Tan leaps into action when a correspondents’ dinner is attacked on CBS’s SWAT season seven episode 11. Directed by Cherie Dvorak from a script by Sarah Alderson, episode 11 – “Whispers” – airs on Friday, May 3, 2024 at 8pm ET/PT.
Shemar Moore leads the cast as Daniel “Hondo” Harrelson, Jay Harrington stars as David “Deacon” Kay, David Lim is Victor Tan, Rochelle Aytes is Nichelle Carmichael, Anna Enger Ritch as Zoe Powell, and Patrick St. Esprit is Robert ‘Bob’ Hicks. Kenny Johnson recurs as Dominique Luca and Alex Russell recurs as Jim Street.
“Whispers” Plot: Tan finds himself on a one-man mission to save his new love interest and her journalist co-workers when mercenaries take over a black-tie correspondents’ dinner. After the group escapes, it’s up to SWAT to track down the well-trained gunmen before anyone else is killed. Meanwhile, Hondo and Nichelle return home to find their house trashed, placing them at odds when it’s revealed that Nichelle has a secret. And when Hicks, Mumford and Buck take a trip down memory lane, it threatens to end their decades-long friendships.
David Lim as Victor Tan and Shemar Moore as Daniel “Hondo” Harrelson in ‘SWAT’ season 7 episode 11 (Photo: Bill Inoshita / Sony Pictures Television / CBS)
SWAT Series Description, Courtesy of CBS:
Inspired by the television series and the feature film, S.W.A.T. stars Shemar Moore as a former Marine and locally born and raised S.W.A.T. sergeant tasked to run a specialized tactical unit that is the last stop in law enforcement in Los Angeles. Torn between loyalty to where he was raised and allegiance to his brothers in blue, Daniel “Hondo” Harrelson strives to bridge the divide between his two worlds.
Shemar Moore as Daniel “Hondo” Harrelson and David Lim as Victor Tan in season 7 episode 11 (Photo: Bill Inoshita / Sony Pictures Television / CBS)David Lim as Victor Tan in season 7 episode 11 (Photo: Bill Inoshita / Sony Pictures Television / CBS)Shemar Moore as Daniel “Hondo” Harrelson in season 7 episode 11 (Photo: Bill Inoshita / Sony Pictures Television / CBS)Anna Enger Ritch as Zoe Powell in season 7 episode 11 (Photo: Bill Inoshita / Sony Pictures Television / CBS)
The trailer for Oxygen’s new true crime series Sins of the South declares there’s a darker side to the famed Southern hospitality. “Down South, sinners all too often become killers. But unlike the good Lord, law enforcement does not forgive,” a voice warns in the one-minute promo.
“Sins of the South is a riveting new true crime series that illuminates the drama, the history and the crime stories found below the Mason-Dixon line,” reads Oxygen’s synopsis. “With a deliciously delightful Southern-inflected narration, each of the 12-hour-long episodes unravel the twists and turns of a real-life murder, highlighting the disturbing crimes of the South and the wickedness that led to it. First-hand accounts from victims’ loved ones and law enforcement, archival footage, and cinematic recreations bring these sinful stories to life.”
The series premieres on May 12, 2024 at 8pm ET/PT, with new episodes of the 12-episode season airing on Sundays at 7pm ET/PT. Episode one, “Terror in Tennessee,” delves into the Caronnas family of Cordova, Tenn. “When one of them turns up missing on the day of a big party, investigators uncover that behind closed doors lies a mysterious tale of lust and greed.”
Poster for ‘Sins of the South’ (Photo Credit: Oxygen)
Additional season one episodes will explore the murder of a New Orleans pastor, the death of a Miami Beach hotel heir, and a triple murder that took place on a Christmas tree farm in North Carolina.
Brian DeCubellis serves as the showrunner, with Wolf Entertainment’s Dick Wolf and Tom Thayer executive producing. Additional executive producers include Good Caper Content’s Jordana Hochman, Alison Dammann, and Sarah Howell.
CBS’s So Help Me Todd season two (the final season) episode eight is all about pranks and tennis. Episode eight, “P.I.’s Wide Shut,” will air on Thursday, May 2, 2024 at 9pm ET/PT. Ruba Nadda directed from a script by Earl Davis.
Oscar winner Marcia Gay Harden leads the cast as Margaret Wright and Skylar Astin stars as the titular Todd. Season two also features Madeline Wise as Allison, Tristen J. Winger as Lyle, Inga Schlingmann as Susan, and Rosa Arredondo as Francey.
“P.I.’s Wide Shut” Plot: While Margaret helps Susan serve justice for a tennis coach accused of drugging a teen athlete, Todd and Lyle embark on an epic office prank war.
So Help Me Todd Season 2 Description, Courtesy of CBS:
So Help Me Todd stars Academy Award winner Marcia Gay Harden and Skylar Astin as razor-sharp, meticulous attorney Margaret Wright and Todd, her talented but scruffy, aimless son whom she hires as her law firm’s in-house investigator. As the black sheep of the well-heeled Wright family, Todd is a laidback, quick-thinking, excellent former private detective who fell on hard times after his flexible interpretation of the law got his license revoked.
Margaret’s penchant for excellence and strict adherence to the law is at complete odds with Todd’s scrappy methods of finding his way through sticky situations: by the seat of his wrinkled pants. When Todd inadvertently teams with his mother on a case, she’s surprised to find herself duly impressed by – and proud of – his crafty ability to sleuth out information with his charm and his wide-ranging tech savvy. At last, Margaret sees a way to put her son on a “suitable” path to living an adult, financially solvent life she approves of, and she asks him to join her firm. Todd agrees, since it means getting his license back and once again doing the job he excels at and loves.
Mother and son working together is a big first step toward mending their fragile, dysfunctional relationship, and they may even come away with a better understanding of each other at this pivotal point in their lives. But whether Todd and Margaret will be able to accept each other for who they are is another case entirely.
First photo from the psychological thriller ‘Apartment 7A’ starring Julia Garner (Photo Credit: Gareth Gatrell / Paramount+)
Three-time Emmy winner Julia Garner (Ozark) stars in Apartment 7A, a psychological thriller described as a prequel to Rosemary’s Baby. Paramount+ announced the horror film from director Natalie Erika James (Relic) will air on the streaming service this fall.
“Apartment 7A is the perfect way to kick off the Halloween season,” stated Jeff Grossman, Executive Vice President, Programming, Paramount+. “Director Natalie Erika James and the prodigious creative team have crafted a chilling and clever new entry into the genre.”
In addition to Garner, the film stars two-time Academy Award winner Dianne Wiest (Bullets Over Broadway, Hannah and Her Sisters), Jim Sturgess (Across the Universe), and Kevin McNally (the Pirates of the Caribbean film series). The supporting cast includes Marli Siu (Everything I Know About Love), Andrew Buchan (All the Money in the World), Rosy McEwen (Blue Jean), and Kobna Holdbrook-Smith (Wonka).
“Set in 1965 New York City, the film tells the story prior to the legendary horror classic Rosemary’s Baby, exploring what happened in the apartment before Rosemary moved in,” reads Paramount+’s synopsis. “When a struggling, young dancer (Garner) suffers a devastating injury, she finds herself drawn in by dark forces when a peculiar, well-connected, older couple promises her a shot at fame.”
The prequel’s based on Ira Levin’s Rosemary’s Baby novel and was written by director Natalie Erika James, Christian White, and Skylar James (story by James). Vicki Dee Rock and Alexa Ginsburg executive produce, with John Krasinski, Allyson Seeger, Michael Bay, Andrew Form, and Brad Fuller producing. Apartment 7A is a Platinum Dunes / Sunday Night Production.
Roman Polanski’s adaptation of Levin’s Rosemary’s Baby opened in theaters in June 1968. Starring Mia Farrow and John Cassavetes, the critically acclaimed horror film earned two Oscar nominations, with Ruth Gordon winning in the Best Supporting Actress category. Made for just $3 million, the film grossed $33 million worldwide.
Expect to be put through the emotional wringer, #Chenford fans, with ABC’s The Rookie season six episode seven. After taking a three-week break, episode seven – “Crushed” – will air on Tuesday, April 30, 2024 at 9pm ET/PT.
Season six stars Nathan Fillion as John Nolan, Mekia Cox as Nyla Harper, Melissa O’Neil as Lucy Chen, Eric Winter as Tim Bradford, and Richard T. Jones as Sergeant Wade Grey. Shawn Ashmore plays Wesley Evers, Alyssa Diaz is Angela Lopez, Lisseth Chavez is Celina Juarez, Jenna Dewan is Bailey Nune, and Tru Valentino is Aaron Thorsen.
“Crushed” Plot: When two teenagers go missing, it is up to the entire team to find the girls and uncover the truth about their disappearance. Meanwhile, Lopez and Harper are on a different kind of investigation – the search for the perfect nanny.
Eric Winter and Danielle Campbell in ‘The Rookie’ season 6 episode 7 (Disney/Raymond Liu)
Series Description, Courtesy of ABC:
John Nolan, once the oldest rookie in the LAPD, has used his life experience, determination and sense of humor to keep up with rookies 20 years his junior. Nolan now faces his biggest challenge as a police officer, when he must come to terms with the choices he has made in pursuit of the truth.
Alyssa Diaz and Mekia Cox in season 6 episode 7 (Disney/Raymond Liu)Melissa O’Neil and Brent Huff in season 6 episode 7 (Disney/Raymond Liu)Nathan Fillion and Lisseth Chavez in season 6 episode 7 (Disney/Raymond Liu)Richard T. Jones, Melissa O’Neil, Alyssa Diaz, and Mekia Cox in season 6 episode 7 (Disney/Raymond Liu)Nathan Fillion, Danielle Campbell, Lisseth Chavez, and Tru Valentino in season 6 episode 7 (Disney/Raymond Liu)
Colin Farrell in ‘Sugar’ season 1 episode 5 (Photo Credit: Apple TV+)
We’ve passed Apple TV+’s Sugar season one’s halfway point, and if you assumed we’d learn John Sugar’s secret in episode five, you were mistaken. Episode five only slightly nudges us closer to learning the true nature of John’s mission. Instead, episode five’s big reveal was David’s connection to his half-sister Olivia’s disappearance.
Episode five, “Boy in the Corner,” begins with a flashback of David Siegel (Nate Corddry) shooting a scene from Man in the Corner. It’s his comeback film, and the flashback shows him becoming increasingly frustrated with the crew. It also shows him hitting on his female scene partner.
Back to current events, and David’s whining to his mom about the fact no one will ever see his new film. His disgusting secret was just revealed, and he believes he’ll never work in Hollywood again. His mom, Margit (Anna Gunn), promises that after he inherits his family’s fortune, he can tell Hollywood where to stick it.
Elsewhere, John Sugar (Colin Farrell) is in a bad mood. He needs to find David, certain he knows something about Olivia’s whereabouts. John stops by Jonathan Siegel’s place and enters a room that Jonathan has kept as a shrine to the memory of Lorraine, his deceased actress wife. The dress from the Polaroid photo is there and so is the couch Rachel Kaye, his daughter-in-law, was leaning against in the risqué photos. That raises a lot of questions, but Jonathan’s recovering from a heart attack and in no condition to answer them.
Bernie (Dennis Boutsikaris) is there with his unconscious dad and offers to pay John’s fee and send him on his way. John declines the offer; he’s set on staying on the case. Bernie warns John to stay away from David or else…
His next stop is Margit’s place and since Kenny answers the door, John knows David is there. Margit insists none of the women who claimed her son sexually assaulted them are telling the truth. She also claims she can prove it. John isn’t buying it when Margit says David told her the woman who went public must be in pain to lie like this.
John hates that neither Bernie nor Margit seem overly concerned that Olivia’s still missing. Both Bernie and Margit are consumed with protecting David, and they view Olivia as just an afterthought.
David steps in from the other room and agrees to speak privately with John. David starts the conversation explaining he never knew how to be normal around women. He was famous as a kid and never learned how to interact with women. John steers the conversation toward Olivia’s disappearance and David admits he knows more than he’s let on.
David was involved with a man who trafficked women, but he insists the women weren’t mistreated. John brings up Byron Stallings and David panics. (Byron threatened him, ordering him to keep his name out of John’s investigation.) Reluctantly, David admits to getting women through Byron and then hanging out with him as “conversational acquaintances.” John visibly winces at that description.
David confesses he told Stallings about the women threatening to sue him. He also told Stallings about Olivia telling one woman not to settle or sign an NDA. All of this was happening just as his comeback film was about to be released. David begs John to believe that he thought Stallings was just going to scare Olivia. He thought nothing bad would happen to her. Olivia didn’t like him, so he decided not to like her.
David confirms his mom knows about the women but not about Olivia. He gives John a description of where Stallings lives and says he’s expected back from his trip to Tijuana tomorrow.
John’s had Charlie (Andrea Placido) watching Melanie (Amy Ryan), and Charlie follows Melanie when she leaves her home. Melanie visits her friend who owns a music studio, and they catch up on life. She admits she trusts John Sugar and that they’ve been looking for Olivia together. “It’s not romantic. It’s not sexual. I can’t explain it,” says Melanie.
Kirby and Paul Schulze in ‘Sugar’ season 1 episode 5 (Photo Credit: Apple TV+)
Meanwhile, Ruby (Kirby) meets with the mysterious Miller (Paul Schulze) in the middle of nowhere. They discuss John Sugar and the Olivia Siegel case, and Ruby thinks John’s going to learn things that are best kept secret. Ruby dislikes these “things” but Miller assures her they’re just new methods being used to observe. It’s an incredibly cryptic conversation, with Miller insisting they’re only doing what’s necessary. Miller also insists Ruby should do whatever it takes to stop John from finding out “things.”
It’s dark by the time Melanie makes it home. Charlie sets up surveillance outside and John joins her, while inside the house Melanie’s fighting for her life against one of Stallings’ thugs. She manages to lock herself in a bathroom as John and Charlie talk in the van, unaware of Melanie’s predicament.
John instructs Charlie to surveil Stallings’ place in the morning and then leaves, ready to take a night off. As he’s driving away, he notices the F-150 truck that was outside Teresa’s apartment when Stallings was holding Melanie against her will. He throws his car into reverse and heads into Melanie’s place.
Melanie stabs the thug’s arm with a pair of scissors after he drills a hole in the bathroom door. She hears noises outside the door and realizes someone else is in her house.
John has the upper hand and pummels the thug as Charlie and Melanie yell at him to stop. He finally listens and actually apologizes to the guy whose face he used as a punching bag. John’s going to let him go because it’s Stallings they’re after. This guy’s just a meaningless small fish.
Colin Farrell in ‘Sugar’ season 1 episode 5 (Photo Credit: Apple TV+)
Considering what just happened, John suggests that Melanie should stay with him at the hotel. She immediately agrees, and Wiley’s happy to see them both. John admits he wanted to hurt that guy because that guy wanted to hurt Melanie. “I’m sorry if I scared you,’ says a contrite John.
John volunteers to sleep on the couch but Melanie insists she’ll take it. After all, she’s an ex-junkie rock and roller and slept on a couch or two in her younger years.
It’s the dead of night when a bus pulls up next to Stallings’ van. The passengers exit and a woman instructs the younger females to get into the van. She lies and says their families will follow. When one man objects, Stallings has his thug knock him out.
Margit and David drink wine and chat about his big hit as a kid. He recalls it was difficult for him to film one specific scene, and his mom reminds him he ultimately nailed it. David finishes his wine and heads upstairs to the bathroom. He sits and contemplates his life and then makes a rash decision.
David finds his mom’s gun and places it to his head. Echoing his mom’s words from earlier in the day, David says, “F**k this town” and pulls the trigger.
Margit calls Bernie and he rushes over. Bernie finds Margit cradling their son in the bathroom, blood on her clothes and on the floor. He’s critically injured but alive, and the paramedics rush him to the hospital.
John’s in bed with Wiley writing notes about his day. He’s still upset that he reacted so violently to Melanie’s intruder, claiming that’s not who he is. John thinks it’s possible he’s been here too long. (Here? As in LA?)
He promises himself he’ll do better tomorrow. John’s ready for his showdown with Stallings.
He can’t sleep so he grabs a pillow and lays down on the floor next to Melanie’s couch. He confesses he has a secret, and Melanie asks him to share it. The episode ends with John replying, “I can’t.”
It appears ABC’s Station 19 season seven episode six is going to be Vic-centric…and it’s about time. Episode six, “With So Little to Be Sure Of,” airs on Thursday, May 2, 2024 at 10pm ET/PT.
Season seven stars Jaina Lee Ortiz as Andy Herrera, Jason George as Dr. Ben Warren, Grey Damon as Jack Gibson, Barrett Doss as Victoria Hughes, Jay Hayden as Travis Montgomery, and Danielle Savre as Maya Bishop. Boris Kodjoe plays Robert Sullivan, Stefania Spampinato is Dr. Carina DeLuca, Josh Randall is Sean Beckett, Merle Dandridge is Natasha Ross, and Carlos Miranda is Theo Ruiz.
“With So Little To Be Sure Of” Plot: With both Vic’s job and Crisis One in jeopardy, a flashback shows how the program has changed the lives of the team and the local community. Meanwhile, Ben keeps a secret from Bailey.
Barrett Doss and George Wyner in ‘Station 19’ season 7 episode 6 (Disney/Eric McCandless)
Series Description, Courtesy of ABC:
Station 19 follows a group of heroic Seattle firefighters as they put their lives and hearts on the line. From the executive producers of Grey’s Anatomy, Scandal, and How to Get Away with Murder, the series takes us inside the tough, tight-knit and sometimes heartbreaking world of the city’s bravest first responders.
Jaina Lee Ortiz in season 7 episode 6 (Disney/Eric McCandless)Boris Kodjoe in season 7 episode 6 (Disney/James Clark)Boris Kodjoe, Jay Hayden, Jaina Lee Ortiz, Josh Randall, and Danielle Savre in season 7 episode 6 (Disney/Bonnie Osborne)Jaina Lee Ortiz, Barrett Doss, Jay Hayden and Boris Kodjoe in season 7 episode 6 (Disney/Bonnie Osborne)Danielle Savre and Stefania Spampinato in season 7 episode 6 (Disney/James Clark)
The official trailer for Apple TV+’s Hollywood Con Queen documentary series features one of the Con Queen’s victims detailing his encounters with the scam artist who preyed on those hoping for a career in the entertainment industry. The three-part documentary series premieres on May 8, 2024.
“A mysterious figure dubbed the ‘Con Queen’ impersonates the industry’s most powerful women, luring unsuspecting victims to Indonesia with the promise of a life-changing career opportunity,” reads Apple TV+’s synopsis. “The ‘Con Queen’s marks exhaust their personal finances in pursuit of a big break while being exploited in a perverse psychological game spanning the globe. The scam eventually draws the attention of veteran investigative journalist Scott Johnson of The Hollywood Reporter, and dedicated private investigator Nicole Kotsianas, formerly of K2 Integrity, who set out to find the truth, only to discover a story more strange than they could have imagined.”
Hollywood Con Queen comes from Emmy Award-winning filmmaker Chris Smith (Tiger King, Fyre, 100 Foot Wave). Smith and Ben Anderson executive produce, with Scott Johnson involved as a consulting producer.
ABC’s 9-1-1 season seven has kept viewers waiting three weeks after dropping a trailer teasing the much-anticipated wedding of Maddie and Chimney, which is set to finally arrive with episode six. “There Goes the Groom” will air on Thursday, May 2, 2024 at 8pm ET/PT.
Season seven stars Angela Bassett as Athena Grant, Peter Krause as Bobby Nash, Jennifer Love Hewitt as Maddie Buckley, and Oliver Stark as Evan “Buck” Buckley. Kenneth Choi plays Howie “Chimney” Han, Aisha Hinds is Henrietta “Hen” Wilson, Ryan Guzman is Eddie Diaz, and Gavin McHugh is Christopher Diaz. Lou Ferrigno Jr guest stars as Tommy Kinard.
“There Goes the Groom” Plot: After years of anticipation, Maddie and Chimney’s long-awaited wedding day arrives. However, when the groom mysteriously vanishes, the 118 races against time to ensure he doesn’t miss the most crucial day of his life.
Ryan Guzman, Oliver Stark, Jennifer Love Hewitt Gregory Harrison, and Dee Wallace in ‘9-1-1’ season 7 episode 6 (Disney/Chris Willard)
9-1-1 Description, Courtesy of ABC:
The series explores the high-pressure experiences of first responders — including police officers, firefighters, and dispatchers — who are thrust into the most frightening, shocking, and heart-stopping situations. These emergency responders must try to balance saving those who are at their most vulnerable with solving the problems in their own lives. The show draws from real-life, high-pressure experiences of first responders who regularly face heart-stopping situations that are often unpredictable, intense, and uplifting at the same time.
Oliver Stark and Ryan Guzman in season 7 episode 6 (Disney/Chris Willard)Aisha Hinds in the “There Goes the Groom” episode (Disney/Chris Willard)
There’s passion on and off the court in the romantic drama Challengers, directed by Oscar nominee Luca Guadagnino (Call Me by Your Name). Two-time Emmy winner Zendaya (Euphoria) stars as Tashi Duncan, a teenage tennis prodigy whose career is on the verge of taking off. The action picks up in 2006 with Tashi letting her hair down and enjoying herself at an Adidas party after an impressive win. Best friends and fellow tennis players Art (Mike Faist, West Side Story) and Patrick (Emmy winner Josh O’ Connor, The Crown) are also at the party, and it’s obvious they’re both attracted to Tashi.
Finally, the two guys gather the courage to talk to Tashi, complimenting her amazing skills. The trio dives into a discussion about tennis and reveal their interpretations of the sport.
Tashi teases that she might swing by their hotel room later, and they’re surprised when she actually accepts their invitation to hang out and talk. Tashi smiles and flirts but insists she is not a “homewrecker” and wouldn’t want to break up a friendship. Still, she asks them to join her on the bed and in a steamy moment, starts making out with both Art and Patrick simultaneously. The two men are at a loss for words when they open their eyes and see that they have unknowingly kissed each other, while Tashi looks on, smiling. Before leaving, Tashi promises she’ll give her number to whoever wins the tennis match the following day.
The film jumps forward to 2019 and Tashi, now Art’s wife and coach, struggles to get him out of his recent losing streak. She books him to play a challenger event – close to the lowest level on the pro tour – hoping to boost his ego and energy. However, Tashi is surprised and concerned when she discovers that Patrick, now a down-on-his-luck, burned-out tennis player, is also part of the tournament.
A flashback to 2006 reveals that Patrick defeated Art and won Tashi’s number. The two quickly became lovers, which ruined Art and Patrick’s friendship. The film makes multiple leaps back and forth in time, showing how throughout the years Patrick and Art remained emotionally tied to Tashi and how she’s been able to manipulate and control them.
Challengers is a sweaty, stylish, exceptionally well-acted film about three people who are passionate about tennis. It’s a love triangle, but about the sport, not the relationships.
Zendaya delivers her best performance so far as Tashi, the young tennis prodigy whose career is cut short way too early because of an injury. Tashi’s a smart, determined woman who will do almost anything to remain a part of the sport she no longer dominates. Zendaya plays her as a woman who understands the mind games she’s playing on the two men who’ve remained obsessed with her for years. She has sizzling chemistry with Faist and O’Connor and commands the screen every scene she’s in with them.
Mike Faist delivers a layered performance as Art, a fairly decent guy and solid tennis player who in 2006 was driven by passion to break up Patrick and Tashi and make her his own. Later in 2019, he’s deeply worried he’ll lose her when they both accept the fact that his tennis days are behind him. Faist also has wonderful chemistry with O’ Connor as Art and Patrick go from best friends to rivals and eventually hostile competitors on the court.
Josh O’Connor is incredibly effective as Patrick, the burned-out tennis player who never took his relationship with Tashi seriously enough, but deep down has a real passion for his former lover. Patrick knows Tashi better than she knows herself and loves to push her buttons. And O’Connor delivers the most natural and authentic performance in the film.
The tennis matches are well choreographed, but director Luca Guadagnino ruins the tension and rhythm of many of the sports scenes by overusing slow-motion so much that it becomes tedious and annoying. Another problem with the film is the non-linear storytelling that reveals the history of Tashi, Art, and Patrick’s relationship. It’s initially effective but becomes distracting.
Still, with captivating performances by Zendaya, Faist, and O’Connor, Challengers is a sports drama/romance film that serves up some energetic entertainment.
GRADE: B
MPAA Rating: R for some sexual content, language throughout, and graphic nudity
Release Date: April 26, 2024
Running Time: 2 hours 11 minutes
Studio: MGM