Alicia Keys is no stranger to the Grammy Awards stage, however the 15-time Grammy winner will be stepping on the stage in a new capacity this year. Alicia Keys has been tapped to host the 61st Annual Grammy Awards set for Sunday, February 10, 2019. The awards show will air live on both coasts from the Staples Center in downtown Los Angeles on CBS beginning at 8pm ET/5pm PT.
Commenting on her first time as host of the Grammys, Keys said, “I know what it feels like to be on that stage, and I’m going to bring that vibe and energy. I’m so excited to be the master of ceremonies on the biggest night in music and celebrate the creativity, power and magic. I’m especially excited for all the incredible women nominated this year! It’s going UP on Feb. 10!”
“A dynamic artist with the rare combination of groundbreaking talent and passion for her craft, Alicia Keys is the perfect choice as host for our show,” stated Neil Portnow, President/CEO of the Recording Academy. “Throughout her exciting career, I have watched her become a powerful force within the music industry and beyond. As an artist who speaks to the power of music for good, a role model, and a spokesperson for change, we are thrilled to have her on board for what’s sure to be an unforgettable Grammy Awards.”
“Alicia is one of those rare artists who melds true musical genius with heartfelt emotional lyrics to create a unique approach to everything she does. We have no doubt that she’ll bring all of that as she guides millions of Grammy viewers through what we believe will be a very special show in February,” said Grammy Executive Producer Ken Ehrlich.
In addition to being a Grammy Award winner, Keys is an actress, producer, and a New York Times bestselling author. She’s sold more than 30 million records and uses her fame to help with causes close to her heart.
The 2019 Grammy Awards will be directed by Louis J. Horvitz. David Wild and Ken Ehrlich are on board as writers. Ehrlich and Ben Winston are executive producing. AEG Ehrlich Ventures is producing for the Recording Academy.
Now that ABC’s The Good Doctor’s two-part “Quarantine” storyline’s over, the series moves on to season two episode 12 titled “Aftermath.” Episode 12 was directed by Dawn Wilkinson from a script by Thomas L. Moran. “Aftermath” is set to air on Monday, January 21, 2019 at 10pm ET/PT.
Guest starring in season two episode 12 are Sharon Leal as Breeze Brown, Jennifer Birmingham Lee as Mia Wuellner, Ricky He as Kellan Park, Cheryl White as Carmen Dunn and Garfield Wilson as Carnell Hunter.
The series’ season two cast is led by Freddie Highmore as Dr. Shaun Murphy and includes Antonia Thomas as Dr. Claire Browne, Nicholas Gonzalez as Dr. Neil Melendez, Hill Harper as Dr. Marcus Andrews, Richard Schiff as Dr. Aaron Glassman, and Tamlyn Tomita as Allegra Aoki. Christina Chang is Dr. Audrey Lim, Fiona Gubelmann is Dr. Morgan Reznick, Will Yun Lee is Dr. Alex Park, and Paige Spara plays Lea.
The “Aftermath” Plot – In the aftermath of the quarantine, the staff of San Jose St. Bonaventure Hospital tries to return to their normal routines as the Department of Public Health office decides they need to review what transpired to restore public confidence. Meanwhile, as Dr. Audrey Lim (Chang) recovers from the virus, she and Dr. Neil Melendez (Gonzalez) navigate their new personal and working relationship, while Dr. Shaun Murphy (Highmore) and Dr. Aaron Glassman (Schiff) try to relax and visit Lea (Spara) at work.
The Good Doctor Season 2 Plot:
Dr. Shaun Murphy, a young surgeon with autism and savant syndrome, relocated to San Jose, California, to join the prestigious St. Bonaventure Hospital’s surgical unit. Alone in the world and unable to personally connect with those around him, his only advocate, Dr. Aaron Glassman, challenged the skepticism and prejudices of the hospital’s board and staff by bringing him in to join the team. Shaun’s world has begun to expand as he continues to work harder than he ever has before, navigating his new environment and relationships to prove to his colleagues that his extraordinary medical gifts will save lives.
Paige Spara, Freddie Highmore, and Richard Schiff in ‘The Good Doctor’ season 2 episode 12 (ABC/Bettina Strauss)Freddie Highmore, Paige Spara, and Richard Schiff in season 2 episode 12 (ABC/Bettina Strauss)Freddie Highmore in the “Aftermath” episode of ‘The Good Doctor’ (ABC/Bettina Strauss)Paige Spara in season 2 episode 12 of ‘The Good Doctor’ (ABC/Bettina Strauss)Paige Spara, Freddie Highmore, and Richard Schiff in season 2 episode 12 (ABC/Bettina Strauss)
Christina Ricci and Josh Bowman star in ‘Escaping the Madhouse: The Nellie Bly Story’ (Photo by Courtesy of Lifetime)
Nellie Bly exposed the abuses perpetrated inside mental care asylums in the late 1800s. Christina Ricci plays Nellie in the Lifetime original movie Escaping the Madhouse: The Nellie Bly Story. In this dramatization, Nellie loses her memory due to electroshock treatments and has to piece together her own story. Inside, she runs afoul of Matron Grady (Judith Light) and psychiatrist Dr. Josiah (Josh Bowman).
Bowman, a fan favorite from ABC’s Revenge, spoke to Showbiz Junkies about his role in Escaping the Madhouse and working with Ricci and Light. Escaping the Madhouse: The Nellie Bly Story airs Saturday, January 19, 2019 at 8pm ET/PT on Lifetime.
What were the most intense or challenging scenes?
Josh Bowman: “I had about 23 pages to do my first three days and I had five days to prep. That was a challenge. That was for sure a challenge.”
Are you usually good at memorizing?
Josh Bowman: “No, no. No, I’m not.”
You’ve made it pretty far.
Josh Bowman: “Hopefully it’s not just learning lines, but you’re right. That’s kind of the job, isn’t it?”
Have you developed tricks?
Josh Bowman: “Cutting dialogue. ‘Can we change that? I think we don’t need to say that. I can do it with a look, a gesture, an action.'”
Did you do that a lot on Revenge?
Josh Bowman: “Oh God, yeah. Cut my lines.”
After those first three days and 23 pages did it get lighter for you?
Josh Bowman: “Yes, and it was a good jumping off point, literally, because it was just all right, buddy, you’ve got three or four days. Just go, go, go. It was nice after that. I had time for everything to come through osmosis and sit into who this guy is. It was good. I didn’t get a lot of time to think.
Sometimes the actor gets in their own way. It gets a bit up here when it should be a bit more down here. And again, I just had a ball working with these actors and a good filmmaker, Karen Moncrieff. As I said, it was me and the ladies for a month in Winnipeg.”
Did you get much input into your look?
Josh Bowman: “Yes, I had all the input. I collaborated with Karen, the director. I wanted him to have a mid-Atlantic accent voice but then she quite rightly said that he should be an immigrant, come from England. There were lots of people coming from all over Europe to America. And also, it gave him a different layer that maybe he’s fleeing something, maybe he’s escaped somewhere that he maybe should be put into, i.e. a jail. So yeah, it was good that she made that call, and they had beards. There was either beard, mustache or clean shaven. I felt a beard was a little bit more studious. I wanted him to be a little older than I am, so there was that.”
That’s the classic Sigmund Freud impression.
Josh Bowman: “Yes, beards or no beards and a mustache is a little pervy sometimes. I’ve had one so I know.”
What sort of relationship did you have with Christina Ricci?
Josh Bowman: “You know, it was a film where we didn’t have too much time to prepare. So I didn’t meet her before. We met on set and got to work. She was very well prepared. She was super professional, great actress to work with, as was Judith Light who is obviously the antagonist in the story. So me and her had a lot of fun playing against each other. She was a marvelous actress.”
Was there any parallel to Revenge which took many seasons to work out all these manipulations?
Josh Bowman: “Well, luckily with this we got the beginning, middle, and end in one script instead of being told a few days before. Those scripts changed so often, so yeah. I love both mediums, where you can develop a character over a long period of time and you can really see them grow and rise and fall. In film, you don’t obviously get that as much. You know the segments and it’s pretty mapped out once you get in there.”
Were there any big Revenge twists that blindsided you?
Josh Bowman: “Probably the fact that her father was alive. That was probably the biggest one because I didn’t think they’d actually go through with it.”
How early did you get to know that?
Josh Bowman: “They were pretty good at keeping these secret. They really were. It was usually the read through. Maybe a couple days, someone would have seen a script and said, ‘Oh, you’ll never guess what… no!'”
Have the Revenge fans followed you to subsequent projects?
Josh Bowman: “I think yeah, they have. We had the best fans. They loved the story and it was such a whirlwind, all of it. We had amazing fans of the show and people who followed it from the beginning and really related to the story and the themes. Yes, it got a bit mad in there and it got a little over the top, but I think with the production and the acting and some of the writing, we managed to keep it grounded somewhat in such a crazy world.”
Do you expect a little overlap between Revenge fans and Lifetime viewers?
Josh Bowman: “I don’t know. You’d have to tell me. I wouldn’t know. I hope people check the film out. I hope they enjoy it. I think they’ll be educated by it. They’ll learn about Nellie Bly and what she had to overcome. I know I did. I think there’s a great story of overcoming obstacles and perseverance and a strong female heroine who overcomes it all.”
Will you watch Nellie Bly live?
Josh Bowman: “Maybe I will. Maybe I will. I hesitate because I don’t like watching myself at all. But I’ll gladly watch the girls’ performances and see what they did. I’ll definitely watch it.”
Did they have you live tweeting Revenge?
Josh Bowman: “I’m not a Tweeter so I said, ‘See you later, guys. I’ll be doing my own thing.’ I think everyone else tweeted but I don’t know what a tweet is these days. Is it a bird or is it a thing that happens off your phone?”
Are you a big TV watcher?
Josh Bowman: “I’ve been watching Black Mirror. I’ve been watching You. I was watching a bit of that which was pretty good. I just got married so I actually haven’t been watching as much. I kinda put the TV and film stuff down. This weekend I’m going to binge. I’ve got a lot of films to watch. I’m going to check out a lot of films.”
What’s on your list?
Josh Bowman: “The list is The Favourite, Green Book, Cold War, Shoplifters… That’s a good starting point.”
How long did it take you to watch Bandersnatch?
Josh Bowman: “I still haven’t finished it because it kept repeating itself and I got fed up with it. I think it’s the worst one they’ve done. I thought the originals were just better. I love the freedom of choice, massive fan of it, but it’s not. It’s go back and re-choose what we want you to choose. Well, you’ve taken that away from me then. That’s why I enjoyed watching it.
It was like a video game that I’ve played before. I’ve seen this ending, I’ve seen this, I’ve seen this, so I gave up on it. It killed me. I felt Mosaic did it well. Did you see Mosaic, Soderbergh on HBO? They did a freedom of choice. They did it on an app and I was watching it on my phone, on my iPad. That was cool. Sharon Stone and Garrett Hedlund are in it. Soderbergh’s one of my favorite filmmakers. It was good. It was really good. It was different. I think people are probably going to start doing that more. People want choices now. It’s a transient world we live in, right? No, I don’t want that, I want the red one. It’s like all right, have the red one then. Put it on the video game.”
Netflix just released a two-minute trailer for the documentary series Conversations with a Killer: The Ted Bundy Tapes. The series features never-before-heard audio interviews with the serial killer while he was on death row.
Netflix has set a Thursday, Jan 24, 2019 premiere date for the documentary series directed by Joe Berlinger. January 24th will mark the 30th anniversary of Bundy’s execution in prison.
Director Berlinger was nominated for an Oscar for his 2011 documentary, Paradise Lost 3: Purgatory. He also directed Unspeakable Crime: The Killing of Jessica Chambers, Cold Blooded: The Clutter Family Murders, and Metallica: Some Kind of Monster.
Sara Enright produced with Justin Wilkes, Jon Doran, and Jon Kamen executive producing.
Conversations with a Killer: The Ted Bundy Tapes Plot Details:
“Conversations with a Killer: The Ted Bundy Tapes brings the infamously twisted mind of serial killer Ted Bundy into the light for the very first time and invades our psyche in a fresh yet terrifying way through exclusive, never-before-heard interviews from the ‘Jack the Ripper of the United States,’ himself. This unique and gripping doc series, directed and executive produced by true crime pioneer Joe Berlinger, focuses on the man whose personality, good looks and social graces defied the serial-killer stereotype, allowing him to hide in plain sight as he committed the brutal sex-crime slayings of more than 30 women before being caught in 1978.
While on trial, Bundy received extraordinary adoration from American women, which made his gruesome crimes doubly haunting, even in an era of anything-goes mayhem. Inspired the book of the same name written by Stephen G. Michaud and Hugh Aynesworth, the series utilizes over 100 hours of exclusive audio interviews that the two journalists conducted with Bundy on death row in 1980, giving the unique perspective of hearing the killer analyze his own life and motives.”
Poster for the documentary series, ‘Conversations with a Killer: The Ted Bundy Story’ (Photo Credit: Netflix)
So You Think You Can Dance will return for season 16 as officially announced today by Fox. The dance competition series’ 16th season will air during the summer of 2019, with auditions set to take place in Dallas, Los Angeles, and New York City in February.
The popular dance show has racked up 64 Emmy Award nominations, winning 16 times in categories including Outstanding Choreography, Outstanding Costumes, and Outstanding Lighting Design. Choreographers Mandy Moore, Travis Wall, Mia Michaels, Napoleon & Tabitha Dumo, Tyce Diorio, and Wade Robson have each earned Emmys for their work on the Fox series.
“Each season, the talent on So You Think You Can Dance reaches new levels and continues to create the most incredible routines,” stated Rob Wade, President, Alternative Entertainment and Specials, Fox Broadcasting Company. “The hard work and passion that goes into each performance is awe-inspiring. We can’t wait to see what Season 16 has in store and look forward to bringing you a new crop of incredible, inspired and inspiring dancers.”
“I am thrilled that we have been picked up by FOX for Season 16 of So You Think You Can Dance,” said executive producer Nigel Lythgoe. “This allows us to shine the spotlight once again on the incredible choreographic and dance talent across the United States as we search for America’s favorite dancer.”
The series is also executive produced by Allen Shapiro, Barry Adelman, Mike Yurchuk, Jeff Thacker, Eli Holzman, and Aaron Saidman.
SYTYCD Audition Details, Courtesy of Fox:
Auditions for the 16th season of So You Think You Can Dance kick off next month. Dancers can audition online by registering and uploading a video, or providing a link to a video of their performance, at soyouthinkyoucandance2019season16.castingcrane.com. Selected dancers will be invited to attend auditions in New York (Feb. 9), Dallas (Feb. 12) and Los Angeles (Feb. 23). From those auditions, the dancers selected will be invited to Los Angeles to perform for the judges.
Dancers either must be U.S. citizens, legal permanent residents of the U.S. or possess current legal Employment Authorization Cards enabling them to seek employment freely in the U.S. (i.e., without restrictions as to employer) by the date specified in the eligibility rules. Dancers must be no younger than 18 or older than 30 years of age on the day of their in-person auditions. Dancers must provide legal, valid proof of age when they register for auditions.
The deadline to register online for a chance to audition in New York and Dallas is Sunday, Jan. 27, 2019 at midnight PT. The deadline to register online for a chance to audition in Los Angeles is Sunday, Feb. 10, 2019 at midnight PT.
Saturday, Feb. 9
New York Auditions
Gelsey Kirkland Academy of Classical Ballet
29 Jay St
Brooklyn, NY11201
**Dancers should arrive at 7:00 AM**
Tuesday, Feb. 12
Dallas Auditions
Duncanville Fieldhouse
1700 S Main St
Duncanville, TX 75137
**Dancers should arrive at 7:00 AM**
Saturday, Feb. 23
Los Angeles Auditions
BBC Highland Studios
953 N Highland
Los Angeles, CA 90036
**Dancers should arrive at 7:00 AM**
The Star Trek world is expanding once again, with CBS All Access confirming a new live-action Star Trek series is in the development stage. Michelle Yeoh’s Captain Philippa Georgiou character will be spun-off from Star Trek: Discovery into the new currently untitled series involving the Section 31 division.
The untitled series has Alex Kurtzman, Heather Kadin, Rod Roddenberry and Trevor Roth on board as executive producers. Erika Lippoldt’s been tapped to write the spin-off which will explore the shadow organization within the Federation. CBS Television Studios, Secret Hideout and Roddenberry Entertainment are producing the new sci-fi series.
“I’m so excited to continue telling these rich Star Trek stories,” said Michelle Yeoh. “Being a part of this universe and this character specifically has been such a joy for me to play. I can’t wait to see where it all goes – certainly I believe it will go ‘where no WOMAN has ever gone before!’”
“Michelle has shattered ceilings, broken boundaries, and astonished us with her grace and gravitas for decades. As a human, I adore her. As an actor, I revere her,” stated Alex Kurtzman. “Erika and Boey are remarkable, exciting writers who bring a fresh perspective to the world of Star Trek, and we’re all thrilled to explore the next wild chapter in the life of Captain Philippa Georgiou.”
In addition to Star Trek: Discovery, Michelle Yeoh’s credits include Crazy Rich Asians, Crouching Tiger, Hidden Dragon, Memoirs of a Geisha, Sunshine, and Tomorrow Never Dies.
Season two of Star Trek: Discovery will premiere on Thursday, January 17, 2019. CBS All Access hasn’t announced when we can expect the just-announced new series to debut.
The cast of Star Trek: Discovery is led by Sonequa Martin-Green (Commander Michael Burnham) and includes Doug Jones (Commander Saru), Shazad Latif (Ash Tyler), Anson Mount (Captain Christopher Pike), Anthony Rapp (Lt. Commander Paul Stamets), Mary Wiseman (Ensign Sylvia Tilly), Wilson Cruz (Dr. Hugh Culber), Mary Chieffo (L’Rell), and Ethan Peck (Spock).
The CW’s delving into aliens on Earth with a revamped version of the 1999 fan fav, Roswell. 2019’s Roswell, New Mexico ups the ages of the lead characters introduced in Melinda Metz’ young adult Roswell High book series and adds in a murder mystery. Jeanine Mason and Nathan Dean Parsons take on the lead roles with support from Lily Cowles, Michael Vlamis, Michael Trevino, Tyler Blackburn, Heather Hemmens, Trevor St. John, and Karan Oberoi.
Writer/executive producer/showrunner Carina Adly MacKenzie joined the cast at the New York Comic Con to tease the show’s first season. In our roundtable interview, MacKenzie talked about how the new series differs from the original show, bringing on some The Vampire Diaries/The Originals cast members, and the influence of social media on storytelling.
Roswell, New Mexico will premiere on January 15, 2019 at 9pm ET/PT.
How many Easter eggs have you worked in?
Carina Adly MacKenzie: “So far just one. We have a Tess mention in episode six. It’s funny because I keep getting asked about Easter eggs and I am less familiar with the details of the original series and the books than people might think. I mean, I watched it when I was a kid. I was 12 when the show started. I watched it and I loved it, and then I popped in to rewatch bits and pieces when I was writing the pilot. I read the first book, but I wish I had a better memory. Yeah, I figured we had to name-drop Tess.”
What were some of your inspirations going into the series, aside from the books?
Carina Adly MacKenzie: “I love cowboys. Really, for me what it was was I was wrapping up my run on The Originals and they came to me and said, ‘Would you be interested in revamping Roswell?’ and I said no because I didn’t really want to do a teen supernatural romance. But I owed Warner Bros a pilot, so I wanted to go in and pitch them something.
Julie Plec suggested I go in and pitch them the version that I would want to do. So, I made everybody grown-up. I just really wanted to do stories about what it feels like…I think that people talk about being on the cusp of adulthood as being 18, but in my experience being on the cusp of adulthood is being 28. Maybe that’s just the factor of being millennial, but I think that was when I really felt like I had one foot in childhood and one foot in adulthood. And so, I really wanted to tell that story.
The influences that I was feeling at the time were one, ‘politics Twitter’ which was my whole entire life and continues to be my whole entire life. And two, I love murder so a lot of murder podcasts and murder documentaries. I wanted to tell a small-town murder mystery. When I went in to pitch Roswell I was like, ‘They’re grown-ups. One’s a cop. It’s a small-town murder mystery. Oh yeah, also aliens!’
They liked it. And so, we’ve got a lot of influences. I’m very influenced by old cowboy stuff and very classic sci-fi. What we’re trying to do is take sort of classic sci-fi ideas and then flip them. So, we’re taking a look at like Body Snatchers and Stepford Wives, and alien autopsies. How do we start to make people think they know what we’re about to do and then twist it? So, it’s going to be really fun.”
How do you think this series is going to resonate with fans of the original series?
Carina Adly MacKenzie: “I hope it’s going to resonate well because I was an original fan. I really liked the show as a kid. One of my best friends in the world recently confessed to me that when she was a kid, she wrote tons and tons of Roswell fan fiction. I was like, ‘Jesus, come on! This is a lot of pressure! Also, can you send it to me because I don’t know what we’re doing in episode seven?’
I hope that they like it. I hope that it feels like it honors the feeling of the original show. I think that what I was trying to do is the original show to me resonated so well because when you’re in high school everybody feels alone, everybody feels like a freak. And so I wanted to take that and raise the stakes a little bit because in adulthood right now, especially in this country, feeling alone and feeling like a person without a community means something different than it means in high school. The stakes are different. Not necessarily higher because what represents high stakes in high school is different from high stakes as an adult. That’s what I wanted to play with.
I hope people see the heart of the characters they loved so much but don’t go in expecting them to be the same. I don’t think our versions of the characters are better or worse. They’re really different, but god I loved them – the characters that I watched as a kid. I hope people feel like we’re honoring it as opposed to trying to replace it or trying to step on it in any way.”
What’s been it been like as a female showrunner with a strong, intelligent female lead? Has there been a lot of pressure in the climate today?
Carina Adly MacKenzie: “No. Jeanine is brilliant and is so engaged. Jeanine and Nathan have really been partners for me in this process. We, during the pilot, had family dinners – the four of us with Julie Plec – and really dug into the script. We’d sit there and I’m crying about my daddy issues that I put into this scene, and then I’m like talking about my ex-boyfriend in this scene and really getting into the heart of what we’re trying to do. And so I think that we have an intelligent female character, an intelligent female actress, an intelligent female showrunner, really great female directors, and what we’re making is, I think, really good.
I don’t think we need to feel like we’re representing all women with it. I’m starting to feel like getting out of bed as a successful female in the morning is an act of political protest in itself and I don’t need my show to be that, though I think it is kind of becoming it anyway. But no, I don’t feel pressure when it comes to that because I feel immensely supported by the people that I’m working with. I think we exist in a world that really tries to break down women’s confidence, and I have just gotten to a point where I’m really confident in the work that I’m doing and the people that I have surrounded myself.”
How influenced are you by social media?
Carina Adly MacKenzie: “A lot! I’m very influenced by it because I like to… I should say not necessarily by the fan aspect of it, but by the political aspect of it. I get into some of my most intelligent conversations on Twitter – also some of my least intelligent, for sure. But I’ve learned a lot.
People like to put down social media and sort of turn up their nose at millennials being on their phones all the time, but we’ve gotten an opportunity to hear stories from people across the world that we never would have been able to hear stories from and engage with people that we never would be able to reach. So, I think a lot in my writing about how Twitter is going to respond because I think Twitter has become sort of the checks and balances for art. They will tell you if something’s problematic, which is good. We’re telling stories about race and immigration and sexuality and gender, and I think we are definitely going to step into territory that is scary to step into. So, I try to look at it from the perspective of Twitter and hope that I am telling stories that make people feel included.
I was deeply, deeply affected a few years ago by the #BuryYourGays movement on Twitter which I thought was so important and changed the way that we talk in writers rooms and changed the way that we talk about a character’s fate, because a character becomes representative of something larger. That also led me to really avoid tokenism on my show.
We were talking a lot about Liz who’s a Latina and she’s the daughter of undocumented immigrants. She’s not the only Latin character on the show. We’ve also got Michael Trevino who plays Kyle Valenti. Michael played a white character on The Vampire Diaries, but Michael Trevino is 100% Mexican. We now have another perspective of a family that did immigrate legally, and those perspectives are not necessarily the same on our show. So, we’re really trying open up the world and include different points of view and tell stories that make people feel heard. A lot of that is because of social media.”
Will there be more cast members from The Vampire Diaries showing up?
Carina Adly MacKenzie: “I don’t think so. Nathan and I worked together on The Originals. Trevino I have known since the very beginning of The Vampire Diaries because I covered The Vampire Diaries as a journalist. I was so nervous on set the first day and he came up and was like, ‘You look nervous. I’m Michael Trevino.’ We’ve been really good friends for like almost 10 years now.
It’s funny because we’re right now shooting a flashback episode and Trevino walks in all clean-shaven. I’m like, ‘Tyler Lockwood, how you been?’ (Laughing) It’s been really wonderful having everybody – Riley Voelkel – on board. She’s become a very big part of this season. Paul Wesley… Actually, he’s here. I had dinner with him last night. We both flew from Santa Fe on the same day because he’s directing for us right now.
I feel incredibly lucky to have my Vampire Diaries family with me at all times. We really are still there for each other at crucial moments, but I think we have enough Vampire Diaries people on the show for right now. Though I will say, I really, really hope that someday Charles Michael Davis’ schedule clears up and I get to work with him again because I would really love to work with him forever until I die.”
The Who’s Roger Daltrey and Pete Townshend just announced details of their 2019 tour, “Moving On!,” kicking off on May 7th in Grand Rapids, MI. The North American tour will stop in 29 cities including Nashville, Chicago, Detroit, Atlanta, Los Angeles, and Houston before wrapping up on October 23rd in Edmonton, AB.
Joining singer Daltrey and guitarist/songwriter Townshend on stage for the tour will be guitarist/backup singer Simon Townshend, keyboardist Loren Gold, bassist Jon Button, and drummer Zak Starkey. The band is expected to put out their first album in 13 years in 2019.
“The Who are touring again in 2019,” said Townshend. “Roger christened this tour Moving On! I love it. It is what both of us want to do. Move on, with new music, classic Who music, all performed in new and exciting ways. Taking risks, nothing to lose. Looking forward to seeing you all. Are you ready?”
Daltrey added, “Be aware Who fans! Just because it’s The Who with an orchestra, in no way will it compromise the way Pete and I deliver our music. This will be full throttle Who with horns and bells on.”
Tickets for the “Moving On!” tour go on sale to the general public on Friday, January 18, 2019 via LiveNation.com. Fan club members can participate in a special presale beginning Wednesday, January 16 at 10am local time through Thursday, January 17 at 10pm local time. $1 from each ticket purchased will be donated to Teen Cancer America.
2019 The Who North American Tour Dates
Summer Dates
May 7 / Van Andel Arena / Grand Rapids, MI
May 9 / KeyBank Center / Buffalo, NY
May 11 / Jiffy Lube Live / Bristow, VA
May 13 / Madison Square Garden / New York, NY
May 16 / Bridgestone Arena / Nashville, TN
May 18 / Ruoff Home Mortgage Music Center / Noblesville, IN
May 21 / Hollywood Casino Amphitheatre / Chicago, IL
May 23 / Hollywood Casino Amphitheatre St. Louis / Maryland Heights, MO
May 25 / Citizens Bank Park / Philadelphia, PA
May 28 / Little Caesars Arena / Detroit, MI
May 30 / PPG Paints Arena / Pittsburgh, PA
June 1 / Scotiabank Arena / Toronto, ON
Fall Dates
Sept 6 / Xcel Energy Center / St. Paul, MN
Sept 8 / Alpine Valley Music Theatre / Alpine Valley, WI
Sept 10 / Blossom Music Center / Cuyahoga Falls, OH
Sept 13 / Fenway Park / Boston, MA
Sept 15 / Northwell Health at Jones Beach Theater / Wantagh, NY
Sept 18 / State Farm Arena / Atlanta, GA
Sept 20 / BB&T Center / Ft. Lauderdale, FL
Sept 22 / Amalie Arena / Tampa, FL
Sept 25 / Toyota Center / Houston, TX
Sept 27 / American Airlines Center / Dallas, TX
Sept 29 / Pepsi Center / Denver, CO
Oct 11 / Hollywood Bowl / Los Angeles, CA
Oct 13 / Hollywood Bowl / Los Angeles, CA
Oct 16 / Viejas Arena at Aztec Bowl San Diego State University / San Diego, CA
Oct 19 / T-Mobile Park / Home of the Seattle Mariners / Seattle, WA
Oct 21 / Pepsi Live at Rogers Arena / Vancouver, BC
Oct 23 / Rogers Place / Edmonton, AB
Viewers tuning in to watch the season three premiere of HBO’s True Detective were the first to see a new teaser trailer for season eight of Game of Thrones. The minute and a half teaser features Jon Snow (Kit Harington), Sansa Stark (Sophie Turner), and Arya Stark (Maisie Williams) reunited in the family’s family crypt at Winterfell. They walk the darkened corridor until it ends and they come face-to-face with statues of themselves.
As three of the four remaining Stark children walk through the crypt, whispers of their deceased family members can be heard. They pass Lyanna Stark’s tomb and we hear, “You have to protect him,” the instruction she gave her brother Ned in her final moments after delivering Jon (fathered by Rhaegar Targaryen).
Catelyn Stark is heard saying, “All this horror that has come to my family, it’s all because I couldn’t love a motherless child.”
Ned Stark is next and he confirms Stark blood flows through Jon’s veins. “You are a Stark. You might not have my name, but you have my blood.”
After realizing their own images are carved in stone, Jon, Sansa, and Arya feel the chill seeping through the crypt. A fog rolls in and Jon and Arya draw their swords to face an unseen enemy.
The teaser trailer directed by David Nutter (Emmy winner for the season five finale, “Mother’s Mercy”) ends with the reveal of the final season’s premiere date. Season eight will arrive on Sunday, April 14, 2019 at 9pm ET/PT. According to HBO, the new season will consist of just six episodes. Fortunately, each episode will be super-sized.
Discussing season eight with Variety, HBO CEO Richard Pepler described each episode as a movie. “I’ve watched them twice without any CGI and I’m in awe. Everybody’s in for an extraordinary treat of storytelling and of magical, magical production,” said Pepler.
Although Game of Thrones is coming to an end, fans can look forward to multiple prequels. The first, The Long Night, takes place thousands of years before the events in Game of Thrones.
Per HBO’s website: “The series chronicles the world’s descent from the golden Age of Heroes into its darkest hour. From the horrifying secrets of Westeros’s history to the true origin of the White Walkers, the mysteries of the East to the Starks of legend, only one thing is for sure: It’s not the story we think we know.”
The Long Night cast is led by Naomi Watts (Twin Peaks) and Josh Whitehouse (Poldark). The series also features Naomi Ackie (Lady Macbeth), Denise Gough (Monday), Jamie Campbell Bower (Sweeney Todd: The Demon Barber of Fleet Street, Mortal Instruments), Sheila Atim (Harlots), Ivanno Jeremiah (Humans), Georgie Henley (The Chronicles of Narnia films), Alex Sharp (How to Talk to Girls at Parties) and Toby Regbo (The Last Kingdom, Reign).
Fox’s Gotham season five episode two found Jim Gordon needing to rely on help from Barbara in order to save some of Gotham’s children. In exchange, Barbara wanted Jim to help kill Penguin. Poison Ivy, known as The Witch by the locals, re-enters the story and heals a horribly injured Selina. The cure makes Selina feel different, and one of the episode’s finale scenes confirms Selina’s transforming into Catwoman. The preview for season five episode three even shows her hissing!
Up next, Gotham season five episode three titled “Penguin, Our Hero.” Episode three airs on January 17, 2019 at 8pm ET/PT.
The cast of the comic book-inspired series’ final season is led by Ben McKenzie as Detective James Gordon. Donal Logue is Detective Harvey Bullock, Sean Pertwee is Alfred Pennyworth, Robin Lord Taylor is Oswald Cobblepot/The Penguin, and Erin Richards is Barbara Kean. David Mazouz plays Bruce Wayne, Camren Bicondova is Selina Kyle/the future Catwoman, Cory Michael Smith is Edward Nygma/The Riddler, and Chris Chalk plays Lucius Fox.
The “Penguin, Our Hero” Plot: With the creation of Haven as a safe place for refugees, Gordon hopes to stop the gang fighting in Gotham. Meanwhile, Selina is determined to find Jeremiah (guest star Cameron Monaghan) and she convinces Bruce to help her. Then, Penguin goes to Haven to reclaim his staff.
The Gotham Plot:
Gotham is an origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer and writer Bruno Heller and executive producers Danny Cannon and John Stephens, Gotham follows the rise of Det. James Gordon (McKenzie) through a dangerously corrupt city teetering between good and evil, and chronicles the birth of one of the most popular super heroes of our time.
Beginning in Winter 2019, Gotham will air its fifth and final season, wrapping up this beloved series in a farewell event that will focus on Bruce Wayne’s (Mazouz) transformation into the caped crusader.