Advertisement
Home Blog Page 406

‘Fargo’ Season 5 Episode 9 Recap: “The Useless Hand”

Fargo Season 5 Episode 9
Juno Temple as Dorothy “Dot” Lyon in ‘Fargo’ season 5 (Photo CR: Michelle Faye/FX)

FX’s Fargo season five episode eight, the season’s penultimate episode, is one of the series’ finest hours of storytelling. It opens with Ole Munch (Sam Spruell) punishing Gator (Joe Keery) for his innumerable acts of cruelty, topped off by the murder of Ole’s elderly mother.

Gator tries to bribe Ole into letting him go, but Ole doesn’t care one iota about promises of women, weapons, or cash. Tied to a chair, Gator can only whimper and beg as he realizes Ole’s about to take a red-hot knife to his eyes. An eye for an eye, correct? “This for that,” says Ole, adding, “What is taken must be given.”

Over at the Tillman Ranch, Dot (Juno Temple) is back in the game after a brief moment of despair at the end of episode seven. She maneuvers the metal cot into position beneath an exposed nail and makes a grab for it. Roy (Jon Hamm) steps outside the big house, but he doesn’t hear when Dot takes a tumble and breaks one of the floorboards in the outbuilding.

Ranch foreman Bowman (Conrad Coates) reports that no one has heard from Gator, and Roy reveals the governor is ignoring his calls. They’re on their own at this point. The tide has turned and it’s time to rally the patriots. They need to bring weapons and be prepared for battle.

Roy also gives the order for Bowman to kill Dot.

Dot repeatedly stamps down on the board to make the opening larger. By the time Bowman walks in, it appears that Dot has somehow escaped.

Dot hides under the floorboards and uses a nail to unlock her handcuffs.

Meanwhile, Lorraine Lyon’s calls to Danish Graves are going unanswered. Indira (Richa Moorjani), now in a business suit and professional in manner, delivers the news that his cell has been off for hours. The cell’s last known location was at the Tillman Ranch.

Lorraine (Jennifer Jason Leigh) is done playing her twisted version of nice. She orders Jerome to call the “orange idiot” since her donations mean she’s owed a favor.

Indira calls her friend North Dakota Deputy Witt Farr (Lamorne Morris) to inform him the FBI is about to raid the Tillman Ranch. Indira can’t be there in person, given her new position, but she trusts that Witt will save Dorothy if she’s still alive.

Witt immediately leaps into action and heads to the Tillman Ranch.

Roy shoots a video calling for all patriots to respond to his ranch. “This is America’s Sheriff issuing a call to arms,” says Roy. He echoes a certain politician and says that after the government comes for him, they’ll come for all the patriots next.

The next scene is of truckloads of well-armed “patriots” arriving at the ranch to the tune of “Y.M.C.A.”

The arrivals provide a bit of a distraction, enough for Dot to make it into the main house unnoticed. She heads upstairs to her old bedroom and manages to use the landline to call Wayne (David Rysdahl) and Scotty (Sienna King). Roy’s third wife, Karen Rebecca Liddiard), interrupts the call before Dot can say anything other than that she’s okay.

Karen holds Dot at gunpoint as she snarls that Roy won’t even let her change the sheets. They still sleep in Dot’s “filth.” Plus, Dot’s photos are still all over the walls.

Dot pleads with Karen to help her end this. Together, they can take down Roy and make it so he’ll never hit another woman. Karen decides that’s a big no, and Dot easily disarms her and hits her with the butt of the rifle. She leaves Karen knocked out on the bedroom floor, keeps the rifle, takes Karen’s cell phone, and uses a hidden stairway down to the first floor.

Dot turns all the gas on and tucks her hair up under a hat before exiting the house.

Roy returns to the big house and sniffs the air just as he hears a man about to light a cigarette. Unfortunately, he acts quickly and the house doesn’t go up in flames. They search the house, and Roy spots Karen unconscious and injured but doesn’t help her. He’s obsessed with finding Dot.

While searching the house, Roy finds the bag of cash Gator was supposed to have given Ole Munch. He realizes his son stole it back.

And speaking of said son, Ole’s leading him on foot through the snow, hands tied and rope around his neck.

Dot finds an out-of-the-way spot and uses Karen’s cell phone to call Indira. Lorraine demands the phone, and Dot is sad to report that Roy killed Danish when he came to the ranch to save her. Dot claims to be safe right now, and Lorraine explains state and federal forces are on their way. She tells Dot to find somewhere safe to ride out the battle.

Dot’s confused as to why Lorraine would help her now, and Lorraine’s forced to admit she cares. “No daughter of mine is going down on the one-yard line,” says Lorraine. She orders her daughter-in-law to put her big girl panties on and stay in the fight.

Indira takes over and tells her to stay out of the fight and to hide somewhere they won’t look. Dot knows the perfect place: the hidden grave by the windmill.

Fargo Season 5 Episode 9
Jon Hamm as Roy Tillman in ‘Fargo’ season 5 episode 9 (Photo CR: Michelle Faye/FX)

A North Dakota SWAT team and heavily armed FBI agents pull up in dozens of vehicles – including tanks – right outside the ranch’s main gate.

Roy’s gathered 40+ weekend warriors as the FBI Special Agent-in-Charge exchanges banter with the SWAT team leader. The SWAT guy describes Roy Tillman as a famous Gary Cooper-type sheriff, and the FBI SAIC confirms they’ll try not to injure the women and children.

Agents Joaquin and Meyer join the leaders and explain that it’s their case. They describe Roy’s people as ready for another 1776 and believe they won’t back down without a fight. Witt walks up with news that the hostage, Dot, has a cell phone with her and they can use it to track her location. Neither the Special Agent in Charge nor the SWAT team leader were aware that there’s a hostage, but the SWAT team will put her on their list of things to do. Agent Meyer speaks up and says Dot’s critical to their case, and the SWAT leader agrees to move saving Dot to the top of his list.

The SWAT leader also agrees to let Witt coordinate a rescue plan with tactical.

Roy rides out on his horse and orders the officers to get off his land. Of course, the SAIC doesn’t back down and isn’t intimated by Roy’s threats or his ragtag, wannabe army. Roy claims not to know who Danish Graves is and refuses to say if Dot/Nadine is on his property.

Witt speaks up, and Roy isn’t shocked that he’s joined the witch hunt. Agent Meyer points out that the true definition of a witch hunt isn’t witches hunting men. It’s men killing women to keep them in line. Roy doesn’t take kindly to a woman speaking to him this way and warns her there are patriots ready to penetrate her from behind.

The SAIC is done with this standoff. Roy needs to let them in, or else he’ll wind up in handcuffs. Roy seems to believe God has set him on this path and that everyone else is wrong. They can leave and live or stay and die. (Yeah, I don’t think this is going to end how Roy thinks it will.)

Roy and his foreman discuss their next move, and Roy figures out the FBI got there too fast to have just responded to Dot’s call. He knows Lorraine’s behind this and that she made a call to “weaponize the deep state.”

Roy believes Dot is still on the property and that she’s hiding in either the dugout or the grave. Roy checks out the dugout – a secret tunnel system that goes under the ranch and out into a field. She’s not there, but he hides a knife just in case he needs to return.

Roy exits the tunnel only to discover Gator and Ole Munch appearing through the mist 20’ away. Ole confirms Gator had to forfeit his eyes after pulling a double-cross. Gator sobs and apologizes to his dad for not letting it go like he told him to.

Ole calls Gator a useless hand and pushes him into Roy, causing both men to fall down. By the time Roy looks up again, Ole’s disappeared back into the mist. Roy has no sympathy for Gator and tells him, “If there ever was a point to you, it’s gone now.”

Roy walks away, leaving the now-blind and injured Gator on his own.

Witt informs the SWAT team that Dot will likely be armed, but whatever they do, they should not shoot her. “This story will not end with us crushing the victim with a helping hand,” declares Witt.

The SWAT team agrees not to shoot the hostage.

Dot is, in fact, hiding in the grave next to Danish’s body. Unfortunately, she left the rifle behind when she climbed down into the pit. Foreman Bowman and two men are charged with checking out the grave and spot the discarded rifle. The grave’s lid is removed and Dot is exposed. Bowman takes aim and as visions of Wayne and Scott flow their Dot’s mind, the foreman is yanked away from behind.

Ole Munch appears at the top of the pit and assures Dot that she’s free to come out. He offers Dot his hand, saying it wouldn’t be fair to fight a tiger in a cage. Once out of the pit, Ole hands her a rifle and says, “Now the tiger is free.”

Dot doesn’t reply and watches as Ole Munch walks off into the mist.

Episode nine ends with Dot walking with determination toward the big house.

* * * * * * * *

New Fargo season five episodes air on FX on Tuesdays at 10pm ET/PT.




‘Stranger Things’ Season 5 Officially Begins Production

Noah Schnapp, Millie Bobby Brown, David Harbour, Winona Ryder, Cara Buono, Joe Keery, Amybeth McNulty, Charlie Heaton, Brett Gelman, Maya Hawke, Natalia Dyer, Jamie Campbell Bower, Priah Ferguson, Linda Hamilton, Gaten Matarazzo, Caleb McLaughlin, Ross Duffer, Matt Duffer, Finn Wolfhard, and Sadie Sink of 'Stranger Things' (Photo Cr. Atsushi Nishijima / Netflix © 2024)
Noah Schnapp, Millie Bobby Brown, David Harbour, Winona Ryder, Cara Buono, Joe Keery, Amybeth McNulty, Charlie Heaton, Brett Gelman, Maya Hawke, Natalia Dyer, Jamie Campbell Bower, Priah Ferguson, Linda Hamilton, Gaten Matarazzo, Caleb McLaughlin, Ross Duffer, Matt Duffer, Finn Wolfhard, and Sadie Sink of ‘Stranger Things’ (Photo Cr. Atsushi Nishijima / Netflix © 2024)

Netflix announced filming is officially underway on the fifth – and final – season of the critically acclaimed, award-winning drama Stranger Things. The streaming service released the first photo from behind the scenes on the much-anticipated (and much-delayed) season five.

The cast of the final season includes Noah Schnapp, Millie Bobby Brown, Joe Keery, Gaten Matarazzo, Caleb McLaughlin, and Finn Wolfhard. Sadie Sink, David Harbour, Winona Ryder, Cara Buona, Charlie Heaton, Maya Hawke, and Natalia Dyer also star.

Amybeth McNulty, Brett Gelman, Jamie Campbell Bower, Priah Ferguson, and Linda Hamilton are also a part of the show’s huge ensemble.

“A love letter to the ‘80s classic genre films that captivated a generation, Stranger Things is a thrilling drama set in the seemingly normal Midwestern town of Hawkins, Indiana. After a boy vanishes into thin air, his close-knit group of friends and family search for answers and are pulled into a high-stakes and deadly series of events,” reads Netflix’s synopsis. “Beneath the surface of their ordinary town lurks an extraordinary supernatural mystery, along with top-secret government experiments and a dangerous gateway that connects our world to a powerful yet sinister realm. Friendships will be tested and lives will be altered as what they discover will change Hawkins and possibly the world — forever.”

Ross and Matt Duffer created the popular series, which debuted way back in July 2016. Season two premiered in October 2017, followed by season three in July 2019 and season four in May 2022. Season five is expected to arrive in 2025.

Although the series is ending, the Stranger Things universe will continue with a spinoff and Stranger Things: The First Shadow stage play.




Golden Globes 2024 Winners: ‘Oppenheimer’ and ‘Succession’ Win Big

Oppenheimer Cillian Murphy and Matt Damon
Cillian Murphy is J. Robert Oppenheimer in ‘Oppenheimer’ (Photo Credit by Melinda Sue Gordon © Universal Pictures)

Barbie went into the 2024 Golden Globes with the most film nominations, but it was Oppenheimer that captured the most wins. Oppenheimer picked up five trophies, including Best Motion Picture – Drama, Best Director (Christopher Nolan), Best Score, Male Actor in a Motion Picture – Drama (Cillian Murphy), and Supporting Actor – Drama (Robert Downey Jr).

Barbie took home the inaugural Cinematic and Box Office Achievement award as well as Best Song (Billie Eilish’s “What Was I Made For?”). Other films receiving two awards included Anatomy of a Fall, The Holdovers, and Poor Things.

Lily Gladstone won the Female Actor – Drama award for her outstanding performance in Killers of the Flower Moon, directed by Martin Scorsese. Gladstone’s win is the first for an Indigenous performer.

The final season of Succession topped the list of winners on the television side, collecting four, including Best Television Series – Drama and three acting awards for Kieran Culkin, Sarah Snook, and Matthew Macfadyen. Beef scored three wins, including a groundbreaking win in the Female in a Limited Series categories. Ali Wong entered the Golden Globes history books as the first female actor of Asian descent to win in that category.

The Bear topped the list of TV comedies, earning three Golden Globes including Male Actor – Comedy (Jeremy Allen White), Female Actor – Comedy (Ayo Edebiri), and Best Television Series – Musical or Comedy.

Jo Koy hosted the broadcast with only two weeks to prepare. Koy’s monologue didn’t hit any of the right notes, and he repeatedly made sure everyone knew that he didn’t have much time to get ready for the hosting gig. Koy also tossed the show’s writers under the bus by claiming the only funny jokes were the ones he wrote for himself.

Golden Globes 2024 Nominees and Winners:

BEST MOTION PICTURE – DRAMA
ANATOMY OF A FALL (NEON)
KILLERS OF THE FLOWER MOON (Apple Original Films)
MAESTRO (Netflix)
WINNER: OPPENHEIMER (Universal Pictures)
PAST LIVES (A24)
THE ZONE OF INTEREST (A24)

BEST MOTION PICTURE – MUSICAL OR COMEDY
AIR (Amazon MGM Studios)
AMERICAN FICTION (Orion Pictures / Amazon MGM Studios)
BARBIE (Warner Bros. Pictures)
THE HOLDOVERS (Focus Features)
MAY DECEMBER (Netflix)
WINNER: POOR THINGS (Searchlight Pictures)

BEST MOTION PICTURE – ANIMATED
WINNER: THE BOY AND THE HERON (GKIDS)
ELEMENTAL (Walt Disney Studios Motion Pictures)
SPIDER-MAN: ACROSS THE SPIDER-VERSE (Sony Pictures Releasing)
THE SUPER MARIO BROS. MOVIE (Universal Pictures)
SUZUME (Crunchyroll / Sony Pictures Entertainment)
WISH (Walt Disney Studios Motion Pictures)

CINEMATIC AND BOX OFFICE ACHIEVEMENT
WINNER: BARBIE (Warner Bros. Pictures)
GUARDIANS OF THE GALAXY VOL. 3 (Walt Disney Studios Motion Pictures)
JOHN WICK: CHAPTER 4 (Lionsgate)
MISSION: IMPOSSIBLE – DEAD RECKONING PART 1 (Paramount Pictures)
OPPENHEIMER (Universal Pictures)
SPIDER-MAN: ACROSS THE SPIDER-VERSE (Sony Pictures Releasing)
THE SUPER MARIO BROS. MOVIE (Universal Pictures)
TAYLOR SWIFT: THE ERAS TOUR (AMC Theatres Distribution)

BEST MOTION PICTURE – NON-ENGLISH LANGUAGE
WINNER: ANATOMY OF A FALL (NEON) – FRANCE
FALLEN LEAVES (MUBI) – FINLAND
IO CAPITANO (Pathe Distribution) – ITALY
PAST LIVES (A24) – USA
SOCIETY OF THE SNOW (Netflix) – SPAIN
THE ZONE OF INTEREST (A24) – UNITED KINGDOM / USA

BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – DRAMA
ANNETTE BENING (NYAD)
WINNER: LILY GLADSTONE (KILLERS OF THE FLOWER MOON)
SANDRA HÜLLER (ANATOMY OF A FALL)
GRETA LEE (PAST LIVES)
CAREY MULLIGAN (MAESTRO)
CAILEE SPAENY (PRISCILLA)

BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – DRAMA
BRADLEY COOPER (MAESTRO)
LEONARDO DiCAPRIO (KILLERS OF THE FLOWER MOON)
COLMAN DOMINGO (RUSTIN)
BARRY KEOGHAN (SALTBURN)
WINNER: CILLIAN MURPHY (OPPENHEIMER)
ANDREW SCOTT (ALL OF US STRANGERS)

BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
FANTASIA BARRINO (THE COLOR PURPLE)
JENNIFER LAWRENCE (NO HARD FEELINGS)
NATALIE PORTMAN (MAY DECEMBER)
ALMA PÖYSTI (FALLEN LEAVES)
MARGOT ROBBIE (BARBIE)
WINNER: EMMA STONE (POOR THINGS)

BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
NICOLAS CAGE (DREAM SCENARIO)
TIMOTHÉE CHALAMET (WONKA)
MATT DAMON (AIR)
WINNER: PAUL GIAMATTI (THE HOLDOVERS)
JOAQUIN PHOENIX (BEAU IS AFRAID)
JEFFREY WRIGHT (AMERICAN FICTION)

BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
EMILY BLUNT (OPPENHEIMER)
DANIELLE BROOKS (THE COLOR PURPLE)
JODIE FOSTER (NYAD)
JULIANNE MOORE (MAY DECEMBER)
ROSAMUND PIKE (SALTBURN)
WINNER: DA’VINE JOY RANDOLPH (THE HOLDOVERS)

BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
WILLEM DAFOE (POOR THINGS)
ROBERT DE NIRO (KILLERS OF THE FLOWER MOON)
WINNER: ROBERT DOWNEY JR. (OPPENHEIMER)
RYAN GOSLING (BARBIE)
CHARLES MELTON (MAY DECEMBER)
MARK RUFFALO (POOR THINGS)

BEST DIRECTOR – MOTION PICTURE
BRADLEY COOPER (MAESTRO)
GRETA GERWIG (BARBIE)
YORGOS LANTHIMOS (POOR THINGS)
WINNER: CHRISTOPHER NOLAN (OPPENHEIMER)
MARTIN SCORSESE (KILLERS OF THE FLOWER MOON)
CELINE SONG (PAST LIVES)

BEST SCREENPLAY – MOTION PICTURE
GRETA GERWIG, NOAH BAUMBACH (BARBIE)
TONY MCNAMARA (POOR THINGS)
CHRISTOPHER NOLAN (OPPENHEIMER)
ERIC ROTH, MARTIN SCORSESE (KILLERS OF THE FLOWER MOON)
CELINE SONG (PAST LIVES)
WINNER: JUSTINE TRIET, ARTHUR HARARI (ANATOMY OF A FALL)

BEST ORIGINAL SCORE – MOTION PICTURE
JERSKIN FENDRIX (POOR THINGS)
WINNER: LUDWIG GÖRANSSON (OPPENHEIMER)
JOE HISAISHI (THE BOY AND THE HERON)
MICA LEVI (THE ZONE OF INTEREST)
DANIEL PEMBERTON (SPIDER-MAN: ACROSS THE SPIDER-VERSE)
ROBBIE ROBERTSON (KILLERS OF THE FLOWER MOON)

BEST ORIGINAL SONG – MOTION PICTURE
“ADDICTED TO ROMANCE” — SHE CAME TO ME
Music & Lyrics by: Bruce Springsteen
“DANCE THE NIGHT” — BARBIE
Music & Lyrics by: Mark Ronson, Andrew Wyatt, Dua Lipa, Caroline Ailin
“I’M JUST KEN” — BARBIE
Music & Lyrics by: Mark Ronson, Andrew Wyatt
“PEACHES” — THE SUPER MARIO BROS. MOVIE
Music & Lyrics by: Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, John Spiker
“ROAD TO FREEDOM” — RUSTIN
Music & Lyrics by: Lenny Kravitz
WINNER: “WHAT WAS I MADE FOR?” — BARBIE
Music & Lyrics by: Billie Eilish O’Connell, Finneas O’Connell

Succession Season 4
Jeremy Strong, Sarah Snook, and Kieran Culkin in ‘Succession’ season 4 (Photograph by Claudette Barius/HBO)

BEST TELEVISION SERIES – DRAMA
1923 (PARAMOUNT+)
THE CROWN (NETFLIX)
THE DIPLOMAT (NETFLIX)
THE LAST OF US (HBO | MAX)
THE MORNING SHOW (APPLE TV+)
WINNER: SUCCESSION (HBO | MAX)

BEST TELEVISION SERIES – MUSICAL OR COMEDY
ABBOTT ELEMENTARY (ABC)
BARRY (HBO | MAX)
WINNER: THE BEAR (FX)
JURY DUTY (AMAZON FREEVEE)
ONLY MURDERS IN THE BUILDING (HULU)
TED LASSO (APPLE TV+)

BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION
ALL THE LIGHT WE CANNOT SEE (NETFLIX)
WINNER: BEEF (NETFLIX)
DAISY JONES & THE SIX (PRIME VIDEO)
FARGO (FX)
FELLOW TRAVELERS (SHOWTIME)
LESSONS IN CHEMISTRY (APPLE TV+)

BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – DRAMA
HELEN MIRREN (1923)
BELLA RAMSEY (THE LAST OF US)
KERI RUSSELL (THE DIPLOMAT)
WINNER: SARAH SNOOK (SUCCESSION)
IMELDA STAUNTON (THE CROWN)
EMMA STONE (THE CURSE)

BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – DRAMA
BRIAN COX (SUCCESSION)
WINNER: KIERAN CULKIN (SUCCESSION)
GARY OLDMAN (SLOW HORSES)
PEDRO PASCAL (THE LAST OF US)
JEREMY STRONG (SUCCESSION)
DOMINIC WEST (THE CROWN)

BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
RACHEL BROSNAHAN (THE MARVELOUS MRS. MAISEL)
QUINTA BRUNSON (ABBOTT ELEMENTARY)
WINNER: AYO EDEBIRI (THE BEAR)
ELLE FANNING (THE GREAT)
SELENA GOMEZ (ONLY MURDERS IN THE BUILDING)
NATASHA LYONNE (POKER FACE)

BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
BILL HADER (BARRY)
STEVE MARTIN (ONLY MURDERS IN THE BUILDING)
JASON SEGEL (SHRINKING)
MARTIN SHORT (ONLY MURDERS IN THE BUILDING)
JASON SUDEIKIS (TED LASSO)
WINNER: JEREMY ALLEN WHITE (THE BEAR)

BEST PERFORMANCE BY A FEMALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
RILEY KEOUGH (DAISY JONES & THE SIX)
BRIE LARSON (LESSONS IN CHEMISTRY)
ELIZABETH OLSEN (LOVE & DEATH)
JUNO TEMPLE (FARGO)
RACHEL WEISZ (DEAD RINGERS)
WINNER: ALI WONG (BEEF)

BEST PERFORMANCE BY A MALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
MATT BOMER (FELLOW TRAVELERS)
SAM CLAFLIN (DAISY JONES & THE SIX)
JON HAMM (FARGO)
WOODY HARRELSON (WHITE HOUSE PLUMBERS)
DAVID OYELOWO (LAWMEN: BASS REEVES)
WINNER: STEVEN YEUN (BEEF)

BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
WINNER: ELIZABETH DEBICKI (THE CROWN)
ABBY ELLIOTT (THE BEAR)
CHRISTINA RICCI (YELLOWJACKETS)
J. SMITH-CAMERON (SUCCESSION)
MERYL STREEP (ONLY MURDERS IN THE BUILDING)
HANNAH WADDINGHAM (TED LASSO)

BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
BILLY CRUDUP (THE MORNING SHOW)
WINNER: MATTHEW MACFADYEN (SUCCESSION)
JAMES MARSDEN (JURY DUTY)
EBON MOSS–BACHRACH (THE BEAR)
ALAN RUCK (SUCCESSION)
ALEXANDER SKARSGÅRD (SUCCESSION)

BEST PERFORMANCE IN STAND-UP COMEDY ON TELEVISION
WINNER: RICKY GERVAIS (RICKY GERVAIS: ARMAGEDDON)
TREVOR NOAH (TREVOR NOAH: WHERE WAS I)
CHRIS ROCK (CHRIS ROCK: SELECTIVE OUTRAGE)
AMY SCHUMER (AMY SCHUMER: EMERGENCY CONTACT)
SARAH SILVERMAN (SARAH SILVERMAN: SOMEONE YOU LOVE)
WANDA SYKES (WANDA SYKES: I’M AN ENTERTAINER)




‘Hotel Cocaine’ Drama Adds 3 Series Regulars

Hotel Cocaine Poster
Poster for MGM+’s Hotel Cocaine

Tania Watson (The Head), Corina Bradley (Star-Crossed Romance), and Laura Gordon (Late Night with the Devil) have joined the cast of MGM+’s crime thriller Hotel Cocaine. The threesome board the project which already has Danny Pino (Mayans M.C.), Michael Chiklis (The Shield), Mark Feuerstein (Power), and Yul Vazquez (Severance) involved as series regulars.

Chris Brancato (Godfather of Harlem, Narcos) created the series and serves as executive producer and showrunner. Additional executive producers include Michael Panes, Alfredo Barrios Jr., and Guillermo Navarro, with Navarro directing the pilot.

Hotel Cocaine is set in the 1970s and will be shot in the Dominican Republic. The eight-episode season is expected to premiere this summer.

The streaming service also announced Mayra Hermosillo, Juan Pablo Raba, Erniel Baez, Nick Barkla, Cale Ambrozic, Camila Valero, Maggie Lacey, John Ventimiglia, and Larry Powell have joined the cast in recurring and guest-starring roles.

MGM+ released this description of the series and characters:

“Hotel Cocaine is the story of Roman Compte, Cuban exile and general manager of the the Mutiny Hotel, the glamorous epicenter of the Miami cocaine scene of late ‘70s and early ‘80s. The Mutiny Hotel was Casablanca on cocaine; a glitzy nightclub, restaurant, and hotel frequented by Florida businessmen and politicians, international narcos, CIA and FBI agents, models, sports stars, and musicians. At the center of it all was Compte, who was doing his best to keep it all going and fulfill his own American Dream.”

  • Tania Watson as Marison: Marisol is Roman’s girlfriend and de facto stepmother to his daughter Valeria. She watches with growing fear as he becomes enmeshed in his drug-dealing brother’s life.
  • Corina Bradley as Valeria: Valeria is Roman Compte’s 16-year-old daughter. She watches her father get pulled into the middle of the Miami drug wars and begins her own investigation into her father and uncle’s activities.
  • Laura Gordon as Janice Nichols: Janice is the head of the Mutiny girls, the fun-loving, charming, and vivacious women who populate the Mutiny Club.
  • Mayra Hermosillo as Yolanda, a ruthless Colombian drug smuggler and girlfriend of Gilberto Henao.
  • Juan Pablo Raba as Gilberto ‘La Cobra’ Henao, a powerful Colombian drug lord who’s come to take over the Miami cocaine market.
  • Erniel Baez as Ray Dorado, an untrustworthy banker with criminal ties.
  • Nick Barkla as Congressman Landon, a corrupt-to-the-bone civil servant who works with criminals in order to further his own political agenda.
  • Cale Ambrozic as Andrew Landon, Congressman Landon’s son and a potential love interest for Roman’s daughter Valeria.
  • Camila Valero as Alejandra, Nestor’s fourth wife.
  • Maggie Lacey as Constance, the uptight sister of Burton Greenberg.
  • John Ventimiglia as Hunter Thompson, the prolific writer who’s come to publish a piece about Burton’s family.
  • Larry Powell as Rick James, the renowned singer who’s come to the Mutiny in search of inspiration for his new album.

 

Sundance Adds ‘The Greatest Night in Pop’ and Announces Beyond Film Lineup

The Greatest Night in Pop
A still from ‘The Greatest Night in Pop’ by Bao Nguyen, an official selection of the Episodic Program at the 2024 Sundance Film Festival. (Courtesy of Sundance Institute)

The 2024 Sundance Film Festival has added The Greatest Night in Pop, a documentary that explores the creation of the collaborative “We Are the World” song and video, to its lineup.

“We’re thrilled to be adding to our program a special screening of The Greatest Night in Pop, taking us behind the scenes of how ‘We Are the World’ came together, followed by a conversation with Lionel Richie, filmmaker Bao Nguyen, and producer Julia Nottingham,” stated Kim Yutani, Sundance Film Festival Director of Programming. “Our robust film lineup will be rounded out by a wide range of conversations touching upon themes in the programming and featuring some of today’s most inspiring creators and leaders.”

The festival also announced the 2024 Beyond Film schedule, which will feature conversations with filmmaker Steven Soderbergh, Oscar nominee Chiwetel Ejiofor, writer/director Dee Rees, and many more.

“Our Beyond Film programming is a crucial and inspiring part of the Sundance Film Festival experience,” said Ania Trzebiatowska, Beyond Film Program Curator. “Especially this year, as we celebrate our 40th edition, these events enable audiences to go beyond the screens — whether you’re watching in theaters here in person, or online from home — to meaningfully connect with artists and their stories. It’s during these intimate conversations that audiences can discover themes across our Festival Program and hear from artists themselves about the vitality of independent storytelling, the interwovenness of art, science, and culture, and so much more.”

The 2024 Sundance Film Festival runs January 18-28 in Park City and Salt Lake City, Utah.

BEYOND FILM LINEUP

POWER OF STORY
The Sundance Film Festival’s Power of Story looks to deepen public engagement with the art of storytelling, delve into cinema culture, and celebrate artists whose work propels and reinvents the form as we know it.

Power of Story: Four Decades of Taking Chances
Tuesday, January 23, 3–4:30 p.m.
Egyptian Theatre, 328 Main St.
With this conversation, we look back at the legacy of independent storytelling and the Sundance Film Festival over the course of four decades. A group of artists reflect on their work and careers, the empowering nature of risk-taking, and the importance of negotiating creative freedom. We want to talk about the past as we contemplate the future of storytelling and explore how revolutionary narrative experiences can reshape culture through artistic discovery, emerging media, and the reassertion of independence.

Featuring: Miguel Arteta (Beatriz at Dinner), Richard Linklater (Hit Man, God Save Texas: Hometown Prison), Dawn Porter (Luther: Never Too Much), Christine Vachon (A Different Man) – Moderated by Eugene Hernandez

CINEMA CAFÉ
Friday January 19–Thursday, January 25, 2024
Filmmaker Lodge, 550 Main St.
This series of informal chats brings together special guests for thought-provoking encounters. Previous Cinema Café guests have included Ruth Bader Ginsburg, Tessa Thompson, Jane Campion, Dave Grohl, Eugenio Derbez, Lena Dunham, Norman Lear, Kumail Nanjiani, Zazie Beetz, Saoirse Ronan, Spike Lee, Maggie Gyllenhaal, Radha Blank, Ira Glass, Hillary Rodham Clinton, Bassem Youssef, Charlie Kaufman, Ice-T, Nick Hornby, Winston Duke, Samantha Power, Steve Coogan, Roger Corman, D. Smith, and many others. Cinema Café is presented by Audible

  • Cinema Café: Sue Bird (Sue Bird: In The Clutch) and Jay Ellis (Freaky Tales)
    Friday, January 19, 11 a.m.–noon
  • Cinema Café: André Holland (Exhibiting Forgiveness) and Steven Soderbergh (Presence)
    Moderated by Aisha Harris (NPR Pop Culture Happy Hour)
    Saturday, January 20, 11:30 a.m.–12:30 p.m.
  • Cinema Café: Jesse Eisenberg (A Real Pain) and Chiwetel Ejiofor (Rob Peace)
    Sunday, January 21, noon–12:45 p.m.
  • Cinema Café: Carla Gutiérrez (FRIDA), Lucy Lawless (Never Look Away), and Lana Wilson (Look Into My Eyes)
    Tuesday, January 23, 11 a.m.–noon
  • Cinema Café: Episodic Storytellers
    Mark Duplass (Penelope), Mel Eslyn (Penelope), Steve James (City So Real), and Nzingha Stewart (Me/We)
    Wednesday, January 24, 11 a.m.–noon
  • Cinema Café: Debra Granik (Conbody VS Everybody) and Dee Rees (Pariah)
    Thursday, January 25, 11 a.m.–noon

THE BIG CONVERSATION
The Big Conversation tackles science, art, culture, and the movements that are fueling the imaginations of today’s independent artists. A compelling selection of speakers discuss topics centered on the themes of this year’s program and explore broader trends in art and culture around the world. In considering how artists — through their practice and their work — make meaning of the world, we’re reminded that it’s the big conversation that connects us to the big ideas.

The Big Conversation: Screen of Consciousness
Monday, January 22, 11 a.m.–noon
Filmmaker Lodge, 550 Main St.
Amid a groundswell of public fascination with AI, our guest filmmakers and scientists consider the science and technology of machine learning and the range of imaginative, dystopian, and sometimes prophetic narratives that storytellers have put forth in exploring it. For all of cinema’s android apocalypse scenarios, films like Her, After Yang, Moon, Marjorie Prime, and this year’s Love Me offer artful, philosophical perspectives on AI (as a technology, a tool, a companion), the emotional connection humans build with it, and the complexities of sentience and consciousness. Supported by the Alfred P. Sloan Foundation

Featuring: Andy Zuchero (Love Me) and Sam Zuchero (Love Me) and others. Moderated by Dr. Heather Berlin (Associate Clinical Professor, Icahn School of Medicine at Mount Sinai)

The Big Conversation: First Steps, First Films
Wednesday, January 24, 2–3 p.m.
Filmmaker Lodge, 550 Main St.
In a session geared toward emerging artists, we explore career-building and forging a creative identity. Although the landscape of independent storytelling continues to evolve dramatically and the nature of opportunity shifts, the path to starting a career, getting a first project off the ground, forming meaningful collaborations, and finding a personal storytelling voice has never been easy to navigate. A small group of remarkable filmmakers discuss how they’ve done just that.
Featuring: Carlos López Estrada (Dìdi (弟弟)) and others

NEW FRONTIER: LET’S REBRAND ARTIFICIAL INTELLIGENCE!
Sunday, January 21, 2–3:30 p.m.
Filmmaker Lodge, 550 Main St.
Technology is simply and fundamentally a human expression formed by the values held by its designer. New Frontier alumni artists and creative technologists who have been working on the vanguard of design and technology for decades come together to interrogate the profile of so-called AI technologies in popular culture, share their creative practice, and ask, “What do we need this powerful tech to do for us right now?” Do we need to rebrand artificial intelligence altogether?

Featuring: Navid Khonsari (Block Party, Hero, Revolution 1979), Ari Melenciano (Computational Anthropology), Rashaad Newsome (Being (the Digital Griot)), Sandra Rodriguez (CHOM5KY vs. CHOMSKY). Moderated by Amelia Winger-Bearskin (Banks Chair of AI and the Arts at the University of Florida, Digital Worlds Institute, New Frontier Story Lab, and IDP alumna)

SUNDANCE TRIVIA: THE 40TH EDITION
Thursday, January 25, 2–3 p.m.
Filmmaker Lodge, 550 Main St.
Four Decades of history; one trivial hour. How well do you know your Sundance history? Who’s had the most features at Sundance? Name this 2017 film: “I mean, I told you not to go into that house.” Did the 1989 program really include Zadar! Cow From Hell? If you think your knowledge of Sundance history is laughable, try our ragtag assembly of comedians, filmmakers, and Festival veterans when we put them to the test.

FILM CHURCH
Friday, January 26, 2–3:30 p.m.
Filmmaker Lodge, 550 Main St.
What could be more divine than 11 days of film watching? Finish off your Sundance Film Festival experience by sharing a near-spiritual occasion with a group of film lovers who also happen to be world-renowned filmmakers. Come confess your likes and dislikes in a highly nondenominational setting. Joining us for this sermon will be a variety of special guests, including former Sundance Film Festival director John Cooper, Zoe Lister-Jones (How It Ends), our inaugural critic-at-large, and a few filmmakers who took home awards that morning. All will be forgiven.Hosted by Eugene Hernandez and Kim Yutani

SUNDANCE COLLAB
For over 40 years, Sundance Institute has supported and championed independent artists because we believe their stories and perspectives are essential to a thriving, informed, and connected society. As a program of Sundance Institute, Sundance Collab provides an unparalleled, open, inclusive digital destination and experience where independent global creators have a safe space to learn and grow as artists, share their stories, and connect to one another. Sign up today at collab.sundance.org.

FILMMAKER MEETUP AND PANEL: MAKING YOUR FIRST FEATURE FILM
Presented by Canon U.S.A., Inc. and Sundance Collab
Monday, January 22, 9:30–11 a.m.
Canon Creative Studio, 528 Main St.
Join Sundance Collab for a candid panel with Festival filmmakers Sean Wang (Dìdi (弟弟)), Josh Margolin (Thelma), and Julian Brave NoiseCat and Emily Kassie (Sugarcane) about the process of making their first feature film. Following the discussion, we invite attendees to stay for coffee, snacks, and casual networking.
Featuring: Sean Wang (Dìdi (弟弟)), Josh Margolin (Thelma), and Julian Brave NoiseCat and Emily Kassie (Sugarcane)
Moderated by Patty West (Sundance Institute)




CBS Announces ‘NCIS: Origins’ with Mark Harmon Narrating

NCIS: Origins
Austin Stowell stars in ‘NCIS: Origins’ (Photo © 2024 CBS Broadcasting, Inc)

Mark Harmon is returning to the NCIS franchise as narrator and executive producer of NCIS: Origins. CBS has given the show, which will explore Leroy Jethro Gibbs’ younger years, a straight-to-series order.

NCIS fans can expect the origin story to premiere as part of the 2024-2025 primetime season.

“The character of Gibbs has been an important part of my life for 20 years, both in watching my father craft the role and previously having the honor to play young Gibbs myself,” stated executive producer Sean Harmon. “I always felt there was a tale worth telling about his earlier years, so I am thrilled to be stepping into a producing role alongside Gina, David, and my dad as we tell this story and reveal a new side of this beloved character.”

In addition to Mark and Sean Harmon, the behind-the-scenes team will include David J. North and Gina Lucita Monreal as executive producers, writers, and co-showrunners. North currently handles co-showrunner and executive producer duties on NCIS.

CBS offered this description of the newest addition to the NCIS franchise:

“NCIS: Origins begins in 1991, years prior to the events of NCIS and follows a young Leroy Jethro Gibbs, narrated by Mark Harmon. In the series, Gibbs starts his career as a newly minted special agent at the fledgling NCIS Camp Pendleton office where he forges his place on a gritty, ragtag team led by NCIS legend Mike Franks.”

“We’re thrilled to be bringing this new chapter to life along with Mark and Sean Harmon,” said executive producers and co-showrunners Gina Lucita Monreal and David J. North. “This really is the making of Leroy Jethro Gibbs. And even the most dedicated NCIS fans will discover that they don’t know the whole story.”

Amy Reisenbach, president of CBS Entertainment, said, “We are elated and honored to continue the expansion of the NCIS universe in such a unique and unexpected way. Viewers can look forward to Mark Harmon returning to CBS to narrate the complex and mysterious backstory of Leroy Jethro Gibbs’ early years in NCIS: Origins, which will build on the rich legacy of this character while reintroducing fan-favorite characters and meeting new ones.”

 

‘Tracker’ Episode 1 Preview: Cast, Plot, Photos, and Trailer

This Is Us‘ Justin Hartley returns to primetime with the lead role in CBS’s new drama Tracker. Based on Jeffery Deaver’s The Never Game, Tracker kicks off with episode one – “Klamath Falls” – directed by This Is Us‘ Ken Olin from a script by Ben H. Winters. Episode one airs on Sunday, February 11, 2024 at 10pm ET/PT after Super Bowl LVIII.

Justin Hartley stars as Colter Shaw, Fiona Rene plays Reenie Greene, and Robin Weigert is Teddi. Abby McEnany plays Velma and Eric Graise is Bobby Exley. New season one episodes will air on Sundays at 9pm ET/PT.

“Klamath Falls” Plot: Justin Hartley stars as Colter Shaw, a lone-wolf survivalist who roams the country as a reward seeker, using his expert tracking skills to help private citizens and law enforcement solve all manner of mysteries while contending with his own fractured family. In the premiere episode, Colter’s handlers, Velma (McEnany) and Teddi (Weigert) Bruin, send him to Klamath Falls, Ore., to investigate the disappearance of 14-year-old Gil Brown who is suspected to have been taken by his birth dad with a criminal background.

While pursuing a lead at a local burger joint based on intel from tech genius Bobby Exley (Graise), Colter finds himself in some trouble of his own, requiring help from legal mind Reenie Greene (Rene).

Tracker Season 1 Episode 1
Justin Hartley as Colter Shaw and Ashley Nicole Roxburgh as Jesse Bowers in ‘Tracker’ season 1 episode 1 (Photo: Michael Courtney © 2022 CBS Broadcasting, Inc)
Tracker Season 1 Episode 1
Prestyn Bates as Young Colter Shaw, Matthew Nelson-Mahood as Young Russell Shaw and Lee Tergesen as Ashton Shaw in episode 1 (Photo: Michael Courtney © 2022 CBS Broadcasting, Inc)
Tracker Season 1 Episode 1
Justin Hartley as Colter Shaw in the “Klamath Falls” episode (Photo: Michael Courtney © 2022 CBS Broadcasting, Inc.)
Tracker Season 1 Episode 1
Abby McEnany as Velma Bruin and Robin Weigert as Teddi Bruin in episode 1 (Photo: Michael Courtney © 2022 CBS Broadcasting, Inc)
Tracker Season 1 Episode 1
Paniz Zade as Officer Amini and Nemo Cartwright as Cop in episode 1 (Photo: Michael Courtney © 2022 CBS Broadcasting, Inc)
Tracker Season 1 Episode 1
Justin Hartley as Colter Shaw in the “Klamath Falls” episode (Photo: Michael Courtney © 2022 CBS Broadcasting, Inc.)
Tracker Season 1 Episode 1
Justin Hartley as Colter Shaw in episode 1 (Photo: Michael Courtney © 2022 CBS Broadcasting, Inc.)




‘The White Lotus’ Season 3 Cast Announced

White Lotus Season 2
Haley Lu Richardson and Jennifer Coolidge in ‘The White Lotus’ season 2 (Photograph by Courtesy of HBO)

It appears hopes have been dashed for those holding on to the belief that somehow Jennifer Coolidge survived HBO’s The White Lotus season two and will return for season three. Granted, the odds were against anything other than a Coolidge flashback.

The official casting announcement for season three confirms Leslie Bibb, Dom Hetrakul, Jason Isaacs, Michelle Monaghan, Parker Posey, and Tayme Thapthimthong will lead the cast of the critically acclaimed, Emmy winning series. In keeping with the previous two seasons, season three will find the new cast visiting a different White Lotus resort property.

The announcement also confirmed filming will take place in and around Koh Samui, Phuket, and Bangkok beginning next month.

“We are pleased to partner with the Tourism Authority of Thailand to execute Mike’s creative vision and showcase all that the beautiful country of Thailand has to offer as the next group of guests check in to the White Lotus,” stated Janet Graham Borba, EVP of Production, HBO & Max.

Mike White created The White Lotus and serves as writer, director, and executive producer. David Bernad and Mark Kamine also executive produce.

“We are honored to have Amazing Thailand featured as the filming location for the highly anticipated upcoming season of The White Lotus. The kingdom’s exotic natural beauty, rich historical sites and diverse landscapes are the perfect settings to share our fascinating culture, fantastic cuisine, top-notch wellness and luxury offerings, and most importantly our people and Thai hospitality,” said Thapanee Kiatphaibool, Governor of the Tourism Authority of Thailand. “Thailand has long been considered one of the world’s favorite filming locations. The White Lotus project will certainly strengthen the kingdom’s status as a preferred filming destination and a beacon of experience-based tourism, inspiring even more visitors to Amazing Thailand.”

Season one debuted in July 2021 and was set in Hawaii. The action moved to Sicily for season two, which premiered in December 2022. HBO hasn’t announced a target date for season three.




‘NCIS: Hawaii’ Season 3 Episode 1 Photos, Cast, and “Run and Gun” Plot

NCIS Hawaii Season 3 Episode 1
LL Cool J as Sam Hanna and Vanessa Lachey as Jane Tennant in ‘NCIS: Hawaii’ season 3 episode 1 (Photo: Karen Neal © 2023 CBS Broadcasting, Inc)

LL Cool J starts his stint as a recurring special guest star on CBS’s NCIS: Hawaii with season three episode one, reprising his role as Sam Hanna from NCIS: Los Angeles. Episode one, “Run and Gun,” was directed by Tim Andrew from a script by Jan Nash and Christopher Silber, and will air on Monday, February 12, 2024 at 10pm ET/PT.

Season three stars Vanessa Lachey as Special Agent in Charge Jane Tennant, Alex Tarrant as Kai Holman, Noah Mills as Jesse Boone, and Yasmine Al-Bustami as Lucy Tara. Jason Antoon plays Ernie Malik and Tori Anderson is Kate Whistler.

“Run and Gun” Plot: After passing her medical and psych evaluations, Tennant is surprised to see Sam Hanna conducting her final interview to clear her return to work. Also, when the team discovers a breach in the U.S. Marshal’s database, Sam joins Tennant in Las Vegas to locate the hacker.

NCIS Hawaii Season 3 Episode 1
Vanessa Lachey as Jane Tennant in the “Run and Gun” episode (Photo: Karen Neal © 2023 CBS Broadcasting, Inc.)

The Plot, Courtesy of CBS:

The world’s most successful television franchise continues on the seductive shores of Hawai’i as the first female Special Agent in Charge of NCIS Pearl Harbor takes command. She and her team balance duty to family and country, investigating high-stakes crimes involving military personnel, national security, and the mysteries of the island itself.

This NCIS: Hawai’i team is a skilled mix of mainland transplants who’ve relocated to the tranquility of the Pacific and wizened locals who know their mahalo from kapu.

NCIS Hawaii Season 3 Episode 1
LL Cool J as Sam Hanna and Vanessa Lachey as Jane Tennant in the season 3 premiere (Photo: Karen Neal © 2023 CBS Broadcasting, Inc)
NCIS Hawaii Season 3 Episode 1
Yasmine Al-Bustami as Lucy Tara in season 3 episode 1 (Photo: Karen Neal © 2023 CBS Broadcasting, Inc)
NCIS Hawaii Season 3 Episode 1
Vanessa Lachey as Jane Tennant and LL Cool J as Sam Hanna in the “Run and Gun” episode (Photo: Karen Neal © 2023 CBS Broadcasting, Inc)
NCIS Hawaii Season 3 Episode 1
Vanessa Lachey as Jane Tennant and LL Cool J in season 3 episode 1 (Photo: Karen Neal © 2023 CBS Broadcasting, Inc)




‘Monarch: Legacy of Monsters’ Episode 9 Recap: “Axis Mundi”

Monarch Season 1 Episode 9 Recap
Wyatt Russell in ‘Monarch: Legacy of Monsters’ episode 9 (Photo Credit: Apple TV+)

Apple TV+’s Monarch: Legacy of Monsters episode eight ended with a gut-wrenching cliffhanger that saw Cate, May, and Lee tumbling through a rift. Episode nine, the season’s penultimate, keeps us hanging about their fate and instead opens with a flashback to a Monarch test site in Kansas, 1962, and a young Hiroshi being babysat by Lee Shaw (Wyatt Russell) and Bill Randa (Anders Holm).

Scratch that…it’s actually Bill who’s pulled babysitting duty for the day as Lee is about to make history by traveling into a rift via a specially constructed ship. Before leaving, Lee loans Hiroshi his pocketknife to hold onto until he returns.

Bill and Lee have grown close to Hiroshi, and Lee compliments Bill on the job he’s doing raising the boy. Lee thinks Keiko would be proud.

General Puckett (Christopher Heyerdahl) does a walk-and-talk with politicians and officers as Operation Hourglass is about to commence. He notes that space travel is still decades away but that they’re capable of traveling into “underspace” now; it’s the culmination of Monarch’s two decades of research and work.

Lee Shaw leads a team of four into the spacecraft as General Puckett proclaims this operation is a matter of national security. Plus, the future of mankind is at stake. However, the only way to enter a rift is with the appearance of a Titan. Otherwise, it’s too unstable.

Bill and Lee exchange quick salutes before Lee enters the craft. Dr. Suzuki (Leo Ashizawa) activates his Titan signal, which lures in a creature with the promise of a meal. A massive creature responds, the tunnel stabilizes, and the spacecraft drafts into the rift in the Titan’s wake.

Mere seconds later, it’s apparent there’s a problem when all the metal surrounding the launch platform folds in on itself. Anything not tied down gets caught up in a quick-forming tornado above the rift. The crew signals that they’re in distress, but no one above ground responds.

The tornado vanishes, and even Bill and Dr. Suzuki have no idea what happened to Lee and the other rift travelers.

In the aftermath of the disastrous mission, General Puckett informs Bill Randa that the DoD has taken away all of Monarch’s funding. Puckett acknowledges the DoD doesn’t understand underspace and that to the powers-that-be, it all sounds insane.

Both men believe they could have stopped Operation Hourglass, which cost them their friend, Lee.

Almost 15 minutes in, the action finally moves forward to 2015, with Kentaro (Ren Watabe) recuperating from his injuries in a hospital in Tokyo. Verdugo (Mirelly Taylor) informs him that the Kazakhstan reactor plant collapsed down on itself after Shaw imploded the rift. Tim (Joe Tippett) was injured, but Duvall saved him. He breaks the news to Kentaro that Cate, May, and Lee never made it out.

Verdugo blames the deaths and the chaos surrounding the implosion on Shaw. She also informs Kentaro there’s no further need for his assistance at Monarch. Kentaro becomes emotional, suggesting there must be something he – and/or Monarch – can do. Verdugo says the only thing left for him to do is live.

Monarch Legacy of Monsters Season 1 Episode 9 Recap
Kiersey Clemons and Kurt Russell in ‘Monarch: Legacy of Monsters’ episode 9 (Photo Credit: Apple TV+)

And it turns out Lee Shaw (Kurt Russell) is also busy trying to just live after falling through the rift. He regains consciousness in the Titans’ underground universe, surrounded by tall creaking trees. Cate doesn’t respond when he calls her name.

May (Kiersey Clemons) also comes to in this bizarro world, and Lee knocks her out of the way just as the ground lights up with an electrical charge. Lee warns her they need to move fast, and she needs to follow exactly in his footsteps. They carefully make their way through a field of lightning, pausing in an area Lee believes is momentarily safe. Lee says that after a rift closes, an electrical charge is left behind that feels like a lethal static shock. It also affects your vision.

Lee explains he was down there once on a recon mission. He also confirms he caught Cate and that they fell together. However, he doesn’t know for sure that she’s still alive.

Lee promises to keep May safe if she does exactly what he says. Together, they set off to find Cate. Lee confesses he’s not a science guy but knows that time’s running short.

A flashback shows the moments after Lee returned from his first disastrous trip into the underspace. He’s peppered with questions while being examined but refuses to eat unless they agree to contact Bill Randa. A nurse brings him a cookie, and Lee returns her kindness by taking her hostage and demanding to see Bill.

Lee’s finally informed that Bill is dead. Oh, and 20 years have passed since Operation Hourglass. (This explains why Kurt Russell’s Lee Shaw looks so much younger than his chronological age.) The man who informs Lee of this is a grown-up Hiroshi, who still has the knife Lee handed him two decades ago before the mission into the rift.

Lee goes into shock when he realizes it’s now 1982.

Later, Hiroshi apologizes to the nurse Lee assaulted, and she understands Shaw was simply alone and terrified. Hiroshi confesses that when he was a child, Lee, Bill, and his mom promised they’d return. They didn’t, and now he’s having a difficult time accepting Lee’s back after spending so much time mourning his death.

Hiroshi works through his issues and has a chat with Lee. Lee reveals that they followed a Titan down and crashed. One crew member died upon impact. The survivors immediately began to try and contact Mission Control while also doing a recon of the landing area. Unfortunately, that was interrupted by a Titan.

Lee was pulled up through the rift in the draft of a Titan. He remembers looking up and seeing an airplane and then nothing else until he came to at the hospital. Hiroshi fills in a few details, including that he was found in the woods near the site of a shrine that marks the boundary of the living and the dead.

Hiroshi claims they found a rift inside the shrine. Lee believes Bill was right about everything, including the Titans’ world and its balance to our world. Hiroshi corrects him and says his dad was crazy. He also informs Lee that he’s being sent to a “retirement home” for further study.

Lee asks Hiroshi for help with the Titans, and Hiroshi refuses. He believes the Titans lived here for 300,000 years and it wasn’t until Lee, Bill, and Keiko disturbed them that there was any trouble between the worlds.

Monarch Legacy of Monsters Season 1 Episode 9 Recap
Ren Watabe in ‘Monarch: Legacy of Monsters’ episode 9 (Photo Credit: Apple TV+)

Tokyo, 2015 – Kentaro’s mom helps him settle in back home, and although she tries her best to tell him he’ll get through this, Kentaro feels guilty he wasn’t with Cate when she fell into the rift. He can’t just go back to the way things were before learning about Monarch.

Kentaro’s mom says that to get through this, he must accept that he can’t go back. He needs to allow himself to feel the pain and loss. She also says that he shouldn’t listen to Verdugo and shouldn’t cut himself off from what just happened.

And speaking of Verdugo… Over at Monarch, Dr. Barnes discovers the gamma-ray bursts are signals. There’s a pattern in the bursts, and Tim believes someone is sending them a message.

A brief scene of Lee from 1982 taking medication while watching TV with his fellow retirement home residents and then an elderly Lee going through the same motions indicates decades have passed while he was locked away. He’s about to take his meds when a breaking news report gets his attention. The news shows Honolulu under attack (there’s a scene of Godzilla fighting a MUTO) and confirms the USS Saratoga has been deployed to help.

The action catches up to Lee and May still trying to find Cate, but at least May now understands what Lee’s been through over the past 50 years. Lee hopes what happened to him doesn’t happen to May and that he can get her and Cate home quickly – if they ever find Cate.

Kentaro’s looking through his dad’s office when Hiroshi walks in on him. Kentaro’s still angry at Hiroshi for deserting them, but Hiroshi’s more interested in learning why his daughter and son were together in the desert. Kentaro explains they were looking for him and thought he was dead.

Hiroshi never expected his two families to meet. He also didn’t expect Kentaro to be taking some of his files. Kentaro reveals that since Monarch won’t help him, he’s conducting his own research now into what happened at the rift. Hiroshi begs to be allowed to explain everything to Kentaro and Cate, and Kentaro breaks the news that Cate is dead.

Sobbing, Hiroshi sinks to his knees, devastated to learn Cate’s gone. Kentaro calls him a sad, lying, secret little man who caused all of this.

Monarch Legacy of Monsters Season 1 Episode 9 Recap
Anna Sawai in ‘Monarch: Legacy of Monsters’ episode 9 (Photo Credit: Apple TV+)

Episode nine ends with Cate (Anna Sawai) finally waking up from the fall. The forest is full of weird noises when suddenly she hears a growl nearby. A Titan stalks her and breathes directly into her face from inches away. It then circles the tree she’s leaning against as if taunting its prey.

Cate crawls away on her hands and knees, and the creature comes charging after her. It’s just feet away when an arrow hits its face and causes it to turn tail and run off. Cate turns to see her savior and discovers it’s Keiko!




Trending