Toby Stephens, Taylor Russell, and Mina Sundwall in ‘Lost in Space’ (Photo Courtesy of Netflix)
Netflix has given the sci-fi action series Lost in Space, the story of the universe’s most unlucky space travelers, a second season order. The series is based on the classic ’60s series that ran for just three seasons. The original series starred Guy Williams, June Lockhart, Mark Goddard, Marta Kristen, Bill Mumy, Angela Cartwright, and Jonathan Harris.
Netflix’s Lost in Space stars Toby Stephens (Black Sails), Molly Parker (House of Cards), Maxwell Jenkins (Betrayal), Mina Sundwall (Maggie’s Plan), Taylor Russell (Falling Skies), Ignacio Serricchio (The Wedding Ringer), and Parker Posey (A Mighty Wind).
Legendary Television produces the series. Zack Estrin, Kevin Burns, Jon Jashni, Matt Sazama, and Burk Sharpless serve as executive producers.
Season one debuted on April 13, 2018 and consisted of 10 hour-long episodes. Netflix hasn’t announced when the second season of the space thriller will premiere.
The Season One Plot: Set 30 years in the future, colonization in space is now a reality, and the Robinson family is among those tested and selected to make a new life for themselves in a better world. But when the new colonists find themselves abruptly torn off course en route to their new home they must forge new alliances and work together to survive in a dangerous alien environment, light-years from their original destination.
Lost in Space stars Toby Stephens as John Robinson and Molly Parker as Maureen Robinson, the family’s parental leaders who are struggling with their estranged relationship in the midst of trying to keep their family safe. As the Robinson kids, Taylor Russell is the strong-willed and confident Judy, Mina Sundwell is the quick-witted and definitive middle-child Penny, and Max Jenkins is the curious and sensitive Will Robinson, the youngest and most vulnerable of the clan, who forms an unlikely and inexplicable bond with a sentient robotic alien being.
Stranded along with the Robinsons are two outsiders who find themselves thrown together by circumstance and a mutual knack for deception. The unsettlingly charismatic Dr. Smith played by Parker Posey is a master manipulator with an inscrutable end game. And the roguish, but inadvertently charming Don West, played by Ignacio Serricchio), is a highly-skilled, blue collar contractor, who had no intention of joining the colony, let alone crash landing on a lost planet.
Sarayu Blue as Emet and Paul Adelstein as David in ‘I Feel Bad’ season 1 (Photo by: Evans Vestal Ward/NBC)
NBC’s released its 2018-2019 primetime schedule which will include the debut of two dramatic series and one comedy this fall. The network’s fall lineup also features two nights of The Voice and a Wednesday block of the Chicago shows: Chicago Med, Chicago Fire, and Chicago P.D..
The new medical drama New Amsterdam gets the coveted spot behind the network’s award-winning drama This Is Us on Tuesdays. And, Thursday night is once again made up of half-hour comedies until the 10pm block.
“Once again, we are coming into the season from a place of strength and stability, which makes us bullish about a scheduling strategy that delivers top-notch original programming not just in the fall, but year round,” stated Robert Greenblatt, Chairman, NBC Entertainment. “We have a very strong fall schedule, as always, but winter, spring and summer are every bit as important to us, and this year we’re putting our talent and our money where our mouth is. This schedule builds on the type of programming that makes NBC #1 year after year: bold, humanistic, compelling dramas; an unmatched collection of the highest-quality unscripted shows for the entire family; and one of the strongest comedy lineups on television that is unique to the legacy of the NBC brand.”
“I continue to be proud of the pedigree of talent on both sides of the camera, from global superstars and producers like Dwayne Johnson, Jennifer Lopez and Simon Cowell, to comedy legends like Amy Poehler and the cast of Will & Grace and the many others who call NBC their home,” continued Greenblatt. “This roster is a testament to our incredible NBC programming presidents — Paul Telegdy, Lisa Katz and Tracey Pakosta — whose teams are on the front lines of the best programming in the world.”
Shows returning to the primetime lineup in midseason will include A.P. Bio, The Blacklist, and Good Girls. The network also plans to introduce new shows Abby’s, The Enemy Within, The Village, and The InBetween in midseason. Brooklyn Nine-Nine, which was cancelled at Fox, is also set to premiere on NBC in the midseason.
NBC FALL 2018-19 SCHEDULE
MONDAY
8-10 P.M. — The Voice
10-11 P.M. — MANIFEST
TUESDAY
8-9 P.M. — The Voice
9-10 P.M. — This Is Us
10-11 P.M. — NEW AMSTERDAM
WEDNESDAY
8-9 P.M. — Chicago Med
9-10 P.M. — Chicago Fire
10-11 P.M. — Chicago P.D.
THURSDAY
8-8:30 P.M. — Superstore
8:30-9 P.M. — The Good Place
9-9:30 P.M. — Will & Grace
9:30-10 P.M. — I FEEL BAD
10-11 P.M. — Law & Order: SVU
Fox officially announced its 2018-2019 fall schedule and Gotham has received a fifth and final season to air in midseason. Although it will be an abbreviated season, at least Gotham fans get a chance to say farewell to the show unlike Lucifer, The Mick, or Last Man on Earth viewers. Brooklyn Nine Nine was also cancelled by Fox, but fortunately NBC snatched it up and will add it to its primetime schedule. And Lethal Weapon will return, but with Seann William Scott in place of Clayne Crawford.
“This year, we launched four of the Top 10 new shows on broadcast, which led to a very strong roster of young series returning for their sophomore seasons. That gives us tremendous momentum heading into the fall,” said Dana Walden and Gary Newman, Chairmen and CEOs, Fox Television Group. “With our increased investment in football, we’re going to use the powerful platform of the NFL to launch our new comedies. We’ll then take some big swings with dramas at midseason, which is a proven strategy for FOX.”
Brooklyn Nine-Nine was cancelled for a variety of reasons, according to Dana Walden, including not having the exact right place to schedule it in the upcoming season. Lucifer and The Exorcist were cancelled simply due to a ratings-based decision. Gary Newman says they loved both shows and were proud to have them on Fox, but performance-wise they needed to make the change. As for Prison Break, a new possible season is in the early stages of development. They’re working on getting the next iteration – if there is one – exactly right. An official announcement of its status should be released in the next few months.
Fox’s fall lineup will include new comedies Rel and The Cool Kids as well as the revival of Last Man Standing with Tim Allen. Fox will also be the home of NFL’s Thursday Night Football.
Per Fox, their 2018-2019 programming slate includes the Dramas: 9-1-1, EMPIRE, THE GIFTED, GOTHAM, LETHAL WEAPON, THE ORVILLE, THE PASSAGE, PROVEN INNOCENT, THE RESIDENT, STAR; Comedies: BOB’S BURGERS, THE COOL KIDS, FAMILY GUY, LAST MAN STANDING, REL, THE SIMPSONS; Live Events: RENT; Event Series: COSMOS: POSSIBLE WORLDS; Unscripted: BEAT SHAZAM, THE FOUR: BATTLE FOR STARDOM, GORDON RAMSAY’S 24 HOURS TO HELL & BACK, HELL’S KITCHEN, LOVE CONNECTION, MASTERCHEF, MASTERCHEF JUNIOR, SHOWTIME AT THE APOLLO, SO YOU THINK YOU CAN DANCE.
FOX FALL 2018 SCHEDULE
MONDAY
8:00-9:00 PM THE RESIDENT
9:00-10:00 PM 9-1-1
TUESDAY
8:00-9:00 PM THE GIFTED
9:00-10:00 PM LETHAL WEAPON
WEDNESDAY
8:00-9:00 PM EMPIRE
9:00-10:00 PM STAR
THURSDAY
7:30-8:00 PM ET/ THURSDAY NIGHT FOOTBALL PREGAME SHOW
4:30-5:00 PM PT
8:00 PM-CC ET/ NFL FOOTBALL
5:00 PM-CC PT
FRIDAY
8:00-8:30 PM LAST MAN STANDING (all-new episodes)
8:30-9:00 PM THE COOL KIDS (new series)
9:00-10:00 PM HELL’S KITCHEN
SATURDAY
7:00-10:30 PM FOX SPORTS SATURDAY: FOX COLLEGE FOOTBALL
SUNDAY
7:00-7:30 PM NFL ON FOX
7:30-8:00 PM THE OT / FOX ENCORES
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM BOB’S BURGERS
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM REL (new series)
Rel – Inspired by the life of Lil Rel Howery, Rel is a multi-camera comedy starring Howery as a loving husband and father living in Chicago, who finds out his wife is having an affair, and must rebuild his life as a single father, following his divorce. The comedy also stars Sinbad, Jess “Hilarious” Moore, and Jordan L. Jones.
The Cool Kids – From executive producer Charlie Day, The Cool Kids is a multi-camera comedy about a rag-tag group of friends living in a retirement community who are willing to break every rule in order to have fun – because, at their age, what do they really have to lose? The series stars four comedy veterans: Tony Award nominee David Alan Grier, Emmy Award nominee Martin Mull, Emmy Award winner Leslie Jordan, and Emmy Award winner Vicki Lawrence.
Last Man Standing – This fall, hit comedy Last Man Standing joins the FOX lineup. A fan-favorite for six seasons, the series stars Tim Allen as MIKE BAXTER, a married father of three girls, who tries to maintain his manliness, despite being surrounded by women. The series also stars Nancy Travis, Jonathan Adams, Amanda Fuller, Christoph Sanders and Jordan Masterson. Last Man Standing and The Cool Kids will anchor a brand-new Friday night comedy block.
Thursday Night Football – In its 25th season of NFL coverage, the new Thursday Night Football Pregame Show will be FOX Sports’ first New York City-based live NFL studio show, complementing FOX NFL Sunday, the No. 1 NFL pregame show for the last 24 seasons and the network’s signature program, of which Terry Bradshaw and Howie Long have been an integral part since its inception in 1994. The new Thursday Night Football Pregame Show will be produced by Executive Vice President of Production, Bill Richards, who also oversees FOX NFL Kickoff and FOX NFL Sunday.
The Passage – Based on author Justin Cronin’s best-selling trilogy of the same name, The Passage is an epic, character-driven thriller written by Liz Heldens. Executive-produced by Heldens, Emmy Award winner and Academy Award and Golden Globe nominee Ridley Scott and writer/director Matt Reeves, The Passage focuses on Project Noah, a secret medical facility where scientists are experimenting with a dangerous virus that could lead to the cure for all disease, but also carries the potential to wipe out the human race. When a young girl (Saniyya Sidney) is chosen to be a test subject, a federal agent (Mark-Paul Gosselaar) is tasked with bringing her in, but ultimately, becomes her surrogate father, determined to protect her at any cost – even as Project Noah’s work threatens to unleash an unimaginable apocalypse.
Proven Innocent – Emmy and Golden Globe Award winner and Empire co-creator Danny Strong partners with David Elliot to tell the emotional story of one woman’s fight for the innocence of others, as well as her own. Proven Innocent follows an underdog criminal defense firm led by a fierce and uncompromising lawyer, who was wrongfully convicted in a sensational murder case that made her an infamous media obsession, a household name and a national cause célèbre. The drama stars Rachelle Lefevre, Vincent Kartheiser, Russell Hornsby, Brian d’Arcy James, and Tony Award winner Nikki M. James.
Gotham – Also at midseason, Gotham will air its fifth and final season, wrapping up this beloved series in a farewell event that will focus on Bruce Wayne’s (David Mazouz) transformation into the caped crusader. Gotham is an origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller and executive producers Danny Cannon and John Stephens, GOTHAM follows the rise of Det. James Gordon (Ben McKenzie) through a dangerously corrupt city teetering between good and evil, and chronicles the birth of one of the most popular super heroes of our time. The series also stars Donal Logue, Morena Baccarin, Sean Pertwee, Robin Lord Taylor, Erin Richards, Camren Bicondova, Cory Michael Smith, Jessica Lucas, Chris Chalk, Drew Powell, Alexander Siddig and Crystal Reed.
Rent – The live musical production of the groundbreaking, Tony Award- and Pulitzer Prize-winning musical Rent comes to FOX on Sunday, Jan. 27, 2019 (7:00-10:00 PM ET live/PT tape-delayed). A re-imagining of Puccini’s “La Bohème,” and set in New York City’s gritty East Village, Rent tells the unforgettable story of seven artists struggling to follow their dreams during a time of great social and political turmoil. Winner of four Tony Awards and the Pulitzer Prize, writer/composer Jonathan Larson’s tour de force continues to offer an inspiring message of hope and friendship. Acclaimed film, television and theater producer Marc Platt, along with the estate of writer/composer Jonathan Larson, will executive-produce the live musical event.
Cosmos – Airing as a global event on FOX and National Geographic in 180 countries and 43 languages, the Emmy and Peabody Award-winning Cosmos will return for its third season in Spring 2019. It will once again be executive-produced, written and directed by Ann Druyan; executive-produced by Seth MacFarlane, Brannon Braga and Jason Clark; and hosted by Neil deGrasse Tyson, the famed pop-culture icon and astrophysicist. Continuing the legacy of its predecessors, Cosmos: Possible Worlds will translate the revelations of science into a lavishly transporting experience, taking audiences on a series of spiritual voyages of exploration. The new season will reveal previously uncharted realms, including lost worlds and worlds to come, and those that we may one day inhabit in a thrilling future we can still have.
Once Upon a Time‘s Josh Dallas isn’t taking any time away from television following the end of that popular fantasy series. Dallas is returning with a starring role in NBC’s new dramatic series Manifest from executive producer Robert Zemeckis. The series will air as part of NBC’s primetime lineup during the 2018-2019 season, debuting in the Mondays at 10pm ET/PT spot after The Voice beginning September 24, 2018.
With the network setting its schedule, they’ve released the first official trailer and photos from Manifest.
In addition to Josh Dallas, Manifest stars Melissa Roxburgh, Athena Karkanis, J.R. Ramirez, Luna Blaise, Jack Messina, and Parveen Kaur. The series has Jeff Rake (The Mysteries of Laura, The Tomorrow People) involved as writer and executive producer. David Frankel (The Devil Wears Prada) will direct and executive produce the show’s pilot. Jack Rapke is also on board as an executive producer.
Manifest is a Warner Bros. Television and Compari Entertainment production.
The Manifest Plot: When Montego Air Flight 828 landed safely after a turbulent but routine flight, the crew and passengers were relieved. Yet in the span of those few hours, the world had aged five years and their friends, families and colleagues, after mourning their loss, had given up hope and moved on. Now, faced with the impossible, they’re all given a second chance. But as their new realities become clear, a deeper mystery unfolds and some of the returned passengers soon realize they may be meant for something greater than they ever thought possible.
From Robert Zemeckis and Jack Rapke comes an emotionally rich, unexpected journey into a world grounded in hope, heart and destiny.
‘Manifest’ season one poster (Photo by: NBC)Melissa Roxburgh as Michaela Stone, Josh Dallas as Ben Stone, and Jack Messina as Cal Stone in ‘Manifest’ season 1 episode 1 (Photo by Craig Blankenhorn / NBC / Warner Brothers)Josh Dallas as Ben Stone and Jack Messina as Cal Stone in ‘Manifest’ season 1 episode 1 (Photo by Craig Blankenhorn / NBC / Warner Brothers)Melissa Roxburgh as Michaela Stone and Josh Dallas as Ben Stone in ‘Manifest’ (Photo by Craig Blankenhorn / NBC / Warner Brothers)
Writer/director Alicia Slimmer’s feature film directorial debut, Creedmoria, is a quirky coming of age film filled with weirdly wonderful characters. More akin in tone to a John Waters production than a John Hughes high school film, Creedmoria is a terrific first outing for Slimmer and signals the arrival of a filmmaker to keep an eye on in the coming years.
Slimmer’s characters walk a tightrope littered with clichés and caricatures, yet somehow manage to feel flawed and real. There’s a leather-jacketed bad boy (played by Steve Cavanaugh) who demands his woman refrain from speaking to any other man, a gay teen (played by Ryan Weldon) bullied by some of his peers while fiercely protected by his sister, and a drug-addicted older brother confused about his future. There’s even a creepy boss who treats his employees like crap. And then at the heart of the story there’s this likeable, caring 17-year-old who attempts to rise above her dysfunctional family life.
Creedmoria gets its name from the real Creedmoor Psychiatric Center, with fictional patients wandering only as far as the burger joint where Candy’s employed. Candy (Stef Dawson) is kind to this interesting assortment of troubled individuals, and in fact she’s kind to everyone until she’s pushed to defend either herself or her younger brother. Amid all the film’s bizarre twists and quirkiness, Candy’s sweetness is a constant that makes you care whether she can overcome obstacles and root her on to emerge from her circumstances stronger and more self-assured.
Slimmer loaded her feature film debut with so many interesting characters that at times Creedmoria feels a bit rushed to complete storylines. However, Slimmer’s script never fails to give Stef Dawson as Candy something gritty and authentic to latch onto, even in the most over-the-top situations. Candy and her brother make prank calls to 9-1-1 in the film’s first act, and Dawson goes all-in acting out the life-threatening situations Candy’s describing to the cops. She’s also got real chemistry on screen with Steve Cavanaugh. Cavanaugh does a terrific job channeling every leather-clad rebel into a big lusty ball of smoldering sexuality.
Creedmoria’s only negative is its ending which isn’t the payoff either Candy or the audience deserve. Ending aside, Slimmer and her cast have created a coming-of-age tale different from the norm. There’s a vibe, a tone, something nearly indescribable going on in Creedmoria. Slimmer accomplishes the near impossible by making you hungry for more of Candy’s story as the film ends.
GRADE: B
Running Time: 90 minutes
Additional Cast: Ray Abruzzo, Rachel de Benedet, Giuliana Carullo, James Kelley, Arthur Gerunda, and PJ Brown
Charlie Puth will be embarking on his biggest North American tour to date as the headliner of the 2018 Honda Civic Tour. Charlie Puth is touring in support of his just-released album, Voicenotes, with the Honda Civic Tour set to kick off on July 13, 2018 in Boston, MA. Puth will stop in cities including Charlotte, Chicago, Cincinnati, Phoenix, San Diego, Las Vegas, and Los Angeles during the July, August, and September tour. The tour’s set to wrap up on September 1st in West Palm Beach, Florida.
Puth will be joined on the tour by actress/singer Hailee Steinfeld (the Pitch Perfect films).
The Voicenotes tour was originally announced in December 2017, however new dates have been added after Puth was announced as the Honda Civic Tour headliner. Tickets are now on sale at HondaCivicTour.com.
All of the Voicenotes tracks were written, produced, and performed by Charlie Puth. Two singles off the album have already gone Platinum (“Attention” and “How Long”), and the album’s third single, “Done For Me (feat. Kehlani),” entered the top 25 at Top 40 radio and the top 15 at Hot AC.
2018 Charlie Puth Honda Civic Tour Dates:
JULY
12 – Toronto, ON – Budweiser Stage**
13 – Boston, MA – Blue Hills Bank Pavilion
14 – Farmingville, NY- BMH Amphitheater at Bald Hill – On Sale Thu May 17 @ 10am
16 – New York, NY – Radio City Music Hall – SOLD OUT
19 – Uncasville, CT – Mohegan Sun
21 – Gilford, NH – Bank of New Hampshire Pavilion
22 – Saratoga Springs, NY – Saratoga Performing Arts Center
24 – Camden, NJ – BB&T Pavilion
25 – Vienna, VA – Wolf Trap**
27 – Charlotte, NC – PNC Music Pavilion
28 – Raleigh, NC – Coastal Credit Union Music Park @ Walnut Creek Amphitheatre
31 – Chicago, IL – Huntington Bank Pavilion
AUGUST
2 – Clarkston, MI – DTE Energy Music Theatre
3 – Cincinnati, OH – Riverbend Music Center
5 – Noblesville, IN – Ruoff Home Mortgage Music Center
6 – Maryland Heights, MO – Hollywood Casino Amphitheatre
8 – St. Paul, MN – Xcel Energy Center
9 – Kansas City, MO – Starlight Theatre
11 – Albuquerque, NM – Isleta Amphitheater
12 – Las Vegas, NV – The Pearl Concert Theater
14 – Los Angeles, CA – Greek Theatre
15 – Irvine, CA – FivePoint Amphitheatre
17 – Mountain View, CA – Shoreline Amphitheatre
18 – Stateline, NV – Lake Tahoe Harvey’s Outdoor Arena
20 – Chula Vista, CA – Mattress Firm Amphitheatre
21 – Phoenix, AZ – Ak-Chin Pavilion
23 – Irving, TX – The Pavilion at Toyota Music Factory**
24 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion
26 – Rogers, AR – Walmart Arkansas Music Pavilion
28 – Nashville, TN – Ascend Amphitheater
29 – Alpharetta, GA – Verizon Amphitheatre
31 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
SEPTEMBER
1 – West Palm Beach, FL – Coral Sky Amphitheatre at the S. Florida Fairgrounds
Jeffrey Wright in ‘Westworld’ season 2 episode 4 (Photo by John P. Johnson / HBO)
The Rolling Stones’ “Play with Fire” is heard as HBO’s Westworld season two episode four begins in what appears to be a very clean and organized apartment. James Delos (Peter Mullan) is its sole occupant and he exercises and does other daily chores before William (Jimmi Simpson) arrives. They discuss when Delos can leave this place. William assures him he’s being observed but needs to finish the interview before he can exit. Delos reminds him he’s dying of the same disease that he defunded the research to cure 15 years ago. He doesn’t have much patience left.
Delos believes he’s in Carlsbad, CA in an office park. He’s grown tired of staying in this place, but William explains they need to establish a baseline. Delos has a hard time accepting the fact they’ve had this conversation multiple times, so William hands him a letter.
Flash-forward and the Man in Black/William (Ed Harris) and Lawrence (Clifton Collins Jr) ride past where guests are being used as logs for the building of a railroad. The tracks are heading the wrong direction and will detour through Las Mudas where Lawrence has family. William realizes Ford is arranging a special reunion.
Elsewhere in the park, Clementine (Angela Sarafyan) drags Bernard (Jeffrey Wright) through the dirt to the edge of a cave and leaves him. There’s a rifle nearby and Bernard grabs it, and then looks for the source of a noise in the cave. He finds Elise (Shannon Woodward), but she’s not happy to see him. She’s chained up and Bernard frees her. She then turns the table, grabs the gun, and claims he choked her and left her there with just protein bars. He blames that on Ford forcing him to do it and it’s all just one big game. He warns her the hosts are free as he begs for his life.
She doesn’t shoot him, and he follows her out of the cave. He’s in Cognitive Lock and his system’s on the verge of shutting down. Elsie promises to fix him but reminds him he has a lot to pay for.
Bernard comes to, bound and with the gun inches from his face. Elsie says he has cortical damage and needs cortical fluid or he’ll shut down. She attempts to leave him when he trots after her revealing no one is coming for them. He explains Delos won’t rescue them until the company gets what it needs from inside the park.
Bernard then has a vision of himself walking through the cave. He believes he’s been dumped in this specific location by Clementine because there’s a facility nearby. Elsie doesn’t agree, but Bernard thinks it’s hidden somewhere nearby. He has the vision of himself once again and this time he follows it to see a hidden handle in the wall. An elevator is revealed but he doesn’t remember where it will take them if they enter it. Nevertheless, they ride it into the building with Elsie holding her rifle at the ready.
They arrive in a lab splattered with blood and with dead bodies lying around. Elsie spots something that looks like a skinless host and shoots it, while Bernard reveals he believes the company was watching the guests. Before giving him the cortical fluid, she wants assurance he’s not part of this project and that Ford isn’t with him now. Bernard informs her Ford is dead.
In the park, guests are tied up and walked through the Lakota tribe. They’re then tossed to the ground near members of the security team who were also captured. A woman confesses she isn’t looking to escape.
William and Lawrence arrive in Las Mudas and it’s nearly deserted. Lawrence isn’t happy about being back in this town and as the bartender pours them a drink, his hand shakes. Major Craddock (Jonathan Tucker) and his soldiers get the drop on William and Lawrence, forcing them into a church with the rest of the townspeople, including Lawrence’s wife and daughter. The soldiers want food, whiskey, and ammunition before they’ll leave.
Craddock knows the townsfolk are rebels, and Lawrence realizes they’ll kill all of them as soon as they get what they need. He wants William to help him get the weapons which he reveals are in an unmarked grave out back. His plan is to make a run for it when the soldiers are drunk, but William spoils that plan by making a deal with Craddock. William also confirms he knows Craddock is heading to Glory and tells Craddock he knows the way.
Another flashback to Delos in the same facility listening to music and exercising. He stares at himself in the mirror and then William arrives. They go through the same conversation once more. And once again William places a letter in front of Delos. The letter is a transcript that matches what they just said minutes ago. Delos laughs after reading it and then realizes he’s dead. It’s been seven years since he died and now Delos is unsure he’s still in California.
Delos wants out of this facility and claims he’s ready to get back to his life. When he mentions his wife, William informs him she’s dead. He then learns his daughter is fine and his granddaughter’s smart.
Delos asks again to leave but William says he’s not ready yet. He’s been fidgeting and shaking, and then his speech becomes jumbled. William promises to come back the next day.
James Delos is actually in the laboratory where they work on all the other hosts. This host version of Jim is terminated.
Back in the park, William and Lawrence watch the soldiers go through the supplies. Craddock is cruel, killing without any provocation.
Night falls and the Lakota warriors escort their prisoners to see the first of them who will decide their fate. The prisoners are made to kneel before Akecheta (Zahn McClarnon). The woman who didn’t want to leave this place escapes. The warriors vanish and leave the prisoners kneeling.
Bernard wakes after the cortical fluid injection and thanks Elsie for saving him. She claims she did so because she needs his help. The system has an encryption scheme that she hasn’t seen before, but he’s seen it in Peter Abernathy’s head. Bernard can’t remember everything, and Elsie explains his memories are just drifting around and he has no way of knowing the timeline for anything from his past.
Bernard realizes he’s been to this lab recently and knows they weren’t using this facility to build hosts. Elsie finds a closed door and is determined to see inside. She believes the purpose of this place might be revealed in the locked room. Bernard tries to remember what they were making and flashes back to a room full of techs.
Ed Harris in season 2 episode 4 of ‘Westworld’ (Photo John P. Johnson / HBO)
Craddock continues to terrify the town and Lawrence. William doesn’t care about any of this and listens as Craddock explains he died recently but was sent back here. He dances with Lawrence’s wife as she watches her husband being beaten outside the tavern. She’s told to take Lawrence a drink and begs with her eyes for help from William. He ignores her plea. William assures Craddock death doesn’t favor him. “You think you know death, but you don’t,” says William.
William makes his move and shoots Craddock’s men after slicing Craddock with a broken glass. He then forces Craddock to drink before handing Lawrence his rifle. When Lawrence shoots Craddock, he blows up.
Delos is in the lab and William visits, again, but this time it’s the Man in Black version of William. Their chat ends with William telling Delos he’s hit a cognitive plateau. They believed it was his mind rejecting the new body, but it’s actually that his mind is rejecting reality (rejecting itself). Delos can barely speak in sentences and this is the 149th time they’ve brought him back. In another year, the problem might be solved but William’s just not sure anymore.
William admits this was all a mistake and that people shouldn’t live forever. Delos is angry William’s running his company and living in his house, and worst of all sleeping with his daughter, Juliette. William reveals Juliette killed herself. He’s now aware some people are better off dead.
William leaves and Delos begins destroying his residence. Instead of burning him as they’ve done the others, William wants this version saved so they can observe him.
Elsie and Bernard make it into the locked room and discover the lab where Delos was being kept. It’s in tatters and then they spot the blood on the floor. The lab tech is dead and Delos is seated on his exercise bike. He stands when Elsie says hello and his face is covered in bloody slash marks. He’s been cutting his own face with shards of glass.
Delos advances on Elise, but she doesn’t fire. Bernard comes to her defense once Delos disarms her. Bernard knocks Delos down and then holds his head for a minute. Delos states there was only ever the Devil and then Elise initiates the termination process, lighting him up like he’s burning in hell.
When Elise asks if that was a host or human, Bernard says it was both. They copied his mind onto a control unit, and Elise understands this means they were experimenting with the goal of letting rich people live forever.
Bernard realizes he printed a control unit for another human, but he can’t remember who. He claims he’s now in control of himself and can decide who he wants to be. He begs to be given the chance to do the right thing. Elsie agrees, saying, “I always trusted code more than people anyway.” She makes him promise he’ll never hurt her and he won’t tell any more lies.
Bernard has a vision of sticking a circuit unit in his pocket and then commanding the skeleton hosts to kill all the technicians before killing themselves. Bernard killed the final injured tech himself.
Lawrence’s wife thanks William and Lawrence reveals the men of the village want to ride with them. Once William’s alone for a minute, Ford speaks through Lawrence’s daughter, assuring him one good deed doesn’t change anything. She also teases that if he’s looking forward, he’s looking in the wrong direction.
William, Lawrence, and the men come across the woman who escaped from the Lakota warriors. It turns out she’s William’s daughter.
Luca Marinelli as Primo in ‘Trust’ season 1 episode 8 (Photo by Philippe Antonello/FX)
With only a couple of episodes left in season one of FX’s Trust, episode eight focuses its story on the aftermath of J. Paul Getty Jr’s decision not to sign the loan papers that would have allowed him to pay off the ransom demand. Season one episode eight begins with Leonardo (Francesco Colella) and his wife, Regina (Donatella Finocchiaro), concerned about the delay in Paul’s release. However, their more pressing concern is their son Francesco’s Confirmation.
Francesco’s been eavesdropping on his parents and he asks if he can help with the situation. Leonardo responds with a slap to the face. He doesn’t want his son to follow in his footsteps.
Primo (Luca Marinelli) arrives, honks his horn, and demands Leonardo come with him. Tires squeal as they leave the city, and neither Primo nor Dante (Mauro Lamanna) explain to Leonardo what’s going on until they stop. Primo reveals Paul’s still tied up in the truck. J. Paul Getty Sr’s offer of $5 million has been canceled.
No one ever came to make the payoff and Primo confesses he thought about killing Paul (Harris Dickinson). Primo thinks this whole thing’s a big joke, but Leonardo is sure they need to hide Paul away again.
Paul’s weak and can barely walk up the hill to the cave.
Leonardo, Fifty (Niccolo Seni), Primo, and Dante make it back in time for Leonardo’s son’s Confirmation. Primo confirms with Fifty that Paul’s still alive as they try and act normal in public. No one wants to tell Don Salvatore (Nicola Rignanese) the deal didn’t go through, and Leonardo lies as he whispers during the church service that this is a day of celebration.
As everyone’s leaving the church, Leonardo’s wife pulls him aside and asks him not to ruin Francesco’s day by telling Salvatore the truth. She wants him to hold off until tomorrow since this is such a special day for their family.
Leonardo makes a toast as the guests sit down to eat. He jokes he’s surprised his son is a scholar and he tells the crowd his son will follow a different path. He’s going to be the first member of his family to go to college.
Salvatore’s toast slaps back against the one delivered by Leonardo. He believes Francesco is ready to be a part of this community. His gift to the boy he considers the closest thing to having his own son is a knife Salvatore’s father used during the war. He’s passing it down to the young man he considers his son, and it’s inscribed: “To Francesco. From one man to another.” The regimental motto is also engraved on the blade: “I do not give a damn.”
Salvatore believes the family must always be protected.
Dante leaves the table to relieve himself and is confronted by one of the men who assisted in the payoff meeting. Dante also lies and says the deal is complete, and that lie makes its way around the table.
Angelo Calati’s grandmother arrives at the party and confronts Don Salvatore, demanding to know the whereabouts of her grandson. (He was shot in the face by Primo while helping Paul attempt to escape.) When Regina tries to get the grandmother to leave, the woman curses Salvatore.
Regina’s finally able to escort her from the table. The woman won’t leave and Regina apologizes for her loss, confirming Angelo’s dead. Angelo was just 17 years old and Regina doesn’t think any boy should be involved in this. She blames everything on the men.
Perfect day ruined, Regina returns to the celebration. Downing her drink, she tells Leonardo she never wants to go through that again. She insists she just wants to get this over with. Salvatore leads the group in a dance and Regina joins in, fake smile plastered to her face.
As the dancing continues, Salvatore follows Fifty away from the crowd. Salvatore calls J. Paul Getty Sr heartless, but he’s happy everything ended well. He can tell by Fifty’s reaction that something is amiss, and forces Fifty to come clean.
Francesco’s playing with his knife along with two friends when they reveal they saw his dad and Primo coming down from where the goats are kept up on the hill. Francesco wants to go check out the area, but the boys think it’s getting dark and they need to head back. Francesco decides to go on his own anyway.
Salvatore returns to the celebration and fires a few rounds into the air. He kisses Leonardo and then leads him away from the crowd. Primo is also escorted off by Salvatore. Don Salvatore demands to know where the money is and Primo confesses they never showed up. Salvatore’s furious and believes they’ve double-crossed him, but Leonardo reveals Paul’s in the cave where Paolo keeps his goats.
Primo, unafraid of Salvatore’s wrath, says everyone at the Confirmation’s happy because they think Salvatore’s crew is rich and things will finally change here. Leonardo admits he believes they’d be a huge joke if everyone found out they still have Paul. Regina arrives, confessing she asked her husband not to tell Salvatore about this on Francesco’s special day. That doesn’t help as now Salvatore thinks Regina is the one in charge of Leonardo’s family.
Francesco makes it to the cave and finds Paul tied up and gagged. He removes the gag and Paul asks for water. Francesco escorts Paul, hands still tied behind his back, to the well. Paul introduces himself and asks if they are going to kill him. He confesses he would if he was the kidnapper. He also reveals he knows no one paid and no one is going to pay. “I’m worth nothing. Nothing,” says Paul in a devastating admission. He stares into the sky and then asks if Francesco has any siblings. He says he thinks about his own family all the time.
Paul asks Francesco if they’ll kill him outside. It’s beautiful there and he wouldn’t mind dying where he could see the sky and the trees. Francesco has been silent this whole time. (He doesn’t speak English.)
Paul walks haltingly back to the cave, thanking Francesco for the water.
Franscesco Colella as Leonardo, Nicola Rignanese as Salvatore, and Luca Marinelli as Primo in ‘Trust’ season 1 episode 8 (Photo by Philippe Antonello/FX)
A meeting takes place and it seems everyone wants to kill Paul. It’s the only way to save face. Francesco and his friends listen from outside, aware Salvatore is angry. Inside the building, Primo speaks his mind. He doesn’t accept any of the blame and he reminds everyone Salvatore is the one who negotiated the deal with J. Paul Getty Sr. Leonardo wonders if it’s possible there was a mistake about the time and place of the drop-off, but Fifty assures him there couldn’t have been.
Salvatore’s done with all this and wants to kill Paul with his own hands. Francesco races off as Salvatore hurries from the building. Primo tells Leonardo to do exactly what he says, but Fifty won’t follow Primo.
Leonardo finds Regina and she asks what kind of people they’re becoming. Leonardo hurries to catch up with Salvatore, Primo, and Dante as they head to the cave unaware Francesco’s ahead of them.
Francesco beats them to the cave and cuts Paul free. He hands him food and then urges him to leave the cave. Paul won’t and leans against the wall. Francesco screams that they’re coming to kill him and Paul finally yells back, ‘There’s nowhere to go!”
Paul grabs Francesco’s knife and tells him to cut off his ear and send it to his mom and dad. Francesco shakes his head no. Paul begs him to do it, saying he doesn’t want to die yet. Paul begs him repeatedly to use his knife and slice it off, swearing it’s the only way to keep him from being killed.
Francesco finally agrees and, as gently as possible, slices off Paul’s ear. Paul screams into his gag as blood flows down his face and neck. Francesco works swiftly and methodically.
Leonardo, Primo, Dante, and Salvatore arrive and spot the blood outside the cave’s entrance. They run into the cave and Francesco approaches them with Paul’s ear. “What have you done?” asks Leonardo as Francesco holds out the bloody ear, arms shaking.
Seann William Scott at Relativity Media’s ‘Movie 43’ Los Angeles Premiere (Photo by Alberto E. Rodriguez / Getty Images For Relativity Media)
Fox officially announced Lethal Weapon has been renewed for a third season. The renewal came along with the news Seann William Scott (best known for the American Pie films and Dude, Where’s My Car?) will be the series’ new co-lead along with returning star Damon Wayans.
“Seann is a fantastic addition to this already amazing cast,” said Michael Thorn, President, Entertainment, Fox Broadcasting Company. “Lethal Weapon is packed with action, drama and pure fun and we can’t wait to see Damon and Seann together on screen. Matt Miller, his incredible team and everyone at Warner Bros. have been tremendous partners, and we’re thrilled to bring this show back for another season.”
According to Fox’s official announcement, Seann William Scott will be playing “a new character who folds into a partnership with Murtaugh (Wayans).” His starring role in Lethal Weapon season three will be Scott’s first time taking on a network series regular role.
The series’ ratings were enough to score a renewal, however the behavior of Clayne Crawford put the show in jeopardy. Crawford was accused of behaving badly on the set and he admitted via Instagram to two issues. As of just a few days ago, Crawford’s Instagram posts also revealed he hadn’t heard anything from the network and expressed hope he wasn’t being fired.
Season two averaged 8.6 million viewers. The series, based on the hit feature films starring Mel Gibson and Danny Glover, stars Keesha Sharp, Kevin Rahm, Jordana Brewster, Johnathan Fernandez, Dante Brown, Chandler Kinney, and Michelle Mitchenor.
The action drama is executive produced by Matt Miller, Dan Lin, Jennifer Gwartz and McG. (McG directed the pilot episode from a script by Matt Miller.) The series is backed by Warner Bros. Television in association with Lin Pictures and Good Session Productions.
Marvel’s Avengers: Infinity War easily hung onto its place at the top of the domestic box office chart over the May 11-13, 2018 weekend. The superhero mashup collected another $61 million at the box office, almost doubling the combined take of the weekend’s two big theatrical releases. Avengers: Infinity War now sits in the #8 spot on the list of all-time domestic box office grossing films after just three weeks in release. It should overtake the #7 film, Star Wars: The Last Jedi, in a couple of weeks.
The weekend’s major studio releases, Life of the Party starring Melissa McCarthy and Breaking In starring Gabrielle Union, performed about as anticipated. Neither film had much support from critics (Life of the Party registers 41% at Rotten Tomatoes and Breaking In‘s at 27%), but according to Cinemascore audiences were not as critical of the female-led newcomers. Both films earned a B average from ticket buyers, according to the polling service.
Avengers: Infinity War will face its first real challenge at the box office with the release of Deadpool 2 on May 18, 2018. Paramount’s Book Club and Global Road’s Show Dogs also enter theaters next Friday.
The Avengers: Infinity War Plot: An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, Marvel Studios’ Avengers: Infinity War brings to the screen the ultimate, deadliest showdown of all time. The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.
The large ensemble cast of Avengers: Infinity War also includes Robert Downey Jr as Tony Stark/Iron Man, Scarlett Johansson as Natasha Romanoff/Black Widow, Chris Hemsworth as Thor, Tom Hiddleston as Loki, Benedict Cumberbatch as Dr. Stephen Strange, Mark Ruffalo as Bruce Banner/Hulk, and Chris Pratt as Peter Quill/Star-Lord. Tessa Thompson as Valkyrie, Karen Gillian as Nebula, Zoe Saldana as Gamora, Pom Klementieff as Mantis, Jeremy Renner as Clint Barton/Hawkeye, Dave Bautista as Drax, Bradley Cooper as Rocket Raccoon, Paul Rudd as Scott Lang/Ant-Man, Anthony Mackie as Sam Wilson/Falcon, Don Cheadle as James Rhodes/War Machine, Paul Bettany as Vision, and Josh Brolin as Thanos are also featured in the much-anticipated superhero extravaganza.