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‘American Gods’ Season 2 Episode 7 Recap: “Treasure of the Sun”

American Gods Season 2 Episode 7
Pablo Schreiber in ‘American Gods’ season 2 episode 7 (Photo Credit: Starz)

Starz’s American Gods season two episode seven, the season’s penultimate episode, fills in the backstory of fan favorite Mad Sweeney (played by Pablo Schreiber). Sweeney’s the focus of episode seven which ends with one of the series’ most shocking moments.

“Treasure of the Sun” beings with Shadow Moon (Ricky Whittle) walking down the middle of the road on the outskirts of Cairo. He’s been sent to find Mad Sweeney, and he locates the unlucky leprechaun by the side of the road. He assumes he’s dead, but Sweeney’s just sleeping one off. A comparison to trolls hanging out under bridges leads to a confession from Mad Sweeney that he’s actually not sure whether he is a troll or a leprechaun.

Talking to himself in sort of a drunken daze, Sweeney confirms the further he gets from Laura Moon (or “dead wife” as he not so lovingly calls her), the unluckier he becomes. He’s a mixed bag of emotions (alternately giddy and in tears) and seems to have nearly given up on life.

Shadow tries to draw Laura’s location out of Mad Sweeney, but he won’t reveal it until Shadow hands over $20 to pay for booze at the nearest bar. Sweeney says the last time he saw Laura was in New Orleans and he assumed she was traveling to Cairo to reunite with Shadow.

Sweeney whispers in Shadow’s ear, “This is gallows ground you’re walking, and there’s a rope around your neck and a raven-bird on each shoulder waiting for your eyes.”

Shadow arrives back at Mr. Ibis’ funeral home as Mr. Ibis (Demore Barnes), Wednesday (Ian McShane), and The Jinn (Mousa Kraish) are discussing which Old Gods are on their side. The Jinn’s of the opinion Bilquis isn’t but Wednesday believes she’ll fight for them when the time comes. Shadow informs the group he just found Mad Sweeney and he’s in bad shape. Wednesday takes that news as a sign Sweeney’s in the perfect state to join their cause.

When it’s only Wednesday and Shadow, Wednesday completes the mending of Gungnir which is now covered in magical runes. Shadow’s given the sword and told to guard it with his life. “Wars are coming, Shadow. I have a big role for you,” says Wednesday.

Elsewhere, Mama-Ji (Sakina Jaffrey) threatens to call the health department if Laura (Emily Browning) doesn’t leave the Motel America diner. Laura reminds her she’s capable of ripping off limbs and not to be outdone, Mama-Ji allows Laura to see her in her form as Kali the Destroyer, consumed by fire and brandishing a sword. She only wants a little respect from Laura and in turn, she can provide a little help. Laura describes what she needs: two drops of blood infused with love.

Mama-Ji tells Laura she doesn’t need that voodoo magic to heal. The power’s already in her heart, given to her by Mad Sweeney. “What? Like the power of love?” asks Laura. “No, the power to destroy,” replies Mama-Ji.

Mama-Ji slides Laura a note. Laura hits the road, hitchhiking her way toward Shadow’s light.

American Gods Season 2 Episode 7
Emily Browning and in ‘American Gods’ season 2 episode 7 (Photo Credit: Starz)

Mad Sweeney arrives at the funeral home where he believes he sees a banshee. He greets Salim (Omid Abtahi) at the door with, “Morning, pillow biter,” which Salim takes in stride. Inside the funeral home, Mad Sweeney is convinced he hears the wailing of banshees. Salim tries to explain it’s just women outside mourning the loss of a husband and father, but that explanation doesn’t appease Sweeney.

Mad Sweeney enters the parlor where Bilquis (Yetide Badaki) is leading a service. After the service, Bilquis and Mad Sweeney discuss his past and he claims not to remember much. She places her hand on him and announces that she won’t have him, but she will have his confession.

Mad Sweeney remembers a woman who had the sight and as they made love, she told him he’d be undone west of the sunrise and that a dead woman would seal his fate. After that, the fairy folks’ stories changed and the leprechauns began being described as greedy little green men. As he recalls the stories and the various ways they described his death, Bilquis reminds him they’re not true. “You didn’t die that way and her fortune didn’t come true,” says Bilquis.

Mad Sweeney’s no longer sure of the truth.

Bilquis confesses the version she heard said he had a wife.

Mad Sweeney’s reunions continue. Up next, a meeting with Wednesday leads to Mad Sweeney declaring he’s quitting. Wednesday claims they have a contract Mad Sweeney hasn’t fulfilled. But an angry Mad Sweeney reminds him he killed the dead wife as requested and then she stole his coin. That should more than pay off any debt he owes Wednesday.

Wednesday wonders why Mad Sweeney doesn’t just take the coin, but Mad Sweeney can’t do that because his code of honor forbids it. The coin must be returned freely. They argue over whether Sweeney’s in love with Laura and Wednesday warns him to get over it.

Wednesday demands Mad Sweeney finish the job he’s contracted to do: kill Laura Moon.

Mad Sweeney drinks, sulks, and then screams at the banshees gathered outside the funeral home. He has a flashback to existing off eating ants to get by. In the flashback a woman he believes is a witch walks toward him through the forest, holding the hand of a little girl. She says she’s his wife and he smiles as he recognizes his family. When Sweeney doesn’t remember his daughter’s name, his wife says to her, “Remember the boundaries of your father’s mind have grown thin since he left us.”

The little girl introduces herself as Moira and Sweeney digs into the bread they’ve brought. He pauses to wonder why his wife’s dressed in rags. He asks about the beautiful dress she wore when they danced at their wedding, and she gently reminds him they lost everything, including their castle, his lands, and his title. The war was lost and because Sweeney abandoned their allies, he was cursed by the bishop.

Back to current events and Salim takes a seat outside the funeral home next to Mad Sweeney. Salim admits he’s only in town because The Jinn is there, and The Jinn’s there because he owes Wednesday. The conversation returns to the women in black, and Sweeney remains convinced they’re banshees. Salim’s equally convinced they’re women in mourning.

Mad Sweeney suggests Salim leave before the war starts. The Jinn has to stay but Salim shouldn’t give up his life for someone who’s going to live forever. Salim, however, believes that’s how love works.

Sweeney wonders if The Jinn would kill Salim if Wednesday asks. “I can’t explain love to someone who has never felt it,” says Salim. “Oh, I felt it. I had a family. I had a wife; I had a kingdom,” replies Sweeney, adding, “I’m starting to remember now.”

Another flashback shows Sweeney’s wife, Eorann (Clare McConnell), attempting to make Sweeney listen to reason. Sweeney stands firm in his belief the monks will ruin everything they touch. Eorann tries to get him to understand the world changes. She’s pregnant and soon he’ll be a dad, and she wants him to change with his family. She simply wants him to make alliances not enemies so they can live a long life together.

They kiss and Sweeney hears the bells in the church toll. Eorann doesn’t react but the sound is driving Sweeney mad. Enraged once again, he stalks off determined to stop the monks from building churches on his land.

Mad Sweeney recalls the events of that day and provides the details to Salim. Sweeney found Bishop Ronan, threw his prayer book into the lake, and then speared one of his priests. He was cursed by Bishop Ronan to become mad and die by the spear.

Sweeney heard banshees on the battlefield and knew he would die that night. He left the battlefield and lost his family and his mind. (Sweeney’s story is lifted from the Irish tale of Suibhne mac Colmai, king of Dal nAraidi. Suibhne exited the Battle of Mag Rath and began wandering, eventually earning the name Suibne Geilt or Mad Sweeney.)

A while later Mad Sweeney visits Shadow in his room. Sweeney warns Shadow not to let Laura near Wednesday. He also warns him that he’ll fall out of favor with Wednesday, as everyone does. “There’s always a cost with him. You just haven’t paid it yet,” says Sweeney.

Shadow’s dismissive of Sweeney’s warning, prompting Sweeney to act. He picks up Shadow’s coin and makes it disappear. Shadow demands its return but Sweeney refuses until Shadow makes a promise. Sweeney listens to the banshees wail and tells Shadow it means someone here will be dying soon. “When the time comes, don’t get in the f**king way,” says Sweeney. He wants Shadow to promise that, even though Shadow doesn’t understand what Sweeney’s talking about.

Shadow promises and Sweeney returns his coin. Sweeney then confesses that Wednesday and the gods are not heroes.

Mr. Ibis writes as Sweeney downs yet another beer. Mr. Ibis is putting pen to paper to tell Sweeney’s story, advising Sweeney he’s aware he has a lot of stories inside his head. Mr. Ibis calls what he’s writing “imaginative re-creations,” and the current story he’s working on is Sweeney’s earliest story. It concerns Sweeney fighting off all the gods who entered Ireland.

Another flashback shows Sweeney at war with the gods who’ve come from foreign lands. The war changed when the church arrived and twisted their stories into tales of fairies and saints and dead kings. Mr. Ibis reveals the story he’s writing is about the ancient race of gods in Ireland.

When Sweeney whispers that he was a king, Mr. Ibis corrects him. “You were a god-king,” says Mr. Ibis. He was a god of the sun, luck, craft, art, and everything valuable to civilization. He was known as The Shining One and Long Hand for his skill with a spear. A flashback shows Sweeney in action in war – a brutal, vicious warrior who kept his people safe.

His enemies were the Fomorians. The Fomorians were described as madmen, monstrous beings, and the things of nightmares. Sweeney remembers their leader was Balor, Sweeney’s father’s father.

Sweeney’s in anguish when a memory floods him of decapitating Balor. Sweeney’s memory is a tricky thing, and he believes Balor loved him. Mr. Ibis corrects his memory, reminding him Balor knew one of his grandchildren would kill him so he had them all drowned. Only Sweeney survived.

Sweeney doesn’t want to confront this memory and then realizes it wasn’t Balor he killed. He then has a vision of the battle ending as he held aloft Grimnir’s severed head.

Mr. Ibis asks him to remember stories aren’t truer than the truth. Sweeney hands Mr. Ibis the $20 he took from Shadow. He was going to use it on a ride or alcohol, but he no longer needs the cash. When Mr. Ibis asks if Sweeney’s not thinking about tomorrow, Sweeney warns him it’s none of his business.

Elsewhere in the funeral home, Wednesday leads a toast to the coming war, noting the proverbial sh*t is about to hit the fan. He calls the meal their “last supper.”

Sweeney interrupts the gathering, acknowledging he wasn’t invited to join the dinner. Sweeney makes note of the fact they’re eating the banshees’ food, wondering why Wednesday didn’t know any better than to do so. Sweeney warns Salim they’re in debt to the fairies now. Sweeney then addresses Wednesday directly, certain he’s no longer in his debt since he too ate the fairies’ food.

Sweeney walks around the table toward Wednesday, reminding Shadow of his promise not to get in the way. Shadow, ever the attentive bodyguard, reaches for Gungnir and Sweeney warns him it’s between him and Wednesday. Shadow rises from his seat with the spear in his hand. Everyone else is told to clear the room and only Wednesday, Shadow, and Sweeney remain as once again Sweeney claims his debt is cancelled.

“If you know what’s good for you, you’ll put the spear down. You’ll leave; you’ll never look on any of us f*cks again,” hisses Sweeney.

Shadow replies, “No one’s dying tonight, Sweeney.”

Shadow continues to hold onto the spear. He punches Sweeney in the face and then takes a swing with the spear. An all-out brawl breaks out and Shadow appears to get the best of Sweeney. Sweeney holds him close and asks if he can feel the poison, saying the poison is Wednesday. Sweeney then drops a bombshell, confessing he caused Laura’s car wreck on Wednesday’s orders. Shadow wants to know why Wednesday would kill Laura and Sweeney says it’s because he uses everybody.

Wednesday has been sitting at the table eating during the fight. When Sweeney divulges his big secret, Wednesday only acknowledges the disclosure by tipping his fork toward Shadow as if to say, yes, it’s as the leprechaun says.

Once again, Sweeney advises Shadow to leave. Shadow refuses, again, adding a “f*ck you” for emphasis. Sweeney then confesses he had sex with Laura which causes Shadow to lash out again.

Shadow leaves Sweeney kneeling after a punch, and Gungnir is now on the ground not far from Sweeney’s hand. Sweeney rises, grabs Odin’s spear, and lunges toward Wednesday. Shadow reacts by grabbing the shaft, sinking to his knees, and whipping around, placing the spear so that Sweeney runs into it. It pierces his chest and Sweeney gasps in pain. He’s been run through by the spear and it finally dawns on Shadow what he’s done. He apologizes and Sweeney says, “You owe me a coin, Moon Shadow.”

Wednesday claims he would have given Sweeney his battle. Before Sweeney dies, he grasps the spear and changes Gungnir into gold coins. He flips off Wednesday and calls him a one-eyed c*nt before falling to the floor.

As he dies, Sweeney says, “I used to be a king.” (This had better not be the end of fan-favorite Mad Sweeney! The Sweeney/Laura relationship is one of the show’s most compelling storylines.)




‘Supernatural’ Season 14 Episode 19 Recap: “Jack in the Box”

Supernatural Season 14 Episode 19 Recap
Jared Padalecki as Sam, Misha Collins as Castiel and Jensen Ackles as Dean in ‘Supernatural’ season 14 episode 19 (Photo: Diyah Pera © 2019 The CW Network, LLC)

If the show wanted us to hate the Winchesters – Dean in particular – then Supernatural season 14 episode 19 “Jack in the Box” achieved this in spades. This was an episode thoroughly in contrast with established characterizations of the heroes and one that will make us resent them for quite a while, unless they reverse things in next week’s finale.

The episode starts off with Dean (Jensen Ackles), Cas (Misha Collins), and Sam (Jared Padalecki) giving a memorial to Mary, and we found out (much to my annoyance) that the Apocalypse World hunters are still alive – looks like Michael had killed only a few of them. Alternate Bobby (Jim Beaver) then signals his arrival by killing a wraith who had been infiltrating the bunker. Bobby is livid over the loss of Mary and leaves with the promise that he would find and kill Jack for what he did. This prompts Castiel to visit Heaven – and this cannot be stated enough, but Castiel is the only person who remains likable by the end of this episode.

In Heaven, Duma (Erica Cerra) reveals she’s imprisoned Naomi for her failure as a leader and taken over the reins herself. Castiel shares news of Jack’s soulless state to her, only for Duma’s eyes to sparkle with the idea that she can use Jack to further her own motives.

Finding Jack (Alexander Calvert) still whimpering over his actions, Duma manipulates him into killing those humans who she sees as influential, but enemies of God and his mission, such as an atheist professor and a TV evangelist. With the news of these deaths being public, Sam voices them over to the rest of the group.

Duma’s next intention is for Jack to create angels, and she has Jack convince a prayer group to accompany him to Heaven where he seemingly does succeed in turning them into angels. Their leader, who didn’t trust Jack’s words, is left to be eaten by worms, but survives long enough to relay Jack’s actions to Sam and Dean at the hospital. This is the final level for Dean, who convinces Sam they need to seal Jack in the box he had built back when he wanted to be thrown in the bottom of the ocean when Michael had been in his mind.

The plan is for them to dupe Jack into thinking they’ve forgiven him and then lie about finding a magical spell that can get him his soul back. Here, both Sam and Dean go against character and agree to seal Jack. It makes Dean look like nothing more than a vengeful jerk as he’s giddy at the prospect of sealing Jack for eternity despite all the boy has done for them. Likewise, Sam is only partly fazed by this prospect and even goes along with the plan knowing that Jack likes him better than Dean, so it would be prudent for Sam to manipulate him.

Castiel arrives in Heaven and kills Duma when she threatens to destroy the Heaven that John and Mary are sharing as well as claiming she won’t back down from her destructive ways. Before Castiel can get to Jack, Sam and Dean have summoned him to the bunker already. In a show of awful acting, along the lines of how they’d acted in season six’s “The French Mistake”, Sam and Dean tell Jack they forgive him for killing Mary. Jack admits he regrets what happened, although the blank look on his face conveys he doesn’t really feel much of what he claims to feel. Dean clearly loathes Jack by this point, but plays along until Sam convinces Jack to lie in the box.

Dear sweet Jack believes the Winchesters and agrees to be sealed in the box, not knowing they have no intention of ever releasing him. Strangely, and also infuriatingly, Dean and Sam are then shown enjoying a drink for their successful manipulation of the child and wonder if they can forget about him. While Sam voices some measure of regret and that he might not be able to forget Jack, Dean is more at ease and is just glad Jack isn’t their problem anymore.

However, inside the box, Jack is again shown to be talking to his subconscious, which takes the form of Lucifer once more. Lucifer taunts him by telling Jack that the Winchesters played him and will never release him.

Very upset Castiel – the only one who hasn’t given up on Jack – is severely disappointed in Sam and Dean for what they did to Jack and accuse them of not being any better than Duma for manipulating him. Dean, as always never claiming responsibility for his own actions, isn’t sorry at all and gets in Castiel’s face yet again over Jack killing Mary. By now, though, Jack’s super abilities kick in due to his upset state, and he destroys the box confining him. The trio enter the room to see Jack looking as vengeful as ever over their efforts to lock him up for good.

Although Supernatural wants us to see Jack as the bad guy, that’s nowhere near how it’s coming across. Instead, Dean and Sam seem like the villains as they refuse to see how Jack is being manipulated and that he can’t control what he does. Back in season six, when Soulless Sam had been running rampant, Dean did everything he could to help him and refused to let go of Sam. Here, it’s entirely hypocritical of them to accuse Jack of being bad.

With the boy now free and his trust in the Winchesters completely gone, it’ll be interesting to see what happens in the finale. If Dean remains as awful as he’s been the last couple episodes, I wouldn’t mind Jack coming out as the victor.




‘9-1-1’ Season 2 Episode 15 Photos: “Ocean’s 9-1-1” Preview

Fox’s 9-1-1 season two continues with episode 15 airing Monday, April 22, 2019 at 9pm ET/PT. The episode’s titled “Ocean’s 9-1-1” and features guest stars Jama Williamson, Christian Clemenson, and Max Adler.

The cast of season two includes Angela Bassett as Athena Grant, Peter Krause as Bobby Nash, and Jennifer Love Hewitt as Maddie Kendall. Oliver Stark plays Evan “Buck” Buckley, Aisha Hinds is Henrietta “Hen” Wilson, Kenneth Choi is Howie “Chimney” Han, Rockmond Dunbar is Michael Grant, and Ryan Guzman plays Eddie Diaz.

Ryan Murphy, Brad Falchuk, and Tim Minear are the series’ creators and serve as executive producers and writers. Bradley Buecker and Alexis Martin Woodall also executive produce. Series star Angela Bassett is a co-executive producer.

The “Ocean’s 9-1-1” Plot: A going-away party for a bank manager turns into an emergency, and then a mystery, as the first responders are accused of pulling off a daring heist.

The Season 2 Plot:

“Creators Ryan Murphy, Brad Falchuk and Tim Minear reimagine the procedural drama with 9-1-1, exploring the high-pressure experiences of police officers, firefighters and dispatchers who are thrust into the most frightening, shocking and heart-stopping situations. These emergency responders must try to balance saving those who are at their most vulnerable with solving the problems in their own lives.”

9-1-1 Season 2 Episode 15
Ryan Guzman, Oliver Stark and Peter Krause in ‘9-1-1’ season 2 episode 15 (Photo © 2019 FOX MEDIA LLC)
9-1-1 Season 2 Episode 15
Aisha Hinds, Peter Krause and Kenneth Choi in season 2 episode 15 (Photo © 2019 FOX MEDIA LLC)
9-1-1 Season 2 Episode 15
Peter Krause and Ryan Guzman in season 2 episode 15 (Photo © 2019 FOX MEDIA LLC)
9-1-1 Season 2 Episode 15
Ryan Guzman and Oliver Stark in season 2 episode 15 (Photo by Jack Zeman © 2019 FOX MEDIA LLC)
9-1-1 Season 2 Episode 15
Oliver Stark and Aisha Hinds in season 2 episode 15 (Photo by Jack Zeman © 2019 FOX MEDIA LLC)




‘When They See Us’ Trailer: Shining Light on the Central Park Five

Netflix just released the official trailer for When They See Us, a limited series based on the true story of five teenagers wrongfully accused of raping a woman in Central Park. The riveting trailer dropped on the 30 year anniversary of the attack, with the four-part series set to premiere on May 31, 2019.

Academy Award nominee Ava DuVernay (13th) created the series and co-wrote and directed all four parts. DuVernay also executive produced along with Oprah Winfrey, Jane Rosenthal, Berry Welsh, Jeff Skoll, Jonathan King, and Robert De Niro. DuVernay’s co-writers include Attica Locke, Robin Swicord, and Michael Starrbury.

The cast of When They See Us includes Emmy Award nominee Michael K. Williams, Oscar nominee Vera Farmiga, Emmy Award winner John Leguizamo, Oscar nominee and Emmy Award winner Felicity Huffman, Emmy Award nominee Niecy Nash, Emmy Award winner Blair Underwood, Emmy Award and Grammy Award winner Christopher Jackson, and Joshua Jackson. The series also features Omar J. Dorsey, Adepero Oduye, Famke Janssen, Aurora Perrineau, William Sadler, Jharrel Jerome, Jovan Adepo, Aunjanue Ellis, Kylie Bunbury, Marsha Stephanie Blake, Storm Reid, Chris Chalk, Freddy Miyares, Justin Cunningham, Ethan Herisse, Caleel Harris, Marquis Rodriguez, and Asante Blackk.

When They See Us Central Park Five
Aunjanue Ellis and Ethan Herisse in ‘When They See Us’ (Photo by Atsushi Nishijima/Netflix)

The Plot, Courtesy of Netflix:

“Based on a true story that gripped the country, When They See Us will chronicle the notorious case of five teenagers of color, labeled the Central Park Five, who were convicted of a rape they did not commit. The four part limited series will focus on the five teenagers from Harlem – Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise. Beginning in the spring of 1989, when the teenagers were first questioned about the incident, the series will span 25 years, highlighting their exoneration in 2002 and the settlement reached with the city of New York in 2014.”




‘Gotham’ Series Finale Preview: “The Beginning” Photos and Plot

Fox’s Gotham comes to an end with season five episode 12 airing on Thursday, April 25, 2019 at 8pm ET/PT. The comic book-inspired series is wrapping up multiple storylines presented over season five, one of the series’ most engaging seasons and the season that marked the full evolution of Bruce Wayne into Batman.

The events transpiring in “The Beginning…” finale catapult the characters 10 years into the future, and the batch of photos released in support of episode 12 show most of the key characters as their older selves, with the exception of Bruce Wayne/Batman and Selina Kyle/Catwoman. The trailer teases Batman in action in his full Batsuit, and it also shows Catwoman attempting to steal a piece of jewelry. However, we don’t see Batman or Catwoman’s faces or frontal full body shots in the short teaser for the series’ finale.

The cast of the final season is led by Ben McKenzie as Detective James Gordon. Donal Logue is Detective Harvey Bullock, Sean Pertwee is Alfred Pennyworth, Robin Lord Taylor is Oswald Cobblepot/The Penguin, and Erin Richards is Barbara Kean. David Mazouz plays Bruce Wayne/Batman, Camren Bicondova is Selina Kyle/Catwoman, Cory Michael Smith is Edward Nygma/The Riddler, and Chris Chalk plays Lucius Fox.

Cameron Monaghan returns as Jeremiah Valeska/The Joker for the finale.

The Beginning…” Plot: The series flash-forwards 10 years into the future, as Bruce is set to return to Gotham for the opening of the new Wayne Tower. A series of crimes leads Gordon to believe Penguin and The Riddler are up to their old tricks. However, when Bullock is framed for a murder, Gordon begins to piece together an even more sinister plot targeting the city, and a new figure emerges from the shadows to be the hero Gotham desperately needs.

Gotham Season 5 Episode 12
Robin Lord Taylor and Cory Michael Smith in ‘Gotham’ season 5 episode 12 (Photo © 2019 Fox Media LLC)
Gotham Season 5 Episode 12
Erin Richards and Ben Mckenzie in the “The Beginning…” series finale (Photo © 2019 Fox Media LLC)
Gotham Season 5 Episode 12
Erin Richards in the ‘Gotham’ series finale (Photo © 2019 Fox Media LLC)
Gotham Season 5 Episode 12
Ben McKenzie and Erin Richards in ‘Gotham’ season 5 episode 12 (Photo © 2019 Fox Media LLC)
Gotham Season 5 Episode 12
Chris Chalk and Sean Pertwee in season 5 episode 12 (Photo © 2019 Fox Media LLC)
Gotham Season 5 Episode 12
Chris Chalk and Morena Baccarin in “The Beginning…” series finale (Photo © 2019 Fox Media LLC)




‘The Red Line’ Series Preview: Cast, Plot, and Photos from CBS’s New Drama

The timely new limited series The Red Line will premiere on Sunday, April 28, 2019 at 8pm ET/PT. The series is set in Chicago and follows three families dealing with tragedies that affect their lives. The eight-episode drama will air in two-hour installments over four consecutive Sundays.

Noah Wyle (Falling Skies, ER) Emayatzy Corinealdi (Ballers, Hand of God), and Noel Fisher (Shameless, Castle Rock) lead the cast of The Red Line, with Greg Berlanti, Ava DuVernay, Sarah Schechter, Caitlin Parrish, Sunil Nayar, and Kevin Hooks serving as executive producers.

The cast also includes Aliyah Royale as Jira Calder-Brennan, Howard Charles as Ethan Young, Elizabeth Laidlaw as Victoria “Vic” Renna, Vinny Chhibber as Liam Bhatt, and Michael Patrick Thornton as Jim Evans.

The first episode, “We Must All Care,” was directed by Victoria Mahoney from a script by Caitlin Parrish and Erica Weiss. Episode two, titled “We Are Each Other’s Harvest” and airing immediately after episode one on April 28th, was directed by Kevin Hooks and written by Shernold Edwards.

The Plot, Courtesy of CBS:

The Red Line is an eight-episode original limited series that follows three very different Chicago families as they journey toward hope and healing after a tragedy causes them all to consider how race and racial biases affect their lives. On the north side of Chicago, Daniel Calder (Wyle) is a high school history teacher mourning the death of his husband, an African American doctor who was shot, while unarmed, by a white cop. As Daniel tries to comfort their grieving daughter, Jira Calder-Brennan, the two butt heads when she decides she needs more support than her father can provide. She seeks the understanding of someone who knows what it’s like to grow up as a young black woman, and searches for her birth mother to learn more about her personal history, culture and community. Daniel seeks comfort in his colleague – and Jira’s teacher – Liam Bhatt.

On the south side, Tia Young (Corinealdi) scours news of the shooting, torn between her political ambition of running for Alderman and risking it all to comfort the daughter she gave up for adoption as a teen. Tia’s husband, Ethan Young, a red line train operator and devoted father to their 6-year-old son, champions her running for office, but cautions her about connecting with Jira.

On the west side, police officer Paul Evans (Fisher) must face the reality of his actions and intentions in the fatal shooting of an innocent man and worries about his fate amidst the public and legal fallout. His police partner, Victoria “Vic” Renna, and his brother, Jim Evans, a volatile former cop confined to a wheelchair after being shot in the line of duty, cause more harm than good in their attempts to help him.

As the stories of the Calder, Young and Evans families converge, they each discover that it’s impossible to ignore issues of race; it’s important for each of us to explore how our backgrounds and internal biases affect how we act, and that we must open our eyes and see that we’re all human and all deserving of the same dignity.

The Red Line Noah Wyle
Noah Wyle as Daniel Calder and Aliyah Royale as Jira Calder-Brennan in ‘The Red Line’ (Photo © 2018 CBS Broadcasting, Inc)
The Red Line Noah Wyle
Noah Wyle as Daniel Calder in episode 1 (Photo: Elizabeth Morris ©2018 CBS Broadcasting, Inc)
The Red Line Noel Fisher
Noel Fisher as Paul Evans in episode 1 (Photo © 2018 CBS Broadcasting, Inc)
The Red Line Noel Fisher
Elizabeth Laidlaw as Victoria Renna and Noel Fisher as Paul Evans in episode 1 (Photo: Elizabeth Morris ©2018 CBS Broadcasting, Inc)
The Red Line Emayatzy Corinealdi
Emayatzy Corinealdi as Tia Young and Howard Charles as Ethan Young in episode 1 (Photo: Elizabeth Morris © 2018 CBS Broadcasting, Inc)




‘Good Omens’ – Michael Sheen and David Tennant Interview on Starring in the Adaptation of Neil Gaiman’s Book

Amazon Prime Video’s much-anticipated series Good Omens, based on the bestselling novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Neil Gaiman and Terry Pratchett, is set to launch to Amazon Prime subscribers on May 31, 2019. Good Omens follows the story of the angel Aziraphale and a demon named Crowley who unite to stop the impending Armageddon. Michael Sheen (Masters of Sex, The Good Fight) channels his angelic side as Aziraphale while David Tennant (Doctor Who, Broadchurch) sinks his teeth into Crowley.

Sheen and Tennant were teamed up for roundtable interviews at the New York Comic Con to promote the supernatural fantasy series. The interview turned out to be an entertaining lovefest, with Sheen and Tennant sharing their admiration for each other’s work. The talkative duo also expressed their pleasure at being a part of a series based on Neil Gaiman and Terry Pratchett’s book.

How long have you known each other?

David Tennant: “I feel like we knew each other even before Bright Young Things. I seem to remember we got to know each other reasonably well.”

Michael Sheen: “Yeah. We were both in a film together called Bright Young Things that Stephen Fry directed. So, 2003?”

David Tennant: “Yeah, let’s say that.”

Michael Sheen: “But we weren’t in scenes together, so we were just sort of in the same film. And then we’ve just sort of known each other since then, but this is the first time we’ve actually got to work together. And this is, like, into the deep end.”

David Tennant: (Laughing) “Certainly is!”

Michael Sheen: “It’s just the two of us all the time.”

So, was working together everything you expected it to be after all that time?

Michael Sheen: “I’ve been saying that – and it’s true – I came into it as a fan of David’s work.”

David Tennant: “And likewise.”

Michael Sheen: “And so you don’t know how that’s going to go. We’re not massively dissimilar. As actors we could be up for the same sort of parts, and that’s part of why this works quite well because they both started off as angels. It’s good that there’s a sort of connection, but that could go one of two ways. So, when we first started doing the table read, the first time we ever did the lines out loud, there was a sense of, ‘Oh, right, you’re going to be in that area, so I’ll be in this.’ And then it is like a dance. You just sort of get into a rhythm and it just seemed to fit. It just seemed to fit really well, didn’t it?”

David Tennant: “I think in the end it was exactly like I thought it was going to be because I imagined Michael would be a certain way because I thought, ‘Oh, he’s that kind of actor and he’s creative and he does that. He’s sort of clever and quick.’ But then, you never really know until you’re there because sometimes you think, ‘Oh, working with that person will be like this,’ because you make certain assumptions about how they work and who they are from what you’ve seen.”

Michael Sheen: “Right. But you have no idea about someone’s process, and someone could be an absolute pain in the ass that’s nice to work with aside from what the work is like itself.”

David Tennant: “Yeah. And even when you do know someone personally and socially, that doesn’t necessarily translate to how they will be professionally. But I think it probably did in this case. It was as easy and it was as creative and it was as fun.”

Michael Sheen: “I’ve been asked this before and at the risk of embarrassing David, someone said, ‘What is the biggest challenge about playing the part?’ And genuinely the biggest challenge was being in scenes with David and just enjoying watching what he was doing so much that it would be in danger of me just stopping acting. ‘That’s very good, what you’re doing! I really like that.’ And what was lovely is then it really felt like… There’s all the clichés about playing tennis and knocking the ball back and forth but it really did feel like that.”

David Tennant: “And upping your game.”

Michael Sheen: “And really playing together.”

David Tennant: “Yeah, it did feel like genuine playing. Yeah. It felt like we were out to make the scene better. There was no sort of one-upmanship.”

Michael Sheen: “Exactly. And the characters themselves lend themselves to it, I think.”

David Tennant: “They really do.”

Michael Sheen: “They compliment each other so well, the characters. The better you are at trying to be your character, actually what it does is it makes the relationship better. That’s the engine of the story and the engine of that relationship.

It was easier for me because I decided that early on that Aziraphale just loves Crowley. And that’s difficult for him because they’re on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, ‘My objective in this scene is to not show you how much I love you. And just gaze longingly at you all the time.’ That really does happen.”

David Tennant: “But then Crowley absolutely loves Aziraphale. He hates that he loves him. It’s really annoying for him. So, they’re both going through that.”

Michael Sheen: “There is a sort of wonderful love story in this. I think a lot of the fans of the book kind of like that when they think about the characters, there’s an interesting love story going on. It’s never explicit in this, but it’s there. It is there.”

David Tennant: “There’s something about that kind of co-dependency and that kind of eternal relationship that has a kind of mythical quality to it and yet is very human and mundane.”

Michael Sheen: “And they’ve just got each other. There is no one else. That’s what I love about The Beatles story; they went through it together and no one else can understand what it was like to be a Beatle. No one else could understand what it was like be an angel or a demon on earth for all these centuries.”

David Tennant: “Especially after all these centuries they’ve cut themselves off. For self-preservation purposes they’ve cut themselves off from their respective head offices so that they can preserve that life. They’ve become rather proprietorial and greedy about that life on earth because they enjoy the trappings of humanity that they’re not supposed to be indulging in.”

Michael Sheen: “The more I think about it, the more I come back to just the brilliance of Neil and Terry’s original idea. The idea of an angel and a demon, we’re on earth supposedly enemies fighting against each other and they fall in love with the earth and humanity and what it’s like to be a human so much that they end up going against their own head offices to stop it from ending. That’s just a brilliant premise.”

Good Omens David Tennant and Michael Sheen
David Tennant and Michael Sheen star in ‘Good Omens’ (Photo by Sophie Mutevelian / Amazon Prime Video)

Are there any characters you’ve played in the past that share similarities with your Good Omens characters or is this something totally new?

David Tennant: “Oh, I don’t know. That’s a good question. I feel like I needed three days notice to give you a decent answer.”

Michael Sheen: “I played a character in a very little film – a small independent film when I was just starting to do films – called Heartlands and that character was a real innocent. And it’s a sort of road movie and it’s about a young guy who’s never left his village. He goes off on a little moped across Britain to try and get his wife back. He’s a real innocent, that character.”

David Tennant: “You were great in that film. I remember that!”

Michael Sheen: “Thank you. But the innocence of that is sort of the closest to Aziraphale. But then Aziraphale isn’t just innocent so there’s that in there, and he’s very vulnerable and everything is very on the surface with him. But no, I’ve not really played a character like Aziraphale before.”

David Tennant: “The only character I think of a bit is Peter Vincent from the movie Fright Night who’s a bit… I mean, they dress quite similarly. He’s a bit rock ‘n’ roll; he thinks he’s really cool and he’s actually not cool at all and he’s rather soft and rather sweet underneath a very swaggery exterior. So, there’s elements of that to Crowley.”

Michael Sheen: “Well, there’s a little bit of Aziraphale I suppose in the character I played in Bright Young Things. A tiny little bit in there maybe.”

David Tennant: “Yeah. But I think again they’re characters that feel eternal. They feel like archetypes and again that comes back to what Neil and Terry created because they feel like they’ve been around forever.”

Michael Sheen: “And I do find it difficult to describe Aziraphale without describing the relationship. There sort of is no Aziraphale without Crowley. I do feel like that.”




‘Toy Story 4’ Delivers a New Poster and Bo Peep TV Spot

Pixar’s fourth film of the Toy Story franchise brings Bo Peep back into the fold and makes the character key to the plot. A new 30 second Toy Story 4 video features Woody reuniting with his long-lost friend and heading off to a carnival where he’s mistaken for a prize. In another clip, a cat walks through the video and leaves a destroyed stuffed animal behind, causing panic among other toys who are seeing what their insides look like for the very first time.

Tom Hanks leads the voice cast which includes Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Maddie McGraw, Christina Hendricks, Jordan Peele, Keanu Reeves, Ally Maki, Jay Hernandez, Lori Alan, Joan Cusack, and Bonnie Hunt. Kristen Schaal, Emily Davis, Wallace Shawn, John Ratzenberger, Blake Clark, June Squibb, Carl Weathers, Lila Sage, Don Rickles, Jeff Garlin, Maliah Bargas-Good, Jack McGraw, Juliana Hansen, and Estelle Harris also lend their voices to the fourth film of the blockbuster franchise.

Josh Cooley (Riley’s First Date?) directed and Jonas Rivera (Inside Out, Up) and Mark Nielsen (associate producer Inside Out) produced.

Toy Story 4 is set to open in theaters on June 21, 2019.

The Plot:

Woody (voice of Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s beloved new craft-project-turned-toy, Forky (voice of Tony Hale), declares himself as “trash” and not a toy, Woody takes it upon himself to show Forky why he should embrace being a toy. But when Bonnie takes the whole gang on her family’s road trip excursion, Woody ends up on an unexpected detour that includes a reunion with his long-lost friend Bo Peep (voice of Annie Potts).

After years of being on her own, Bo’s adventurous spirit and life on the road belie her delicate porcelain exterior. As Woody and Bo realize they’re worlds apart when it comes to life as a toy, they soon come to find that’s the least of their worries.

Toy Story 4 Poster



‘Krypton’ Season 2 Drops a Trailer and Reveals June Return Date

Syfy’s released the first full trailer for season two of the comic book-inspired series, Krypton, along with the new season’s premiere date and poster. Krypton will return to the network’s primetime lineup on June 12, 2019 at 10pm ET/PT.

The trailer and premiere date announcement was timed to celebrate the first appearance of Superman in a comic book. The character debuted in Action Comics #1 on April 18, 1938.

The series’ cast is led by Cameron Cuffe (The Halcyon) as Seg-El. Georgina Campbell (Broadchurch) is Lyta-Zod, Shaun Sipos (The Vampire Diaries) is Adam Strange, Colin Salmon (Arrow) is General Dru-Zod, Ann Ogbomo (World War Z) is Jayna-Zod, and Aaron Pierre (Britannia) is Dev-Em. The cast also includes Rasmus Hardiker (Your Highness) as Kem, Wallis Day (Will) as Nyssa-Vex, Blake Ritson (Da Vinci’s Demons) as Brainiac, and Ian McElhinney (Game of Thrones) as Val-El.

Krypton is based on the DC characters created by Jerry Siegel and Joe Shuster. Cameron Welsh (Constantine, The Last Ship) is the showrunner and executive produces with David S. Goyer (Man of Steel, Batman v Superman: Dawn of Justice, The Dark Knight Trilogy).

The Plot, Courtesy of Syfy:

“What if Superman never existed? Set two generations before the destruction of Superman’s home planet, Krypton follows Seg-El (Cuffe), the legendary Man of Steel’s grandfather, as a young man who fights to save his home planet from destruction. Season 2 brings us back to a changed Kandor, locked in a battle over its freedom and its future. General Dru-Zod (Salmon) is now in control. He’s on a ruthless mission to rebuild Krypton according to his ideals and to secure its future by conquering the universe.

Faced with a bleak outlook, our hero, Seg-El, attempts to unite a dispersed group of resisters in an effort to defeat Zod and restore hope to their beloved planet. Their chance at redemption is threatened however, by their opposing tactics, shifting alliances and conflicting moral boundaries – forcing each of them to individually determine how far they’re willing to go in pursuit of a better tomorrow.

Krypton Season 2 Poster



‘Child’s Play’ Full Trailer Ends with Mark Hamill Voicing Chucky

The full trailer for Child’s Play, the 2019 edition, reveals the Buddi dolls are programmed to control electronics within their owner’s home (think Alexa but with a creepy doll body). So not only can the homicidal doll kill its owner with actual weapons, Chucky’s going to be able to turn electronics against his targets. As if Chucky wasn’t creepy enough in the original films…

The cast of the 2019 Child’s Play includes Aubrey Plaza (Legion, Parks and Recreation), Gabriel Bateman (The Dangerous Book for Boys, Lights Out), and Brian Tyree Henry (If Beale Street Could Talk, Widows). Mark Hamill (the Star Wars films) will be providing the voice of Chucky. Brad Dourif voiced the killer doll in the film franchise’s previous installments. Lars Klevberg (Polaroid) directed from a script by Tyler Burton Smith, based on characters created by Don Mancini.

Seth Graham-Smith and David Katzenberg of KatzSmith Productions (It, It: Chapter Two) produced the new Child’s Play. The behind the scenes team includes cinematographer Brendan Uegama, editor Tom Elkins, production designer Dan Hermansen, costume designer Jori Woodman, and set decorator Rachel Robinson.

The Plot:

“A contemporary re-imagining of the 1988 horror classic, Child’s Play follows Karen (Aubrey Plaza), a single mother who gifts her son Andy (Gabriel Bateman) a Buddi doll, unaware of its more sinister nature.”




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