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‘Outlander’ Season 3: Richard Rankin Exclusive Interview on Roger, the ’60s, and Chemistry

Outlander Season Sophie Skelton and Richard Rankin
Sophie Skelton (Brianna Randall) and Richard Rankin (Roger Wakefield) in ‘Outlander.’ (Photo Courtesy of Starz)

There’s a new man on Starz’ Outlander. Fans of Sam Heughan and Tobias Menzies have already taken a liking to Richard Rankin as Roger in his brief appearance during season two. Season three is where Outlander really gets into Brianna (Sophie Skelton) and Roger’s storyline from the Diana Gabaldon books.

The cast of Outlander was at a Television Critics Association event for Starz and Showbiz Junkies sat down with Rankin one-on-one to talk about his increasing role in the show. Outlander returns September 10, 2017 on Starz.

This might sound crazy but a fan actually wanted me to ask why you went with a beard instead of clean-shaven for Roger?

Richard Rankin: “Well, the truth is that wasn’t my choice. There was a series of photographs and things done where I went into makeup/costume tests. I think it may have been Ron (Moore). I’m not entirely sure but someone didn’t like the clean-shaven look for Roger so we went with a beard. There were many variations of that beard so I think they just felt it was more fitting with the period, this academic, this one assistant professor would more likely be fuzzy than not I suppose.”

What was the scene you auditioned with?

Richard Rankin: “Oh, there were many, many, many auditions. I had audition scenes with Claire, audition scenes with Brianna, a mixture of the two and they were all crucial scenes which have yet to come, actually. There weren’t many scenes that I auditioned with that were in season two and most of them weren’t even in season three. So, I think they just wanted to get a good sense of where we may go with the characters. A lot of them were spread out over the books rather than already adapted scenes for television.”


Outlander is such a sweeping, romantic show. Do you feel that atmosphere on the set?

Richard Rankin: “Yes. It’s an epic. It’s an epic show. There are so many people involved. We’ve got an amazing production team from the showrunners, from Ron and Matt (Roberts) and Maril (Davis) and all of our execs and writers. They’re very hands-on. They’re a very passionate group themselves and they love the show so much that that filters down through the rest of the team. There’s always that energy on set, that excitement about the show that we’re making, I believe, a really quality TV show.”

Had you ever done a ‘60s era period piece before?

Richard Rankin: “No. It’s a period piece whichever way you look at it, right? I’ve done period before. The earliest I’ve been back is World War I. I did this show called The Crimson Field which was set in World War I so predates where we find Roger and Brianna, but nothing from the swinging ‘60s. This is my first.”

Did you do any research?

Richard Rankin: “Oh yeah, I did a ton of research. The time period itself, I wanted to obviously have an awareness of the ‘60s and where we find Roger, the culture, the music, the political scene at the time, what was going on, major historical events just to give yourself a sense of place. This is what any actor does I suppose, but I read a lot of the books to give myself a sense of Roger, give myself a flavor of what he’s about. Obviously, he’s a historian so I ventured off into more remote parts of Scotland that I thought Roger might have because he’s so passionate about that field, I thought I’ll give myself an idea of what that would be. I think because the piece – a lot of it is historically accurate and obviously we’re touching on major historical events throughout the story which is one of the things I think is great about it, then I think it’s important we have an awareness of these elements of the story that we’re telling.”

Is Roger socially aware and politically conscious?

Richard Rankin: “Yeah, obviously that doesn’t really factor too much into the story but I think as an academic, as the intellectual that Roger is, I think he’s getting in touch with that scene.”

You were the only one on the panel who read through book five. Did you learn anything in that book that gives you an advantage for your performance?

Richard Rankin: “Oh no, I don’t think it gives you an advantage. People who have read the books, Caitriona (Balfe’s) read some, Sophie’s read a few of the books, we’re all reading them for maybe slightly different reasons. I don’t think there’s any point in seeing too far ahead with your character because you’re not playing that yet. You don’t want that to taint the performance that you’re giving now. The reason that I read ahead was just to get an idea, because I didn’t have a whole lot of material available to me when we started on season two. I just wanted to get a more rounded idea of what Roger was about and what the fans would expect and their perception of him. And also to give myself an idea of where he was headed so I’m then in a better position to plot that throughline for Roger.”

Could anything prepare you for meeting the Outlander fans?

Richard Rankin: “Nothing can prepare you for meeting the Outlander fans. They’re an incredible group of people, second to none I think. They’re a very passionate and vocal bunch. They’re really committed to the show. Without such an invested fan base, the show obviously wouldn’t be where it is today and continued to grow. They really help spread the word. Their love for the show is just infectious.”

Did you have any memorable encounters at Comic Con?

Richard Rankin: “I met Ricky Whittle from American Gods who is my new bestie. We were on the New Warriors panel so that was cool. He’s a really cool guy. I really got on with him. I think that’s going to be a friendship for life, so that was worth doing that.”

And from fans?

Richard Rankin: “There was only one fan that particularly stood out because when she got to Sophie and I, she was like, ‘So, what do you guys do? Are you in the show?’ And I was like, ‘What? How are you on this autograph panel?’ She said, ‘Oh no, I only watched up to halfway through season two.’ And I was like, ‘Actually, I’m just crew. I’m security for these guys. Actually, I’m a signing double for Sam.’ So that was pretty funny.”

Do you have anything coming out after Outlander?

Richard Rankin: “Oh no, I’m pretty committed to Outlander for the foreseeable future. I think we have a lot of big stuff coming up that we’ve yet to film and that’s going to keep us very much involved with the production for the next while anyway.”

Even though Roger is not on the ships, are your sets going to be in South Africa just so the whole crew is together?

Richard Rankin: “Well, I’m not sure because I haven’t read any of the scripts. I know the story of season four but I haven’t read any of the scripts. I don’t know how they’re going to adapt that or what elements of the story they’re going to tell or how they’re going to tell the story. The writers are so good when they’re adapting it to keep, I suppose, the essence of the story, the main throughline of the story but they may have to change things for logistical or storytelling reasons. I’m not sure how yet we’re going to do that so I can’t really say. There is a part of book four where Roger has a voyage on his own and he meets some new key characters in book four, but whether or not that comes over the screen I don’t know.”

How quickly did you know you had chemistry with Sophie?

Richard Rankin: “I don’t. I don’t. There is no chemistry there. No, well straight away. When you do a chemistry test, I think it’s immediately apparent if you’re clicking with someone. It’s not something you really have to hash out or work at. Obviously when you’re at that stage of casting, you know the characters inside out, you know the story and you know the scene, so it’s just a case of seeing if you get in front of that camera for the test and if it just clicks. If there’s just that spark there. Obviously with Sophie that was present immediately.”

More on Outlander Season 3:
– Exclusive Ronald D Moore Interview
– Caitriona Balfe Interview
– Sam Heughan, Caitriona Balfe and Tobias Menzies Q&A
– Sophie Skelton Interview




‘American Horror Story: Cult’ Episode 1 Recap: Election Night

American Horror Story: Cult Sarah Paulson
Sarah Paulson as Ally Mayfair-Richards in ‘American Horror Story: Cult’ (Photo by Frank Ockenfels/FX)

The season premiere of FX’s freaky American Horror Story: Cult, the seventh season of AHS, begins with Trump and Clinton announcing they’re running for president. The MAGA signs and American flags wave, and there’s a snippet of Jeb Bush declaring he finds Trump’s actions abhorrent. Clinton’s emails are brought up along with all the media attention they received, but still the polls indicate she’s heading toward a win. The focus of the news reports shifts to protests, fighting in the streets, and altercations at Trump’s rallies.

And now we come to the fateful night of November 8, 2016. Election Night arrives and Kai Anderson (Evan Peters) watches from his Michigan home as Trump’s victory is announced on Fox News. The reporters declare the election’s the most surreal in history, while on his sofa Kai says, “The revolution has begun.”

The mood’s less than celebratory in Ally Mayfair-Richards’ (Sarah Paulson) house. Clinton lost, but Ally refuses to accept the defeat until MSNBC’s Rachel Maddow confirms it. Ally’s friends discuss how this could have happened, while over at Kai’s place he’s screaming U.S.A. repeatedly and telling the world to f*ck off.

Ally’s devastated as she watches Pence introduce Trump as President. She cries and screams into her hands, upsetting her young son, Oz (Cooper Dodson). Ally’s unable to control her anguish, and her wife Ivy’s (Alison Pill) attempts at calming her down fall on deaf ears.

Ally wails about Merrick Garland who will never become a Supreme Court Justice under Trump, while over at Kai’s place he’s overjoyed at the outcome and happily munching on an orange Cheetos-ish snack.

Ally’s friends are dumbfounded Michigan went for Trump and pissed at Jill Stein for taking votes Hillary needed. Ally and Ivy’s friend and neighbor Mr. Chang (Tim Kang) is also angry at his wife, Marylin (Nanrisa Lee), because she didn’t vote and he’s mad so many people cast protest votes. He’s concerned Ally and Ivy might lose their rights as a married lesbian couple. Oz is also worried his moms won’t stay married, but they assure him it will be okay.

Kai places the orange treats into a blender and then smears their liquefied form on his face. He imitates Trump’s hand gestures while looking very orange.

Winter Anderson (Billie Lourd) is on the phone with a friend, and she can’t believe she gave a year of her life for this election. She dropped out of college to help the Clinton campaign, and she claims not to know what’s real anymore. “She was supposed to win. Is this really happening?” asks Winter on the verge of tears. Her friend warns her not to self-harm just as orange-faced Kai jumps on her bed. Winter punches him and yells at him to get out, pissed he’s there to rub it in.

Once she’s off the phone, they hook pinkies. Kai seems completely satisfied that “everyone” is scared now.

Next, we get a visit from an AHS fan-favorite character. A couple’s about to have sex in a field when the woman freaks out, thinking someone is watching. The man tells her about Twisty the Clown and the people he hacked to death, just as we see Twisty approaching. He bows in front of the couple and produces a bouquet of fake flowers. The man pulls a gun and shoots Twisty in the stomach to no effect. Twisty slices the man’s throat and then repeatedly stabs him in the chest while the girl makes a run for it as she dials her cell phone for help. She crosses a footbridge and hides in Twisty’s old school bus, however, the 911 operator’s voice gives away her hiding place.

Twisty rips her apart and tears out her tongue. He then picks up the cell phone, removes the mask covering the missing lower half of his face, and says, “Wrong number.”

It turns out, the Twisty tale was actually from a comic book Oz was reading. Ally catches him reading it in bed after he’s supposed to have been asleep and forces him to fork over the reading material. When she sees Twisty on the cover, she has a horrible panic attack. Ivy once again comforts Ally, as she explains to Oz that Ally has an irrational fear of clowns.

Ally gets herself under control and apologizes for her phobias affecting Oz. Ivy gives her a gentle kiss and says they’ll work through it.

A cleaned-up Kai addresses the city council, asking what humans love the most. He answers his own question and says humans love fear the most as the council members exchange looks. “Fear is currency. It has value. We don’t need more cops, we need less,” proclaims Kai. He’s convinced if people live in fear, they no longer will have to think for themselves. Ally and Ivy’s neighbor is the head of the council and he wants to know if Kai’s suggesting they let chaos reign so people will give them unlimited power to do what’s best. Mr. Chang says he appreciates that Kai feels free to join society now that Papa Bear Trump’s been elected, but he also believes Trump’s a blip. He suggests Kai go meet people now that he’s no longer living in his parents’ basement and find out about the real world.

As Kai’s leaving he says, “There’s nothing more dangerous in this world than a humiliated man.”

Ally talks to her psychiatrist, Dr. Vincent (Cheyenne Jackson), confessing she doesn’t know how she’ll make it through the next four years. She relives the election night over and over again, and now her old phobias have all been triggered – clowns, confined spaces, blood, particles in the air, the dark, a coral thing in the doctor’s office that keeps looking at her. Dr. Vincent picks it up off the shelf and Ally says it’s the holes in the coral she finds repulsive. Ivy got her through this once before after 9/11, and then Barack Obama was elected and the world was a better place. She loved him and was proud of her President. Dr. Vincent admits he’s been getting through it by deleting all his social media accounts. He prescribes an anti-anxiety medication since her reaction has been so extreme. He says it will be okay, but Ally honestly doesn’t think so.

American Horror Story: Cult
Evan Peters as Kai Anderson in ‘American Horror Story: Cult” (Photo by Frank Ockenfels/FX)

Ally heads to grocery store where the clerk informs her all of his customers are home watching Trump deliver a speech on TV. Ally and the clerk exchange pleasantries, and she mistakenly believes they share the same political views. The clerk puts on his MAGA hat, declaring he’s happy there’s a real leader in Washington now.

Ally doesn’t reply and instead heads down an aisle. She glances up at a mirror and sees two creepy figures in clown masks behind her. Frightened, she calls out hello but no one answers. She keeps shopping, but she’s clearly freaked out.

Ally makes it to the end of an aisle and sees two people in grotesque clown masks having sex on the watermelons. She tries to catch her breath when loud music suddenly blares over the speakers and more people appear in horrifying masks. She heaves a wine bottle at one on a scooter and he holds up a large knife as he rides by. Ally grabs another bottle and races down the aisle. The scooter creature appears again and she throws the wine and misses. She runs screaming from the store.

Ally’s car is the only one in the parking lot and when she gets in she immediately calls Ivy in pure panic mode. She tells Ivy they’re trying to kill her. Ivy says she’s calling the police and to stay where she is. Just then Ally looks in her rearview mirror and sees a clown in the backseat, panics, and crashes into the light post.

The police leave Ally and Ivy’s house after taking a report, and Ivy says the police are looking into the incident. The clerk only saw her throwing bottles of wine and screaming, and claims not to have seen the masked clowns or heard the music. Ally swears she’s not making it up and thinks she was targeted. She believes since they had clown masks, and the masks had holes, they knew her fears and wanted to murder her.

Ally and Ivy make it into work at their restaurant, with Ally needing to play catch up because she hasn’t been there since the election. Ivy reminds her they had an agreement that Ally was the face of the restaurant and Ivy is supposed to be in the back making it work. Ally can’t function because of the election, but Ivy’s trying to get on with life. She wants more from their marriage, and Ally asks if Ivy wants to leave her. Ivy reminds her she’s stood by her, even when her story sounded crazy, and she just wants the old Ally that she loves back. “Isn’t this more important than some stupid election?” asks Ivy. Ally swears she wants to conquer her phobias.

Argument over, they walk home arm in arm. But, they’re not back to a good place in their relationship yet. It turns out Ally voted for Jill Stein because she hates Trump but didn’t trust Hillary. Ivy doesn’t forgive her since they only needed 10,000 votes to turn the state blue. As they argue on a street corner, Kai spills his coffee all over them. He claims he tripped, but Ally calls him an asshole given there was room to go around them. He walks away, but not before calling Ally a bitch.

Winter applies for the job of Oz’s nanny, answering the ad for a part-time position in a two-mother household.

A flashback to a pinky promise with Kai finds him asking her what fills her heart with dread. The scene switches to Winter telling Ivy and Ally she loves children. Back to her time with Kai, Winter reveals her most humiliating experience was in 5th grade when someone copied a love letter she wrote to Paula Abdul. That confession to Kai and his follow-up question as to whether she’s a lesbian transitions to Winter telling Ally and Ivy she went to Vassar – English Lit, Women’s Studies. She adds that she took off a year to campaign for Hillary and claims her proudest moment is when Lena Dunham retweeted her.

Another brief flashback shows Kai trying to get Winter to say who she wants to kill. In response to what scares her the most, this time she replies, “Honestly, Kai, you.”

In a parking lot at night, Kai sings “La Cucaracha” and puts a condom on his penis. He fills it up with urine and heaves it at a group of Mexicans standing around a pickup. He tells them they’re not welcome here anymore and they attack. They beat him senseless, unaware it’s a setup and he’s filming the assault.

Back at their restaurant, Ivy pours Ally a glass of wine before returning to the kitchen to prepare a new possible addition to their menu. Ally checks Twitter reads a tweet from Trump, and says, “Stop tweeting!”

Ivy returns and sets a meal in front of Ally, and finally, Ally focuses on the plate. She once again freaks out when she sees blood coming up through holes in the main course.

Winter babysits Oz, helping herself to soup and asking which one of his mothers is his real mom. He says they both are but he doesn’t know which one gave birth to him. He admits he doesn’t know his father as he draws a picture of Twisty the Clown killing someone with a large knife. She asks if he’s ever seen a real dead body, and Oz shakes his head no.

Winter shows Oz the dark web – “where you can find all the cool stuff” – and asks if he’s scared. He claims he’s not.

Ally sees the clown again as her wine glass crashes to the floor. Ivy races in and Ally tells her she saw a clown. Ivy’s less than comforting this time, asking her wife if she’s insane. Ally admits she hasn’t been taking her medicine and now she thinks she might actually be losing her mind.

Winter shows Oz a person being stabbed to death, but he doesn’t want to see it anymore. She assures him this is like a vaccination for his brain and it will only serve to make him stronger. When Winter goes to get cookies, Oz heads to the window and sees Ally’s clowns getting out of an ice cream truck. They stare up at his house and Oz screams and moves away from the window.

Ally and Ivy drive home, both still upset. They arrive on their street to discover their house is now an active crime scene. Racing past the police tape, they find Oz alive and well. Winter’s also alive, but the Changs aren’t as fortunate. The Changs are dead and Oz claims the clowns did it. Oz says the clowns got out of the ice cream truck, stared at him, and then he ran and got Winter.

A flashback reveals that when they went over to check on the Changs, they heard screaming. Oz and Winter watched through a window as the clowns butchered the Changs.

After Oz walks away, Winter tells Ally and Ivy that Oz imagined the whole clown story. They didn’t exit the house until after they saw the police cars. Winter then shows them the comic book with clowns she found in his room.

Ally and Ivy ask Detective Samuels (Colton Haynes) what happened and if they’re safe. He reveals the deaths were the result of a murder/suicide.

After everyone’s gone, Ally hears noises in the house. She turns to Ivy, but it’s a clown and not Ivy sharing her bed.

More on American Horror Story: Cult:
– Recap of American Horror Story: Cult Episode 2 “Don’t Be Afraid of the Dark”
– Recap of American Horror Story: Cult Episode 3 “Neighbors From Hell”
– Recap of American Horror Story: Cult Episode 4 “11/9”
– Recap of American Horror STory: Cult Episode 5 “Holes”




‘The Man Who Invented Christmas’ Trailer and Poster: Dan Stevens is Charles Dickens

The Man Who Invented Christmas Poster

Bleecker Street’s unveiled the official trailer and poster for The Man Who Invented Christmas. The holiday-themed tale finds Dan Stevens (Legion, Beauty and the Beast) playing Charles Dickens and Christopher Plummer as Ebenezer Scrooge. Jonathan Pryce also stars in the comedy film heading to theaters on November 22, 2017.

The Plot: The Man Who Invented Christmas tells of the magical journey that led to the creation of Ebenezer Scrooge (Christopher Plummer), Tiny Tim and other classic characters from A Christmas Carol. Directed by Bharat Nalluri (Miss Pettigrew Lives for a Day), the film shows how Charles Dickens (Dan Stevens) mixed real life inspirations with his vivid imagination to conjure up unforgettable characters and a timeless tale, forever changing the holiday season into the celebration we know today.





New York Comic Con: Warner Bros TV Brings New Shows ‘Castle Rock’ and ‘Deception’

Castle Rock

Warner Bros. Television’s Deception and Castle Rock will make their New York Comic Con (NYCC) debut on Sunday, October 8, 2017. Deception starring Jack Cutmore-Scott, Amaury Nolasco, and Vinnie Jones will be premiering midseason on ABC while Castle Rock with Bill Skarsgard, André Holland, and Melanie Lynskey will debut on HULU in 2018. WBTV’s also bringing Gotham season four cast members to NYCC for a panel that will screen footage from the show’s upcoming fourth season, as well as a panel and Q&A with Blindspot season three stars.

The New York Comic Con will run October 5th through October 8th at the Javits Center.

Warner Bros TV New York Comic Con Schedule:

Sunday, October 8, 2017

11:00am-12:00 p.m. Deception Special Sneak Peek Pilot Screening and Q&A — From Chuck co-creator Chris Fedak, the Blindspot creative team of Martin Gero, Greg Berlanti and Sarah Schechter, Emmy®-winning director David Nutter (Game of Thrones, The Flash) and renowned magician/puzzle creator David Kwong (Now You See Me, Blindspot), Deception is a thrilling crime drama that combines FBI counter-espionage with the mysterious world of magic and misdirection. When his career is ruined by scandal, superstar magician Cameron Black has only one place to turn to practice his art of deception, illusion and influence — the FBI. Using every trick in the book and inventing new ones, he will help the government catch the world’s most elusive criminals while staging the biggest illusions of his career.

Deception Poster

Deception stars Jack Cutmore-Scott, Ilfenesh Hadera, Lenora Crichlow, Amaury Nolasco, Justin Chon, Laila Robins and Vinnie Jones. Join us for an exclusive pilot screening followed by a Q&A with series stars and producers. From Berlanti Productions and Quinn’s House in association with Warner Bros. Television, Deception premieres midseason on ABC. Become a fan of Deception on Facebook at https://www.facebook.com/DeceptionABC, and follow the show on Twitter at @DeceptionABC. Room 1A10 in the Javits Center

2:00 p.m. Warner Bros. Television Takeover: Join stars and producers from Warner Bros. Television series, including Blindspot, Castle Rock and Gotham, for exclusive footage and Q&As in the Hammerstein Ballroom at the Manhattan Center.

• 2:00-3:00p.m. Blindspot: Special Video Presentation and Q&A — Following the shocking second season finale, revealing a new set of luminescent tattoos planted on Jane’s body, join Blindspot as it returns for its sophomore appearance at New York Comic Con! Sullivan Stapleton and Jaimie Alexander star in this one-hour action thriller from Berlanti Productions and Quinn’s House, Inc. in association with Warner Bros. Television. Alexander stars as Jane Doe, a mysterious woman found in Times Square with her memory erased and her body covered with a series of coded tattoos. As Jane and the FBI team who discovered her — including agents Kurt Weller (Stapleton), Edgar Reade (Rob Brown), Tasha Zapata (Audrey Esparza) and the tech-savvy Patterson (Ashley Johnson) — work to decipher, investigate and solve the complex treasure map of her tattoos, an ever-widening web of conspiracy and corruption is revealed, as is the truth behind Jane’s true identity and the organization that sent her to the FBI in the first place.

Blindspot Poster

Season three jumps two years forward. Weller finally tracks down Jane, who’s been on the run. After the two discover a new set of luminescent tattoos planted on Jane’s body, Jane is forced to return to the FBI. Weller, Jane, and the rest of our FBI team set out to solve these new puzzles and stop the dangerous conspiracies they reveal. But the tattoos also expose the team’s darkest secrets… Join us for a special video presentation followed by a Q&A with series stars and producers. Blindspot returns for its third season on its new night, Fridays, at 8/7c, starting October 27 on NBC. Become a fan of Blindspot on Facebook at https://www.facebook.com/NBCBlindspot and follow the show on Twitter @NBCBlindspot.

• 3:00-3:40p.m. Castle Rock: Exclusive Video Presentation and Q&A — From J.J. Abrams’ Bad Robot Productions (Star Wars: The Force Awakens, Person of Interest, Fringe, Lost), best-selling author Stephen King and executive producers/writers Sam Shaw (Manhattan) and Dustin Thomason comes Hulu Original Castle Rock, a psychological-horror series set in the Stephen King multiverse. Combining the mythological scale and intimate character storytelling of King’s best-loved works, Castle Rock is an original suspense/thriller — a first-of-its-kind reimagining that explores the themes and worlds uniting the entire King canon, while brushing up against some of his most iconic and beloved stories.

Castle Rock stars André Holland (Moonlight), Melanie Lynskey (Togetherness), Bill Skarsgård (IT), with Jane Levy (Suburgatory) and Sissy Spacek (Carrie). Join us for an exclusive video presentation followed by a Q&A with series stars and producers. From Bad Robot Productions in association with Warner Bros. Television, Castle Rock premieres 2018 on Hulu.

Gotham Season 4 Poster

• 3:40-4:40p.m. Gotham: Special Video Presentation and Q&A — As Gotham’s origin story continues to unfold, the stakes will be higher than ever in season four! With the Court of Owls decimated, the aftermath of the Tetch virus crippling the city, and every (surviving) villain in Gotham’s underworld jockeying for power, Jim Gordon and the GCPD will have their hands full. And that’s just the beginning! What threat does Ra’s al Ghul pose, will Penguin successfully license crime, and what does Bruce Wayne’s epic season finale reveal mean for Gotham City, and his ultimate destiny? Join Gotham as the show returns to New York Comic Con for a special video presentation, followed by a Q&A with series stars and producers. From Warner Bros. Television, Gotham airs on its new night, Thursdays at 8/7c beginning September 21 on FOX, and Gotham: The Complete Third Season is available now on Digital, Blu-ray™ and DVD. Become a fan on Facebook at www.facebook.com/GOTHAMonFOX, and follow the show on Twitter at @Gotham.

‘Insidious: The Last Key’ Debuts a New Freaky Trailer

Insidious: The Last Key
A scene from ‘Insidious: The Last Key.’

Universal Pictures just released a new trailer for the fourth entry in the Insidious movie franchise, Insidious: The Last Key. Insidious co-creator Leigh Whannell wrote Insidious: The Last Key and The Taking of Deborah Logan‘s Adam Robitel directed. James Blum (The Purge, Get Out), Oren Peli (Paranormal Activity), and Whannell’s Insidious co-creator James Wan produced the horror film which is set to open in theaters on January 5, 2018.

The cast is led by franchise veteran Lin Shaye and includes Whannell, Angus Sampson, Josh Stewart, Caitlin Gerard, Kirk Acevedo, Javier Botet, Bruce Davison, Spencer Locke, Tessa Ferrer, Ava Kolker, and Marcus Henderson. Steven Schneider, Brian Kavanaugh-Jones, Charles Layton, Bailey Conway Anglewicz, Couper Samuelson and Whannell executive produced the horror film.

The Plot: The creative minds behind the hit Insidious trilogy return for Insidious: The Last Key. In the supernatural thriller, which welcomes back franchise standout Lin Shaye as Dr. Elise Rainier, the brilliant parapsychologist faces her most fearsome and personal haunting yet: in her own family home.

Insidious: The Last Key Poster



‘Hand in Hand: A Benefit for Hurricane Harvey Relief’ Details: Networks and Celebs Help Hurricane Victims

Hand in Hand Telethon Details

ABC, CBS, CMT, FOX, and NBC are joining forces for Hand in Hand: A Benefit for Hurricane Harvey Relief, a one-hour special fundraising event to help those affected by Hurricane Harvey. The telethon will air live on Tuesday, September 12, 2017 at 8pm ET/PT (tape delayed on the West Coast), and will feature appearances by George Clooney, Jamie Foxx, Tori Kelly, Karlie Kloss, Beyoncé, Matt Lauer, Rob Lowe, Matthew McConaughey, Dennis Quaid, Julia Roberts, Kelly Rowland, Adam Sandler, Ryan Seacrest, Blake Shelton, Michael Strahan, Barbra Streisand, Oprah Winfrey, and Reese Witherspoon.


The telethon will take place live from the Universal Studios Lot in Los Angeles, Times Square in New York, The Grand Ole Opry in Nashville, as well as a live performance by George Strait from his benefit concert in San Antonio’s Majestic Theatre. Funds raised will go toward assisting the United Way of Greater Houston, Habitat for Humanity, Save the Children, Direct Relief, Feeding Texas and The Mayor’s Fund for Hurricane Harvey Relief (administered by the Greater Houston Community Fund) through the Hand in Hand Hurricane Relief Fund managed by Comic Relief Inc.

SB Projects is producing Hand in Hand and founder Scooter Braun will executive produce with Allison Kaye, Jesse Ignajatovic, Evan Prager, Bernard ‘Bun B’ Freeman, and Chris Choun.

In addition to airing live on ABC, CBS, CMT, FOX, and NBC, Hand in Hand will stream live on Facebook and Twitter. (#HandInHand)




‘Outlander’ Season 3: Sophie Skelton Exclusive Interview on Brianna, Character Relationships, and the Fans

Outlander Season 3 Sophie Skelton, Caitriona Balfe, Richard Rankin
Richard Rankin (Roger Wakefield), Caitriona Balfe (Claire Randall Fraser), and Sophie Skelton (Brianna Randall) in ‘Outlander’ season 3 (Photo Credit: Starz)

Outlander fans got their first look at Brianna (Sophie Skelton) at the end of season two. Stuck in the present, at the end of a marriage to Frank (Tobias Menzies), Claire (Caitriona Balfe) finally told Bree the truth about her father. Naturally, a modern woman of the ‘60s did not believe her mother traveled through time to conceive her.

Season three, based on Diana Gabaldon’s third book in the Outlander series, Voyager, brings Brianna and Roger (Richard Rankin) fully into the complicated, time-traveling love story. Showbiz Junkies sat down with Skelton at a Television Critics Association party for Starz to talk one-on-one about the new season. Outlander returns September 10, 2017 on Starz.

Did anything or could anything prepare you for how passionate the Outlander fans are?

Sophie Skelton: “No. Luckily, season one had already come out so we sort of had a taste of it just from Caitriona, Sam (Heughan), and Tobias. But no, it’s amazing. They are so passionate and it’s just wonderful. To meet them at Comic Con was really cool as well. I meet a lot of them on Twitter and Richard and I have a really nice rapport with them on Twitter, so to meet them in person is amazing. Yeah, it’s nothing you can really prepare for. It’s just wonderful. They’re still invested in the show, so it’s great to be a part of.”


What in person encounter with fans stood out for you?

Sophie Skelton: “It was my first Comic Con. One of the funny ones, a girl came up to Richard and I, we were sort of at the end of the panel. A girl came up when we were signing and she said, ‘So who’re you two? You cast?’ ‘No, we’re crew. We’re not cast.’ That was quite funny. Just some amazing people. There are some amazingly talented fans, too. This woman who did a cross-stitch thing of Sam’s face and it took her nine months but it was amazing and she brought it with her.”

You have the normal reaction when Claire tells you your father is from the 1700s. Does it add a layer to play that normal reaction when you know in the show it’s true?

Sophie Skelton: “Yeah, that’s the thing. Everything in the show seems so real. The time travel and because it’s all rooted in history, it does feel very real. So, I’ve watched a lot of the show and you have to take yourself out of your own shoes to be in Brianna’s shoes. Bree’s very stubborn and she’s a very logical person. I think if anyone told you that, as you say, that would be your natural reaction. With Brianna, we wanted to make that reaction really strong too in that she says some things that I wouldn’t personally say. When she says to Claire, ‘I wish you were dead instead of Frank,’ but when you’re in Brianna’s shoes, you really just have to feel how she would react in that moment. You can’t ever judge your character. So yeah, sometimes it is kind of hard to play that, especially when we played it slightly differently in the series in that Roger kind of leaves Claire. You just have to get yourself into Brianna’s head and completely believe yourself that this element of this story is completely true. Once you’re in that mindset, you have to roll with that.”

How does Brianna change the dynamic of Frank and Claire’s relationship?

Sophie Skelton: “I think Bree is the glue that holds them together. The beautiful thing about Brianna being in their life is that she does make it more bearable for the two of them. I think for Claire she is that reminder of Jamie every day. I’m sure for Frank that was extremely difficult too. There’s a line in season three where Bree says, ‘Dad had to look at me every day. Did he hate me? I must remind him every day of the man who fathered me.’

There’s just a beautiful dynamic between the three of them, too. You see it in the graduation scene. Claire and Frank are genuinely so proud of Bree. I think for Brianna, Frank really, really was her dad. There’s so much love and respect and adoration there from Bree in terms of Frank. So, I think it creates a nice family dynamic for the three of them. I think Brianna’s really just held them together and made life a little more bearable I think for them, almost helped them bury their past a little bit even though it’s so abundantly clear every day because Brianna does resemble Jamie. I think at the same time, she allows them to have a semi happy life. I think that allows Frank to bury what he thought about Claire having an affair.”

How different was being in the whole season, not just the one in season one?

Sophie Skelton: “Yeah, it was really nice to be in a little bit more because we come in quite early on. It was nice to commence the season with everyone as opposed to coming in at the end of season two where everyone was ready to drop and here we are bounding in, fresh-faced ready to start. It was really nice. I’ve read the books and you end up living with the character from season to season anyway so even though there’s a long hiatus, you’re still prepping on the character, still thinking Brianna all the time. So, it was really nice to just be on set with them for a long time.”

You’re still playing a character in the past. How do you relate to a girl in the ‘60s?

Sophie Skelton: “I think for Bree she almost has that Claire element in that she’s a woman sort of out of her time. Brianna’s very modern for a ‘60s young woman because she’s intellectual like Claire. She’s a major in history, a really good university. ‘60s was kind of that really modern time where people start to experiment with, I’m not saying Brianna did, but drugs and sex and everything. People are really coming out of their shell in the ‘60s. So, I think it was good to bring a modern element into Brianna anyway but yeah, I did have to look at people in the ‘60s and how they would act, how they hold themselves. Especially for Bree because she’s not your average woman in the ‘60s. It was rare that women went to university then, so she has a pride about her which I think is a very, very good example of the time, really.”

Outlander Season 2 Finale Brianna and Roger
Sophie Skelton (Brianna Randall) and Richard Rankin (Roger Wakefield) in ‘Outlander.’

What are some modern words you have to keep out of your vocabulary in the ‘60s?

Sophie Skelton: “I think also for me, because I have a very different vocabulary to Americans anyway, a lot of the time I’ll say things and Americans are just like, ‘What on earth are you talking about?’ I think for Bree, luckily, so there’s nothing you have to think about. There’s a nice bit in the series where Claire says f*** or something and that’s in the book. At the time, even Bree is sort of, ‘Mom, I can’t believe you’re saying that.’ If you look at American girls now, they say ‘like’ a lot or things like that. I think for Bree, that’s not really in her vocabulary.”


Is Bree a politically active feminist in the ‘60s?

Sophie Skelton: “Yeah, I think that’s something that’s so wonderful about the show. It doesn’t preach feminism but it really is a part of it. You have such a strong lead female character and Claire really carries the show. Really then it’s put a kind of spin on that. Brianna and Claire are very similar, very stubborn, very strong-minded. Not in an annoying way. It’s not too harsh. It’s just there. I think that’s a really nice thing to be able to play a strong-minded woman like that. She is the female version of Jamie. It’s really nice to be able to have that in the show and have that quality.

Caitriona was talking today about sometimes shows either way have a female lead with men being sexualized around them or vice versa, male lead with females being sexualized around them. I think it’s really nice that everyone has a central story to their character. It’s not just any sort of two-dimensional character. Everyone’s really 3D. I think without preaching feminism, that just naturally has the kind of quality in there anyway.”

What was the scene you auditioned with?

Sophie Skelton: “Oh wow. The first time around, because I actually first auditioned for Brianna in 2014 and there was a scene that they gave me, dummy sides because it wasn’t written yet, from it would’ve been Voyager actually where Claire, Roger, and Brianna are looking for Jamie through history books and things and they’re talking about the Dun Bonnet and Red Jamie and all this. So that was one of my scenes, looking at the map to work out where Red Jamie would’ve been in the parallel timeline in the 1700s. When the audition came around again a year later, I had a scene with Caitriona from episode 13, season two, the one where Brianna finds out about Jamie. And then I had a couple of scenes with Roger which were dummy scenes from season four in fact.”

Do you have anything else coming out?

Sophie Skelton: “I’ve got a couple of films coming out. They’re both Lionsgate with a production company I’ve worked with before. One of them is a remake of the cult classic Day of the Dead, the 1985 George Romero one. It’s written by Mark Tonderai. That’s coming out soon and then again with the same production company, I did a film with Nicolas Cage. I play his daughter and it’s called 211. It’s based on the North Hollywood bank robberies. They’re both really strong women, too. Day of the Dead’s cool because we changed the story slightly. I play a woman called Zoe and she’s the lead of the movie so it’s kind of a cool, another strong female character which is really nice.”

Is Day of the Dead still a scenario with scientists?

Sophie Skelton: “Yes, she’s a med student. It actually starts off, you see her in medical school. She’s a med student. She’s quite meek. And then it cuts to five years later where’s become almost like this army girl and she’s still trying to find a vaccine for the zombie virus. That was Millennium Films. They were actually filming Hitman’s Bodyguard at the same time we were there so it should be good.”

Nicolas Cage is my favorite actor so I’m definitely going to see 211.

Sophie Skelton: “He’s a really nice guy. That was a lot of fun. I play his daughter. My character is married to his partner. His partner, they’re two cops.”

Is it one of his intense performances?

Sophie Skelton: “I’m sure. I’m sure it will be, actually.”

More on Outlander Season 3:
– Exclusive Ronald D Moore Interview
– One-on-One with Richard Rankin on Playing Roger
– Caitriona Balfe Interview
– Sam Heughan, Caitriona Balfe and Tobias Menzies Q&A




‘The Orville’ – Seth MacFarlane’s Sci-Fi Series Shows Off a Behind-the-Scenes Video

The Orville Cast
Penny Johnson Jerald, Mark Jackson, Seth MacFarlane, Peter Macon, Scott Grimes, Adrianne Palicki, J. Lee and Halston Sage in ‘The Orville’ (Photo by Noah Schutz © 2017 Fox Broadcasting Co)

Fox’s new sci-fi series The Orville‘s released a five minute 360 behind the scenes look into the concept of the show and the main characters. In the video, series creator/executive producer Seth MacFarlane explains what’s in store for viewers when they tune into the one-hour sci-fi comedy/drama set to premiere on September 10, 2017 at 8pm ET/PT. The first two episodes air on Sundays after the NFL doubleheader and then on September 21st The Orville moves to its regular time slot on Thursdays at 9pm ET/PT.


In addition to MacFarlane as Commanding Officer Ed Mercer, the season one cast includes Adrianne Palicki (Marvel’s Agents of S.H.I.E.L.D.) as First Officer Kelly Grayson, Penny Johnson Jerald (24) as Dr. Claire Finn, Scott Grimes (Justified) as Gordon Molloy, Peter Macon (Shameless) as Bortus, Halston Sage (Neighbors) as Alara Kitan, J Lee (American Dad) as John LaMarr, Mark Jackson (That Royal Today) as Isaac, and Chad L. Coleman (The Walking Dead) as Klyden.

The Plot: The series is set 400 years in the future that follows The Orville, a mid-level exploratory spaceship. Its crew, both human and alien, face the wonders and dangers of outer space, while also dealing with the familiar, often humorous problems of everyday life.

More on The Orville: Seth MacFarlane and the Cast Discuss Their Characters and the Series





‘2017 CMA Awards’ Nominees Announced: Miranda Lambert Tops the List

Miranda Lambert leads the pack of nominees for the 51st Annual CMA Awards with five nominations, including Song of the Year and Album of the Year. Lambert also picked up her 11th nomination in the Female Vocalist category, a category she’s won six consecutive times. Little Big Town and Keith Urban follow close behind with four nominations, while Brothers Osborne, Sam Hunt, Lady Antebellum, Old Dominion and Jon Pardi each earned two nominations.

Brad Paisley and Carrie Underwood will host the 2017 CMA Awards, marking their 10th time as a hosting team. This year’s awards will take place on November 8, 2017 and will air on ABC at 8pm ET/PT.

“The talent of the past year for Country has been exceptional,” stated Sarah Trahern, CMA Chief Executive Officer. It’s great to see nominee names that have graced the list before, and continue to deliver quality artistry. It’s equally thrilling to see six new names – ushering in a new generation earning their first CMA Awards nods.”

51st Annual CMA Awards Nominees:

ENTERTAINER OF THE YEAR
Garth Brooks
Luke Bryan
Eric Church
Chris Stapleton
Keith Urban

SINGLE OF THE YEAR
“Better Man” – Little Big Town
Producer: Jay Joyce
Mix Engineers: Jason Hall, Jay Joyce

“Blue Ain’t Your Color” – Keith Urban
Producers: Dann Huff, Keith Urban
Mix Engineer: Chris Lord-Alge

“Body Like A Back Road” – Sam Hunt
Producer: Zach Crowell
Mix Engineer: Zach Crowell

“Dirt On My Boots” – Jon Pardi
Producers: Bart Butler, Jon Pardi
Mix Engineer: Ryan Gore

“Tin Man” – Miranda Lambert
Producers: Frank Liddell, Eric Masse, Glenn Worf
Mix Engineer: Eric Masse

ALBUM OF THE YEAR
The Breaker – Little Big Town
Producer: Jay Joyce

From A Room: Volume 1 – Chris Stapleton
Producers: Dave Cobb, Chris Stapleton

Heart Break – Lady Antebellum
Producer: busbee

The Nashville Sound – Jason Isbell and the 400 Unit
Producer: Dave Cobb

The Weight of These Wings – Miranda Lambert
Producers: Frank Liddell, Glenn Worf, Eric Masse

SONG OF THE YEAR
“Better Man”
Songwriter: Taylor Swift

“Blue Ain’t Your Color”
Songwriters: Clint Lagerberg, Hillary Lindsey, Steven Lee Olsen

“Body Like A Back Road”
Songwriters: Zach Crowell, Sam Hunt, Shane McAnally, Josh Osborne

“Dirt On My Boots”
Songwriters: Rhett Akins, Jesse Frasure, Ashley Gorley

“Tin Man”
Songwriters: Jack Ingram, Miranda Lambert, Jon Randall

FEMALE VOCALIST OF THE YEAR
Kelsea Ballerini
Miranda Lambert
Reba McEntire
Maren Morris
Carrie Underwood

MALE VOCALIST OF THE YEAR
Dierks Bentley
Eric Church
Thomas Rhett
Chris Stapleton
Keith Urban

VOCAL GROUP OF THE YEAR
Lady Antebellum
Little Big Town
Old Dominion
Rascal Flatts
Zac Brown Band

VOCAL DUO OF THE YEAR
Brothers Osborne
Dan + Shay
Florida Georgia Line
LOCASH
Maddie & Tae

MUSICAL EVENT OF THE YEAR
“Craving You” – Thomas Rhett featuring Maren Morris
“Funny How Time Slips Away” – Glen Campbell with Willie Nelson
“Kill A Word” – Eric Church featuring Rhiannon Giddens
“Setting the World on Fire” – Kenny Chesney with P!nk
“Speak to a Girl” – Tim McGraw & Faith Hill

MUSICIAN OF THE YEAR
Jerry Douglas (Dobro)
Paul Franklin (Steel Guitar)
Dann Huff (Guitar)
Mac McAnally (Guitar)
Derek Wells (Guitar)

MUSIC VIDEO OF THE YEAR
“Better Man” – Little Big Town
Directors: Becky Fluke and Reid Long

“Blue Ain’t Your Color” – Keith Urban
Director: Carter Smith

“Craving You” – Thomas Rhett featuring Maren Morris
Director: TK McKamy

“It Ain’t My Fault” – Brothers Osborne
Directors: Wes Edwards and Ryan Silver

“Vice” – Miranda Lambert
Director: Trey Fanjoy

NEW ARTIST OF THE YEAR
Lauren Alaina
Luke Combs
Old Dominion
Jon Pardi
Brett Young




‘Fear the Walking Dead’ Season 3 Part 2: Alycia Debnam-Carey, Sam Underwood, and Daniel Sharman Press Conference

Fear the Walking Dead Season 3
Kim Dickens as Madison Clark, Alycia Debnam-Carey as Alicia Clark, Sam Underwood as Jake Otto, and Daniel Sharman as Troy Otto in ‘Fear the Walking Dead’ season 3 (Photo Credit: Richard Foreman Jr / AMC)

AMC’s Fear the Walking Dead cast members were divided into two press conferences during the 2017 San Diego Comic, with Alycia Debnam-Carey, Sam Underwood, Frank Dillane, Daniel Sharman, and Dayton Callie teaming up to discuss the second half of season three. The series returns with two back-to-back episodes on September 10, 2017, with season three part two finding enemies making alliances in order to survive as key resources dwindle.

How does it feel to see Fear the Walking Dead grow since season one?

Alycia Debnam-Carey: “What’s so wonderful is that our cast is very, very tight and we all do really, really get along well. And I guess for us coming from season one and then being able to add people and still kind of keep them, we haven’t lost that many of us. So, it’s nice that we’ve really been able to develop a great bond, especially our location this year have been quite isolated, so we’ve really been forced to entertain one another and get along. That’s been really rewarding.”

Sam Underwood: “As well the social zeitgeist that we have at the moment in the world is kind of a lovely parallel to living through a zombie apocalypse in some way. So, banding together as a little family to do something that we love to do, to act, is something really lovely to be able to do at this period of time where everything’s very stressful and chaotic. It’s a nice little reprieve from that.”

Dayton Callie: “Well, obviously they were floundering until I got there. They were welcomed onto the ranch and guided through the rest of their lives as the example. (Laughing) That felt good.”

Alycia, how did you train for handling guns?

Alycia Debnam-Carey: “I’d never picked up a gun before this show. I remember when we did, I was actually taken aback by how heavy it was. I think there was a photographer on set actually who caught me in the act doing it. He just could not stop laughing because I could not actually figure out how to hold it, which was good because it matched probably what my character would be like. But, yeah, it’s a strange thing.

Guns are a little funny for me. It’s a part of this show and obviously we have some sort of training for it but we’re also not supposed to be great with guns. We’re not assassins or anything. It’s kind of good that we’re not experts at it.”

What’s been the craziest, most challenging scene to shoot?

Daniel Sharman: “It’s been quite a fascinating little ride and roller coaster. The challenging thing, I think, with it is always trying to make something that’s real or believable about the situation. What I think is so good about the show is the outside perimeters of what they are saying is this is a zombie apocalypse but it doesn’t feel like it’s that thing. It’s a very specific and very well-made investigation into human beings. I think that’s what’s very interesting about it and that’s what I loved about the character. I don’t think there was a character on the show that’s black and white or that hasn’t got a very specific and interesting storyline or things that they’re exploring.

I think, for me, this whole season gets really a lot more interesting for Troy as it gets towards the end of this season. You’ll see the journeys of all our characters face the things that we either don’t want or have been pushing away. All the fears of our own characters and I think that’s what’s so fascinating about the show and I love about my character’s journey.”

If you crossed over with The Walking Dead, which character would you tag along with?

Alycia Debnam-Carey: “I want to know this rumor. I want to know what he said. I haven’t heard it. Who would our characters tag along with? I’ve always said probably Maggie. That would be, for me I think, a good gal pal.”

Frank Dillane: “I don’t watch it. I don’t know.”

Sam Underwood: “I’m with Frank. I’m an awful person. I haven’t watched Walking. I’m very sorry. AMC is not going to have me back ever.”

Daniel Sharman: “I’ve only seen the first season. If I was to pick from the first season, I don’t know because who’s the brother?”

Merle?

Daniel Sharman: “Yes. I feel like those two would get along. When Troy looks like the voice of reason, you’re in real trouble. I think he’d be the more normal version. That would be quite interesting.”

Dayton Callie: “Negan. That’s who I’d (team) up with.”

How would you want to die if the time comes?

Dayton Callie: “Well, I don’t have the choice, do I?”

How would you have wanted to die, Dayton?

Dayton Callie: “Heart attack with Alicia.”

Alycia Debnam-Carey: “Wow. Only 9:30 (am). We’re off to a roaring start.”

Sam Underwood: “I was about to say, I love that this show is such a female-driven, female-empowering show.”

Alycia Debnam-Carey: “It’s all right. I’m the thorn between the roses. You guys can be the roses. I feel like being a zombie would be too much hard work, to be honest. That’s all I’ve decided is that doing the whole makeup, the eyes, everything, I don’t want to have to do that. Seems really hard. So, I’d take Madison having to shoot me in the head or something. That’d be crazy.”

Sam Underwood: “There was a lake that I took Alicia too in I think it was episode 5. One of the things that wasn’t left in the episode was that was the lake where I was taught to swim. I had this moment with Alicia about you start learning to swim when you drown a couple of times but you keep going. I think poetically, if Jake was to die, it would be cool to walk into the lake, just walk into the lake, walk in. In the lake. That’d be cool.”

Being newcomers to Fear the Walking Dead, what have you taken from it on a personal level?

Daniel Sharman: “It’s interesting because we obviously join this cast on a well-established show, people, actors as well who have gotten into a groove and a way of working. It’s quite interesting joining a cast when you’re also playing a racist white s– very odd family. That’s quite an odd way to introduce yourself. We shoot in a very remote location in Mexico so you feel like you’ve got to become a bond. I think it was really interesting that you form these really amazing attachments to people very quickly and that happens in the show so I’m really glad the writers put it in there. It doesn’t matter, human beings, it doesn’t matter how crazily different they are. You will always form these tendrils of attachment to people. That’s what’s so beautiful about some of the writing. It’s got that, even though we are so different.”

Sam Underwood: “And I think from a thematic standpoint, the basic idea that Troy represents – this is what I take away from it – Troy represents the arm of society that again, particularly right now, is angry and is there for survival. There’s fear of the other and there’s this need and this real animal need to protect ourselves. Our dad has set up this beautiful community for people which is the majority a really, really peaceful community, but they have to have this border militia prepper mindset to keep us safe. That’s where the racism and that kind of culture comes into it.

So, Troy represents in my mind that need for intense survival and aggression towards protecting himself. Whereas Jake, being a constitutional lawyer, he is the exact opposite in a way of hoping to rebuild a crumbling or crumbled democracy, because now the lines are blurred between what’s right morally and ethically and what is accepted and what do we need to do to survive. Jake thinks that civilization needs some form of democracy or some form of constitution in a way to keep everyone maintaining a sense of morals and ethics. I think that’s the question that comes up a lot between us and this beautiful clash of ideals which continues throughout the season. It’s really, really cool.”

Is there a Cain and Abel relationship between Troy and Jake?

Dayton Callie: “Very draining. Pain in the ass. Can’t do anything they’re told. It’s just wearing the sh*t out of me.”

Alycia Debnam-Carey: “You love it.”

Sam Underwood: “There’s also this struggle for power, a power dynamic between us. I think the idea of Nick connecting to Troy and Alicia connecting to Jake is also a really interesting exploration for the two sets of siblings as well. So yeah, Cain and Abel has definitely come up a couple of times for us. Of Mice and Men was also something that came up initially when Dave Erickson and I chatted. There’s all these really wonderful parallels of characters, of couples that have these differences but like you said, we do form bonds, even when we don’t agree on things or approach things the same way. Yeah, I agree that’s something beautiful that’s in the character writing in the show.”


Daniel Sharman: “I have a younger brother. There is something about that sibling relationship that makes it really personal to me, very emotional. It makes me cry all the time so there is something about that brotherly thing. I think it’s a very interesting relationship to explore, especially when you make the dynamics such a human vastly different thing. I just think they do family very well. They’re very smart with I think this sibling relationship, this sibling relationship, I think there’s details in it that are (real). What I like about it is you don’t like each other.”

Alycia Debnam-Carey: “That’s not true.”

Daniel Sharman: “But in the show, when I watch the first two, it’s quite interesting because usually it’s quite a sappy relationship between brother and sister and I think it’s quite nice that it isn’t that. They don’t get along and why? Because you’re blood doesn’t mean you have to get along. I think that’s quite interesting.”

Alycia Debnam-Carey: “But they love each other anyway. I love working on sibling things, actually. We rarely get to do them but Frank is one of my favorite people to work with so it’s always a treat when I get to. You’re right, doing sibling scenes, there is something different you can explore with them. It’s a very unique type of relationship but they are rare scenes. We don’t get to do it that often.”

How will Troy reconcile this opportunity to assume the role at the expense of his father?

Daniel Sharman: “Well, I think for the first part of the season, probably the first half of the next half of the season, is figuring out for Troy how, because there’s obviously a lie that Troy knows something is up, how has his father died? If it’s by his own hand, why would he do it by his own hand? So there’s an investigation there that Troy has to make. He knows his father so well and the rhetoric obviously of leading this thing has been such a big part of Troy’s upbringing. So, I think there’s an investigation for Troy which is something’s not right here. Something is wrong. I think this season is him having the responsibility then of figuring that out and what he does with the power that eventually he has the ability to assume, heir to the throne if you will.”

What’s the one key thing we need to know about your character the second half of this season?

Frank Dillane: “I don’t know.”

Alycia Debnam-Carey: “Right now, by the end of this half, the family is involved in what is essentially this murder cover-up. That starts to divide them and I think what’s great for Alicia is that we get to see her stake out her own path. So, I’m really looking forward for my character’s journey. The fact that I find out that you guys covered up the Trimbols’ (murders). There is a whole difference in opinion on what’s right and what’s wrong, and I think Alicia feels very differently.”

Sam Underwood: “I think that Jake is not assuming that he wants to lead or be a leader, to be the person who is in charge of this community and having that responsibility based on where the community is at right now and what the zeitgeist in the show is, specifically. I think assuming that Jake wants to be that person is not necessarily true. We see how that plays out.”

Frank Dillane: “I think just that maybe Nick is a little bit, I don’t know. I don’t know. I don’t know. I have a knife with knuckle dusters on it. I’ll use it.”

Daniel Sharman: “I think you will get to know that Troy has got a vast different amount of things that he’s working out who he is as a person and working out if power is the thing he really wanted or whether it’s about love or whether it’s about — it’s very interesting, figuring out who he is because a lot of it has been dictated by a system and a family that have told him. What he now really wants out of life, this thing, power.”

Dayton Callie: “I don’t know this but I think the camp’s going to go to hell without me. And I don’t know, but I think so.”





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