The new trailer for Netflix’s Hit Man finds Glen Powell donning multiple disguises as a hit man who’s not really a hit man. He’s just Gary Johnson, cat owner and average dude.
“It’s about identity and self and passion. But on a plot level, it’s just a guy who gets in a little too deep,” said Powell, describing the film to Netflix’s Tudum. “His passions lead him in a direction where he’s deceiving someone he’s in love with, and being someone else. They have to deal with those repercussions.”
Adria Arjona, Austin Amelio, Retta, Sanjay Rao, Molly Bernard, and Evan Holtzman also star.
Powell co-wrote the screenplay with Richard Linklater, based on Skip Hollandsworth’s Texas Monthly article. Linklater directs and serves as a producer along with Powell, Mike Blizzard, Jason Bateman, and Michael Costigan. Stuart Ford, Zach Garrett, Miguel A. Palos Jr., Shivani Rawat, Julie Goldstein, and Vicky Patel executive produce.
Additional executive producers include Steve Barnett, Alan Powell, John Sloss, Scott Brown, and Megan Creydt.
“Inspired by an unbelievable true story, a strait-laced professor discovers his hidden talent as a fake hit man,” reads Netflix’s synopsis. “He meets his match in a client who steals his heart and ignites a powder keg of deception, delight, and mixed-up identities.”
Hit Man opens in limited theaters on May 24, 2024, followed by a release on Netflix on June 7th.
The team is on the case of creepy clowns on CBS’s NCIS: Hawaii season three episode eight. “Into Thin Air” airs on Monday, April 22, 2024 at 10pm ET/PT. Sherman Shelton directs from a script by Ron McGee and Megan Bacharach.
Season three stars Vanessa Lachey as Special Agent in Charge Jane Tennant, Alex Tarrant as Kai Holman, Noah Mills as Jesse Boone, and Yasmine Al-Bustami as Lucy Tara. Jason Antoon plays Ernie Malik, Tori Anderson is Kate Whistler, and Kian Talan is Alex Tennant. LL Cool J recurs as Sam Hanna.
“Into Thin Air” Plot: After a Marine’s wife is kidnapped for ransom, the NCIS team uncovers dark secrets as they race to track down her abductor before it’s too late. Meanwhile, Sam seeks Ernie’s expertise decrypting a computer program that may have deadly ramifications.
The world’s most successful television series continues on the seductive shores of the Aloha State with NCIS: Hawai’i, where the first female Special Agent in Charge of NCIS Pearl Harbor, Jane Tennant, has thrived and risen through the ranks by equal parts confidence and strategy in a system that has pushed back on her every step of the way. Together with her unwavering team of specialists, they balance duty to family and country while investigating high-stakes crimes involving military personnel, national security, and the mysteries of the sun-drenched island paradise itself.
Transformers One stars Chris Hemsworth (Furiosa: A Mad Max Saga) and Brian Tyree Henry (Godzilla x Kong: The New Empire) introduced the first trailer for the animated prequel as it made history by being launched into space. The two-minute trailer with a goofy vibe shows the early days of Orion Pax and D-16, long before they transformed into Optimus Prime and Megatron.
Hemsworth voices Orion Pax/Optimus Prime and Tyree Henry voices D-16/Megatron in the first ever CG-animated Transformers movie. Scarlett Johansson voices Elita-1 and Keegan-Michael Key is B-127. Steve Buscemi, Laurence Fishburne, and Jon Hamm also lend their voices to the prequel.
“Transformers One is the untold origin story of Optimus Prime and Megatron, better known as sworn enemies, but once were friends bonded like brothers who changed the fate of Cybertron forever,” reads Paramount Animation and Hasbro’s synopsis.
Brian Tyree Henry (D-16), Keegan-Michael Key (B-127), Scarlett Johansson (Elita-1) and Chris Hemsworth (Orion Pax) in ‘Transformers One’ – Photo Courtesy of Paramount Pictures
Toy Story 4‘s Josh Cooley directs and Lorenzo di Bonaventura, Tom DeSanto, Don Murphy, Michael Bay, Mark Vahradian, and Aaron Dem serve as producers. Executive producers include Steven Spielberg, Zev Foreman, Olivier Dumont, Brian Oliver, B.J. Farmer, and Matt Quigg.
Transformers One, based on Hasbro’s popular toy line, opens in theaters on September 20, 2024.
‘Elsbeth’ season 2 announcement (Photo Credit: CBS)
Carrie Preston’s new series Elsbeth has officially been renewed for season two. The primetime drama centers around Elsbeth Tascioni, Preston’s fan-favorite character from The Good Wife and The Good Fight.
“Elsbeth has charmed audiences with its singular blend of delightful humor, distinctive ‘how-done-it’ storytelling, and the inventive, brilliant quirkiness of Elsbeth Tascioni,” said Amy Reisenbach, president of CBS Entertainment. “Executive producers Robert and Michelle King have a stellar track record for creating critically acclaimed series full of unforgettable characters and, alongside showrunner Jonathan Tolins and his writing team, have developed an incredibly entertaining and engrossing New York City-centric world for the show to explore. We are grateful to the uniquely talented cast, led by Carrie Preston, Wendell Pierce, and Carra Patterson, for bringing these wonderful characters to life in the company of a world-class roster of weekly guest stars.”
According to CBS, Elsbeth ranks as the second most-watched new series of the 2023-2024 season. The first season’s been averaging 7.27 million viewers, increasing its Thursdays at 10pm ET/PT time slot by 25% over 2023’s numbers.
“The series stars Carrie Preston as Elsbeth Tascioni, an astute but unconventional attorney who utilizes her singular point of view to make unique observations and corner brilliant criminals alongside the NYPD. After leaving her successful legal career in Chicago to tackle a new investigative role in New York City, Elsbeth finds herself jockeying with the toast of the NYPD, Captain C.W. Wagner (Pierce), a charismatic and revered leader,” reads CBS’s synopsis. “Working alongside Elsbeth is Officer Kaya Blanke (Patterson), a stoic and ethical officer who quickly develops an appreciation for Elsbeth’s insightful and offbeat ways.”
Robert King, Michelle King, Jonathan Tolins, Liz Glotzer, Erica Shelton Kodish, and Bryan Goluboff serve as executive producers.
Alex Pettyfer, Alan Ritchson, Henry Cavill, Hero Fiennes Tiffin, and Henry Golding in ‘The Ministry of Ungentlemanly Warfare’ (Photo Credit: Dan Smith for Lionsgate)
The Ministry of Ungentlemanly Warfare has an unwieldy title that my brain refuses to recall in the right order. Fortunately, that’s the ridiculously fun action film’s only real flaw.
The Ministry of Ungentlemanly Warfare, or TMoUW for short, is based on the true events that inspired author Ian Fleming to create James Bond and his colorful assortment of characters. You don’t have to know this beforehand but trust me, you’ll end up Googling these crazy events that changed the course of WWII later.
England is on the brink of caving to Hitler as TMoUW begins. Only UK Prime Minister Winston Churchill (Rory Kinnear, Men) remains resolute in refusing to bend to Hitler’s demands. With limited options on the table, Churchill secretly creates the Special Operations Executive, the forerunner of the SAS. The tides of war can change, but only after removing Germany’s U-boats from the equation.
And now we get to the fun part, at least in the cinematic version of events.
The irrepressible Major Gus March-Phillipps (Henry Cavill, The Witcher) is put in charge of a top-secret commando unit. Gus, recognizing there’s a strong possibility the mission will fail miserably, insists on putting together his own handpicked crew. Their Operation Postmaster mission: Travel to the Spanish island of Fernando Po (a neutral territory) and sink the Duchessa d’Aosta. If they pull it off, they will crush Germany’s U-boat operations in the Atlantic.
Gus’s team of Nazi-hating daredevils includes Anders Lassen (Alan Ritchson, Reacher), a Dane with a proud reputation for dispatching his enemies in exceptionally creative ways. Explosive expert Freddy “The Frog” Alvarez (Henry Golding, Crazy Rich Asians) is a bomb-making wiz, crucial to the mission’s success. He’s fast on his feet and good at improvising when plans go south. And speaking of plans, Gus’s go-to guy is Geoffrey Appleyard (Alex Pettyfer, Magic Mike) who needs rescuing from the Nazis before the motley crew can carry out their mission.
Filling out the gang of five is Henry Hayes (Hero Fiennes Tiffin, The Woman King), the youngster of the group who’s a better navigator than any of his more seasoned cohorts.
Providing support back in England is Churchill’s trusted friend Brigadier Colin Gubbins (Cary Elwes, Stranger Things), nicknamed “M,” the leader of Special Operations. Gubbins is the one who grudgingly brings in troublemaker Gus and comes up with the wild plan to sink the Duchessa. Gubbins’ right-hand man is Lieutenant Commander Ian Fleming (Freddie Fox, Slow Horses), the liaison between Gus’s team and the SOE headquarters – and future creator of James Bond.
Gus’s squad can’t carry out their mission without a little support on the ground from British agents Marjorie Stewart (Eiza Gonzalez, 3 Body Problem) and Richard Heron (Babs Olusanmokun, Dune Parts 1 & 2). Marjorie and Heron are integral in providing up-to-date information about the Nazi movements on Fernando Po. Plus, Marjorie has the unenviable task of keeping the highest-ranking Nazi, Heinrich Luhr (Til Schweiger, Inglourious Basterds), distracted while they put the final steps of Operation Postmaster in place.
Everything’s on the line. If the mission is discovered, they’ll face jail time. Or, worse yet, those involved could face torture and death at the hands of the Nazis.
Operation Postmaster was a complicated dance in which a single misstep could have resulted in England falling into Germany’s hands. Watching the many moving parts fall into place in classic Guy Ritchie style provides a fascinating look at a crucial event that was just recently unclassified.
Guy Ritchie’s always wanted to make a World War II film and the extraordinary Operation Postmaster turned out to be the perfect melding of subject and filmmaker. The true story’s just fantastical enough to fit into Ritchie’s signature style. The action’s furious, the brutal dispatching of Nazis met with solid audience approval, and there’s an immersive feel to all the fight sequences. But best of all, TMoUW is loaded with rapid-fire dialogue, razor-sharp humor, and quick banter.
Gus and his crew are the original “licensed to kill” secret agents, though Bond author Fleming couldn’t openly mention the inspiration for his superspy. It’s not at all difficult to envision James Bond working with this elite squad to save the Crown. And speaking of Bond, Henry Cavill would be an interesting choice to fill the role. The Ministry of Ungentlemanly Warfare definitely proves he’s got the charm to handle it, and we know he can do action.
Cavill’s terrific as the leader of the elite group, all of whom relish the chance to slaughter Nazis. Cavill improvised a bit of tongue-wagging glee while blasting a room full of Nazis, a move that perfectly captures the mood when the team’s in hunting/killing mode. Alan Ritchson and Cavill exchange playful banter while Ritchson’s Anders “The Danish Hammer” Lassen uses knives, a bow and arrows, and his hands to shred his way through waves of Nazis. When he rips out a Nazi’s heart, it’s a move that’s completely in character.
Cavill, Ritchson, and Eiza Gonzalez have the showier roles, but the entire ensemble is excellent. Guy Ritchie (The Gentlemen, Snatch) and his co-screenwriters do a superb job of fleshing out all the many key players. And Ritchie gives each character, based on real people, their proper due on screen.
Certainly, Ritchie exercised artistic license in bringing the story of Operation Postmaster alive on screen. But the mission’s basics are there. The Ministry of Ungentlemanly Warfare is a history lesson wrapped up in a bloody, in-your-face, entertaining action romp, delivered in a style Ritchie does so well.
GRADE: B+
MPAA Rating: R for some language and strong violence throughout
Release Date: April 19, 2024
Running Time: 2 hours
Studio: Lionsgate
Times are good for directors Matt Bettinelli-Olpin and Tyler Gillett, who, along with producer Chad Villella, make up the filmmaking collective Radio Silence. Since their segments in the V/H/S movies and Southbound, the team has broken through with Ready or Not and the last two Scream movies. And here they go again with their newest fright flick, Abigail.
Abigail is about a crack group of criminals who are tasked with kidnapping a young ballerina, the titular Abigail (Alisha Weir from Wicked Little Letters), and holding her for ransom. They make it to their holding location, a deserted mansion, and just need to keep her there for 24 hours until her father pays up. Unfortunately for them, they have no idea who – or what – they have just kidnapped.
It’s not much of a spoiler to say that, yes, Abigail is a vampire. Now, vampire movies are second only to zombie movies on the staleness scale, but what Bettinelli-Olpin and Gillett have done is admirable. Working from a script by Stephen Shields (The Hole in the Ground) and Guy Busick (who also helped write Ready or Not and the Scream movies for the Radio Silence boys), the filmmakers have created an entirely new type of vampire movie. Abigail reinforces the vampire tropes while still managing to subvert them.
The movie starts almost like a Reservoir Dogs type of a heist movie, with six team members who have never met (and are given Rat Pack code names) each working their specialty to pull off the caper that will make them rich beyond their wildest dreams. Once things go awry and they get locked inside the mansion, it becomes a slasher movie, with the characters being picked off one by one by an unknown enemy. And once the stalker’s identity is revealed, things get crazy.
And don’t worry—this is all pretty much first-act stuff. This isn’t spoiling anything. There are tons of cool surprises in Abigail.
Abigail seems a bit like a spiritual soulmate to Ready or Not. The whole point of the game is to survive the night. Only, instead of a bunch of people hunting one victim, one hunter is tracking down multiple prey. Things get just as bloody, though. Radio Silence does have a type, and it’s a type that they do well.
There’s a mystery surrounding the entire cast of characters. Since no one really knows anyone else, there’s an air of mistrust and suspicion that stinks up the whole situation. This paranoia just adds to the intrigue once the bodies start piling up—is it really this little girl doing all this killing? Or is one of the Rat Packers in on it? Or is it someone else entirely?
The ensemble cast of ragtag criminals, which includes Scream’s Melissa Barrera, The Guest‘sDan Stevens, Kathryn Newton from Ant-Man and the Wasp: Quantumania, Lost’s Kevin Durand, William Catlett from Lovecraft Country, and Euphoria’s Angus Cloud, is terrific. Each has a different backstory with flaws and vulnerabilities, and this makes the reveals of the characters both compelling and satisfying. No one is super layered, but there’s a reason these six are put together, and finding that out is part of the fun of Abigail. Most of them feel like more than just fodder for the monster.
And then, there’s Abigail herself. As a villain, she’s perfect. She alternates between being the sweet, timid little kidnap victim and the vicious monster who wants to rip out her captors’ throats. She’s a master manipulator—cunning and ruthless, both wholesome and animalistic. And willing to leave a trail of bodies in her wake.
As a horror movie, Abigail sticks pretty close to the Radio Silence motif of suspense over jump scares. The shock factor in the movie is provided by its sheer brutality and graphic violence. And buckets of blood. There are no cat scares in Abigail (although there is one rat scare), just a whole lot of gooey carnage. But it is more subtle than your average gore-fest. It’s just a cruel and mean-spirited movie. And it works that way.
Abigail is a breath of fresh air, both for vampire movies and for modern horror in general. It’s also self-aware enough to realize this, with references to both ancient vampire myths and Twilight. In short, it’s a Radio Silence vampire movie. Next up for the collective is a requel/re-imagining of John Carpenter’s Escape from New York. Sounds like a recipe for disaster, but Radio Silence is known for pulling rabbits out of hats. The horror world will be watching.
GRADE: B
MPAA Rating: R for pervasive language, gore, brief drug use, and strong bloody violence
Release Date: April 19, 2024
Running Time: 1 hour 49 minutes
Studio: Universal Studios
‘The Witcher’ cast at the season 4 table read (Photo Credit: Netflix)
Netflix just shared photos from a table read as season four of The Witcher is starting production. The five photos show the cast in good spirits as they prepare for the upcoming season, the first with Liam Hemsworth taking over for Henry Cavill as Geralt of Rivia.
The streaming service also announced they’ve renewed for the series for a fifth and final season. Seasons four and five will shoot back-to-back and are based on Andrzej Sapkowski’s Baptism of Fire, The Tower of the Swallow, and Lady of the Lake.
“It is with huge pride that we begin shooting our penultimate season of The Witcher with a stellar cast, including some exciting new additions, led by Liam Hemsworth as Geralt of Rivia. We’re thrilled to be able to bring Andrzej Sapkowski’s books to an epic and satisfying conclusion,” said series creator, showrunner, and executive producer Lauren Schmidt Hissrich.”It wouldn’t be our show if we didn’t push our family of characters to their absolute limit — stay tuned to see how the story ends.”
In addition to Liam Hemsworth, the season four cast includes Anya Chalotra as Yennefer of Vengerberg, Freya Allan as Princess Cirilla of Cintra, Joey Batey as Jaskier, Laurence Fishburne as Regis, and Eamon Farren as Cahir. Anna Shaffer plays Triss Merigold, Mimî M Khayisa is Fringilla, Cassie Clare is Philippa, Mahesh Jadu is Vilgefortz, Meng’er Zhang is Milva, and Graham McTavish is Dijkstra.
The huge ensemble includes Royce Pierreson as Istredd, Mecia Simson as Francesca, Sharlto Copley as Leo Bonhart, Danny Woodburn as Zoltan, Jeremy Crawford as Yarpen, Bart Edwards as Emhyr, and Hugh Skinner as Radovid.
Liam Hemsworth at the season 4 table read (Photo Credit: Netflix)
The cast also features James Purefoy as Skellen, Christelle Elwin as Mistle, Fabian McCallum as Kayleigh, Juliette Alexandra as Reef, Ben Radcliffe as Giselher, and Connor Crawford as Asse. Aggy K. Adams plays Iskra, Linden Porco is Percival Schuttenbach, Therica Wilson-Read is Sabrina, Rochelle Rose is Margarita, and Safiyya Ingar is Keira.
“After the shocking, Continent-altering events that close out season three, the new season follows Geralt, Yennefer, and Ciri who are faced with traversing the war-ravaged Continent and its many demons apart from each other,” reads Netflix’s synopsis. “If they can embrace and lead the groups of misfits they find themselves in, they have a chance of surviving the baptism of fire and finding one another again.”
Lauren Schmidt Hissrich, Tania Lotia, Rae Benjamin, Troy Dangerfield, Matthew D’Ambrosio, Javier Grillo-Marxuach, Clare Higgins, and Mike Ostrowski write season four. Sergio Mimica-Gezzan, Tricia Brock, Alex Garcia Lopez, and Jeremy Webb direct the penultimate season.
Laurence Fishburne at the season 4 table read (Photo Credit: Netflix)A photo from the season 4 table read (Photo Credit: Netflix)Liam Hemsworth at the season 4 table read (Photo Credit: Netflix)
It's official, The Witcher season 4 is in production. But that's not all, we're already planning season 5, which will be the final season and bring this epic show to a fitting conclusion. See you on The Continent. pic.twitter.com/c0ilUCWYkF
CBS’s SWAT fans are going to become very familiar with the term “honeytraps” with season seven episode nine. “Honeytrap” will air on Friday, April 19, 2024 at 8pm ET/PT. Oz Scott directs from a script by Michael Gemballa.
Shemar Moore leads the cast as Daniel “Hondo” Harrelson, Jay Harrington stars as David “Deacon” Kay, David Lim is Victor Tan, Rochelle Aytes is Nichelle Carmichael, Anna Enger Ritch as Zoe Powell, and Patrick St. Esprit is Robert ‘Bob’ Hicks. Kenny Johnson recurs as Dominique Luca and Alex Russell recurs as Jim Street.
“Honeytrap” Plot: When a female robbery crew “honeytraps” and kills several rich VIPs, HONDO and 20-SQUAD are called in to assist FBI Agent Jackie Vasquez in capturing the dangerous fugitives before the death toll rises. Commander Hicks is shocked when his new love, Maggie, abruptly ends their relationship without rhyme or reason. With help from Deacon and Dr. Wendy, Hicks makes an important decision about his romantic future.
Inspired by the television series and the feature film, S.W.A.T. stars Shemar Moore as a former Marine and locally born and raised S.W.A.T. sergeant tasked to run a specialized tactical unit that is the last stop in law enforcement in Los Angeles. Torn between loyalty to where he was raised and allegiance to his brothers in blue, Daniel “Hondo” Harrelson strives to bridge the divide between his two worlds.
Riley Keough, Jesse Eisenberg, and Christophe Zajac-Denek in ‘Sasquatch Sunset’ (Photo Credit: Bleecker Street)
In today’s episode of “What the Hell Did I Just Watch?”, we’re going to take a look at what may be the strangest movie of the year, the newest film from the writer-director-brother team of David and Nathan Zellner (Kumiko, The Treasure Hunter), Sasquatch Sunset.
Sasquatch Sunset is about a herd of sasquatches (Tribe of sasquatches? School of sasquatches?) that lives in the woods of North America. The movie is basically a year-in-the-life of the group as they deal with both the basics of daily survival and the encroachment of Man upon their home territories.
That’s it. There’s isn’t much more of a plot to Sasquatch Sunset beyond that. Well, there is a story to it, and even an arc, but all of it seems like it was made more from a basic plot outline than an actual script. From an aesthetic standpoint, it’s a beautifully made movie. The breathtaking Humboldt County locations are wonderfully captured by cinematographer Mike Gioulakis (It Follows, Us, Old) and the images are accompanied by a score from The Octopus Project (who has scored most of the Zellners’ work) that is both folksy and dark. The film has the feel of a nature documentary.
At least, it does to an extent. There’s no overdubbed narration like that which would be found on Nat Geo. In fact, there is no dialogue at all – the bigfoots (Bigfeet?) communicate with grunts and hoots, sort of like gorillas. Speaking of the sasquatches, two are played by A-listers Jesse Eisenberg (The Social Network) and Riley Keough (Mad Max: Fury Road), with Christophe Zajac-Denek (Twin Peaks) and director Nathan Zellner portraying the other two. Not that anyone can tell, as everyone is in heavy sasquatch makeup. That’s a lot of talent to be hiding, especially without any spoken lines, but it really shows what the actors can do with basically just their eyes showing and their bodies moving.
It probably goes without saying that Sasquatch Sunset is a weird little movie. It boils down to being a family drama, with the sasquatches managing through their day-to-day life. Once the intrusion of man is introduced, it turns into a The Gods Must Be Crazy type of scenario, with the hairy beasts being equally confused and threatened by what they are experiencing.
And this leads to some of the more memorable bits in the movie. The first time the family sees their familiar trees painted with the unfamiliar red X that marks them for logging, they don’t know what to make of it. That’s nothing compared to their reaction after they wander a bit from their home and stumble across a logging road. It’s almost like the group is becoming a fish out of water while still in the comfort of their water.
So, on top of being a simultaneously hilarious and heartbreaking tale of a family in flux, Sasquatch Sunset has an ecological bend to it. It makes statements, both subtle and heavy-handed, about the concept of Leave No Trace and the deforestation of the American Northwest. For a silly little movie about four sasquatches doing sasquatch things in the woods, it really does make its audience think.
One thing that is worth noting going in is that if it weren’t for the costuming, Sasquatch Sunset would probably earn an X rating. There is full frontal nudity of both genders of Sasquatch, with the males being more…obvious. There’s nothing titillating about it, but it doesn’t quite have the nature documentary feel of the rest of the movie. It’s actually hysterical, in an immature Beavis and Butt-Head kind of way. But yeah. You get to see Bigfoot dong. Uh huh, heh heh.
Ultimately, Sasquatch Sunset is not going to be for everyone. It’s an oddball flick. But it does know its audience, and it gives them what they want. And, at 89 minutes, it gives them just enough of it – no more, no less. There’s laughter, tears, and anger. And who knows? You may even learn a thing or two before it’s done.
GRADE: B
MPAA Rating: R for bloody images, some sexual content, and full nudity
Release Date: April 12, 2024
Distributor: Bleecker Street
Tribeca Film Festival’s 2024 edition will open with Diane von Furstenberg: Woman in Charge, directed by festival alumni Trish Dalton and Sharmeen Obaid-Chinoy. The 23rd Tribeca Festival will run from June 5 – 16 in New York City.
“Each year, the Tribeca Festival reflects our culture, capturing the essence of the present moment. We’re thrilled to showcase our 23rd edition, delving into captivating explorations of artificial intelligence with Demis Hassabis, thought-provoking discussions on the future of democracy, and so much more,” stated Tribeca Co-Founder and CEO Jane Rosenthal. “Storytelling possesses a remarkable ability to bring us together, offering hope in these challenging times. We eagerly anticipate engaging with audiences on difficult yet timely subjects.”
The 2024 festival will include the world premieres of Jazzy with Lily Gladstone and BRATS directed by Andrew McCarthy and starring the Brat Pack. Jenna Ortega, Maya Erskine, Kristen Stewart, Renée Elise Goldsberry, Mike Birbiglia, Neil Patrick Harris, and Liza Minnelli also star in films world premiering at Tribeca.
“In a year of record high submissions, despite industry-wide challenges, and global tumult, our incredible filmmaking community delivered again with some of the most surprising, inspiring, hilarious, galvanizing, boundary-breaking, and downright entertaining work we’ve had the privilege to feature at the festival,” said Tribeca Festival Director and SVP of Programming Cara Cusumano. “Whether grappling with everything from the crisis of global democracy to the most intimate of human dramas, it was heartening to be reminded of the undeniable power of a great film to illuminate our world.”
13,016 films were submitted for consideration this year, with 103 features selected for inclusion. Among Tribeca’s 2024 lineup are 30 films from first-time filmmakers. Plus, half of the films in competition were directed by women.
2024 Tribeca Film Festival Lineup:
U.S. NARRATIVE COMPETITION:
Adult Best Friends, (United States) – World Premiere. Inseparable since childhood, levelheaded Katie takes her codependent best friend Delaney on a girls’ trip to break the news that she is getting married. Things do not go as planned. Directed by Delaney Buffett. Written by Katie Corwin, Delaney Buffett. Produced by Marie Nikolova, Delaney Buffett. With Katie Corwin, Delaney Buffett, Zachary Quinto, Cazzie David.
Bitterroot, (United States) – World Premiere. Reeling from a failed marriage and in need of comfort and a new perspective, a middle aged man returns home to take care of his aging mother within the deceptively tranquil landscape of rural Montana. Directed and written by Vera Brunner-Sung. Produced by Ki Jin Kim, Kazua Melissa Vang, Yeej. With Wa Yang, Qu Kue, April Charlo, Gia Vang.
The French Italian, (United States) – World Premiere. A prank on an annoying neighbor escalates to ridiculous heights in this quietly absurd comedy set in the dog-eat-dog world of New York City apartment politics. Directed and written by Rachel Wolther. Produced by Miranda Kahn. With Catherine Cohen, Aristotle Athari, Chloe Cherry, Ruby McCollister.
Griffin in Summer, (United States) – World Premiere. In this coming-of-age comedy, a fourteen-year-old wannabe playwright becomes enamored with a local handyman over the course of summer vacation. Directed and written by Nicholas Colia. Produced by Juliet Berman, Camila Mendes, Rachel Matthews. With Everett Blunck, Melanie Lynskey, Owen Teague, Kathryn Newton.
Jazzy, (United States) – World Premiere. In the follow up to her award-winning film The Unknown Country, filmmaker Morrisa Maltz captures the joys and heartbreaks of childhood friendship as young Jazzy navigates the challenges of growing up on the Oglala Lakota reservation in South Dakota. Directed by Morrisa Maltz. Written by Morrisa Maltz, Vanara Taing, Lainey Bearkiller Shangreaux, Andrew Hajek. Produced by Miranda Bailey, John Way, Natalie Whalen. With Jasmine Bearkiller Shangreaux, Syriah Fool Head Means, Raymond Lee, Lily Gladstone.
The Knife, (United States) – World Premiere. After the mysterious appearance of a stranger in their home, a young Black family must deal with the fallout of their choices, big and small, as a steadfast detective tries to crack the case over the course of one fateful night. Directed by Nnamdi Asomugha. Written by Nnamdi Asomugha, Mark Duplass. Produced by Nnamdi Asomugha, Mark Duplass, Jonathan Baker. With Nnamdi Asomugha, Melissa Leo, Aja Naomi King, Manny Jacinto.
The Other, Gold, (United States) – World Premiere. At the end of the day, sometimes an old friend and a bowl of ramen are as good as gold. For one Black TV writer, this is just the beginning as she battles grief and ‘pandemic’ isolation in Little Tokyo while seeking to rekindle her bond with a former BFF. Directed by Sharaé Nikai, David Lassiter. Written and produced by Sharaé Nikai. With Sharaé Nikai, Krista Marie Yu, Amin Joseph, Crystal Lee Brown.
Rent Free, (United States) – World Premiere. This freewheeling comedy follows down-on-their-luck Gen Z best friends Ben and Jordan as they mooch off of their friends’ and acquaintances’ hospitality, all while grappling with love, heartbreak and awkward flings. The film’s effortless humor brings forth a fresh exploration on queer male friendship. Directed by Fernando Andrés. Written by Fernando Andrés, Tyler Rugh. Produced by Fernando Andrés, Jacob Roberts, Temple Baker. With Jacob Roberts, David Treviño, Molly Edelman, Neal Mulani.
Sacramento, (United States) – World Premiere. When free-spirited Ricky suddenly reappears in father-to-be Glenn’s life, the two former best friends embark on a spontaneous road trip from LA to Sacramento in Michael Angarano’s original take on the buddy comedy. Directed by Michael Angarano. Written and produced by Chris Smith, Michael Angarano. Produced by Stephen Braun, Chris Abernathy, Eric Fleischman. With Michael Cera, Michael Angarano, Maya Erskine, Kristen Stewart.
Vulcanizadora, (United States) – World Premiere. In this intense tale from provocateur Joel Potrykus, two friends embark on a disturbing mission in the Michigan woods. When their plan unravels, one must face the surreal and unsettling consequences back home. Directed and written by Joel Potrykus. Produced by Ashley Potrykus, Hannah Dweck, Matt Grady. With Joshua Burge, Joel Potrykus, Bill Vincent, Solo Potrykus.
A scene from ‘Hacking Hate’ (Photo Credit: Tribeca Film Festival)
TRIBECA FILM FESTIVAL DOCUMENTARY COMPETITION:
Antidote, (UK) – World Premiere. With extraordinary access and urgent storytelling, Antidote anchors its timely narrative on whistleblowers and activists who have worked to uncover Vladimir Putin’s deadly regime — and are now facing dangerous and fatal consequences for their courageous actions. Directed and produced by James Jones.
Bad Actor: A Hollywood Ponzi Scheme, (United States) – World Premiere. Wannabe actor Zachary Horwitz was desperate to make it big as a movie star. The only thing stopping him was talent. Bad Actor: A Hollywood Ponzi Scheme is a juicy true story about deception, denial, and the seductive promise of fame and fortune. Directed by Joslyn Jensen. Produced by Ted Speaker, Dan O’Meara, Matthew Cherchio.
Checkpoint Zoo, (Ukraine, United States) – World Premiere. After the Russian invasion, thousands of animals were trapped behind enemy lines at the zoo in Kharkiv, Ukraine. Running out of food and water while facing constant peril from Russian bombs, a heroic team of zookeepers and volunteers undertake a daring rescue. Directed and produced by Joshua Zeman. Produced by Zachary Mortensen, Ian Davies, Torquil Jones.
The Debutantes, (United States) – World Premiere. Focusing on the first group of Black debutantes in Canton, Ohio in over a decade, this documentary follows the young women as they unpack the ball’s troubled legacy and chart their path forward, both for tradition and themselves. Directed and produced by Contessa Gayles. Produced by Alyse Shorland, Jannat Gargi, Molly O’Brien.
DRIVER, (United States) – World Premiere. DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination. Directed by Nesa Azimi. Produced by Nesa Azimi, Ines Hofmann Kanna, Nicolas Borel.
Hacking Hate, (Sweden, Denmark, Norway) – World Premiere. Simon Klose’s kinetic and socially-pressing documentary follows award-winning Swedish journalist My Vingren as she goes undercover online as a white supremacist in order to expose a network of neo-Nazis and far-right organizations that are viciously fostering hate speech and extremism on a global scale. Directed by Simon Klose. Produced by Elin Kamlert.
Made in Ethiopia, (United States, Ethiopia, Denmark, UK, Canada, South Korea) – World Premiere. Made in Ethiopia examines China’s increasing impact on Africa through the story of charismatic businesswomen Motto, who is tasked with launching the biggest Chinese industrial zone in Ethiopia. Directed by Xinyan Yu, Max Duncan. Produced by Tamara Dawit, Max Duncan, Xinyan Yu.
New Wave, (United States) – World Premiere. With depth and emotional resonance, Elizabeth Ai’s lively first feature is both an endearingly nostalgic exploration of the defiant Vietnamese new wave music scene, as well as a vulnerable and personal look at the filmmaker and her community’s revisiting of their unexamined past. Directed by Elizabeth Ai. Produced by Elizabeth Ai, Rachel Sine.
Pirópolis, (Chile) – World Premiere. Nicolás Molina’s visually astounding Pirópolis drops the viewer in the fiery port city of Valparaíso, Chile and observes a pack of determined volunteer firefighters as they band together to combat turbulent wildfires ravaging the city. Directed by Nicolás Molina. Produced by Joséphine Schroeder, Francisca Barraza.
Quad Gods, (United States) – World Premiere. As the world’s first all quadriplegic esports gaming team, the Quad Gods are fierce competitors in this captivating story that challenges assumptions about disability, and spotlights the restorative power of resilience, passion and found community. Directed by Jess Jacklin. Produced by Johnny Fego, Jess Jacklin.
Sabbath Queen, (United States) – World Premiere. Sabbath Queen is a remarkable 20 year journey in the life of Rabbi Amichai Lau-Lavie, a 39th generation Orthodox rabbi — and drag queen. Directed and produced by Sandi DuBowski.
Shelf Life, (United States) – World Premiere. Quirky and contemplative, this delectable documentary takes us on a surprising global odyssey into the world of cheese, drawing unexpected parallels between the aging of cheese and the human experience of growing old. Directed by Ian Cheney. Produced by Robyn Metcalfe.
TRIBECA FILM FESTIVAL INTERNATIONAL NARRATIVE COMPETITION:
Bikechess, (Kazakhstan) – World Premiere. As Dina, a Kazakh journalist, finds herself disenchanted with reporting inane government initiatives, she balances supporting her activist lesbian sister while navigating a relationship with her married cameraman. Directed and written by Assel Aushakimova. Produced by Antoine Simkine, Almagul Tleukhanova, Christian Fredrik Martin. With Saltanat Nauruz, Assel Abdimavlenova, Shyngys Beibituly, Duisenbek Sydykbekov.
The Dog Thief, (Bolivia, Chile, Mexico, Ecuador, France, Italy) – World Premiere. Martín, an orphan who works as a shoeshine boy, decides to steal the dog of his best client, a lonely tailor he has begun to imagine is his father. Directed and written by Vinko Tomičić Salinas. Produced by Álvaro Manzano Zambrana. With Alfredo Castro, Franklin Aro, Teresa Ruiz, María Luque.
Don’t You Let Me Go, (Uruguay) – World Premiere. Adela has just lost her best friend, Elena, so she boards a magic bus back in time to spend one last beautiful weekend with Elena in a house by the beach. Directed and written by Ana Guevara, Leticia Jorge. Produced by Agustina Chiarino. With Chiara Hourcade, Victoria Jorge, Eva Dans.
Eternal Playground, (France) – World Premiere. It’s the last day of school in Paris and most of first-year music teacher Gaspard’s colleagues are thinking about vacation. But, Gaspard is surreptitiously planning a weekend sleepover in the school with his childhood crew to honor his recently departed twin sister. Directed and written by Pablo Cotten, Joseph Rozé. Produced by Antoine Playoust, Martin Playoust, Nicolas Tzipine. With Andranic Manet, Alassane Diong, Carla Audebaud, Alba-Gaïa Bellugi.
Family Therapy, (Slovenia, Italy, Norway, Croatia, Serbia) – World Premiere. A nouveau riche family finds their life of detached superiority upended when the patriarch’s son from another relationship arrives at the family home, revealing cracks in their staid façade. Directed and written by Sonja Prosenc. Produced by Rok Sečen. With Mila Bezjak, Aliocha Schneider, Marko Mandić, Katarina Stegnar.
Hunters on a White Field, (Sweden) – International Premiere. Three men go on a hunting trip deep in the Swedish forest. Things start well, but one day all the animals vanish and the forest turns eerily quiet, leaving the men alone as they insist the hunt must continue. Directed and written by Sarah Gyllenstierna. Produced by Maria Larsson Guerpillon, Charlotte Most. With Ardalan Esmaili, Magnus Krepper, Jens Hultén.
Samia, (Germany) – World Premiere. Raised in a Somalia torn asunder by civil war and extremists increasingly gaining a foothold, Samia Yusuf Omar, an assertive, independent young woman, fights to realize her dream of becoming an Olympic athlete. Directed by Yasemin Şamdereli. Written by Yasemin Şamdereli, Nesrin Şamdereli, Giuseppe Catozzella. Produced by Simone Catania, Dietmar Güntsche, Anja Karina Richter. With llham Mohamed Osman, Fathia Mohamed Absie, Fatah Ghedi, Elmi Rashid Elmi.
Some Rain Must Fall, (Singapore) – North American Premiere. Mother and housewife Cai thought having a family was everything, but when she inadvertently injures the grandmother of one of her daughter’s less privileged teammates, her supposedly perfect life descends into chaos. Directed and written by Qiu Yang. Produced by Edmond Yang. With Yu Aier, Di Shike, Wei Yibo, Xu Tianyi.
Swimming Home, (UK, Greece, Netherlands, Brazil) – North American Premiere. The presence of a mysterious houseguest exposes subtle fractures in the marriage between a poet and a war correspondent in this sexy, languid drama set on the stunning, sun-baked Mediterranean coast. Directed and written by Justin Anderson. Produced by Emily Morgan, Andy Starke, Giorgos Karnavas. With Christopher Abbott, Mackenzie Davis, Ariane Labed, Nadine Labaki.
Under the Grey Sky, (Poland) – World Premiere. Based on true events, a Belarusian journalist is arrested after covertly livestreaming brutal government crackdowns on peaceful demonstrators following rigged elections. Her husband, refusing to leave her, also faces recriminations from a regime determined to break them both. Directed and written by Mara Tamkovich. Produced by Katarzyna Ocioszynska. With Aliaksandra Vaitsekhovich, Valentin Novopolskij.
TRIBECA FILM FESTIVAL SPOTLIGHT+
Bam Bam: The Sister Nancy Story, (Canada) – World Premiere. For decades the iconic track “Bam Bam” has been a sampled darling within the music industry, creating many new stars along the way. But what do we know of its legendary creator? From Kingston to the world, witness the transcendent stylings and legacy of Sister Nancy. Directed by Alison Duke. Produced by Alison Duke, Ngardy Conteh George. After the Movie: Special performance by Sister Nancy with DJ Gravy.
BRATS, (United States) – World Premiere. Actor/director/writer Andrew McCarthy crisscrosses the country reconnecting with fellow Brat-Packers like Rob Lowe, Demi Moore, Ally Sheedy, Emilio Estevez, and more to reflect on what it meant to be in the Brat Pack and how the label impacted their lives, personally and professionally. Directed by Andrew McCarthy. Produced by Adrian Buitenhuis, Derik Murray. An ABC News Studios release. After the Movie: Panel to follow featuring director Andrew McCarthy, other members of the cast, and surprise guests.
Desire: The Carl Craig Story, (Switzerland, UK) – World Premiere. At once a portrait of techno producer Carl Craig and a love letter to his city of Detroit, Desire: The Carl Craig Story lays out the vast backdrop of artists and venues who played a part in the rise of Craig’s massive, genre-defying career. Directed by Jean-Cosme Delaloye. Produced by Dan Wechsler, Andreas Roald. After the Movie: Post premiere musical selection by Carl Craig.
Following Harry, (United States) – World Premiere. Featuring Harry Belafonte, Aja Monet, Aloe Blacc, and Jesse Williams, Following Harry explores the life and legacy of cultural and civil rights icon Harry Belafonte through the stories of those artists and activists carrying on his life’s work dedicated to social justice. Directed by Susanne Rostock. Produced by Frankie Nasso, Edward Zeng, Susanne Rostock. After the Movie: The presentation of the Harry Belafonte Voices for Social Justice Award with special guests.
Group Therapy, (United States) – World Premiere. Neil Berkeley’s latest is a thoughtful and humorous navigation of personal conversations on mental health. Produced by Kevin Hart, this unique documentary takes the form of a group therapy session led by some of today’s funniest comedians and comic performers. Directed by Neil Berkeley. Produced by Kevin Healey, Luke Kelly-Clyne, Bryan Smiley. After the Movie: A conversation with film subjects Tig Notaro, Neil Patrick Harris, Mike Birbiglia, London Hughes, Gary Gulman and Atsuko Okatsuka.
Linda Perry: Let It Die Here, (United States) – World Premiere. Award-winning filmmaker Don Hardy explores the life of pioneering songwriter and producer Linda Perry in this intimate and revealing journey. It’s a story of the strength and resilience of a gifted artist, daughter and mother who is finally able to embark on a search to find her own voice. Directed by Don Hardy. Produced by Don Hardy, Shawn Dailey. After the Movie: Special performance by Linda Perry.
Outstanding: A Comedy Revolution, (United States) – World Premiere. This rapturous documentary steps into the dynamic world of queer stand-up and examines the powerful cultural influence it has had on social change in America. The film combines rare archival materials, stand up performances, and interviews with a show-stopping lineup including Lily Tomlin, Fortune Feimster, Eddie Izzard, and Rosie O’Donnell, to present a definitive history of queer comedy. Directed by Page Hurwitz. Produced by Katherine LeBlond, Page Hurwitz, Wanda Sykes. A Netflix release. Before the Movie: A standup performance featuring stars of the film.
Rebel Country, (UK, United States) – World Premiere. Country music is changing — or maybe it’s returning to its roots. This musical documentary traces the troubled history and inclusive future of the genre with performances from today’s most talented iconoclasts, including Blanco Brown, Jelly Roll, Lainey Wilson, and BRELAND. Directed and produced by Francis Whately. After the Movie: A special appearance by platinum selling country music artist BRELAND.
Satisfied, (United States) – World Premiere. An intimate look at the actress Renée Elise Goldsberry; a woman’s struggle to have a family and balance a career, against the backdrop of the hit musical Hamilton. Directed by Chris Bolan, Melissa Haizlip. Produced by Steven Cantor, Jamie Schutz, Chris Bolan. After the Movie: A performance by Renée Elise Goldsberry and special guests.
State of Silence, (Mexico) – World Premiere. A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers. Directed by Santiago Maza. Produced by Joris Debeij, Abril López Carrillo. After the Movie: A conversation with Mexican journalists Marcos Vizcarra and Maria de Jesus Peters, director Santiago Maza and executive producers Diego Luna and Gael García Bernal.
Dakota Johnson in ‘Daddio’ (Photo Credit: Tribeca Film Festival)
TRIBECA FILM FESTIVAL SPOTLIGHT NARRATIVE:
All That We Love, (United States) – World Premiere. After losing her beloved dog, Emma Gwon embarks on a heartwarming journey of self-discovery and reconnection with loved ones in Yen Tan’s touching dramedy that celebrates second chances and the power of family bonds. Directed by Yen Tan. Written by Yen Tan, Clay Liford. Produced by Kelly Williams, Rebecca Green, Theresa Steele Page. With Margaret Cho, Jesse Tyler Ferguson, Kenneth Choi, Alice Lee.
Bad Shabbos, (United States) – World Premiere. Over the course of one night during an anything-but-typical New York City shabbos, a family get-together takes a turn for the worse in Daniel Robbins’ unique take on the dinner party farce. Directed by Daniel Robbins. Written by Zack Weiner, Daniel Robbins. Produced by Adam Mitchell. With Jon Bass, Kyra Sedgwick, Method Man, Milana Vayntrub.
Bang Bang, (United States) – World Premiere. Tim Blake Nelson stars as “Bang Bang” Rozyski, an eccentric retired pugilist obsessed with rectifying the sins of his past. Directed by Vincent Grashaw. Written by Will Janowitz. Produced by Ran Namerode, Angelia Adzic, Cole Payne. With Tim Blake Nelson, Glenn Plummer, Kevin Corrigan, Andrew Liner.
Between the Temples, (United States) – New York Premiere. Ben, a young widower and cantor at the local synagogue, finds a sense of purpose and unexpected connection when Carla, his septuagenarian elementary school music teacher who yearns to become a bat mitzvah, re-enters his life. Directed by Nathan Silver. Written by Nathan Silver, C. Mason Wells. Produced by Tim Headington, Theresa Steele Page, Nate Kamiya. With Jason Schwartzman, Carol Kane, Dolly De Leon, Madeline Weinstein. A Sony Pictures Classics release.
Crossing, (Sweden, Denmark, Georgia, Turkey, France) – North American Premiere. Lia, a retired teacher, has promised to find her long-lost niece, Tekla. Her search takes her to Istanbul where she meets Evrim, a lawyer fighting for trans rights and becomes embraced in the local trans community. Directed and written by Levan Akin. Produced by Mathilde Dedye. With Mzia Arabuli, Lucas Kankava, Deniz Dumanli. A MUBI release.
Daddio, (United States) – New York Premiere. New York City. JFK airport. A young woman jumps into the backseat of a yellow taxi toward Manhattan. The cabbie strikes up a conversation, resulting in an epic and remarkable journey. Directed and written by Christy Hall. Produced by Dakota Johnson, Ro Donnelly, Emma Tillinger Koskoff. With Dakota Johnson, Sean Penn. A Sony Pictures Classics release.
The Damned, (UK, Iceland, Ireland, Belgium) – World Premiere. When a ship sinks near her isolated fishing post, Eva must choose: rescue the shipwrecked or survive winter. Guilt ridden, the fishermen believe they are being punished for their choices. Directed by Thordur Palsson. Written by Jamie Hannigan. Produced by Emilie Jouffroy, Kamilla Kristiane Hodøl, John Keville. With Odessa Young, Joe Cole, Rory McCann, Siobhan Finneran.
The Everything Pot, (United States) – World Premiere. A comedy of errors unfolds upon the delivery of The Everything Pot, a wedding gift that inadvertently becomes a Pandora’s box, forcing two couples to reevaluate their respective relationships. Directed, produced and written by Sherise Dorf. Produced by Callie Bloem, Christopher J. Ewing, Sean Patrick Kelly. With Lisa Edelstein, Erik Griffin, James Wolk, Delaney Rowe.
Firebrand, (UK, United States) – North American Premiere. In Tudor England, where court intrigue and the king’s paranoia threaten her survival, Katherine Parr navigates a perilous marriage to the volatile Henry VIII. Directed by Karim Aïnouz. Written by Henrietta Ashworth, Jessica Ashworth. Produced by Gabrielle Tana, Carolyn Marks Blackwood. With Alicia Vikander, Jude Law, Eddie Marsan, Sam Riley. A Roadside Attractions release.
In the Summers, (United States) – New York Premiere. In this poignant debut film, embark on a journey with two sisters as they grapple with their relationship to their well-meaning but troubled father during their childhood summers. Directed and written by Alessandra Lacorazza Samudio. Produced by Alexander Dinelaris, Rob Quadrino, Nando Vila. With Rene Perez Joglar, Sasha Calle, Lio Mehiel, Leslie Grace.
Kneecap, (Ireland) – New York Premiere. The band themselves, Kneecap, star in this raucous, sly award-winning musical set in post-Troubles Belfast when the rap trio erupted as a defiant champion of the Irish language and potent symbol of Ireland’s disenfranchised youth. Directed and written by Rich Peppiatt. Produced by Trevor Birney, Jack Tarling. With Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, Jj Ó Dochartaigh, Michael Fassbender. A Sony Pictures Classics release.
Lake George, (United States) – World Premiere. A pair of misfit oddballs strike a deal too big to pass up — and maybe too good to be true — as they set out on a road trip and redemption story in this dark comedy neo-noir. Directed and written by Jeffrey Reiner. Produced by Jeffrey Reiner, Joey Oglesby, Cleta Ellington. With Shea Whigham, Carrie Coon, Glenn Fleshler, Max Casella.
McVeigh, (United States) – World Premiere. After the Waco siege, an unthinkable plan brews in the mind of army veteran Timothy McVeigh. A psychological thriller based on the harrowing real life events of the deadliest act of domestic terrorism in U.S. history. Directed by Mike Ott. Written by Mike Ott, Alex Gioulakis. Produced by Miles Alva, Nicolaas Bertelsen, Monte Zajicek. With Alfie Allen, Brett Gelman, Ashley Benson, Anthony Carrigan.
Memes & Nightmares, (United States) – World Premiere. If one of the most popular memes goes missing from Twitter, would anyone notice? Executive Produced by LeBron James and Maverick Carter, NBA Twitter King Josiah Johnson seeks an answer, where his journey explores our relationship with ephemeral media, and each other in the digital age. Directed by Charles Todd, Matt Mitchener. Written by Matt Mitchener. Produced by Sheira Rees-Davies, Brock Williams, Benjamin Wiessner. With Josiah Johnson, Jamel Johnson, Mero, Darius Miles.
A Mistake, (New Zealand) – World Premiere. Dr. Beth Taylor is a surgeon at the top of her field, where split-second decisions and millimeter movements can mean the difference between life and death. Christine Jeffs’ edge-of-your-seat medical thriller unpacks the perilous aftermath of a single human error. Directed and written by Christine Jeffs. Produced by Matthew Metcalfe, Christine Jeffs. With Elizabeth Banks, Simon McBurney, Mickey Sumner, Rena Owen.
The Shallow Tale of a Writer Who Decided to Write About a Serial Killer, (United States) – World Premiere. In this darkly comedic tale, a struggling writer’s life turns bizarre when he befriends a retired serial killer who becomes his unlikely marriage counselor and muse. Directed and written by Tolga Karacelik. Produced by Scott Aharoni, Sinan Eczasibasi, Wren Arthur. With Steve Buscemi, John Magaro, Britt Lower.
Treasure, (Germany, France) – International Premiere. Ruth, a neurotic businesswoman from New York, takes her charmingly stubborn Holocaust survivor father on a journey to Poland to make sense of their family’s past. Directed by Julia von Heinz. Written by Julia von Heinz, John Quester. Produced by Fabian Gasmia, Julia Von Heinz, Lena Dunham. With Lena Dunham, Stephen Fry, Zbigniew Zamachowski. A FilmNation Entertainment and Bleecker Street release.
The Wasp, (UK) – World Premiere. In this tense, twist-filled psychological thriller, Naomie Harris and Natalie Dormer deliver captivating performances as two estranged friends who reunite over tea, only to unveil a dangerous and deceptive plot that will irrevocably alter their lives. Directed by Guillem Morales. Written by Morgan Lloyd Malcolm. Produced by Maxime Cottray, Nate Bolotin, Sean Sorensen. With Naomie Harris, Natalie Dormer, Dominic Allburn. A Shout! Studios release.
Winter Spring Summer or Fall, (United States) – World Premiere. Jenna Ortega and Percy Hynes White star in this sweet teen love story about a Harvard-bound girl genius and a laid-back guy who find each other in their final year of high school. Directed by Tiffany Paulsen. Written by Dan Schoffer. Produced by Brad Krevoy, Josh Shader, David Wulf. With Jenna Ortega, Percy Hynes-White, Marisol Nichols, Adam Rodriguez.
TRIBECA FILM FESTIVAL SPOTLIGHT DOCUMENTARY:
1-800-ON-HER-OWN, (United States) – World Premiere. Ani DiFranco was an unmistakable talent that shook the ‘90s alternative music scene. In this vulnerable look at her life today, she struggles to balance artistry with the demands of family. Directed by Dana Flor. Produced by Amy Hobby.
America’s Burning, (United States) – World Premiere. Narrated by Michael Douglas, America’s Burning calls on a remarkable range of expert perspectives from James Carville to Leon Panetta to Amy Chua as macroeconomist David Smick embarks on a searing dive into the precarious state of America’s seemingly unbridgeable economic divide — with a surprisingly optimistic outlook on its future. Directed by David Smick. Produced by Ian Michaels.
Avicii – I’m Tim, (Sweden, United States) – World Premiere. Before there was Avicii, there was just Tim. For the first time through his own words, witness the journey of a shy but prodigious musical talent who would soon become one of the defining artists of his generation. Directed by Henrik Burman. Produced by Björn Tjärnberg.
Black Table, (United States) – World Premiere. In the wake of the Supreme Court’s decision to abolish affirmative action, this film thoughtfully looks back at the largest class of Black students at Yale in the 1990s, the dining table that bonded them, and how their story informs our future. Directed by John Antonio James, Bill Mack. Produced by Katie Taber, John Antonio James, Bill Mack.
The Cranes Call, (France, Germany, Netherlands, UK, Ukraine, United States) – World Premiere. Working with their team at the Clooney Foundation for Justice, Anya Neistat, a brilliant war crimes investigator, joins forces with Solomiia Stasiv, a young Ukrainian woman just entering the field. Together they document atrocities in the fight to bring Russian generals to trial and justice to the Ukrainian people. Directed by Laura Warner. Produced by Evan Williams.
Emergent City, (United States) – World Premiere. When global developers purchase Industry City — a series of connected industrial buildings within a primarily immigrant, working class community in Brooklyn — conflicting views draw battlelines between residents, city officials and master planners as the fate of the city and contemporary urban development hangs in the balance. Directed by Kelly Anderson, Jay Arthur Sterrenberg. Produced by Kelly Anderson, Brenda Avila-Hanna.
I’m Your Venus, (United States) – World Premiere. A moving and timely documentary following the unsolved murder of Venus Xtravaganza, star of the legendary Paris Is Burning as Venus’ two families — biological and ballroom — come together to seek answers and celebrate her legacy. Directed by Kimberly Reed. Produced by Jamie Schutz, Steven Cantor, Mike Stafford.
It Was All a Dream, (United States) – World Premiere. From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself. Directed by dream hampton. Produced by Josh Begley, Morgan Willis, Emir Lewis.
Jago: Into the White, (Italy) – World Premiere. A portrait of the artist as a young man — Jago, a sculptor in Naples, works through the days and nights chipping away at his next marble masterpiece: a recreation of one of Michelangelo’s iconic subjects. Directed by Luigi Pingitore. Produced by Stefano Cardillo.
LIZA: A Truly Terrific Absolutely True Story, (United States) – World Premiere. Rich with archival gems and Liza Minnelli’s own point of view, Bruce David Klein’s luminous documentary celebrates a young entertainer full of boundless raw talent and the deep, creative relationships with her mentors and influences. Directed by Bruce David Klein. Produced by Bruce David Klein, Alexander J. Goldstein, Robert Rich.
Luther: Never Too Much, (United States) – New York Premiere. Dawn Porter offers an in-depth look into the life and career of Luther Vandross as he overcomes personal and professional challenges to become one of the greatest vocalists of all time. Directed by Dawn Porter.
Made in England: The Films of Powell & Pressburger, (UK) – New York Premiere. Martin Scorsese’s personal journey through the films of Powell and Pressburger, the visionary British filmmakers behind classics like The Red Shoes and Black Narcissus, offers a captivating exploration of their genius and enduring influence on cinema. Directed by David Hinton. Produced by Nick Varley, Matt Wells. A Cohen Media Group release.
Pandora’s Code, (United States) – World Premiere. Kyle Vorbach’s documentary, based on his latest novel, delves into the mesmerizing ascent of artificial intelligence, balancing its remarkable capabilities and dark ethical concerns, making for an engaging, thought-provoking exploration of AI’s double-edged sword. Directed and produced by Kyle Vorbach.
Rebel Nun, (United States, UK) – World Premiere. Rebel Nun follows the story of Catholic nun and leading death penalty abolitionist Sister Helen Prejean, whose story was first captured in the 1995 film Dead Man Walking. Now, almost 30 years later, filmmaker Dominic Sivyer takes a look at six decades of the life and work of Sister Helen as she continues to be an inspirational force for justice. Directed and produced by Dominic Sivyer. A Universal Pictures Content Group release.
Untitled Casa Bonita Documentary, (United States) – World Premiere. South Park creators Trey Parker and Matt Stone launch a hands-on attempt to restore the iconic Colorado “eatertainment” mecca Casa Bonita to its former glory. Directed by Arthur Bradford. Produced by Jennifer Ollman.
S/He Is Still Her/e – The Official Genesis P-Orridge Doc, (United States) – World Premiere. An introduction, conversation and perhaps goodbye to Genesis P-Orridge, who left an astounding and provocative legacy on the worlds of music, art, performance, religion and the occult. A larger-than-life personality that must be experienced to be grasped, Genesis opens up portals to a way of living that transforms and transcends. Directed by David Charles Rodrigues. Produced by David Charles Rodrigues, Bud Johnston.
Skywalkers: A Love Story, (China, Hong Kong, France, Malaysia, Russia, Thailand) – New York Premiere. Battling a global pandemic and a fraying relationship, rooftopping sensations Angela Nikolau and Vanya Beerkus face the ultimate test of their love when scaling the world’s newest super-skyscraper in this visually stunning testament to facing fear and letting go. Directed and produced by Jeff Zimbalist. Produced by Maria Bukhonina, Tamir Ardon, Chris Smith. A Netflix release.
Slave Play. Not a Movie. A Play., (United States) – World Premiere. A playful and illuminating self-portrait of writer Jeremy O. Harris as he workshops and mines Slave Play, the provocative play that thrust him into the spotlight, with a new cast of young actors from New York’s William Esper Studio. Directed by Jeremy O. Harris. Produced by Chris Moukarbel. An HBO Documentary Films release.
Stevie Van Zandt: Disciple, (United States) – World Premiere. Stevie Van Zandt: Disciple traces Van Zandt’s career as a musician, activist and actor from the clubs of Asbury Park, NJ, to stadiums around the world, to the Bada Bing Club. Directed by Bill Teck. Produced by David Fisher, Robert Cotto, Bill Teck. An HBO Documentary Films release.
They All Came Out to Montreux, (UK) – World Premiere. Utilizing a wealth of archival footage featuring Prince, Aretha Franklin, Miles Davis and more, They All Came Out to Montreux is an affectionate story about how Claude Nobs turned his Swiss town into the home for one of the world’s biggest jazz festivals. Directed by Oliver Murray. Produced by Bill Lord.
The Thinking Game, (United States) – World Premiere. The Thinking Game chronicles the extraordinary life of visionary scientist Demis Hassabis and his relentless quest to solve the enigma of artificial general intelligence. Directed by Greg Kohs. Produced by Gary Krieg.
TRIBECA FILM FESTIVAL VIEWPOINTS:
Alien Weaponry: Kua Tupu Te Ara, (New Zealand) – World Premiere. Meet Alien Weaponry, a thrash metal band that sings in the Maori language, as they figure out how to navigate the music industry, culture, family, tour, and each other. Directed by Kent Belcher. Produced by Nigel McCulloch.
Arzé, (Lebanon, Egypt, Saudi Arabia) – North American Premiere. When the scooter that struggling mother Arzé buys for her son to deliver her homemade pies is stolen, the two take a desperate, kaleidoscopic journey through Beirut in pursuit of the purloined moped. Directed by Mira Shaib. Written by Louay Khraish, Faissal Sam Shaib. Produced by Louay Khraish, Faissal Sam Shaib, Ali Elarabi. With Diamand Abou Abboud, Betty Taoutel, Bilal Al Hamwi.
Boys Go to Jupiter, (United States) – World Premiere. Suburban Florida is transformed into a 3D animated wonderland in this charming deadpan musical comedy from the creator of Art Sqool, featuring a voice cast of alt-comedy all stars. Directed and written by Julian Glander. Produced by Peisin Yang Lazo. With Jack Corbett, Elsie Fisher, Tavi Gevinson, Julio Torres.
Champions of the Golden Valley, (United States, Afghanistan, Germany) – World Premiere. Former Afghan Olympic hopeful Alishah Farhang establishes Afghanistan’s first ever ski club and the annual Afghan Ski Challenge competition in the ancient mountain town of Bamyan, bringing people together in an unlikely but joyful pastime. Directed by Ben Sturgulewski. Produced by Katie Stjernholm, Baktash Ahadi.
Color Book, (United States) – World Premiere. Following the passing of his wife, a devoted father is learning to raise his son with Down Syndrome as a single parent. While adjusting to their new reality, the two embark on a journey through Metro Atlanta to attend their first baseball game. Directed and written by David Fortune. Produced by Kristen Uno, Kiah Clingman, Autumn Bailey-Ford. With William Catlett, Brandee Evans, Terri J. Vaughn, Jeremiah Daniels.
Darkest Miriam, (Canada) – World Premiere. The fog of grief shrouding Miriam, a branch librarian, begins to lift when she starts a love affair with cab driver Janko. But what’s the deal with the vaguely threatening letters she keeps finding? Directed and written by Naomi Jaye. Produced by Julie Baldassi, Brian Robertson. With Britt Lower, Tom Mercier, Sook-Yin Lee, Jean Yoon.
Era Oculta – Hidden Era, (Mozambique, Germany, Colombia) – World Premiere. In the vibrant city of Maputo, Mozambique, Rastafari artist Phambi works to support his young son’s education while resiliently navigating the complexities of living an artistic life in a dynamic city. Directed and produced by Carlos Vargas. Written by Carlos Vargas, Franziska Ruess. With Paula Matlombe, Ednora Matlombe, Isac Tivane “Phambi”, Ixon Tivane.
Restless, (UK) – World Premiere. The banal life of a middle-aged empty nester is violently shaken in the blink of an eye when hard-partying — and potentially dangerous — new neighbors move in next door. Directed and written by Jed Hart. Produced by Benedict Turnbull, Iain Simpson, Jens Nielsen. With Lyndsey Marshal, Aston McAuley, Barry Ward, Kate Robbins.
Searching for Amani, (Kenya, United States) – World Premiere. A 13-year-old aspiring journalist investigates his father’s mysterious murder within the boundaries of one of Kenya’s largest wildlife conservancies. As a ravaging drought encroaches, his quest to find the killer shifts as the collateral damage of a warming world is revealed. Directed by Nicole Gormley, Debra Aroko. Produced by Peter Goetz, Mungai Kiroga, Nicole Gormley.
They’re Here, (United States) – World Premiere. The playful and inventive They’re Here places the viewer within a community of New Yorkers who have had close encounters with UFOs and reexamined their lifestyles as a result. Directed and produced by Daniel Claridge, Pacho Velez.
Witches, (UK) – World Premiere. Elizabeth Sankey’s deeply personal documentary examines the relationship between the cinematic portrayals of witches and the all-too-real experiences of postpartum depression by utilizing footage that spans the entirety of film history alongside heartrending personal testimony. Directed by Elizabeth Sankey. Produced by Manon Ardisson, Chiara Ventura, Jeremy Warmsley.
TRIBECA FILM FESTIVAL MIDNIGHT:
The A-Frame, (United States) – World Premiere. A quantum physicist’s machine opens a portal to a subatomic universe, accidentally discovering a radical cancer treatment. As human trials begin, the stakes rise in this Cronenbergian sci-fi comedy. Directed and written by Calvin Lee Reeder. Produced by Ran Namerode, Angelia Adzic, Cole Payne. With Johnny Whitworth, Dana Namerode, Nik Dodani, Laketa Caston.
Beacon, (United States) – World Premiere. After an ambitious solo trip leaves her shipwrecked on a remote island, a young sailor is rescued by its lone inhabitant: a lighthouse keeper. As the walls of reality begin to vanish and the trust between them unravels, survival becomes a test of grueling proportions. Directed by Roxy Shih. Written by Julio Rojas. Produced by Neil Elman. With Demián Bichir, Julia Goldani Telles. A Fox Entertainment Tideline release.
A Desert, (United States) – World Premiere. While on a road trip, a photographer befriends a young couple whose reckless ways turn his world upside down and into a nightmare in this unpredictable and horror-tinged neo-noir knockout. Directed by Joshua Erkman. Written by Joshua Erkman, Bossi Baker. Produced by Hugues Barbier, Joshua Erkman. With David Yow, Kai Lennox, Sarah Lind, Zachary Ray Sherman.
The Devil’s Bath, (Austria, Germany) – International Premiere. In 18th century Austria, an executed woman has been displayed for all to see. Deeply religious, newlywed Agnes looks upon the woman with pity, but also longing, as her own evil thoughts have begun to arise. Directed and written by Severin Fiala, Veronika Franz. Produced by Georg Aschauer, Ulrich Seidl. With Anja Plaschg, Maria Hofstätter, David Scheid. A Shudder release.
Mars, (United States) – World Premiere. In this outrageous animated comedy, a ragtag group of misfits embark on a wild space adventure to Mars, only to discover they’ve been bamboozled by a billionaire. Directed and produced by Sevan Najarian. Written and produced by Timmy Williams, Zach Cregger, Sam Brown. Produced by Kara Welker, James Bristow, Darren Trumeter. With Trevor Moore, Zach Cregger, Sam Brown, Darren Trumeter.
The Weekend, (Nigeria) – World Premiere. This gripping Nigerian thriller will keep you guessing until the very last moment with its unique take on the age-old question: what’s wrong with the in-laws? Directed by Daniel Emeke Oriahi. Written by Egbemawei Dimiyei Sammy, Vanessa Kanu, Freddie O. Anyaegbunam Jr. Produced by Uche Okocha. With Uzoamaka Aniunoh, Bucci Franklin, Meg Otanwa, Keppy Ekpeyong Bassey.
TRIBECA FILM FESTIVAL ESCAPE FROM TRIBECA:
AMFAD: All My Friends Are Dead, (United States) – World Premiere. Slasher cinema gets a candy-coated and raucous new spin as a group of young friends staying at an Airbnb are picked off one by one by a killer whose elaborate murder set pieces are inspired by the seven deadly sins. Directed by Marcus Dunstan. Written by Josh Sims, Jessica Sarah Flaum. Produced by John Baldecci, Sarah Donnelly, Kirk Shaw. With Jade Pettyjohn, Jojo Siwa, Jennifer Ens, Ali Fumiko Whitney. A Cineverse release.
Kill, (India) – New York Premiere. A passenger train bound for New Delhi becomes a battleground of close-quarters combat as a pair of commandos square off against 40 invading bandits. Relentless and wildly entertaining, Nikhil Nagesh Bhat’s action thriller is the most brutal fight film in years. Directed and written by Nikhil Nagesh Bhat. Produced by Hiroo Yash Johar, Guneet Monga Kapoor, Achin Jain. With Lakshya, Raghav Juyal, Tanya Maniktala. A Roadside Attractions release.
She Loved Blossoms More, (Greece, France) – World Premiere. Hoping to bring their dead mother back to life, three brothers build a time machine in this visually decadent, bizarre and altogether mesmerizing head-trip. Directed by Yannis Veslemes. Written by Yannis Veslemes, Dimitris Emmanouilidis. Produced by Fenia Cossovitsa, Christos V. Konstantakopoulos. With Panos Papadopoulos, Dominique Pinon.
