night in bed, and Bass confesses that being in Jennie’s arms is what he missed the most while on the road.

The following morning, Billy knocks on the window as the family’s ready to enjoy their breakfast. Bass didn’t mention having to leave again for a week, or that he’ll have to miss taking Sally to the carnival. Bass promises he’ll take her twice next year, but Sally’s too upset and disappointed to care that her dad doesn’t have a choice.

Jennie sends all the kids upstairs, furious that Bass didn’t mention this last night. His kids don’t even recognize him anymore because he’s always gone. Jennie wonders which oath means more to him – the one he swore to her or the one he swore to the law.

A short while later, Sally’s collecting eggs in the henhouse when Jennie suggests she ask Arthur to take her to the carnival. Sally finally has a reason to smile.

Lawmen Bass Reeves Episode 5 Recap
Tosin Morohunfola as Jackson Cole, David Oyelowo as Bass Reeves, and Forrest Goodluck as Billy Crow in ‘Lawmen: Bass Reeves’, episode 5 (Photo Credit: Lauren Smith/Paramount+)

Bass and Billy pick up Jackson (Tosin Morohunfola) from Atoka, and Billy wonders why Jackson killed the candidate. Bass sends Billy ahead to scout the area just so that he’ll stop talking. Jackson points out that they don’t give Blacks badges in Texas.

Thunder roars when they’re taking a break, and Billy’s back to running his mouth. Bass warns him he’s speaking like a fool, and Billy demands Bass tell him what’s changed in their relationship. Bass explains that he no longer thinks Billy has the “grit” to be a Deputy Marshal. Bass blames himself for not teaching Billy the right way to handle the job.

Billy, for once, is speechless. Finally, he asks if Bass is giving up on him. He isn’t.

Bass and Jackson discuss life, and Jackson reveals he was in Galveston for the reading of the Emancipation Proclamation. He believed he was witnessing history but came to realize it was really just “a white man reading words.”

The thunderstorm hits, and Billy, Jackson, and Bass ride through the trees, trying to escape the weather.

Sally and Arthur (Lonnie Chavis) wander through the carnival, looking at the bearded lady, a kangaroo, and other attractions they’ve never seen before in their young lives. They’re having a great time until a young girl pulls out her white privilege card and steps in front of them in line to see the elephant. Sally won’t tolerate such behavior, and the child is fortunate that her dad shows up to rescue her from the tongue-lashing she deserves.

Lawmen Bass Reeves Episode 5 Recap
Lauren E Banks as Jennie Reeves and Joaquina Kalukango as Esme in ‘Lawmen: Bass Reeves’ episode 5 (Photo Credit: Lauren Smith/Paramount+)

While Sally’s out, Jennie’s friend Esme (Joaquina Kalukango) pays her a visit. Esme asks why Jennie let Sally attend the carnival with a boy, given the world they live in. Esme insists Black people have been disappearing around here, but Jennie thinks that’s just a rumor. However, Esme knows a man named Samson who disappeared in Red Fork. His clothes were still in the room he rented, but there was no sign of him anywhere. Other hotel guests heard horses in the night but don’t know what happened.

Esme’s adamant that he was snatched up by men just because he was Black.

Jennie realizes Esme could be right, and the two women head off to the carnival to check on Sally and Arthur.

Bass takes Jackson’s handcuffs off before Billy knocks on a door seeking shelter. The couple inside speak Spanish and, fortunately, so does Billy. He promises they won’t make any trouble and are the law. The woman knows the law is trouble but allows them inside anyway.

The men are enjoying a hot meal when Billy notices mushrooms on the counter, sniffs his drink, and motions to Bass not to drink anything. Bass understands and motions to Jackson to put down his cup.

Billy interprets as the woman says death is following them. Billy assumes she’s sensing their prisoner’s death, but she shakes her head and points at Bass.

After dinner, Bass stares into the fire and hears voices (he took a small sip before Billy told him not to) while Billy asks if the woman can do magic to make the woman he loves want to be with him. She insists he doesn’t need magic; his neck wound proves he’s already a lucky man.

She offers to clean Bass’s thoughts, but he declines as wolves howl outside. He steps outside and has a smoke with Jackson. Jackson recalls how his regiment rode throughout Texas spreading the word that slaves are now free. They stopped at the Rockrose Plantation owned by James Neblett and discovered Neblett was burning his slaves.

The regiment wasn’t even allowed to bury the bodies.

A decade later, Jackson moved back to Texas and discovered Neblett was running for office and promising to turn back the clock to before the war. Jackson saw what he did to one plantation and would not allow it to happen again.

Sally and Arthur are walking home when four young men, including the brother of the racist white girl, surround them on the road. Sally stands up to them and punches the leader in the face. A brawl breaks out, and Sally knees another boy in the chest. Arthur is a decent fighter, and the fight ends less than a minute after it begins with the boys who started it running away.

Arthur’s upset and believes they have to tell someone, but Sally insists it’s over. Just then, Jennie and Esme ride up and neither Arthur nor Sally reveal what just happened. Esme sees a rip in Arthur’s pants, and Sally quickly lies and says it happened at the carnival.

Morning arrives, and Bass leaves money on the table before joining Jackson and Billy outside. He places the cuffs back on Jackson, and it’s obvious Jackson’s story has deeply affected him, yet he must keep his oath to the law.

The weather’s improved as they make their way to the meeting with the Rangers. Bass is shocked when they arrive at the small tent to discover the Ranger is none other than Esau Pierce (Barry Pepper), the ex-soldier who killed young Curtis back at the Turkey Creek Trading Post in May 1865.




‘Monarch: Legacy of Monsters’ Episode 3 Recap: “Secrets and Lies”

Monarch Legacy of Monsters Episode 3
Kurt Russell, Kiersey Clemons, Ren Watabe and Anna Sawai in ‘Monarch: Legacy of Monsters’ episode 3 (Photo Credit: Apple TV+)

Apple TV+’s Monarch: Legacy of Monsters episode three picks up seconds after the end of episode two, with the elderly Lee Shaw (Kurt Russell, a spry 72 playing 91) warning Cate (Anna Sawai), May (Kiersey Clemons), and Kentaro (Ren Watabe) they have one minute to decide if they’re going to break him out of the “retirement” community. Kentaro and Cate are desperate to know what happened to their dad, and Lee’s their only hope.

The foursome make a run for the van, and Lee’s totally confused when the van doesn’t need a key to start. Still, he’s the designated driver since he’s got experience fighting his way out of trouble.

Lee rams the front gates and Kentaro realizes he’ll never get his rental car deposit back.

And after just a few minutes with Kurt Russell, his son Wyatt takes over as Lee Shaw for a flashback to an airplane hangar. Dr. Keiko Miura (Mari Yamamoto) and Bill Randa (Anders Holm) aren’t as convinced as Lee that they need to bring the military into their recently formed Monarch operation investigating Massive Unidentified Terrestrial Organisms (MUTOs), but Lee reminds them the government has money and material they desperately need.

Monarch Legacy of Monsters Episode 3
Mari Yamamoto, Wyatt Russell and Anders Holm in ‘Monarch: Legacy of Monsters’ episode 3 (Photo Credit: Apple TV+)

General Puckett (Christopher Heyerdahl) and his men arrive, and Puckett can’t believe Lee’s really embraced what started out as just a babysitting assignment. The hangar contains a giant impression of a creature’s foot that they took in Indonesia three weeks earlier. Puckett’s confused why something this huge hasn’t been spotted in the wild.

Puckett’s impressed, but this is just a footprint. Lee and Bill suggest there’s a way to lure the creature into the open; all it takes is 150 pounds of uranium. Keiko describes radiation trails she discovered, trails that indicate the creature’s path.

Puckett isn’t buying it because the military needs all its uranium for national defense. Lee points out this massive creature is a threat to global security. That warning works, and the military is on board.

And once more to Kurt as Lee we go, with Lee convinced that if they figure out what’s in Hiroshi’s files, they can beat Monarch to finding Hiroshi. May confesses she already digitized the files, so they don’t need to risk being caught by returning to her apartment. Lee asks her to search for anything mentioning Alaska and confirms Monarch was founded in the late 1940s. And it’s at this point that Russell’s age and the age his character is supposed to be is finally brought up.

“What can I say? Good genes,” says Lee.

Monarch was built on hopes, dreams, and ambitions, but now they’ve lost their way. Lee can’t believe that instead of chasing monsters, they’re hunting May, Cate, and Kentaro. Lee also breaks the news that Hiroshi worked for the family business – Monarch – and knew monsters existed. Cate’s furious no one issued a warning that what happened in San Francisco was a possibility. Lee says no one could have stopped the attack.

“It’s not our family business; it’s the family curse,” says Cate.

They’re traveling on a massive ferry en route to Korea and Lee warns that if they run into an inquisitive border guard who discovers the Monarch files, they’ll be in huge trouble. Lee wants to toss them overboard, but Kentaro stops him. Also, why are they heading to Korea when Hiroshi is in Alaska?

Lee explains they need to meet up with his last old friend for help – that’s why they’re off to Korea. Kentaro gives in and tosses the Monarch files over the side of the ship.

They arrive in Pohang, South Korea, and Lee stumbles through an excuse as to why he doesn’t have a passport. It doesn’t fly, and they’re taken into custody and escorted to a waiting police vehicle. It turns out one of the guards is Lee’s friend, and it’s all a setup to get them past the checkpoint.

Meanwhile, Monarch’s Tim (Joe Tippett) and Duvall (Elisa Lasowski) meet with a Monarch bigwig who’s upset to have been drawn into Tim’s unauthorized operation. She orders them to return to Monarch’s headquarters and cease their pursuit of Cate, Kentaro, and May and the return of Bill Randa’s field notes – a pursuit that led to Lee Shaw escaping Monarch’s control at the retirement center.

Tim’s convinced Lee’s working on a way to avert another G-Day. The Monarch official doesn’t care but when news arrives that Shaw’s in South Korea, she changes her mind and orders Duvall to get on it with help from a tactical team. Duvall requests that Tim be allowed to join her, and the bigwig reluctantly agrees. After all, crazy knows crazy.

Speaking of Lee, his buddy takes them to a plane that looks incapable of lifting off the ground, insisting it’ll make it to Alaska just fine. Lee fills in missing pieces in Hiroshi’s history, explaining by the time that Hiroshi became involved, Monarch was more about bean-counting than monster-hunting. It’s been 20 years since Lee saw Hiroshi, and Lee doesn’t have any real insight into the man he became. Hiroshi took after his mom and Lee insists he wasn’t a liar. He kept secrets but he didn’t lie.

Monarch Legacy of Monsters Episode 3
Anna Sawai in ‘Monsters: Legacy of Monsters’ episode 3 (Photo Credit: Apple TV+)

May discovers geocoordinates in Bill’s handwriting in the files. The notes – and Cate’s memory of where Hiroshi was heading – help Lee to pinpoint Hiroshi’s probable location. He was headed toward Barrow, Alaska but that isn’t where he was going.

Cate confesses she’s not sure whether she’s more afraid of finding her dad or not finding him.

The plane’s instruments start going crazy, and Lee takes over as pilot, positive they’re about to find whatever Hiroshi was after. Lee’s apparently the best pilot around when flying by the seat of his pants. They head straight down and then level out at the last minute. Lee spots a place to land in the snow and puts it down – without crashing. Cate bursts into nervous laughter while May and Kentaro look relieved.

They get out and walk a short way before they come across a plane crash. Parts are strewn around the area of impact, but the dead pilot still strapped into the cockpit isn’t Hiroshi. The other seatbelt is unbuckled, and Lee thinks maybe Hiroshi was thrown free.

Monarch Legacy of Monsters Episode 3
Frost Vark Titan in ‘Monarch: Legacy of Monsters’ episode 3 (Photo Credit: Apple TV+)

A campsite is set up nearby and inside are supplies, cameras, maps, and equipment to record readings. Cate and Kentaro recognize their dad’s handwriting and the pencil shavings he’d always leave wherever he was working.

They hug when they realize their dad survived.

Lee’s pilot buddy finds a rope that snagged the landing gear and figures out Hiroshi’s plane didn’t crash. He does a bit more looking around and finds huge claw marks in the plane’s hull. It was ripped apart by a creature sometime after it had safely landed!

He runs toward his plane and screams for Lee, May, Cate, and Kentaro to join him. He starts the engine as they race toward the plane but before he gets far, a Frost Vark Titan emerges from under the snow and stops the plane. It sucks all the heat and energy from both the pilot and the airplane, and Lee’s buddy dies frozen stiff behind the wheel.

The creature turns toward the foursome.

Monarch Legacy of Monsters Episode 3
Godzilla in ‘Monarch: Legacy of Monsters episode 3 (Photo Credit: Apple TV+)

Bikini Atoll 1954

Lee, Keiko, and Bill arrive and witness the military’s set up a huge bomb (complete with a drawing of Godzilla with a slash through it). Lee speaks with General Puckett and explains they didn’t ask for a uranium bomb. Puckett puts Lee in his place and says that he was ordered to destroy the creature if they managed to draw it out of hiding. They never had any intention of capturing it, and this is what Lee, Keiko, and Bill brought on when they asked for the military’s support.

Beach chairs are set up around base camp to witness what the military hopes will be the destruction of a titan.

Lee knows that if the creature fails to show up, the military will pull its funding. Keiko’s okay with that; she’s upset they just want to blow it up rather than study it.

A camera rolls as suddenly sonar readings spike, indicating there’s something’s out there. Godzilla appears in the water, moving at incredible speed toward the island.

Lee tries one more time to convince General Puckett to stand down. Puckett refuses, unwilling to allow the “enemy” to get the upper hand.

Godzilla rises out of the ocean, lets out a mighty roar, and heads toward where the uranium bomb has been set up. A countdown begins as it approaches, and Lee’s forced to chase after Keiko as she attempts to stop the signal from reaching the bomb.

The bomb ignites and the massive explosion appears to have done its job. Keiko sobs in anger and frustration and cries, “What have we done?!”

Later, Keiko’s still upset and Bill attempts to comfort her while Lee reveals his latest conversation with Puckett. Lee submitted their proposal of multiple Monarch outposts/monitoring stations and more staff, and Puckett rejected it…because they didn’t ask for enough. It turns out Monarch will get a blank check to find more MUTOs!

However, they’ll have to keep all of this top secret. Keiko wonders if they can keep the next discovery secret from General Puckett, but Lee doesn’t want to get court-martialed. Still, he trusts Keiko and replies, “All that I can tell him is what you tell me. And I trust that you will tell me everything that I need to know.”

Keiko’s fine with that, and so is Bill.

* * * * * * * *

New episodes of Apple TV+’s Monarch: Legacy of Monsters stream on Fridays.




‘Wish’ Review: A Disappointing Disney Fairy Tale Film

Wish Movie Magnifico and Asha
Ariana DeBose voices Asha and Chris Pine voices Magnifico in ‘Wish’ (Photo © 2023 Disney)

Who could ever forget Disney’s classic animated film Pinocchio and the song that opened the fairy tale, “When You Wish Upon a Star,” sung by Cliff Edwards, the voice of Jiminy Cricket? The 1940 animated film is true Disney cinematic magic. That is not the case, however, with Disney’s latest animated film Wish which pays tribute to classic Disney films, including Peter Pan, Bambi, and of course the aforementioned Pinocchio, but pales in comparison.

Wish is a fairy tale lacking engaging characters, memorable songs, and any sense of true magic.

The soulless film opens with a voice-over by Asha (voiced by Ariana DeBose), a 17-year-old native who belts out the song “Welcome to Rosas” which serves to explain the legend of the island (called Rosas). After the loud, energetic number, Asha is off to interview for the position of assistant to the leader of the island, King Magnifico (voiced by Chris Pine), a self-taught sorcerer who has the ability to grant wishes.

At first, the interview goes well as Asha and Magnifico discover they have something in common, having each lost loved ones in the past. But when Asha questions why the King keeps all the wishes locked up as floating blue orbs in his castle tower, and why he waits until his citizens turn 18 to possibly grant their wish, he explodes with anger. King Magnifico hates being challenged and needless to say, Asha doesn’t get the job.

Later that night at the wish granting gala, Magnifico proves he’s a jerk by skipping granting Asha’s grandfather’s wish. The grandfather just turned 100 and Asha wanted his wish to be granted as his birthday present. But Magnifico lets her know in no uncertain terms none of her family’s wishes will ever be granted. Ever.

Upset, Asha runs off, looks up at the star-filled sky, and sings “This Wish,” a song about her wanting more for herself and her family. The fates, or maybe the Blue Fairy doing a flyby, send a small celestial creature down to Asha that answers to the name Star – and looks like one. It seems Star has his own magic, demonstrating this to Asha by giving her goat, Valentino (Alan Tudyk), a voice. Other animals in the nearby forest are also granted voices.

Knowing that she’s right about King Magnifico abusing his authority, Asha sets out with Star and Valentino to free everyone’s wishes from Magnifico’s control and give them back to the people of Rosas.

Uninspired and bland, Wish is a pale entry in Disney’s collection of animated fare, with one-dimensional characters, forgettable songs, and no sense of emotion. It’s a charmless animated film that doesn’t even feel or resemble the studio’s other theatrical releases.

The only character that actually displays some emotion and personality is the villain of the film, King Magnifico, wonderfully voiced by Chris Pine. Pine switches back and forth between the charismatic leader and angry overbearing tyrant smoothly and with bravado. Sadly, this isn’t enough to make Wish worth enduring.

GRADE: C-

MPAA Rating: PG (Thematic Elements|Mild Action)

Release Date: November 22, 2023

Running Time: 1 hour 32 minutes

Directed By: Chris Buck and Fawn Veerasunthorn




‘Fatal Family Feuds’ Series Preview: Trailer, Plot, and Air Dates

Oxygen True Crime is exploring family disagreements that turn deadly in the new series Fatal Family Feuds. Premiering on December 2, 2023, the true crime series features interviews with survivors as well as the investigators who were involved in the featured murder cases.

New episodes air on Saturdays at 9pm ET/PT.

The series kicks off with two episodes featuring strong family matriarchs. Per Oxygen: “When faced with someone who won’t toe the line, these women will do anything to hold their family together, whatever the cost.”

  • Episode 1 – The Tragic Tale of Buzz Clinton — Premiering December 2nd at 9pm ET/PT
    28-year-old Anson “Buzz” Clinton lived on the wild side in his youth, enjoying the night life and even dabbling as an exotic dancer. After marrying the love of his life and dedicating himself to raising her daughter as his own, Buzz welcomed the challenge to enter adulthood. But he would never get the chance as one night he is gunned down on a dark desolate road. Buzz’s family tell investigators to look into his in-laws, who never liked him and didn’t believe he was fit to raise their granddaughter. But the in-laws had an alibi.
  • Episode 2 – Murder in the Courthouse — Premiering December 9th at 9pm ET/PT
    When Christine Belford and her friend Beth Mulford are shot and killed in broad daylight in the Wilmington Delaware courthouse, a shocking back story unravels, revealing a feud that includes Christine’s ex-husband David kidnapping their children and moving them to Nicaragua. Even more shocking is when investigators learned David wasn’t working alone.
Fatal Family Feuds Poster
Poster for Oxygen True Crime’s ‘Fatal Family Feuds’

Oxygen True Crime offers this description of the new series:

Fatal Family Feuds dives deep into the investigations of gut-wrenching homicides committed when smoldering feuds between and within families burst into flames. Hearing directly from surviving family members and friends, along with the investigators who worked the cases, the series focuses specifically on motive, tracing the cause, escalation, and ultimate explosive ending of each fatal family feud.

Matthew Watts and Woodcut Media’s Kate Beal and Koulla Anastasi executive produce.




Mickey Guyton Hosts ‘National Christmas Tree Lighting’ Holiday Special

National Christmas Tree Lighting 2023 Hosted by Mickey Guyton
CBS presents ‘National Christmas Tree Lighting’ (Photo © 2023 CBS Broadcasting, Inc.)

Four-time Grammy Award winning Country music star Mickey Guyton is hosting the 2023 National Christmas Tree Lighting special set to air on CBS on December 15th at 8pm ET/PT. Guyton will also perform on the holiday special which takes place at the Ellipse at The White House and President’s Park in Washington, D.C.

Joining Guyton to perform holiday classics are Darren Criss, Samara Joy, Ledisi, Reneé Rapp, St. Vincent, Joe Walsh, and Dionne Warwick. The United States Coast Guard’s Guardians Big Band will also help viewers celebrate the holiday season.

“First celebrated in 1923 by President Calvin Coolidge, the National Christmas Tree Lighting continues to inspire people everywhere to pause to enjoy cherished traditions and memories made with family and friends in national parks during the holiday season,” reads CBS’s synopsis. “The CBS special offers a unique opportunity for friends and families across the country to tune in and celebrate this holiday tradition from the comfort of their homes.”

Leon Knoles is directing the special and serves as an executive producer. Renato Basile is the producer, and Kristi Foley is involved as an executive producer.

‘Fargo’ Season 5 Episode 2 Recap: “Trials and Tribulations”

Fargo Season 5 Episode 2 Jon Hamm
Jon Hamm as Roy Tillman in ‘Fargo’ season 5 episode 2 (Photo CR: Michelle Faye/FX)

FX’s Fargo season five episode two opens with the introduction of a new key player. Sheriff Roy Tillman (Jon Hamm) admires himself on a billboard as his voice-over drops a few pertinent facts. The Tillmans have a history in law enforcement. Roy believes Jesus was a bearded man and that women should be seen, not heard, kept pregnant and in the kitchen.

Plus, they should come to their wedding bed virgins.

It turns out he’s dropping these pearls of wisdom on a young couple. The husband is an abuser, but the wife tries to play it off that she’s just clumsy. Hubby learns a lesson the hard way when Roy has his deputy place him in a chokehold. Oh wait, the lesson didn’t sink in, and Roy tosses a cup of scalding coffee in his face to make him reconsider his actions.

Roy’s next meeting doesn’t go any better. Roy’s son, Gator (Joe Keery), who’s also a sheriff, informs him that Dot escaped, and Ole Munch (Sam Spruell) confirms it’s true. However, Ole blames Dot’s escape on Roy’s failure to warn him that she’s a tiger – not just a housewife.

Gator lists everything Ole did wrong, including shooting up a gas station and killing a cop. Again, Ole explains it went south because Dot’s a tiger, and he didn’t bring the right guy as backup to handle the situation.

Ole talks about himself in the third person, claiming he sewed up his own ear and is scarred for life, all because Roy didn’t provide key details. Also, the payment didn’t match the job, and if he continues to hunt down Dot, he’ll need a bigger payoff.

Roy drops the bombshell that Dot is his wife; she ran off 10 years ago. He was unaware of her location until her fingerprints were entered into the system. (And that’s why Dot was panicking about being arrested.)

Ole demands his original payment plus extra for pain and suffering. Roy agrees and sends him with Gator to fetch the money. However, it’s a trap as Roy has no intention of paying when Ole didn’t complete the job.

Gator’s supposed to kill him and is ready to shoot him in the back when Ole makes a move. He disarms Gator, who cries like a little boy, and then shoots the two men who were Gator’s backup. Ole takes off, and Gator’s left with a broken arm and no dead body to show to his dad.

Meanwhile, Minnesota Police Deputy Indira Olmstead (Richa Moorjani) pays a visit to Wayne (David Rysdahl) and Dot, wondering how and why Dot has suddenly returned. Dot (Juno Temple) sticks with her story that she left of her own volition because she had a rough day. Indira didn’t just fall off the turnip truck and knows there are two strangers’ DNA in the house and unidentified hair upstairs.

Wayne tries to break the tension by blaming himself for panicking over the blood and his missing wife. But she’s back now, so that’s that. Right? He’ll sign whatever Indira wants him to to make this all go away.

Dot attempts to end the meeting, but Indira’s announcement that she’ll be reviewing traffic cameras sets her off. Wayne sides with his wife and tells Indira to contact their attorney, Danish Graves, if she needs anything else.

Fargo Season 5 Episode 2
Dave Foley as Danish Graves and Jennifer Jason Leigh as Lorraine Lyon in ‘Fargo’ season 5 episode 2 (Photo CR: Michelle Faye/FX)

Indira’s not the only one who doesn’t buy Dot’s story. Danish Graves (David Foley) updates Wayne’s mom, Lorraine, on the situation and she calls bullsh*t. Lorraine (Jennifer Jason Leigh) always jumps to the worst possible conclusion and thinks Dot was going to extort her but got cold feet.

Lorraine’s adamant that they need to stop all police investigations. Also, they don’t know much except the very basics about Dot. It’s possible she’s controlling Wayne and has made him her puppet in an attempt to get to the Lyon money.

Lorraine suggests a divide-and-conquer plan. Danish will question Wayne and she’ll handle Dot herself. (Oh, excellent, the much-anticipated Juno Temple / Jennifer Jason Leigh one-on-one!)

Meanwhile, Roy’s relaxing in his spa when Gator arrives with details on Dot’s new life. Her full name is now Dorothy Lyon, she’s been married 10 years, and has a nine-year-old daughter. And Koreans make cars now. That last part is tossed in because Wayne owns a dealership.

The twosome becomes a foursome when FBI agents show up. They’re new to Fargo and want to know why Roy doesn’t actually enforce any laws. He bills himself as a hard man for hard times, but he’s pretty darn soft on crime.

Roy defends his record, pointing out he’s duly elected and his constituents love him. He’ll interpret the Constitution, which was handed down by God, any way he wants. He’s the law. Period. End of sentence.

He emerges from the spa naked and continues the discussion, informing the FBI agents that the law has very little to do with his job…as an officer of the law.

The FBI agents are rendered speechless as he strolls off.

Fargo Season 5 Episode 2
Juno Temple as Dorothy “Dot” Lyon and Jennifer Jason Leigh as Lorraine Lyon in ‘Fargo’ season 5 episode 2 (Photo CR: Michelle Faye/FX)

The much-anticipated meeting of the tiger and the lion takes place and it’s just as scrumptious as imagined. Lorraine doesn’t pull any punches and informs Dot she knows exactly what happened. And, in fact, she pretty much nails what really went down. Dot, on the other hand, plays the harried housewife who just needed a break fairly well. Lorraine isn’t buying what Dot’s selling and is determined to get rid of this low-class interloper. She even offers cash if Dot will just vanish.

Dot finally breaks from her “can’t we all just get along” attitude. Her voice hardens and she snarls, “Listen, b*tch. I’ve climbed through six kinds of hell to get where I am.” She won’t be run off, and if Lorraine doubts her, she should start sleeping with both eyes open.

“Nobody takes what’s mine and lives,” warns Dot.

Dot slips back into the “Minnesota Nice” vibe as Lorraine announces she’s leaving. However, Lorraine hasn’t broken eye contact with Dot since she delivered her warning. She gets in a parting shot, pointing out Dot’s skinny as a corpse.

After Lorraine leaves, Dot examines the bruises on her back in the mirror. She hurries to put on a robe as Scotty (Sienna King) pokes her head into the room to announce she’s hungry. Dot promises her snacks first, and then they’ll work on a special craft project. You know, the kind of craft project that involves yards of electrical cord, exposed wires, and crushed glass.

Scotty and Dot set up booby traps all around the house. They even place a sledgehammer above the door, ready to strike anyone who touches the ball chain. Scotty’s so into it that she asks to set up traps in her room, too.

Fargo season 5 episode 2
David Rysdahl as Wayne Lyon in ‘Fargo’ season 5 episode 2 (Photo CR: Michelle Faye/FX)

In a homage to the original Coen Brothers’ 1996 Fargo, Wayne sits in his office and prepares to read off VIN numbers over the phone. Danish arrives unannounced for his part of the divide-and-conquer plan, so Wayne will have to wait on the VIN reading.

Danish puts Lorraine on speakerphone and after calling her son a moron, she cuts to the chase. There’s something fishy about the kidnapping/not kidnapping, and Danish reveals the police think one of the kidnappers is in a morgue in North Dakota. The officer at the gas station described a woman who looks like Dot as the woman who was kidnapped and then saved him.

Lorraine insists this all boils down to Dot wanting her money, but Wayne begs to differ. Lorraine authorizes Danish, as her attorney, to slap her son. He needs some sense knocked into him. Danish does as ordered, and Lorraine tells Wayne to listen up. She’s got a list of instructions he must follow – no ifs, ands, or buts will be tolerated.

Minnesota Police Deputy Indira Olmstead visits North Dakota Deputy Witt Farr in his hospital room, suggesting she knows the identity of the missing female. Witt describes her as a MacGyver / Rambo type and Indira’s just about to pull up a picture on her phone when Sheriff Deputy Gator Tillman joins the party. Witt and Indira share what they know, unaware of who they’re letting into their circle of trust.

Gator grabs Indira’s phone and scrolls through the photos, acting like he’s just looking at the woman in case he knows her. He deletes the photo and then plays it off like it was an accident. Indira reveals Dot’s made it back home now and is insisting she was never kidnapped – all evidence to the contrary.

Gator confirms he’s a massive jerk, vaping in the hospital room and saying he doesn’t protect and serve. “I’m down with protect, but I’m not in the service industry. I’m in the kicking ass and taking names business,” says Gator.

Night falls, and Dot and Scotty are still working on their “craft project” when Wayne arrives home from work. He’s shocked by the new setup over the door and can’t believe his daughter’s pounding nails into a baseball bat to make a weapon.

Dot insists this is all just fine and dandy. It’s their homemade alarm system since Wayne didn’t think they could afford a professional one. Wayne spots the wires on the windowsill, and Dot quickly warns him to keep his hands off of it. They’re electrified and he’ll get shocked.

Wayne’s finally at the end of his rope and, politely, sends Scotty upstairs so he can talk to Dot. They discuss his mom, and Dot insists she and Lorraine have come to an understanding. Wayne’s not sure Dot’s assessment of the situation echoes reality.

Lorraine is suing Dot, certain she’s plotting to steal the Lyon money. Dot sticks to her taking a long walk to clear her head story, but apparently she’s on the verge of losing Wayne’s trust. He loves her to death, but nothing about that story makes sense.

“Why is there a sledgehammer in the vestibule and how come Scotty’s making a zombie killer?” asks Wayne, attempting to wrap his head around what’s become of his marriage.

Dot claims she’s worried about ruffians at the door and Scotty’s tased math teacher taking revenge. The world’s gone crazy, neighbors are turning on neighbors, and they need to be prepared. Wayne is such a sweet guy that he actually accepts this as truth and suggests maybe they need to buy a gun.

Dot jumps on board that idea and ups it to two guns and a new taser. Maybe a net? Confused, Wayne has allowed himself to be drawn into Dot’s plan. But all the poor guy wants is to watch Real Housewives and play hockey in his socks with his daughter.

Dot promises him it will all return to normal, and Wayne calls her his dream come true. Awww.

About that return to normal… Gator and another Tillman minion make a pit stop at the same gas station where all the action took place. Gator goes inside to relieve himself while the other sheriff fills up. Unfortunately, getting gas is the man’s final act as Ole Munch appears out of nowhere and kills him.

Gator returns to the vehicle, oblivious to what’s going on around him. Finally, he glances in the sideview mirror and sees his partner lying dead on the ground. There’s a knife plunged into his chest, pinning in place a sign that reads, “You owe me.”

* * * * * * * *




‘Fargo’ Season 5 Episode 1 Recap: “The Tragedy of the Commons”

Fargo Season 5 Episode 1
Juno Temple as Dorothy “Dot” Lyon and Sienna King as Scotty Lyon in ‘Fargo’ season 5 episode 1 (Photo Credit: Michelle Faye/FX)

It’s not truly a new season of FX’s Fargo until the fake disclaimer advising this is a true story appears on the screen. That happens three minutes into season five episode one, “The Tragedy of the Commons.”

Before that, Fargo fans are advised that “Minnesota Nice” is an aggressively pleasant demeanor put on no matter how rotten life becomes. And “rotten” is a gentle word to describe the mood at the middle school’s Fall Festival Planning Committee meeting. Punches are thrown, hair is pulled, and the woman we’ll be cheering for this season – Dorothy ‘Dot’ Lyon (Juno Temple) – sits, jaw-dropped, scanning the room. She advises her daughter, Scotty (Sienna King), that it’s time to make an exit and to fight back (or rather, bite back) if anyone chases them.

Dot escalates the situation by tasing a man who tries to stop her, and then she’s so caught up in the moment that she also accidentally tases a cop. Officers immediately take her into custody, and Minnesota Police Deputy Indira Olmstead (Richa Moorjani) drives her to the station, all the while wondering what this world is coming to.

All Dot knows is that you don’t come at a momma lion (or Lyon, in this case) when she’s got her cub.

(These events take place in Minnesota in 2019.)

Dot’s booked into jail, nervously asking if her fingerprints are going into a national database…our first clue that Dot might have a few skeletons hiding in her closet. She’s not there long before her loving hubby, Wayne (David Rysdahl), fetches her. Dot’s day gets much worse when he reminds her they need to head over to his mother’s estate for Christmas card photos. (It’s not even Halloween yet.)

Dot worries she might have lice from being locked up, and Wayne proves he’s a caring husband by revealing her grabbed her makeup, hair products, and frock. Wayne assures Dot that Scotty’s going to be okay, that she’s not permanently scarred by her mom getting locked up in the Hoosegow. (For those born this century, that’s slang for jail.)

Dot’s a little concerned Wayne told his mom what happened. Wayne stammers out the excuse that his mom has all the important connections, so she needs to be in the loop. Dot understands but doesn’t like it.

They arrive at the estate (Scotty’s already there) and the info dump from this first visit is both staggering and hysterical. Fact: Lorraine Lyon (Jennifer Jason Leigh) is a fearsome beast with a sharp tongue and so much money that she never needs to hold it. Even though it’s just family and a sprinkling of her employees, Lorraine insists on making a grand entrance down the staircase, berating her majordomo, Danish Graves (David Foley), for walking in front of her. (We see you, Lorraine, we see you.)

She calls Scotty “the crossdresser” and Dot “Wayne’s outlaw wife” before forcing her alcoholic husband to choose between his drink and a rifle in the family Christmas photo. Lorraine is the epitome of a cold fish.

Fargo Season 5 Jennifer Jason Leigh
Jennifer Jason Leigh as Lorraine Lyon in ‘Fargo’ season 5 (CR: Michelle Faye/FX)

Dot, Wayne, and Lorraine also hold guns to, as Lorraine claims, demonstrate strength. Wayne’s so intimated by his mom that he doesn’t even want to ask if they’re allowed to stay for dinner afterward, even though poor Dot is starving. Luck’s on Dot’s side as they are, in fact, allowed to stay for dinner with the Attorney General, who says he’ll look into Dot’s legal troubles.

Wayne tells those gathered he was worried when he heard she was in jail, and when Dot tries to say it was an accident, Danish shuts her down. Under no circumstances is she to admit to anything. (Side note: If you ever notice Garnish written in place of Danish, know that my brain insists Garnish is a better name.)

Lorraine is stunned that Dot was at the meeting to help raise money for the library. “Can’t you just give money like a normal person?” asks Lorraine. (Jennifer Jason Leigh is fabulous as the overbearing, pretentious matriarch.) Lorraine reminds her son he has a trust, and if it’s nothing frivolous, he should request funds from Danish.

Dot survives dinner, but she’s in no mood for a tumble with Wayne later in bed. In fact, she jokingly warns that she’ll tase him if he touches her. Wayne understands because that’s just the sort of guy he is.

The scene switches to the Tillman family gathered around an outdoor table, saying a blessing before a meal. Roy Tillman (Jon Hamm) leads the prayer at the head of the table, and as he opens his eyes, Dot’s eyes flash open in bed.

Morning arrives, and Wayne suggests to Dot that she should stay away from school for a bit. (You think?) He’ll drop off Scotty for her. Dot sees her family off and busies herself knitting, unaware she’s about to have a doozy of a day that makes spending time in the Hoosegow seem like a walk in the park.

A man wearing a hood and trench coat pauses inches from her sliding glass door. She runs upstairs seconds before he peers in and enters through the unlocked door. He spots her ball of yarn on the floor and notices it’s moving. Another man enters, and hooded figure #1, Ole Munch (Sam Spruell), sends him upstairs with a hammer. Ole follows and they enter Dot’s bedroom. The yarn is on the floor at the base of the bed, but there’s no sign of Dot.

The second guy (Devon Bostick) creeps toward the bathroom, opens the door, and has his ski mask immediately set on fire by Dot, courtesy of hairspray and a lighter. As intruder #2 attempts to save his face from melting, Dot makes her move and holds Ole at bay long enough to make a run for it.

Unfortunately, she trips over a laundry basket and her yarn and takes a tumble down the stairs. Both men remove their masks and stand by her prone body, unsure if she died in the fall. She didn’t, of course, and was smart enough to grab an ice skate, which she uses to slash Ole’s face – nearly detaching his ear as he grabs her leg.

Dot can’t get away and they corner her, with ski mask dude suggesting they knock out her teeth since they’re not allowed to kill her.

Fargo Season 5 Richa Moorjani
Richa Moorjani as Indira Olmstead in ‘Fargo’ season 5 (CR: Michelle Faye/FX)

A few hours later, Wayne picks up Scotty at school after Dot doesn’t show up to get her. The front door’s wide open and Wayne knows something’s wrong. He calls out from the doorway and sees blood on the floor, along with the weapon that caused it, at the base of the stairs.

Deputy Indira Olmstead arrives to investigate, and Wayne immediately lets it be known he tossed his cookies in the bathroom. That’ll be his DNA, dontcha know.

Dot’s cell is in the kitchen but she’s nowhere to be seen. Wayne also points out there’s a burnt hat upstairs. Indira looks around and can’t figure out what went down.

Wayne heads over to his mom’s office, and Danish has landed on the assumption that this is a kidnapping. They should receive a ransom demand soon, and Lorraine wonders why anyone would think she’d pay to get a “low-rent skirt” her son impregnated back. Wayne whines about the description, and Lorraine quickly shuts him down. Poor Wayne doesn’t stand a chance with two such fierce women in his life.

They have kidnap insurance, but the real question is, do they bring in the cops? Lorraine thinks they should handle this with their own people.

Deputy Indira Olmstead wraps up her day and returns home to a huge stack of past-due bills. Meanwhile, her good-for-nothing husband, Lars (Lukas Gage), is in the garage practicing his golf swing. He doesn’t care about how her day went and is more concerned that he’s slicing right. Lars confirms he just paid $2500 to play in the regionals…and that’s $2500 they don’t have. But, again, he doesn’t care. It’s all about his needs and his golf “career.” (Even though he sucks.)

The lazy bum also just bought a huge – and pricey – golf simulator for their garage. When Indira suggests that he go back to work, he says no. Lars needs to follow his ridiculous dream of being a professional golfer.

Fargo Season 5 Episode 1
Sam Spruell as Ole Munch in ‘Fargo’ season 5 episode 1 (Photo CR: Michelle Faye/FX)

The kidnappers are driving through the night, and the guy with the destroyed face asks if they can stop at a veterinarian. (He’s seen too many gangster films.) Dot pipes up from the backseat, warning he’s going to get infected and it could affect his brain.

Minutes later, a cop car lights up behind them, and the burned dude admits he stole the truck they’re in. They pull over and Dot immediately opens the door and runs past the squad car, heading toward a gas station. (It’s the only building around for miles.) Ole sprays the cop car with bullets and shoots the driver, while the second officer, North Dakota Deputy Witt Farr (Lamorne Morris), runs to the gas station. He’s just seconds behind Dot and pauses outside, peering into the darkness to see if he’s being pursued.

A gunshot rings out and Witt takes a bullet to the leg but manages to hobble into the store. He orders the clerk to get down and then helps Dot cut off her bindings. She’s already discovered there’s a bathroom in the back, and as the lights go out inside the store, she spreads lighter fluid around the front of the store. Dot then grabs glow sticks and two large bags of ice, proving she’s a woman who knows how to take care of herself.

A noise from the bathroom draws her attention, and she discovers the window’s broken. Burned guy is currently occupying the toilet stall. She tosses a glow stick in front of the stall and quietly backs out the bathroom door far enough to grab the bags of ice.

All this is going on as Witt bandages his wound. He discovers the clerk doesn’t have a weapon, only an air horn.

All hell breaks loose when Ole tosses something through the station’s front glass door and Witt fires, giving away his position.

In the bathroom, the shattering door causes Dot to make a noise and burned face dude also opens fire. He has no idea what he’s shooting at – the fire destroyed much of his vision – and Dot uses the noise as cover while she kicks over one bag of ice, causing it to spread out on the floor in front of the stall. When he emerges from the stall, she hits him in the face with the other bag. He slips on the ice on the floor and busts open his head on the toilet seat.

One down, one to go.

Ole carefully watches his step as he enters the store and scans the area. The clerk pops up behind the cash register and blows the air horn. He won’t live long enough to regret that decision. Ole shoots him dead without even bothering to turn his head.

Witt stands up in an aisle and fires, emptying his gun as Ole hits the floor. Ole wasn’t hit and uses a mirror to try and locate Witt. While he’s distracted, Dot hits Ole in the head with a shovel, knocking him out. She grabs Ole’s rifle and aims it at him but doesn’t shoot. Instead, she responds to Witt’s call for help.

He’s losing a lot of blood and Dot makes a tourniquet to stop the bleeding. Witt asks where she learned to do this, and Dot replies, “It’s not my first getaway.”

She won’t tell Witt her name.

By the time Dot checks on Ole, he’s left the store. Advertisements for pancakes are scattered where his body was and Dot stares at them, thinking about how her daughter loves her Bisquick pancakes.

Sirens draw closer as Witt gets to his feet, claiming he’s going to put his unknown savior in for a medal. Dot misses out on this compliment as she’s already fled the scene.

Wayne and Scotty return home, and as he tucks his daughter into bed, he assures her they’ll get Mom back. Wayne doesn’t go to bed and instead sits in a chair in the den, waiting for word on Dot.

Wayne drifts off and doesn’t hear Dot coming through the door. He’s jarred awake by a noise, arms himself with something heavy, and follows bloody footprints into the kitchen. Dot’s whipping up pancakes, and Wayne, literally, breathes a huge sigh of relief.

Dot lies and says she was just out clearing her head and must have cut herself before she left. She also lies and says the burned ski mask is the result of her putting winter stuff out too close to the curlers. Dot doesn’t have a cover story for the blood coming from two different people – neither of which is her.

Dot can’t believe he told his mom she was abducted and thinks the whole idea is silly. She insists she had a bad day, reached her breaking point, and took off to clear her head. It’s just that simple.

It’s obvious Wayne wants to believe her, and so for now, he does.

* * * * * * * *




‘NCIS: Sydney’ Episode 3 Cast, Photos, Plot and “Brothers in Arms” Promo

Season one of CBS’s first international edition of the NCIS franchise, NCIS: Sydney, continues with episode three, “Brothers in Arms.” Directed by David Caesar from a script by Andrew Anastasios, episode three will air on Tuesday, November 28, 2023 at 8pm ET/PT.

The series’ premiere on November 14, 2023 on the CBS Television Network in the US and on Global in Canada was a ratings winner, with 10 million viewers watching via CBS and Paramount+. In Australia, the series currently stands as the most-watched local show since Paramount+ launched.

“We are absolutely delighted that audiences locally and internationally have embraced NCIS: Sydney with its stellar cast and compelling storytelling,” stated Beverley McGarvey, executive vice president and chief content officer and head of Paramount+ Australia. “We are so appreciative of the opportunity to utilize the world-class NCIS brand to tell quintessentially Australian stories and it has been so productive to work closely with our colleagues at CBS and Paramount+.”

Season one stars Olivia Swann (DC’s Legends of Tomorrow) as NCIS Special Agent Michelle Mackey, Sean Sagar (The Covenant) as NCIS Special Agent DeShawn Jackson, and Todd Lasance (Spartacus: War of the Damned) as her 2IC AFP counterpart, Sergeant Jim “JD” Dempsey. The cast also includes Tuuli Narkle (Mystery Road: Origin) as AFP liaison officer Constable Evie Cooper, Mavournee Hazel (Shantaram) as AFP forensic scientist Bluebird “Blue” Gleeson, and William McInnes (The Newsreader) as AFP forensic pathologist Dr Roy Penrose.

“Brothers in Arms” Plot: When a shark spits out an arm wearing U.S. Navy equipment, the team’s investigation tests the loyalty of a band of former Navy divers.

NCIS Sydney Episode 3
Olivia Swann as NCIS Special Agent Captain Michelle Mackey Todd Lasance as AFP Liaison Officer Sergeant Jim  ‘JD’ Dempsey and Conrad Coleby as Lt. Commander Lee in ‘NCIS: Sydney’ episode 3 (PHOTO CREDIT: Daniel Asher Smith/Paramount+ © TM & © 2023 CBS Studios Inc)

Series Description, Courtesy of CBS:

With rising international tensions in the Indo-Pacific, a brilliant and eclectic team of U.S. NCIS agents and the Australian Federal Police (AFP) are grafted into a multinational taskforce to keep naval crimes in check in the most contested patch of ocean on the planet.

Led by NCIS Special Agent Michelle Mackey and her 2IC AFP counterpart, Sergeant Jim “JD” Dempsey, our team of Americans and Aussies must quickly learn to trust each other, overcoming and harnessing their differences to solve each case. Though jurisdictional tussles and culture clashes make for a rocky start, Mackey will eventually come to respect JD’s nose for the truth, as he does her maverick style.

Meanwhile, sassy AFP Constable Evie Cooper and endlessly curious Special Agent DeShawn Jackson form a fast friendship, while curmudgeonly forensic pathologist Doctor Roy Penrose meets his match in the brilliant young forensic scientist Bluebird “Blue” Gleeson. Together, our team becomes NCIS’ first-ever internationally blended family.

NCIS Sydney Episode 3
Olivia Swann as NCIS Special Agent Captain Michelle Mackey and Todd Lasance as AFP Liaison Officer Sergeant Jim  ‘JD’ Dempsey in episode 3 (PHOTO CREDIT: Daniel Asher Smith/Paramount+ © TM & © 2023 CBS Studios Inc)
NCIS Sydney Episode 3
Todd Lasance as AFP Liaison Officer Sergeant Jim  ‘JD’ Dempsey, Olivia Swann as NCIS Special Agent Captain Michelle Mackey, Sean Sagar as Special Agent DeShawn Jackson, Tuuli Narkle as AFP Liaison Officer Constable Evie Cooper, William McInnes as Forensic Pathologist Dr. Roy Penrose and Mavournee Hazel as Forensic Pathologist “Bluebird ‘Blue’ Gleeson in episode 3 (PHOTO CREDIT: Daniel Asher Smith/Paramount+ © TM & © 2023 CBS Studios Inc)
NCIS Sydney Episode 3
Olivia Swann as NCIS Special Agent Captain Michelle Mackey, Todd Lasance as AFP Liaison Officer Sergeant Jim  ‘JD’ Dempsey and Conrad Coleby as Lt. Commander Lee in episode 3 (PHOTO CREDIT: Daniel Asher Smith/Paramount+ © TM & © 2023 CBS Studios Inc)
NCIS Sydney Episode 3
Todd Lasance as JD, Olivia Swann as Mackey and William McInnes as Doc Roy in episode 3 (PHOTO CREDIT: Daniel Asher Smith/Paramount+ © TM & © 2023 CBS Studios Inc)
NCIS Sydney Episode 3
Tuuli Narkle as AFP Liaison Officer Constable Evie Cooper and Sean Sagar as Special Agent DeShawn Jackson in episode 3 (PHOTO CREDIT: Daniel Asher Smith/Paramount+ © TM & © 2023 CBS Studios Inc)




‘A Murder at the End of the World’ Episode 3 Recap: “Survivors”

A Murder at the End of the World Episode 3 Recap
Emma Corrin as Darby Hart and Harris Dickinson as Bill in ‘A Murder at the End of the World’ episode 3 (Photo CR: Chris Saunders/FX)

FX’s A Murder at the End of the World episode three picks up after the first in-person meeting of Darby (Emma Corrin) and Bill (Harris Dickinson) shown in episode two. Darby and Bill are on their way to see the surviving victim, and the duo make a pit stop to where one of the victim’s body was found.

Back to present time, and Darby stares at the footage from Bill’s doorbell camera she hacked into that shows a masked figure. After vowing to catch who did this, Darby heads to where the other guests have congregated. Darby speaks with Rohan (Javed Khan) who seemed deeply affected when it was announced Bill had died. Before she can get any further information from him, Lu Mei (Joan Chen) interrupts and Rohan uses the opportunity to walk away.

Lee (Brit Marling) asks Darby if she found out anything from the footage and Darby lies, telling her no. Lee realizes she’s lying and points out she could have just hacked the footage herself. Darby challenges her, wondering why she had Darby do it in the first place. Before Lee can answer, Andy (Clive Owen) walks over and asks Darby a strange question: does her mouth taste of medal?

Apparently, there’s a connection between grief and tasting medal. A server inquires if she wants another drink and she tries to question him about who ordered the tea that was sent to Bill’s room. He doesn’t reply and just walks away. (That happens to Darby a lot!)

Sian (Alice Braga) wonders why Darby hasn’t questioned her yet, clearly aware of what Darby is up to. Sian also points out that Andy sees something in her and that’s why she was invited to this gathering.

Sian’s parting words are, “Don’t bite the hand that might feed you.”

A Murder at the End of the World Episode 3 Recap
Joan Chen as Lu Mei, Javed Khan as Rohan, and Emma Corrin as Darby Hart in ‘A Murder at the End of the World’ episode 3 (Photo CR: Eric Liebowitz/FX)

While Ziba (Pegah Ferydoni) performs a song she dedicates to Bill, Darby begins to imagine everyone in the room with masks on. (The same masks she saw in the footage.) Darby heads off to find the server and asks him again about the tea. He tells her that there were actually three tea cups he was delivering to Bill’s room.

Darby asks Alan’s virtual assistant Ray who, if any, of the guests has a connection to Bill. So far three do – Oliver, Lu Mei, and Lee. Ray also discloses that Andy has no known connection with Bill besides through Lee. When asked about Rohan, Ray informs her there is no known information about him since 2006.

Darby spots someone walking outside and sets off to follow whoever it is. The person is carrying a pick axe and climbing up a rocky mountain. After almost getting caught by the person, Darby suddenly realizes they are wearing the mask.

The mysterious person stops and uses a red flashlight to do morse code. The message reads, “One down… still a go.” Darby sees a blue light from across the way flash back and loses sight of the masked person she followed.

Darby’s thoughts are interrupted by Lee at her door with her son in her arms. Lee wants Darby to trust her and insists she really does want to help. Darby shows Lee the footage from the doorbell camera. Lee says she’s never seen the mask before, but yet knows what it is. It’s a mask that stops AI facial recognition. Whoever’s wearing it knows the cameras use facial recognition.

Darby gets to the point and asks if she and Bill were having an affair. Lee claims they weren’t and tells her how they meet. Bill found her six years ago and they did sleep together once when they first met. Darby seems satisfied that it was simply a friendship and nothing more.

Lee confirms Rohan and Ziba knew Bill and she urges Darby to let her hire her to find out who’s behind the mask.

Darby wakes up the next morning to a gift from Andy. It’s a jacket with a note telling her to go to the summit at 11:00am. It appears the guests are going on a hike to the top of the summit.

She catches up to Rohan on the outing and he admits he’s been avoiding her. After offering her a drink, he confides in her that it’s ironic he’s drinking because Bill got him sober. Darby asks if he saw Bill the night he died. Rohan doesn’t answer.

They reach the summit and Andy announces, “Welcome to the future.” Down in the valley are thousands of robots walking about, using their robot bodies to build a bridge for others to cross over. They are called swarm robotics, and they were made by Oliver.

A while later in an igloo, Darby spots the boots with red shoelaces that she saw on the masked person she followed. The boots are sitting on a rack. She momentarily loses sight of the boots and then discovers Rohan’s putting them on.

Darby recites the morse code she saw and after a short pause, Rohan says, “Careful girl.” Darby confronts him about being the person who went to Bill’s room the night he died. He urges her to leave it alone.

Andy strikes up a conversation with Darby, then to her dismay he suggests that it might be for the best if she went home. He’s aware that she’s questioning his guests and staff, and he isn’t comfortable with that. Darby admits she hacked his cameras, and he knew that. But he claims Bill injected himself before the masked figure came to see him.

Darby wants to stay, and Andy tells her no. With that, he takes her ring.

As Darby packs her belongings, the news is on talking about Bill’s death. The report claims that Bill was alone and on vacation.

A flashback shows Darby and Bill talking with the surviving victim. She didn’t see his face, but described what his hands felt like and what he smelled like. She hands over a pin that was found in her car after the attack. After posting it online and getting feedback of where the pin is from, the victim urges them not to give up their search.

Before episode three comes to an end, Darby tries one last time to find out information. She leaves a message for Andy that she’s keeping her room.

After visiting Rohan’s room to no avail, Andy’s head of security tries to collect her to leave. Darby returns to her room and then is about to leave out the backdoor when she’s stopped by the phone in her room ringing. It’s Rohan admitting it was him going to see Bill and that Bill uncovered a secret. His confession to the rest of what happened is cut short and he’s in obvious distress.

Darby’s concerned and takes off to find him. Rohan is found dead! Andy reacts by telling Todd, “Get everyone underground.”

* * * * * * * * * * * * * *

New episodes of FX’s A Murder at the End of the World air on Tuesdays on Hulu.

Brit Marling and Zal Batmanglij (The OA) created the series and serve as writers, directors, and executive producers. Andrea Sperling, Melanie Marnich, and Nicki Paluga also executive produce.




Fox Sets Winter and Spring 2024 Primetime Premiere Dates

Grimsburg Animated Comedy
‘Grimsburg’ (Photo Credit: Fox)

Fox’s winter and spring 2024 primetime lineup will include news seasons of returning dramas Alert: Missing Persons Unit and The Cleaning Lady, along with season two of Animal Control starring Joel McHale. The network’s midseason lineup relies heavily on unscripted and animated fare, including The Masked Singer season 11, TMZ Investigates, America’s Most Wanted, Bob’s Burgers, and The Great North.

Fox will be introducing quiz show The Floor and the game show We Are Family when the midseason kicks off. Plus, their animated lineup expands with Grimsburg featuring the voice of executive producer Jon Hamm.

FOX WINTER 2023-2024 PREMIERE DATES RECAP

Tuesday, Jan. 2:
8:00-9:00 PM ET/PT – CELEBRITY NAME THAT TUNE (Winter Premiere)
9:00-10:00 PM ET/PT – THE FLOOR (Series Premiere)

Wednesday, Jan. 3:
8:00-9:00 PM ET/PT – I CAN SEE YOUR VOICE (Season Premiere)
9:00-10:00 PM ET/PT – WE ARE FAMILY (Series Premiere)

Sunday, Jan. 7:
8:00-8:30 PM ET/PT – GRIMSBURG (Special Preview)
8:30-9:00 PM ET/PT – KRAPOPOLIS (New Episode)
9:00-9:30 PM ET/PT – BOB’S BURGERS (New Episode)
9:30-10:00 PM ET/PT – THE GREAT NORTH (Season Premiere)

Mondays, beginning Jan. 22:
8:00-9:00 PM ET/PT – TMZ INVESTIGATES (Season Premiere)
9:00-10:00 PM ET/PT – AMERICA’S MOST WANTED (Season Premiere)

Sunday, Jan. 28:
10:00-11:10 PM ET/7:00-8:10 PM PT – NEXT LEVEL CHEF (Special Preview)

Thursdays, beginning Feb. 1:
8:00-9:00 PM ET/PT – NEXT LEVEL CHEF (Time Period Premiere)
9:00-10:00 PM ET/PT – FARMER WANTS A WIFE (Season Premiere)

Sundays, beginning Feb. 18:
8:00-8:30 PM ET/PT – THE SIMPSONS (New Episode)
8:30-9:00 PM ET/PT – KRAPOPOLIS (New Episode)
9:00-9:30 PM ET/PT – THE GREAT NORTH (Time Period Premiere)
9:30-10:00 PM ET/PT – GRIMSBURG (Time Period Premiere)

Tuesdays, beginning Mar. 5
8:00-9:00 PM ET/PT – THE CLEANING LADY (Season Premiere)
9:00-10:00 PM ET/PT – ALERT: MISSING PERSONS UNIT (Season Premiere)

Wednesdays, beginning Mar. 6
8:00-9:00 PM ET/PT – THE MASKED SINGER (Season Premiere)
9:00-9:30 PM ET/PT – ANIMAL CONTROL (Season Premiere)
9:30-10:00 PM ET/PT – FAMILY GUY (Spring Premiere)

THE FLOOR: This winter, FOX heats up with the all-new ultimate quiz show The Floor, hosted by Rob Lowe, premiering Tuesday, Jan. 2 (9:00-10:00 PM ET/PT). The Floor is a spectacular battle of the brains in which 81 contestants stand on 81 squares on a massive game show floor, competing for a $250,000 grand prize.

WE ARE FAMILY: From executive producer and Academy and Golden Globe-winner Jamie Foxx, We Are Family is hosted by Emmy and Golden Globe nominated actor, comedian and producer Anthony Anderson (black-ish), alongside his mother, Doris Bowman, commonly known as “Mama Doris.” The all-new music-centric guessing game show showcasing non-famous relatives of celebrities performing amazing solo performances and duets with their hidden famous family member, premieres Wednesday, Jan. 3 (9:00-10:00 PM ET/PT).

GRIMSBURG: Starring and executive-produced by Emmy Award winner Jon Hamm, Grimsburg centers on Marvin Flute (Hamm), who may be the greatest detective ever to catch a cannibal clown and correctly identify a mid-century modern armoire. But there’s one mystery he still can’t crack — himself. To do that he must return to Grimsburg, a town where everyone has a secret or three, and redeem himself in the eyes of his fellow detectives, his ferocious ex-wife and his lovably unstable son.




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