Kevin Alejandro, Lauren German and Scarlett Estevez in the “A Good Day to Die” of ‘Lucifer’ (Photo by Michael Courtney / Fox)
Fox’s Lucifer season two episode 12 ended with Lucifer (Tom Ellis) finding out the truth about his relationship with Chloe (Lauren German), and Chloe suffering the effects of poison. The title of episode 13 – ‘A Good Day to Die’ – hopefully isn’t meant to be taken literally and doesn’t signal the end of one of Lucifer‘s main characters. Airing on January 30, 2017 at 9pm ET/PT, season two’s episode 13 is, unfortunately, the winter season finale. Lucifer will not return after episode 13 until on May 1, 2017.
Season two stars DB Woodside as Amenadiel, Lesley-Ann Brandt as Maze, Kevin Alejandro as Dan, Scarlett Estevez as Trixie, Rachael Harris as Linda Martin, Tricia Helfer as Charlotte, and Aimee Garcia as Ella. Episode 13’s guest stars include Michael Imperioli as Uriel, Tim DeKay as Professor, Ashton Moio as Driver, Joe Williamson as Burt, Albert Nicolas as Ricardo, and Ian Verdun as Mitch.
The ‘A Good Day to Die’ Plot: Lucifer must find the antidote to the Professor’s poison, so he travels to hell to find the Professor’s soul. While he’s there, he is forced to confront his guilt about Uriel’s death. Mom heads to hell to get Lucifer back, but Lucifer still feels betrayed by his parents because of something he discovers.
Tom Ellis in ‘Lucifer’ (Photo by Michael Courtney / Fox)Tom Ellis and DB Woodside in ‘Lucifer’ (Photo by Michael Courtney / Fox)Tom Ellis and DB Woodside in ‘Lucifer’ (Photo by Michael Courtney / Fox)Scarlett Estevez and DB Woodside in ‘Lucifer’ (Photo by Michael Courtney / Fox)
Emilia Jones as Joanna and Kit Harington as Samuel in ‘Brimstone’ (Photo courtesy of Momentum Pictures)Momentum Pictures’ upcoming Western thriller Brimstone has released a brand new trailer along with a batch of new photos. Written and directed by Martin Koolhoven, the cast includes Game of Thrones‘ Kit Harington and Carice Van Houten as well as Guy Pearce (When We Rise), Dakota Fanning (American Pastoral), and Emilia Jones (High Rise). Momentum Pictures will release the Western in theaters and On Demand on March 10, 2017.
The Plot: A tale of powerful womanhood and resistance against the unforgiving cruelty of a hell on earth. Our heroine is Liz, carved from the beautiful wilderness, full of heart and grit, hunted by a vengeful Preacher – a diabolical zealot and her twisted nemesis. But Liz is a genuine survivor; she’s no victim – a woman of fearsome strength who responds with astonishing bravery to claim the better life she and her daughter deserve. Fear not. Retribution is coming.
Watch the Brimstone trailer:
Dakota Fanning as Liz in ‘Brimstone’ (Photo courtesy of Momentum Pictures)Dakota Fanning as Liz, Paul Anderson as Frank, and Guy Pearce as The Reverend in ‘Brimstone’ (Photo courtesy of Momentum Pictures)Kit Harington as Samuel in ‘Brimstone’ (Photo courtesy of Momentum Pictures)
Matthew Daddario and Katherine McNamara in ‘Shadowhunters’ season 2 episode 5 (Photo by John Medland/Freeform)
Show of hands of those who correctly predicted which character would die in Freeform’s Shadowhunters season two episode four. The devastating death will, obviously, have an impact on the storylines moving forward and in particular on Clary (played by Katherine McNamara). Of course, given the world in which Shadowhunters exist, there’s always a possibility we’ll see Jocelyn (Maxim Roy) return from the dead in some form or another. A few questions about her exit may be answered in season two episode five titled ‘Dust and Shadows’ airing on Monday, January 30, 2017 at 8pm ET/PT.
The season two cast also includes Dominic Sherwood as Jace Wayland, Alberto Rosende as Simon Lewis, Emeraude Toubia as Isabelle Lightwood, Matthew Daddario as Alec Lightwood, Isaiah Mustafa as Luke Garroway, and Harry Shum Jr. as Magnus Bane. Todd Slavkin, Darren Swimmer, McG, Michael Reisz, Matt Hastings, Mary Viola, Martin Moszkowicz, and Robert Kulzer are the executive producers.
The ‘Dust and Shadows’ Plot: After the recent attack on the Institute, the Shadowhunters are left devastated and wounded. Trying to regroup, each of the Shadowhunters deals with the situation their own way. Meanwhile, Simon moves home but finds it is not so easy to pull off his new life with his family around.
Matthew Daddario in ‘Shadowhunters’ (Photo by John Medland/Freeform)Christina Cox and Alberto Rosende in ‘Shadowhunters’ (Photo by John Medland/Freeform)Alberto Rosende in ‘Shadowhunters’ (Photo by John Medland/Freeform)
Emma Stone and Ryan Gosling star in ‘La La Land’ (Photo Credit: Dale Robinette)
The 2017 Oscar nominations have been announced and the romantic musical La La Land has tied the record held by All About Eve (1950) and Titanic (1997) with 14 nominations. Arrival and Moonlight each earned eight nominations followed by Hacksaw Ridge, Lion, and Manchester by the Sea with six. Winners of the 89th Academy Awards will be announced on Sunday, February 26, 2017, at the Dolby Theatre at Hollywood & Highland Center in Hollywood.
In addition to announcing the nominees, the Academy of Motion Picture Arts and Sciences provided a list of interesting facts about this year’s nominees:
With their Best Picture nominations for Moonlight, Dede Gardner and Jeremy Kleiner become the first individual producers to have nominations in the Best Picture category in four consecutive years.
La La Land is the first musical with original music and story to receive a Best Picture nomination since All That Jazz (1979) and the second since Anchors Aweigh (1945).
With his Best Picture nomination for Manchester by the Sea, Matt Damon becomes only the third individual to be nominated in the Acting, Writing and Best Picture categories. The others are Warren Beatty and George Clooney.
Denzel Washington is the seventh individual to receive Acting and Best Picture nominations for the same film, joining Warren Beatty, Kevin Costner, Clint Eastwood, Brad Pitt, Leonardo DiCaprio and Bradley Cooper.
In the acting categories, seven individuals are first-time nominees (Andrew Garfield, Mahershala Ali, Lucas Hedges, Dev Patel, Isabelle Huppert, Ruth Negga and Naomie Harris). Six of the nominees are previous acting winners (Denzel Washington, Jeff Bridges, Natalie Portman, Meryl Streep, Nicole Kidman and Octavia Spencer).
Meryl Streep extends her lead as the most nominated performer with her 20th nomination.
Kubo and the Two Strings is the second fully animated film to be nominated in the Visual Effects category. The first was The Nightmare Before Christmas (1993).
With a running time of 7 hours 47 minutes, Documentary Feature nominee O.J.: Made in America is the longest film ever nominated for an Academy Award.
Mica Levi, nominated for Original Score for Jackie, is the eighth woman to be nominated in the music scoring categories.
Thomas Newman’s nomination for Original Score for Passengers is his 14th and brings the total for members of the Newman family (Alfred, Lionel, Emil, Thomas, David and Randy) to 90, more than any other family.
Stuart Craig has the most nominations for Production Design of any living person with 11. The all-time record in the category belongs to Cedric Gibbons with 38 nominations.
Kevin O’Connell and Andy Nelson, each with 21 nominations for Sound Mixing, are tied for the most nominations in the category since nominations began going to individuals in 1961.
With their nomination for Sound Editing for La La Land, Ai-Ling Lee and Mildred Iatrou Morgan become the first female team to be nominated in the category. Six other women have a combined total of 10 nominations and five wins for Sound Editing.
Kim Magnusson, with his sixth nomination for Live Action Short Film, has produced the most films nominated in the short film categories of any living person.
“The Empty Chair” from Jim: The James Foley Story is the seventh song from a documentary feature to be nominated and the fifth in the past five years.
2017 Oscars: The Nominees
Best motion picture of the year
• “Arrival” Shawn Levy, Dan Levine, Aaron Ryder and David Linde, Producers
• “Fences” Scott Rudin, Denzel Washington and Todd Black, Producers
• “Hacksaw Ridge” Bill Mechanic and David Permut, Producers
• “Hell or High Water” Carla Hacken and Julie Yorn, Producers
• “Hidden Figures” Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, Producers
• “La La Land” Fred Berger, Jordan Horowitz and Marc Platt, Producers
• “Lion” Emile Sherman, Iain Canning and Angie Fielder, Producers
• “Manchester by the Sea” Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck and Kevin J. Walsh, Producers
• “Moonlight” Adele Romanski, Dede Gardner and Jeremy Kleiner, Producers
Performance by an actor in a leading role
• Casey Affleck in “Manchester by the Sea”
• Andrew Garfield in “Hacksaw Ridge”
• Ryan Gosling in “La La Land”
• Viggo Mortensen in “Captain Fantastic”
• Denzel Washington in “Fences”
Performance by an actor in a supporting role
• Mahershala Ali in “Moonlight”
• Jeff Bridges in “Hell or High Water”
• Lucas Hedges in “Manchester by the Sea”
• Dev Patel in “Lion”
• Michael Shannon in “Nocturnal Animals”
Performance by an actress in a leading role
• Isabelle Huppert in “Elle”
• Ruth Negga in “Loving”
• Natalie Portman in “Jackie”
• Emma Stone in “La La Land”
• Meryl Streep in “Florence Foster Jenkins”
Performance by an actress in a supporting role
• Viola Davis in “Fences”
• Naomie Harris in “Moonlight”
• Nicole Kidman in “Lion”
• Octavia Spencer in “Hidden Figures”
• Michelle Williams in “Manchester by the Sea”
Best animated feature film of the year
• “Kubo and the Two Strings” Travis Knight and Arianne Sutner
• “Moana” John Musker, Ron Clements and Osnat Shurer
• “My Life as a Zucchini” Claude Barras and Max Karli
• “The Red Turtle” Michael Dudok de Wit and Toshio Suzuki
• “Zootopia” Byron Howard, Rich Moore and Clark Spencer
Achievement in cinematography
• “Arrival” Bradford Young
• “La La Land” Linus Sandgren
• “Lion” Greig Fraser
• “Moonlight” James Laxton
• “Silence” Rodrigo Prieto
Achievement in costume design
• “Allied” Joanna Johnston
• “Fantastic Beasts and Where to Find Them” Colleen Atwood
• “Florence Foster Jenkins” Consolata Boyle
• “Jackie” Madeline Fontaine
• “La La Land” Mary Zophres
Achievement in directing
• “Arrival” Denis Villeneuve
• “Hacksaw Ridge” Mel Gibson
• “La La Land” Damien Chazelle
• “Manchester by the Sea” Kenneth Lonergan
• “Moonlight” Barry Jenkins
Best documentary feature
• “Fire at Sea” Gianfranco Rosi and Donatella Palermo
• “I Am Not Your Negro” Raoul Peck, Rémi Grellety and Hébert Peck
• “Life, Animated” Roger Ross Williams and Julie Goldman
• “O.J.: Made in America” Ezra Edelman and Caroline Waterlow
• “13th” Ava DuVernay, Spencer Averick and Howard Barish
Best documentary short subject
• “Extremis” Dan Krauss
• “4.1 Miles” Daphne Matziaraki
• “Joe’s Violin” Kahane Cooperman and Raphaela Neihausen
• “Watani: My Homeland” Marcel Mettelsiefen and Stephen Ellis
• “The White Helmets” Orlando von Einsiedel and Joanna Natasegara
Achievement in film editing
• “Arrival”Joe Walker
• “Hacksaw Ridge” John Gilbert
• “Hell or High Water” Jake Roberts
• “La La Land” Tom Cross
• “Moonlight” Nat Sanders and Joi McMillon
Best foreign language film of the year
• “Land of Mine” Denmark
• “A Man Called Ove” Sweden
• “The Salesman” Iran
• “Tanna” Australia
• “Toni Erdmann” Germany
Achievement in makeup and hairstyling
• “A Man Called Ove” Eva von Bahr and Love Larson
• “Star Trek Beyond” Joel Harlow and Richard Alonzo
• “Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson
Achievement in music written for motion pictures (Original score)
• “Jackie” Mica Levi
• “La La Land” Justin Hurwitz
• “Lion” Dustin O’Halloran and Hauschka
• “Moonlight” Nicholas Britell
• “Passengers” Thomas Newman
Achievement in music written for motion pictures (Original song)
• “Audition (The Fools Who Dream)” from “La La Land”
Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
• “Can’t Stop The Feeling” from “Trolls”
Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster
• “City Of Stars” from “La La Land”
Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
• “The Empty Chair” from “Jim: The James Foley Story”
Music and Lyric by J. Ralph and Sting
• “How Far I’ll Go” from “Moana”
Music and Lyric by Lin-Manuel Miranda
Achievement in production design
• “Arrival” Production Design: Patrice Vermette; Set Decoration: Paul Hotte
• “Fantastic Beasts and Where to Find Them” Production Design: Stuart Craig; Set Decoration: Anna Pinnock
• “Hail, Caesar!” Production Design: Jess Gonchor; Set Decoration: Nancy Haigh
• “La La Land” Production Design: David Wasco; Set Decoration: Sandy Reynolds-Wasco
• “Passengers” Production Design: Guy Hendrix Dyas; Set Decoration: Gene Serdena
Best animated short film
• “Blind Vaysha” Theodore Ushev
• “Borrowed Time” Andrew Coats and Lou Hamou-Lhadj
• “Pear Cider and Cigarettes” Robert Valley and Cara Speller
• “Pearl” Patrick Osborne
• “Piper” Alan Barillaro and Marc Sondheimer
Best live action short film
• “Ennemis Intérieurs” Sélim Azzazi
• “La Femme et le TGV” Timo von Gunten and Giacun Caduff
• “Silent Nights” Aske Bang and Kim Magnusson
• “Sing” Kristof Deák and Anna Udvardy
• “Timecode” Juanjo Giménez
Achievement in sound editing
• “Arrival” Sylvain Bellemare
• “Deepwater Horizon” Wylie Stateman and Renée Tondelli
• “Hacksaw Ridge” Robert Mackenzie and Andy Wright
• “La La Land” Ai-Ling Lee and Mildred Iatrou Morgan
• “Sully” Alan Robert Murray and Bub Asman
Achievement in sound mixing
• “Arrival” Bernard Gariépy Strobl and Claude La Haye
• “Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace
• “La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
• “Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart Wilson
• “13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth
Achievement in visual effects
• “Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington and Burt Dalton
• “Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould
• “The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon
• “Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff
• “Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil Corbould
Adapted screenplay
• “Arrival” Screenplay by Eric Heisserer
• “Fences” Screenplay by August Wilson
• “Hidden Figures” Screenplay by Allison Schroeder and Theodore Melfi
• “Lion” Screenplay by Luke Davies
• “Moonlight” Screenplay by Barry Jenkins; Story by Tarell Alvin McCraney
Original screenplay
• “Hell or High Water” Written by Taylor Sheridan
• “La La Land” Written by Damien Chazelle
• “The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou
• “Manchester by the Sea” Written by Kenneth Lonergan
• “20th Century Women” Written by Mike Mills
Nickelodeon has tapped WWE superstar John Cena to host the 2017 Kids’ Choice Awards. This year’s awards show will air live on the East Coast on Saturday, March 11, 2017 at 8pm ET/PT from USC’s Galen Center in Los Angeles. The Nickelodeon awards recognize the best in film, television, music, pop culture, and animation as chosen by kids and are best known for dropping green slime on celebrities. Celebrities who’ve been slimed include Katy Perry, Jack Black, Harrison Ford, Josh Gad, Blake Shelton, Mark Wahlberg, and Sandra Bullock.
The 2017 awards mark Cena’s first time hosting the Kids’ Choice show. “Nickelodeon’s Kids’ Choice Awards is the biggest party for kids, and I’m so excited and honored to host this year’s show,” stated Cena. “I have a lot of big surprises in store so bring on the slime!”
“John Cena’s energy and larger-than-life personality will bring the most excitement, comedy and fun to this year’s Kids’ Choice Awards,” said Shelly Sumpter Gillyard, Senior Vice President, Talent and Events for Nickelodeon. “He’s a big kid at heart, and we can’t wait to give kids around the world a front row seat to this year’s show.”
The Kids’ Choice Awards will be produced by Nickelodeon Productions. Elizabeth Kelly, Michael Dempsey, Shelly Sumpter Gillyard and Jay Schmalholz are executive producing.
Timothy Olyphant and Drew Barrymore in ‘Santa Clarita Diet’ (Photo by Saeed Adyani / Netflix)
Netflix has unveiled a new behind the scenes video from their new comedy series, Santa Clarita Diet. The new featurette includes interviews with series stars Drew Barrymore, Timothy Olyphant (Justified), and Liv Hewson, and series creator/showrunner Victor Fresco. Netflix will be premiering the twisted family comedy on February 3, 2017, with all 10 episodes available immediately for your binge-watching pleasure.
The cast also includes Skyler Gisondo as Eric Hammond, Ricardo Chavira, Mary Elizabeth Ellis, and Richard T. Jones. Nathan Fillion and Andy Richter guest star in season one. Showrunner Victor Fresco, Drew Barrymore, Timothy Olyphant, Aaron Kaplan, Tracy Katsky, Chris Miller and Ember Truesdell executive produced the series.
The Plot: In Santa Clarita Diet, Joel (Olyphant) and Sheila (Barrymore) are husband and wife realtors leading vaguely discontented lives in the L.A. suburb of Santa Clarita with their teenaged daughter Abby (Hewson), until Sheila goes through a dramatic change sending their lives down a road of death and destruction…but in a good way.
After leaving us with “the kiss” at the end of episode 11, Fox’s Lucifer season two episode 12 begins with Lucifer (Tom Ellis) and Chloe (Lauren German) getting all hot and heavy. (She even rips off his shirt!) He asks if she’s sure she wants to do this and then Halloween-ish devil horns sprout out of his head. “I see you’ve found my love handles,” jokes Lucifer. Yep, it’s all a dream but still fun to watch.
Chloe wakes up after the sex dream to find Maze (Lesley-Ann Brandt) sitting in a chair next to her bed, munching on popcorn, and wondering how “it” was. Maze imitates Chloe holding onto Lucifer’s horns and wants an explanation, but Chloe kicks her out of the bedroom without offering one. Maze tells her to loosen up and actually have sex.
Lucifer pays a visit to Dr. Linda (Rachael Harris), assuring her he’s going to take it slowly this time. He’s projecting his feelings onto Chloe, saying she must be overwhelmed by their kiss. Dr. Linda wisely surmises he’s stalling because his relationship with Chloe is complicated. He can’t figure out why Chloe would kiss him after he admitted to some of his faults, and Dr. Linda suggests Chloe is taken with him. He thinks maybe it’s because Chloe is sick. And then he has an epiphany – maybe she’s no longer immune to his charms.
The morning after the kiss there’s definitely a little awkwardness going on between our favorite detective and her dreamy Devil sidekick. Lucifer tries his Jedi mind trick on Chloe, but she tells him he knows that doesn’t work on her. (His new theory of Chloe no longer being immune has been quickly shot down.) And then Chloe surprises him by slapping his butt. He looks at her strangely and she concedes that was weird.
They make it to the crime scene where Ella (Aimee Garcia) is examining and photographing the dead body. He’s a college kid who died in his bed from poisoning. When Ella describes the body using the word “discharge,” Lucifer – ever the teenage boy – laughs. Chloe also laughs and Lucifer looks at her like she’s grown an extra head. She flirts with him again, adding a wink and totally confusing Lucifer. Ella says the toxin is bizarre and very aggressive.
Chloe and Lucifer interview the dead guy’s friend and find out the actor Johnny Kane (Mike Doyle) came by the dorm yesterday. He was there researching a role, but Chloe points out he’s way too old to play a college student. Johnny Kane himself then shows up with a wicked-looking knife wanting to know if the kid is dead. Johnny confesses he was threatened that if he didn’t cut his face, a freshman student would die.
At the police station, Johnny shows Chloe and Lucifer the videotape of a masked man telling him to cut his face. If he didn’t, then the student would be poisoned. Johnny thought it was a joke at first, but then he thought maybe it was real. Still, he couldn’t cut up his face, given his livelihood. Lucifer doesn’t blame him, saying the killer is playing god and no one would cut themselves unless they were being manipulated. In another light bulb moment, Lucifer thinks maybe Chloe is being manipulated to show affection. He leaves the interrogation without explaining where he’s off to.
As timing would have it, Charlotte (Tricia Helfer) is at the station and Lucifer demands to know what she did to Chloe to make her kiss him. Charlotte’s all smiles when she hears they kissed, but says she didn’t have anything to do with it. She doesn’t understand why he’s upset, and Lucifer explains that he doesn’t know if it’s real. She tells him to follow his heart. Dan (Kevin Alejandro) interrupts, looks uncomfortable to see Charlotte, Lucifer calls him Douche, and Dan answers by calling Lucifer Dick.
Chloe and Lucifer head to the library to track down the guy behind the emailed video message. Chloe hits on Lucifer again, asking if he ever made out in a library. Of course, he has, but what Chloe really wants to know is why he’s avoiding sex with her. He doesn’t have a chance to answer because they hear a woman screaming. What they discover when they investigate is a man watching porn.
Lucifer wants to see what’s in his hands, joking that it could be a gun, while Chloe prefers not to see it and tosses the porn viewer a box of tissues. The guy’s email was used to send the threat to Johnny Kane but he swears he must have been hacked. There’s also another email that he didn’t send to a Dr. Scott. The new email video says she has to destroy her hand or a sophomore at Malibu State named Ashley Corbett will be poisoned. Chloe says they have to find Ashley right now.
Lucifer and Chloe make it to the college and Lucifer tries to make her blend in so she won’t stand out in the frat party they’re about to enter. Chloe takes down her hair and Lucifer says she looks beautiful. They head into the frat party, split up, and look for Ashley. Lucifer starts calling out for Ashley Corbett and is immediately surrounded by lovely college ladies. They say they’ll tell him where Ashley is, but he has to do something first.
Meanwhile, Dan talks to Dr. Scott (April Grace) about the email and she’s sorry she didn’t call the police as soon as she received it. She didn’t know what choice to make and is worried they won’t find Ashley in time.
Back at the party, Lucifer is chugging beer while being cheered on. Chloe’s also being hit on but then sees Lucifer heading upstairs with the sorority girls. Chloe finds him in a bedroom – fully clothed! – still surrounded by the ladies. Chloe’s pissed that she can’t trust him and then she really takes a look around the room and can’t figure out what he’s doing. No one is naked and they seem to just be talking. One of the women asks if Chloe is “her” and says she’s pretty. Lucifer explains he was just waiting for Ashley to come out of the bathroom. They open the door to find Ashley with a bloody nose that won’t stop.
Charlotte pays a visit to Dr. Linda’s to ask for advice about giving Lucifer some info that might send him over the edge when it comes to his father. She wants Dr. Linda to do it for her, but Linda refuses because she’s loyal to her patient. Charlotte says Lucifer needs to know all the information about his future so he can make an informed decision, and she thinks what Dr. Linda’s telling her is to find someone else Lucifer believes and listens to.
Dan breaks the news to Dr. Scott that the antidote isn’t working, but assures her they’ll figure out a way to save Ashley. Dr. Scott excuses herself and then Dan hears the garbage disposal. He can’t stop her as she puts her hand into its razor-sharp teeth and screams.
Chloe and Lucifer rush to Dr. Scott’s and Lucifer’s upset she maimed herself. “There is no winning when you play by a twisted tyrant’s rules,” he says, angrily. Chloe tries to calm him down and Lucifer reminds her you are not supposed to negotiate with terrorists. Chloe tells him his emotions are getting in the way and he needs to get them under control. A man arrives with a delivery and it’s the antidote!
At the station, Ella shows Dan a photo of a John Doe found in a plane’s cargo hold with similar poisoning symptoms. It’s obvious from the hotspots on his body that the poison spilled on him, but it was so strong it killed him anyway. Ella calls it a designer poison that needs a designer antidote. Dan takes a good look at the photo and realizes it’s Andy Kleinburg (Jamie Kennedy) and that he probably stole the box with the poisons that got the stewardess killed when it went missing.
Chloe and Lucifer talk to Ashley at the hospital and she doesn’t recognize the other student who was poisoned. She says she got a flu shot and her arm was sore. Chloe looks at the report and sees the other victim also received a flu shot.
Dan does the research and finds it was Professor Jason Carlyle who gave the flu shots. He shows Chloe and Lucifer a viral video of a car accident Jason was in in which he left someone to die. He grabbed his dissertation instead of helping the Uber driver get out of the car before it went up in flames. Jason’s life was ruined by the video and Lucifer points out the killer is trying to make the point that everyone would make the same choice he did. Chloe adds that he’s recreated his own moral dilemma.
Lucifer thinks if they threaten Jason’s ego, they can draw him out. Chloe sends him an email insulting him, telling him even his mask is lame. Dan doesn’t want her to send it but she does. He immediately emails her back with a link to a live video chat. He wants to finish his experiment and claims he’s not selfish. He also has two new victims, showing the detectives a track star with his leg in a trap and a college student hooked up to a poison IV drip. If the track star severs his leg, then the college student will get the antidote. And, he confirms that the antidotes are all unique.
Oh no, this can’t be good… Charlotte meets up with Maze and tells her she needs to deliver news about Chloe to Lucifer. Maze tells Charlotte to deliver the bad news herself, and as Maze is walking away Charlotte says, “God made Chloe.” Maze is fine with that, but then Charlotte adds that God put Chloe in Lucifer’s path, calling her a miracle. Maze just laughs and then Charlotte briefly explains that Amenadiel blessed Chloe’s “lady parts” and asks if she’s ever wondered why Chloe is so special to Lucifer. Charlotte has something to show her to prove her case.
Chloe, Dan, and Lucifer are trying to figure out where the victims are being held when Ella says she’s found something. She determined Andy was strangled as well as poisoned and has video of Professor Carlyle at the airport which isn’t that helpful. But then Chloe asks to see what’s in the tray at security and it’s an ID tag from Malibu’s rival, Pasadena University.
The door to Carlyle’s lab is locked but they talk through the glass, and Professor Carlyle says they get to see the final moments of his test. Chloe fires but it’s bulletproof, and Carlyle offers her a choice. She can be killed by poisonous gas but have the antidote to save Benji’s life or she lets him die and doesn’t entire the room. Carlyle shatters the gas vile after putting on his gas mask. Chloe quickly makes up her mind to save the kid, but Lucifer stops her. He says he can save the boy without harming himself and asks if she trusts him. She does, and he sends her out after the professor who’s run off.
Chloe chases the professor down outside as inside Lucifer cuts his own wrist. Chloe tackles Carlyle but he gets away while inside Lucifer slices himself again and then yells at Chloe (who is outside, out of earshot) to get further away. He can’t go in until he knows he can’t be harmed, which means Chloe can’t be in his vicinity. His third cut doesn’t actually break the skin so he knows he’s okay to enter the room with the poisonous gas. He uses his super strength to open the door, sucks in the gas, nothing happens, and then helps Benji.
Carlyle holds up a knife trying to get Chloe to understand he’s not a monster and that choice is an illusion. He slits his own throat and falls at Chloe’s feet.
Chloe races back to the lab and sees the track star and Benji outside on a bench, unharmed. Lucifer’s also unharmed and she gives him a big hug. He hugs her back and she tells him they make a good team. He asks if this is real and she shakes her head yes. They hug even tighter!
Lucifer heads to a bar (not his) to meet Maze and is confused to see her sitting with his mom. Maze looks sad and Charlotte says they have something to tell him. Lucifer’s still on an emotional high and tells Maze and Charlotte that he and Chloe are real. He admits he didn’t think it could happen but it did, and he feels invincible. Maze stops Charlotte before she can tell him the secret and they’re heading out of the bar when Charlotte makes Maze turn around. Maze refuses to have anything to do with it but Charlotte says they’re doing it for him.
As they argue, Lucifer sees a photo on the wall of Amenadiel with Chloe’s mom. He’s confused and Maze once again tries to stop Charlotte before she reveals the truth. It doesn’t work and Charlotte bursts Lucifer’s happiness bubble by revealing God put Chloe in Lucifer’s path. Lucifer is incredulous and then memories of all their times together flash through his head. “So, none of it was real?” he asks, extremely emotional. He rushes out of the bar and over to Chloe’s, yelling that he needs to talk to her. He runs upstairs and sees her in the bathroom. He continues to yell at her, asking if she knew. As she turns toward him, her nose is bleeding and she says something is wrong. Damn, that was a heartbreaking episode!
Jessica Williams stars in ‘The Incredible Jessica James’ (Courtesy of Sundance Institute)
Writer/director Jim Strouse’s The Incredible Jessica James has been acquired by Netflix. The deal for distribution on Netflix in 190 countries was completed prior to the comedy’s screening as the closing night film at the 2017 Sundance Film Festival. The Incredible Jessica James stars Jessica Williams (The Daily Show), Chris O’Dowd (Moone Boy), Lakeith Stanfield (Atlanta), and Noël Wells (Master of None). Michael B. Clark and Alex Turtletaub produced, with Jessica Williams and Kerri Hundley executive producing.
“We are honored to get to work with Jim Strouse as we introduce film lovers around the globe to The Incredible Jessica James, which marks the arrival of Jessica Williams, a true star in the making,” said Ted Sarandos, Chief Content Officer for Netflix.
“It feels nothing short of incredible to be working with the team at Netflix to bring our movie to their audience around the globe” said Strouse.
The Plot: Jessica Williams stars as a young, aspiring playwright in New York City who is struggling to get over a recent breakup. She is forced to go on a date with the recently divorced Boone (O’Dowd) and the unlikely duo discover how to make it through the tough times in a social media obsessed post-relationship universe.
Erin Richards in the “Mad City: Smile Like You Mean It” episode of ‘Gotham’ (Photo by Jessica Miglio / FOX)
Fox’s Gotham season three episode 12 teased the return of Jerome (guest star Cameron Monaghan) in the episode’s final scene, and episode 13 immediately dives into the resurrection of Jerome storyline. Titled ‘Smile Like You Mean It’ and airing on January 23, 2017, episode 13 begins with Dwight (David Dastmalchian) and his gang entering the secure facility where Jerome’s smiling – and lifeless – body is being kept. Dwight laughs hysterically as he comes face to (dead) face with his hero.
Harvey Bullock (Donal Logue) explains Indian Hill used this Wayne Enterprises building as a storage facility as he and Jim Gordon (Ben McKenzie) investigate the disappearance of Jerome’s body. They realize Dwight stole Jerome’s body so he could try and bring him back to life, and Harvey says that’s just what the city doesn’t need. Lucius (Chris Chalk) explains Dwight’s next step in resurrecting Jerome will be to thaw his body before reanimation. That should take, at the most, three hours. As they’re talking, they hear one of Jerome’s injured followers who’s been left behind.
Cole Clemens (P.J. Marshall), the man who’s after Selina’s mom for a debt she owes, pays a visit to Wayne Manor. Cole tells Bruce (David Mazouz) and Alfred (Sean Pertwee) Maria Kyle owes him $200,000 (the figure is really $100k) and says if he doesn’t get the money, he’ll turn Maria in to the police.
Back at the police station, Jim thanks Lee (Morena Baccarin) for convincing Carmine Falcone to call off Victor Zsasz. She may have saved him, but she hasn’t forgiven Jim for killing her husband. Lee tells Jim to have Dwight bring back Mario from the dead, leaving before Jim can respond.
Jim and Harvey turn their attention to the injured gang member, asking where Dwight took Jerome. The guy says Jerome is just the first step and that they are everywhere. Jim puts out a citywide alert to look for anything with the crazy smiling face symbol.
Dwight hooks up Jerome to a machine and then zaps him with electricity.
Oswald Cobblepot (Robin Lord Taylor) wakes up to the devastating news the people of Gotham think he’s crazy and want him out of office. Oswald doesn’t care and just wants to find Edward Nygma, but Barbara (Erin Richards) tells him he better care because rival gangs will seize control of Gotham. She tells him to pull himself together and she’ll set up a meeting with all of the heads of the crime families so he can put the rumors to rest.
Over at Wayne Manor, Bruce gives Maria (Ivana Milicevic) the money while Selina suggests they just call the cops on Cole. Selina believes Cole will just come back for more money, but Bruce thinks this will give them time to clear Maria’s record. Maria volunteers to leave and Selina gives in and says Bruce can pay, but she’s obviously not happy about it and leaves the room upset.
The cops have discovered smiling face symbols all over the city, and Harvey figures out most are concentrated in the rough parts of town. Jim and Harvey argue over the possibility Jerome has thousands of disciples across the city, something Harvey thinks is crazy. Lucius interrupts to tell them the thousand volts of electricity needed to bring back a corpse, like the woman Dwight brought back as a test subject, would show as a surge of electricity. The power company reported surges at 9th and Henry and there was another surge at that location just 15 minutes ago. As Jim and Harvey head out, a nearby cop calls Dwight’s associate to warn him the police are on their way.
Dwight’s attempt at bringing Jerome back to life doesn’t work, and he begs Jerome’s lifeless corpse to wake up. Dwight’s assistant reminds him all of Jerome’s people expect to have their leader back from the dead. Dwight gets tired of the guy yelling at him and zaps him right after he says, “They expect to see his face.” That gives Dwight an idea and he picks up a knife and bends over Jerome while saying, “They want to see your face.”
Jim and Harvey lead the cops into the warehouse where they find the machines but not Dwight. They do, however, find Jerome’s body…minus his face.
Jerome’s followers are gathered in a building and Dwight slowly walks down the stairs toward the crowd, telling them Jerome has returned. He’s wearing Jerome’s face like a mask and they all stop cheering. They scream, “Where’s Jerome?” while Dwight continues to say, “Jerome is here.” He declares each of them is Jerome and one by one they seem to accept it, saying, “I’m Jerome!” They begin chanting, “We are Jerome!”
Over at the Gotham City Police Department, Lee is about to perform Jerome’s autopsy and turns away to get something. When her back is turned, Jerome’s finger moves.
Lucius has discovered someone from the precinct called Dwight to let him know about the raid. Harvey gets upset, shatters a lamp, and wants Lucius to try and track down the mole. Unfortunately, the call was made through the station’s main line. Jim grabs the cell phone recovered at the scene and makes an announcement, telling everyone they have a mole. He shows them the phone that received the call and says, “Let’s find out who the traitor is, shall we?” He starts dialing and before he can finish, the guilty cop tries to flee the room. He’s tackled and arrested, and Lucius congratulates Jim for pulling off the bluff.
Oswald shows up at Barbara’s club for the meeting with the heads of the crime families but none of them have shown up. Angry, Oswald calls it a rebellion against his rule, but he thanks Barbara for being a friend. She offers up some advice: clean house by killing Tommy Bones and The Duke. Oswald starts chuckling and Barbara’s surprised. Turns out he knew she was manipulating him.
He asks for her plan, knowing she wanted to take over Gotham. He tells her she’s out of her depth and wonders if he should call the other families to find out if they were really invited to the meeting. Just then the phone rings and it’s Tommy Bones declaring they no longer work for Oswald anymore. If Oswald doesn’t walk away quietly, Tommy Bones will kill Edward Nygma. Oswald leaves, muttering that he has to gather his men.
After Oswald leaves, Barbara calls Tommy Bones and talks to Tabitha (Jessica Lucas) who’s holding the mobster at gunpoint. He asks if they’re good now that he’s played his part and Tabitha says yes and then kills him.
Harvey and Jim interrogate Officer Andrew Dove (James Mount), going through his work history to find out what made him flip. Dove says the night Jerome attacked the station was the same night he changed. Jim threatens him and Dove starts laughing hysterically. Jim slugs him in the face and Dove keeps on laughing while bleeding. Harvey takes over the beating and punches Dove repeatedly. Lee interrupts to inject Dove with Sodium Pentothal (truth serum). Jim runs after her and tells her she shouldn’t have done that. Lee’s pissed they keep bending the rules and Jim tells her she shouldn’t follow their example. Jim threatens to tell Harvey she came back too soon, but she reminds him she just saw the acting captain punch a suspect. “Don’t ever touch me again or tell me what to do,” she snarls before turning her back on Jim.
Harvey says Dove told him Dwight’s going to make an announcement on Channel 9 on the 6pm news.
At Channel 9, the boss tells everyone they’ve been instructed by the GCPD to evacuate the building. However, the warning comes too late as Dwight and the gang take over the station.
Morena Baccarin in ‘Gotham’ (Photo by Jessica Miglio / FOX)
Lee enters her office and finds a dead cop and she’s surprised to find a very much alive but bandaged Jerome also in her office. He grabs her before she can scream.
We return from a commercial break to discover Lee’s filled Jerome in on what went down in Gotham following his death. He’s impressed by having a group of lunatic followers and says the last year was nothing but darkness. He figures out Lee was Jim Gordon’s girlfriend and asks about their relationship. He seems disappointed they aren’t together and she tells him Jim killed Mario on her wedding night. Lee’s not happy when Jerome laughs. He remembers he was about to kill Bruce Wayne (and isn’t shocked to learn Bruce is still alive) and recalls being killed by Theo Galavan. Jerome’s disappointed to learn Theo was killed twice and says, “That son of a bitch is always upstaging me.” Finally, Jerome asks about the whereabouts of his face.
A massive squad of officers shows up at the Channel 9 news station only to discover the gang beat them to it and now there’s a hostage situation.
Maria delivers the $200k to Cole and he calls her “baby.” They’re working together (as if we hadn’t already figured that out) and she just wants to leave town. He says they won and that’s when Selina walks in. Maria knows she’s been caught and Selina runs through how the whole thing went down. Selina doesn’t care about the money they’re stealing from Bruce; she only cares about the fact that Maria came back to use her. Selina warns Maria never to visit her again.
Jim calls Dwight and demands he release the hostages. The gang begins laughing and Jim taunts Dwight, calling him just an “understudy pretending to be the star.” Dwight keeps insisting he’s Jerome and Jim hangs up on him, telling him he’s bored. The cops think they have figured out a way in.
Barbara and Tabitha celebrate outwitting Oswald as the crime family representatives gather at her club. Oswald’s out looking for Tommy Bones and everything’s going as planned. Tabitha reminds Barbara they are going to kill Ed when it’s all over, and Barbara leans over and seals the deal with a kiss. Now it’s time to figure out how to handle the crime families. Option A is reasoning with them. They go with option B as Tabitha mows them down. Barbara calls Ed and tells him Penguin is all his.
The live broadcast on Channel 9 begins and Dwight introduces himself as Jerome. The real Jerome watches from Lee’s office where Lee is now bound and gagged. Jerome critiques Dwight’s performance and then, wearing the dead cop’s uniform, takes off.
Jerome runs over a pedestrian with his stolen squad car on his way to Channel 9.
Jim, Harvey, and the cops break in and knock out the bad guy holding a hostage in the station’s front window. Dwight continues, promising they are about to rise up. His speech is cut short as Jim, Harvey, and the GCPD come in, guns blazing. Jim tackles Dwight and the gang members who aren’t killed are captured.
Selina barges in on Bruce while he’s working out, demanding to know if he knew Maria was only after the money. Bruce admits it was obvious and that he didn’t have any options. He thought she would skip town if he didn’t, and Selina is upset he lied to her. Bruce explains that calling her mother a con artist who just wanted his money didn’t seem like the right thing to do. Selina hits him as he tries to get her to understand he lied for a very different reason than what motivated her mother. Bruce refuses to fight back but does dodge all of her punches, even though she keeps yelling at him to fight her. Selina tells him her mother only came back because of him and the Wayne money and then runs out of the room.
Outside of Channel 9, Jim says they need to put some cops out on the streets since Dwight got part of his message out. Just then Jim gets a call from Lee telling him Jerome is alive and coming after Dwight. Harvey says he saw an officer walking Jerome away, and they discover an officer dead where Dwight was last seen.
Jerome’s in the driver’s seat of the news van and Dwight’s in the back as they leave the scene. Jerome holds up his face, which is now in an evidence bag, and calls him (the face) hilarious.
They make it to a building where Jerome staples his face on as Dwight watches. Dwight says it looks good and asks if Jerome is mad he cut off his face. Jerome asks, “What’s a cut-off face between friends?”
Meanwhile, Oswald’s angry he can’t find Ed. His goons tell him Tommy Bones did not have Ed at any of his hideouts. Ed calls then, whispering that he snuck away to the phone. He says he’s being held at Kane Chemicals and off Oswald goes to rescue his BFF.
At the GCPD, Jim tells Harvey there haven’t been any sightings of Jerome or Dwight, but there are lots of reports of violence and fires. Harvey can’t believe Dwight’s message worked. Lucius arrives, telling them to watch the news. A reporter says video from Channel 9’s van is coming in and she hopes it leads to the thief’s arrest. It’s Jerome – and Harvey wants Channel 9 to immediately cut off the broadcast.
Jerome reminds people he died and it was boring but now he’s back. He’s got a new perspective on life. He urges the citizens of Gotham to do what they want, and kill who they want. “In the darkness, there are no rules.” He adds, “When the morning comes, you too shall be reborn.” He then lights a stick of dynamite, tells a tied-up Dwight he doesn’t forgive him for his face, and leaves before the power plant full of explosives detonates.
Jim runs to the roof of the police station as across town the power plant explodes. The lights of Gotham are extinguished.
Two new short videos have arrived promoting FX’s new drama series, FEUD: Bette and Joan. The anthology series comes from Ryan Murphy, the creative mind behind American Horror Story, American Crime Story, Scream Queens, and Glee, and stars Susan Sarandon as Bette Davis and Jessica Lange as Joan Crawford. The cast also includes Alfred Molina as What Ever Happened to Baby Jane?‘s director Robert Aldrich, Stanley Tucci as studio titan Jack Warner, Judy Davis as gossip columnist Hedda Hopper, Kathy Bates as Joan Blondell, Sarah Paulson as Geraldine Page, and Dominic Burgess as Crawford and Davis’ co-star Victor Buono.
FX has set a March 5, 2017 premiere date.
The Plot: The first installment of Feud stars Jessica Lange and Susan Sarandon and tells the story of the legendary rivalry between two of the greatest movie stars of all time—Joan Crawford (Lange) and Bette Davis (Sarandon), and how they came together in 1962 to collaborate on a picture each hoped would revive their careers. The result, the critically acclaimed and box office smash What Ever Happened to Baby Jane? ultimately received five Academy Awards nominations and became a cult classic. But for its leads, Joan Crawford and Bette Davis, the real horror was working together. The pilot is based in part on the script “Best Actress” by Jaffe Cohen and Michael Zam which Murphy purchased.