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‘Obsession’ Thriller Gets Series Order at Prime Video

56 Days Book Cover
’56 Days’ by Catherine Ryan Howard

Catherine Ryan Howard’s critically acclaimed bestseller 56 Days is getting the series treatment at Prime Video, with the streaming service greenlighting Obsession, based on Howard’s novel. Prime Video ordered Obsession to series, and The Rook‘s Lisa Zwerling and Karyn Usher are on board as writers and executive producers.

Atomic Monster’s James Wan, Michael Clear, and Rob Hackett are also involved as executive producers. Author Catherine Ryan Howard is confirmed as a co-executive producer.

“It’s a privilege to be trusted by the ingenious Catherine Ryan Howard in adapting the engrossing story of 56 Days for the screen,” stated Nick Pepper, head of U.S. SVOD wholly owned development, Amazon MGM Studios. “I have no doubt that the visionary team of James Wan, Lisa Zwerling, and Karyn Usher will transform this page-turner into a must-see original series for Prime Video subscribers around the globe.”

56 Days was published in August August 2021 and was set during the Covid-19 pandemic. The series will not use the pandemic as a backdrop.

“We’re thrilled to collaborate with Karyn and Lisa on this propulsive and sexy thriller based on Catherine’s captivating novel. Their vision for the series brings a fresh take for contemporary audiences while still remaining true to the genre,” said James Wan, executive producer.

Prime Video offered this description of the upcoming series:

“Obsession follows Oliver and Ciara, who, after meeting randomly in a supermarket, fall for each other fast, and dangerously hard. Fifty-six days later, homicide investigators arrive at Oliver’s apartment to find an unidentified body — brutally murdered and intentionally decomposed. Did he kill her? Did she kill him?

Intercutting between an intense single day in the present investigation and the twisted trajectory of the young lovers’ affair in the past, the series is both a unique crime story and a riveting, erotic, psychological thriller.”

‘Doctor Who’ Christmas Special Teaser Welcomes Ncuti Gatwa

Disney+’s teaser trailer for Doctor Who‘s 2023 Christmas Special “The Church on Ruby Road” welcomes The Fifteenth Doctor Ncuti Gatwa and his companion Ruby Sunday, played by Millie Gibson, into the Doctor Who fold. The short teaser shows the first meeting between The Fifteenth Doctor and Ruby meeting, and promises we’re about to be treated to a story of chance, coincidence, and luck.

The Christmas Special’s cast also includes Davina McCall as herself, Michelle Greenidge as Carla Sunday, Angela Wynter as Cherry Sunday, and Anita Dobson as Mrs. Flood.

“There aren’t quite the words to describe how I’m feeling,” stated Gatwa when he was announced as the new Doctor in May 2022. “A mix of deeply honoured, beyond excited, and of course a little bit scared. This role and show means so much to so many around the world, including myself, and each one of my incredibly talented predecessors has handled that unique responsibility and privilege with the utmost care. I will endeavour my utmost to do the same.”

Gatwa added: “Russell T Davies [showrunner and writer] is almost as iconic as the Doctor himself and being able to work with him is a dream come true. His writing is dynamic, exciting, incredibly intelligent, and fizzing with danger. An actor’s metaphorical playground. The entire team has been so welcoming and truly give their hearts to the show. And so as much as it’s daunting, I’m aware I’m joining a really supportive family. Unlike the Doctor, I may only have one heart but I am giving it all to this show.”

Doctor Who Christmas Special 2023
The Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) – Photo Credit: Lara Cornell / Bad Wolf / BBC Studios

Disney+ released this short but snappy description of the special: Long ago on Christmas Eve, a baby was abandoned in the snow. Today, Ruby Sunday meets the Doctor, stolen babies, goblins, and perhaps the secret of her birth.

“The Church on Ruby Road” premieres on December 25, 2023.




Rafael Nadal Faces Carlos Alcaraz in ‘The Netflix Slam’ Live Event

Nadal vs Alcaraz The Netflix Slam
Poster for Netflix’s ‘The Netflix Slam’ live event

22-time Grand Slam Men’s Singles champion Rafael Nadal will take on the World #2 Carlos Alcaraz in The Netflix Slam. The streaming service’s second live sports event will take place at the Michelob ULTRA Arena at Mandalay Bay Resort in Las Vegas on March 3, 2024.

“I’m very excited for my first visit to Las Vegas, one of the most iconic and entertaining cities in the world,” stated Rafael Nadal. “I’m also very excited to be playing with my fellow countryman Carlos Alcaraz. I am sure it will be a fantastic night of tennis.”

Additional players will be announced later.

“I’m honored and so happy to be sharing the court with Rafa in Las Vegas,” said Carlos Alcaraz, U.S. Open and Wimbledon champion. “He’s an all-time great, of course, and his records and achievements speak for themselves. Rafa also is one of the nicest guys on Tour and I look forward to our match on March 3.”

Tickets go on sale to the public on Friday, December 15, 2023 at 10am PT via axs.com. Ticket prices start at $88.

“I’m thrilled that with The Netflix Slam, we can give our global audience an opportunity to watch two tennis greats battle each other in a one-of-a-kind live event,” said Gabe Spitzer, Vice President, Nonfiction Sports, Netflix. “A legend like Rafa and a champion like Carlos together on the court, along with tons of other action, promises to be a live show fans won’t want to miss.”

The live sports event is produced by Connor Schell and David Chamberlin of Full Day Productions. Schell and Chamberlin also produced The Netflix Cup which featured athletes from Full Swing and Formula 1: Drive to Survive.

“We anticipate The Netflix Slam at Mandalay Bay will be one of the most entertaining events of the year,” said Lance Evans, Senior Vice President of Sports and Sponsorship, MGM Resorts International. “Tennis fans worldwide will be treated to an unforgettable experience as two of the sport’s elite champions compete in the sports capital of the world.”




Golden Globes 2024 Nominees: Barbie and Succession Top the List

Barbie Stars Margot Robbie and Ryan Gosling
RYAN GOSLING as Ken and MARGOT ROBBIE as Barbie in ‘BARBIE’ ((Photo Courtesy Warner Bros. Pictures)

Blockbuster Barbie earned the most 2024 Golden Globes nominations in the movie categories and the final season of Succession landed on top on the television side.

Barbie‘s nine nominations came in the Best Motion Picture – Musical or Comedy, Cinematic and Box Office Achievement, Best Performance by a Female Actor – Comedy (Margot Robbie), Best Performance by a Male Actor – Comedy (Ryan Gosling), Best Director (Greta Gerwig), and Best Screenplay (Gerwig and Noah Baumbach) categories. Barbie also scored three nominations in the Best Song category for “I’m Just Ken,” “What Was I Made For,” and “Dance the Night.”

Other top film nominees include Oppenheimer with eight, Killers of the Flower Moon and Poor Things with seven, and Past Lives with five.

The incredibly entertaining final season of Succession went out with a Golden Globes bang, picking up nine nominations. Sarah Snook, Brian Cox, Kieran Culkin, Jeremy Strong, J Smith-Cameron, Alan Ruck, Matthew Macfadyen, and Alexander Skarsgard all earned acting nominations. The series also earned a Best Television Series – Drama nomination.

The Bear and Only Murders in the Building received five nominations each, followed by The Crown with four.

Winners of the 81st Annual Golden Globe Awards will be announced on Sunday, January 7, 2024, at 8pm ET/5pm PT on CBS. The controversial awards show has not announced a host.

2024 Golden Globes Nominations

BEST MOTION PICTURE – DRAMA
ANATOMY OF A FALL (NEON)
KILLERS OF THE FLOWER MOON (Apple Original Films)
MAESTRO (Netflix)
OPPENHEIMER (Universal Pictures)
PAST LIVES (A24)
THE ZONE OF INTEREST (A24)

BEST MOTION PICTURE – MUSICAL OR COMEDY
AIR (Amazon MGM Studios)
AMERICAN FICTION (Orion Pictures / Amazon MGM Studios)
BARBIE (Warner Bros. Pictures)
THE HOLDOVERS (Focus Features)
MAY DECEMBER (Netflix)
POOR THINGS (Searchlight Pictures)

BEST MOTION PICTURE – ANIMATED
THE BOY AND THE HERON (GKIDS)
ELEMENTAL (Walt Disney Studios Motion Pictures)
SPIDER-MAN: ACROSS THE SPIDER-VERSE (Sony Pictures Releasing)
THE SUPER MARIO BROS. MOVIE (Universal Pictures)
SUZUME (Crunchyroll / Sony Pictures Entertainment)
WISH (Walt Disney Studios Motion Pictures)

CINEMATIC AND BOX OFFICE ACHIEVEMENT
BARBIE (Warner Bros. Pictures)
GUARDIANS OF THE GALAXY VOL. 3 (Walt Disney Studios Motion Pictures)
JOHN WICK: CHAPTER 4 (Lionsgate)
MISSION: IMPOSSIBLE – DEAD RECKONING PART 1 (Paramount Pictures)
OPPENHEIMER (Universal Pictures)
SPIDER-MAN: ACROSS THE SPIDER-VERSE (Sony Pictures Releasing)
THE SUPER MARIO BROS. MOVIE (Universal Pictures)
TAYLOR SWIFT: THE ERAS TOUR (AMC Theatres Distribution)

BEST MOTION PICTURE – NON-ENGLISH LANGUAGE
ANATOMY OF A FALL (NEON) – FRANCE
FALLEN LEAVES (MUBI) – FINLAND
IO CAPITANO (Pathe Distribution) – ITALY
PAST LIVES (A24) – USA
SOCIETY OF THE SNOW (Netflix) – SPAIN
THE ZONE OF INTEREST (A24) – UNITED KINGDOM / USA

BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – DRAMA
ANNETTE BENING (NYAD)
LILY GLADSTONE (KILLERS OF THE FLOWER MOON)
SANDRA HÜLLER (ANATOMY OF A FALL)
GRETA LEE (PAST LIVES)
CAREY MULLIGAN (MAESTRO)
CAILEE SPAENY (PRISCILLA)

BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – DRAMA
BRADLEY COOPER (MAESTRO)
LEONARDO DiCAPRIO (KILLERS OF THE FLOWER MOON)
COLMAN DOMINGO (RUSTIN)
BARRY KEOGHAN (SALTBURN)
CILLIAN MURPHY (OPPENHEIMER)
ANDREW SCOTT (ALL OF US STRANGERS)

BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
FANTASIA BARRINO (THE COLOR PURPLE)
JENNIFER LAWRENCE (NO HARD FEELINGS)
NATALIE PORTMAN (MAY DECEMBER)
ALMA PÖYSTI (FALLEN LEAVES)
MARGOT ROBBIE (BARBIE)
EMMA STONE (POOR THINGS)

BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
NICOLAS CAGE (DREAM SCENARIO)
TIMOTHÉE CHALAMET (WONKA)
MATT DAMON (AIR)
PAUL GIAMATTI (THE HOLDOVERS)
JOAQUIN PHOENIX (BEAU IS AFRAID)
JEFFREY WRIGHT (AMERICAN FICTION)

BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
EMILY BLUNT (OPPENHEIMER)
DANIELLE BROOKS (THE COLOR PURPLE)
JODIE FOSTER (NYAD)
JULIANNE MOORE (MAY DECEMBER)
ROSAMUND PIKE (SALTBURN)
DA’VINE JOY RANDOLPH (THE HOLDOVERS)

BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
WILLEM DAFOE (POOR THINGS)
ROBERT DE NIRO (KILLERS OF THE FLOWER MOON)
ROBERT DOWNEY JR. (OPPENHEIMER)
RYAN GOSLING (BARBIE)
CHARLES MELTON (MAY DECEMBER)
MARK RUFFALO (POOR THINGS)

BEST DIRECTOR – MOTION PICTURE
BRADLEY COOPER (MAESTRO)
GRETA GERWIG (BARBIE)
YORGOS LANTHIMOS (POOR THINGS)
CHRISTOPHER NOLAN (OPPENHEIMER)
MARTIN SCORSESE (KILLERS OF THE FLOWER MOON)
CELINE SONG (PAST LIVES)

BEST SCREENPLAY – MOTION PICTURE
GRETA GERWIG, NOAH BAUMBACH (BARBIE)
TONY MCNAMARA (POOR THINGS)
CHRISTOPHER NOLAN (OPPENHEIMER)
ERIC ROTH, MARTIN SCORSESE (KILLERS OF THE FLOWER MOON)
CELINE SONG (PAST LIVES)
JUSTINE TRIET, ARTHUR HARARI (ANATOMY OF A FALL)

BEST ORIGINAL SCORE – MOTION PICTURE
JERSKIN FENDRIX (POOR THINGS)
LUDWIG GÖRANSSON (OPPENHEIMER)
JOE HISAISHI (THE BOY AND THE HERON)
MICA LEVI (THE ZONE OF INTEREST)
DANIEL PEMBERTON (SPIDER-MAN: ACROSS THE SPIDER-VERSE)
ROBBIE ROBERTSON (KILLERS OF THE FLOWER MOON)

BEST ORIGINAL SONG – MOTION PICTURE
“ADDICTED TO ROMANCE” — SHE CAME TO ME
Music & Lyrics by: Bruce Springsteen
“DANCE THE NIGHT” — BARBIE
Music & Lyrics by: Mark Ronson, Andrew Wyatt, Dua Lipa, Caroline Ailin
“I’M JUST KEN” — BARBIE
Music & Lyrics by: Mark Ronson, Andrew Wyatt
“PEACHES” — THE SUPER MARIO BROS. MOVIE
Music & Lyrics by: Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, John Spiker
“ROAD TO FREEDOM” — RUSTIN
Music & Lyrics by: Lenny Kravitz
“WHAT WAS I MADE FOR?” — BARBIE
Music & Lyrics by: Billie Eilish O’Connell, Finneas O’Connell

Succession Season 4
Jeremy Strong, Sarah Snook, and Kieran Culkin in ‘Succession’ season 4 (Photograph by Claudette Barius/HBO)

BEST TELEVISION SERIES – DRAMA
1923 (PARAMOUNT+)
THE CROWN (NETFLIX)
THE DIPLOMAT (NETFLIX)
THE LAST OF US (HBO | MAX)
THE MORNING SHOW (APPLE TV+)
SUCCESSION (HBO | MAX)

BEST TELEVISION SERIES – MUSICAL OR COMEDY
ABBOTT ELEMENTARY (ABC)
BARRY (HBO | MAX)
THE BEAR (FX)
JURY DUTY (AMAZON FREEVEE)
ONLY MURDERS IN THE BUILDING (HULU)
TED LASSO (APPLE TV+)

BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION
ALL THE LIGHT WE CANNOT SEE (NETFLIX)
BEEF (NETFLIX)
DAISY JONES & THE SIX (PRIME VIDEO)
FARGO (FX)
FELLOW TRAVELERS (SHOWTIME)
LESSONS IN CHEMISTRY (APPLE TV+)

BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – DRAMA
HELEN MIRREN (1923)
BELLA RAMSEY (THE LAST OF US)
KERI RUSSELL (THE DIPLOMAT)
SARAH SNOOK (SUCCESSION)
IMELDA STAUNTON (THE CROWN)
EMMA STONE (THE CURSE)

BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – DRAMA
BRIAN COX (SUCCESSION)
KIERAN CULKIN (SUCCESSION)
GARY OLDMAN (SLOW HORSES)
PEDRO PASCAL (THE LAST OF US)
JEREMY STRONG (SUCCESSION)
DOMINIC WEST (THE CROWN)

BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
RACHEL BROSNAHAN (THE MARVELOUS MRS. MAISEL)
QUINTA BRUNSON (ABBOTT ELEMENTARY)
AYO EDEBIRI (THE BEAR)
ELLE FANNING (THE GREAT)
SELENA GOMEZ (ONLY MURDERS IN THE BUILDING)
NATASHA LYONNE (POKER FACE)

BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
BILL HADER (BARRY)
STEVE MARTIN (ONLY MURDERS IN THE BUILDING)
JASON SEGEL (SHRINKING)
MARTIN SHORT (ONLY MURDERS IN THE BUILDING)
JASON SUDEIKIS (TED LASSO)
JEREMY ALLEN WHITE (THE BEAR)

BEST PERFORMANCE BY A FEMALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
RILEY KEOUGH (DAISY JONES & THE SIX)
BRIE LARSON (LESSONS IN CHEMISTRY)
ELIZABETH OLSEN (LOVE & DEATH)
JUNO TEMPLE (FARGO)
RACHEL WEISZ (DEAD RINGERS)
ALI WONG (BEEF)

BEST PERFORMANCE BY A MALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
MATT BOMER (FELLOW TRAVELERS)
SAM CLAFLIN (DAISY JONES & THE SIX)
JON HAMM (FARGO)
WOODY HARRELSON (WHITE HOUSE PLUMBERS)
DAVID OYELOWO (LAWMEN: BASS REEVES)
STEVEN YEUN (BEEF)

BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
ELIZABETH DEBICKI (THE CROWN)
ABBY ELLIOTT (THE BEAR)
CHRISTINA RICCI (YELLOWJACKETS)
J. SMITH-CAMERON (SUCCESSION)
MERYL STREEP (ONLY MURDERS IN THE BUILDING)
HANNAH WADDINGHAM (TED LASSO)

BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
BILLY CRUDUP (THE MORNING SHOW)
MATTHEW MACFADYEN (SUCCESSION)
JAMES MARSDEN (JURY DUTY)
EBON MOSS–BACHRACH (THE BEAR)
ALAN RUCK (SUCCESSION)
ALEXANDER SKARSGÅRD (SUCCESSION)

BEST PERFORMANCE IN STAND-UP COMEDY ON TELEVISION
RICKY GERVAIS (RICKY GERVAIS: ARMAGEDDON)
TREVOR NOAH (TREVOR NOAH: WHERE WAS I)
CHRIS ROCK (CHRIS ROCK: SELECTIVE OUTRAGE)
AMY SCHUMER (AMY SCHUMER: EMERGENCY CONTACT)
SARAH SILVERMAN (SARAH SILVERMAN: SOMEONE YOU LOVE)
WANDA SYKES (WANDA SYKES: I’M AN ENTERTAINER)




‘Extended Family’ Series Preview: Cast, Plot, Trailer, and Photos

Jon Cryer and Donald Faison return to the world of sitcoms with NBC’s Extended Family, created by Mike O’Malley (Heels, Survivor’s Remorse). The half-hour relationship comedy premieres on Saturday, December 23, 2023 at 8pm ET/PT, and then moves to its regular Tuesdays at 8:30pm time slot on January 2, 2024.

Two-time Primetime Emmy winner Jon Cryer (Two and a Half Men) executive produces and stars as Jim, Abigail Spencer (Suits, Timeless) stars as Julia, and Donald Faison (Scrubs) plays Trey. The season one cast also includes Sofia Capanna as Grace and Finn Sweeney as Jimmy Jr.

O’Malley is the showrunner and executive produces along with Tom Werner, Wyc Grousbeck, Emilia Fazzalari, George Geyer, Victor Levin, Victoria Morrow, and James Widdoes.

“Jim and Julia, after an amicable divorce, decide to continue to raise their kids at the family home while taking turns on who gets to stay with them,” reads NBC’s official synopsis. “Navigating the waters of divorce and child-sharing gets more complicated for Jim when Trey, the owner of the Boston Celtics, enters the picture and wins Julia’s heart.”

Season one, debuting at midseason, will consist of 13 episodes.

Extended Family
Jon Cryer as Jim and Abigail Spencer as Julia in ‘Extended Family’ (Photo by: Ron Batzdorff/NBC)
Extended Family Cast
Finn Sweeney as Jimmy Jr., Sofia Capanna as Grace, Jon Cryer as Jim, Abigail Spencer as Julia, and Donald Faison as Trey (Photo by: Chris Haston/NBC)
Extended Family Cast
Sofia Capanna as Grace, Finn Sweeney as Jimmy Jr., Jon Cryer as Jim, Abigail Spencer as Julia, and Donald Faison as Trey (Photo by: Ron Batzdorff/NBC)
Extended Family Poster
Poster for ‘Extended Family’ (Photo by: NBCUniversal)

‘Wonka’ Review: Timothee Chalamet Charms as the Quirky Chocolatier

Wonka Timothee Chalamet and Calah Lane
CALAH LANE as Noodle and TIMOTHÉE CHALAMET as Willy Wonka in ‘WONKA (Photo © 2023 Warner Bros. Entertainment Inc)

The joyous strains of “Pure Imagination” lead into an equally joyous celebration of life – and chocolate – in Warner Bros Pictures’ Wonka. Movie fans could have had a one-two Timothée Chalamet punch if Dune 2 hadn’t been pulled from the theatrical release calendar. But for now, Chalamaniacs will have to settle for seeing the ever-charming actor light up the screen in the prequel to 1971’s Willa Wonka & The Chocolate Factory.

Chalamet is no Gene Wilder, but then again, no one can fill Wilder’s shoes. Not even Johnny Depp came close in 2005’s Charlie and the Chocolate Factory. Still, comparisons aside, Oscar nominee Timothée Chalamet (Call Me by Your Name) proved to be an excellent choice to play the overly optimistic chocolatier with huge dreams and an even bigger heart.

The film opens with Willy Wonka ready to make his mark on the world with his delectable chocolate creations. With tattered clothes, one lone suitcase, and seven silver sovereigns to his name, Willy comes ashore after seven years at sea. He’s bright-eyed and bushy-tailed, his dreams of opening his own chocolate shop on the verge of becoming a reality.

Of course, if stepping on shore with high hopes and a dream in his heart were enough to launch a successful business, Wonka would be 15 minutes long. It’s not.

Instead, the budding chocolatier almost immediately hands over all his money. Penniless, he’s tricked into signing away 10 years of his life to Mrs. Scrubitt (Oscar winner Olivia Colman) and Bleacher (Tom Davis) who run the town’s laundry. Forced into scrub-scrubbing the days away, the inventive visionary pulls in the other unfortunate debtors in a plan to escape servitude and build his chocolate business.

Unfortunately, the wide-eyed dreamer has no idea that chocolate is a cutthroat business. And because Willy’s chocolate, based on his mother’s secret recipe, is scrumpdiddlyumptious, Willy immediately draws the wrath of the wicked chocolate cartel – Fickelgruber (Mathew Baynton), Slugworth (Paterson Joseph), and Prodnose (Matt Lucas).

The nefarious trio know their products are no match for Wonka’s wonderful treats (there’s even one that lifts the consumer into the sky), so they conspire with the corrupt Chief of Police (Keegan-Michael Key) to put an end to Wonka’s career before it even begins.

Timothée Chalamet captures the spirit of Gene Wilder’s Wonka, nailing a mix of bubbly, bonkers exuberance and simple childish joy. Chalamet’s engaging performance invites the audience to give themselves over to this fantastical world filled with colorful characters and bizarre chocolatey treats.

Singing skills aren’t listed near the top on Chalamet’s resume (or Gene Wilder’s, for that matter), but enthusiasm goes a long way toward making the musical numbers enjoyable. What Chalamet lacks in range, he more than makes up for by wholeheartedly embracing the innocence and bigheartedness of Willy Wonka’s spirit. Wonka’s songs aren’t as memorable as 1971’s “Oompa-Loompa-Doompa-De-Do” or “Pure Imagination,” but they’re entertaining enough and move the film along without disrupting the story’s flow.

Wonka’s loaded with incredible supporting performances, including Olivia Colman, Tom Davis, and Willy’s partners in crime – Calah Lane as Noodles the orphan, Rich Fulcher as comedian Larry Chucklesworth, Rakhee Thakrar as telephone operator Lottie Bell, Natasha Rothwell as plumber Piper Benz, and Jim Carter as the group’s leader, accountant Abacus Crunch. Mathew Baynton, Paterson Joseph, and Matt Lucas are a hoot as the three villainous chocolatiers. Rowan Atkinson adds to the fun, popping up as a priest who oversees hundreds of monks obsessed with chocolate.

And then there’s Hugh Grant, nailing the role of Lofty, the first Oompa Loompa to become involved in Willy’s wacky world. Chalamet and Grant’s scenes are the weirdest and, arguably, the most fun of the film. Grant even delivers a new version of the “Oompa Loompa” song, so make sure you stick around through the credits.

Wonka’s a delightful, whimsical, feel-good film with stunning visuals and terrific performances. It’s fine family fun and the perfect escape from the stress of the real world for a couple of hours.

GRADE: B+

MPA Rating: PG for some violence, mild language, and thematic elements
Running Time: 1 hour 56 minutes
Release Date: December 15, 2023
Directed By: Paul King
Written By: Simon Farnaby and Paul King




‘Lawmen: Bass Reeves’ Episode 7 Recap: Bass is on the Wrong Side of the Law

Lawmen Bass Reeves Episode 7 Recap
Jody Jaress as Mary Parker, Donald Sutherland as Judge Parker, David Oyelowo as Bass Reeves, and Lauren E Banks as Jennie Reeves in ‘Lawmen: Bass Reeves’ episode 7 (Photo Credit: Lauren Smith / Paramount+)

Deputy Marshal Bass Reeves (David Oyelowo) is taken into custody and jailed as Paramount+’s Lawmen: Bass Reeves episode seven, the season’s penultimate episode, opens. He declined to say goodbye to his family before being led away, and now he sits in jail with visions of Ranger Esau Pierce’s (Barry Pepper) despicable actions flowing through his head.

A crowded courtroom listens as Judge Parker (Donald Sutherland) claims Bass’s case is no different from any others. He was tried for murder, and the verdict is…? The opening credits play before Parker reveals the answer.

After the credits, the first scene is a flashback to the events prior to Bass’s incarceration. Judge Parker and his wife enjoy a friendly dinner at the Reeves’ farm. Jennie (Lauren E. Banks) and the Parkers engage in lighthearted small talk while Bass remains solemn and quiet at the head of the table. Only Judge Parker’s suggestion that Bass needs time off draws Bass into the conversation.

The following day, Bass heads into work and learns Judge Parker is giving him easier assignments for a while. Bass’s posse man, Billy (Forrest Goodluck), introduces him to a cook named Willy Leach (Ivan Mbakop) whom he just recruited, and Bass only nods his head as a welcome.

The three men ride in silence as Bass’s thoughts continue to be filled with memories of Esau. He recalls Esau telling him, ‘You are a wolf, Bass. We know our own.”

Back at home, Jennie welcomes Esme (Joaquina Kalukango) into her home after she shows up on her doorstep late one night. Esme left Edwin after the disastrous dinner with Jennie and Bass. Edwin’s vision is pure, but his heart is conflicted, and Esme finally realized that she needs to leave him.

Jennie admits she’s come to accept Bass being gone, and she’s grown stronger because of it. However, his children don’t know him. Their peaceful chat is broken up by a visit from the little white girl whom Sally told to mind her manners. The child asks if Bass is home. When she’s told he’s not, she asks if Sally’s there.

After determining who’s home, the child leaves.

Jennie asks Sally (Demi Singleton) what the visit was about and learns about the incidents at the carnival.

Lawmen Bass Reeves Episode 7
David Oyelowo as Bass Reeves, Ivan Mbakop as Willy, and Forrest Goodluck as Billy Crow in ‘Lawmen: Bass Reeves’ episode 7 (Photo Credit: Lauren Smith / Paramount+)

Out on the road, Bass and Billy arrive at a house looking for Moody O’Neil (Tina Lifford). The woman on the porch confirms she’s Moody and acknowledges that she knew they’d be coming to take her in. She hands Bass a candleholder and admits it’s what she used to kill a man.

Night falls, and Jennie, the kids, and Esme enjoy dinner while Esme recalls stories of Bass’s time on the Reeves’ estate. Suddenly, the children spot an effigy on fire not far from their front door. Jennie immediately sends all the children upstairs, away from danger.

Morning arrives, and as the three men pack up camp, Willy confesses that he turned Moody loose and she ran away. She’s been gone for hours. Willy insults Bass, angry he was willing to hang an elderly Black woman in a white man’s noose. He views Bass as a traitor profiting from the killing of Black men and women by the law.

The cook tosses Moody’s shoes at Bass, calls him an “up-jumped slave catcher,” and tells him to go collect the blood bounty on Moody.

Memories of his encounters with Esau cloud his judgment, and he shoots the cook. As he lies dying, Billy insists they get their stories straight. Judge Parker won’t be merciful.

Bass returns home and Jennie doesn’t even say hello. She just looks at him and returns to her sewing.

Bass can’t get out of his own head, and he drinks as he runs through all his conversations with Esau. Bass heads out to the barn and the episode’s opening scene plays again, but this time we’re aware of what he did that led to him being locked up.

Lawmen Bass Reeves Episode 7 Donald Sutherland
Donald Sutherland as Judge Parker in ‘Lawmen: Bass Reeves’ episode 7 (Photo Credit: Lauren Smith / Paramount+)

Bass sits in Judge Parker’s office as Parker tells a story from his childhood. Parker came from a poor family, and one day he thought he had found gold, enough to save his family. He was devastated to learn it was worthless fool’s gold. From that incident, he learned to keep his expectations in check.

“Are you gold or pyrite?” asks Judge Parker.

Bass recalls his own father was sold off before he was born. He was allowed to visit every Christmas, and his mom always made herself look pretty for those visits. But now, Bass doesn’t even remember his father’s face. The name he carries comes from William Reeves, the man who taught him to ride and shoot. However, William gave him to his son, George, and George wasn’t as good a man as his father. He was cruel.

Knowing who’s gold and who’s pyrite is a simple thing for Judge Parker but not for Bass Reeves. Bass knows justice is costly, and he’s ready to pay what he owes and be sent to Hell for it. But, he believes Judge Parker will eventually sit next to him there.

The time arrives for Bass Reeves’ verdict to be read. Judge Parker says he listened to the evidence and has concluded Bass is not guilty. Jennie heaves a sigh of relief, but otherwise, the courtroom remains silent.

While her mom’s at the courthouse, Sally places a handwritten paper with the lyrics to Jacob Banks’ “Unholy War” on the piano.

Bass continues to recall his conversations with Esau in his head, including the one in which Esau said he had no desire to kill Curtis. Bass finally tells Jennie about Curtis and swears he’s going after the man who killed him. He doesn’t tell Jennie who the man is or that he’s currently a Ranger.

Episode seven ends with Bass, Billy, and Sherrill Lynn (Dennis Quaid) riding off into the sunset.




Christmas Movies That Deserve to Be Watched Over the Holiday Season

The Man Who Invented Christmas
Dan Stevens as Charles Dickens and Christopher Plummer as Ebenezer Scrooge in ‘The Man Who Invented Christmas’ (Photo by Kerry Brown / Bleecker Street)

Once again, the holidays – or is it holidaze? – are upon us, bringing with it a flurry of Christmas movies.

You have your endless parade of cartoons, specials, Christmas-themed episodes of your favorite TV shows, bad holiday comedies (1996’s Jingle All the Way and 2007’s Fred Claus come to mind), and Christmas-set horror movies (1984’s Gremlins). Then there’s the cheesy yet feel-good Lifetime and Hallmark films. And how can we forget the 24-hour marathon of 1983’s A Christmas Story (celebrating its 40th anniversary this year), beginning on Christmas Eve and ending on Christmas Day?

If those don’t do it for you, maybe these lists of Christmas movies will.

Classic Christmas Movies

You can’t go wrong with these classics, which can lighten the hearts of even the most ardent cynics.

Miracle on 34th Street (1947): If Christopher Reeve is the definitive Superman, Edmund Gwenn is the definitive Santa Claus. In fact, he won an Oscar for this role. Santa/Kris Kringle becomes the in-store Santa at Macy’s in New York City and creates quite the stir. Attorney Fred Gailey (John Payne) must prove Santa is the genuine article. Along the way, Santa befriends a smart yet cynical little girl named Susan (Natalie Wood), whom he must convince he is who he says he is.

This movie also stars Maureen O’Hara, William Frawley, Porter Hall, and Thelma Ritter in what is an enduring, charming tale that had no business being remade throughout the decades (particularly 1994’s remake).

It’s a Wonderful Life (1946): Hard to believe, Wonderful Life received mixed reviews and wasn’t successful at the box office upon release, even though it was nominated for five Academy Awards, including Best Picture. Today, it is a Christmas classic and considered one of the greatest films of all time.

Director Frank Capra chronicles the tale of everyman George Bailey (James Stewart), who is about to commit suicide on Christmas Eve, thanks to the shady machinations of business rival Henry Potter (Lionel Barrymore), who swears out a warrant for his arrest. George had grandiose dreams, but he sacrificed them for the greater good, ensuring the people of Bedford Falls would have a roof over their heads.

As he’s about to take his own life, his guardian angel Clarence Odbody (Henry Travers) – who will finally earn his wings if he saves George – shows him what life be like without him had he never been born, transporting him to a dark alternate world where Bedford Fall is now Pottersville, which is populated by sin businesses and crime. The people he once knew are callous and hardened, including his own mother (Beulah Bondi). George begs Clarence to let him live again, not caring what happens to him.

As he returns home, full of good cheer, the people whose lives George touched reach out to him in his hour of need. Reunited with his wife Mary (Donna Reed) and his kids, he learns Clarence finally got his wings. Stewart’s acting is phenomenal; there’s a reason why he’s one of Hollywood’s beloved icons. Throughout the decades, Wonderful Life has been remade – and unnecessarily at that.

The Bishop’s Wife (1947): Based on Robert Nathan’s 1928 novella of the same name, The Bishop’s Wife stars Hollywood legend Cary Grant, Loretta Young, and David Niven. Bishop Henry Brougham (Niven) is unable to raise the necessary funds to build a new cathedral. Praying to God for guidance, his prayer is answered in the form of a suave, debonair guardian angel named Dudley (Grant), who reveals his true identity only to Broughman. The bishop’s so obsessed with fundraising that he neglects his family.

In the meantime, Dudley finds himself falling for Julia (Young), Broughman’s wife, as he inspires the bishop’s congregation to perform good dudes. At the climax of the movie, Dudley does the honorable thing and doesn’t interfere with the Broughmans’ marriage. He tells Broughman that it’s very rare for an angel to envy a mortal. His work completed, Dudley moves on to his next mission, all memory of him erased.

Fun fact: The Broughmans’ daughter Debby was portrayed by Karolyn Grimes, who played Zuzu in Wonderful Life.

Fun fact: This movie was remade in 1996 as The Preacher’s Wife with Denzel Washington as Dudley, Courtney B. Vance, and Whitney Houston.

White Christmas (1954): Hollywood legends Bing Crosby, Danny Kaye, and Rosemary Clooney star in this classic musical, featuring the songs of Irving Berlin and Crosby’s definitive version of the titular song, “White Christmas” (introduced in 1942’s Holiday Inn).

Singers Bob Wallace (Crosby) and Phil Davis (Kaye) join sister act Betty (Rosemary Clooney) and Judy Haynes (Vera-Ellen) to perform a Christmas show in rural Vermont. They run into Gen. Waverly (Dean Jagger), Bob and Phil’s commanding officer in World War II, whose country inn is failing. The four plan a yuletide miracle: A fun-filled musical extravaganza that’s sure to put Waverly and his business back in the black. Future Oscar winner George Chakiris of West Side Story fame plays one of the men dancing with Clooney.

Filmed in Technicolor, White Christmas is notable for being the first movie to be released in VistaVision, a widescreen process developed by Paramount that uses twice the surface area of standard 35mm film.

Modern Miracles

You also can’t go wrong with these modern-day classics, which are worth watching.

The Man Who Invented Christmas (2017): This biopic chronicles how Charles Dickens (Dan Stevens) wrote his 1843 novel, A Christmas Carol, which gave the world Ebenezer Scrooge and Tiny Tim. He has only six weeks to complete it in time for Christmas, which wasn’t widely celebrated at that point. He’s seen interacting with his characters as he pens his masterpiece, including Scrooge (Christopher Plummer). Despite the odds against him, A Christmas Carol is an overnight success and has profoundly impacted Christmas.

Speaking of Dickens…

A Christmas Carol (1984): Yes, many have portrayed Scrooge on the big and small screens – Alastair Sim, Reginald Owen, Albert Finney, Michael Caine, Patrick Stewart, Jim Carrey, et al – but few bring the gravitas to the role that George C. Scott does in this adaptation. Indeed, he gives a tour de force performance.

There’s a strong chemistry between him and Edward Woodward’s Ghost of Christmas Present as they exchange barbs with spot-on delivery. After Scrooge is redeemed, in the scene he apologizes to his nephew Fred (Roger Rees), he maintains his dignity and doesn’t grovel as seen in other adaptations. He also can’t help having fun with a tardy Bob Crachit (David Warner). This version closely follows the novel (with minor changes) and is considered the definitive version.

While we’re still on the subject of Dickens…

Scrooged (1988): One of the better remakes of A Christmas Carol, Richard Donner’s Scrooged is considered an alternative to traditional Christmas movies. TV mogul Frank Cross (Bill Murray) is a heartless, cheap, tyrannical exec who forces his staff to work through Christmas as his network puts on a live version of A Christmas Carol (very meta). Like Scrooge, he’s visited by three ghosts who take him on a journey of his past and give him a chance at redemption.

The movie co-stars Robert Mitchum, Alfre Woodard, Karen Allen, John Forsythe, David Johansen, Carol Kane, with cameos by Buddy Hackett, Mary Lou Retton, Jamie Farr, and Lee Majors. Majors’ cameo is one of the funniest scenes as he and Santa Claus team up to save the North Pole from terrorists in Cross’ movie, The Night the Reindeer Died. It would’ve been great had that movie actually been made!

National Lampoon’s Christmas Vacation (1989): Based on screenwriter John Hughes short story “Christmas ’59” that was published in National Lampoon magazine of all places, the third installment – and the funniest – in the Vacation franchise tells the story of Clark Griswold’s (Chevy Chase) efforts to have a good old-fashioned family Christmas take a hilarious turn for the worse.

There’s the unwelcome arrival of redneck Cousin Eddie (Randy Quaid) and his clan. There are Clark’s attempts at lighting his house’s exterior Christmas lights, which cause a citywide blackout. Clark is devastated to learn his miserly boss Frank Shirley (Brian Doyle-Murray) has canceled Christmas bonuses, which Clark hoped to use to pay for a swimming pool. As a result, Cousin Eddie kidnaps Frank and the Griswold home is invaded by the SWAT team.

In the end, despite it all, everything works out for the best as Clark learns the true meaning of Christmas.

Home Alone (1990): Hughes delivers another holiday hit with Home Alone, the second highest-grossing movie of 1990 behind Ghost. The McCallister family is preparing to leave for Paris where they will spend the holiday. Extended family stays with them in their suburban Chicago home, forcing son Kevin (Macaulay Culkin in his star-making role) to sleep in the attic. A power outage occurs, and everyone oversleeps. Barely making their plane in time, they inadvertently leave Kevin behind, and his mother, Catherine O’Hara, doesn’t realize this until they’re halfway to Paris.

At first, Kevin is having a blast having the whole house to himself. He then tests his mettle against the Wet Bandits, a duo of criminals played by Joe Pesci and Daniel Stern, who break into his house. He outsmarts them by rigging the house with booby traps. Once they’re arrested, Kevin is reunited with his relieved mom. Home Alone should’ve stopped there, but since it made beaucoup bucks, naturally it spawned a franchise. Don’t bother. Stick with the first film.

Christmas Action Movies

These movies have been debated if they’re truly Christmas movies per se. Christmas is only the backdrop and not the central theme.

Die Hard (1988): This classic action film is celebrating its 35th anniversary this year! Time flies. Die Hard wasn’t expected to do well, yet it cleaned up at the box office and made a movie star out of Bruce Willis. The term Die Hard has since become shorthand for plots featuring overwhelming odds in a restricted environment, such as 1994’s Speed being referred to as “Die Hard on a bus.”

Detective John McClane (Willis) goes to Nakatomi Plaza to meet his estranged wife, Holly (Bonnie Bedelia), in an effort to fix their rocky marriage. As they argue, terrorists led by the suave, debonair yet deadly, ruthless Hans Gruber (Alan Rickman) take everyone hostage and it’s up to John to save the day – and his wife. Barefoot, John uses guerilla warfare tactics to take out the terrorists one by one, getting badly wounded along the way.

While it’s disputed that Die Hard is a Christmas movie, it cannot be disputed that it changed the way action movies are made.

Die Hard 2: Die Harder (1990): “You’re the wrong guy in the wrong place at the wrong time!” And thank God he is, that McClane. The often-overlooked second installment in the Die Hard franchise also occurs on Christmas Eve, a year after the original (amazing how quickly McClane recovered from his wounds). While waiting for his wife Holly’s plane to land at Washington Dulles International Airport, McClane discovers terrorists have hijacked Dulles’ air traffic control system in order to spring a drug czar being flown in from overseas. As a result, all planes must remain airborne with several running low on fuel – including Holly’s.

The premise is wildly unrealistic (Uncle Sam would NOT fly a drug czar who’s based on Manuel Noriega to a commercial airport on Christmas Eve) yet spectacularly entertaining!

The Long Kiss Goodnight (1996): Writer Shane Black likes to set his movies during Christmas – 1987’s Lethal Weapon, 2005’s Kiss Kiss Bang Bang, and 2013’s Iron Man 3 – and this underrated action flick is no exception. Geena Davis plays teacher Samantha Caine, who’s found washed ashore on a beach, pregnant with her daughter Caitlin (Yvonne Zima) and totally amnesiac. After suffering a concussion during a car accident, Samantha discovers fighting skills she’s never demonstrated before, particularly when an assassin comes to her home. Recruiting P.I. Mitch Henessey (Samuel L. Jackson), Samantha learns she’s really a CIA assassin who’s been MIA for eight years. They also discover a false flag operation within the CIA.

Easily one Black’s best scripts.

Enemy of the State (1998): Set during Christmas, this smartly-written, fast-paced techno-thriller directed by Tony Scott and produced by Jerry Bruckheimer eerily predicts the Patriot Act. A group of National Security Agency operatives led by Tom Reynolds (Jon Voight) go rogue and kill a congressman (Jason Robards) who refuses to support new counterterrorism legislation that violates the privacy of citizens. They stage his murder to appear to be a heart attack.

However, it’s caught on tape, which is unknowingly placed in the possession of attorney Robert Clayton Dean (Will Smith). Consequently, Reynolds destroys Dean’s reputation and makes him Public Enemy No. 1. His only hope to clear his name is an enigmatic man named Brill (Gene Hackman).

Easily one of Smith’s best films – if not his best, Independence Day, Ali, and Men in Black be damned.

The Nightmare Before Christmas (1993): The Oscar-nominated animated film from the fertile imagination of auteur Tim Burton was originally a poem he wrote in 1982. Jack Skellington (Chris Sarandon), the Pumpkin King of Halloween Town, accidentally wanders into Christmas Town. Jack decides that he and his fellow Halloween Town denizens will take it over. He kidnaps Santa Claus (Ed Ivory) and delivers horrific gifts to children worldwide. In the end, he learns the true meaning of Christmas and works with Santa to fix his mistake.

The film’s updated stop-motion animation and Burton’s distinct visual style, combined with frequent collaborator Danny Elfman’s musical score, make it a very unique visual treat.

Batman Returns (1992): Another Burton entry deserving a second chance. Ignore the scenes with that disgusting Penguin (Danny DeVito), which ruin an otherwise worthy sequel to 1989’s Batman, also directed by Burton. It’s the smoldering chemistry of Batman (Michael Keaton in his last appearance as Batman until this summer’s The Flash) and Catwoman (Michelle Pfeiffer) that heats up this Christmas “tail.” Although enemies as Batman and Catwoman, they are lovers as Bruce Wayne and Selina Kyle. Once they learn who they truly are, things get complicated (quite the understatement).

Burton’s distinctive vision of Gotham City set against a Christmas backdrop make it quite the visual spectacle.




‘La Brea’ Season 3 Episode 1 Preview: Cast, Photos, and Teaser Trailer

NBC’s trippy sci-fi thriller La Brea just unveiled the first batch of season three photos ahead of its January 9, 2024 premiere. The network also released a short teaser trailer and confirmed the upcoming third season will be the series’ final season.

The final season kicks off with an episode titled “Sierra.” Per NBC: After the clearing’s destroyed in a dinosaur attack, the Survivors must find a new home to live. Gavin discovers a clue about where Eve has gone, but tracking the lead down results in more tragic consequences.

Season three will air on Tuesdays at 9pm ET/PT. Returning cast includes Eoin Macken as Gavin Harris, Zyra Gorecki as Izzy Harris, Chiké Okonkwo as Ty Coleman, Rohan Mirchandaney as Scott Israni, Lily Santiago as Veronica Castillo, Josh Mckenzie as Lucas, and Jon Seda as Dr. Samuel Velez. Nicholas Gonzalez plays Levi Delgado, Jack Martin is Josh Harris, Veronica St. Clair is Riley Velez, Tonantzin Carmelo is Paara, and Natalie Zea is Eve Harris.

David Appelbaum created the series and serves as executive producer and showrunner. Additional executive producers include Chris Hollier, Peter Traugott, Rachel Kaplan, Avi Nir, and Alon Shtruzman.

The series “follows an epic family adventure after a massive sinkhole opens in Los Angeles, pulling people and buildings into a mysterious and dangerous primeval land where they have no choice but to band together to survive.”

La Brea Season 3
Nicholas Gonzalez as Levi, Jon Seda as Dr. Sam, and Eoin Macken as Gavin in ‘La Brea’ season 3 (Photo by: Mark Taylor/NBC)
La Brea Season 3
Asmara Feik as Petra, Nicholas Gonzalez as Levi, Chiké Okonkwo as Ty, Eoin Macken as Gavin, and Rohan Mirchandaney as Scott in season 3 episode 1 (Photo by: Mark Taylor/NBC)
La Brea Season 3
Zyra Gorecki as Izzy and Chiké Okonkwo as Ty in season 3 episode 1 (Photo by: Mark Taylor/NBC)
La Brea Season 3
Veronica St. Clair as Riley in season 3 episode 1 (Photo by: NBC)
La Brea Season 3
Lily Santiago as Veronica and Josh McKenzie as Lucas in season 3 episode 1 (Photo by: Mark Taylor/NBC)
La Brea Season 3
Jack Martin as Josh in season 3 episode 1 (Photo by: Mark Taylor/NBC)

A Look Back at Season 2:




Disney Celebrates 100 Years with ‘A Century of Dreams’ Special

Disney Century of Dreams
‘Disney 100: A Century of Dreams’ (Photo Credit: ABC)

ABC’s celebrating all things Disney with a 20/20 special Disney 100: A Century of Dreams. The two-hour special will air on Thursday, December 14, 2023 at 9pm ET/PT and will feature new stories from those with intimate knowledge of Disney’s legacy, along with rare footage from the iconic brand’s 100 years.

Disney CEO Bob Iger, Mary Poppins stars Julie Andrews and Dick Van Dyke, and Walt Disney’s grandsons Chris Miller and Walter Miller are involved in the special in new interviews. The special explores Disney’s music history with songwriter Richard Sherman, Sir Elton John, composer Alan Menken, and singer/songwriter Lin-Manuel Miranda talking about music’s role in Disney’s storytelling.

Disney 100: A Century of Dreams also includes interviews with actors who’ve voiced characters in Disney’s animated productions, including Idina Menzel (Elsa, Frozen and Frozen 2), Jodi Benson (Ariel, The Little Mermaid), Paige O’Hara (Belle, Beauty and the Beast), and Ariana DeBose (Asha, Wish).

ABC offered this description of the special edition of 20/20:

“The documentary takes viewers on a magical journey that started in 1923, featuring a century of stories and experiences that will touch the hearts of audiences everywhere. From the creation of the Disney Brothers Studio to modern beloved brands such as Pixar, Marvel, Lucasfilm, and 21st Century Fox, the core DNA of Disney remains the same: storytelling, creativity, innovation and optimism. The special is a celebration of the countless Disney creators, telling the story behind the story that will astonish even the biggest Disney superfans, and viewers will be treated to an inside look at an all-new Disney attraction.”

The documentary chronicles all facets of the storied company — from animation to parks to television to music — spotlighting those who have played essential roles in Disney’s history. Starting with the creation of the iconic character Mickey Mouse and unspooling the story of how Walt Disney’s quest to make the very first feature-length animated film, Snow White, nearly bankrupted the young studio, viewers will learn how unbridled determination and imagination became the cornerstones of the Walt Disney Company.”




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