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‘The Walking Dead’ Season 7 Episode 9 Recap and Review: Rock in the Road

Walking Dead Season 7 Episode 9
Sonequa Martin-Green as Sasha Williams, Andrew Lincoln as Rick Grimes, Danai Gurira as Michonne, and Chandler Riggs as Carl Grimes in ‘The Walking Dead’ Season 7, Episode 9 (Photo Credit: Gene Page/AMC)

“You know, Richard, I’ve never seen you smile. I think that’s going to change today,” says Jesus (Tom Payne) to Richard (Karl Makinen) as he escorts Rick (Andrew Lincoln), Michonne (Danai Gurira), Carl (Chandler Riggs), and a handful of other Alexandrians to see King Ezekiel (Khary Payton) in hopes of getting the Kingdom to fight the Saviors in AMC’s horror/drama series, The Walking Dead.

As season seven episode nine begins, Father Gabriel (Seth Gilliam) is at his guard post while the town of Alexandria sleeps. Leaving the post, Gabriel enters the storeroom and takes all the canned goods, along with knives and axes, and loads them into the trunk of a car. After gassing up, he drives off into the night unseen and unheard. But who is the second person whose shadow pops up inside the car as Father Gabriel drives away?

Over at the Hilltop enclosure, Rick, Maggie (Lauren Cohan), Daryl (Norman Reedus), Carl, and the others are trying to convince Gregory (Xander Berkeley) to allow his Hilltop people to join the fight. Gregory wants no part of it, closing the meeting by saying, “I wanna thank you all for not being here today,” instructing them to leave the back way. On their way out, they’re met by a small group of citizens from Hilltop who tell Rick they heard from Enid (Katelyn Nacon) that he plans to fight the Saviors and they want in. Carl looks at Enid and smiles and she just shrugs her shoulders. Rick and the rest are quick to realize that even with the help of some of the Hilltop residents, it won’t be enough to beat the Saviors. This is when Jesus says he thinks it’s time he introduced them to King Ezekiel.

They arrive at The Kingdom and after Jesus vouches for them, the Alexandrians are escorted in by Richard. Tara (Alanna Masterson) spots Morgan (Lennie James) and then the rest of Rick’s group sees their old friend, hugging him and asking about Carol (Melissa McBride). Morgan brings Rick and Daryl up to speed about what they went through and how Morgan had to kill a Savior to protect her. He tells Rick and Daryl that she was shot and doctors at The Kingdom fixed her up. She left after healing, but Morgan doesn’t tell Rick and Daryl that she’s living in a house right on the outskirts of town. (It seems Morgan has learned to respect Carol’s decision to be a hermit, at least for now.)

Rick and his group are granted an audience with King Ezekiel who’s a bit upset with Jesus about telling Rick and his group about the deal he made with the Saviors. Ezekiel reveals that most of his people don’t know about it. In trying to convince Ezekiel to team up and fight the Saviors, Rick and Tara say that they’ve lost good people of their own at the hands of Negan (Jeffrey Dean Morgan), and Morgan, surprised, asks who. They tell him about Abraham and Glenn being beaten to death by Negan. Richard speaks up and tells Ezekiel they should join Rick, declaring the time to fight is now.

Ezekiel turns to Morgan and asks what he thinks and being the pacifist he is, Morgan points out that many will die in the fight on both sides and perhaps there could be another way. He suggests trying to capture Negan. Ezekiel invites Rick and his friends to supper and to stay the night. He tells them he will give them his decision in the morning.

Out in the nearby woods, Benjamin (Logan Miller) comes across Carol while he’s practicing to be a hunter. He offers Carol some extra food and water he always carries with him in case someone needs it. She asks why. “There aren’t many of us left. We should help each other,” replies the young man. (NOTE: Benjamin is decent and kind, and usually a character with those attributes doesn’t live long in this show.) As he turns to leave, Carol tells him to heel-toe it from now on because she heard him coming a mile away.

Later that evening, King Ezekiel asks Benjamin why he missed supper and he tells him he saw Carol in the woods. Ezekiel asks if she looked well and he says she does. Benjamin tells Ezekiel they should join Rick and fight, saying that he could see it in their eyes that Rick and his people will fight regardless and probably won’t win without their help. If Rick does win, they will be free from the Saviors and have done nothing to have earned it. Ezekiel thanks Benjamin for his opinion and says good night.

The Walking Dead season 7 episode 9
Khary Payton as Ezekiel and Andrew Lincoln as Rick Grimes in ‘The Walking Dead’ (Photo Credit: Gene Page/AMC)

The next morning, King Ezekiel informs Rick and his people that originally he wanted to expand The Kingdom and make more towns like it but it came at a heavy price and he won’t put his people into harm’s way unless there is no other option. He tells them he will honor the peace he has created with The Saviors, but he will let Daryl stay with them and he can use The Kingdom as a sanctuary from the Saviors. “They do not enter here,” says the King. “How long do you think that’s going to last?” answers back a disgusted Daryl.

Frustrated but seeing this as just the first step in a negotiation, Rick tells Daryl he needs to stay for his own and Alexandria’s safety. He also suggests Daryl work on trying to bring Ezekiel around. “Stare him down if you need to,” says Rick, which actually produces a smile from Daryl.

Back on the road, the gang comes across a roadblock of cars and once past it they discover a steel cable hooked up with TNT and other explosives. Realizing they will need the explosives in their upcoming fight with Negan, Rosita (Christian Serratos) manages to defuse the main trigger. The rest of the group work to free the explosives from the wire without them going off. Jesus has one of the Savior’s walkie-talkies and they hear that Negan has discovered Fat Joey is dead and Daryl is missing.

Negan tells his people to go to Alexandria to see if Daryl is there, which means Rick and his group need to return to Alexandria as quickly as possible. But that’s not the only urgent matter needing Rick’s group’s attention. A huge herd of walkers are headed their way. No doubt this is the herd the explosive trap was set to take out originally.

Rick and Michonne use the steel cable to cut down a good portion of oncoming zombies by stretching it between two cars and driving fast toward and through part of the herd. Tara, Rosita, and company finish gathering the explosives, move the cars back in place, and race over to pick up Rick and Michonne who are almost overtaken by the remainder of the herd. As they race back to Alexandria, Michonne whispers to Rick, “We’re the ones who’ll live.”

Rick and company make it back to Alexandria just ahead of Simon (Steven Ogg) and his group of Saviors. When Simon asks about Daryl, they pretend not to know he escaped and claim he isn’t hiding out in Alexandria. Simon and his group look all over Alexandria, unnecessarily destroying rooms but they don’t find Daryl who is, thankfully, hiding out at The Kingdom. Simon tells Rick he appreciates the cooperation and to remember if Daryl comes back in two days or two years there is no statute of limitations to his death sentence. During the search, the Alexandrians discover all of their supplies are missing. They find Gabriel’s Bible on the floor of the supply room, and Rick’s informed Gabriel left during the night and must have taken the supplies with him. Tara and Rosita are upset, believing Gabriel stole and ran out on them but Rick suspects something else.

Glancing through the supply log, Rick discovers Gabriel wrote the word “Boat” on the back page. He thinks Father Gabriel took the supplies to the houseboat he and Aaron (Ross Marquand) came across days before. Rick, Michonne, Tara, Rosita, and Aaron head out to track Gabriel to the boat, but on their way there they’re caught by surprise by a new group of survivors. This well-armed group surrounds Rick and his people, holding them at gunpoint. Rick looks at them and smiles.

The Walking Dead season 7 episode 9 review:

The Walking Dead returned from its winter break with a suspenseful, engaging episode titled ‘Rock in the Road.’ Episode nine brought the apocalyptic series back with new energy and purpose, focusing on Rick and his crew trying to create alliances with the other communities in order to take on and hopefully defeat Negan and his thugs.

The highlight of the episode was without a doubt the scene where Rick and his small group come across the roadblock. The slow build of tension as they try to take the explosives off the steel cable as the large herd of walkers approaches while realizing they need to beat the Saviors back to Alexandria is superbly done and had this critic on the edge of his seat. Bravo!

With Daryl safe for the moment at The Kingdom and Rick and his group now held captive by a new community, here’s hoping that both Daryl and Rick can get The Kingdom and this new group to join them in their upcoming battle against Negan and his Saviors.

GRADE: B




‘Riverdale’ Season 1 Episode 4 Preview: Last Picture Show Photos and Trailer

The CW’s Riverdale isn’t playing around, with the series getting darker each episode. The dramatic series based on the Archie Comics hasn’t quite settled on a tone to adapt for the season, but the writers should be applauded for not shying away from difficult and timely subject matter. Plus, Riverdale‘s becoming a must-see just to check out the relationship developing between Lili Reinhart as Betty and Camila Mendes as Veronica.

Episode four titled ‘The Last Picture Show’ will air on February 16, 2017. Mark Piznarski directed the episode from a script by Michael Grassi. The Riverdale cast includes KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, Cole Sprouse as Jughead Jones, Madelaine Petsch as Cheryl Blossom, Marisol Nichols as Hermione Lodge, Mӓdchen Amick as Alice Cooper, Luke Perry as Fred Andrews, and Ashleigh Murray as Josie McCoy.

The ‘Chapter Four: The Last Picture Show’ Plot: HOLDING ON — When Jughead (Sprouse) learns that an anonymous buyer has plans to tear down the local drive-in, he fights desperately to keep it open. Betty (Reinhart) finds her friendship with Archie on the line after stumbling upon some startling information she’s uncovered about Miss Grundy’s (guest star Sarah Habel) past. Elsewhere, Veronica (Mendes) confronts her mother Hermoine (Nichols) about a suspicious meeting she witnessed between her mother and a shady Southside Serpent. Finally, after uncovering Betty’s diary, Alice (Amick) finds the perfect opportunity to destroy Archie’s golden boy image.

Riverdale Episode 4
Luke Perry as Fred Andrews and KJ Apa as Archie Andrews in ‘Riverdale’ (Photo: Dean Buscher © 2017 The CW Network)
Riverdale Episode 4
Luke Perry as Fred Andrews in ‘Riverdale’ (Photo: Diyah Pera © 2017 The CW Network)
Riverdale Episode 4
Lili Reinhart as Betty Cooper and KJ Apa as Archie Andrews in ‘Riverdale’ (Photo: Dean Buscher © 2017 The CW Network)
Riverdale Episode 4
Cole Sprouse as Jughead Jones in ‘Riverdale’ (Photo: Dean Buscher © 2017 The CW Network)
Riverdale Episode 4
Luke Perry as Fred Andrews and KJ Apa as Archie Andrews in ‘Riverdale’ (Photo: Dean Buscher © 2017 The CW Network)
Riverdale Episode 4
Martin Cummins as Sheriff Keller, Madchen Amick as Alice Cooper, Lili Reinhart as Betty Cooper, and Lochlyn Munro as Hal Cooper in ‘Riverdale’ (Photo: Dean Buscher © 2017 The CW Network)




2017 BAFTA Award Winners: ‘La La Land’ Earns 5 Awards

La La Land Movie Stars Emma Stone and Ryan Gosling
Emma Stone and Ryan Gosling star in ‘La La Land’ (Photo Credit: Dale Robinette)

The romantic musical La La Land proved to be the big winner at the 2017 BAFTA Awards held on February 12, 2017 at the Royal Albert Hall in London. The 2017 EE British Academy Film Awards recognized the best in films for 2016 and were hosted by Stephen Fry. This year’s award show also paid tribute to the outstanding career of Mel Brooks.


OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
CURZON

BEST FILM
ARRIVAL Dan Levine, Shawn Levy, David Linde, Aaron Ryder
I, DANIEL BLAKE Rebecca O’Brien
WINNER: LA LA LAND Fred Berger, Jordan Horowitz, Marc Platt
MANCHESTER BY THE SEA Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, Kevin J. Walsh
MOONLIGHT Dede Gardner, Jeremy Kleiner, Adele Romanski

OUTSTANDING BRITISH FILM
AMERICAN HONEY Andrea Arnold, Lars Knudsen, Pouya Shahbazian, Jay Van Hoy
DENIAL Mick Jackson, Gary Foster, Russ Krasnoff, David Hare
FANTASTIC BEASTS AND WHERE TO FIND THEM David Yates, David Heyman, Steve Kloves, J.K. Rowling, Lionel Wigram
WINNER: I, DANIEL BLAKE Ken Loach, Rebecca O’Brien, Paul Laverty
NOTES ON BLINDNESS Peter Middleton, James Spinney, Mike Brett, Jo-Jo Ellison, Steve Jamison
UNDER THE SHADOW Babak Anvari, Emily Leo, Oliver Roskill, Lucan Toh

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
The Girl With All the Gifts: MIKE CAREY (Writer), CAMILLE GATIN (Producer)
The Hard Stop: GEORGE AMPONSAH (Writer/Director/Producer), DIONNE WALKER (Writer/Producer)
Notes on Blindness: PETER MIDDLETON (Writer/Director/Producer), JAMES SPINNEY (Writer/Director/Producer), JO-JO ELLISON (Producer)
The Pass: JOHN DONNELLY (Writer), BEN A. WILLIAMS (Director)
WINNER: Under the Shadow: BABAK ANVARI (Writer/Director), EMILY LEO, OLIVER ROSKILL, LUCAN TOH (Producers)

FILM NOT IN THE ENGLISH LANGUAGE
DHEEPAN Jacques Audiard, Pascal Caucheteux
JULIETA Pedro Almodóvar, Agustín Almodóvar
MUSTANG Deniz Gamze Ergüven, Charles Gillibert
WINNER: SON OF SAUL László Nemes, Gábor Sipos
TONI ERDMANN Maren Ade, Janine Jackowski

DOCUMENTARY
WINNER: 13th Ava DuVernay, Spencer Averick, Howard Barish
THE BEATLES: EIGHT DAYS A WEEK- THE TOURING YEARS Ron Howard, Brian Grazer, Scott Pascucci, Nigel Sinclair
THE EAGLE HUNTRESS Otto Bell, Stacey Reiss
NOTES ON BLINDNESS Peter Middleton, James Spinney
WEINER Josh Kriegman, Elyse Steinberg

ANIMATED FILM
FINDING DORY Andrew Stanton
WINNER: KUBO AND THE TWO STRINGS Travis Knight
MOANA Ron Clements, John Musker
ZOOTROPOLIS Byron Howard, Rich Moore

DIRECTOR
ARRIVAL Denis Villeneuve
I, DANIEL BLAKE Ken Loach
WINNER: LA LA LAND Damien Chazelle
MANCHESTER BY THE SEA Kenneth Lonergan
NOCTURNAL ANIMALS Tom Ford

ORIGINAL SCREENPLAY
HELL OR HIGH WATER Taylor Sheridan
I, DANIEL BLAKE Paul Laverty
LA LA LAND Damien Chazelle
WINNER: MANCHESTER BY THE SEA Kenneth Lonergan
MOONLIGHT Barry Jenkins

ADAPTED SCREENPLAY
ARRIVAL Eric Heisserer
HACKSAW RIDGE Andrew Knight, Robert Schenkkan
HIDDEN FIGURES Theodore Melfi, Allison Schroeder
WINNER: LION Luke Davies
NOCTURNAL ANIMALS Tom Ford

LEADING ACTOR
ANDREW GARFIELD Hacksaw Ridge
WINNER: CASEY AFFLECK Manchester by the Sea
JAKE GYLLENHAAL Nocturnal Animals
RYAN GOSLING La La Land
VIGGO MORTENSEN Captain Fantastic

LEADING ACTRESS
AMY ADAMS Arrival
EMILY BLUNT The Girl on the Train
WINNER: EMMA STONE La La Land
MERYL STREEP Florence Foster Jenkins
NATALIE PORTMAN Jackie

SUPPORTING ACTOR
AARON TAYLOR-JOHNSON Nocturnal Animals
WINNER: DEV PATEL Lion
HUGH GRANT Florence Foster Jenkins
JEFF BRIDGES Hell or High Water
MAHERSHALA ALI Moonlight

SUPPORTING ACTRESS
HAYLEY SQUIRES I, Daniel Blake
MICHELLE WILLIAMS Manchester by the Sea
NAOMIE HARRIS Moonlight
NICOLE KIDMAN Lion
WINNER: VIOLA DAVIS Fences

ORIGINAL MUSIC
ARRIVAL Jóhann Jóhannsson
JACKIE Mica Levi
WINNER: LA LA LAND Justin Hurwitz
LION Dustin O’Halloran, Hauschka
NOCTURNAL ANIMALS Abel Korzeniowski

CINEMATOGRAPHY
ARRIVAL Bradford Young
HELL OR HIGH WATER Giles Nuttgens
WINNER: LA LA LAND Linus Sandgren
LION Greig Fraser
NOCTURNAL ANIMALS Seamus McGarvey

EDITING
ARRIVAL Joe Walker
WINNER: HACKSAW RIDGE John Gilbert
LA LA LAND Tom Cross
MANCHESTER BY THE SEA Jennifer Lame
NOCTURNAL ANIMALS Joan Sobel

PRODUCTION DESIGN
DOCTOR STRANGE Charles Wood, John Bush
WINNER: FANTASTIC BEASTS AND WHERE TO FIND THEM Stuart Craig, Anna Pinnock
HAIL, CAESAR! Jess Gonchor, Nancy Haigh
LA LA LAND David Wasco, Sandy Reynolds-Wasco
NOCTURNAL ANIMALS Shane Valentino, Meg Everist

COSTUME DESIGN
ALLIED Joanna Johnston
FANTASTIC BEASTS AND WHERE TO FIND THEM Colleen Atwood
FLORENCE FOSTER JENKINS Consolata Boyle
WINNER: JACKIE Madeline Fontaine
LA LA LAND Mary Zophres

MAKE UP & HAIR
DOCTOR STRANGE Jeremy Woodhead
WINNER: FLORENCE FOSTER JENKINS J. Roy Helland, Daniel Phillips
HACKSAW RIDGE Shane Thomas
NOCTURNAL ANIMALS Donald Mowat, Yolanda Toussieng
ROGUE ONE: A STAR WARS STORY Amanda Knight, Neal Scanlan, Lisa Tomblin

SOUND
WINNER: ARRIVAL Sylvain Bellemare, Claude La Haye, Bernard Gariépy Strobl
DEEPWATER HORIZON Dror Mohar, Mike Prestwood Smith, Wylie Stateman, Renee Tondelli, David Wyman
FANTASTIC BEASTS AND WHERE TO FIND THEM Niv Adiri, Glenn Freemantle, Simon Hayes, Andy Nelson, Ian Tapp
HACKSAW RIDGE Peter Grace, Robert Mackenzie, Kevin O’Connell, Andy Wright
LA LA LAND Mildred Iatrou Morgan, Ai-Ling Lee, Steve A. Morrow, Andy Nelson

SPECIAL VISUAL EFFECTS
ARRIVAL Louis Morin
DOCTOR STRANGE Richard Bluff, Stephane Ceretti, Paul Corbould, Jonathan Fawkner
FANTASTIC BEASTS AND WHERE TO FIND THEM Tim Burke, Pablo Grillo, Christian Manz, David Watkins
WINNER: THE JUNGLE BOOK Robert Legato, Dan Lemmon, Andrew R. Jones, Adam Valdez
ROGUE ONE: A STAR WARS STORY Neil Corbould, Hal Hickel, Mohen Leo, John Knoll, Nigel Sumner

BRITISH SHORT ANIMATION
THE ALAN DIMENSION Jac Clinch, Jonathan Harbottle, Millie Marsh
WINNER: A LOVE STORY Khaled Gad, Anushka Kishani Naanayakkara, Elena Ruscombe-King
TOUGH Jennifer Zheng

BRITISH SHORT FILM
CONSUMED Richard John Seymour
WINNER: HOME Shpat Deda, Afolabi Kuti, Daniel Mulloy, Scott O’Donnell
MOUTH OF HELL Bart Gavigan, Samir Mehanovic, Ailie Smith, Michael Wilson
THE PARTY Farah Abushwesha, Emmet Fleming, Andrea Harkin, Conor MacNeill
STANDBY Jack Hannon, Charlotte Regan

EE RISING STAR AWARD (voted for by the public)
ANYA TAYLOR-JOY
LAIA COSTA
LUCAS HEDGES
RUTH NEGGA
WINNER: TOM HOLLAND




‘Emerald City’ Season 1 Episode 7 Recap: They Came First

Emerald City Episode 7
Oliver Jackson Cohen as Lucas, Rebeka Rea as Sylvie, and Adria Arjona as Dorothy in ‘Emerald City’ (Photo by David Lukacs/NBC)

Prepare yourself for heartbreak as NBC’s Emerald City‘s season one episode seven delivers a blow to Dorothy and Lucas’ budding relationship. The February 10, 2017 episode kicks off with the Wizard’s guards searching the city for young girls who could be witches. Eamonn (Mido Hamada) announces there’s a plague carried by girls that could ravage the city, telling the parents their children are being taken to be examined. The Wizard (Vincent D’Onofrio) wants to make sure there’s no possibility of a witch hiding out in Emerald City, and he doesn’t care if the search scares the town’s inhabitants. However, he hasn’t decided what he’s going to do with Glinda’s people who make up the High Council.

Lucas (Oliver Jackson-Cohen), Dorothy (Adria Arjona), and Sylvie (Rebeka Rae) take a break to stretch their legs, and Lucas seems genuinely happy now that he knows his past. Dorothy reminds him he’s sworn to serve Glinda, and Lucas points out she’s protected by the Wizard. Dorothy doesn’t think the Wizard’s all that bad, and Lucas can’t figure out why the Wizard’s guards aren’t pursuing them.

Lady Ev (Stefanie Martini) and Jack (Gerran Howell) travel home, and it’s obvious Lady Ev is missing her father and angry he was murdered. Jack says he’s sorry for her loss and Lady Ev takes her anger out on him, taunting him about Tip. They continue to argue, although Jack truly is trying to be kind and sympathetic. She kicks him out of the carriage, and Lady Ev and her men ride on without him. After they’ve gone, Jack realizes he’s been left on the edge of the Screaming Forest.

Lucas thinks they’ll make it to a cottage where they can spend the night by dark. From a distance, they hear Toto barking and realize Sylvie is not close by. Calling out, they run toward Toto and Dorothy sees Sylvie lying in a field unaware of approaching wolves because she has her earplugs in. Dorothy screams in panic and her gauntlets appear. A force emerges from them that scatters the wolves.

Back on the road, Dorothy cradles Sylvie and asks Lucas why the witches would have tampered with her hearing. He thinks maybe it was done to protect her, and Lucas seems pleased the gauntlets are now becoming part of Dorothy since she can control them.

Lucas checks out the cottage to make sure it’s safe while Dorothy spots a scarecrow nearby in the field. She suggests a game with Sylvie while they wait for Lucas to finish the inspection, asking Sylvie to point out things as she names them. Dorothy asks if she can hear the birds but Sylvie can’t, and Dorothy wants to remove the plugs from her ears. Sylvie reluctantly agrees and the sounds flood in, with Dorothy suggesting she focus on just the sound of the dove. Sylvie does and the rush of sounds calms down. Lucas watches all this from the front porch and then asks Dorothy if they can have a talk. He warns her she’s going to have to give Sylvie up and doesn’t want her to get hurt.

The Wizard pays a visit to West’s place where she’s high on drugs and in no shape for a visitor. The Wizard needs her to point out which of the young girls is a witch, and West (Ana Ularu) immediately responds by telling him she won’t kill the girls for him. The Wizard says she doesn’t have to and he’s not going to either; only Glinda kills witches. West refuses to help the Wizard or Glinda, and he reminds her Glinda hid her mother and built an army of witches. The Wizard believes Glinda will sacrifice the girls but he swears he wants to help West save them. West asks if she can have them and wants a promise he’ll protect them, and the Wizard gives her his word.

Dorothy makes dinner while Lucas stares out the window. Dorothy joins him and says she doesn’t want to give up Sylvie to Glinda. Lucas is firm in his belief she has to, but Dorothy suggests they keep her from Glinda. Lucas is confused about which side Dorothy is on.

Back in Emerald City, West says none of the children the Wizard’s guards have rounded up are witches.

The Wizard’s guards continue looking for more children in the city. Two guards track down a girl who’s been running from them, but before they can grab her she floats in the air, screams, and the building explodes in flames around them.

Jack slowly makes his way through the Screaming Forest which very much lives up to its name. He’s starting to rust and yells for help.

Dorothy puts Sylvie to bed and the child asks if Dorothy has a mother. She talks about her Aunt Em and Sylvie says she also has a mother. Dorothy gives her a good night kiss and joins Lucas back at the window. He says he’ll take first watch and then Dorothy reveals the Wizard’s guards will never come after them. She confesses she made a deal with the Wizard. Lucas is upset she lied to him and Dorothy warns him if he fights for Glinda, then they are not on the same side. Lucas takes her face in his hands and says, “There’s only one person I fight for since the moment we met. And you for me.” She kisses his hand and then they kiss.

Eamonn and the Wizard watch the fire rage at the house destroyed by the young witch, and since the child is dead the Wizard doesn’t think he needs West anymore. West tells him he’s wrong and heads into the fire, retrieving the girl who is unharmed by the flames. The Wizard has his guards clear the area and commands his men put the girl in the carriage. West tries to keep the girl safe but when the Wizard orders his men to grab the child, the child runs and is caught in a flaming pit. West goes with the Wizard after he tells her the townsfolk will rip her to shreds if she stays. She doesn’t want to leave the girl but is forced to as the Wizard’s guards close the palace’s gates behind them.

West confides in Tip that the death of the other witches was her fault. She took away their fear, giving them milk of the poppy and then sending them out to fight. They didn’t return because of her.

Night is falling and Jack is still stuck in the forest. A horse approaches and it’s Lady Ev with an oil can. He’s leery of her motivations but agrees to let her oil him so he can finally move again.

Dorothy and Lucas wake up in each other’s arms, and he asks her what they should do next. They kiss and Lucas says maybe they can just stay in this cottage taking care of each other. “Screw the witches and damn the Beast.” Dorothy admits she’s never been this happy, but Lucas doesn’t understand why she’s not smiling. She says she’s going home soon, if she can convince Glinda not to go to war with the Wizard. If she convinces Glinda, then the Wizard will send her home. Lucas can’t believe she made a deal with the Wizard and demands to know how she could have let either he or Sylvie love her when she knew she was leaving. He’s angry, and Dorothy says she knew Lucas would keep Sylvie safe.

Dorothy gets up and starts getting dressed, determined to leave by herself to go face Glinda. Dorothy doesn’t want Sylvie to fight a war and says she’ll do whatever it takes to stop Glinda. Lucas tells her he knows she’s afraid of him leaving her because her mother did. He asks if she’s running away and leaving them to lose her just like Em and Henry, and Dorothy answers, “I have to go back. I’m sorry, but they came first.” (I’ve got to say this is an incredibly heartbreaking scene well played by Adria Arjona and Oliver Jackson-Cohen.)

Dorothy tries to leave but the front door is locked. Then suddenly the house turns upside with them trapped inside. It ends up on its side and when they go to check on Sylvie, her eyes are pitch black and she’s vibrating. Dorothy knows Sylvie did this to stop her from leaving because she heard them fighting. Dorothy asks if she wants to go to Kansas and Sylvie nods her head yes. “It’s not running away if you come too,” she says to Lucas. He seems to agree, telling Sylvie, “I’m man of the house, aren’t I?”

Emerald City episode 7
Gerran Howell as Jack and Stefanie Martini as Lady Ev in ‘Emerald City’ (Photo by David Lukacs/NBC)

Lady Ev and Jack return home and she takes him to her father’s suite which is now hers. She tells Jack she used to play with her father’s crown but she never wanted to rule the kingdom. As he turns to leave the room, Lady Ev asks him to stay (even saying please). She reveals only her father saw her true face, but now she’s willing to let Jack see it. He stops her, telling her she doesn’t have to do that. “I do see you,” he says before kissing her passionately on the lips.

The Wizard gathers his people and confesses he lied to them about their daughters. He apologizes and then lets the children free to return to their parents. The Wizard explains he thought he could control magic but now realizes it must be extinguished. He then lies and tells them his High Council gave their lives “trying to apprehend this threat” when in reality his guards killed them all. The Wizard declares witches are the Beast Forever. Tip hears this and visits the pit where the young girl witch and the members of the High Council were sent to their deaths.

It turns out the young witch actually didn’t die in the pit but she’s close to death, and in a peaceful field West and Tip send her to her death. West does it by pulling the life from her and after she’s gone, the witch finally notices Tip clutching a golden, bejeweled cane-type item. Tip says she took it from the place where she grew up and West recognizes it as King Pastoria’s and it was passed down to his daughter, Princess Ozma.

Dorothy, Lucas, and Sylvie arrive at Glinda’s palace, and Dorothy thinks she can use her gauntlets to kill Glinda if necessary. They enter the sparkling white palace which initially appears devoid of life, and the door transforms into a wall behind them. A woman meets them and says Dorothy isn’t allowed, but then Glinda (Joely Richardson) arrives and stops Lucas from using his sword to protect Dorothy. Glinda thanks Dorothy for returning Sylvie and Roan to her, calling them two very important people. Dorothy begs to differ, saying she’s not returning them and that they volunteered to come.

Glinda approaches Roan, kisses him on the lips and something changes. He seems to have new memories (or is under a spell) and he kisses Glinda passionately, completely ignoring Dorothy. When she says, ‘Lucas…,’ he tells her that’s not his name. Glinda’s followers enter the room as Roan says, “I return to our fight against the Wizard.” Dorothy stares at him, completely devastated. He asks Glinda for clemency for Dorothy, saying she’s a healer who spared his life. He then tells Glinda Dorothy was sent by the Wizard to kill her. He throws back Dorothy’s words at her, saying, “Sorry, Dorothy, they came first.”




‘Grimm’ Season 6 Episode 6 Recap: Breakfast in Bed

Grimm Season 6 Episode 6
Russell Hornsby as Hank Griffin, David Giuntoli as Nick Burkhardt, and Reggie Lee as Sergeant Wu in ‘Grimm’ (Photo by Allyson Riggs/NBC)

NBC’s Grimm introduces another freaky Wesen of the Week in season six episode six airing on February 10, 2017. This week’s Wesen feeds off of sleeping people, driving some of its victims insane and others to kill or commit suicide. The episode titled ‘Breakfast in Bed’ begins with a hotel guest named Dan being berated for making too much noise. He locks himself in his room and dumps out a bag full of chains. He then places the chains strategically over the windows so no one can get in and slips into bed after making sure nothing’s creeping around in the closet. Dan falls asleep with the hammer clenched in his fist only to wake up with a monster with rows and rows of fluorescent green teeth lowering itself onto his bed.

Meanwhile, Nick (David Giuntoli) is at home creeping around the tunnels and taking pictures of the symbols. Eve (Bitsie Tulloch), who is now Nick and Adalind’s houseguest, follows him down and says she doesn’t know why she had to keep drawing the symbols. They know it’s related to the stick, but they can’t figure out the answer to its powers.

Dan wakes up, screams, and flips his hotel bed over. He leaves the room, hugging himself and saying, “It’s impossible!” He wanders the streets talking to himself and when a stranger asks if he needs help, Dan attacks him, mistakenly believing he’s the monster who visits him at night.

Over at the spice shop, Eve, Rosalee (Bree Turner), Monroe (Silas Weir Mitchell), and Nick go over the photos of the symbols from the tunnel’s walls. They think it’s a mix of languages, but then Monroe points to one photo and says it’s a cluster of seven stars associated with times of mourning. Seven stars…seven Grimm crusaders…seven keys… They now have one symbol they recognize and Eve says it’s a start.

Once at the station, Nick shows Hank (Russell Hornsby) the photos of Eve’s drawings from the tunnels. Wu (Reggie Lee) calls and tells them to head to the location where Dan smashed the good Samaritan’s head into the ground.

Wu describes what went down, explaining Michael was trying to help Dan when Dan turned on him and killed him. Dan escaped and has just been spotted at the Englewood Hotel, four blocks away. They head over, the hotel clerk gives them Dan’s room number, and they hear hammering from inside the room because Dan’s pounding nails into the door. He says he can’t let them in because “it” will kill him. An officer breaks down the door and Nick puts Dan in handcuffs while Dan screams, “You can’t hide from him! He finds you wherever you are!” Hank hopes it’s just a mental problem, but Nick examines the chains over the window, looking for a reason why Dan was frightened.

Hank and Nick question the hotel manager who says Dan’s stayed there for two months and has gotten increasingly weirder. They let him know Dan nailed shut the windows and doors, and Nick asks if the man in the wheelchair who was sitting in the hall a few doors down from Dan’s room had any contact with him. The clerk says that man doesn’t talk and has been there forever.

Renard (Sasha Roiz) arrives in his office and when he hears a noise, he believes it’s Meisner. It’s not; it’s another man who enters Renard’s office to discuss Bonaparte’s death and the end of his political aspirations. They discuss the Grimm and this stranger explains he’s there to “clean up” Renard’s mistakes. He wants everyone dead and Renard assures him Nick should be dead, but he has something powerful protecting him. Renard says he’s done with Black Claw and shows the man out of his office.

Eve, Monroe, and Rosalee continue to try and decipher the symbols. They think it might be a map of the universe – a chart of the stars. Eve comes up with the idea that it might be an ancient calendar.

Nick and Hank check out Dan’s history and he doesn’t really have a criminal record. They determine he doesn’t have a history of violence either and he didn’t know his victim. He was really scared someone would break into his room, and Nick thinks Dan encountered a Wesen and cracked because he doesn’t a history of mental problems.

They interrogate Dan and he reveals he’s afraid of sleeping because something gets to him. He doesn’t know what it is, but it paralyzes him. It’s huge, has disgusting breath, and a big mouth. He has a vision of it and starts screaming again, lashing out at Hank and Nick. Hank punches him and knocks him out.

Monroe thinks a symbol is part of the Sumerian calendar while Rosalee thinks she’s found a piece of the Mayan calendar. They are different cultures and 3,000 years apart, which is bizarre. Nick and Hank arrive and Eve tells them they think it’s an ancient calendar. Eve wonders if it’s pointing to an event a long time ago, but Nick tells them what he really needs right now is to figure out what Wesen attacked Dan. They describe it and Rosalee and Monroe think it’s an Alp from German folklore. The Alp get inside your head and feed on your sleep, but the victims go crazy if the Alp feeds too many times. The Wesen could be anyone who has access to the rooms in the hotel.

Back at the station, Hank and Nick try and figure out how the Alp got into Dan’s room. It appears the hotel has a history of murders and suicides, and the Alp could have been hanging out there for decades. They remember the old man in the wheelchair and the manager saying he’d been living there a long time. Just then Wu shows up with info on the hotel’s owner who currently lives in Los Angeles. They give her a call and ask about two of her employees, and she claims not to have had any problems with them. They ask about the previous violent incidents and she’s no help at all. They’re once again left wondering how the Alp made it into the room after Dan completely sealed it for the night.

That night another hotel guest is attacked.

Grimm Season 6 Episode 6
Damien Puckler as Meisner and Sasha Roiz as Sean Renard (Photo by: Allyson Riggs/NBC)

Meanwhile at the station, Meisner continues to bug Renard, warning him to stop talking to him out loud or people will think he’s crazy. Meisner tells Renard there are two men by his car waiting to kill him and asks if he trusts him. Renard apparently does and Meisner blinds the men so Renard can shoot them. Meisner tells him he chose the right side this time, walks away, and waves goodbye.

The new victim at the hotel wakes up and freaks out. She stumbles down the hall and then falls down the stairs and dies. Wu, Hank, and Nick investigate and wonder why she’s dressed in her pajamas if she was heading out. She’d been staying there for three months, and when they check out her room, they see the old man in the wheelchair in the hall. Her windows are locked and her bedding is on the floor, but there isn’t any sign of struggle. Nick and Hank try and figure out how the Alp got in but can’t.

Hank and Nick approach Monroe about a sting operation, using Monroe as bait. He agrees, reluctantly, saying it’s payback for the Alp who made his aunt lose her mind. Monroe assures a worried Rosalee that Nick and Hank will rescue him as soon as the Alp shows up. They promise they’ll be monitoring him and won’t let anything happen.

Monroe checks into the hotel, heads up to his room and sets up the camera. He’s wired for sound and ready to go, falling asleep almost as soon as his head hits the pillow thanks to a shot of Melatonin. Nothing happens for a while but then the camera moves and Hank and Nick race over to the hotel. The Alp paralyzes Monroe while Nick and Hank break the hotel’s front door. The Alp hears the door’s glass break and stops right before he sucks Monroe’s face. By the time they get to Monroe’s room, the Alp is gone, but Monroe is still paralyzed.

Nick and Hank figure out the dresser where Monroe placed the camera is hollow and when they rip it away from the wall, they discover a passageway. Monroe can’t move his mouth but yells at them anyway as Nick and Hank head into the passageway to chase the Alp. They catch up with the hotel manager who woges into a Hundjäger and a two-on-one fight breaks out. Hank and Nick take him out and Monroe arrives, finally able to move, and says he didn’t see a Hundjäger. He was definitely attacked by an Alp.

They look for another passageway and find one behind the manager’s dresser. They emerge in what seems to be an upscale home where a woman threatens to call the police. The woman turns out to be the owner of the hotel who they assumed, based on her area code, lived in Los Angeles. She woges and is definitely an Alp, but she thinks Nick can’t charge her with anything because she didn’t actually kill anyone.

Nick gives her two choices. One, sell the hotel, give the proceeds to a homeless shelter, and leave Portland forever. Two, he’s a Grimm so he can just take her out since no one will lose sleep over one less Alp in the world. She agrees to option one but then woges and attacks Nick, and he easily pushes her into a table where she hits her head and dies. So much for option one after all!

Inside the hotel, the man in the wheelchair begins maniacally cackling and woges into some weird red-faced fish thing.

Rosalee and Eve work on calculating dates based on planet positions. They match up the drawing on the cloth with the planets and discover it matches a date in the near future. March 24, 2017, to be exact. It’s a calendar for some event that hasn’t happened yet. (Grimm‘s final episode is supposed to air on March 31, 2017.)




‘Avengers: Infinity War’ Video: Spider-Man and Guardians Join the Fight

Avengers: Infinity War

Marvel’s first look at the much anticipated Avengers: Infinity War confirms Spider-Man (played by Tom Holland) and the Guardians of the Galaxy crew (represented by Chris Pratt in the video) are uniting with the established Avengers team. The three and a half minute video features Robert Downey Jr (Iron Man), Chris Pratt (Star-Lord), and Tom Holland talking about the film on day one of the shoot, as well as interviews with directors Joe and Anthony Russo.

“The most exciting part is the incredible roster of well developed characters, and it’s going to create a really combustible, exciting, massive scale adventure,” says Joe Russo.

President of Marvel Studios Kevin Feige is also included in the first video talking about the plot and the importance of having Thanos as the major villain. They’ve been setting up the showdown since Avengers 1. “Avengers: Infinity War is the culmination of the entire Marvel Cinematic Universe as started in May of 2008 with the release of Iron Man 1,” explained Feige. “And it really is an unprecedented culmination of a series of films interlinked together which at the time had never been done before.”

Marvel and Disney are releasing Avengers: Infinity War in theaters on May 4, 2018.




Lin-Manuel Miranda, Justin Timberlake, and John Legend to Perform at the Oscars

Lin-Manuel Miranda
Lin-Manuel Miranda visits ‘Good Morning America’ (Photo by Heidi Gutman/ABC)

Emma Stone and Ryan Gosling won’t be singing the Oscar nominated songs “Audition (The Fools Who Dream)” and “City of Stars” from La La Land at the 2017 Academy Awards. Instead, La La Land supporting actor John Legend will perform the numbers during the live Oscar broadcast. The Academy of Motion Picture Arts and Sciences also announced Lin-Manuel Miranda and Auli’i Cravalho will take the stage to sing “How Far I’ll Go” from Disney’s animated film, Moana. The 2017 awards show will mark the first appearance by both Miranda and Cravalho on the Oscar stage.


Justin Timberlake is confirmed to sing “Can’t Stop the Feeling” from 20th Century Fox’s animated movie, Trolls. Timberlake co-wrote the song with Max Martin and Karl Johan Schuster. Sting will be performing his fourth Oscar nominated song, “The Empty Chair” from Jim: The James Foley Story, during the 89th Academy Awards. Sting co-wrote the track with J. Ralph.

“We’re thrilled to welcome these world-class artists to the Oscars. These performances will not only celebrate the five extraordinary nominated original songs, but also the integral part music plays in movies,” said Oscar producers Michael De Luca and Jennifer Todd.

The 2017 Oscars will be held on Sunday, February 26th at the Dolby Theatre in Hollywood, CA. Jimmy Kimmel is hosting this year’s show which will air live on ABC beginning at 4pm PT/7pm ET with the Oscars pre-show.





‘Scandal,’ ‘How to Get Away with Murder,’ and ‘Grey’s Anatomy’ Earn Renewals

Scandal season 6 cast
Kerry Washington, Katie Lowes, Guillermo Diaz, and George Newbern in ‘Scandal’ (ABC/Nicole Wilder)

ABC just announced they have renewed their Thursday primetime lineup. Scandal has been renewed for a seventh season, Grey’s Anatomy earned its 14th season, and How to Get Away With Murder will be sticking around for a fourth season. The network’s Thursday night lineup has been a ratings winner, with each of the shows continuing to pull in enough viewers to keep ABC on top for three straight weeks.

Announcing the renewals, ABC Entertainment President Channing Dungey stated, “Grey’s Anatomy, Scandal and How to Get Away with Murder continue to keep viewers on the edge of their seats and wanting more. I’m thrilled to bring back these shows and the OMG moments that come with them.”


Season 13 of Grey’s Anatomy is ABC’s top show among adult viewers 18-49, with its season premiere episode drawing in more viewers than any episode of the series since September 2014. Scandal‘s season six premiere was its biggest in 14 months and it’s been consistently ranking first in its timeslot among adult viewers. And, How to Get Away with Murder‘s midseason return was its highest rated since February 2016.

Details on Grey’s Anatomy: (Thursdays from 8:00-9:00 p.m. ET) The high-intensity medical drama follows Meredith Grey and the team of doctors at Grey Sloan Memorial who are faced with life-or-death decisions on a daily basis. They seek comfort from one another, and, at times, more than just friendship. Together they discover that neither medicine nor relationships can be defined in black and white. The series stars Ellen Pompeo as Meredith Grey, Justin Chambers as Alex Karev, Chandra Wilson as Miranda Bailey, James Pickens Jr. as Richard Webber, Kevin McKidd as Owen Hunt, Jessica Capshaw as Arizona Robbins, Sarah Drew as April Kepner, Jesse Williams as Jackson Avery, Camilla Luddington as Jo Wilson, Jerrika Hinton as Stephanie Edwards, Caterina Scorsone as Amelia Shepherd, Kelly McCreary as Maggie Pierce, Jason George as Ben Warren, Martin Henderson as Nathan Riggs and Giacomo Gianniotti as Andrew DeLuca.

More on Scandal: (Thursdays from 9:00-10:00 p.m. ET) Everyone has secrets, and Olivia Pope has dedicated her life to protecting and defending the public images of the nation’s elite by keeping those secrets under wraps. Pope’s team is at the top of its game when it comes to getting the job done for its clients, but it becomes apparent that these “gladiators in suits,” who specialize in fixing the lives of other people, have trouble fixing those closest at hand – their own. The cast includes Kerry Washington as Olivia Pope, Guillermo Diaz as Huck, Darby Stanchfield as Abby Whelan, Katie Lowes as Quinn Perkins, Tony Goldwyn as President Fitzgerald Grant, Jeff Perry as Cyrus Beene, Joshua Malina as David Rosen, Bellamy Young as First Lady Mellie Grant, Scott Foley as Jake Ballard, Portia De Rossi as Elizabeth North, Joe Morton as Rowan Pope and Cornelius Smith Jr. as Marcus Walker.

How to Get Away with Murder Plot: (Thursdays from 10:00-11:00 p.m. ET) Murder, deception, fear and guilt are the ties that bind Middleton University Professor Annalise Keating (Viola Davis) to her long-time associates Frank Delfino, Bonnie Winterbottom and her students. But as the group struggles to move on with their lives following Wes’ death, their past continues to haunt them. Relationships will be fractured, lies will spin out of control, and a shocking, new mystery will upend their entire lives. The series stars Viola Davis as Professor Annalise Keating, Billy Brown as Nate, Alfred Enoch as Wes Gibbins, Jack Falahee as Connor Walsh, Aja Naomi King as Michaela Pratt, Matt McGorry as Asher Millstone, Karla Souza as Laurel Castillo, Charlie Weber as Frank Delfino, Liza Weil as Bonnie Winterbottom and Conrad Ricamora as Oliver Hampton.




Queen Latifah Interview: ‘Star,’ Her Character, and Working with Lee Daniels

Star Queen Latifah
Queen Latifah stars in ‘Star’ (Photo by Wilford Harewood © 2016 FOX)

Oscar and Emmy Award nominee Queen Latifah stars in Lee Daniels’ Star airing on Wednesday nights on Fox. The drama follows an up-and-coming group, played by Jude Demorest, Brittany O’Grady, and Ryan Destiny, who dream of hitting it big. Queen Latifah stars as Carlotta, a beauty shop owner, and surrogate mother to the troubled young women.

In support of the series’ first season, Queen Latifah participated in a conference call to discuss her character and working with creator Lee Daniels. Queen Latifah explained why she found the role of Carlotta so appealing and her support of the show’s approach to timely, relevant topics.

What do you like most about this character? What part of her really drew you in?

Queen Latifah: “I think how much she’s been through and how many mistakes she’s made in life, but how gifted she is at the same time. She’s a character who is extremely flawed, who’s been hurt, who’s made mistakes that have had dramatic consequences on her life and her future. Yet, she still has a huge capacity to love, and she never gives up. She still wanted to be redeemed in many ways. She’s never all the way there, but she never gives up. She never stops trying. She never just completely gives in to one side. She always keeps trying to challenge and grow and change, and it doesn’t necessarily look like it because she may play it real cool and calm sometimes, but she’s always going through a lot underneath.

I think she’s much more complicated and much more challenging for me as an actor to play than people might think because there’s so many layers underneath what Carlotta is feeling that I have to find so many angles into her at all times. Then, of course, when Lee throws in twists and turns which is always fun, I have to find more angles into her, which is always fun. It’s fun, it’s challenging, and it’s exciting for an actor. I don’t get bored doing it.”

Can you talk about where the idea came from for Carlotta to own a hair salon and how much input you have into the different wigs that you wear?

Queen Latifah: “The idea definitely came from Lee (Daniels). Carlotta is not a stereotype. She is someone we know. The women we know love to spend time on their hair. Hair is very important, particularly in the black community. So, even though she’s busy running a business and has many hairstylists around, she doesn’t really have time to really do her own hair like that, so wigs are a way of her changing up her look, expressing herself, doing something a little different, and keeping it fresh. Also, part of how she does have a lot of expression and difference inside of her that she kind of gets to let out through these wigs. She’s not afraid to take chances on it. It’s also maybe a little advertisement, a little display of what the shop can do and connecting to the community.

These wigs are not primarily very expensive wigs. I think if anything costs over $20, then Lee will pretty much call me and tell me to take it off because he makes sure that we connect to a community that is really shopping in that price point but still wants to look good and still wants to express themselves, even if they don’t have a lot of money. That’s something people connect to. This is still a way of her feeling special even in the midst of everything going crazy around her.”

What have you learned and what’s it meant to you that Carlotta has a trans daughter?

Queen Latifah: “That was also one of the big draws of Carlotta is the fact that she has a trans daughter. Queen Latifah, completely different. Carlotta, completely different between Queen Latifah, but they cross over in certain ways. The topic of being trans or having a trans child or becoming trans later in life, these things are very topical. More importantly, the thing that Lee and I talked about when we developed the concept of this show and what we were interested in about this was the fact that everybody doesn’t know the right thing to say. It’s a new experience for a lot of people and if we could only communicate about it, we could grow to understand each other.

Queen Latifah in Star
Queen Latifah in ‘Star’ (Photo © 2016 Fox)

You’ll find that theme along a lot of lines in this show, but this particular thing is very important to us, especially since our whole relationship in beginning this whole movement came after we were at the afterparty for Precious. We kind of hung and we got on the topic of Paris is Burning and how much we both loved that movie and how some of the people in that movie were high school classmates of mine or friends that I knew from hanging out in the clubs in my teenage years. His young years he kind of crossed a lot (of) the same places and how we wanted to build that understanding.

At the same time, you can’t always fault people for what they don’t understand. You always have to try to build a bridge. We wanted to show the conversation. We hear about those conversations, especially when Caitlyn Jenner became Caitlyn Jenner. It became a huge topic of conversation, but some of it was sort of trivialized or stereotyped or overblown. What was missing was the actual conversation that was had to get from point A to point Z. We wanted to show those actual conversations, what challenges people go through, what Cotton is feeling. Let’s just start with what Cotton is feeling and why Cotton feels this way and what Cotton is going through. Then, let’s deal with Carlotta and what she’s feeling and what she’s going through and how can a mother and child build a bridge between each other when they both love each other but they’re worlds apart on so many other things.

Those were the things that were important to us to really show, and not just show in one episode, but really to carry it through a whole season, carry it through a whole arc and really, really get down and dirty with it. Not just show the pretty sides of it, but show the uglier sides of it so that everybody can gain a better understanding on their own, form their own opinions. We’re not trying to answer every question for everyone. We’re just trying to show what the situation can really be like. To both of us, I think that’s a more interesting way to show it rather than just say, ‘Here’s what it is. Here’s the perfect politically correct answer to everything, and let’s go with that.’ You know what I mean?

Lee isn’t afraid to tackle those subjects, which is why I love him because I’m not afraid to tackle those subjects, especially when it’s coming through the talent of his lens.”

Pastor Bobby just found out Carlotta’s daughter is trans. How is that going to change their relationship going forward?

Queen Latifah: “Well, I think what’s interesting about Carlotta and Pastor Bobby is they are both very flawed people who had a very checkered past and found Jesus and found some peace and growth and forgiveness in Jesus by following Jesus. But, their lives are still what their lives are, and they come with the baggage they come with and their experiences. They also greatly care for each other. They’re in love, so Pastor Bobby is one of the few sweet spots in Carlotta’s life. All of these truths are going to make it a lot more messy, and it was one of the easy escapes. It was like going to the movies for her. For a couple of hours, she could escape from everything going on in her life and just be in church and be in his arms and have someone who could care for her for a change where she’s normally caring for everything else.

I think she tried to protect that relationship from her life to just hold on to this little piece of Heaven for as long as she could. But now that things are starting to come out, he wanted to be more in her life, he wanted to get into it, and now he’s going to get it. She may be surprised by his response to it.

She still loves him and there’s a lot of love there, but the fact that she kept secrets from him is probably what hurts him most. The concern about how he’ll react to the whole truth of her is what may concern her most, so we’re going to see that explored. There’s going to be some powerful television coming up. Like something you’ve never seen on TV in the next couple episodes. So, I think definitely tune into that because it’s something I’ve never seen and I’ve never done, and actually knowing Tyrese (Gibson) and Amiyah (Scott) in real life and them knowing me, it was one for the hardest things we’ve had to play this whole season because we have such love and care for each other. To go where these characters had to go, to be honest, oh man, we all had to hug each other afterwards and cry. The tears did not stop when they said cut. We needed a moment to pull ourselves together just to go on the next take because it took so much out of us. So, I hope everybody checks it out.”

Did you get to work with Paris Jackson? Did you share any scenes with her?

Queen Latifah: “No. No, but I was very, very excited to know that she was doing this role. This is such a fun role. I can’t wait until you all see it. This is a fun role. This character, Rachel, gets to give the business to these girls who think they know it all, who think they’re so smart, so tough, so strong, and they know everything and so determined. But, this character that she plays gets to give them the business and be funny at the same time. It’s so shady.

I came in the next day after Paris shot and everyone told me she knocked it out the park. They said she was fantastic. She rocked it. So, I’m glad she chose us to be that first getting her toes wet in acting. I’m glad she chose us and chose Star and chose this role. God bless Lee for his connections because this was a good one. I hope this is the beginning for some great things for her.”

Politically, we’re in a very, very strange time in this country. Do you think it’s important for culture to follow suit in the sense that is it up to our television shows and our movies to bring up more about the issues, from either viewpoint? Or, are TV and film purely for entertainment? What do you think?

Queen Latifah: “Well, I’ll tell you. I think music and art are one of the greatest ways that have moved the conversation along throughout history. So, absolutely I think I’ve always felt like we should … I don’t know if we should take on the fight in terms of I can’t advise someone to choose a particular side here or there or tell them what their opinion should be. To me, what’s important is not being afraid to bring up the conversation. You have to at least bring up the conversation. Why would you not? To me, for any brave, creative person, to not be afraid to deal with what’s going on in our actual world we live in is to be part of the greatest creative thing they’ve ever done. There’s so much to choose from, so much to be on, so much to draw from. So, would we not want to go for it?

It’s what made Norman Lear one of the greatest ever is the fact that he wasn’t afraid to jump into these topics and push the envelope and made some of the greatest TV ever invented. The flip side of that is the escapism of it all. It also creates on the other side an opportunity for people to allow everyone to check out from all that serious s*** for a minute and just escape, have fun, make a musical, or have some fantasy, something that would never happen on real earth.

So, I think it feeds the other side of it. I think it feeds the escapism as much as it feeds the reality. Now, it’s just a question of what you want to do with it, but I think we should definitely move on it because these have always been serious times. There’s always been important things going on to be discussed. I think for all the up-and-coming talent to not capitalize on that, and not just up-and-coming talent, but everyone who’s around, whoever is not afraid to put their dollars to projects that push the envelope, I think will be rewarded at some point for sure.

On the flip side it also gives an avenue to all the things that are not so serious, that are not so deep, or rather kind. I’m not going to say not deep, but not just topical things you’re going to see on CNN or Fox News and MSNBC every night. You know what I mean? Or all day and 24 hours a day to talk about every day or worry about every day, but really someplace to say, ‘Hey, we’re going to be all right. Everything’s going to work out. Stay positive by just taking a moment to breathe away from all that and remind yourself that we make our world.’ So, we can make it different. We can make it better. I don’t ever want to become a cynic.

I’ve worked really hard all my life to stay positive because I don’t like the other side. I know the other side, and I’m not giving in to that. So, for me, I always want to encourage people to not be afraid to just create a new future and hopefully a more positive one.”

Do you have a song you consider your personal theme song?

Queen Latifah: “I come from a music world, so I have a million songs that speak to me. But I think it depends on what mood I’m in, but I think Bob Marley is a go-to at all times. I think he’s probably the greatest artist ever because you can always throw Bob Marley on at a party, and I don’t care what kind of crowd is in there, there’s always a Bob Marley song that somebody will dance to or connect to. He’s super universal, beyond comprehension, and even that connects to me. So, if I feel like I need ‘Every Little Thing Gonna Be All Right,’ then that’s fine. If I need ‘So Much Trouble in the World’ to just deal with what’s going on at the time, I have that. So, I think Bob would be my go-to if I were to say what artist is my go-to.”





‘The LEGO Batman Movie’ Review

Lego Batman Movie Photo
Batman (voiced by Will Arnett) in the 3D computer animated adventure ‘The LEGO Batman Movie’ (Photo © 2016 Warner Bros Entertainment and RATPAC-Dune Entertainment)

“Are you ready to follow Batman and maybe learn a few life lessons along the way?” asks LEGO Batman (voiced by Will Arnett) to his newly adopted son, LEGO Dick Grayson (voiced by Michael Cera), as the young man teams up with the caped crusader to take on the LEGO Joker (voiced by Zach Galifianakis) in the animated action-comedy, The LEGO Batman Movie.

There are big changes in Gotham City for The Dark Knight, with Barbara Gordon (voiced by Rosario Dawson) taking over as the new Commissioner who insists Batman stop working alone and work with her to fight crime. The crazed clown The Joker is bent on destroying the city and proving to The Dark Knight that he IS his biggest enemy. Plus, Alfred (voiced by Ralph Fiennes) is not letting Batman get out of accidentally adopting a teen orphan because he wants master Bruce to have a new family.

With all this to deal with, and a few other surprises that won’t be revealed here, it seems in order to save Gotham and those he cares about from The Joker, Batman might actually have to stop being a lone vigilante and learn to work with his new son, Barbara, and his loyal butler, Alfred, as a team.


Bright, action-packed, and amusing, The LEGO Batman Movie is a fun and at times chaotic adventure for both kids and adults. The film has an A-list voice cast of actors bringing these characters to life wonderfully on the screen. Will Arnett owns the movie as the voice of Batman and once again has the most laugh-out-loud lines, just as he did three years ago voicing the Caped Crusader in The LEGO Movie.

Michael Cera is effective, and a bit annoying, as the voice of the always surprised and overly positive Dick Grayson (aka Robin). Rosario Dawson does a solid job lending her voice to Barbara Gordon who desperately wants to work with her childhood hero, Batman, but gets discouraged when her idol starts to fall from his pedestal. However, hands down it’s Ralph Fiennes as the voice of Alfred who’s the best addition to the animated LEGO movie world. The scenes between Alfred and Batman are some of the film’s funniest. Ralph also voices a surprise major villain who teams up with The Joker, but it won’t be revealed here who it is he plays. Suffice it to say, it’s a great surprise and fun twist to this family-friendly film.

The action scenes are fun but a bit long and chaotic, and unfortunately some of the humor and one-liners are likely to be missed by the audience. I have to point out that one of the best action scenes is when The LEGO Batman Movie does a take-off on/homage to the 1960s Batman television show.

The script is solid and has a positive message for kids and teens about the importance of family and friends and not being too proud to admit when you need help. Visually impressive, funny, and fast-paced, The LEGO Batman Movie is an entertaining animated adventure for families and a worthy addition to the list of Batman films.

GRADE: B

Directed By: Chris McKay

MPAA Rating: PG for rude humor and some action

Release Date: February 10, 2017

Running Time: 103 minutes





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