Will Smith will be voicing a debonair secret agent named Lance Sterling and Spider-Man: Homecoming star Tom Holland is voicing a scientific genius named Lance in the animated comedy, Spies in Disguise. The Fox Animation, Chernin Entertainment, and Blue Sky Studios production is directed by Nick Bruno and Troy Quane, based on the short film Pigeon: Impossible by Lucas Martell.
Spies in Disguise is set to open in theaters on January 18, 2019.
Will Smith recently wrapped up work on the sci-fi drama Bright from director David Ayer (Suicide Squad, End of Watch) and has just begun filming Disney’s Aladdin. Tom Holland is reprising his role as Peter Parker/Spider-Man in Avengers: Infiniti War and the untitled 2019 Spider-Man sequel.
The Plot:Spies in Disguise is a buddy comedy set in the high octane globe-trotting world of international espionage. Will Smith voices Lance Sterling, the world’s most awesome spy. Cool, charming and super-skilled, saving the world is his occupation. And nobody does it better. Almost the exact opposite of Lance is Walter, voiced by Tom Holland. Walter is a great mind but perhaps not a great socializer. What he lacks in social skills though, he makes up for in smarts and invention: Walter is the scientific genius who invents the gadgets Lance uses on his missions.
But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way. And if this odd couple can’t learn to work as a team, the whole world is in peril.
Maisie Richardson-Sellers poses on the ‘Legends of Tomorrow’ red carpet at Comic Con 2017 (Photo by Richard Chavez / Showbiz Junkies)
Maisie Richardson-Sellers says that one of the great things about breaking history in season two of The CW’s Legends of Tomorrow was that it offers the Legends a chance to go back and interact with some really interesting historical figures. During the 2017 San Diego Comic Con, Richardson-Sellers also chatted about what’s in store for her character, Amaya/Vixen; relationships within the Legends team; and Amaya’s need to return to Zambesi to keep her timeline intact.
The CW’s Legends of Tomorrow season three will premiere on October 10, 2017 at 9pm ET/PT.
What can you tell us about where the Legends start in season three?
Maisie Richardson-Sellers: “We’re in big trouble. We’ve broken time. We’re stuck in LA with dinosaurs. We realize this is a big one to get out of and we might need some help from the Time Bureau. That kind of puts us in a half-hazard position because we’re kind of defunct now and they’re great; they’re efficient. So, the question is what happens next? What do we do? That’s the position we find ourselves in.”
Can you tease anything about Amaya and Nate’s relationship?
Maisie Richardson-Sellers: “It ended quite nicely at the end of last season. There was a sort of making up and such. I think this season they’re definitely going to explore it, but I think she’s very conscious of the fact she has to go back. She has to go back home in order to fulfill her timeline and that puts a time limit on their relationship. So, is it going to stay just chill and they’re just going to have fun? Or are they going to be able to control their emotions?”
How will the Legends will try to fix what they broke?
Maisie Richardson-Sellers: “They’re kind of racing the Time Bureau because it’s a competition to see who can fix time first and better. And, they get alerted quite suddenly…’Oh, we’re going here. We’re going there.’ So, we’re going to go to those places trying to fix it but there’s also the big bad also going through time trying to make it worse. So, we’re going to be chasing the problems and the bad at the same time throughout time.”
Have you enjoyed the different time periods portrayed in the series?
Maisie Richardson-Sellers: “It’s the best. It’s almost like doing a movie every week. The costume department – everything is handmade and beautiful. And it means we get amazing guests every week. I think it’s one of the huge pleasures of the show and I hope for the viewers, as well, because you never know what you’re going to get.”
Is there anyone you’re going to get to interact with more this season that you didn’t share many scenes with in season two?
Maisie Richardson-Sellers: “I think I work more with Caity (Lotz). As I start discovering new sides to my powers that I didn’t know before, which kind of challenges my very righteous side, that will make me more relatable to Caity as well and to Mick who both experience some of these things. I’m hoping we’ll go deeper into their friendships.”
Is there anything from what you’ve filmed of season three that was particularly fun or that you can’t wait for fans to see?
Maisie Richardson-Sellers: “We’re going to England which should be fun. We visited the circus which was amazing – a 1700s circus, a P.T. Barnum circus. I get into a lot of trouble at the circus.”
With the crossovers in the works, are there characters on the other shows you’d like to be able to work off of?
Maisie Richardson-Sellers: “Candice (Patton’s) character, Iris West. I think that would be awesome. Who else? I would love to work with Felicity Smoak (Emily Bett Rickards) again. That was super fun. We had such great energy and lots of improv. Just getting all the women together! I think it would be great to have a big battle scene with all the women fighting or something like that to show all the power we have. We have some really great kick-ass female characters. It would be nice for us all to have screen time the same day.”
In this post-Wonder Woman setting, the narrative and the importance of women in the DC universe has changed. Are you feeling that?
Maisie Richardson-Sellers: “Definitely. And I think it’s so important and it’s about time. You’ve got the new amazing Tala (Ashe) who’s joining our cast. We’ve also got a female ‘bad,’ and another wonderful female character who’s going to be at the Time Bureau. I think we’re definitely feeling that ripple and it’s great that it was so successful because I think that it shows that there’s an audience who are interested. The strength of the female characters represents everything, so I hope it’s going to continue to translate well.”
Season two of Fox’s music-driven series, Star, has earned a commitment for five additional hour-long episodes. Season two of the dramatic series from Oscar nominee Lee Daniels and Tom Donaghy is currently airing on Wednesdays at 9pm ET/PT, with the series hitting its highest viewership numbers since its premiere with its first episode of season two. The additional episode order brings the season two total to 18 episodes.
The series stars Queen Latifah (Carlotta Brown), Benjamin Bratt (Jahil Rivera), Jude Demorest (Star Davis), Ryan Destiny (Alexandra Crane), Brittany O’Grady (Simone Davis), Amiyah Scott (Cotton Brown), Quincy Brown (Derek Jones), Miss Lawrence (Miss Bruce), Michael Michele (Ayanna Floyd), Stephen Dorff (Brody Dean), and Luke James (Noah Brooks). Guest stars include Lenny Kravitz and Tyrese Gibson. Lee Daniels, Tom Donaghy, Pamela Oas Williams, and showrunner Karin Gist executive produce.
The Plot: The story of three girls’ rise to fame, Star’s first season ended on the heels of a victory, as the singing trio caught its first big break – winning Atlanta NextFest. Heading into Season Two, one thing is clear: their lives will never be the same. It’s a whole new world for the girls, as Star, Alexandra and Simone prepare for their next career move, with help and guidance from Carlotta, the group’s new manager. Having entered into a deal with Midtown Sound, the girls and Carlotta must contend with R&B crooner Noah Brooks and other artists to fight for the attention of the new label president, Ayanna Floyd, a powerful Machiavellian corporate operator with her own agenda for the girls’ future.
Meanwhile, after a harrowing stint in prison, Cotton must find a way to re-enter society as a convicted felon. And, with Derek facing the possibility of never walking again, Alexandra must work to keep their romance alive, while balancing her own career goals. Finally, the fate of JAHIL remains decidedly unclear, following last season’s shocking and explosive finale.
Nominees have been announced for the 2nd Annual Critics’ Choice Documentary Awards recognizing the best in documentary features and non-fiction television of 2017. Members of the Broadcast Film Critics Association* and the Broadcast Television Journalists Association* selected this year’s nominees, with winners set to be announced on November 2, 2017 in Brooklyn New York. Penn Jillette is returning to host the awards ceremony.
Kedi leads the 2017 nominees with four nominations including Best Documentary and Best First Documentary. California Typewriter, Chasing Coral, City of Ghosts, Cries From Syria, and Dawson City: Frozen Time each picked up three nominations. Abacus: Small Enough to Jail and An Inconvenient Sequel: Truth to Power were recognized with two nominations.
“The inaugural event last year was such a fantastic night, we cannot wait to celebrate the leading lights in the doc world at our second annual event,” stated Broadcast Film Critics Association President Joey Berlin. “This is a golden age for documentary filmmaking and nonfiction television and we’re proud to help audiences find the best of the best.”
David Freedman, Chairperson of the Critics’ Choice Documentary Awards Nominating Committees, explained a major change in the categories for the 2017 awards. “As our industry continues to grow and change, the nominating committees of the Broadcast Film Critics Association and the Broadcast Television Journalists Association came to the decision together that we needed our categories to better reflect the current way documentaries are released as well as how the audience consumes content. Therefore, the Best Documentary category, which last year was separated into Theatrical Releases and TV/Streaming releases, has been merged into a single category, and the same is also true for the Best Director and Best First Documentary categories.”
Critics’ Choice Documentary Awards Nominees:
BEST DOCUMENTARY
Abacus: Small Enough to Jail – Director: Steve James
Beware the Slenderman – Director: Irene Taylor Brodsky
Bright Lights: Starring Carrie Fisher and Debbie Reynolds – Directors: Alexis Bloom, Fisher Stevens
California Typewriter – Director: Doug Nichol
Chasing Coral – Director: Jeff Orlowski
City of Ghosts – Director: Matthew Heineman
Cries From Syria – Director: Evgeny Afineevsky
Dawson City: Frozen Time – Director: Bill Morrison
Eagles of Death Metal: Nos Amis – Director: Colin Hanks
Ex Libris: The New York Public Library – Director: Frederick Wiseman
Faces Places – Directors: Agnès Varda & JR
Jane – Director: Brett Morgen
Kedi – Director: Ceyda Torun
One of Us – Directors: Heidi Ewing, Rachel Grady
Spettacolo – Directors: Jeff Malmberg, Chris Shellen
Strong Island – Director: Yance Ford
BEST DIRECTOR
Evgeny Afineevsky – Cries from Syria
Amir Bar-Lev – Long Strange Trip
Matthew Heineman – City of Ghosts
Bill Morrison – Dawson City: Frozen Time
Doug Nichol – California Typewriter
Jeff Orlowski – Chasing Coral
Irene Taylor Brodsky – Beware the Slenderman
Ceyda Torun – Kedi
Agnès Varda & JR – Faces Places
Frederick Wiseman – Ex Libris: The New York Public Library
BEST FIRST DOCUMENTARY
California Typewriter – Director: Doug Nichol
Kedi – Director: Ceyda Torun
Nowhere to Hide – Director: Zaradasht Ahmed
Step – Director: Amanda Lipitz
Strong Island – Director: Yance Ford
Whose Streets? – Director: Sabaah Folayan, Co-Director: Damon Davis
BEST POLITICAL DOCUMENTARY
11/8/16 – Directors: Duane Andersen, Don Argott & Sheena M. Joyce, Yung Chang, Garth Donovan, Petra Epperlein & Michael Tucker, Vikram Gandhi, Raul Gasteazoro, Jamie Goncalves, Andrew Beck Grace, Alma Har’el, Daniel Junge, Alison Klayman, Ciara Lacy, Martha Shane, Elaine McMillion Sheldon, Bassam Tariq
Abacus: Small Enough to Jail – Director: Steve James
An Inconvenient Sequel: Truth to Power – Directors: Bonni Cohen, Jon Shenk
City of Ghosts – Director: Matthew Heineman
Dolores – Director: Peter Bratt
The Reagan Show – Directors: Sierra Pettengill, Pacho Velez
BEST SPORTS DOCUMENTARY
AlphaGo – Director: Greg Kohs
Disgraced – Director: Pat Kondelis
Icarus – Director: Bryan Fogel
Speed Sisters – Director: Amber Fares
Take Every Wave: The Life of Laird Hamilton – Director: Rory Kennedy
Trophy – Directors: Christina Clusiau, Shaul Schwarz
BEST MUSIC DOCUMENTARY
Clive Davis: The Soundtrack of our Lives – Director: Chris Perkel
Contemporary Color – Directors: Bill Ross IV, Turner Ross
Eagles of Death Metal: Nos Amis – Director: Colin Hanks
I Called Him Morgan – Director: Kasper Collin
Long Strange Trip – Director: Amir Bar-Lev
Rumble: The Indians Who Rocked the World – Director: Catherine Bainbridge, Co-Director: Alfonso Maiorana
MOST COMPELLING LIVING SUBJECT OF A DOCUMENTARY
The Cats of Istanbul – Kedi
Etty – One of Us
Al Gore – An Inconvenient Sequel: Truth to Power
Laird Hamilton – Take Every Wave: The Life of Laird Hamilton
Dolores Huerta – Dolores
Gigi Lazzarato – This is Everything: Gigi Gorgeous
The Sung Family – Abacus: Small Enough to Jail
MOST INNOVATIVE DOCUMENTARY
78/52 – Director: Alexandre O. Philippe
Casting JonBenet – Director: Kitty Green
Dawson City: Frozen Time – Director: Bill Morrison
Karl Marx City – Directors: Petra Epperlein, Michael Tucker
Kedi – Director: Ceyda Torun
Last Men in Aleppo – Director: Firas Fayyad, Co-Director: Steen Johannessen
BEST SONG IN A DOCUMENTARY
An Inconvenient Sequel: Truth to Power – “Truth to Power” – OneRepublic
Chasing Coral – “Tell Me How Long” – Kristen Bell
Cries From Syria – “Prayers for This World” – Cher
Dina – “Best I Can” – Michael Cera featuring Sharon Van Etten
Served Like a Girl – “Dancing Through the Wreckage” – Pat Benatar
Step – “Jump” – Cynthia Erivo
BEST LIMITED DOCUMENTARY SERIES (TV/STREAMING)
The Defiant Ones
Five Came Back
The Keepers
The Nineties
Planet Earth II
The Vietnam War
BEST ONGOING DOCUMENTARY SERIES (TV/STREAMING)
30 for 30
American Masters
Frontline
Independent Lens
POV
VICE
* – Disclaimer: I’m a member of the Broadcast Film Critics Association and Broadcast Television Journalists Association
A scene from ‘Mindhunter’ starring Jonathan Groff. (Photo Credit: Netflix)
Netflix’s new dramatic series Mindhunter starring Jonathan Groff and Holt McCallany just released its second trailer in support of the show’s upcoming October 13, 2017 premiere. The thriller comes from Joe Penhall (The Road) and is executive produced by David Fincher (Gone Girl, The Social Network, Zodiac), Joshua Donen (The Quick and the Dead), Charlize Theron (Girlboss, Hatfields & McCoys), and Cean Chaffin (Gone Girl, Fight Club). Fincher, Asif Kapadia (Amy, Senna), Tobias Lindholm (A War, A Hijacking), and Andrew Douglas (The Amityville Horror, U Want Me 2 Kill Him?) directed season one.
In addition to Jonathan Groff and Holt McCallany, the Mindhunter cast includes Anna Torv (Fringe) and Hannah Gross (Unless).
The Plot: How do we get ahead of crazy if we don’t know how crazy thinks? In Mindhunter, FBI agents Holden Ford (Groff) and Bill Tench (McCallany) study the damaged psyches of serial killers in an attempt to understand and catch them, and in the process pioneer the development of modern serial killer profiling.
Warner Bros Animation and Warner Bros Television Group debuted the first full trailer for Constantine at the 2017 New York Comic Con. The animated series, which will air on CW Seed, is based on the DC Comics characters and has live-action Constantine star Matt Ryan voicing the titular character.
The animated digital series is executive produced by David S. Goyer (The Dark Knight trilogy, Batman v. Superman: Dawn of Justice), Greg Berlanti (Arrow, The Flash, Supergirl), and Sarah Schechter (Blindspot, Riverdale, DC’s Legends of Tomorrow). Constantine is written by J.M. DeMatteis (Justice League Dark, Batman vs. Robin), directed by Doug Murphy (Justice League Action, Young Justice), and produced by Butch Lukic (Justice League Action, Batman Unlimited).
Matt Ryan as John Constantine in the live-action ‘Constantine’ series (Photo Credit: Warner Bros. Entertainment, Inc.)
The Plot:Constantine follows DC’s popular comic book character John Constantine (Ryan), a seasoned demon hunter and master of the occult. Armed with an arcane knowledge of the dark arts and a wicked wit, he fights the good fight. With his soul already damned to hell, he’ll do whatever it takes to protect the innocent. With the balance of good and evil on the line, Constantine uses his skills to face the supernatural terrors that threaten our world and send them back where they belong. After that, who knows…maybe there’s hope for him and his soul after all.
The CW’s The Flash season four premieres on October 10, 2017 with an episode titled “The Flash Reborn.” The new season begins with the team having to deal with Barry’s disappearance into the Speed Force and during our interview at the 2017 San Diego Comic Con, Carlos Valdes teased Cisco will be trying to free Barry (Grant Gustin). Valdes also discussed Cisco’s relationship with Gypsy and his evolution into a superhero.
How is Cisco handling it without his partner, Caitlin?
Carlos Valdes: “More gracefully than I anticipated. I mean, a lot can happen in six months and that’s exactly where this season picks up is six months after the disappearance of Barry. Yes, he’s very optimistic. He’s out in the field with Kid Flash trying to keep the city together. Unfortunately, they haven’t been doing as good a job as Barry did by his lonesome. In light of that, the team concludes it’s not the same without Barry. I wouldn’t be surprised if Cisco had some things up his sleeve in regards to getting Barry back.”
Is Cisco a full superhero at this point?
Carlos Valdes: “Yes. He even goes as far as to call the team, in a somewhat cheeky way, Team Vibe at a certain point. So, you can look forward to that.”
Does being a superhero suit him or does he struggle with that? Is he better as the backup?
Carlos Valdes: “I think Cisco’s fate throughout this whole show is constant growth, you know, because he’s a kid. He’s a grown ass 20-year-old man, but in here he’s a kid. He’s optimistic. He believes in the best in people and he’s irreverent. In the least appropriate situations, he finds a way to poke fun at things. So, yeah, it’s constant growth for Cisco. I think he’s still learning how to hold his own, but definitely at the top of season four I think he’s more in control of his powers than he was previously.”
Now that he has a connection with Gypsy, does that mean there’s more romance for him in season four?
Carlos Valdes: “Thank you! This is my biggest talking point today. The relationship with Gypsy is definitely going to continue and get a lot more involved. And as their relationship gets more involved, as Cisco wants to take it to the next level, he’s going to encounter some new characters that are going to make that very difficult for him.”
The show started out as one of the brighter spots in the DC universe but it feels like it’s gotten really dark. Is that feeling shared?
Carlos Valdes: “Absolutely. I think it’s shared unanimously among the cast and among our creative team as well. So much so, actually, that the show in and of itself has collectively decided to go in a much lighter direction. I think the writers understand what made the show special as it was, especially in the first season, was that levity, was taking these extraordinary circumstances and poking holes in them and making them light but also believable and grounded. So, I think we’re definitely going back to those roots and actually taking the levity note even further.”
Will Cisco still be coming up with the nicknames for the villains this season?
Carlos Valdes: “I mean, Cisco will always be the name dude. That’s like a law in our universe and if anybody tries to subvert that, he gets angry. But, yeah, Cisco’s going to keep doing his one-liners. I think what’s fun about playing this character, honestly, is when you get to be out in the field and fighting and take that levity out to these ridiculous situations. But, yeah, I also enjoy that everybody else gets the chance to be a little funnier this year too.”
How does Cisco feel about Iris being in charge of the group?
Carlos Valdes: “I think somebody has to be in charge and within the six months of Barry being gone, Iris really steps up to the plate and takes the mantle. You’re even going to notice changes at S.T.A.R. Labs a little bit, actually commandeers the ship so to speak. So, it’s really exciting.”
Pairing Ryan Gosling (La La Land, Drive) with Blade Runner star Harrison Ford wasn’t as big a draw as Warner Bros Pictures anticipated. Blade Runner 2049, the 2017 sequel to the 1982 sci-fi classic, finished its opening weekend with a box office take well below what was expected. Prior to the film’s release, most prognosticators had the film opening in the $50 million range. Instead, over its first three days the sequel pulled in just $30 million domestically.
The weekend’s other big release, The Mountain Between Us, shared a similar fate. The action thriller starring Kate Winslet and Idris Elba also didn’t live up to box office expectations, although those who did pay for tickets seemed to enjoy the film from director Hany Abu-Assad (The Idol). Both The Mountain Between Us and Blade Runner 2049 earned A- CinemaScore.
Sophie Skelton as Brianna Randall, Caitriona Balfe as Claire Randall Fraser, and Richard Rankin as Roger Wakefield in ‘Outlander’ Season 3 Episode 5 (Photo Credit: Starz)
Je Suis Prest for A. Malcolm!!! But first, Christmas in Boston 1968. Starz’s Outlander season three episode five’s title is the first that’s not a summary of the episode’s events. Instead, it is a clue. Clue to what? I’ll tell you, but we need to begin at the beginnin’. Both our Bostonian lasses are working to get back to normal life.
We start in the operating room with Dr. Randall (Caitriona Balfe) and Dr. Abernathy (Wil Johnson) performing surgery. Claire taps into her true nature and forcefully pushes through when Joe objects to something she’s doing. She does have the added advantage that Joe knows her and supports her forceful nature, like her husbands always did. And in matters of medical situations, she is pretty much right every time. To Joe’s credit, he doesn’t push back like other male doctors of the era would certainly have done.
Brianna (Sophie Skelton) is sitting in history class listening to a lecture on the ride of Paul Revere. Historians have learned the early accounts the history books continued to relay of that night that started the American Revolution were not entirely accurate. This makes Brianna stop doodling and pay closer attention. She feels a parallel with her own history and what they discovered about Jamie’s (Sam Heughan) history. After the lecture, Brianna’s professor warns her that not only is her history grade failing, but all her grades are in danger.
Brianna leaves and heads to the home she has always known – the house she grew up in with her mom and who she thought was her dad, Frank (Tobias Menzies). Her time in Scotland has turned her entire world upside down. She’s walking around the house looking at things she has taken for granted for years. I guess we might all do something similar when we lose those who we love. She puts her hands on Frank’s chair. She picks up his pipe. She looks at old pictures. (Tears filled my eyes. I have done some of the very same things when I lost my father years ago.) It’s also a time of decision. Another reason to take such a walk around your house.
Claire is in the office she shares with Joe at the hospital. They have known each other since med school, 15 years now. He catches the look on her face and asks her about it. He starts trying to pull out what Claire can share about her love for Jamie. Those who don’t read the Outlander books might wonder why he calls her Lady Jane. She got a few nicknames from her classmates while they were in school, as the insiders tend to do to what they consider outsiders. They use Lady Jane because she has the accent. Joe picked it up as an endearment, not a bully tactic like the rest intended it. Sort of how Jamie picked up Sassenach and says it when other Scots say it in her direction rather nastily.
As they talk, Claire reveals she was thinking of a man from Scotland. Joe’s nurse comes in with requested patient information and cuts the discussion short, so Claire takes the opportunity to head home.
So much about this episode did not happen in the way the books unfolded the events, so I won’t beat that particular drum too hard. I like the way the show must summarize some elements while still retaining the spirit of the information. Visual medium versus paper medium; no show can be an exact replica of a book, but this is the closest I have ever seen it tried.
Roger Wakefield (Richard Rankin) pulls up in front of Claire’s home in a taxi. Roger didn’t deliver his news in Boston in the book. Claire went back to Scotland after he telegraphed, and because Bree stayed to help Roger in the search in the book. Since Bree flew home with Claire in the last episode, it makes sense to have Roger come to them. As he approaches the door, he hears shouting inside. Mother and daughter are at each other’s throats. Anyone else having personal déjà vu? {giggle-snort} Roger feels bad for walking into their fight like he did. They only pause the argument long enough to say hello to him. Bree is quitting school, and naturally Claire is not in favor of that. Most parents and children would war a bit over that same topic. Bree leaves the house. Claire insists Roger stay with her, so they settle down to dinner.
Claire and Roger talk about the fact it’s Roger’s first Christmas without his adopted father, his uncle by birth. Any holiday makes us miss the ones we have loved and lost, but the first one after the loss is particularly painful. It takes time to get to a new normal. They start talking about traditions with family. Roger shares one he had with the Reverend, and Claire shares that they used to read A Christmas Carol to Bree when she was younger.
They sit down to have a whisky and Roger shares that he did come for another reason. He is a historian by profession and life’s passion. He found a printing that quoted the Freedom & Whisky line (a.k.a. the clue) that Claire told Roger she quoted frequently to Jamie. The article was written by Alexander Malcolm. Roger is sure this was Jamie under two of his middle names. He thought Claire would be happy, but she’s upset instead. She thought that other part of her life was done. She also cannot think about leaving Bree. Claire asks Roger not to tell Bree about the article.
Joe has a skeleton separated on a table in their shared office when Claire arrives the next morning. Joe’s looking at it for a friend. Claire picks up the skull and gets a feeling for the person. As she and Joe talk through the pieces, he continually asks her how she knows certain things. There is no real answer; Claire just knows it after touching the skull. Apparently, our heroine has a level of clairvoyance! The skeleton is from a 40ish white woman from the Caribbean and is around 200 years old. Joe pops back to the Scottish man Claire was keeping from him. Claire tells him the Scot is Bree’s real Father. Joe says that explains a lot of the things he had seen and known about her over their relationship. He encourages her to take any second chance she might have.
Caitriona Balfe as Claire Randall Fraser in ‘Outlander’ season 3 episode 5 (Photo Courtesy of Starz)
Bree and Roger take a bit of a tour of Harvard before a celebration that Bree and Claire attend in Frank’s honor. A Fellowship is being given in Frank’s name. Bree and Roger each share some insights into the structures of the college that have struck them as interesting. Roger is fascinated by the historic figures who’ve passed under the arches; Brianna’s fascinated by how the structure was built. Each gives the other a point of view they had not considered before. Bree also shares that she’s rather annoyed at history because it could be a half-truth or lie. She points to several examples where history didn’t explain truthfully what occurred.
Claire is confronted by Frank’s mistress at the reception for the Fellowship in Frank’s honor. The book doesn’t go into any of this, so this is new material for book readers, too. Bree sees the confrontation. Bree asks Claire about it and reminds Claire about their promise to not lie to each other again. Claire must explain that Frank had plans to marry the woman. Bree asks about Frank’s feelings and Claire’s feelings because she looks so much like her birth father. Claire explains that through absolutely everything over the past 20 years, Frank and Claire both loved her entirely and completely for her. Claire also must explain that Roger found Jamie. Bree’s happy and sad at the same time. Claire basically says she’s not going to leave her.
Bree and Claire are talking some nights later and Claire is enumerating all the reasons she cannot go back to Jamie and leave Bree. It would be as if she were dead. She would not be there for her daughter as she married or had children. Brianna knows it would be hard, but she also knows her mother has sacrificed a lot for her. Claire mentions that she knows her better than anyone and Bree would be losing that knowledge. Information such as her first steps or other things that we’re all typically too young to remember and tend to get from our parents when we have our children and think to ask the questions. Bree points out that Jamie doesn’t know her, doesn’t know he even has a daughter at all or that they made it safely through the stones. Claire is also concerned that Jamie won’t want her back after all this time. Bree reminds Claire how deeply she loves Jamie even after 20 years. She must trust that it would be the same for Jamie.
It’s Christmas and that means presents. The preparation to go through the stones begins. One present for Claire has coins that Roger and Bree found in an antique store. Roger also gives her a book on the history of Scotland. That little item would have been helpful the first time around! Claire mentions she took some scalpels and penicillin from the hospital. The pair also bought Claire a topaz gem so she can travel through safer. The first pass Claire lost a jewel in her watch, the second time was the jewel in Jamie’s ring. Claire mentions that she will sew herself a new coat that will have many hidden pockets in it so she can hide her treasures and take them with her. This is also a new element from the book. She buys a gown in a Scottish shop in the book because a designer was making 18th-century fashions and has a cloak made as part of her book preparations for the trip.
Later, Claire is looking herself over closely in the mirror. She’s worried she has aged a lot over the 20 years since she last saw Jamie.
Claire’s packing things up and is going to head to Scotland alone, also different to how things worked in the book. Brianna all but pushed Claire through the stones in the book because Claire hated to leave her so badly. This time, Claire wants to do the farewells in Boston. Claire passes down to Bree the pearls Jamie gave her on their wedding day. The trio has one last whisky before Claire takes all her provisions to the taxi. As Claire leaves, Bree turns to the refuge of Roger’s arms. She gathers herself together eventually and the pair begin a new Christmas tradition with Lobster Roll, Boston Cream Pie, and reading A Christmas Carol together.
As Claire is stepping out of the taxi, you hear her narration about how she has always felt about puddles as a child. The lines are from the books, so the show used them to transition Claire from the 1900s back to the 1700s and her first step out of the carriage in Edinburgh. She heads down the path to the A. Malcolm print shop. She is back!
Claire is taking in all the scenery from the street and people around her as she walks toward the print shop. The butterflies in my stomach are trying to catch the pounding of my heart as this part approaches. She climbs the stairs to the door. A bell announces her entrance, but no one is at the desk in the front of the store. She hears a voice call out at the bell, and it is Jamie’s. She gasps and heads toward the window looking down over the printing machine. Jamie thinks it’s a person he was expecting, but Claire speaks to his back and tells him it is her instead.
Jamie freezes and turns very slowly. Initially, they stare at each other for a long moment. Jamie has seen Claire in everything since he lost her, but never once did his vision speak. This is so much of a shock he leans back on the printer, faints, and promptly falls to the floor. Can’t say I blame him one bit. And now we have a bye week before the most awaited episode of the season: The Reunion! A marathon of the first five episodes will be shown next week. Grab your whisky and enjoy the marathon weekend! Slainte Mhath!
Bill Skarsgard from It and Sissy Spacek from the original Carrie return to the world of Stephen King with the upcoming series, Castle Rock. Hulu debuted a one-minute trailer for the series at the New York Comic Con, and it’s now available to check out online for those who didn’t make it to the convention.
Castle Rock is set in one of Stephen King’s favorite fictional towns and is executive produced by J.J. Abrams, King, Sam Shaw, and Dustin Thomason. The cast also includes André Holland (Moonlight), Melanie Lynskey (Togetherness), and Jane Levy (Suburgatory). Castle Rock will premiere in 2018.
The Plot: A psychological-horror series set in the Stephen King multiverse, Castle Rock combines the mythological scale and intimate character storytelling of King’s best-loved works, weaving an epic saga of darkness and light, played out on a few square miles of Maine woodland. The fictional Maine town of Castle Rock has figured prominently in King’s literary career: Cujo, The Dark Half, IT and Needful Things, as well as novella The Body and numerous short stories such as Rita Hayworth and The Shawshank Redemption are either set there or contain references to Castle Rock.
Castle Rock is an original suspense/thriller — a first-of-its-kind reimagining that explores the themes and worlds uniting the entire King canon, while brushing up against some of his most iconic and beloved stories.