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‘The Walking Dead’ Season 7 Episode 11 Recap and Review: Hostiles and Calamities

The Walking Dead Season 7 Episode 11
Jeffrey Dean Morgan and Josh McDermitt in ‘The Walking Dead’ season 7 episode 11 (Photo by Gene Page/AMC)

“Welcome home, Haircut,” says one of the Saviors to Eugene (Josh McDermitt) as he’s brought into the Sanctuary and given the same room Negan (Jeffrey Dean Morgan) tempted Daryl (Norman Reedus) with in episode 11 of season seven of AMC’s horror/drama series, The Walking Dead.

The episode begins with Dwight (Austin Amelio) discovering Fat Joey’s body and realizing that Daryl has escaped. Daryl knows what’s coming and waits in his room for Negan’s goons to beat him for allowing Daryl to escape. He hides a note written by Sherry that reads “Go now” – the note she wrote to Daryl advising him to flee.

Meanwhile, Laura (Lindsley Register) tells Eugene he’s one of them now and gets him something to eat. She shows Eugene around, explaining the system and how he is one of the elite – not a worker. The elite eat well while the workers eat crap. While Laura’s explaining this, Eugene notices a young person stealing but doesn’t say anything about it.

Dwight’s locked up in solitary in the same room where Daryl was kept. Negan arrives on the other side of the door asking Dwight where Sherry ran off to and if she freed Daryl. Negan then asks Dwight if he freed Daryl. “You were supposed to break him. Did he break you?” asks Negan. Dwight tells Negan he didn’t and is very much still “Negan.” Negan lets him out of the room and tells him to get fixed up by the doc before heading out to find Sherry.

Once in the medical office, Dr. Emmitt Carson (Tim Parati) tends to Dwight’s wounds and tells him that Sherry has a big heart and that she must have let Daryl out. The doc says he wasn’t bothered by the treatment Daryl was given and that Dwight “gets it.” After getting stitched up, Dwight stops by his room and grabs a hidden cigarette pack before leaving the Sanctuary on Daryl’s old motorcycle.

Shaking in fear, Eugene is taken to see Negan in the courtyard and Negan asks him if he’s just another assh*le. Eugene says he’s not. He rattles off all his education and his work experience prior to the zombie apocalypse, even telling Negan he’s finished his Ph.D., so he’s a doctor. He uses his old fake Human Genome Project to make himself sound more useful. Negan doesn’t seem impressed and tests Eugene by asking how they can keep the walkers they use to guard the perimeter from decaying and falling apart. Eugene tells Negan the answer is easy and he already has everything he needs to fix the problem.

Eugene advises him to melt down the smelt and pour it on the walkers to reinforce their decomposing bodies and better fasten them to the fence. Negan loves his answer, calling it “practical and badass” and he rewards Eugene by allowing him to spend a night with his wives. Eugene asks if he said “wives” as in plural and Negan says yes but tells Eugene he can’t have sex with them, but sometimes just being in the company of beautiful women can make a man feel like a man again.

That evening, Eugene plays video games and talks to Negan’s wives – Tanya, Frankie, and the heavy-drinking Amber. While trying to impress them with his intelligence, he describes how he can make a bomb using ordinary household products. They’re suitably impressed when Eugene takes them outside and explodes two balloon gloves filled with hydrogen peroxide, earning him a hug.

Out on the road, Dwight heads to Sherry’s old house hoping to find her, but what he finds is a letter she left for him. Sherry’s letter reveals Dwight never had a good memory and she didn’t think he would find the letter and remember this was their meet-up place if they got separated. As Dwight compares her handwriting to the note she left for Daryl, the letter further explains Dwight didn’t want to live in the world of the Saviors and she made him to keep him from dying. “You’ve become everything you didn’t want to be, and it’s my fault,” says Sherry in the letter. Sherry admits to letting Daryl go because he reminded Dwight of the person he used to be and she wanted him to forget again. Sherry ends the letter by saying she loved who Dwight was and she’s sorry she made him into who he is now.

Dwight looks at their wedding rings which were hidden in the cigarette pack. He then takes out chips and a six-pack and leaves them on the dining room table before taking off.

The next evening, Tanya and Frankie stop by Eugene’s room and he’s confused by their surprise visit. They confess Negan didn’t send them this time and tell Eugene that Amber can’t live with being one of Negan’s wives. They need his help to come up with something so she’ll go to sleep and not wake up. At first, Eugene doesn’t want any part of it, pointing out it’s dangerous because she’ll come back as a walker. Tanya and Frankie tell him they’ll handle it, and after wearing him down a little and appealing to his caring side, Eugene tells them to come back with Amber’s exact measurements and he’ll do it.

The following day Eugene bypasses the line waiting for supplies and asks Number 16 for cold capsules. She calls him a prick and tells him to get in line and wait his turn, and he’s almost ready to follow her order when he decides to use his newfound power as one of the elite. Eugene tells her he’s the new chief engineer and reports directly to Negan, which means she reports to him. Surprised and rattled, Number 16 apologizes and gives Eugene the pills he requested. This use of power emboldens Eugene and he grabs a bedpan, a flyswatter, a stuffed toy, and the rest of the cold medicine, just for good measure.

Back in his room, Eugene creates two capsules for Amber to use to kill herself.

Dwight returns to the Sanctuary and tells Dr. Carson he killed Sherry after she ran from him and wound up in a batch of walkers.

A little later Eugene is brought to a gathering of the Saviors in front of the furnace. The crowd kneels in front of Negan and then rise as one, with Negan warning Eugene that he needs to pay attention. Negan hits Dr. Carson, showing him a note which reads “Goodbye, honey,” that was found in the doctor’s desk. Dwight’s set up Dr. Carson to take the blame for letting Daryl escape by telling Negan that right before he killed her, Sherry confessed Dr. Carson let Daryl out. Fearing Negan would blame it on her, Sherry fled the compound.

Carson begs Negan, pleading with him that he’s innocent, but Negan doesn’t believe him and gets ready to burn his face the same way he did Dwight’s. Desperate not to have his face burned, Carson lies and confesses he released Daryl. “That’s all I needed to hear,” says Negan who doesn’t burn the doc’s face and smiles up at Eugene. Just when Dr. Carson believes the worst is over, Negan throws him head-first into the furnace. Negan tells Dwight he’s sorry he had to kill Sherry and Dwight replies by saying it doesn’t bother him that she’s dead. “Ice cold. I love it!” says Negan.

Later in Eugene’s room, the two wives show up looking for the poison Eugene agreed to make. Eugene tells them he made it, but they can’t have it. He reveals he knows they’re really going to try to poison Negan. Tanya calls him a coward and Eugene tells her that’s a “correct assessment” of him. They leave disappointed. A little later Negan knocks on Eugene’s door with his famous bat, Lucille. Negan tells Eugene he knows it’s a big adjustment, but he doesn’t have to be afraid anymore. He tells Eugene he just needs to answer one question and it’s a big one. Negan starts to ask Eugene who he is, but before he can finish, Eugene answers “I’m Negan. I’m utterly, completely, stone-cold Negan. I was Negan before I even met you, I just needed to meet you properly to know.”

The last scene of the episode takes place the following day and shows Eugene overseeing the pouring of hot smelt on the walkers. Dwight walks up and they introduce themselves, with Eugene ending by saying, “We are Negan.”

The Walking Dead Season 7 Episode 11 Review:

Slow-paced but at times surprising, episode 11 titled ‘Hostiles and Calamities’ reveals what happened to Eugene at the Sanctuary after Negan took him from Alexandria upon learning he was the one who made the bullet that almost killed him. It also gave the audience some insight into who Dwight was before meeting Negan and the Saviors.

The two stand-out performances in this episode are delivered by Josh McDermitt as Eugene and Jeffrey Dean Morgan as Negan. It’s really McDermitt who shines in this episode as he conveys how absolutely terrified Eugene is of Negan and how it might not just be an act of survival when he tells the leader of the Saviors that he’s Negan. It’s possible he might have actually been quickly transformed into a Savior. Jeffrey Dean Morgan is once again menacing and extremely intimidating as Negan. Especially impressive is the scene in which he seems to actually understand how scared Eugene is and tells him he doesn’t have to be anymore.

With it unclear as to whether Eugene is really a loyal Savior now or just trying to fit in to survive, it will be interesting to see whose side he ends up on when the big battle finally happens between the Saviors and Rick’s ever-growing like-minded group of friends.

GRADE: B-




Goo Goo Dolls Announce “Long Way Home” Summer Tour Dates

Goo Goo Dolls

The Goo Goo Dolls just announced a new summer tour in support of their upcoming EP You Should Be Happy. The “Long Way Home” tour will kick off in Mountain, CA, on July 14, 2017 with stops in Chicago, Cleveland, Boston, and Miami before finishing up in Los Angeles on September 13th. The Goo Goo Dolls (John Rzeznik and Robby Takac) will be joined on the tour by Phillip Phillips, with tickets going on sale on March 3rd through Live Nation and the Goo Goo Dolls’ official site.

The Grammy-nominated Goo Goo Dolls have sold more than 12 million albums and have had 14 Top 10 singles since 1986. Phillip Phillips sprang to fame as the season 11 winner of American Idol. His coronation song, “Home,” reached five-times platinum status, selling more than four million copies.

Long Way Home Summer Tour:

Fri- Jul-14-17 Mountain, CA at Shoreline Amphitheatre
Sat-Jul-15-16 Las Vegas, NV at Downtown Las Vegas Event Center
Sun-Jul-16-17 Phoenix, AZ at Comerica Theatre
Tue-Jul-18-17 Greenwood Village, CO at Fiddler’s Green Amphitheater
Thu-Jul-20-17 South Fargo, ND at Scheels Arena
Fri-Jul-21-17 Council Bluffs, IA at Harrah’s Hotel & Casino- Stir Cove
Mon-Jul-24-17 Chicago, IL at Huntington Bank
Tue-Jul-25-17 Indianapolis, IN at Indianapolis Farm Bureau
Thu-Jul-27-17 Peoria, IL at Peoria Riverfront
Fri-Jul-28-17 Appleton, WI at Fox Cities Stadium
Sat-Jul-29-17 Plymouth, MN at Hilde Performance Center
Mon-Jul-31-17 Nashville, TN at Ascend Amphitheater

Wed-Aug-02-17 Huber Heights, OH at Rose Music Center at The Heights
Thu-Aug-03-17 Rochester Hills, MI at Meadowbrook
Sat-Aug-05-17 Cleveland, OH at Jacobs Pavilion at Nautica
Sun-Aug-06-17 Philadelphia, PA at Festival Pier
Tue-Aug-08-17 Vienna, VA at Wolf Trap
Wed-Aug-09-17 Uncasville, CT at Mohegan Sun
Fri-Aug-11-17 Syracuse, NY at Lakeview Amphitheater
Sat-Aug-12-17 Darien Lakes, NY at Darien Lake Performing Arts Center
Sun-Aug-13-17 Wantagh, NY at Northwell Health at Jones Beach Center
Tue-Aug-15-17 Boston, MA at Blue Hills Bank Pavilion
Wed-Aug-16-17 Portland, ME at Maine State Pier
Fri-Aug-18-17 Holmdel, NJ at PNC Bank Arts Center
Sat-Aug-18-17 Bethel, NY at Bethel Woods Center for the Arts
Sun-Aug-20-17 Saratoga Springs, NY at Saratoga Performing Arts Center
Tue-Aug-22-17 Baltimore, MD at Pier Six Pavilion
Wed-Aug-23-17 Raleigh, NC at Red Hat Amphitheater
Fri-Aug-25-17 Virginia Beach, VA at Veterans United Home Loans Amphitheatre
Sat-Aug-26-17 Asheville, NC at Biltmore Estate – South Terrace
Sun-Aug-27-17 Charlotte, NC at Charlotte Metro Credit Union Amphitheatre
Wed-Aug-30-17 Orlando, FL at Hard Rock Live

Fri-Sep-01-17 Miami, FL at Klipsch Amphitheater at Bayfront
Sat-Sep-02-17 Jacksonville, FL at Daily’s Place
Mon-Sep-04-17 Atlanta, GA at Chastain Park Amphitheatre
Thu-Sep-07-17 Houston, TX at Cynthia Woods Mitchell Pavilion
Sun-Sep-10-17 Albuquerque, NM at Sandia Resort Casino
Tue-Sep-12-17 San Diego, CA at Cal Coast Credit Union Open Air Theatre
Wed-Sep-13-17 Los Angeles, CA at The Greek Theatre




2017 Oscars – The Winners of the Weirdest Ceremony in History

Oscars Moonlight and La La Land
The casts of ‘La La Land’ and ‘Moonlight’ onstage during the 89th Oscars® (Photo: Scott Diussa / ©A.M.P.A.S.)

Jimmy Kimmel proved to be one of the best Oscar hosts in recent years, but what everyone will be talking about is not how Kimmel did but how the Best Picture Oscar was awarded to La La Land by mistake. Bonnie and Clyde stars Faye Dunaway and Warren Beatty reunited to reveal the Best Picture winner, with Beatty opening the envelope, looking confused, and then passing it to Dunaway who announced La La Land as the Academy Award winner. However, after the La La Land gang took the stage and the producers gave their acceptance speeches, it was revealed Moonlight was the actual Best Picture winner.

The La La Land producers were very gracious in turning the moment over to the Moonlight cast, director, and producers, expressing their admiration for the film which was the real winner in the night’s big category. Moonlight writer/director Barry Jenkins was equally gracious in acknowledging the La La Land team who quickly left the stage so Jenkins and his cast and the film’s producers could celebrate their win.

Warren Beatty took to the mic in the middle of the commotion to explain what happened, saying, “I opened the envelope and it said ‘Emma Stone, La La Land.’ That’s why I took such a long look at Faye, and at you. I wasn’t trying to be funny.” Backstage, Emma Stone was asked what happened and she was confused because she was holding the envelope with her name while all of this was going on.

Despite not winning the Best Picture Oscar, La La Land did take home the most Oscars with six wins including Best Actress, Best Director, and Best Cinematography. Moonlight had three wins including Best Picture and Best Supporting Actor (Mahershala Ali). Hacksaw Ridge and Manchester by the Sea followed with two wins each.

2017 Oscars Winners:


Best motion picture of the year
• “Arrival”
• “Fences”
• “Hacksaw Ridge”
• “Hell or High Water”
• “Hidden Figures”
• “La La Land”
• “Lion”
• “Manchester by the Sea”
WINNER – “Moonlight”

Performance by an actor in a leading role
WINNER – Casey Affleck in “Manchester by the Sea”
• Andrew Garfield in “Hacksaw Ridge”
• Ryan Gosling in “La La Land”
• Viggo Mortensen in “Captain Fantastic”
• Denzel Washington in “Fences”

Performance by an actor in a supporting role
WINNER – Mahershala Ali in “Moonlight”
• Jeff Bridges in “Hell or High Water”
• Lucas Hedges in “Manchester by the Sea”
• Dev Patel in “Lion”
• Michael Shannon in “Nocturnal Animals”

Performance by an actress in a leading role
• Isabelle Huppert in “Elle”
• Ruth Negga in “Loving”
• Natalie Portman in “Jackie”
WINNER – Emma Stone in “La La Land”
• Meryl Streep in “Florence Foster Jenkins”

Performance by an actress in a supporting role
WINNER – Viola Davis in “Fences”
• Naomie Harris in “Moonlight”
• Nicole Kidman in “Lion”
• Octavia Spencer in “Hidden Figures”
• Michelle Williams in “Manchester by the Sea”

Best animated feature film of the year
• “Kubo and the Two Strings”
• “Moana”
• “My Life as a Zucchini”
• “The Red Turtle”
WINNER – “Zootopia”

Achievement in cinematography
• “Arrival” Bradford Young
WINNER – “La La Land” Linus Sandgren
• “Lion” Greig Fraser
• “Moonlight” James Laxton
• “Silence” Rodrigo Prieto

Achievement in costume design
• “Allied” Joanna Johnston
WINNER – “Fantastic Beasts and Where to Find Them” Colleen Atwood
• “Florence Foster Jenkins” Consolata Boyle
• “Jackie” Madeline Fontaine
• “La La Land” Mary Zophres

Achievement in directing
• “Arrival” Denis Villeneuve
• “Hacksaw Ridge” Mel Gibson
WINNER – “La La Land” Damien Chazelle
• “Manchester by the Sea” Kenneth Lonergan
• “Moonlight” Barry Jenkins

Best documentary feature
• “Fire at Sea” Gianfranco Rosi and Donatella Palermo
• “I Am Not Your Negro” Raoul Peck, Rémi Grellety and Hébert Peck
• “Life, Animated” Roger Ross Williams and Julie Goldman
WINNER – “O.J.: Made in America” Ezra Edelman and Caroline Waterlow
• “13th” Ava DuVernay, Spencer Averick and Howard Barish

Best documentary short subject
• “Extremis” Dan Krauss
• “4.1 Miles” Daphne Matziaraki
• “Joe’s Violin” Kahane Cooperman and Raphaela Neihausen
• “Watani: My Homeland” Marcel Mettelsiefen and Stephen Ellis
WINNER – “The White Helmets” Orlando von Einsiedel and Joanna Natasegara

Achievement in film editing
• “Arrival”Joe Walker
WINNER – “Hacksaw Ridge” John Gilbert
• “Hell or High Water” Jake Roberts
• “La La Land” Tom Cross
• “Moonlight” Nat Sanders and Joi McMillon

Best foreign language film of the year
• “Land of Mine” Denmark
• “A Man Called Ove” Sweden
WINNER – “The Salesman” Iran
• “Tanna” Australia
• “Toni Erdmann” Germany

Achievement in makeup and hairstyling
• “A Man Called Ove” Eva von Bahr and Love Larson
• “Star Trek Beyond” Joel Harlow and Richard Alonzo
WINNER – “Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson

Achievement in music written for motion pictures (Original score)
• “Jackie” Mica Levi
WINNER – “La La Land” Justin Hurwitz
• “Lion” Dustin O’Halloran and Hauschka
• “Moonlight” Nicholas Britell
• “Passengers” Thomas Newman

Achievement in music written for motion pictures (Original song)
• “Audition (The Fools Who Dream)” from “La La Land”
Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
• “Can’t Stop The Feeling” from “Trolls”
Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster
WINNER – “City Of Stars” from “La La Land”
Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
• “The Empty Chair” from “Jim: The James Foley Story”
Music and Lyric by J. Ralph and Sting
• “How Far I’ll Go” from “Moana”
Music and Lyric by Lin-Manuel Miranda

Achievement in production design
• “Arrival” Production Design: Patrice Vermette; Set Decoration: Paul Hotte
• “Fantastic Beasts and Where to Find Them” Production Design: Stuart Craig; Set Decoration: Anna Pinnock
• “Hail, Caesar!” Production Design: Jess Gonchor; Set Decoration: Nancy Haigh
WINNER – “La La Land” Production Design: David Wasco; Set Decoration: Sandy Reynolds-Wasco
• “Passengers” Production Design: Guy Hendrix Dyas; Set Decoration: Gene Serdena

Best animated short film
• “Blind Vaysha” Theodore Ushev
• “Borrowed Time” Andrew Coats and Lou Hamou-Lhadj
• “Pear Cider and Cigarettes” Robert Valley and Cara Speller
• “Pearl” Patrick Osborne
WINNER – “Piper” Alan Barillaro and Marc Sondheimer

Best live action short film
• “Ennemis Intérieurs” Sélim Azzazi
• “La Femme et le TGV” Timo von Gunten and Giacun Caduff
• “Silent Nights” Aske Bang and Kim Magnusson
WINNER – “Sing” Kristof Deák and Anna Udvardy
• “Timecode” Juanjo Giménez

Achievement in sound editing
WINNER – “Arrival” Sylvain Bellemare
• “Deepwater Horizon” Wylie Stateman and Renée Tondelli
• “Hacksaw Ridge” Robert Mackenzie and Andy Wright
• “La La Land” Ai-Ling Lee and Mildred Iatrou Morgan
• “Sully” Alan Robert Murray and Bub Asman

Achievement in sound mixing
• “Arrival” Bernard Gariépy Strobl and Claude La Haye
WINNER – “Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace
• “La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
• “Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart Wilson
• “13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth

Achievement in visual effects
• “Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington and Burt Dalton
• “Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould
WINNER – “The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon
• “Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff
• “Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

Adapted screenplay
• “Arrival” Screenplay by Eric Heisserer
• “Fences” Screenplay by August Wilson
• “Hidden Figures” Screenplay by Allison Schroeder and Theodore Melfi
• “Lion” Screenplay by Luke Davies
WINNER – “Moonlight” Screenplay by Barry Jenkins; Story by Tarell Alvin McCraney

Original screenplay
• “Hell or High Water” Written by Taylor Sheridan
• “La La Land” Written by Damien Chazelle
• “The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou
WINNER – “Manchester by the Sea” Written by Kenneth Lonergan
• “20th Century Women” Written by Mike Mills





Spirit Awards 2017 Winners: ‘Moonlight’ Takes Top Honors

Spirit Award Winners Moonlight Cast
Cast and crew of ‘Moonlight’ accept the Robert Altman Award onstage during the 2017 Film Independent Spirit Awards (Photo by Kevork Djansezian / Getty Images for Film Independent)

The independent film community celebrated the best in feature films of 2016 during the 32nd Film Independent Spirit Awards held in a tent on the Santa Monica beach. The annual indie awards show is always held the day before the Oscars, with the nominees representing “artist-driven films made with an economy of means by filmmakers whose films embody independence and originality.”

Writer/director Barry Jenkins and Moonlight were the 2017 Spirit Awards big winners, picking up six wins including Best Director and Best Feature. Other winners included The Witch, Other People, Manchester by the Sea, Elle, Hell or High Water, Spa Night, O.J.: Made in America, and Toni Erdmann.

Spirit Awards Winners:


Best Feature:
Moonlight (A24)
Producers: Dede Gardner, Jeremy Kleiner, Adele Romanski

Best Director:
Barry Jenkins, Moonlight (A24)

Best Screenplay:
Barry Jenkins, Tarell Alvin McCraney (Story By), Moonlight (A24)

Best First Feature:
The Witch (A24)
Director: Robert Eggers
Producers: Daniel Bekerman, Jay Van Hoy, Lars Knudsen, Jodi Redmond,
Rodrigo Teixeira

Best First Screenplay:
Robert Eggers, The Witch (A24)

John Cassavetes Award (For best feature made under $500,000):
Spa Night (Strand Releasing)
Writer/Director: Andrew Ahn
Producers: David Ariniello, Giulia Caruso, Ki Jin Kim, Kelly Thomas

Best Supporting Female:
Molly Shannon, Other People (Vertical Entertainment)

Best Supporting Male:
Ben Foster, Hell or High Water (CBS Films/Lionsgate)

Best Female Lead:
Isabelle Huppert, Elle (Sony Pictures Classics)

Best Male Lead:
Casey Affleck, Manchester by the Sea (Amazon Studios)

Robert Altman Award:
Moonlight (A24)
Director: Barry Jenkins
Casting Director: Yesi Ramirez
Ensemble Cast: Mahershala Ali, Patrick Decile, Naomie Harris, Alex Hibbert, André Holland, Jharrel Jerome, Janelle Monáe, Jaden Piner, Trevante Rhodes, Ashton Sanders

Best Cinematography:
James Laxton, Moonlight (A24)

Best Editing:
Joi McMillon, Nat Sanders, Moonlight (A24)

Best International Film:
Toni Erdmann (Germany and Romania– Sony Pictures Classics)
Director: Maren Ade

Best Documentary:
O.J.: Made in America (ESPN Films)
Director/Producer: Ezra Edelman
Producers: Deirdre Fenton, Libby Geist, Nina Krstic, Erin Leyden, Tamara Rosenberg, Connor Schell, Caroline Waterlow

Complete list of 2017 Spirit Awards nominees





2017 Razzie Awards Winners: Batman v Superman, Hillary’s America Tie with 4

Batman v Superman Ben Affleck, Henry Cavill Face to Face
Ben Affleck as Batman and Henry Cavill as Superman in ‘Batman v Superman’ (Photo © 2015 Warner Bros. Entertainment Inc., Ratpac-Dune Entertainment LLC and Ratpac Entertainment, LLC)

Batman v Superman and the “documentary” Hillary’s America: The Secret History of the Democratic Party were the big winners at the 37th Annual Razzie Awards held on February 25, 2017. Recognizing the worst in feature films from 2016, this year’s Razzies were voted on by 1,027 Razzie members from 25 countries.


Multiple Razzie Award winner Dinesh D’Souza from Hillary’s America turned out to have a sense of humor about his wins, actually accepting the awards in a special video. (See below.)

Razzie Awards Winners:

WORST PICTUREHillary’s America: The Secret History of the Democratic Party

WORST ACTOR – Dinesh D’Souza [as Himself/Narrator] in Hillary’s America: The Secret History of the Democratic Party

WORST ACTRESS – The “Actress” Who Plays Hillary Clinton in Hillary’s America

WORST SUPPORTING ACTRESS – Kristen Wiig / Zoolander No. 2

WORST SUPPORTING ACTOR – Jesse Eisenberg / Batman v Superman: Dawn of Justice

WORST SCREEN COMBO – Ben Affleck & His BFF (Baddest Foe Forever) Henry Cavill / Batman v Superman: Dawn of Justice

WORST DIRECTOR – Dinesh D’Souza & Bruce Schooley / Hillary’s America: The Secret History of the Democratic Party

WORST REMAKE, RIP-OFF or SEQUELBatman v Superman: Dawn of Justice

WORST SCREENPLAYBatman v Superman: Dawn of Justice, Written by Chris Terrio and David S. Goyer

RAZZIE® REDEEMER AWARD – 2014 Worst Supporting Actor nominee Mel Gibson, for his Oscar®-nominated direction of Hacksaw Ridge





‘The Flash’ Season 3 Episode 14 Preview: Attack on Central City Photos and Trailer

The Flash Season 3 Episode 14
Violett Beane as Jesse Quick, Grant Gustin as The Flash and Keiynan Lonsdale as Kid Flash in ‘The Flash’ (Photo: Katie Yu © 2017 The CW Network)

The CW’s The Flash season three episode 13 found Barry, Cisco, Caitlin, and Julian traveling to Earth-2’s Gorilla City to try and rescue Harrison Wells. Their mission was a success, however the teaser at the end of the episode revealed Grodd will be bringing his gorilla army to Earth-1. Episode 14 titled ‘Attack on Central City’ is set to air on February 28, 2017 and is the epic conclusion of the two-part Grodd vs The Flash story. Directed by Dermott Downs, ‘Attack on Central City’ was written by Benjamin Raab and Deric A. Hughes.


The season three cast includes Grant Gustin as Barry Allen/The Flash, Tom Cavanagh as Harrison Wells, Danielle Panabaker as Caitlin Snow, Carlos Valdes as Cisco, Jesse L Martin as Joe West, Keiynan Lonsdale as Wally West, and Tom Felton as Julian.

The ‘Attack on Central City’ Plot: THE EPIC CONCLUSION TO THE TWO-PART BATTLE WITH GRODD – When Grodd (voiced by David Sobolov) and his army of gorillas bring the battle to Earth-1, The Flash (Gustin) and team must find a way to stop them before they destroy Central City. Gypsy (guest star Jessica Camacho) returns to join the fight. Meanwhile, Jesse Quick (guest star Violett Beane) decides she wants to stay with Wally (Lonsdale) on Earth-1.

The Flash Season 3 Episode 14
Carlos Valdes as Cisco Ramon and Jessica Camacho as Gypsy in ‘The Flash’ (Photo: Katie Yu © 2017 The CW Network)

The Flash Season 3 Episode 14
Grant Gustin as Barry Allen, Candice Patton as Iris West and Tom Cavanagh as Harrison Wells in ‘The Flash’ (Photo: Bettina Strauss © 2017 The CW Network)

Grant Gustin as Barry Allen in 'The Flash' (Photo: Bettina Strauss © 2017 The CW Network)
Grant Gustin as Barry Allen in ‘The Flash’ (Photo: Bettina Strauss © 2017 The CW Network)

The Flash Season 3 Episode 14
Keiynan Lonsdale as Wally West and Violett Beane as Jesse Quick in ‘The Flash’ (Photo: Bettina Strauss © 2017 The CW Network)
The Flash Season 3 Episode 14
Carlos Valdes as Cisco Ramon and Danielle Panabaker as Caitlin Snow in ‘The Flash’ (Photo: Bettina Strauss © 2017 The CW Network)
Sean Poague as Accelerated Man and Jessica Camacho as Gypsy in 'The Flash' (Photo: Katie Yu © 2017 The CW Network)
Sean Poague as Accelerated Man and Jessica Camacho as Gypsy in ‘The Flash’ (Photo: Katie Yu © 2017 The CW Network)

The Flash vs Grodd Poster



‘Emerald City’ Season 1 Episode 9 Recap: The Villain That’s Become

Emerald City Episode 9
Olafur Darri Olafsson as Ojo, Mia Mountain as Nahara, and Adria Arjona as Dorothy in ‘Emerald City’ (Photo by: David Lukacs/NBC)

NBC’s riveting fantasy series Emerald City begins episode nine titled ‘The Villain That’s Become’ with the guards of Ev ordering the Wizard (Vincent D’Onofrio) and his men to leave the city. Season one’s penultimate episode finds the Wizard in a stand-off against guards who are armed with weapons he asked the Queen to create. The Wizard’s angry they aren’t turning over the guns, offering a chest full of gold in payment if they give him his weapons.

The gold’s taken to the Queen and it’s double the asked for payment. Langwidere (Stefanie Martini) wants to keep the weapons and the gold, and doesn’t care if they make enemies of the Wizard and his army.

Princess Ozma (Jordan Loughran) begs West (Ana Ularu) not to die following her suicide attempt, telling the nearly dead witch her sister would want her to stay alive. Ozma reveals to West she had a vision of her parents’ murder and needs her guidance. West heals and they hug.

Back at Ev, the Wizard’s guards have infiltrated the castle and demand the location of the Queen. She’s held at gunpoint as the Wizard enters the castle.

Dorothy (Adria Arjona) rides through the woods with Toto close behind the horse’s heels. They arrive back at the isolated cottage where she and Lucas stayed on their trip to Glinda’s, and Toto stays outside to guard the house. Dorothy enters and just as she sits down to rest, Lucas (Oliver Jackson-Cohen) grabs her from behind in a stranglehold. She cries out his name and tells him she doesn’t want to die without even getting to look him in the eye.

Unfortunately, West and Princess Ozma have to walk through the woods instead of fly so that they’ll remain off Glinda’s radar. West knows Glinda would want Ozma for her own, but Ozma doesn’t feel any magic coursing through her. Ozma’s frustrated she can’t cast a spell and West explains magic comes from inside. West tells Ozma to close her eyes and describe how she feels, and Ozma confesses to feeling angry. West tells her to use that but to go even deeper. Ozma does and the magic flows through her, transforming her back into a boy. She smiles, happy to be back in her old form. She tells West, “This is what the magic found. This is me!”

Lucas lets Dorothy go and she cowers against the wall, sobbing. He stands over her, looking confused. She asks why he’s doing this and he tells her she should never have been there. He’d send her home but it’s not possible, but she can’t be part of him anymore. She yells at him to go ahead and kill her, and it’s obvious Lucas is completely torn up inside. He leans in, telling her to close her eyes. Just as he raises his knife, Toto breaks through the window and attacks him. There’s a fierce battle going on inside the cottage as Dorothy escapes, however, Lucas is able to trap Toto inside the house and chases after Dorothy. He pins her to the ground and begins strangling her again. She won’t stop him, even though he begs her to. She’s not fighting back and he’s demanding she stop him when she replies, “I can’t. I don’t want you dead.” Lucas doesn’t let up and Dorothy stealthily grabs his knife from its sheath and stabs him in the side.

Lucas lets up on Dorothy’s neck as she sobs and says, “No.” He collapses onto her, suffering from the stab wound. She ties him to the cross which had previously belonged to the scarecrow. He’s severely injured and bloody as he looks down on Dorothy, listening as she says, “You got your wish. I never happened to you,” leaving him in the same condition she found him just days prior. She and Toto ride off, leaving Lucas alone and probably dying.

The Wizard arrives in the Queen’s chambers and she believes they’re now in a stand-off. Her men will kill his if the Wizard attacks Ev. The Wizard slaps her hard across the face, shattering her mask which falls in pieces to the floor. She covers her face, crying and quivering as the Wizard tells her she needs to make herself presentable for her soldiers. “Choose a new mask – it might be your last,” says the Wizard as he leaves her room.

Jack (Gerran Howell) races to Jane’s office and tells her the Wizard will execute Langwidere if her men don’t turn over the guns.

Ozma’s happy to be a boy again, declaring she’s never felt better or more free. She wants to tear the Wizard to pieces, but West says first they need to recruit supporters. However, that means Ozma has to return to being a girl. No one will follow a boy, and they argue about transforming back to a female form. Ozma is dead set against it, but West wisely knows no one will believe a boy is the princess.

Dorothy and Toto race to the settlement where she was taken after she arrived in Oz. She asks to speak with Ojo and after flashing her gauntlets, she’s allowed to meet with him. Ojo (Olafur Darri Olafsson) explains he took her to the witches because West promised to free his wife. She didn’t, and now Dorothy also wants his wife free to use the stone warriors to stop Glinda permanently.

Ozma/Tip stares at her family’s dagger and West finally agrees to trying to raise an army with Tip as a boy.

Jane (Gina McKee) hurries to the castle and meets with Frank/The Wizard. The two have history and Frank’s never liked her because she wasn’t kind to him. Jane says she’s the only one left who knows he’s a fraud and that she’s only alive because her work has value to him. She promises to make him whatever he needs, and Frank knows she’s only doing this to save Langwidere. He screams that he’s the Wizard of Oz and demands she never call him anything else ever again.

Jane returns to her workshop with bad news for Jack. She knows the Wizard can’t be stopped and Jack suggests, “Then make me the gun!”

Ojo and Dorothy make the journey to the Prison of the Abject to see Nahara, with Ojo explaining his wife was sacrificed so their people could live. They enter the cave where she’s been left, and Dorothy says she’ll use her magic to free everyone trapped inside. She wanders through the tree roots, leaving Ojo behind as she looks for Nahara. The witches she expected to find are gone and a man trapped within a tree tells her he’ll explain what happened if she frees him. Dorothy does, and the man says only the dead and dying were left behind when the rest were taken.

West and Ozma look out over the freed witches, with West declaring them dressed and ready for war.

Ojo enters the cave and finds Nahara in horrible shape. She was left behind because she’s dying, but Ojo is happy to see her nonetheless. Dorothy asks her to raise the stone giants, but Nahara is reluctant. She remembers what the Wizard did with them before. But when Dorothy says it’s the only way to stop the war between Glinda and the Wizard, Nahara has hope that Glinda will best the Wizard in battle. Dorothy doesn’t want anyone on either side to be killed and Nahara says it’s important to stop the person who’s fighting magic since magic has always existed in Oz. Dorothy makes a deal: if Nahara helps her, she’ll take the Wizard with her when she returns to Kansas. Nahara agrees, happy about the prospect of freeing magic.

Ozma and West are surrounded by the freed witches, and West speaks to them about standing with Princess Ozma. She asks they follow the Princess to Emerald City to end the Wizard’s rule. The witches are furious West has brought a boy in a dress and is trying to pass him off as Ozma, and they say the dagger proves nothing. As West yells at them to fall in line, they call her a whore and a traitor. They use their magic to sew West’s mouth shut and raise her high in the air, suspending her, helpless.

Emerald City Episode 9
Stefani Martini as Queen Ev and Vincent D’onofrio as the Wizard in ‘Emerald City’ (Photo by: David Lukacs/NBC)

Meanwhile in Ev, the Queen has dressed and decided against wearing a mask. Her face is perfect; there’s no reason to cover it. She addresses her men with the Wizard at her side. She assures them she chose to expose her face as the Wizard quietly prompts her to tell her men to put down their weapons. She suggests he address the men instead, and the Wizard tells Ev’s soldiers they should join his cause and fight the witches. He places a gun to the Queen’s head and tells them to put down their weapons. Her men ask for guidance and the Queen tells them to stand with her against the Wizard. “Never surrender your weapons!” she screams, while the Wizard continues to tell the soldiers he’ll kill their Queen if they don’t drop their weapons.

The Queen spots Jack not far away aiming his hand, which is now a gun, toward where she’s standing with the Wizard. She tells her men it’s okay to let her die as Jack fires. The Wizard spotted Jack right before he fired and moved the Queen into the bullet’s path. It enters her head right above her left eyebrow and she tumbles over the balcony to the ground below. A gun battle breaks out between the Wizard’s men and Ev’s army, with Jack racing through the fight to the Queen’s side. She’s dead and Jack screams in agony over what he’s done.

Ev’s soldiers get the upper hand and capture the Wizard.

Meanwhile, Ojo and Nahara share some private time together. She wants him to help the man who Dorothy freed from the tree but before he can do anything, the man hits him in the head.

Jack brings the Queen’s lifeless body to Jane. He asks her to fix Langwidere, to do what she did for him when he was injured.

West hangs high in the air as down below the witches put her on trial. Ozma tells them East locked them up and West freed them, but that doesn’t help. They blame West for selling the “soul” of their world for her own escape and demand she pay for the deaths of their sisters. Ozma has heard enough. She uses her powers to bring West down to earth while transforming herself back into a girl. Ozma demands they help West now that she’s on the ground. They don’t act immediately and Ozma again uses her powers to connect them all to her memories of her parents’ murders at the hands of the man with the lion mask who acted on the command of the Wizard.

The witches bow to Princess Ozma, and Ozma demands they help West to her feet. She asks them to fight with her for Emerald City and for the return of the rule of magic.

Langwidere’s body is laid out on the table as Jane tells Jack about all the masks she made to cover the young woman’s pretty face. Jane assures Jack Langwidere tried to love him as best she could, while Jack is devastated he killed his love. Then Jane tells Jack the truth about the royal family of Ev. The Beast Forever slaughtered the royal family (the Queen, her sons, and Langwidere) years ago, with only the king surviving. The Langwidere Jack knows is mechanical! Jane salvaged what she could and built the rest. The masks were to hide the fact Langwidere never aged. Jane can repair her and it’s Jack’s turn to freak out. He can’t believe Langwidere tricked him into believing she loved him, and now Jack’s determined to kill the Wizard himself since he’s made of metal and already dead anyway.

The soldiers of Ev place the Wizard in front of the firing squad. He begs them to stop and just as they’re about to shoot, a stone giant comes alive miles away in Emerald City. His footsteps create havoc as he approaches the outskirts of Ev where the Wizard’s army is gathered. He stands still as Dorothy and Toto walk in front of his feet.




‘Grimm’ Season 6 Episode 8 Recap: The Son Also Rises

Grimm Season 6 Episode 8
Russell Hornsby as Hank Griffin and Reggie Lee as Sergeant Wu in ‘Grimm’ (Photo by: Allyson Riggs / NBC)

NBC’s Grimm season six episode eight goes all Frankenstein-ish with a reanimated body complete with Wesen body parts. The February 24, 2017 episode kicks off with Team Grimm going over the drawing which they’ve now determined is a calendar. Nick (David Giuntoli) thinks it might be a warning of a plague or rain of frogs, but Monroe’s (Silas Weir Mitchell) found a photo of a painting from the 16th century with similarities to their calendar. Monroe thinks the mythological creatures represented are actually Wesen, and the painter was probably a Grimm who believed Wesen came from other planets.

They call it a night, and Eve (Bitsie Tulloch) thanks Nick for letting her be his houseguest, but she’s ready to give Diana back her bed. Rosalee (Bree Turner) offers her the cot at the spice shop, and Eve accepts.

Elsewhere, Dr. Deirdre Hampton (Dinora Walcott) and a fellow researcher, Dr. Shelley, argue over continuing an experiment. Deirdre threatens to call security and Shelley leaves. After he’s gone, she calls another co-worker, Dr. Sanji Raju (Vik Sahay), to tell him about the incident. They’re both afraid their apparently ex-co-worker will spill the beans on a project they weren’t supposed to be working on, and they hope he gives up before telling anyone.

Dr. Hampton leaves the science lab but barely makes it out the door before she’s attacked.

Back at the spice shop, Eve finally finishes up her research on the calendar for the night. She looks around the spice shop, spots a hand mirror, and asks herself, “Who are you now?” In reply, the green-eyed demon head appears in the mirror and Eve slams the mirror against the table, breaking it. It reassembles itself and this time, an arm reaches through, strangling Eve. She woges, bites it to free herself, and then falls to the floor, unconscious.

Eve is still on the floor when Monroe and Rosalee arrive the next morning.

Wu, Hank, and Nick investigate Dr. Hampton’s murder and find the lab trashed and blood on the walls near the dead body. Nothing was stolen and there weren’t any witnesses, but they do find her phone and obtain Dr. Raju’s information as the last person she called. The investigation’s interrupted when Monroe calls to let Nick know Eve’s hurt and heading to the hospital. Nick tells Wu and Hank “Juliette” is injured and he has to leave.

Over at the station, Renard (Sasha Roiz) does a little research of his own on Diana’s drawings. He calls Dasha Karpushin (Alla Korot) in Siberia and after exchanging pleasantries, he shows her the drawing. She knows it means something but not what, and says she’ll work on uncovering the meaning.

Nick meets up with Monroe and Rosalee at the hospital, and when Rosalee mentions the mirror found by her head, Nick is forced to reveal he and Eve saw a black skull face in his bathroom mirror. He adds that it looked like what Eve saw while she was in the death grip, and Monroe and Rosalee head back to the shop to investigate the mirror.

Hank (Russell Hornsby) and Wu (Reggie Lee) work the murder case and have made their way to Dr. Raju’s place. Dr. Raju calls Dr. Hampton an amazing woman and admits he talked to her last night. He lies and says they discussed some research they were doing together, claiming she wasn’t worried about her safety.

Hank and Wu leave, but they don’t believe Dr. Raju’s story. He went into detail about the specific research they were discussing, but the call was less than 30 seconds. Hank and Wu don’t think the two scientists could have talked about their research as Dr. Raju laid out in that limited amount of time. Something funky is going on, but they don’t know what.

Grimm Season 6 Episode 8
David Giuntoli and Bitsie Tulloch in ‘Grimm’ (Photo by: Allyson Riggs / NBC)

Nick checks in on the sleeping Eve, pulling up a chair by her hospital bed. He stares at her fondly and smiles.

Hank and Wu discover Drs. Raju and Hampton were working on the regeneration of tissue. They also find the research team consisted of two other doctors: Victor Shelley and Julian Levy. Wu reveals there were two sets of fingerprints found at the crime scene, but both belong to dead men – and both men were supposedly cremated. They’re stumped and decide to head out to the cemetery to check on the dead men.

Out on the street, a man in a hoodie spots a ‘missing’ flyer with his photo. He rips it down with a scaly arm and runs away, yelling, “Monsters!”

Wu and Hank arrive at the cemetery, debating burial versus cremation. They ask the funeral director how two dead men who were cremated somehow left fingerprints at a crime scene. He admits he didn’t cremate them and instead sold them to a man who paid cash. He’s sold half a dozen bodies, but he doesn’t know who he sold them to. He doesn’t have a description of the buyer and worries about being arrested. Hank and Wu assure him if he helps out by calling them the next time the buyer contacts him, they won’t arrest him.

Rosalee and Monroe try to determine if there’s something up with the mirror or if it was strictly an Eve-induced event. Monroe carefully picks it up without looking into it, and Rosalee locks it in a drawer.

Dr. Raju and Dr. Levy are busy shredding their research while talking about a video that apparently has incriminating evidence on it. They need all the copies destroyed, and Raju wonders if Dr. Shelley killed Dr. Hampton. Dr. Levy doesn’t think so, claiming Shelley was too weak.

The ‘missing’ man arrives at the lab after Dr. Levy leaves and attacks Dr. Raju as he’s busy shredding documents.

Hank and Wu show up at Dr. Shelley’s place to find out when he last spoke with Dr. Hampton. He says he visited Deirdre at the lab last night at 11pm, describing their research similar to how Dr. Raju described it. He claims Dr. Hampton couldn’t help him with his questions, so he left and returned home.

Hank and Wu leave, but they’re certain one of the doctors they’re investigating is lying.

The funeral home director shows up at the station to look at photos of the doctors. He tells Hank and Wu that Julian Levy looks an awful lot like the man who paid for the dead bodies. He swears never to sell bodies again and Hank and Wu let him off the hook.

Hank and Wu figure out that Levy didn’t realize he was buying Wesen body parts, and when they pull him in to interrogate the doctor, he claims not to know what’s going on. They show him the photos of the dead men and reveal their source says he’s the one who purchased the dead bodies. Dr. Levy finally breaks and confesses they all saw something they couldn’t explain. Hank asks if the bodies were Wesen and Dr. Levy, very convincingly, claims to have no idea what Wesen means.

Hank and Wu talk privately, figuring out that the doctors are involved in some experiment that’s not authorized. Hank wonders if the car crash that injured Dr. Shelley and took the life of his son somehow plays into all this.

Over at the hospital, Nick hasn’t left Juliette/Eve’s side. He remembers their time together, ending with the flashback to opening the box that contained his mother’s head and then being attacked by Juliette.

Hank finds an interview with Dr. Raju referencing the transplanting of body parts, but with no mention of dead body parts. Wu found something in the car accident and the death of Shelley’s 26-year-old son. As they’re working things out, a call comes in reporting the death of Dr. Raju. (The photo of the son reveals he’s the one who killed Dr. Hampton.)

Hank and Wu take a look at Dr. Raju’s body sprawled out dead in his office. They can tell he’d been busy shredding documents and spot a flash drive on the floor.

Rosalee wakes up suddenly as her water breaks! That shouldn’t be possible as it’s much too soon, but when she pushes down the sheets, her 9-month pregnant belly is exposed. What the what? She and Monroe are completely confused, and Monroe freaks out when she says there’s no time to get to a hospital. The babies are coming right now! Monroe assists in the delivery and one girl arrives easily. The second one is just as easy on both Rosalee and Monroe, and then the third one emerges. Rosalee says more are coming and pushes out even more babies. Monroe is now totally freaking out after seven or more babies arrive. Fortunately, his screaming wakes up Rosalee who is definitely not giving birth at this very minute. Rosalee settles into sleep while Monroe, dripping with sweat, looks as though he’ll never close his eyes again.

Back at the station, Wu and Hank open the flash drive and watch a video. Shelley’s dead son is on the operating table and now has two different legs. All the doctors are around him as Victor zaps him back to life. He reanimates and because they used Wesen body parts, he starts woging. They don’t know about Wesen, so they have no idea what’s happened to Shelley’s son. He woges back to normal and says, “Dad.” Dr. Shelley says, “He’s alive! He’s alive!” while Dr. Hampton declares they’ve created a monster. She wants to destroy it, and they tell Victor he should kill it. The video is cut off before the son is killed. Hank and Wu realize they should warn the two surviving doctors that Shelley’s son is out to kill them.

Dasha calls Renard to let him know the drawing is of an ancient prophecy. She doesn’t know if it’s good or bad, but most likely the latter. It predicts something is coming, and Diana is definitely connected to whatever it is. Dasha warns Renard to watch his daughter carefully.

Shelley’s son wanders the streets and a woman sees him walk by the ‘missing’ flyer with his photo. She calls Dr. Shelley to tell him where she saw the missing man and that he didn’t look good. Dr. Shelley grabs a gun and is about to leave when Dr. Levy arrives to tell him the cops know about the missing bodies. Dr. Shelley confesses he did inject his son with enough drugs to kill him, but apparently, it didn’t work. It came back and now it’s killing people.

Just then, Hank and Wu arrive and reveal they’ve watched the video of the doctors raising the dead. They inform Shelley and Levy that Dr. Raju is dead and Levy says no one believed it would work but Shelley wanted to try to bring his dead son back to life and they went along with it. Levy leaves, saying he didn’t do anything wrong – it’s all Shelley’s fault.

Levy’s attacked outside Shelley’s house and Hank and Wu come to his rescue. Unfortunately, the reanimated Wesen gets the upper hand, forcing Dr. Shelley to shoot his undead son. He’s about to shoot himself, but Hank stops him. Dr. Shelley’s not about to get off the hook for multiple murders.

Back at the hospital, Eve wakes and finds Nick asleep in the chair next to her bed. She calls his name and he wakes up, asking if she remembered what happened. She doesn’t and he tells her Rosalee and Monroe found her on the floor by the mirror. Memory jogged, she remembers woging as the arm came through the mirror and tried to strangle her. Eve has a feeling “something” is coming and they don’t have a lot of time left before it gets here.

(Pay attention to the names: The Grimm writers must have had a fun time naming this episode’s supporting characters!)




‘Twin Peaks’ Unveils New Posters for Twin Peaks Day

Twin Peaks Laura Palmer Poster

Showtime’s just released two special Twin Peaks posters in honor of Twin Peaks Day. The new posters feature key Twin Peaks players, Laura Palmer (Sheryl Lee) and Special Agent Dale Cooper (Kyle MacLachlan). What is Twin Peaks Day? If you’re asking this question, you probably weren’t a big fan of the original series. February 24th has been designated as Twin Peaks Day by fans who celebrate the arrival of Agent Dale Cooper to the Washington town and the day Laura Palmer’s body was discovered.

The new limited series will debut on Sunday, May 21, 2017 at 9pm ET/PT with a special two-part premiere. Episodes three and four will be available immediately after the airing of episodes one and two via Showtime’s streaming service, Showtime Anytime, and Showtime On Demand. The third and fourth episodes will then debut on Showtime on May 28th at 9pm ET/PT. Subsequent episodes will air one per week in the weeks following.

Series creator David Lynch directed all 18 episodes of the upcoming limited series, which “picks up 25 years after the inhabitants of a quaint northwestern town were stunned when their homecoming queen Laura Palmer was shockingly murdered.” The cast includes Kyle MacLachlan (Portlandia), Madchen Amick (Riverdale), Laura Dern (Big Little Lies), Robert Forster (Divorce), Miguel Ferrer (NCIS: Los Angeles), and Kimmy Robertson.

Twin Peaks Agent Cooper Poster




‘Rock Dog’ Movie Review

Rock Dog
Bodi (Luke Wilson) and Angus Scattergood (Eddie Izzard) in ‘Rock Dog’ (Photo Credit: Lionsgate Premiere)

“Dad, I’ve decided to become a musician,” says Bodi the Tibetan Mastiff (voiced by Luke Wilson) to his father, Khampa (voiced by J.K. Simmons), yearning to not follow in his father’s pawsteps and instead form a rock band in the animated comedy, Rock Dog.

Life is easy and peaceful on Snow Mountain, with Khampa guarding the simple-minded wool-making sheep from the hungry wolves led by Linnux (voiced by Lewis Black). In addition to his sheep guarding duties, Khampa’s busy training his wide-eyed, ever optimistic son Bodi, hoping the kid will follow in his pawsteps. However, when a radio falls from a passing plane and Bodi discovers it, life on the mountain changes. Bodi hears the sounds of rock ‘n roll and becomes obsessed with music.


Bodi sneaks away from his chores and begins using all his free time practicing on a guitar he made. And, strangely enough, he definitely has real talent. After listening to an interview with the legendary and reclusive musician Angus Scattergood (voiced by Eddie Izzard) talking about never giving up and forming your own band, Bodi drums up the courage to tell his father he wants to leave Snow Mountain for a shot at being a musician in the big city.

Reluctant to let his kid go, Khampa tries to discourage Bodi and forces him to take part in even more guard dog training – something which winds up a disaster for the village. However, after talking to his friend, Fleetwood Yak (voiced by Sam Elliott), who offers up the advice that Bodi has to find his own way, Khampa encourages Bodi to go to the city and give it a try. But, he makes him promise to come home and become a guard dog if music doesn’t work out. Permission granted, Bodi jumps on the bus and heads into the city to search for band members. He also dreams of becoming a student of his idol, the one and only Angus Scattergood.

Colorful, funny, and with a positive message for kids, Rock Dog‘s an animated adventure that has enough slapstick to entertain the kids and pop culture jokes and humor to entertain their parents.

Rock Dog benefits from a strong voice cast led by Luke Wilson who brings the likeable, naïve, and always positive Bodi to life on the screen. J.K. Simmons is great as the tough and strong-willed Khampa who loves his son enough to let him go out on his own and find his own way. However, it’s Eddie Izzard as the self-absorbed, reclusive, and hilarious musician Angus Scattergood who steals the film and raises it to another level comedically. Angus constantly tries to get rid of Bodi who won’t take no for answer, clinging to Angus’ advice to never give up and becoming the victim of several slapstick moments in the style reminiscent of the classic Looney Tunes cartoons. It’s clear Izzard used a combination of Ozzie Osbourne and Mick Jagger to create Angus’ personality and it works perfectly.

With funny and likeable characters, plenty of slapstick, and a positive message for kids about finding your own voice, Rock Dog is an entertaining and above average animated film that’s the perfect matinee movie for families.

GRADE: B

MPAA Rating: PG for action and language

Running Time: 90 minutes

Directed By: Ash Brannon

Release Date: February 24, 2017





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