A hunt for a severed foot, as well as an explosive situation in the operating room, keeps the doctors hopping on ABC’s The Good Doctor season six episode four. Directed by Allison Liddi Brown from a script by Thomas L. Moran and Tristan Thai, episode four – “Shrapnel” – will air on Monday, October 24, 2022 at 10pm ET/PT.
Season six stars Freddie Highmore as Dr. Shaun Murphy, Hill Harper plays Dr. Marcus Andrews, Richard Schiff is Dr. Aaron Glassman, and Will Yun Lee is Dr. Alex Park. Paige Spara stars as Lea Dilallo, Christina Chang is Dr. Audrey Lim, Fiona Gubelmann plays Dr. Morgan Reznick, Bria Henderson is Dr. Jordan Allen, and Noah Galvin is Dr. Asher Wolke.
“Shrapnel” Plot: The team operates on a military reenactor whose attempt at authenticity has created an explosive predicament that even Dr. Shaun Murphy couldn’t predict. Meanwhile, Dr. Jordan Allen and Dr. Daniel Perez are on a race against time as they search for a severed foot.
Freddie Highmore and Will Yun Lee in ‘The Good Doctor’ season 6 episode 4 (ABC/Jeff Weddell)Will Yun Lee and Natalie Skye in season 6 episode 4 (ABC/Jeff Weddell)Savannah Welch, Freddie Highmore, and Noah Galvin in season 6 episode 4 (ABC/Jeff Weddell)Freddie Highmore in season 6 episode 4 (ABC/Jeff Weddell)Savannah Welch in season 6 episode 4 (ABC/Jeff Weddell)Noah Galvin in season 6 episode 4 (ABC/Jeff Weddell)
Prepare for yet another incredibly emotional, heartstopping hour on Fox’s 9-1-1 season six episode six. If it’s hard to watch the teaser, you know the episode’s going to be gutwrenching. Episode six, “Tomorrow,” will air on Monday, October 24, 2022 at 8pm ET/PT.
The cast is led by Angela Bassett as Athena Grant and Peter Krause as Bobby Nash. Ryan Guzman plays Eddie Diaz, Aisha Hinds stars as Henrietta ‘Hen’ Wilson, Oliver Stark is Evan ‘Buck’ Buckley, Kenneth Choi is Howie ‘Chimney’ Han, and Jennifer Love Hewitt is Maddie Buckley.
“Tomorrow” Plot: Hen fears for Karen’s life when an explosion rocks her science lab on the day she brings Denny to work with her.
Creators Ryan Murphy, Brad Falchuk and Tim Minear reimagine the procedural drama with 9-1-1, exploring the high-pressure experiences of police officers, firefighters and dispatchers who are thrust into the most frightening, shocking and heart-stopping situations. These emergency responders must try to balance saving those who are at their most vulnerable with solving the problems in their own lives.
Sam finally realized what Addison means to him on NBC’s Quantum Leap season one episode four. Now the question is, how will that affect him as he continues to leap around in time? Up next, episode five – “Salvation or Bust” – airing on Monday, October 17, 2022.
The 2022 sequel stars Raymond Lee (Kevin Can F**k Himself) as physicist Ben Song and Caitlin Bassett as Addison, a hologram who only Ben can see when he leaps. Ernie Hudson (The Family Business) plays Herbert “Magic” Williams, Mason Alexander Park (The Sandman) is Ian Wright, and Nanrisa Lee (First Love) plays Jenn Chou.
“Salvation or Bust” Plot: Ben is transported back to 1898 and the rustic, frontier town of Salvation, where he must take on a deadly outlaw. Magic, Jenn and Ian face a new threat when a curious senator shows up at headquarters asking a lot of questions about the Quantum Leap program.
Raymond Lee as Dr. Ben Song and Caitlin Bassett as Addison in ‘Quantum Leap’ episode 5 (Photo by: Ron Batzdorff/NBC)
Season One Synopsis:
It’s been nearly 30 years since Dr. Sam Beckett stepped into the Quantum Leap accelerator and vanished. Now, a new team, led by physicist Ben Song (Lee), has been assembled to restart the project in hope of understanding the mysteries behind the machine and the man who created it.
Everything changes, however, when Ben makes an unauthorized leap into the past, leaving the team behind to solve the mystery of why he did it. At Ben’s side throughout his leaps is Addison (Bassett), who appears in the form of a hologram only Ben can see and hear. She’s a decorated Army veteran who brings level-headed precision to her job.
At the helm of the highly confidential operation is Herbert “Magic” Williams (Hudson), a no-nonsense career military man who has to answer to his bosses who won’t be happy once they learn about the breach of protocol. The rest of the team at headquarters includes Ian Wright (Park), who runs the Artificial Intelligence unit “Ziggy,” and Jenn Chou (Lee), who heads up digital security for the project.
As Ben leaps from life to life, putting right what once went wrong, it becomes clear that he and the team are on a thrilling journey. However, Addison, Magic, Ian and Jenn know that if they are going to solve the mystery of Ben’s leap and bring him home, they must act fast or lose him forever.
Caitlin Bassett as Addison, Mason Alexander Park as Ian, and Nanrisa Lee as Jenn in episode 5 (Photo by: Ron Batzdorff/NBC)Raymond Lee as Dr. Ben Song and Nicole Alvarez as Valentina in episode 5 (Photo by: Ron Batzdorff/NBC)Raymond Lee as Dr. Ben Song in episode 5 (Photo by: Ron Batzdorff/NBC)Yaani King Mondschein as Frankie, Raymond Lee as Dr. Ben Song, and Nicole Alvarez as Valentina in episode 5 (Photo by: Ron Batzdorff/NBC)Raymond Lee as Dr. Ben Song in episode 5 (Photo by: Ron Batzdorff/NBC)
ABC announces new ‘Beauty and the Beast: A 30th Celebration’ cast
Five-time Grammy Award winner Shania Twain has signed on to play Mrs. Potts in ABC’s Beauty and the Beast: A 30th Celebration, a live-action and animated blended special. The reimagining of the classic story has also just added Only Murders in the Building‘s Martin Short as Lumière and Tony Award winner David Alan Grier (A Soldier’s Play) as Cogsworth.
Rizwan Manji (Schitt’s Creek) has joined the cast as Gaston’s sidekick, LeFou. Jon Jon Briones (The Last Voyage of the Demeter) will take on the role of Maurice, Belle’s father. Leo Abelo Perry (The Big Leap) is set to play Mrs. Potts’ son, Chip.
The just-announced cast join previously announced stars Oscar winner H.E.R. (“Fight For You” from Judas and the Black Messiah) as Belle, Grammy nominee Josh Groban as the Beast, and Tony Award nominee Joshua Henry as Gaston. EGOT winner Rita Moreno will be the special’s narrator.
Hamish Hamilton is directing and Jon M. Chu is on board as an executive producer along with Hamilton, Caitlin Foito, Raj Kapoor, Richard Kraft, and Katy Mullan. H.E.R. and Done+Dusted in association with Walt Disney Television Alternative and Electric Somewhere are producing.
Beauty and the Beast: A 30th Celebration marks the 30th anniversary of the critically acclaimed, ground-breaking animated film. Beauty and the Beast was the first animated film to ever be nominated in the Best Picture category at the Oscars. Released in November 1991, the animated film was nominated in six categories and won two Oscars: Best Original Song (“Beauty and the Beast” by Alan Menken and Howard Ashman) and Best Original Score (Alan Menken). The soundtrack also won multiple Grammys.
The two-hour special will be taped at Disney Studios in front of a live audience. Beauty and the Beast: A 30th Celebration will air on Thursday, December 15, 2022 at 8pm ET/PT on ABC. It will stream on Disney+ beginning December 16th.
(Photo Credits: Martin Short by Caitlin Cronenberg, David Alan Grier by Etienne Laurent, Shania Twain by Alex Harbaugh,
Leo Abelo Perry by Cameron Jordan, Jon Jon Briones by Storm Santos, and Rizwan Manji by Paul Gregory)
A scene from ‘Fire of Love’ (Credit: National Geographic Documentary Films / Neon)
Sara Dosa’s Fire of Love tops the list of the Seventh Annual Critics Choice Documentary Awards with seven nominations. Director Ryan White’s Good Night Oppy follows close behind with six nominations. Both films earned spots in the Best Documentary Feature, Best Director, Best Editing, Best Score, Best Narration, and Best Science/Nature Documentary categories.
In addition, Fire of Love picked up a nomination in the Best Archival Documentary category.
“This year’s nominees prove that documentaries of all lengths and formats are advancing nonfiction media like never before,” stated Christopher Campbell, Co-President of the Critics Choice Association Documentary Branch. “And we are excited to celebrate the tremendous talents who contributed to all of these brilliant films and series.”
“We are also thrilled to witness an exemplary number of women filmmakers and female-focused subjects being represented, further solidifying the Critics Choice Documentary Awards’ commitment to diversity, equity, and inclusion within the documentary landscape,” added Carla Renata, Co-President of the Critics Choice Association Documentary Branch.
Winners will be announced during a ceremony held in Manhattan on Sunday, November 13, 2022. This year’s awards will mark the first time documentary fans will be able to watch the ceremony live via Facebook Live and Instagram Live, beginning at 7pm ET. Actor and comedian Wyatt Cenac is on board to host the Critics Choice Documentary Awards gala.
National Geographic Documentary Films returns as the Presenting Sponsor.
2022 CRITICS CHOICE DOCUMENTARY AWARDS NOMINEES:
BEST DOCUMENTARY FEATURE
Aftershock (Hulu)
The Automat (A Slice of Pie Productions)
Descendant (Netflix)
Fire of Love (National Geographic Documentary Films/Neon)
Gabby Giffords Won’t Back Down (Briarcliff Entertainment)
Good Night Oppy (Amazon Studios)
The Janes (HBO)
Moonage Daydream (HBO/Neon)
Navalny (HBO/CNN/Warner Bros. Pictures)
Sidney (Apple TV+)
BEST DIRECTOR
Judd Apatow, Michael Bonfiglio – George Carlin’s American Dream (HBO)
Margaret Brown – Descendant (Netflix)
Sara Dosa – Fire of Love (National Geographic Documentary Films/Neon)
Reginald Hudlin – Sidney (Apple TV+)
Brett Morgen – Moonage Daydream (HBO/Neon)
Laura Poitras – All the Beauty and the Bloodshed (HBO/Neon)
Daniel Roher – Navalny (HBO/CNN/Warner Bros. Pictures)
Ryan White – Good Night Oppy (Amazon Studios)
BEST FIRST DOCUMENTARY FEATURE
Andrea Arnold – Cow (IFC Films)
Lisa Hurwitz – The Automat (A Slice of Pie Productions)
Jono McLeod – My Old School (Magnolia Pictures)
Amy Poehler – Lucy and Desi (Amazon Studios)
Alex Pritz – The Territory (National Geographic Documentary Films)
David Siev – Bad Axe (IFC Films)
Bianca Stigter – Three Minutes: A Lengthening (Neon)
BEST CINEMATOGRAPHY
Benjamin Bernhard, Riju Das – All That Breathes (HBO)
Magda Kowalczyk – Cow (IFC Films)
Lucas Tucknott – McEnroe (Showtime)
Gabriela Osio Vanden, Jack Weisman, Sam Holling – Nuisance Bear (The New Yorker)
The Cinematography Team – Our Great National Parks (Netflix)
Alex Pritz, Tangãi Uru-eu-wau-wau – The Territory (National Geographic Documentary Films)
BEST EDITING
Jabez Olssen – The Beatles: Get Back (Disney+)
Erin Casper, Jocelyne Chaput – Fire of Love (National Geographic Documentary Films/Neon)
Joe Beshenkovsky – George Carlin’s American Dream (HBO)
Helen Kearns, Rejh Cabrera – Good Night Oppy (Amazon Studios)
Brett Morgen – Moonage Daydream (HBO/Neon)
Langdon Page, Maya Daisy Hawke – Navalny (HBO/CNN/Warner Bros. Pictures)
Katharina Wartena – Three Minutes: A Lengthening (Neon)
BEST SCORE
Hummie Mann – The Automat (A Slice of Pie Productions)
Nicolas Godin – Fire of Love (National Geographic Documentary Films/Neon)
Blake Neely – Good Night Oppy (Amazon Studios)
Max Avery Lichtenstein – The Janes (HBO)
David Schwartz – Lucy and Desi (Amazon Studios)
Marius de Vries, Matt Robertson – Navalny (HBO/CNN/Warner Bros. Pictures)
BEST NARRATION
Deep in the Heart: A Texas Wildlife Story (Fin and Fur Films)
Written by Ben Masters
Performed by Matthew McConaughey
Fire of Love (National Geographic Documentary Films/Neon)
Written by Shane Boris, Erin Casper, Jocelyne Chaput, Sara Dosa
Performed by Miranda July
Good Night Oppy (Amazon Studios)
Written by Helen Kearns, Ryan White
Performed by Angela Bassett
Our Great National Parks (Netflix)
Performed by Barack Obama
Riotsville, U.S.A. (Magnolia Pictures)
Written by Tobi Haslett
Performed by Charlene Modeste
Three Minutes: A Lengthening (Neon)
Written by Bianca Stigter
Performed by Helena Bonham Carter
BEST ARCHIVAL DOCUMENTARY The Beatles: Get Back (Disney+)
Fire of Love (National Geographic Documentary Films/Neon)
Moonage Daydream (HBO/Neon)
Nothing Compares (Showtime)
Riotsville, U.S.A. (Magnolia Pictures)
Three Minutes: A Lengthening (Neon)
BEST HISTORICAL DOCUMENTARY
The Automat (A Slice of Pie Productions)
Descendant (Netflix)
The Janes (HBO)
Lowndes County and the Road to Black Power (Peacock)
Still Working 9 to 5 (Mighty Fine Entertainment)
Three Minutes: A Lengthening (Neon)
The U.S. and the Holocaust (PBS)
BEST BIOGRAPHICAL DOCUMENTARY
George Carlin’s American Dream (HBO)
The Last Movie Stars (HBO Max)
Lucy and Desi (Amazon Studios)
The Rebellious Life of Mrs. Rosa Parks (Peacock)
Salvatore: Shoemaker of Dreams (Sony Pictures Classics)
Sidney (Apple TV+)
Sr. (Netflix)
BEST MUSIC DOCUMENTARY
The Beatles: Get Back (Disney+)
Hallelujah: Leonard Cohen, a Journey, a Song (Sony Pictures Classics)
If These Walls Could Sing (Disney Original Documentary)
Louis Armstrong’s Black & Blues (Apple TV+)
Moonage Daydream (HBO/Neon)
Nothing Compares (Showtime)
The Return of Tanya Tucker – Featuring Brandi Carlile (Sony Pictures Classics)
BEST POLITICAL DOCUMENTARY
Aftershock (Hulu)
All the Beauty and the Bloodshed (HBO/Neon)
Gabby Giffords Won’t Back Down (Briarcliff Entertainment)
The Janes (HBO)
Navalny (HBO/CNN/Warner Bros. Pictures)
Retrograde (National Geographic Documentary Films)
Freedom on Fire: Ukraine’s Fight for Freedom (Netflix)
BEST SCIENCE/NATURE DOCUMENTARY
All That Breathes (HBO)
Cow (IFC Films)
Fire of Love (National Geographic Documentary Films/Neon)
Good Night Oppy (Amazon Studios)
Nuisance Bear (The New Yorker)
Return to Space (Netflix)
The Territory (National Geographic Documentary Films)
BEST SPORTS DOCUMENTARY
Citizen Ashe (Magnolia/HBO)
Hockeyland (Greenwich Entertainment)
Kaepernick & America (Dark Star Pictures)
McEnroe (Showtime)
The Redeem Team (Netflix) Welcome to Wrexham (FX/Hulu)
BEST SHORT DOCUMENTARY
38 at the Garden (HBO)
Angola Do You Hear Us? Voices From a Plantation Prison (MTV Documentary Films)
The Flagmakers (National Geographic Documentary Films)
Four Seasons Total Documentary (MSNBC)
My Disability Roadmap (The New York Times Op Docs)
Nuisance Bear (The New Yorker)
Stranger at the Gate (The New Yorker)
BEST LIMITED DOCUMENTARY SERIES
The Beatles: Get Back (Disney+)
Hostages (HBO)
The Last Movie Stars (HBO Max)
The Lincoln Project (Showtime)
Our Great National Parks (Netflix)
The U.S. and the Holocaust (PBS)
We Need to Talk About Cosby (Showtime)
BEST ONGOING DOCUMENTARY SERIES
30 for 30 (ESPN)
American Masters (PBS)
Cheer (Netflix)
The Circus (Showtime)
Unsolved Mysteries (Netflix)
Welcome to Wrexham (FX/Hulu)
Critics Choice Documentary Awards – The Pennebaker Award
Barbara Kopple, presented by Kopple’s producing partner and wife, Chris Hegedus
Kopple, a director of documentaries, narrative TV, and film, is a two-time Academy Award winner and ten-time Emmy Award nominee. Her most recent project is the forthcoming documentary Gumbo Coalition, which premieres at DOC NYC as the Centerpiece Presentation in November 2022.
Kopple produced and directed Harlan County USA and American Dream, both winners of the Academy Award for Best Documentary Feature. Her other films include Miss Sharon Jones!, Desert One, The House of Steinbrenner, Woodstock: Now and Then, Shut Up and Sing, Havoc, A Conversation with Gregory Peck, My Generation, Wild Man Blues, Running From Crazy, Fallen Champ: The Untold Story of Mike Tyson, This is Everything: Gigi Gorgeous, and many more.
Grammy Award-winner Big Daddy Kane guest stars as the founder of a motorcycle club on CBS’s The Equalizer season three episode four, “One Percenters.” Directed by Benny Boom from a script by Adam Glass, episode four will air on Sunday, October 23, 2022 at 8pm ET/PT.
Queen Latifah leads the cast as Robyn McCall. Season three also stars Tory Kittles as Detective Marcus Dante, Adam Goldberg as Harry Keshegian, Liza Lapira as Melody “Mel” Bayani, and Laya DeLeon Hayes as Delilah. Lorraine Toussaint returns as Viola “Vi” Marsette. Brett Dalton, Gabriel Sloyer, Chris Vance, and Stephen Bishop recur.
Charles Brice, Ezra Knight, Brittany Adebumola, Brian Hutchison, Anna Holbrook, and Tom Patterson guest star.
“One Percenters” Plot: A local motorcycle club seeks McCall and the team’s help in keeping a member out of prison by proving the illegal guns found in his van were planted. Meanwhile, Delilah’s father, Miles, insists on knowing the truth about McCall’s work.
The Equalizer is a reimagining of the classic series starring Academy Award® nominee and multi-hyphenate Queen Latifah as Robyn McCall, an enigmatic woman with a mysterious background who uses her extensive skills as a former CIA operative to help those with nowhere else to turn. McCall presents to most as an average single mom who is quietly raising her teenage daughter. But to a trusted few, she is The Equalizer – an anonymous guardian angel and defender of the downtrodden, who’s also dogged in her pursuit of personal redemption.
Robyn’s clandestine work and her personal life collide when her smart and observant daughter, Delilah, and her aunt Vi, who lives with Robyn to help her balance life as a working mother, discover her secret career as a vigilante. While Robyn contends with uncertainty at home, she is joined in her pursuit of justice by Melody “Mel” Bayani, an edgy bar owner and sniper from Robyn’s past; and Harry Keshegian, a paranoid and brilliant white-hat hacker.
As Robyn aids the oppressed and exploited, she sometimes works with Marcus Dante, an NYPD detective who once sought to uncover her identity, but now respects the need for Robyn’s type of justice even as he often questions her methods.
Guillermo del Toro describes his stop-motion adaptation of Pinocchio as a “journey of a lifetime.” A decade ago, the Oscar-winning filmmaker made a vow to start concentrating more on animation. Pinocchio joins del Toro’s animated Tales of Arcadia franchise in working toward fulfilling his vow.
“The two essential fables that define my childhood and teenage years were Pinocchio and Frankenstein,” explained Guillermo del Toro during a press conference hosted by Netflix. “It’s this idea that you’re thrown into a world that you barely understand, and you try to make sense of it as you grow. And they’re definitely father-and-son…or they’re stories that deal with that link and that bond.
They were of primal importance for me. And I always felt Pinocchio is one of those handful of characters – there are maybe 10 characters in the history of human storytelling that are capable of being universal and completely adaptable to anything. There’s Frankenstein, Pinocchio, Tarzan, Sherlock Holmes. These are characters that, even if you haven’t read the story, you know the story, or you think you know the story. And therefore, you can use them as metaphors for science, for human emotions, for many, many things.”
Guillermo del Toro continued: “I’m 58 and when we started this process, it’s about 15 years ago or more. I thought it could be a great tool to talk about how precious and fragile we are as humans, and how much we need each other.”
Every other Pinocchio has been about obedience. Del Toro’s flips the script and is about disobedience.
“Disobedience being a primal factor in becoming human and how becoming human doesn’t mean changing yourself or others, but understanding,” said del Toro. “You know, I think the first step towards a conscience and the soul, for me, is disobedience. It’s the difference between ideas and ideology. An idea is an idea that you construct form experience and compassion and understanding. And an ideology is something that is given to you and you’re told to obey it blindly. And those are things that help us craft the tale.”
Guillermo del Toro describes his Geppetto as the one who learns from Pinocchio, unlike other interpretations of the story.
“Normally in Pinocchio, he learns to obey, and he learns to be a good boy, and then he turns into flesh and blood. What I wanted very much is for everybody to learn from Pinocchio. The Cricket is stodgy and strange, and he has a picture of Schopenhauer on the wall. He makes great pronunciations, and he learns humility, and fragility, and fallibility from Pinocchio.”
“Everybody loves Geppetto because Geppetto does what everybody wants. When his child reincarnates in Pinocchio, he cannot see it. And what I’ve learned as a father and as a son is the greatest treasure for a son or a father is to be seen, to be able to be seen by the other. It’s so eloquent and moving. I want just to tell that little story in which Geppetto learns to love him, through the course of the movie, for who he is.
And Pinocchio’s such a pure element that he changes the alchemy of everybody around him – for good or worse. He irritates the figures of authority, and he wins the heart of his father when he recognizes his essence. So those are things that were important for me.
I think the movie’s a beautiful movie. It’s not a movie catering to what people expect for a movie for kids, with little asides, and ‘Whoa,’ and skateboarding,” said del Toro.
Guillermo del Toro and Mark Gustafson directed from a screenplay by del Toro and Patrick McHale. During the press conference, del Toro revealed they wrote Geppetto with David Bradley in mind. He also knew Ron Perlman had to be part of the cast, since Perlman is almost a prerequisite in his films.
“Tilda Swinton, from the beginning we wanted. She has this otherworldly quality that we thought would be really a tremendous help. Ewan McGregor, who is the cricket character and narrator of the film, we thought has one of the warmest voices,” explained del Toro. “His personality…he came in first day and we didn’t even talk about the character. He was into the recording session immediately.”
He added: “Cate Blanchett, who plays the monkey and has no lines… We were doing Nightmare Alley and she says, ‘Oh, I want to be part of Pinocchio.’ I said, ‘The only part left is a monkey.’ And she goes, ‘I’ll play the monkey.’
She’s fantastic in it and one of the main characters. Christoph Waltz, we thought had the incredible charming, charismatic, and also intelligent and cruel elements that make Volpe such a great villain and manipulator. I mean, (John) Turturro has a very small part, but significant. And I think, little by little, we assembled, fortunately, the ideal cast.”
The cast also includes Gregory Mann, Finn Wolfhard, Tim Blake Nelson, and Burn Gorman.
Guillermo del Toro on the set of ‘Pinocchio’ (Photo Credit: Jason Schmidt/NETFLIX)
The Animation of Pinocchio
From the get-go, Guillermo del Toro and co-director Mark Gustafson were determined the acting should feel naturalistic and not pantomime.
“A lot of micro gestures on the actors. We jokingly said, ‘Let’s take these puppets and not do silent film animation, but Actor’s Studio level,’” said del Toro. “They age. They are weakened. They are tired. They have failed acts. They try to close a door and it takes three tries to close a door.”
He continued: “24 frames a second, you have to ask the puppeteer to go for the water and it takes three tries or he moves it around, he moves a cup. You know, different little things that we do in daily life. The way the camera moves, it moves and the staging of the puppets is the way you would stage with actors.”
If they’ve done their job right, the audience should feel as though they’re watching real actors and not puppets. “You just say, ‘Wow, this character is a human,’” said del Toro.
* * * * * * * *
Guillermo Del Toro’s Pinocchio will have a limited release in theaters in November followed by a release on Netflix on December 9, 2022.
Rhys Ifans, Olivia Cooke, and Fabien Frankel in ‘House of the Dragon’ episode 9 (Photograph by Ollie Upton / HBO)
The mood is somber and the halls are darkened as HBO’s House of the Dragon season one episode nine begins. There’s no one to be seen in the Red Keep until a young boy emerges from a room. He strides through the empty hallways, walks through the busy but quiet kitchen, and delivers a message to Talya.
The King is dead and the Queen is informed. She demands her handmaiden, Talya, tell no one.
Queen Alicent (Olivia Cooke) meets with her father, Ser Otto (Rhys Ifans), and confirms no one but a few know. She believes Viserys told her Aegon should be King, insisting those were his last words to her. Unfortunately, she was the only one in the room. (Viserys thought he was speaking with Rhaenyra.)
Talya sends a signal to someone that the King has died by lighting candles in a single window.
The small council assembles in the middle of the night and Ser Otto informs them King Viserys is dead. They will grieve for him, but Ser Otto explains that just before he drew his final breath, he told the Queen his wish was for Aegon to be his successor.
The room falls silent for a beat and then Lord Jason Lannister (Jefferson Hall) speaks up, agreeing they need to proceed quickly to follow his wishes. Ser Otto confirms they’ll replace anyone on the City Watch who’s faithful to Prince Daemon.
Lord Lyman Beesbury (Bill Paterson) looks on in shock and disbelief.
The Hand orders ravens sent to Riverrun and Highcastle, and it’s only at this point Alicent realizes some members of the small council have been plotting to install Aegon for a while without her knowledge.
Lord Beesbury is enraged and calls Aegon an imposter. An argument ensues and Beesbury refuses to believe Viserys, his longtime friend, made this last-minute change in plans. Beesbury believes this is treason and theft of the Iron Throne.
Beesbury wonders who can swear King Viserys died of his own accord. Ser Criston Cole (Fabien Frankel) slams Lord Beesbury’s face into the table, killing him. Lord Commander Ser Harrold Westerling (Graham McTavish) immediately orders Ser Criston to throw down his sword and resign.
Ser Otto demands the door remain shut so they can continue the meeting with Lord Beesbury’s dead body leaking blood onto the table.
Lord Lannister believes Storm’s End may be a problem but an offer of marriage to one of Lord Baratheon’s daughters may soothe that situation. Otto suggests Princess Rhaenyra and her family should immediately be taken prisoner to stop them from drawing supporters.
Queen Alicent knows neither Princess Rhaenyra nor Prince Daemon will ever bend the knee, and when she asks if they’ve all agreed to kill the Princess, no one denies it. A living challenger invites battle and bloodshed.
Ser Otto thinks it’s a necessary sacrifice. He orders Lord Commander Westerling to take his knights to Dragonstone and be “quick and be clean.”
The Lord Commander has spent the entire discussion looking disgusted and disturbed. He resigns his position rather than follow Ser Otto’s order.
Queen Alicent rushes to her children’s chambers in search of Aegon. Princess Helaena (Phila Saban) doesn’t know where her husband-brother is and Alicent breaks the news that Viserys has died. Prince Aemond (Ewan Mitchell) joins them, looking somber, as Helaena says, “There is a beast beneath the boards.”
Ser Otto asks Ser Erryk Cargyll, Prince Aegon’s protector, where his charge is and Erryk explains Aegon took off and is in the city. Otto orders him to take just his brother and quietly search for Aegon. They can’t let anyone know what they’re doing, so they need to remove their white cloaks. Not even the Queen can know.
Otto commands Ser Erryk to bring Aegon directly to him once he’s located.
Princess Rhaenys (Eve Best) is locked in her room without warning. Servants and their families (including Talya) are rounded up and locked in cells so they cannot spread the news of King Viserys’ death.
Queen Alicent’s planning mimics her father’s. She orders Ser Criston to find Aegon and bring him to her. Aemond volunteers to go with Criston, certain he’s best equipped to locate his brother.
Ser Otto gathers the lords and demands they pledge their banners to Prince Aegon, the future King. He refuses to allow them to leave until they acquiesce.
Lady Fell of Felwood keeps her oath to Princess Rhaenyra as does one other House, and they’re hauled off by guards. Everyone else ultimately bends the knee, including a reluctant Lord Caswell.
Lord Larys Strong (Matthew Needham) watches this from the balcony.
Ser Criston and Prince Aemond are in disguise as they search for Prince Aegon. They head to a brothel and are told he hasn’t been there in years. “His tastes are known to be less discriminating,” says the madam.
They continue their search and Aemond reveals he believes he deserves to be king, not his brother. He also believes they can’t locate Aegon because they’re decent men and don’t share his depravity.
Ser Erryk and his twin brother, Ser Arryk, are also searching while blending in with the simple folk. They hear the roar of a crowd and follow the noise to find children fighting. Prince Aegon spends many nights here, enjoying the brutality. It’s also pointed out that at least one of the children is likely Aegon’s.
The twins know Aegon’s not fit to rule, and his joy at watching children brawl confirms it. A woman approaches revealing she knows where Aegon is and will hand him over for a price. But her mistress, the White Worm, will only speak to the Hand of the King about the delivery of Prince Aegon.
Meanwhile, Lord Allun Caswell attempts to ride out through the gate and is dragged from his horse. He’s brought before Ser Otto and won’t say where he was headed. Caswell’s taken away by guards to be locked up.
Ser Otto thanks Lord Larys for sounding the alarm and stopping his departure.
Olivia Cooke in ‘House of the Dragon’ season 1 episode 9 (Photograph by Liam Daniel/ HBO)
Queen Alicent watches as King Viserys’ body is wrapped by the Silent Sisters. After they’re done, she places his crown on her dead husband’s chest. She briefly cries and then regains her self-control.
Next, Alicent visits Princess Rhaenys and apologizes for locking her in. Rhaenys realizes Viserys is dead and Alicent is usurping the throne. Alicent insists it was Viserys’ dying wish. She wants Rhaenys’ support, pointing out that her family has been devastated by its association with Princess Rhaenyra and the Targaryens.
“The word of my House is not fickle,” replies Princess Rhaenys.
Queen Alicent claims she has always thought Rhaenys deserved to have been Queen and that the Iron Throne was hers by blood. Viserys would have been better off as a country lord than as king. “We do not rule but we may guide the men who do, gently, away from violence and sure destruction and instead toward peace,” says Queen Alicent.
Princess Rhaenys realizes they’ve taken her dragon so it can’t be used against the usurpers. Alicent promises her Driftmark, if she wants it, for her and her granddaughter to pass on as she sees fit.
Rhaenys is impressed by Alicent but wonders why she’s still subservient to men rather than placing herself on the throne. Alicent takes a moment, looks ready to answer, but leaves without replying.
Back out on the streets, Ser Criston and Aemond spot Mysaria meeting with Ser Otto. They remain hidden as the meeting takes place.
Ser Otto questions her identity, and Mysaria’s knowledge of the death of King Viserys confirms she is in fact the White Worm. He delivers a large bag of coins and she reveals she’s got Aegon safely tucked away. In exchange for his release, she demands they end the savage use of children in Flea Bottom.
Ser Otto promises he’ll look into it.
Mysaria isn’t satisfied and warns him that he needs to remember she’s responsible for installing Aegon on the Iron Throne since she chose to let him live when she easily could have killed him. She adds, “There is no power but what the people allow you to take.”
Ser Erryk and his twin brother retrieve Prince Aegon from a hidden compartment, dragging him out as he screams. He demands to be taken to his mother, but they inform him he’ll be taken to Ser Otto.
Ser Criston and Prince Aemond ambush Erryk and Arryk as they’re moving Aegon. A sword fight breaks out and Criston fights as Aemond pins his brother to the ground. Aemond then forces him to stand and won’t let go as Aegon screams, “I have no wish to rule, no taste for duty! I’m not suited!”
He promises Aemond that if he lets him go, he’ll disappear. Ser Criston joins them before Aemond can react to the offer.
Queen Alicent meets with her father, and he congratulates her on a game well played. (She won the battle over Aegon.) Alicent has finally realized all she’s ever been to her father is a pawn to move about the board. He reminds her he made her Queen of the Seven Kingdoms. She also realizes she has no idea what she wanted for her life.
Alicent and Otto argue over the necessity of killing Princess Rhaenyra. Alicent decides she’ll send her an offer to support Aegon. Her terms will allow Rhaenyra to live without shame. Otto continues to believe death is the only option. Otherwise, Rhaenyra’s allies will throw their support behind her and go to war.
Alicent believes what she has planned would satisfy King Viserys. Ser Criston will be named Lord Commander and Aegon will be crowned the following morning in front of all of King’s Landing. Aegon will take Aegon the Conqueror’s crown and his sword, Blackfyre. That will help the people remember the strength of House Targaryen.
Lord Larys is in Queen Alicent’s chamber when she returns. He reveals there’s a web of spies working in the Red Keep, and Ser Otto uses them to get an advantage over everyone. One of the little spiders is her Lady in Waiting, Talya. She’s not the only one, claims Larys. The solution is to kill the White Worm which will decapitate Ser Otto’s spy network.
Alicent takes her shoes off which, apparently, is a turn-on to Larys. He masturbates as she looks away.
We’re shown glimpses of the assorted key players spending a tense night unable to sleep.
Ser Erryk shows up in Princess Rhaenys’ room and says, “With me, Princess. I cannot let this treachery stand.” They walk past the hanging body of Lord Caswell and down passageways until they’re outside the castle.
A house is on fire as they make their way through darkened streets. The sun rises and she wants to fetch Meleys, but Ser Erryk explains she’ll be captured if she tries. She has to board a ship and leave before they’re aware she’s missing.
Townsfolk flood the streets as the Kingsguard and the City Watch round everyone up.
A bell tolls as Prince Aegon and Queen Alicent travel by carriage to his ceremony. Aegon is certain this is not what Viserys wanted, but Alicent is equally sure he changed his mind. He’s unconvinced since his father didn’t like him. He chuckles when his mom continues to insist it was Viserys’ dying wish.
He turns serious when she shows him Aegon the Conqueror’s dagger, and now he’s willing to believe she’s telling the truth. Alicent instructs him to reject her father’s wish that Rhaenyra be put to death. He replies, “Do you love me?”
“You imbecile,” says Alicent.
The crowd is pushed forward, forced to follow the carriage. Rhaenys remains hidden among them.
They enter the great hall as Ser Otto announces King Viserys the Peaceful is dead. Otto reveals to the crowd that King Viserys’ final wish was that Aegon should succeed him. Muted clapping is heard as the City Watch forms two lines, swords raised, and Prince Aegon walks through the arch they’ve created. He ascends the stairs and takes his place next to his mother, Aemond, and his grandfather.
Rhaenys sneaks out as everyone is occupied watching the ceremony.
Alicent kisses her son’s forehead and accompanies him to stand before Septon Eustace. Aegon kneels as his forehead’s anointed and Septon Eustace says a blessing. Ser Criston is handed the crown of Aegon the Conqueror. He places it on Aegon’s head while Aemond stares icily and Helaena averts her eyes.
“Let the Seven bear witness. Aegon Targaryen is the true heir to the Iron Throne,” announces Ser Criston.
One by one Aegon’s family members lower their heads. The applause starts off quiet but builds to a roar.
King Aegon looks around the hall and then thrusts his sword into the air. The crowd cheers for their new King.
Suddenly the floor rumbles and bursts open under the crowd. (Helaena had predicted this but no one understood or listened to her warning.) Princess Rhaenys’ dragon, Meleys, emerges through the hole and lets out a mighty roar. He thrashes around, using his tail to strike down anyone still standing. The crowd race for the doors as Rhaenys is shown seated on Meleys’ back.
Ser Otto orders the doors be opened so people can escape the dragon.
Rhaenys guides her dragon toward Queen Alicent as Alicent quickly moves in front of King Aegon. They’re mere feet away and although Meleys opens her mouth and roars, she doesn’t set them on fire.
Rhaenys and Meleys fly away, leaving behind death and destruction – but, fortunately for King Aegon II, not a city on fire.
Nicole Lovince, Emily Hall, and Jenna Z in ‘KillHer’
From the opening scream scene, director Robyn August’s cleverly named KillHer captures the classic slasher film vibe and then finesses it into something original and entertaining. Once the main characters play a game listing stupid things people do in horror movies, it’s obvious KillHer knows exactly which boxes it needs to tick. And watching as those items are checked off is bloody good fun.
The film follows four women who head into the woods for a pre-bachelorette party. Why the woods? Because one of the ladies – Eddie, the outsider of the group – has arranged it so that they’re spending the weekend camping near Mattie’s fiancé, Jagger, and his friends.
The tension between Eddie and Mattie’s two other friends is so thick you could slice it with Michael Myers’ knife. Eddie’s idea of a good time conflicts with Jess and Rae’s, and they’re not shy about letting her know she’s not really a member of their little clique. Eddie, in return, isn’t shy about claiming the spot as Mattie’s current BFF while signaling they’re no more than unwanted guests intruding on her special weekend plans.
They eventually make it to a campsite, but along the way, they’ve lost cell service and are unable to pull up GPS. They should turn back but don’t because Eddie insists she knows where they are. They spot a tent, assume it’s Mattie’s fiancé, and set up for what they’re hoping will be a fun-filled, sex-filled weekend.
Assuming anything when it comes to visiting an unfamiliar location is never a wise idea. That goes double when it comes to assuming you’ve picked the perfect spot to camp in the middle of nowhere. As it turns out the other tent belongs to Mr. Rogers, and he’s not interested in welcoming them to his neighborhood.
Even though things have a distinctly creepy vibe, no one pays attention to their recently recited stupid things people do in horror films list. That list included a warning not to split up, which is, of course, exactly what the foursome does.
That’s far from the only wrong move the unhappy campers make, as the weekend getaway turns into a struggle to get away from a psycho killer.
M.C. Huff, Emily Hall, Jenna Z, and Nicole Lovince are terrific as the four friends who make the incredibly unwise decision to party in the wilderness. KillHer’s screenwriter Tom Kiesche plays Mr. Rogers, the loner whose personal space is invaded by these clueless city dwellers. They’re annoyed by his presence, despite the fact he was there first, and he shows more patience than most people would at the intrusion.
Although the “stranger” tends to be the one to watch out for, Mr. Rogers is tough to dislike since he’s just an innocent bystander in these circumstances. Kiesche plays him as more of a sympathetic figure than you’d expect for this weird guy in the woods, which throws the attention off Mr. Rogers as the film’s killer.
So, who’s into slashing and dashing? Even if you figure out the twist early on, KillHer provides lots of grisly thrills and chills as it heads to a surprisingly satisfying final act.
Callie Thorne returns to guest star on CBS’s Blue Bloods season 13 episode 3. Directed by Jackeline Tejada from a script by Daniel Truly, “Ghosted” is set to air on Friday, October 21, 2022 at 10pm.
The cast is led by Tom Selleck as Frank Reagan, Donnie Wahlberg as Danny Reagan, and Bridget Moynahan as Erin Reagan. Will Estes stars as Jamie Reagan, Len Cariou is Henry Reagan, Marisa Ramirez plays Det. Maria Baez, and Vanessa Ray is Officer Eddie Janko.
Season 13’s recurring guest stars include Abigail Hawk, Gregory Jbara, Robert Clohessy, Steven Schirripa, Andrew Terraciano, and Ian Quinlan.
“Ghosted” Plot: Danny and Baez investigate after a vicious attack leaves their mutual friend, Maggie Gibson (Thorne), hospitalized. Also, Frank and the Dream Team debate the appropriate memorial protocol for a former police commissioner with a questionable professional legacy; Jamie begs Erin to release a perp who can lead him to a powerful criminal; and Eddie’s car is vandalized by her partner Badillo’s (Quinlan) ex-girlfriend.
Taylor Shurte, Dre Davis, Alphonso Walker, Jr., Jordan Baker, Danny Fischer, and Braxton Fannin guest star in episode three.
Blue Bloods is a drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York Police Commissioner, and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as chief.
A source of pride and concern for Frank is his eldest son, Danny, a seasoned detective, family man and Iraq War vet who on occasion uses dubious tactics to solve cases with his partner and new mother, Detective Maria Baez. Erin, the middle daughter, is a New York assistant D.A. who serves as the legal compass for her siblings and father, while also pursuing a run for district attorney. Jamie is the youngest Reagan, a Harvard Law graduate and the family’s golden boy.
Unable to deny the family tradition, Jamie decided to give up a lucrative future in law and follow in the family footsteps as a cop. He’s found a friend and ally in his wife, Eddie, who keeps him on his toes, and has very different reasons than the Reagans for joining the police force.