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‘The Spanish Princess’ Episode 1 Recap: “The New World”

The Spanish Princess episode 1
Stephanie Levi-John, Charlotte Hope, and Nadia Parkes in ‘The Spanish Princess’ (Photo Credit: Starz)

Starz’s limited series The Spanish Princess, the network’s third series based on the critically acclaimed novels by Philippa Gregory, premiered on May 5, 2019. Titled “The New World,” episode one begins in Alhambra Palace, Spain in 1501. Queen Isabella and her army have overthrown Muslim rule and it’s necessary to secure Catholic allies to maintain control over the land. At the same time, England needs an infusion of cash to fend off France and Scotland invasions.

The solution for both countries presents itself in a match between the Tudor heir, Prince Arthur, and Spanish Princess Catherine of Aragon. Catherine’s grown up believing she will be the Queen of England, a promise made to her as a child.

To fulfill her destiny, Catherine of Aragon (Charlotte Hope) makes the difficult journey from Spain to England, knowing she may never see Spain again.

Leading up to the much-anticipated meeting of Prince Arthur and Princess Catherine, the future King and Queen of England have been exchanging love letters. Catherine’s impressed with Arthur’s writing, and her heart is warmed by his passion. Catherine’s lady-in-waiting Lina de Cardonnes (Stephanie Levi-John) assures her it’s fine to fall in love with a man she’s never met based solely on his letters.

Catherine admits her own letters are equally as passionate as Prince Arthur’s.

Queen Isabella (Alicia Borrachero) and members of the Spanish army accompany Princess Catherine on the first part of her perilous journey. The group is attacked by Moors who’ve vowed to die fighting for their beliefs. And while Catherine expresses her desire to participate in the battle, her warrior mother reminds her she needs to remain safe and protect Spain by fulfilling her duties and becoming England’s Queen.

Princess Catherine watches her mother ride into battle and sinks to her knees, plunging a knife into the earth and reciting, “Daughter of Spain, Queen of England, wife to Prince Arthur,” in ever-increasing volume and surety.

Queen Isabella and her men emerge from the battle victorious. (The Queen led the charge and is coated in blood at its end.)

At Westminster Palace, King Henry VII (Elliot Cowan) and Queen Elizabeth (Alexandra Moen) fret over Princess Catherine’s delayed arrival. They believe God is keeping Princess Catherine away. King Henry’s beside himself with worry over England’s finances. Until Prince Arthur and Princess Catherine are wed, the country is in dire straits and vulnerable to attack.

Prince Arthur asks after Princess Catherine’s status and is told she has sailed. Elizabeth informs her oldest son he’s to meet Catherine as she makes her way to Westminster. Neither King Henry nor Queen Elizabeth will accompany him, but he will have Sir Richard Pole and Margaret Pole (“Aunt Maggie”) in attendance.

As Prince Arthur prepares for his trip, Queen Elizabeth asks what he and Aunt Maggie discuss. Elizabeth believes Margaret would be aware of any plots against their family.

The seas are rough as Catherine of Aragon continues her trip to meet her betrothed. Catherine suffers from seasickness; however, Lina remains able to care for her mistress. When she looks for something to help the princess’ stomach, she finds Oviedo (Aaron Cobham) praying to Allah. Shocked, she reminds him they’re in service to Princess Catherine and Spain. He objects, believing he can be loyal to Princess Catherine and worship his god.

Prince Arthur makes it to Dogmersfield House where Margaret and Richard Pole are currently residing. Aunt Maggie obviously genuinely cares about the young prince, and the affection is returned. Arthur attempts to put her mind at ease, claiming his mother holds her in high esteem.

Margaret admits to her husband she misses their children and doesn’t like Dogmersfield House. She’s also unhappy Princess Catherine is arriving soon, going as far as to wish her dead. Richard reminds her Queen Elizabeth wants them to put their past behind them.

The King and Queen of England aren’t in attendance as the King’s mother, Lady Margaret Beaufort (Harriet Walter), prepares to greet Catherine of Aragon prior to her trip to Dogmersfield House. My Lady the King’s Mother (as she was referred to at the time) is unaware Catherine has ordered their ship to dock elsewhere, not wishing to see her other lady-in-waiting, Rosa (Nadia Parkes), continue suffering from seasickness.

The ship lands and they encounter two men who welcome them to England. Catherine asks the location of the church and is told it’s nearby. One of her men sets up an escort with the town major and as rain pours down, they continue their journey accompanied by Edward Stafford (Olly Rix), Duke of Buckingham.

Stafford scolds the Spanish party, telling them they should have stuck with the plan and landed in Southampton. Lady Margaret has had to alter her plans and will meet them at Dogmersfield. He softens his comments by complimenting Catherine, saying she and Rosa’s beauty brighten the day.

King Henry’s relieved Catherine of Aragon is now on English soil. Queen Elizabeth thinks this might indicate God is now smiling upon them.

Last minute finishing touches are taking place inside Dogmersfield House as Princess Catherine arrives on horseback. Lady Margaret greets Catherine with, “Welcome to England, child,” and their initial conversation sets the stage for later conflicts. When Lady Margaret requests they speak in Latin because isn’t proficient in Spanish, Catherine assures her she’s not a child and can speak English perfectly well.

When Catherine claims she holds the titles of both Princess of Spain and Princess of Wales, Lady Margaret begs to differ. Catherine may not call herself Princess of Wales until after the wedding. However, Catherine corrects her, reminding her the marriage was sealed by proxy while she was at sea.

Richard Pole breaks the tension, introducing himself and his wife. Catherine barely acknowledges his greeting, wanting only to enter the house and get out of her wet clothes. She wants to bathe and then take a siesta. Lady Margaret tries to squash that idea, saying they don’t sleep in the afternoon. She wants Catherine to meet Prince Arthur immediately after she changes her clothes.

Princess Catherine is having none of this. She will not meet Prince Arthur until they stand in God’s presence and exchange vows. The battle of wills continues, with Lady Margaret tossing Catherine’s words back in her face. Because their marriage is already complete, there is nothing holding Catherine back from meeting Prince Arthur. Catherine of Aragon wins this battle, telling Lady Margaret she will not meet anyone until she has had a bath and a siesta.

Rosa and Lina help Catherine from her clothes as a forlorn Catherine asks, “Where is the light?” Lina says Catherine is the light. Alone, Catherine warms herself by the fire and retrieves a gold compass. She also reads a letter from Prince Arthur who says he longs to embrace her.

Lina instructs the servants where to place Catherine of Aragon’s belongings. Lady Margaret’s confused by the supplies and flabbergasted when Lina says Princess Catherine will bathe every day. That’s unheard of, even among the English royalty.

It’s Lina’s turn to be shocked when she discovers the Spanish soldiers are going to be bunked in the stables. She tells Lady Margaret the men will be housed in the big house and not like animals. Lina reminds Lady Margaret the soldiers were brought to England as part of Princess Catherine’s dowry.

Lina wakes Princess Catherine from her nap when she sees King Henry approaching the house. He enters and pounds on Catherine’s door, demanding she open up so he can meet her. After a few hurried moments of preparing Catherine to greet King Henry, the ruler of England enters and is immediately dressed down by Princess Catherine. She declares this is no way for a king to act and threatens to write her mother about his disrespectful behavior toward both her and Spain.

King Henry explains he simply wants to lay eyes on her after waiting so long for her arrival. He asks that she remove her veil and Princess Catherine refuses, determined to wear it until she is wed. The English customs are different, and Catherine continues to prove she’s fierce and unafraid of speaking her mind. She reminds him it doesn’t matter if she’s ugly because she’s there for the purpose of making a treaty.

Princess Catherine makes King Henry chuckle when she states England needs Spain more than Spain needs England.

With another battle under her belt, Princess Catherine removes her veil. King Henry asks that she come and meet his son and let him also lay his eyes upon her.

Princess Catherine and her ladies, along with Lady Margaret and the Poles, take a walk around the grounds. (Catherine and Arthur walk a few paces ahead, getting to know each other.) Catherine’s clearly unhappy to learn she’s moved to a rainy country, and Arthur attempts to explain the many different types of rain that falls in England. Princess Catherine doesn’t care about the semantics; she isn’t fond of so much water raining down from the heavens.

Prince Arthur attempts to change the subject, assuring Princess Catherine he’ll try and be a good husband who’s always attentive to her needs. Catherine, however, is stuck on her dislike for the rain. She wants to return to the house so that she won’t become sick, noting he’s not at all as caring as his letters made him out to be. She reminds him of what he’s written, including saying he wanted to hold her in his arms.

Prince Arthur’s stunned to hear about these letters, demanding to know if she replied. Princess Catherine realizes something’s wrong but doesn’t understand what it is as Prince Arthur rushes away.

The Spanish Princess Charlotte Hope
Charlotte Hope as Catherine of Aragon in ‘The Spanish Princess’ (Photo Credit: Starz)

Back in her room, Catherine tells Lina that Arthur did not write the letters. She’s embarrassed she shared her heart and passion with the letter-writer. Catherine truly believed she was in love, and now she wonders if it was all a sham, a trick played by some other nobleman.

During his initial meeting with Princess Catherine, King Henry had mentioned something to the effect of what was done to bring Catherine to England, and Lina, Rosa, and Catherine now believe that’s another thread in this tale of deception.

Richard and Margaret Pole finally reunite with their young children, the only people who truly bring a smile to Margaret’s face.

King Henry reports to Queen Elizabeth he’s officially met Catherine of Aragon. Elizabeth asks if Catherine’s as attractive as her portrait, and King Henry stammers when he says she is. He tells Elizabeth that Catherine has her spirit and is beautiful.

After King Henry makes his exit, Lady Margaret confides to Elizabeth that Catherine is arrogant and over-privileged. Queen Elizabeth, obviously not one to hold her tongue with her mother-in-law, believes those are perfect qualities for a queen – just not qualities Lady Margaret approves of.

Queen Elizabeth and Margaret Pole have a strained reunion, and when they meet in private Elizabeth asks Maggie to join her as she prepares to give birth. When Maggie demurs, Elizabeth gets to the point – she demands to know if Maggie’s heard of any traitors rising up against King Henry. “I tend to Arthur…that is all,” says Margaret, extremely uncomfortable with the turn this conversation’s taken.

Edward Stafford accompanies Princess Catherine to her temporary accommodations in the Tower. It’s apparently the custom before a Royal wedding, and Edward assures her the apartments will be comfortable. They run into Prince Harry (Ruairi O’Connor) and he asks if Catherine likes it here. He then reveals he’ll be leading her up the aisle for her wedding.

Catherine thanks him for his warm welcome, a genuine smile gracing her face for one of the only times in England. He wonders why she’s wearing a veil, thinking it might be to keep his brother, Arthur, from kissing her. He tells his soon-to-be sister-in-law Arthur’s afraid of girls so she doesn’t need to worry about the physical aspect of their marriage.

Prince Harry’s easily distracted and asks for Oviedo’s crossbow. He takes a shot and likes how it feels, commanding Oviedo to teach him how to use it. Edward interrupts to inform Catherine the Queen has asked to see her.

As Catherine’s leaving, Prince Harry confesses he wrote the love letters.

Margaret tells Prince Arthur he’ll make a handsome groom, but Arthur’s in a foul mood. He, of course, already figured out his brother is the one who penned the love letters. Arthur explains he tried to write Catherine but couldn’t find the words. Harry found the drafts and apparently wrote in his stead. Margaret reminds him Catherine only replied because she believed she was corresponding with him – unaware of his brother’s trickery.

Rosa and Lina discover the herbs (rosemary) for Catherine’s bath have wilted. They make their way through the dark castle at night in search of replacement herbs and run into Edward Stafford. When he asks where she’s off to, Rosa explains and then heads with Edward into the shadows to make out.

Lina’s on her own when a soldier approaches and grabs her. Oviedo stops the assault and then accompanies her to search for herbs. When she questions him about being a Muslim and drinking, he explains it’s because there’s nothing else safe to drink.

Princess Catherine and Queen Elizabeth have their first face-to-face meeting. When Catherine says King Henry was rude to her, Elizabeth disagrees. She says his behavior was due to the fact they paid a high price for her and he’s desperate. “He is a starving man and you are bread,” says Queen Elizabeth.

This is the second time a price has been mentioned and Catherine asks for an explanation. Queen Elizabeth explains two young men were killed so that they could not challenge Prince Arthur’s claim to the throne. This was done at the request of Catherine’s mother, Queen Isabella. One of the young men was Margaret Pole’s brother, Edward Plantagenet.

Edward was simple and did not understand why he had to die.

Catherine of Aragon refuses to believe this was done at her mother’s request. Queen Elizabeth assures her it’s true and that she’s revealing this secret so that Catherine realizes what’s at stake with her marriage to Prince Arthur. Princess Catherine must give birth to sons to continue their hold on the Crown.

Queen Elizabeth warns, “Do not cross me, Catherine. There is nothing I won’t do to save my boys or to save my love.” She seals her words with a kiss and departs, leaving Catherine alone to consider what she’s learned.

Lina and Rosa talk about Edward, and Lina reminds her it’s an honor to attend Princess Catherine. She also warns her against engaging in a relationship with Edward.

Catherine’s wedding day arrives and she refuses to rise from her bath to prepare. Lina sends everyone away and then recalls a meeting between Catherine and Christopher Columbus. Catherine had asked how Columbus knew he wouldn’t sail off the earth’s edge and Columbus told her to always remember where she came from. He gave her the gold compass she now cherishes.

Catherine reluctantly allows Lina to dry and dress her.

A stunning Catherine of Aragon makes her way down the carpet lined with soldiers outside the church. Prince Harry joins her at the door and removes her shoes. She asks why he wrote to her and he admits he liked her letters. “They excited me,” says her future brother-in-law.

Catherine believes Prince Harry’s admission is a show of weakness. She has power over him after he admits her letters excited him. They walk down the aisle as Catherine quietly recites, “Daughter of Spain, wife to Prince Arthur.” The episode ends as she adds, “…and soon, Queen of England.”




‘SEAL Team’ Season 2 Episode 21 Photos: “My Life For Yours” Preview

Series star David Boreanaz stepped behind the camera to direct SEAL Team season two episode 21. The upcoming episode marks the second time Boreanaz has pulled double duty in front of and behind the camera on the CBS action drama. (Boreanaz also directed season one episode 21.) Episode 21 titled “My Life For Yours” will air on Wednesday, May 8, 2019 at 10pm ET/PT.

John Glenn and Spencer Hudnut wrote the script. The guest cast includes Alona Tal as Stella, Peter Jessop as Commander Shaw, C. Thomas Howell as Ash Spencer, and Pooja Batra as Anita Patel.

The SEAL Team cast is led by David Boreanaz as Jason Hayes. Max Thieriot is Clay Spenser, Neil Brown Jr is Ray Perry, and AJ Buckley is Sonny Quinn. Toni Trucks plays Lisa Davis, Jessica Paré is Mandy Ellis, and Judd Lormand is Lieutenant Commander Eric Blackburn. Tyler Grey plays Trent in a recurring guest star role.

The “My Life for Yours” Plot – Bravo Team desperately searches for Ray after he gets separated from them while in enemy territory.

The SEAL Team Plot:

SEAL Team is a military drama that follows the professional and personal lives of the most elite unit of Navy SEALs as they train, plan and execute the most dangerous, high-stakes missions our country can ask of them. Jason Hayes is the respected, intense leader of the Tier One team whose home life has suffered as a result of his extensive warrior’s existence. His team includes his trusted confidant, Ray Perry, the longest-tenured operator with whom Jason shares an ingrained shorthand; Sonny Quinn, an exceptional, loyal soldier with a checkered past who still combats self-destructive tendencies; and Clay Spenser, a young, multilingual, second-generation SEAL with insatiable drive and dedication.

Vital to the team’s success are troop commander Lt. Cdr. Eric Blackburn, who serves as a leader and confidant both on and off the battlefield; CIA analyst Mandy Ellis, who has sacrificed everything in her drive to root out evil and take down terrorists; and Lisa Davis, a no-nonsense, take-charge logistics officer and unofficial den mother responsible for outfitting the team with the necessary gear for each mission. Deployed on clandestine missions worldwide at a moment’s notice, and knowing the toll it takes on them and their families, this tight-knit SEAL team displays unwavering patriotism and fearless dedication even in the face of overwhelming odds.

SEAL Team Season 2 episode 21
AJ Buckley as Sonny Quinn and David Boreanaz as Jason Hayes in ‘SEAL Team’ season 2 episode 21 (Photo by Erik Voake © 2019 CBS Broadcasting, Inc)
SEAL Team Season 2 episode 21
Tyler Grey as Trent, AJ Buckley as Sonny Quinn, Justin Melnick as Brock and David Boreanaz as Jason Hayes in season 2 episode 21 (Photo: Erik Voake © 2019 CBS Broadcasting, Inc)
SEAL Team Season 2 episode 21
Justin Melnick as Brock, David Boreanaz as Jason Hayes and Tyler Grey as Trent in season 2 episode 21 (Photo: Erik Voake © 2019 CBS Broadcasting, Inc)
SEAL Team Season 2 episode 21
David Boreanaz as Jason Hayes in season 2 episode 21 (Photo: Erik Voake © 2019 CBS Broadcasting, Inc)
SEAL Team Season 2 episode 21
AJ Buckley as Sonny Quinn and David Boreanaz as Jason Hayes in season 2 episode 21 (Photo: Erik Voake © 2019 CBS Broadcasting, Inc)




‘It’s Bruno’ Trailer: Adorable Dog and His Random Encounters

Netflix just released the official trailer for It’s Bruno, a new series set to premiere on May 17, 2019. The series was created by filmmaker Solvan “Slick” Naim and features Rob Morgan (Mudbound, Daredevil, Luke Cage) and Shakira Barrera (GLOW, Lethal Weapon, Queen of the South). Naim stars in, wrote, directed, and executive produces.

Season one of the Netflix and Stage 13 series consists of eight episodes shot in Bushwick, New York. Molly Conners, Amanda Bowers, and Vincent Morano are on board as producers.

Details on It’s Bruno, Courtesy of Netflix:

“There’s just no coming between a man and his dog, as the Netflix/Stage 13 new scripted series It’s Bruno attests. It’s the brainchild of Solvan ‘Slick’ Naim, whose entry into filmmaking started with music. As a kid, whenever he would hear a song he loved, he would create characters and a narrative to go with it. Before he turned to filmmaking, he was pursuing a career in music as a rapper. In a way, it’s what makes Slick’s visual style so dynamic. It’s Bruno plays like vibrant, pulsing and visual beats surrounding the tight bond between a man and his dog.

As he began making independent films which segued into directing episodes for such popular shows as Blacklist, Animal Kingdom, Power, and Snowfall, he started to have dogs in his life – which was a new experience for him. He was working a lot from home so it was a joy to have company. He ended up adopting three rescue dogs, among them Bruno, a puggle mutt.

One day while editing to some music, Slick turned around to see Bruno’s expressive face and started cracking up. This inspired him to recruit some friends to go shoot a proof of concept featuring Bruno and himself and their ridiculous adventures in their neighborhood of Bushwick.”

It's Bruno Solvan Naim
Solvan “Slick” Naim and Bruno in ‘It’s Bruno’ (Photo Credit: Netflix)




Stone Temple Pilots and Rival Sons 2019 Tour Dates Announced

Stone Temple Pilots Rival Sons

Tickets are now on sale via LiveNation for the Stone Temple Pilots and Rival Sons co-headlining tour kicking off on September 13, 2019 in Baltimore, MD at the MECU Pavilion. The co-headlining tour will stop in 12 cities including New York, Chicago, New Orleans, Houston, and Las Vegas.

The tour is scheduled to finish up on October 9th in San Diego at the Cal Coast Credit Union Open Air Theatre at SDSU.

The upcoming tour marks the first time the two rock groups have joined forces to lead a tour. “We are thrilled about this tour and grateful to share these upcoming shows with Rival Sons. A great band! They don’t make them like this anymore. Looking forward to seeing all of you!” said Stone Temple Pilots’ Dean DeLeo.

“We’re delighted to share the stage with the DeLeo brothers and STP! Not to mention performing together in some really great venues,” added Scott Holiday of Rival Sons. “These guys wrote some of the soundtrack to my childhood…and it’ll be killer to watch and listen to ‘em hit these gems every night!”

Stone Temple Pilots and Rival Sons 2019 Tour Dates:

  • Friday, September 13, 2019 – Baltimore, MD at MECU Pavilion
    Sunday, September 15, 2019 – Asbury Park, NJ at Stone Pony Summer Stage
    Thursday, September 19, 2019 – Philadelphia, PA at The Met Philadelphia
    Sunday, September 22, 2019 – New York, NY at Ford Amphitheater at Coney Island Boardwalk
    Wednesday, September 25, 2019 – Chicago, IL at Aragon Ballroom
    Friday, September 27, 2019 – Detroit, MI at Michigan Lottery Amphitheatre at Freedom Hill*
    Sunday, September 29, 2019 – New Orleans, LA at The Fillmore New Orleans
    Tuesday, October 01, 2019 – Houston, TX at Revention Music Center
    Thursday, October 03, 2019 – Irving, TX at The Pavilion at Toyota Music Factory
    Sunday, October 06, 2019 – Las Vegas, NV at The Joint at Hard Rock Hotel & Casino Las Vegas
    Tuesday, October 08, 2019 – Phoenix, AZ at Comerica Theatre
    Wednesday, October 09, 2019 – San Diego, CA at Cal Coast Credit Union Open Air Theatre at SDSU

*Stone Temple Pilots not performing

More on Stone Temple Pilots, Courtesy of LiveNation:

With over 70 million albums sold, Stone Temple Pilots roared on to the scene in 1992 with their raucous debut, Core. A breakout success, the album peaked #3 on the Billboard 200 chart, and dominated radio waves with hits like “Sex Type Thing,” “Wicked Garden,” and the Grammy-Award winning smash single, “Plush.”

STP quickly distinguished themselves as a band beholden to no trend. Boasting the inimitable riffs of guitarist Dean DeLeo, the propulsive rhythm section of bassist Robert DeLeo and drummer Eric Kretz, and the charismatic baritone of frontman Scott Weiland, STP ruled airways, video playlists and charts alike over their legendary career. The band released their seventh studio album, Stone Temple Pilots (2018), their first with new lead singer, Jeff Gutt. The debut single “Meadow” from the self-titled album, channels the gritty guitars and swaggering rhythms that STP is known for, and reached top 5 at rock radio.




‘Designated Survivor’ Debuts a Season 3 Trailer and Poster

The official trailer for Designated Survivor season three finds President Kirkman (played by Kiefer Sutherland) turning to his staff for advice on entering the upcoming race for the White House. Kirkman’s only the President of the United States due to a terrorist attack that wiped out the elected officials above him in rank. Now in season three Kirkman’s faced with the choice of walking away after he finishes out his current term or vying for votes in the presidential election.

In addition to dropping the official trailer, Netflix released a new poster for season three. The upcoming season marks the first under Netflix after Designated Survivor spent two seasons on ABC before getting axed.

Joining Kiefer Sutherland in the season three cast are returning series stars Adan Canto as Aaron Shore, Italia Ricci as Emily Rhodes, Kal Penn as Seth Wright, and Maggie Q as Hannah Wells. Newcomers include Anthony Edwards as Mars Harper, Lorraine Zimmer as Julie White, Dontae Evans as Ben Watson and Isabel Pardo as Elena Tovar.

David Guggenheim created the series and serves as an executive producer with Mark Gordon, Kiefer Sutherland, Suzan Bymel, Simon Kinberg, Aditya Sood, and Peter Noah. Neal Bear is the season three showrunner and also executive produces.

Netflix will release Designated Survivor season three on Friday, June 7, 2019.

The Plot, Courtesy of Netflix:

“The high-stakes political thriller stars Kiefer Sutherland as a low-level cabinet member who is suddenly catapulted to the position of President of the United States after a devastating terrorist attack strikes during the State of the Union, killing all those ahead of him in the presidential succession line.

In season three President Kirkman faces a political reality…campaigning. What does it take to make a leader? What price will he be willing to pay? This season will explore today’s world of campaigning, smear tactics, debates, campaign finance and ‘fake news.’ Democracy, as we know it, will hang in the balance.”

A Look Back at Season 2:

– Designated Survivor Season 2 Episode 10 Recap
– Designated Survivor Season 2 Episode 11 Recap
– Designated Survivor Season 2 Episode 12 Recap
– Designated Survivor Season 2 Episode 16 Recap
– Designated Survivor Season 2 Episode 17 Recap
– Designated Survivor Season 2 Episode 18 Recap
– Designated Survivor Season 2 Episode 20 Recap
– Designated Survivor Season 2 Episode 21 Recap
– Designated Survivor Season 2 Finale Recap

Designated Survivor Season 3 Poster




‘Warrior’ – Dianne Doan Exclusive Interview on Season 1 of the Action Drama

Warrior Star Dianne Doan
Dianne Doan stars in ‘Warrior’ (Photo by David Bloomer / Cinemax)

Cinemax’s critically acclaimed new series Warrior, based on the writings of Bruce Lee, airs on Fridays at 10pm ET/PT. Set in San Francisco in 1878, Warrior is gritty and smart, with incredible fight choreography that strengthens rather than detracts from the character development. The series focuses on a disturbing time period in American history when Chinese immigrants were treated as vermin and the government actively sought to curb their ability to immigrate with the Chinese Exclusion Act.

Dianne Doan stars as Mai Ling, a Chinese immigrant married to Long Zii (Henry Yuk), leader of one of the most powerful tongs in San Francisco. Mai Ling is a strong, independent woman who refuses to be manipulated or pushed into a subservient role. In our exclusive interview, Dianne Doan discussed delving into the character, Mai Ling’s motivations, and the current state of diversity in Hollywood.

Mai Ling is such an interesting character. The audience doesn’t know a lot about her history. How much of a backstory did you develop for her?

Dianne Doan: “The more I know the better for everything that Jonathan (Tropper’s) writing and all the writers in the writers room. So, I had a chance to sit down with JT and he kind of hashed out what he thought up for Mai Ling’s character. And, of course, throughout the season I would add on or I would ask questions.

Everything is motivated by her past. We’ve watched her through the first four episodes that aired, but we don’t really know much about what’s going on in her head. But I would say I built a whole backstory – where she came from, why she went to San Fran, how she got to San Fran, and just her need to rise to the top of the tong.”

Will we be treated to more of her history this season or in season two?

Dianne Doan: “I can only wish and dream that we see more of that backstory in season two. The hard part I would say is that our whole regular cast is so large and there are so many different characters and storylines going through that it’s kind of hard to get a whole episode based on one character, or a couple of scenes. But, yes, I hope that we would shed some light. I think in episode three we got a look into Bolo’s past. I realize that seeing 11 people’s past is a little tricky, but there’s been scenes like when Ah Sahm (Andrew Koji) mentions my past. There’s been little gateways into what happened.”

Do you believe she would be the person she is now if not for her first abusive husband?

Dianne Doan: “No, definitely not. The backstory that I created for Mai Ling is when she was a young girl obviously that marriage to the warlord was abusive and for all the many years I was there, thus the need to escape to San Francisco. And it was that idea that I would never again be abused. So, becoming a prostitute in a brothel in San Francisco wasn’t an option.

Jonathan and I had this idea that when I came to America having English as a weapon in my back pocket, I was able to work in one of the casinos. I started from the bottom and I was able to climb that ladder, whether it was overhearing anything and feeding it back to Long Zii and then they have this relationship.

I think the hard part as an audience member watching the show is I’ve heard a lot of feedback that Mai Ling is ruthless and she kind of sleeps her way to the top. But I didn’t see it that way at all, which kind of broke my heart that on the outside it seems like that. But it was the need for survival. I do believe that Long Zii and Mai Ling do have a relationship. He’s the first man who’s given her any sort of respect as a woman. So, to have that in my life, you cling on to that. I don’t think at all that it’s, ‘I’m just going to sleep with everyone and claw my way to the top.’”

I didn’t view it as her sleeping her way to the top. I saw it as Mai Ling doing what she needs to survive. Did she enter the marriage with Long Zii because she had to?

Dianne Doan: “I don’t think that she had to. I think it was mutual respect between the two. I don’t think that necessarily I married him to somehow take over the tong. It was more so marry him to be protected. I found that to never be abused I needed to find a position of power.

It’s a fine line between being a villain or surviving. I think the main thing throughout season one of filming is that we don’t want to go too far. Sometimes the things that Jonathan writes, if I were to become a certain way it’s almost villainous or mustache-twirling. But the root of it is survival and power, and just never being in that place again in my life. That’s the constant motivation of Mai Ling and I hope it translates to the screen.”

Is that what you latched onto in reading the first script? What about Mai Ling grabbed you and informed you as to who this woman is as a person?

Dianne Doan: “When I first auditioned for the show, I wasn’t really given any information. It was at first a difficult decision whether to sign on. I think in the initial breakdown we turned it down – the audition – because it just worried me. I think the information given was something like, ‘Female, series regular, leading character within the tong.’ It was an HBO/Cinemax show and being a female performer, the kind of red flag for me was when it said, ‘You must be comfortable with nudity or simulated sex.’

I think right away that concerned me because I didn’t want to be another Asian trope. So, it took me getting on a phone call with Jonathan Tropper, the showrunner, and him explaining the whole series because in this situation you never get a full script – you’re lucky if you do. So, I got on a call with him and he just created this world and it was a beautiful story, and the fact that it obviously helped that Bruce Lee dreamt it up. He explained my arc going through. He said, ‘Nothing is set in stone, but this is the idea of Mai Ling’s character.’ And to know that I would have such a long, independent role in the show, that’s what drew me to the role. And then he gave me the first script and I put it on tape the next day.”

Did how Mai Ling was initially described to you by Jonathan play out? Did he fulfill all his promises about your character?

Dianne Doan: “He did. Thankfully, he did. I had three scenes in my audition, and it was initially Mai Ling and Ah Sahm reuniting in the pilot. There was a scene between Li Yong and Mai Ling, and then a scene in episode eight. Those scenes were just every shade on the rainbow of emotion, of power. Not knowing who the character was yet – still not sure after putting something on tape – and then later after filming it on set was just incredible. Yeah, everything that Jonathan in a way promised me came true.”

Your resume is so impressive but is there a character you’ve played who gave you a similar vibe or is she completely different?

Dianne Doan: “Thank you. That’s a very kind compliment. I’ve been really lucky in my career so far. I mean, I’m coming from Disney to I did a History Network show and now HBO/Cinemax. Yeah, a lot of different ranges, I’d say. But you know what? To be honest, a little bit of my…I wouldn’t say they’re similar at all, but I try to make my characters as grounded as possible and never play the victim in a way. So, I would say the background for the most similar character would maybe be Yidu in Vikings.

Yidu was bought as a slave and then my real identity comes through later on in the episodes of me being an emperor’s daughter. So, in that sense, in Vikings I was given no power at all and no chance to rise but yet I claimed my power through – you know, Travis (Fimmel) and I talked about it – through knowledge. Being an emperor’s daughter, I was highly educated. I’m now in this land of Vikings where they’re not the most educated people. (Laughing) But I definitely ground my characters in reality and kind of bring out those characteristics that I think are important for women and young girls to watch.”

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Dianne Doan as Mai Ling in ‘Warrior’ (Photo by David Bloomer / Cinemax)

Did you end up doing much research into San Francisco in the 1870s? Did you research how Mai Ling would hold herself or her mannerisms, given the era of the series?

Dianne Doan: “I looked up a lot of documentaries with immigration and coming into America and obviously the Exclusion Act, how the Chinese people were treated at that time. A lot of background research. But in terms of mannerisms for Mai Ling, not necessarily because that is part of creating the character is being able to decide how she talks or how she walks. The costume dictates so much and your backstory as a character says something else. But I definitely wanted to make sure that I felt that I knew how women were treated at that time.

And also, there are fourth, fifth generation now living in America and I’m a first generation Asian Canadian, so it was fascinating to me. There are cast members on the show who are fourth generation and I have no idea what that even feels like to have a grandparent who was born in the States and how they grew up in a different way than how I grew up.”

Was there anything you learned about that time period in America’s history that struck you and stayed with you?

Dianne Doan: “The funny thing is, being Canadian we didn’t necessarily learn a lot about America’s history, unfortunately. But now having been living back and forth between the States and Canada the last few years, it was just chilling reading the scripts that Jonathan and everyone else had been writing and kind of seeing the political atmosphere in the States. It’s not necessarily Asian Americans who are suffering right now, but the different (groups). It’s insane and it breaks your heart, but it mirrors…100 years later we’re having the same political issues. I know it’s been said before but it’s like a vicious cycle. Everything kind of repeats itself over and over again.

But the important thing is we’re sharing this Asian immigration story that has never been shared. And how sad is that? A country that has been built from immigrants, their story’s never seen the light of pop culture or media. It was very important to Bruce Lee, and Shannon Lee brought it forward, this story that is in American history books and maybe takes up a paragraph or two about the Exclusion Act.”

That is extremely sad. Obviously now is the right time to tell the story, but why do you think that period was ignored for so many years?

Dianne Doan: “I mean, you’re asking the wrong person because I’m a little bitter towards it. (Laughing) But the blunt way to say it is in people’s eyes, whoever published these books, it’s not important and brushed aside. I think a lot of the times, especially in the entertainment industry right now, we’re seeing this wave of diversity. How long has that taken and why is it now that we’re being trusted to be able to make a profit and be accepted by the public? Why has it taken this long to see that people can relate to diversity? Everything happens in its own time and for a reason, but even being an actor for the last eight, nine years now, we’re finally getting an opportunity for inclusion. I’d say it took long enough for all of us to make noise and to make us be seen.

[…] I don’t know if it’s necessarily that they’re writing roles for us, it’s more that the roles that they’re writing they’re open to seeing us audition for them. And I only hope that executives of color and writers of color are now…my hope is that they’re getting opportunities to write specifically for us and not just, ‘Lead character, female, open ethnicity,” but that now it’s specifically for African American or Asian American. It’s been a long time and the ball has just started rolling.”

Were you a fan of Bruce Lee and did this cause you to delve into his life and career?

Dianne Doan: “I was raised on Bruce Lee movies. My mom and dad immigrated from Vietnam in 1984 to Canada. Bruce Lee was a universal icon for everyone. So, I was raised on Bruce Lee movies and then it trickled to Jet Li and Jackie Chan. He played a huge role in my childhood.

My parents, being immigrants, they don’t quite understand the arts. (Laughing) Back then they didn’t understand my choice to be an artist. Not that they don’t care, but I’m working and that’s all that they’re happy about. If I can put food on the table and keep a roof over my head, they’re happy. But as soon as I told my dad about Warrior – I hadn’t booked it yet, but I was just auditioning. I said Bruce Lee and his ears perked right up.

When I actually got the show and we did screenings in LA, I remember him calling me – this was the first time in my whole life he’s ever done this – he called me and told me, ‘When you meet Shannon Lee can you please greet her and just tell her how important her father has been in our lives?’ I think I started crying – it was amazing. And then he saw a picture of Shannon and I in a group cast photo and he texted me and he’s like, ‘Is this Shannon?’ I’m like, ‘Yeah, dad, that is.’ He said, ‘I knew it. She has her father’s chin.’ Those things, I died when he said that. He just loves Bruce. Bruce Lee is huge in our household.”




Review: ‘Long Shot’ Starring Charlize Theron and Seth Rogen

Long Shot Seth Rogen Charlize Theron
Charlize Theron and Seth Rogen star in ‘Long Shot’ (Photo by: Hector Alvarez / Lionsgate)

“Do you, like, date?” asks Fred Flarsky (Seth Rogen). “Who wants to follow me around the world and hope I have five minutes to be affectionate?” replies Charlotte Field (Charlize Theron), the Secretary of State who has her eye on the presidency in the romantic comedy, Long Shot.

Flarsky is a free-spirited investigative reporter who’s recently become unemployed after the small independent newspaper he writes for is bought by a big conglomerate news company. Looking to be cheered up, he meets up and tags along with his successful best friend, Lance (O’Shea Jackson Jr.), to a fancy high-profile party. It’s at this party that Flarsky and Field wind up reconnecting.

The candidate for president spots him and realizes she knows this guy from somewhere. Flarsky reminds her they were neighbors and she used to babysit him all those years ago when he was 13 and she was 16.

The day following their random encounter, Field takes a look at some of Flarsky’s news articles. Her campaign could use a little punching up in the speech department, and Charlotte informs her staff she wants to hire Fred as her new speech writer.

The very unlikely pair get to know each other better as they travel the world together while Charlotte campaigns and prepares to push through her bill to help the environment. Sparks start flying between this odd couple, leading to an unexpected and possibly career-ending romance.

Long Shot tries its hand at being a slapstick romantic comedy but fails due to its dumb, crude humor as well as its two stars having zero chemistry. Charlize Theron gives a solid performance as Field, a shining star in politics working to take over the Oval Office and become the first woman president. Theron captures her drive and passion well. It’s when she tries to be funny and comedic instead of the straight woman to Rogen’s comic antics that her scenes come off as forced and, even worse, not funny.

Seth Rogen never disappears into the character of Flarsky, a drug using, immature, and rude journalist who never got over his teenage crush on Field. The writers apparently believed using curse words in every other sentence would sell Rogen’s character as an edgy reporter.

The movie does have a few laugh-out-loud moments but unfortunately they’re few and far between. Rogen still doesn’t know when to end a gag and the constant use of one particular curse word simply shows the lack of creative writing needed for a truly entertaining romantic comedy.

Long Shot is a dull, uneven comedy with few laughs. It’s filled with vulgar, adolescent humor and missing any kind of romantic vibe or substance.

GRADE: D

MPAA Rating: R for strong sexual content, language throughout and some drug use

Release Date: May 3, 2019

Running Time: 115 minutes

Directed By: Jonathan Levine




‘black-ish’ Gets a Sixth Season and Spawns Another Spinoff

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The stars of ABC’s ‘black-ish’ (ABC/Craig Sjodin)

The world of black-ish is expanding even further with the addition of mixed-ish, a new half-hour comedy. ABC ordered the new spinoff and announced black-ish has been renewed for a sixth season.

Season six of black-ish will air during the 2019-2020 primetime season. The network didn’t announce when we can expect to see mixed-ish join their lineup. The first spin-off, Freeform’s grown-ish, will air the second half of season two this summer.

The cast of critically acclaimed black-ish is led by Anthony Anderson as Andre “Dre” Johnson and Tracee Ellis Ross as Rainbow Johnson. Laurence Fishburne is Pops, Yara Shahidi is Zoey Johnson, Marcus Scribner plays Andre Johnson Jr., Miles Brown is Jack Johnson, Marsai Martin is Diane Johnson, Jenifer Lewis is Ruby, Peter Mackenzie is Mr. Stevens, and Deon Cole plays Charlie Telphy.

The Peabody Award-winning series was created by Kenya Barris. Barris, Jonathan Groff, Kenny Smith, Gail Lerner, Courtney Lilly, Lindsey Shockley, Peter Saji, Anthony Anderson, Laurence Fishburne, Helen Sugland and E. Brian Dobbins serve as executive producers.

mixed-ish stars Arica Himmel as Bow Johnson, Tika Sumpter as Alicia Johnson, Christina Anthony as Denise, Mykal-Michelle Harris as Santamonica Johnson, and Ethan Childress as Johan Johnson.

Peter Saji and Kenya Barris are on board as writers for the spinoff. They also executive produce with Tracee Ellis Ross, Randall Winston, Artists First (Brian Dobbins), Cinema Gypsy (Laurence Fishburne and Helen Sugland) and Anthony Anderson.

The mixed-ish Plot:

“In mixed-ish, Rainbow Johnson recounts her experience growing up in a mixed-race family in the ‘80s and the constant dilemmas they had to face over whether to assimilate or stay true to themselves. Bow’s parents Paul and Alicia decide to move from a hippie commune to the suburbs to better provide for their family. As her parents struggle with the challenges of their new life, Bow and her siblings navigate a mainstream school in which they’re perceived as neither black nor white. This family’s experiences illuminate the challenges of finding one’s own identity when the rest of the world can’t decide where you belong.”




‘Blinded By The Light’ Trailer: Springsteen’s Still The Boss

Between Blinded By The Light, Rocketman, and Yesterday, 2019’s shaping up to be an outstanding year for honoring rock icons. The new trailer for Warner Bros. Pictures’ Blinded By The Night explores the impact Bruce Springsteen’s music has on one teenager who feels like an outsider.

Directed by writer/producer Gurinder Chadha (Bend it Like Beckham), Blinded By The Light stars Viveik Kalra, Kulvinder Ghir, Meera Ganatra, Nell Williams, Aaron Phagura, Hayley Atwell, and Dean-Charles Chapman. The inspirational drama features the music of Bruce Springsteen and is based on Sarfraz Manzoor’s critically acclaimed memoir, Greetings from Bury Park: Race, Religion and Rock N’ Roll.

Manzoor, Chadha, and Paul Mayeda Berges wrote the screenplay. Gurinder Chadha, Jane Barclay, and Jamal Daniel produced, with Tory Metzger, Renee Witt, Peter Touche, Stephen Spence, Hannah Leader, Tracy Nurse, and Paul Mayeda Berges executive producing.

According to the studio, the film was made with Springsteen’s blessing.

Chadha’s behind the scenes team included director of photography Ben Smithard, production designer Nick Ellis, editor Justin Krish, and costume designer Annie Hardinge. A.R. Rahman wrote the score.

New Line Cinema and Warner Bros. Pictures have set an August 14, 2019 theatrical release date.

The Plot:

“Blinded by the Light is a joyful story of courage, love, hope, family and the unique ability of music to lift the human spirit. The film tells the story of Javed (Kalra), a British teen of Pakistani descent growing up in the town of Luton, England, in 1987. Amidst the racial and economic turmoil of the times, he writes poetry as a means to escape the intolerance of his hometown and the inflexibility of his traditional father.

But when a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels to his working-class life in the powerful lyrics. As Javed discovers a cathartic outlet for his own pent-up dreams, he also begins to find the courage to express himself in his own unique voice.”

Blinded By the Light
Viveik Kalra as Javed in New Line Cinema’s ‘Blinded By The Light’ (Photo by Nick Wall)
Blinded By The Light
Nell Williams, Viveik Kalra and Aaron Phagura in New Line Cinema’s ‘Blinded By The Light’ (Photo by Nick Wall)
Blinded By the Light
Viveik Kalra as Javed in New Line Cinema’s ‘Blinded By The Light’ (Photo by Nick Wall)




‘Downton Abbey’s Julian Fellowes Sets Up ‘The Gilded Age’ at HBO

Julian Fellowes and Gareth Neame
Julian Fellowes and Gareth Neame (Photo by Carnival Film and Television Limited)

HBO has snatched up The Gilded Age, the latest dramatic series from award-winning writer/executive producer Julian Fellowes. Fellowes (Downton Abbey) created The Gilden Age and reunites with director Michael Engler for the period drama. Engler directed the Downton Series series finale and was also at the helm of the film follow-up to the award-winning series.

“I feel very privileged to be making The Gilded Age with HBO and Universal Television. It has been a dream of mine for some time, as I am fascinated by this brutal and intensely glamorous period of America’s history. It will be about ambition, of course, and envy and hatred and, perhaps most of all, about love. I hope people will enjoy the series. I know I will enjoy making it,” said Fellowes.

Season one will consist of 10 episodes.

“Given the opulent scope and scale of this richly textured character drama, HBO is the perfect home for The Gilded Age,” said Casey Bloys, president, HBO Programming. “We’re all huge fans of Julian and I know I speak for Bob Greenblatt – who was involved in the development of this series while at Universal Television – when I say we’re thrilled to bring his undeniable genius to our viewers.”


The series had originally been set up at NBC, however the scope and scale were a better fit for an HBO production rather than an NBC primetime series. Fellowes came up with the idea for The Gilded Age in 2012 and in 2018 NBC gave the series the go-ahead.

“I’m thrilled that HBO and Universal Television will be bringing The Gilded Age to life,” stated executive producer Gareth Neame. “This is a compelling part of the American story and has remarkable parallels with the world we live in as these people set many of the wheels in motion that drive us today.”

The Gilded Age is a HBO and Universal Television co-production.

Julian Fellowes won two Primetime Emmy Awards for Downton Abbey. He also won a Best Original Screenplay Oscar for Gosford Park in 2002.

The Plot:

“The American Gilded Age in 1885 was a period of immense economic change, of huge fortunes made and lost, and the rise of disparity between old money and new money, which is being reflected again today. Against this backdrop comes young Marian Brook, the orphaned daughter of a Southern general, who moves into the home of her rigidly conventional aunts in New York City.

Accompanied by the mysterious Peggy Scott, an African-American woman masquerading as her maid, Marian gets caught up in the dazzling lives of her stupendously rich neighbors, led by a ruthless railroad tycoon and his ambitious wife struggling for acceptance by the Astor and Vanderbilt set. Will Marian follow the established rules of society, or forge her own path in this exciting new world that is on the brink of transformation into the modern age?”




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