Haylie Duff and Shae Smolik star in Syfy’s ‘The Sandman.’
Writer/director Peter Sullivan’s 2017 horror film The Sandman feels like an X-Men movie and old school creature feature hybrid. It even has comic book legend Stan Lee involved as an executive producer which matches well with The Sandman’s mutant superpower vibe.
Sullivan’s original horror tale focuses on a young girl with uncontrollable supernatural powers who’s able to call into existence the titular character. Madison (Shae Smolik), the girl with the untamed abilities, was born under a caul, a condition thought to portend psychic powers. After her father’s horrific death, Madison is taken in by her aunt, Claire (Haylie Duff), who quickly discovers Madison’s telling the truth when she claims she sees the Sandman.
It turns out Madison’s not being chased by this freaky-looking creature but is actually summoning and controlling it. Claire learns it’s best not to anger her niece who would fit in well studying with the mutants at the Xavier Institute for Higher Learning. However, when a shady government agency enters the picture and attempts to capture Madison for their own nefarious purposes, Claire turns momma bear to protect her brother’s child.
Working in The Sandman’s favor is its built in horror movie cred with the appearance of genre favorites Tobin Bell and Amanda Wyss. Bell has a supporting role as a government agent who wants to harness and weaponize Madison’s powers. Amanda Wyss plays a psychiatrist who’s one of the few people on Madison’s side and the only person with a solution that doesn’t involve locking the girl up and conducting experiments.
Strong performances, a creepy creature, and an interesting premise make The Sandman worth checking out when it premieres on Syfy on October 14, 2017 at 9pm ET/PT.
Running Time: 90 minutes
Cast: Haylie Duff, Shae Smolik, Tobin Bell, Amanda Wyss, Shaun Sipos, Ricco Ross, Jason-Shane Scott, and Mick Ignis as The Sandman
David Mazouz and Sean Pertwee in ‘Gotham’ season 4 episode 4 (Photo by Jeff Neumann/FOX)
Fox’s Gotham season four episode four begins with Bruce (David Mazouz) and Alfred (Sean Pertwee) determined to find out what’s so special about the knife Bruce purchased for $2 million at auction. Dr. Niles Winthrop (Dakin Matthews), Curator of Antiquities at the Gotham museum, is examining the knife when his grandson Alex shows up, and it turns out he’s well versed in history. Alex is impressed with the knife and Bruce advises them to keep the knife a secret. They agree, and Bruce leaves the knife in their care for further examination.
The newly thawed Ed Nygma (Cory Michael Smith) is surrounded by wadded up paper scattered all around him. He’s trying to draft the perfect riddle as part of the revenge he’s plotting against Oswald.
Back at the museum, Alex and Dr. Winthrop decipher the writing on the knife and it reads:
“He who rises from the waters who death shall not touch, with this sacred blade his final savage destiny shall be fulfilled. The earth will quake, blood will flow, all will tremble before the demon’s head.”
Dr. Winthrop says the demon’s head is a person who cannot die. He and Alex are familiar with the story of Ra’s al Ghul, but Alex thinks the tales are made up. Dr. Winthrop is sure Bruce has stumbled into something incredibly dangerous.
As they’re talking, there’s a knock on the door. Dr. Winthrop opens it and Ra’s al Ghul (Alexander Siddig) is standing there. He knows who Dr. Winthrop is, calling him by name. Dr. Winthrop, however, doesn’t recognize Ra’s al Ghul. Ra’s informs him he’s looking for a knife, but Dr. Winthrop doesn’t give away its location. Ra’s kills him by breaking his neck while Alex and the knife remain hidden.
Jim Gordon (Ben McKenzie) joins Detective Harper (Kelcy Griffin) at the crime scene and they examine Dr. Winthrop’s body. Bruce arrives during the investigation and he’s stunned to see Winthrop is dead. Bruce’s name is in the logbook and he explains he’d asked Dr. Winthrop to examine the knife. He was just stopping by to check in, and then Bruce reveals Alex was with Dr. Winthrop when he dropped off the knife.
Jim wonders if someone would kill for the knife, and Bruce agrees to tell Jim what he knows if he’s allowed to accompany him on the investigation. Bruce admits he feels responsible, however, Jim presses him on the knife. Bruce says Barbara was also aggressively bidding on the knife and Jim says he’ll deal with Barbara.
Ra’s shows up at Barbara’s and she asks him about the knife, which she failed to acquire. Ra’s has brought Anubis, who Barbara (Erin Richards) calls Dog Boy, to fetch the knife. Ra’s lets Anubis sniff the knife’s pouch and promises him after he finds it, he can kill Alex.
Sofia Falcone (Crystal Reed) pays a visit to Oswald (Robin Lord Taylor) and they start off friendly enough. She informs him she’s not interested in Carmine’s businesses, she’s just there to attend to the family charities. He needn’t worry about what she’s up to, but he knows she’s up to something. He knows Carmine’s men are still around and he’s going to take Carmine’s old advice and be careful. If she tries to rebuild Carmine’s empire, he’ll kill her.
She tears up as she says this is her home and that’s why she’s there. Oswald agrees they have nothing to worry about then and tells her to give Carmine his best.
Jim shows up at Barbara’s and she wonders if he likes this new her. He cuts straight to the chase and asks about the knife and why she wanted it. She doesn’t give any straight answers and doesn’t give away who’s bankrolling her new operation. That’s when Bruce shows up and asks if her partner is Ra’s al Ghul. She acts innocent, saying she doesn’t know who he’s talking about.
Outside, Bruce and Jim argue over Bruce’s intrusion into the investigation. Jim’s angry Bruce didn’t mention Ra’s al Ghul before and demands to know who he is. Bruce tries to lie but Jim calls him on it. Finally, Bruce admits Ra’s leads the Court of Owls and had him kidnapped. Jim can’t believe Bruce didn’t mention this before. Bruce also reveals he doesn’t why Ra’s wants the knife, and then Bruce figures out Alex could be hiding at the Gotham Central Library. His grandfather had a key to a room there.
Ed Nygma sends a rapping duo to Oswald to deliver a riddle and a challenge to meet that evening. Nygma found them on the street and when Oswald asks, they can’t tell him where Nygma is because they honestly don’t know. The Penguin agrees to meeting The Riddler, but will have Victor Zsasz (Anthony Carrigan) and the men there to back him up.
Jim and Bruce find the door to the Historical Records room at the library locked. Bruce knocks and tells Alex it’s safe, saying they just want to help him. Alex reluctantly lets them in and Bruce apologizes for his grandfather’s death. Alex says his grandfather was killed because of the knife, but he didn’t see the killer’s face. Just as Alex confesses he hid the knife, Ra’s al Ghul’s Anubis and his handler arrive at the library and attack Jim. Jim fights the henchman but Anubis catches up with Alex. Another fight ensues, this time with Bruce taking on Anubis. By the time Jim makes it to their location in the library, Bruce and Alex are gone.
Back at the station, Ra’s al Ghul introduces himself to Jim Gordon as the Minister of Antiquities attached to the consulate of Nanda Parbat in the Himalayas. Jim invites him into Harvey Bullock’s office. Without giving anything away, Jim has figured out Ra’s might think Alex has given them the knife.
Bruce bandages Alex’s arm and Alex admits he’s ashamed for freezing while Bruce fought the men. Bruce recalls being terrified years ago when his parents were murdered, adding that fear is normal and you can act once you realize that.
Alex admits the kids at school talk about Bruce, how he lives alone in a huge mansion and flies around in jets. Alex says the kids make him sound weird, but he’s actually weirdly cool. Bruce smiles, and Alex says he’ll take him to the knife.
Robin Lord Taylor as The Penguin (Photo by Jeff Neumann/FOX)
Back at the station, Ra’s tells Jim Barbara was acting on behalf of his government to procure the knife. Jim wonders why he didn’t bid himself, and Ra’s makes it sound politically motivated. They discuss Dr. Winthrop’s murder and then Ra’s claims the knife belongs to his country. Jim tells him to explain, and Ra’s tells his own story (without mentioning it’s his story) about how much the knife means to his country and what it symbolizes.
Jim’s worried Alex is being hunted and tells Ra’s that could be because the killer thinks he saw something. Jim teases the release of the knife if Alex is guaranteed to be safe from harm. Ra’s asks to see the knife.
Alfred barges into Harvey’s office, demanding to know where Bruce is. He sees Ra’s and punches him in the face before Jim shoves him out of the room. Jim tries to get Alfred to calm down while Ra’s mysteriously disappears. Jim realizes Ra’s knows they don’t have the knife, and that they must find Bruce immediately.
Sofia’s dad’s men show up at her house and she tells them to leave. As she’s telling them it’s Penguin’s city and she doesn’t want their help, Penguin, Zsasz, and Penguin’s henchmen interrupt the conversation. They kill Carmine’s men and Sofia understands Penguin used her to get her dad’s men to show themselves. The good thing is Penguin now trusts Sofia. Sofia points out her dad would have handled the situation much differently, getting the men to change allegiances instead of killing them.
Back at the museum, Alex has been hiding the knife in plain sight. He tells Bruce about the legend associated with the knife and Bruce swears he won’t let the man who killed his grandfather have it.
Bruce and Alex are forced to flee as Anubis and his handler have tracked them to the museum. Anubis sniffs his way through the exhibits.
Jim can’t get into the consulate without a warrant and Alfred yells at him about getting Bruce into this situation. Jim says he’s on their side, but they have been plotting something and not telling him. They continue to argue about Bruce being in danger, and they assume Bruce is taking Alex to get the knife. Alfred shows Jim a box that was with the knife, and Jim takes off warning Alfred he’ll be charged with something if he tries to leave the station.
Penguin brings the rappers back in because Ed Nygma didn’t show up where he thought he’d be. They have another riddle from Ed, and this time The Penguin doesn’t understand it. Frustrated, he allows Victor to torture them.
Over at the museum, Bruce drops the knife and Anubis spots them. Jim arrives as Bruce is being attacked, shooting at Anubis to free Bruce. He tells Bruce and Alex to run as Anubis attacks again, along with his handler. The boys don’t listen and take on the handler. Meanwhile, Jim gets up from the dinosaur exhibit he’s smashed into and when Anubis is ready to attack, Jim holds up a bone. That distracts Anubis and when Jim throws it out a window, Anubis follows! Jim then uses a piece of glass to stab the handler.
Jim demands to know why people are dying for his knife. Unfortunately, Ra’s has arrived and holds a knife to Alex’s throat. He’ll release the boy in exchange for the special knife. Jim tells Bruce to hand him the knife, but Bruce hesitates. Bruce then reveals Ra’s killed Alfred and brought him back to life. He adds that Alex was afraid of Ra’s after reading the engraving on the knife. Bruce says he can’t give it to Ra’s, even if it means Alex dies.
Ra’s compliments Bruce, telling him he’s finally seeing things clearly. He then slices Alex’s throat. Bruce runs to Alex’s body while Jim arrests Ra’s.
Back at the station, Jim says Ra’s is on his way to Blackgate. Jim also tells Bruce he’s not responsible for Ra’s al Ghul’s actions. Jim wants the real story, not one with magical waters and people coming back to life, but Alfred says that’s why they didn’t tell Jim in the first place. Bruce says this is all his fault and that he killed Alex.
Ed heads to Oswald’s club, angry he never showed up at their meeting place and calling Oswald a coward. However, Oswald says he didn’t show because Ed’s riddles suck. “This place may make some people lie, some people speak, and some people cry – that could mean anything. Lying, speaking, crying, you’re just describing a range of human behavior!” says Oswald. Ed believes the riddle is perfectly clear, that is until he says it out loud and tries to explain what he meant. The answer was supposed to be the cemetery, calling Oswald an idiot for not getting it.
Oswald tells Ed his number one fan was right; Ed can no longer make riddles. Oswald adds that Ed isn’t smart anymore and wonders how long it took him to come up with the riddles. Ed admits it took him six hours and maybe that’s because he’s recovering from being frozen in a block of ice.
Ed’s ready for his revenge, but Oswald doesn’t seem worried. He says the real Ed, the one who doesn’t write idiotic riddles, won’t get revenge. It will just be this lesser version who shoots him. The Riddler is gone and so is the real Ed Nygma. Mr. Freeze arrives to return Ed to a block of ice, and Ed begs him not to. He agrees with Oswald that he’s not The Riddler and then gives in and asks Mr. Freeze to go ahead and freeze him again.
Oswald changes his mind. This “Ed Nygma” isn’t worth it. No one cares about this version. Instead, he’ll let Ed live knowing he isn’t himself anymore and never will be.
Sofia tells Jim she remembers watching her father stab a man in his neck. They had breakfast the next morning at the same table. She thinks this city, this house, is in her blood. She’s home. She also confirms Penguin used her as bait to draw her father’s men out of hiding. She won’t tell Jim her plan, but promises Jim she’ll get the city back from Penguin. After she tells him he has to trust her, they share a passionate kiss.
Ra’s is delivered to Blackgate in chains. He smiles as he enters the prison.
Poster for the Showtime original series ‘SMILF’ (Photo: Courtesy of Showtime)
Showtime’s new comedy series SMILF has unveiled an official trailer and poster in support of the show’s upcoming debut. The series comes from Frankie Shaw and is based on her award-winning short of the same name. Shaw executive produces, stars in, and wrote the first episode of SMILF which is set to premiere on November 5, 2017 at 10pm ET/PT.
Season one will consist of eight half-hour episodes. The cast also includes Rosie O’Donnell, playing Shaw’s prideful, outspoken Southie mother, along with Miguel Gomez, Samara Weaving, Alexandra Reimer, and Anna Reimer. Season one guest stars Connie Britton, Mark Webber and Raven Goodwin. Frankie Shaw, Michael London, Lee Eisenberg and Gene Stupnitsky, and Scott King executive produce.
The Plot:SMILF takes a comedic look at the life of Bridgette Bird (Shaw), a young woman from South Boston whose desires for relationships, sex and a career collide with the realities of working-class single motherhood. Shaw brings her singular, unapologetic point of view to the semi-autobiographical comedy series.
SEAL Team fans can breathe a sigh of relief. It’s safe to get invested in the series as CBS has officially announced the dramatic action thriller will be hanging around for a full season. The network confirmed their commitment to SEAL Team just two weeks into its first season.
SEAL Team has been averaging 12.04 million viewers and ranks as the #1 show among Wednesday night viewers. The series is executive produced by Benjamin Cavell, Ed Redlich, Christopher Chulack, Sarah Timberman and Carl Beverly. David Boreanaz leads the cast that includes Max Thieriot, Neil Brown Jr., AJ Buckley, Toni Trucks and Jessica Paré.
The Plot:SEAL Team is a new military drama that follows the professional and personal lives of the most elite unit of Navy SEALs as they train, plan and execute the most dangerous, high stakes missions our country can ask of them. Jason Hayes is the respected, intense leader of the Tier One team whose home life has suffered as a result of his extensive warrior’s existence. His team includes his trusted confidant, Ray Perry, the longest-tenured operator with whom Jason shares an ingrained shorthand, and Sonny Quinn, an exceptional, loyal soldier with a checkered past who still combats self-destructive tendencies.
Undergoing additional rigorous training in the hope of joining Hayes’ select unit is Clay Spenser, a young, multi-lingual second generation SEAL with insatiable drive and dedication. Vital to the team’s success are CIA analyst Mandy Ellis, who has sacrificed everything in her drive to root out evil and take down terrorists, and Lisa Davis, a no-nonsense, take-charge logistics officer and unofficial den mother responsible for outfitting the team with the necessary gear for each mission. Deployed on clandestine missions worldwide at a moment’s notice, and knowing the toll it takes on them and their families, this tight-knit SEAL team displays unwavering patriotism and fearless dedication even in the face of overwhelming odds.
Leslie Mann, Ike Barinholtz and John Cena star in ‘Blockers’
Universal Pictures unveiled a new red band (not safe for work or kids) trailer for the comedy film, Blockers. The adult comedy was directed by first-time feature film director Kay Cannon and written by Brian Kehoe, Jim Kehoe, Jon Hurwitz, Hayden Schlossberg, and Eben Russell. John Cena, Leslie Mann and Ike Barinholtz lead the cast that includes Kathryn Newton, Geraldine Indira Viswanathan, and Gideon Adlan.
Seth Rogen, Evan Goldberg, James Weaver, Jon Hurwitz, Hayden Schlossberg, and Chris Fenton produced, with Nathan Kahane, Joseph Drake, Josh Fagen, Chris Cowles, Dave Stassen, and Jonathan McCoy executive producing. Blockers will open in theaters on April 6, 2018.
The Plot: When three parents stumble upon their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal.
Bruno Mars collected the most 2017 American Music Awards nominations with eight, including Artist of the Year and Video of the Year. The Chainsmokers, Drake, Kendrick Lamar, Ed Sheeran, and The Weeknd followed with five nominations each. Justin Bieber, Daddy Yankee, and Luis Fonsi earned four nominations each while Keith Urban picked up three nominations. Winners will be announced during the American Music Awards on Sunday, November 19 on ABC at 8pm ET. This year’s show will take place at the Microsoft Theater in Los Angeles.
The AMAs are the only music awards show voted on entirely by fans. Voting is now open at theamas.com/vote.
2017 American Music Awards Nominees:
ARTIST OF THE YEAR
• Bruno Mars
• The Chainsmokers
• Drake
• Kendrick Lamar
• Ed Sheeran
NEW ARTIST OF THE YEAR
• James Arthur
• Niall Horan
• Julia Michaels
• Post Malone
• Rae Sremmurd
COLLABORATION OF THE YEAR
• The Chainsmokers featuring Halsey “Closer”
• DJ Khaled featuring Justin Bieber, Quavo, Chance the Rapper and Lil Wayne “I’m the One”
• Luis Fonsi and Daddy Yankee featuring Justin Bieber “Despacito”
• Maroon 5 featuring Kendrick Lamar “Don’t Wanna Know”
• The Weeknd featuring Daft Punk “Starboy”
TOUR OF THE YEAR
• Garth Brooks
• Coldplay
• U2
VIDEO OF THE YEAR
• Bruno Mars “That’s What I Like”
• Luis Fonsi featuring Daddy Yankee “Despacito”
• Ed Sheeran “Shape of You”
FAVORITE MALE ARTIST – POP/ROCK
• Bruno Mars
• Drake
• Ed Sheeran
FAVORITE FEMALE ARTIST – POP/ROCK
• Alessia Cara
• Lady Gaga
• Rihanna
FAVORITE DUO OR GROUP – POP/ROCK
• The Chainsmokers
• Coldplay
• Imagine Dragons
FAVORITE ALBUM – POP/ROCK
• Bruno Mars “24K Magic”
• Drake “More Life”
• The Weeknd “Starboy”
FAVORITE SONG – POP/ROCK
• The Chainsmokers featuring Halsey “Closer”
• Luis Fonsi and Daddy Yankee featuring Justin Bieber “Despacito”
• Ed Sheeran “Shape of You”
FAVORITE MALE ARTIST – COUNTRY
• Sam Hunt
• Thomas Rhett
• Keith Urban
FAVORITE FEMALE ARTIST – COUNTRY
• Miranda Lambert
• Maren Morris
• Carrie Underwood
FAVORITE DUO OR GROUP – COUNTRY
• Florida Georgia Line
• Little Big Town
• Old Dominion
FAVORITE ALBUM – COUNTRY
• Jason Aldean “They Don’t Know”
• Chris Stapleton “From A Room: Volume 1”
• Keith Urban “Ripcord”
FAVORITE SONG – COUNTRY
• Sam Hunt “Body Like A Back Road”
• Jon Pardi “Dirt On My Boots”
• Keith Urban “Blue Ain’t Your Color”
FAVORITE SONG – RAP/HIP-HOP
• DJ Khaled featuring Justin Bieber, Quavo, Chance the Rapper and Lil Wayne “I’m the One”
• Kendrick Lamar “HUMBLE.”
• Rae Sremmurd featuring Gucci Mane “Black Beatles”
FAVORITE MALE ARTIST – SOUL/R&B
• Bruno Mars
• Childish Gambino
• The Weeknd
Kiefer Sutherland, Italia Ricci, Alicia Coppola, and Adan Canto in ‘Designated Survivor’ season 2 episode (ABC/Ben Mark Holzberg)
“I took an oath to protect the American people and I will not let you get in the way,” says President Kirkman (Kiefer Sutherland) to Mackey, a drug maker who’s been holding back vital information during a deadly national epidemic in season two episode three of ABC’s political thriller, Designated Survivor.
The episode opens in South Carroll Parish, Louisiana where there’s been an outbreak of Influenza A. Word quickly gets back to D.C. (much too quickly, even by television standards) and it’s minutes later that the President is being briefed about the crisis by the CDC. Dr. Bruner (Alicia Coppola) from the CDC is in charge and reveals with this particular strain of the flu they’ll only have 36 hours before it spreads out of control. The other big problem is trying to find a drug that will give those who are already infected a fighting chance to survive.
Meanwhile, in another part of the White House the newly hired attorney Kendra Danes (Zoe McLellan) is mediating a legal issue over the removal of a Confederate statue. It’s not going well, with the words “racist” and “irrational” being thrown back and forth. The respected African American Reverend Dale (Ron Canada) believes they shouldn’t whitewash the country’s past and let it stand to remind people of a darker time in the nation’s history.
Over at the FBI, Agents Hannah Wells (Maggie Q) and Damian Rennett (Ben Lawson) are going through the damage done at the First Lady’s mother’s house which was broken into and trashed by Patrick Lloyd. They’re attempting to determine if there was another reason why Lloyd would do something like this. Wells reminds Rennett, who is ready to sign off on the case now that Lloyd is dead, that the man was meticulous and always had backup plans. The two agents come across a file that shows a heart transplant for Andrew Booker, and Wells is convinced Lloyd left this behind on purpose for them to find.
Down in Louisiana, Influenza A is spreading quicker than they had anticipated. Dr. Bruner, with assistance from Aaron (Adan Canto) and a few others, determines that a new untested, and not yet FDA-approved drug that was being developed to fight cancer just might be the perfect drug against this superflu. Kirkman instructs Emily (Italia Ricci) to have the CEO of the company making the drug, Mackey, come to the White House to talk. When they meet, Mackey tells Kirkman he only has 10,000 doses and that may not be enough. He also tells the President he wants to help and will send it.
Mackey lied and it’s not long before Kirkman is told that Mackey is trying to sell the drugs down South to the highest bidder instead of just delivering to the infected part of Louisiana as they agreed. Kirkman has Kendra pulled out of the Confederate monuments fight to go to court and have a judge order Mackey to deliver the drugs because it’s a matter of a national health crisis. Kendra proves her case to the judge rather quickly and Mackey is ordered to do just that.
Back at the White House, Agent Wells goes over her findings with the First Lady (Natascha McElhone), and Alex is surprised to see that her mother kept the insurance form from her dad’s heart transplant. She tells Alex that at first her father was on a list but then they got lucky and he got a heart in time.
Kendra returns to the Confederate statue debate which isn’t getting any better because no one is willing to compromise.
Kirkman checks in with Dr. Bruner on how the drugs are working on the patients and she says it seems to be giving those infected the strength to fight the superflu. However, she doesn’t know if 10,000 doses are going to be enough with how fast it’s spreading. Kirkman thanks her for being there on the front lines dealing with the epidemic, and she tells him she does it because she knows he would do the same thing.
Wells and Rennett check in with Chuck (Jake Epstein) who has done some more digging and found a warehouse (why is it always a warehouse on this show?!) that’s connected to the files they found in the First Lady’s mother’s house. Wells and Rennett head out to the warehouse and have to do a little illegal burglary to get in. Wells notices a light on past a door and is about to check it out when Rennett realizes it’s been booby-trapped. He flings her out of the way just in time as an explosion nearly kills both of them.
Outside the warehouse, local authorities try to question Wells but she just waves her credentials and tells the local cops to go check out her credentials with the White House.
At the White House, Press Secretary Seth Wright (Kal Penn) is dealing with the press, answering all the questions about the superflu and how they’re trying to contain the situation and cure the infected. He impresses Emily with how he handles the pressure and the hungry-for-answers press.
Kirkman checks in with Dr. Bruner again and finds out the 10,000 doses of meds aren’t going to cut it and they have to have more. Bruner tells Kirkman the drug was extremely expensive to make and the pharmaceutical company that made it has to have more if they ever hoped to make a profit on it. Kirkman realizes Bruenr is right and has Emily send for Mackey.
In Aaron’s office, Wells is being scolded by Aaron for the warehouse explosion and he demands to be brought in the loop since she answers to him. Wells tells Aaron she’s following a lead but she can’t tell him about it. When he asks why she gives him a knowing look and he realizes it has something to do with the President’s family. Wells tells him she can’t expose him to it until she knows for sure she’s right and has to. Aaron agrees but tells her that Rennett was caught on camera cutting through the fence to get inside the warehouse. Since he’s not an American, Aaron can’t shield him from it so he must go back to London. Wells agrees she’ll tell Rennett.
Kendra is finally able to get a compromise between Reverend Dale and the others to move the statue to another part of town that doesn’t have as much foot traffic.
President Kirkman meets with Mackey and says he won’t let him get in the way of saving lives. However, Mackey is afraid of his business going under and puts making a profit over saving lives. (What a scumbag!) He suggests Kirkman can sue him over the remaining 30,000 doses but he’ll be in for a fight because he’s got good lawyers who can tie it up in the courts for a very long time. After Mackey leaves, Emily tells Kirkman she doesn’t see a way for them to beat him. But, Kirkman has an idea.
Kirkman reaches out to the Reverend, and Dale goes on camera calling out Mackey saying he doesn’t care about the lives of black people (the part of Louisiana that’s suffering from the superflu is predominantly black) because he won’t send more of his miracle drug down to save them. Mackey is watching with the President who tells him he’s giving Mackey a chance to redeem himself and he had better take it. A little later Kirkman goes on television with Mackey, praising him for offering up the 30,000 doses to Louisiana and calling him a credit to the nation.
Kirkman checks back in with Dr. Bruner but realizes she doesn’t look well. She tells him it’s not what he thinks. She doesn’t have the superflu but when she was trying to figure out how much of a dose of the drug to give those infected, she used herself as the guinea pig and ended up giving herself too much of the drug which is causing her liver to fail. Kirkman tells her to come back immediately, but she says a “good soldier stays and sees the job done.” With that, she tells the President she’ll check in with him tomorrow.
The next scene is Bruner waking up and complaining to Kirkman about how she was escorted and removed from her field of battle. Seems Kirkman had no intention of losing Dr. Bruner and had her brought back to get treated. Thankfully, because of the President’s actions, she’s on the mend. Kirkman says she can just tell herself that her General – meaning him – gave her an order that she had to follow.
After saying goodbye to Rennett and flirting just a little, Wells meets with Chuck who has done some more digging. They put their heads together and realize the First Lady’s mother’s past and her father receiving a heart transplant is probably more than just luck and something deeper is there, perhaps a bribe. Chuck finds the mention of a man named Eric Little who might know something, so Wells and Chuck head out to talk to him. When they arrive at Little’s address, they find the front door already ajar. When they enter, they discover Eric Little dead on the floor.
Designated Survivor Season 2 Episode 3 Review:
Cluttered, convoluted, and at times contrived, episode three titled “Outbreak” makes the political thriller series more of a political drama with little suspense and too much time spent on the Confederate statue controversy. The series has always had two major storylines in every episode and usually a subplot involving Kirkman’s family. In this episode, however, there are two major storylines – the superflu and the paper trail to the First Lady’s mother – as well as the Confederate statue issue and a ridiculous story about a frog being named after the President by a guy in Delaware which was pointless and not funny. (That’s why it wasn’t mentioned in the body of this recap!)
As episodes go, this is definitely the most forgettable since the show premiered back in 2016. Here’s hoping they quickly get back to the formula that made the first season such a suspenseful and riveting show and get away from the headline politics that are frustrating in real life.
The CW’s Riverdale kicked off season two with Archie torn up over the possibility his dad wouldn’t survive being shot. Veronica did her best to try and comfort him, in her own Veronica-ish way, while Jughead agreed to do some investigating into the identity of the masked shooter. Season two episode two will find the gang still piecing together clues as to who’s after people close to Archie. Directed by Allison Anders from a script by Michael Grassi, episode two titled “Nighthawks” will air on October 18, 2017.
The season two cast includes KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, Cole Sprouse as Jughead Jones, Madelaine Petsch as Cheryl Blossom, Marisol Nichols as Hermione Lodge, Mӓdchen Amick as Alice Cooper, Luke Perry as Fred Andrews, Casey Cott as Kevin Keller, Ashleigh Murray as Josie McCoy, and Mark Consuelos as Hiram Lodge.
The “Chapter Fifteen: Nighthawks” Plot: SAVING POP’S — With the gunman still at large and the residents of Riverdale on edge, Betty (Reinhart) leads the charge to save Pop’s after learning that the diner may be forced to close its doors forever. Meanwhile, the gang becomes increasingly concerned for Archie’s (Apa) well being after noticing a string of unusual behavior from him. Elsewhere, Betty and Veronica (Mendes) approach Cheryl (Petsch) and Josie (Murray) for their help saving Pop’s, while Jughead’s (Sprouse) attempt to find FP (Skeet Ulrich) a new lawyer may have some serious repercussions. Finally, when a past betrayal unexpectedly comes to light, Veronica finds herself at a crossroads with Hiram (Consuelos) and Hermoine (Nichols.)
A scene from BBC America’s ‘Dirk Gently’s Holistic Detective Agency.’
BBC America’s Dirk Gently’s Holistic Detective Agency season two promises to be just as bizarre, quirky, and irresistible as the critically acclaimed series’ first season. Series creator/writer Max Landis and executive producer Robert Cooper teamed up at the 2017 San Diego Comic Con to discuss what they have planned for season two, Max’s creative process, and how they were first introduced to the strange world of Douglas Adams’ Dirk Gently.
Season two of Dirk Gently’s Holistic Detective Agency will premiere on October 14, 2017 at 9pm ET/PT.
How are you going to top season one?
Max Landis: “Easily. We are going so much stranger in the subject matter, sillier, and weirder and wilder in the plot, bigger in the action, and the character arcs this season just pick up right where you left off and take you in a completely different direction than you see these people going. I mean like, it’s a whole new show but it almost feels like a sequel more than a second season, right?”
Robert Cooper: “Right. And producing it was like that too. We had to start from scratch.”
Tell us about your working relationship. What is the biggest creative disagreement you’ve had on this show?
Robert Cooper: (Laughing) “Do you watch MMA? Have you seen Thunderdome?”
Max Landis: “Actually, I don’t know that Rob and I have ever had a creative disagreement that lasted. We have had a lot of intense creative disagreements in the moment, usually having to deal with the two places Rob and I butt up against each other are actually really weird and they’re not creative. Which is Rob’s worked in television a lot longer and he’s usually right about this, but I have a to b to c things where I’ll go like, ‘No, this can’t happen because this can’t happen because this affects this and this affects that.’ And Rob will go, ‘No, let’s just change it and then change all that, too.’ Or he’ll go, ‘No, no. Just change it and keep that and no one will notice.’
I would say on record, 7 out of 10 times he’s right. But the nice thing is the remaining three times, he lets me have my way. So, the times when I’m right, I get vindicated.”
How would you score that out of 10, Robert?
Robert Cooper: “I don’t know that it can be scored out of 10.”
Max Landis: (Laughing) “Flatly, I couldn’t do the show without Rob. I’m a speedball of ideas and I just have this giant thing, like here’s a million things and then Rob comes in with all his stuff… It’s a matter of the fact that Rob is like, I’m not going to say an adult because he’s not. He looks less colorful than I am but he is equally eccentric and bizarre. It’s just that he’s done this for so long and is so smart about it, and so smart about handling people and talking to people.”
Robert Cooper: “Sometimes it feels like Max is down right on the chess board, running around, fighting with all the various pieces. And I’m able to take a little more top down view and say, ‘Look, here’s the strategy of how we need to go about achieving this the best way we can.’ You know, at the end of the day television is really, unfortunately, dominated by the restrictions of time and money. And so, Max’s imagination has always been somewhat unfettered in the feature world.”
Max Landis: “Has it been unfettered?”
Robert Cooper: “Well, in its original conception. Creatively, then it gets very fettered. But the fact is there’s only so much we can do. That’s not always even just scope or budget, it’s just time and what we’re able to handle in a schedule. You can see it in the show; the show is very vibrant. It has tons of different storylines, tons of different characters, there’s a lot going on. There’s never a scene where it’s just two people talking in a room. There’s always some gag or prop or something important that’s connected.”
Max Landis: “I always have five or six things happening in a scene.”
Robert Cooper: “The show has a bit of ADD, but it works, you know? It’s a matter of being able to contain all that into something that’s really manageable.”
Max Landis: “You say that, but occasionally Rob goes like, ‘Let’s just do it. It’s fine.’”
Robert Cooper: “But you have to. The fact is with television, there’s a weird force that generally pushes everything back towards the middle. If you don’t push it, if you don’t say, ‘Let’s try and do the impossible,’ then you never do anything special. It always ends up kind of mediocre. You have to push the envelope a little bit and you have to take chances. Sometimes you end up failing, but more often than not it’s the only way to get anything good.”
Can you talk a little about your first moments with Dirk Gently? Did you read the book? Did it explode in your head?
Robert Cooper: “Wait, there’s a book? You never told me there was a book!”
Max Landis: “No, I made it up. (Laughing) I was at summer camp and the summer camp had a library. And the library had a book called Long Dark Tea-Time of the Soul. I was like 14, I think. And I read Long Dark Tea-Time not knowing it was the sequel to Dirk Gently’s Holistic Detective Agency and I absolutely loved it. It was unlike any book I’d ever read. And, I couldn’t believe how great it was and I stole it from the library at the summer camp. And when I came home, I went to a Barnes & Noble because the internet didn’t really exist yet, and I said, ‘Do you have any other books by this author?’ And they were like, ‘Well, that’s the sequel to Dirk Gently. But do you not know what Hitchhiker’s Guide to the Galaxy is?’ And I was like, ‘No…’
They didn’t have the book, so I bought an audiotape read by Douglas Adams. I listened to it and then of course I immediately read all of those that were available at the time. And then I read the first Dirk Gently, and in a lot of ways they informed how I read science fiction from that point on. That’s my first encounter with the character. How about you? Was it through me? Was my pilot it?”
Robert Cooper: “Yes.”
Max Landis: “That’s so cool!”
Robert Cooper: “I read his pilot and I was like, ‘Huh!’”
That’s an underwhelming reaction.
Max Landis: (Laughing) “No, that’s huge! For Rob, that’s like screaming. I gasped when he did that.”
Fox has found the young actor who will take on the lead role in the live musical production of A Christmas Story Live!. Following a nationwide digital casting call, 11-year-old Seattle actor Andy Walken landed the role of Ralphie Parker in the upcoming musical event. Walken was chosen from among more than 350 actors who auditioned for the role played by Peter Billingsley in the 1983 holiday film.
Walken joins Maya Rudolph (Bridesmaids), previously announced to star as Ralphie’s mother, and Matthew Broderick (Manchester by the Sea) who’ll be narrating the musical. A Christmas Story Live! will air on December 17, 2017 (live on the East Coast at 7pm, taped delayed on the West Coast).
Marc Platt (Grease: Live, La La Land) and Adam Siegel (Grease: Live) are executive producing, and Robert Cary and Jonathan Tolins are writing and co-executive producing. Scott Ellis (She Loves Me) is on board as the director overseeing the stage direction while Alex Rudzinski (Grease: Live) is the live television director. Ellis and Rudzinski are also executive producing. A Christmas Story: The Musical‘s composers Benj Pasek and Justin Paul are composing new songs for Fox’s A Christmas Story Live!.