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‘Second Chance’ – Rob Kazinsky and Rand Ravich Interview

Rob Kazinsky in Second Chance
Rob Kazinsky as Jimmy Pritchard in ‘Second Chance’ (Photo by Justin Stephens © 2015 Fox Broadcasting Co)

Fox will premiere the new dramatic series Second Chance starring Rob Kazinsky (True Blood), Tim DeKay, Dilshad Vadsaria, Adhir Kalyan, Ciara Bravo, and Vanessa Lengies on January 13, 2016. Second Chance is written and executive produced by Rand Ravich and follows a 75-year-old ex-sheriff (played by guest star Philip Baker Hall) who dies and is brought back to life in the body of a 35-year-old (played by Kazinsky) with his memories intact.

In support of the series’ debut, Kazinsky and Ravich participated in a conference call to discuss the show’s premise, the idea of second chances, and how Kazinsky got into the role of Jimmy Pritchard.

Interview with Rob Kazinsky and Rand Ravich:

Rob, what actually connects with you about this character? What did you find fascinating about Jimmy that gave you an into playing him?

Rob Kazinsky: “Well, when I read the script…I only read two good pilot scripts in pilot season and this was one of them. This character was very [different]. I’m not your typical 32-year-old guy. I’m kind of grumpy and cantankerous and a bit weary myself, so there was an element of it just feeling kind of right in my soul. Then I looked at these guys and I thought my father’s this age and my father is pretty, pretty close to Jimmy Pritchard in a lot of ways, so there was an opportunity to play this grumpy side of myself and represent my father on screen and how my father would react to all these things and the out-of-date mannerisms which have kind of died with the modern philosophization of manners.

There was a time when men were gentlemen and they stood when their lady entered the room, and they did things the right way before politicians and lawyers and social media got involved […]with what is socially right and wrong. Once upon a time, you just knew what was right and wrong. There was an element of this old-timey justice bringer, this old-timey family man, this guy who just is indicative of everything that once made a man, and putting him in this now defunct time period of today, there’s something really intriguing about that, something really heart-warming about it. It’s nice to sit there and say, ‘Hey, you can be a gentleman again.'”

Rand, basically you’re writing for a young character and an old character in a young person’s body. Do you view it that way? Do you look at it as two different characters played by the same person?

Rand Ravich: “No, I look at it as an old man being reborn in a young man’s body. It’s always, for us, I think for Rob and for myself, with me writing and Rob acting, it’s always one character. It’s Pritchard; he’s looking out through new eyes, but he is re-entering the world because when he checked out of the world 15 years ago and shuffled off to his Barcalounger to end his days, he had stopped growing and stopped being part of the world, but now he’s re-entered.

But he is that person, so he has to learn all these things again. Only his body is young. His attitudes have been formed, like all ours have, and are pretty rigid and take a beating as he re-enters the world. He is not ready for 2016. It’s one guy down there, one guy who is changing, but one guy.”

Do you think the world would be better if everyone could be brought back to life and have a second chance?

Rand Ravich: “I don’t know if the world would be better. I’m not sure it could be worse, but the thing, just to spin it towards this character, is that what we love about this character is that he did not ask for a second chance. I’ve read a lot of stories where somebody says, ‘If only I could do it one more time.’ This guy liked his life. He liked being an old curmudgeon. He had basically given the finger to the world that I’m done with you, and that’s the guy that was dragged back practically kicking and screaming to this second chance. That’s what we love about this character is that he did not ask for it; it came to him.”

Rob Kazinsky: “There’s this whole nature versus nurture thing as well. If you brought people back, they wouldn’t be different people, and that’s what Jimmy messes with as well. He has all these other opportunities in his new life, but people are still people. He’s still prone to the same desires, the same needs, the same fallibilities. If you brought everybody back into an already over-populated world, there’d just be a queue of people lining up to kick Hitler in the nuts.”

Rand Ravich: “Right. It’s that thing when you say I wouldn’t make those mistakes again, you probably won’t; you’re just going to make all different ones, which is what we love about the character, too. He’s very far from perfect and his trying and failing as he gets this second chance is what makes him so lovable and interesting.”

Did you have to do anything physically to get into the mindset of this character, to get into his body in order to embody him?

Rob Kazinsky: “Well, I’ve been a fighter most of life, lots of boxing and jiu-jitsu and lots of stunt work, lots of injuries. I’d say my body isn’t far off of a 75-year-old man’s body. Even yesterday, I woke up and I couldn’t move my head at all. I think my physicality fits quite nicely with an old man.”

Rand Ravich: “In your favor, in this technological world where people are just pushing buttons, Rob has a tremendous physicality that the old man Jimmy Pritchard’s lived a life on the street and was dealing with people and putting his hands on people. Rob has that physicality of an animal, a real person out in the world, which is very gratifying for the character. It works very well for it.”

What do you think will make the show appealing to viewers?

Rand Ravich: “I think there are a lot of moving parts to the show. I think there are a lot of really interesting questions to ask, and characters are going to, but the fundamental element which weirdly enough is how we ended up with our final and best title is the thing that everyone thinks about, from the kindergarten playground on, if only I had a chance to do that better. It’s driving home from every party. It’s when you get out of class or a marriage or a relationship or any experience, ‘God, I wish I had been there and could do it again.’

So, the idea of a second chance, the idea to go back and repair what you’ve done to your family and what you’ve done to your town and watching the unintended consequences ripple out of what you didn’t expect to happen this time, I think, because that’s a question everybody asks, and the specificity of the second chance in relation to family — I wish I had a second chance with my family, with my son, with my daughter. I think that’s questions, I think, we’ve all asked, consciously or unconsciously. I think that’s what’s going to draw people in.”

Rob, how difficult is the American accent for you to do? Is it fun or is it challenging?

Rob Kazinsky: “I’d love to see Rand’s face right now. American accent is a permanent barrier. It’s a struggle to fight with and it’s something I’ve never really had to do before. You develop a line of skills in your life to make this job work, and then suddenly there’s this whole new element to stand between you and finding the realism of it. That’s one of the great challenges of this job so far, for me, has been finding this character and how to make him a human being when there is this barrier, the things you instinctively want to say in your own voice and then filtering it through this augmented voice into this different accent. It’s almost a whole new character in itself.

There’s been a whole voyage of discovery for me of finding new ways of saying things and new ways of being, and what an accent informs in terms of physicality and in terms of repetition and in terms of mannerisms and habits. There’s been ups and downs with it, and only you and the viewers will be able to tell me how successful I was. It’s been a challenge but one that I’ve actually enjoyed 90% of the time.”

Rand, the series really features Rob as Jimmy, but you’ve got a really interesting group of supporting players, too. Is there one that you really like writing for and that you hope the audience really catches on to?

Rand Ravich: “They are so diverse. He was brought back in a science fiction landscape, but he is this man who has been sheriff of Seattle and lives on the streets as a sheriff all those years. I am writing for characters from these two distinct worlds. The character of Jimmy Pritchard is the most fun to write because he is the fish out of water. He is a hands-on, rough-and-tumble guy from another time who is thrust into this technological landscape of 2016. He is the most fun because it’s his viewpoint that’s so different from everybody else’s.

Diametrically opposed to that, the character of Duval [played by Tim DeKay], who plays his son, is an everyman. When you watch the show through his eyes it’s, ‘Holy s**t, my father who I had this tremendously problematic relationship with, is now back, younger than me, more handsome, and he cures cancer.’ To be with an everyman and watching the world unfold through Duval’s eyes is from a different point of view, but it is equally as interesting. Those two, those characters are the engine that drives the show, and they are incredibly interesting to write for.”

Rob Kazinsky: “Don’t tell Tim that you said I was more handsome than him.”

Rob, did you meet with Philip Baker Hall to look at his mannerisms and the way he carries himself?

Rob Kazinsky: “Not before we shot the pilot. We weren’t going to be able to get together before we actually started shooting. My research of him just consisted of watching all his movies, which, by the way, takes about seven years to do because he’s done so many. There was a lot of watching him and trying to mimic his manner of speaking and his delivery, and then when he was filming on set and the pilot, I would go and watch what he was doing and see the filming and then speak to [our co-stars who] were very helpful in the pilot because I would sit down and talk to them and say, ‘So how does it feel working with him? How does it feel when I’m working with you? What can I do to make it feel similar?’

There was a voyage of discovery, certainly, in the first couple of episodes of staying with it, but then obviously at some point, I had to evolve beyond that as well and was able to make him slightly more myself, I imagine.”

What would you say are Jimmy’s greatest weaknesses and strengths?

Rob Kazinsky: “Both, one in the same, they’re the person that he is. There’s the experience of his life which has led him to…that’s his greatest strength, the way that he understands people and he can read situations, read people. His desires and his wants give him a certain strength, but then at the same time, they are deep-seated negatives that detract from him being a decent person at times. The dichotomy of most human beings is that nobody’s perfect. So, his great strengths are also his big weaknesses.”

Tim Dekay and Rob Kazinsky in Second Chance
Tim DeKay and Rob Kazinsky in ‘Second Chance’ (Photo by Sergei Bachlakov © 2015 Fox Broadcasting Co)

What is the best part of filming the show?

Rob Kazinsky: “I’d probably say Tim DeKay is, for me. Rand writes these two great characters, and Tim and I get to have a really good time playing with them. Tim and I have developed a very good working relationship based on a lot of trust and mutual respect. Coming in to work with Tim every day has made my job an awful lot easier. His enormous experience has helped me find my character easier and make just working as hard as we’re working every day just that little bit easier.”

What kind of car is it that you’re driving in the series and that we’ve seen in the trailes? Did you have fun driving it?

Rob Kazinsky: “Correct me if I’m wrong, but it’s a ’72 Buick Riviera. Might be wrong on the year. Rand probably knows for sure.”

Rand Ravich: “I think it’s a ’71 but close enough.”

Rob Kazinsky: “’71. I was way off. Yes, so it’s a ’71 Buick Riviera, which looks amazing. It really does look amazing, but yet it’s awful. It’s like driving a boat in stormy weather. It has very little power, very little steering, it drifts, and I blew one up in the pilot. Like most classic cars, it’s a grumpy, old, out-of-its-time, not-up-to-date mess, just like Jimmy Pritchard. So, it’s a perfect car.”

Rob, there are some elements of the superhero to the rejuvenated Jimmy. What’s the best part of playing the enhanced Jimmy and what’s the worst?

Rob Kazinsky: “Interesting. I’d say the best thing about his enhanced powers is that they’re not ridiculous. They’re just essentially about the idea of what we could all be if we were at our best. Everybody has the capability of doing exceptional things physically. If you spent your life running, you’d be a great runner. If you spend your life lifting, you’d be very strong. We’re not talking about Superman here. We’re talking about the best that a human being can be.

The realism of that, that kind of — I really refrain using the term super powers. It’s just his power. It’s just who he is and it’s just not much more beyond what any human being could do if they were at their absolute utmost.

The worst thing about that is that I don’t lift up any cars or jump tall buildings or fly because those are things that are definitely on my bucket list to do.”




Brooke Shields is Back on TV with ‘Flower Shop Mystery: Mum’s the Word’

Brooke Shields Flower Shop Mystery
Brooke Shields in ‘Flower Shop Mystery: Mum’s the Word’ (Photo © Crown Media United States, LLC)

Brooke Shields returns to TV for Hallmark Movies & Mysteries’ newest franchise, Flower Shop Mystery, based on Kate Collins’ books. Shields leads the cast of Flower Shop Mystery: Mum’s the Word which is set to premiere on January 17, 2016 at 9pm ET/PT. Her co-stars include Beau Bridges and Brennan Elliott, with Shields, Nancy Bennett, Brad Krevoy, and Amanda Phillips Atkins executive producing. Gary Goldstein adapted Collins’ work and A Killer Among Us helmer Bradley Walsh directed the romantic drama.

The Plot: “Abby Knight (Shields), a former lawyer turned proud flower shop owner is starting over after the death of her husband with the support from her father (Bridges), a new business and her daughter off to college. Life is good in the peaceful town of New Chapel but when a black SUV rams her prized vintage car, she’s determined to track down the driver. She begrudgingly accepts the help of a new neighbor, the handsome and charming ex-Marine Marco Salvare (Elliott) who just bought the bar down the street. But their budding relationship is threatened when an acquaintance is murdered and Abby’s good friend is the prime suspect and it all links back to the hit and run. Caught up in a tangle of menacing phone calls, police corruption and murderous road rage, Abby must work against the clock to find the killer or the next flower arrangement might be for her own funeral.”

This new mystery series marks Shields’ first project for Hallmark Movies & Mysteries and at the 2016 Television Critics Association winter press event, she talked about now being a part of the Hallmark family.

Brooke Shields Interview:

What can you say about your character?

Brooke Shields: “I play an ex-lawyer but I remain a lawyer in my brain. [Laughing] I can’t help but meddle and solve mysteries in my town. I move out of the big city and I move my hometown to be closer to my daughter and my dad. I run a flower shop and it’s amazing what stuff I dig up!”


Is this less of a time commitment than a regular series? Are you busy with other projects?

Brooke Shields: “This is taking up a lot of time, even though it’s not a series. We’re doing 15 of these movies. They say they are doing them, so we’ve really been doing just that. I don’t know, I probably will be working on another series by this next go-around but right now I’m just concentrating on this. I have a book that just came out in paperback called There Was a Little Girl. It was on the bestselling list of the New York Times as a hardcover so now it’s on paperback.”

Is there a certain inspirational message about Hallmark that appeals to you about working with them?

Brooke Shields: “Absolutely. What’s been so refreshing is that it’s all about entertainment. You know, predominately about entertainment. I think especially in the world today what we see the minute we turn on TV, the images that we’re bombarded with, it’s really nice to be a part of a brand that is about entertainment. It pulls on your heartstrings but it also doesn’t make you feel bad. It makes you feel good. It’s wish fulfillment. It’s fun to do.

Ours is very comedic, so for me I love the comedy. We’ve amped up the comedy a lot more and I think that’s different for them with regards to the Mysteries. I said, ‘Look, if you’re going to have me we might as well amp up the comedy because it will differentiate itself from the rest.’”

Once you get attached to Hallmark projects, you never get out.

Brooke Shields: “I’m actually beginning to see that! I was like, ‘Wow, I’m in!’ But, no, there’s a sense of loyalty. It’s not just about propriety. I’m an executive producer as well. They’re actually interested in it being a collaborative process, and that’s rare.”

With your relationship to Broadway, what is your relationship to music as an actor?

Brooke Shields: “I’m more motivated by music than probably most things with regards to mood-altering. I find that the times that I’ve been on Broadway, I’ve been much more in tune to everything in my life including myself when I’m vocally aligned.”

Do you use music to prepare even in non-musical projects?

Brooke Shields: “All of the time. It depends on what the role is, what I want to listen to. When I’m jogging as Abbie, it depends on what the scene is. I think it’s important. It does affect you because it’s one of the senses that we often overlook.”

What’s on your playlist for this show?

Brooke Shields: “This one has run the gamut. Like, it’s really run the gamut from the stuff that I loved in the ‘80s to ‘40s, like some jazz. She’s very close to her dad and there’s a level of what I used to listen to with my family, my mom and my dad.”

What sort of shows do you watch with your kids?

Brooke Shields: Now we watch more Hallmark because now they’re obsessed. My kids feel like they’re in it. I watch Better Call Saul, but not with my kids.”

Do you still reflect back on Endless Love?

Brooke Shields: [Laughing] “I’m always reflecting back and marveling at the fact that I’m still here. I’m still answering questions!”

‘Penny Dreadful’ and ‘House of Lies’ 2016 Premiere Dates Set

Penny Dreadful Season 3 Photo

Showtime’s announced the premiere dates for House of Lies season five and Penny Dreadful season three. House of Lies starring Don Cheadle and Kristen Bell will return on Sunday, April 10, 2016 at 9pm ET/PT, and Penny Dreadful is scheduled to kick off on May 1st at 10pm ET/PT.

House of Lies is currently shooting an episode in Havana, Cuba, making it the first series to be shot there since diplomatic relations were restored.

Details on House of Lies Season Five:

Marty (series star and executive producer Don Cheadle) is now a man with a singular focus – ascending from millionaire mogul to global dominator. He’s upping the stakes in a highly calculated winner-take-all power play with the Pod – Jeannie (Kristen Bell), Clyde (Ben Schwartz) and Doug (Josh Lawson). Business is booming but, on the home front, he’s juggling a new baby daughter, teenage son Roscoe (Donis Leonard Jr.) and Jeremiah (Glynn Turman), who has a new girlfriend, Rita (guest star Emmy® winner Wanda Sykes). Additional guest stars for the fifth season include Emmy nominee Keegan-Michael Key (Key & Peele), Emmy nominee Ken Marino (Children’s Hospital), Emmy nominee Malcolm-Jamal Warner (Major Crimes), John Cho (Star Trek), Donald Faison (Scrubs), and Nicky Whelan (Matador, Franklin & Bash). From the hit tell-all book House of Lies: How Management Consultants Steal Your Watch and Tell You the Time by Martin Kihn, House of Lies stars Cheadle in his four-time Emmy-nominated and Golden Globe-winning performance as Marty Kaan. Produced by Showtime, it is created and executive produced by Matthew Carnahan. Jessika Borsiczky, Don Cheadle and David Walpert return as executive producers for season five.

Details on Penny Dreadful Season Three:

This season on Penny Dreadful, Tony® Award-winning star Patti LuPone (American Horror Story), who guest starred last season as the Cut-Wife, returns as a series regular in the new role of Dr. Seward, an American therapist who treats Vanessa (Eva Green) with an unconventional new approach. Wes Studi (Hell On Wheels) joins as a series regular as Kaetenay, an intense, enigmatic Native American with a deep connection to Ethan (Josh Hartnett) who also becomes an ally to Sir Malcolm (Timothy Dalton). The third season also adds Robert Louis Stevenson’s Dr. Henry Jekyll (Shazad Latif). Other guest stars include Screen Actors Guild® Award nominee Christian Camargo as Dr. Alexander Sweet, a zoologist who strikes up an unlikely friendship with Vanessa; Sam Barnett as Dr. Seward’s mysterious young secretary; and Jessica Barden as Justine, a young acolyte to Lily (Billie Piper) and Dorian Gray (Reeve Carney), and Perdita Weeks as Catriona Hartdegan, a scholar with expert knowledge of the supernatural. Simon Russell Beale returns as Dr. Ferdinand Lyle. Rory Kinnear (as The Creature) and Harry Treadaway (as Dr. Frankenstein) also star.

Penny Dreadful is a frightening psychological thriller created, written and executive produced by three-time Oscar® nominee John Logan (Hugo, The Aviator, Gladiator) and executive produced by Logan’s Desert Wolf Productions, along with Oscar winner Sam Mendes (American Beauty, Skyfall) and Pippa Harris (Revolutionary Road, Call The Midwife), both of Neal Street Productions. Penny Dreadful is a co-production with SHOWTIME and Sky.

Heidi Klum, Mel B and Howie Mandel Return to ‘America’s Got Talent’

America's Got Talent Host Heidi Klum
Heidi Klum (Photo by: Andrew Eccles / NBC)

The judging panel has been set for the 11th season of NBC’s America’s Got Talent. NBC announced Heidi Klum and Mel B will return for their fourth seasons as judges and Howie Mandel will return for his seventh. It was previously announced Simon Cowell will also be taking a seat on AGT‘s judging panel. Nick Cannon is also confirmed to return as host.


“Howie, Mel and Heidi have an undeniable chemistry together and bring unbridled energy to everything they do,” said Paul Telegdy, President of Alternative and Late-Night Programming, NBC Entertainment. “We are very excited to bring them back along with Nick Cannon as host, and with the addition of creator Simon Cowell as a judge, the panel just got a little more interesting. We can’t wait for the new season to begin.”

“Without sounding too arrogant I am going to call us the Fantastic Four,” said Cowell. “I like this panel because they are slightly nuts. And now let’s find a star.”

“It’s great to have Howie, Mel, Heidi and Nick back on AGT and to welcome Simon and his unique judging style. This panel knows how to spot great talent and how to have a lot of fun while doing it. It’s going to be an entertaining season!” said Trish Kinane, FremantleMedia North America President of Entertainment Programming and AGT Executive Producer.

The search is underway for contestants for season 11, with auditions taking place in 12 cities including Kansas City (Jan. 23), Atlanta (Jan. 30), Los Angeles (Feb. 6), Orlando (Feb. 19) and Dallas (Feb. 27). For more info on the auditions, visit AGTAuditions.com.

Jim Carrey’s ‘I’m Dying Up Here’ Gets a Series Order at Showtime

I'm Dying Up Here Cast
Stephen Guarino as Sully, Brianne Howey as Kay, Jon Daly as Arnie, Michael Angarano as Eddie, RJ Cyler as Adam, Ari Graynor as Cassie, Andrew Santino as Bill, Melissa Leo as Goldie, Clark Duke as Ron and Erik Griffin as Ralph in ‘I’m Dying Up Here’ (Photo Credit: Showtime)

Showtime’s presentation at the Television Critics Association’s winter press event included the news that the network has given I’m Dying Up Here a series order. I’m Dying Up Here comes from executive producer Jim Carrey and stars Melissa Leo (The Fighter), Ari Graynor (For A Good Time Call), Clark Duke (Hot Tub Time Machine), Michael Angarano (The Knick), Andrew Santino (Mixology), RJ Cyler (Me and Earl and the Dying Girl), Erik Griffin (Workaholics) and Stephen Guarino (Happy Endings).

Dave Flebotte (Masters of Sex) is writing the comedy series and executive producing along with Carrey, Michael Aguilar, and Christina Wayne. Episode one was directed by The Night Before helmer Jonathan Levine. Filming on the first season will take place this fall.

The I’m Dying Up Here Plot:

Set in L.A.’s celebrated, infamous stand-up comedy scene of the 1970s, during which the careers of many of the comedy superstars began, the series delves into the inspired and damaged psyches that are required to stand alone in front of an audience and make them laugh.

‘Shameless’ Will Return for Season Seven

Shameless Cast

Showtime has just made it official: Shameless has been renewed for a seventh season. The sixth season of the award-winning series just premiered on Sunday, January 10, 2016 and according to the network ratings for the show’s season premiere episode.


Season seven of Shameless will consist of 12 episodes and filming is expected to take place later this year. Season six of Shameless is currently airing on Sundays at 9pm ET/PT with William H. Macy, Emmy Rossum, Jeremy Allen White, Ethan Cutkosky, Shanola Hampton, Steve Howey, Emma Kenney, and Cameron Monaghan. Shameless is executive produced by John Wells, Andrew Stearn, Christopher Chulack, Davey Holmes, Nancy M. Pimental, and Krista Vernoff.

Shameless Season Six Plot:

Picking up a few months after last year’s finale, the Gallaghers prepare for yet another long Chicago winter. Season six will see more than just the arctic Lake Michigan winds whipping through the Southside. Change is hard, and the Gallaghers are as surprised as anyone at how life is turning out for them. But the question remains, as they come into their own and find out who they are, is it really possible that the Gallaghers could grow apart for good?

‘Shadowhunters’ – Alberto Rosende Interview on Being Part of the World of ‘Mortal Instruments’

Alberto Rosende in Shadowhunters
Alberto Rosende as Simon Lewis in ‘Shadowhunters’ (ABC Family/Vu Ong)

Albert Rosende stars in Freeform’s new fantasy series, Shadowhunters, based on the bestselling The Mortal Instruments young adult book series by Cassandra Clare. The role marks Rosende’s first big gig since graduating college in 2014. He was cast as Simon in the series in May 2015, with Shadowhunters his first series regular role and only his third professional acting credit after working on the short film, The Swing of Things, and an episode of Blue Bloods. Catching up with Rosende at the Television Critics Association’s 2016 winter press event in Los Angeles, it was evident he prepared well for his role as Simon in the series debuting on January 12, 2016 at 9pm ET/PT.

Alberto Rosende Interview:


Was Simon the role you were originally auditioned for?

Alberto Rosende: “Simon was the only role I ever went out for and after reading it I can see why. I felt like he was the only one I really connected with after reading the books. I wanted to be a Jace but I knew that that wasn’t who I am. Where with Simon it was very close to who I am.”

What was it that you related to?

Alberto Rosende: “I think his sense of understanding and the way he knows he has a role to play in Clary’s life and he wants to be a bigger role but he knows where he can be. That understanding of knowing where you should be, of knowing your place but also wanting more, I felt like that was something I could feel with Simon. I like where I am but I always want to be farther, I guess.”

And wearing the glasses?

Alberto Rosende: “Oh yeah. That’s actually the one thing for me that made me the most in character was when I put my glasses on. We had to pick – they gave us like 40 frames that we all looked at until we found the exact ones.”

What spoke to you about the frames you selected?

Alberto Rosende: “I don’t know but I felt very much like Harry Potter when he gets his wand. Like, I picked up my glasses and I was like, ‘I like these.’ Everyone was like, ‘Yeah!’ I put them on and that was it. Those were the ones.”

After the pilot episode do you have a lot more scenes with Jace now that he revealed himself to you?

Alberto Rosende: “If it were up to Simon he wouldn’t have any scenes with Jace, but I have a few. There’s definitely a relationship that starts to grow because they’re both constantly around the one person they want to be around, and that’s Clary. They both want that so much they keep bumping into each other, whether or not they want to.”

Oce you were cast, did the fans reach out to you?

Alberto Rosende: “Oh yeah. That was something I don’t think I really understood, the amount of love the fandom has and the support they’re willing to give because as soon as I was announced at like 11am on May 1st, my phone blew up the whole day. I had to turn it off because I couldn’t look at anything else because it kept doing notifications. By the end of the day I went from having 200 followers on my Twitter and Instagram to having 10,000 in just a day. It was something that was just mind-blowing to me.

I check pretty much everything but I don’t answer a lot because there’s still a sense of anxiety. I know that now when I post something 80,000 people see it and it’s not just my 200 friends from college that I’ve known for a long time. But I do read most of my comments and I do check that stuff out.”

Do you have a hard time keeping up with the mythology of the series?

Alberto Rosende: “No. I read all six of the books before we started shooting the fourth episode so I was already really invested in the mythology. Also Simon as a character, he just loves these types of worlds. He plays Dungeons and Dragons, he’s a huge Star Wars fan. So the mythology and the extraneous characters are something that he very much enjoys. So for him, while this is all scary and he hates that his best friend is having to go through all this world that’s truly dangerous, there’s a part of him that loves it because all of his fanboy things that he’s learning are true. Werewolves and vampires are true. These things called Shadowhunters that have really badass seraph blades that look like light sabers, they all exist and for him that’s kind of exciting.”

Did you meet Cassandra Clare after reading the books?

Alberto Rosende: “I did. I did, and I’m not going to lie: I geeked out a little bit.”

What did you ask her?

Alberto Rosende: “To be honest, I don’t think that I asked her anything. I know that we were on set the first time I met her. We were doing a scene, so I saw her come on set and after we finished I went over and said hi and gave her a hug, asked her how she was. That was it. I didn’t really have any questions. I was just more in awe. The Mortal Instruments was the first book series I ever read in its entirety and to meet the author of that was like, ‘Wow, this is pretty big.’”

Did you watch the movie?

Alberto Rosende: “I waited until after we’d finished shooting to watch the movie. I didn’t see all of it, which is weird. I was going to watch it but then my brother was in town and I had to leave with him so I only watched the first hour and a half.”

So did you feel like having a whole season to do the story was much more luxurious than they had for the film?

Alberto Rosende: “Absolutely. I mean, reading the book and knowing that they did a movie I didn’t understand it, knowing that there’s so much information that Cassandra Clare manages to pack into 550 pages. I didn’t know how they could do it in an hour and a half or two hours, however long the film was. Reading it I was like, ‘How are they going to fit this in,’ because one thing the books do very well is that everything she tells you kind of has its own meaning, whether it’s revealed in the next chapter or five books later. It all kind of has a bunch of threads. I wasn’t sure how they were going to do that in the movie. But in the show we have the time. We have 13 hours, not two, to really get into these different threads and really learn about these different people to make sure that knots are beautifully woven and not just kind of rushed together.”

What was a scene from the books that you couldn’t wait to play?

Alberto Rosende: “One scene that I was really excited for was the first moment that Simon sees the Institute because I knew what that meant for Simon. Reading the books, you’re like, ‘Oh, that must be pretty cool but at the same time kind of scary and frightening,’ because in the world that he grew up living in it was kind of shattered to learn there was a bigger world that co-exists and anything can happen in. That was freaky. So, that scene was pretty cool, just to be in that place. And there a few more in the books that I hope come to fruition. Later on there’s a bunch of other stuff that I’m happy I got to play.”

Besides The Mortal Instruments books, what else do you geek out about?

Alberto Rosende: “I’m a good-size Star Wars fan. I’m not huge, but I do enjoy the films and I’ve seen them quite a few times. I play a lot of Call of Duty. I’m mostly Modern Warfare 2, Black Ops 2 online. I’ve been reading a lot of Kurt Vonnegut lately so that’s what I’ve been geeking out about. It’s amazing the way he writes and the way he weaves things into different books, too, different characters that come in. […]And then military things. My dad’s in the military so I’ve kind of always grown up around that.”

More on Shadowhunters:




Kristen Bell and Ted Danson Join the ‘Good Place’ Cast

Kristen Bell Photo
Kristen Bell (Photo Courtesy of Film Independent)

NBC announced the first two actors to sign up for Good Place, a new comedy series from Michael Schur (Parks and Recreation). Kristen Bell and Ted Danson will star in the 13-episode comedy, however NBC did not announce when production is expected to get underway or how soon we can expect to hear more casting news. Schur and David Miner will executive produce.


11-time nominee, two-time Emmy winner Danson just wrapped up work on the second season of the critically acclaimed series Fargo. His TV credits also include Cheers, Curb Your Enthusiasm, Bored to Death, and Damages. Bell’s TV credits include Veronica Mars, Deadwood, Heroes, Party Down, Gossip Girl, Parks and Recreation, and House of Lies.

Per NBC, Bell will play “Eleanor, a woman from New Jersey who comes to realize that she hasn’t been a very good person. She decides to turn over a new leaf by learning what it actually means to be ‘good’ or ‘bad,’ and then trying to make up for her past behavior.”

Danson will play Michael, “who, through an unlikely set of circumstances, comes to be Eleanor’s guide through her self-designed self-improvement course.”

2016 Directors Guild Awards: The Feature Film Nominees

The Revenant Alejandro Inarritu and Leonardo DiCaprio
Director Alejandro G. Iñárritu and Leonardo DiCaprio on location for ‘The Revenant’ (Photo Credit: Kimberley French Copyright © 2015 Twentieth Century Fox Film Corporation)

Could Alejandro G. Inarritu become a back-to-back DGA winner? Inarritu was recognized in 2015 by the Directors Guild of America as the best director for his work on Birdman and he’s nominated this year for The Revenant. Inarritu’s DGA nomination is his fourth, and fellow nominee Ridley Scott also earned his fourth for the sci-fi drama, The Martian, which was just recognized with the Best Comedy award at the Golden Globes.


The Directors Guild also announced they’ve added a new category in support of first-time feature film directors. All winners will be announced at the 68th Annual DGA Awards to be held on February 6, 2016.

OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM FOR 2015

ALEJANDRO G. IÑÁRRITU – The Revenant
Mr. Iñárritu’s Directorial Team:

    Unit Production Managers: Drew Locke, James W. Skotchdopole, Doug Jones
    First Assistant Director: Scott Robertson
    Second Assistant Directors: Megan M. Shank, Matthew Haggerty, Jeremy Marks
    Unit Production Manager: Gabriela Vazquez (Argentina, California, and Montana Unit)
    First Assistant Director: Adam Somner (Argentina, California, and Montana Unit)
    Second Assistant Directors: Trevor R. Tavares, Jasmine Marie Alhambra (Argentina, California, and Montana Unit)
    Second Second Assistant Directors: Brett Robinson, Kasia Trojak (Argentina, California, and Montana Unit)

This is Mr. Iñárritu’s fourth DGA Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film in 2014 for Birdman or (The Unexpected Virtue of Ignorance). He was also nominated in this category for Babel in 2006. He won the DGA Award for Outstanding Directorial Achievement in Commercials for “Best Job” (Procter & Gamble) in 2012.

TOM McCARTHY – Spotlight
Mr. McCarthy’s Directorial Team:

    Unit Production Managers: D.J. Carson, Michael Bederman
    First Assistant Director: Walter Gasparovic
    Second Assistant Director: Penny Charter
    Assistant Unit Production Manager: Danielle Blumstein (Boston Unit)
    First Assistant Director: Christo Morse (Boston Unit)
    Second Assistant Directors: Conte Matal, Kristina Mariko Peterson, Annie Tan, Andrea O’Connor (Boston Unit)
    Second Second Assistant Directors: Phil Robinson, Mark Romanelli (Boston Unit)
    Additional Second Assistant Director: Scooter Perrotta (Boston Unit)

This is Mr. McCarthy’s first DGA Feature Film Award nomination.

ADAM McKAY – The Big Short
Mr. McKay’s Directorial Team:

    Unit Production Manager: Louise Rosner
    First Assistant Director: Matt Rebenkoff
    Second Assistant Director: Amy Lauritsen
    Second Second Assistant Director: Cali Pomés
    Second Second Assistant Director: Josh Muzaffer (New York Unit)
    Location Manager: Michael Kriaris

This is Mr. McKay’s first DGA Feature Film Award nomination.

GEORGE MILLER – Mad Max: Fury Road
Mr. Miller’s Directorial Team:

    Unit Production Manager: Dean Hood
    First Assistant Director: PJ Voeten
    Second Assistant Directors: Samantha Smith, Wendy Croad, Chris O’Hara
    Second Assistant Directors: Eddie Thorne (Syndey Unit), Emma Jamvold (Syndey Unit)
    Second Second Assistant Directors: Danielle Blake (Syndey Unit), Joshua Watkins (Syndey Unit)

This is Mr. Miller’s first DGA Feature Film Award nomination.

RIDLEY SCOTT – The Martian
Mr. Scott’s Directorial Team:

    Unit Production Managers: Francesca Cingolani, Miklós Tóth
    First Assistant Director: Raymond Kirk
    Second Assistant Directors: Sarah Hood, Bogi Móricz
    Second Second Assistant Director: Nick Thomas

This is Mr. Scott’s fourth DGA Award nomination. He was nominated in this category in 1991 for Thelma and Louise, in 2000 for Gladiator, and in 2001 for Black Hawk Down.

OUTSTANDING DIRECTORIAL ACHIEVEMENT OF A FIRST-TIME FEATURE FILM DIRECTOR FOR 2015:

FERNANDO COIMBRA – A Wolf at the Door
Mr. Coimbra’s Directorial Team:

    Unit Production Manager: Clara Machado
    First Assistant Director: Suzy Milstein
    Second Assistant Director: Raquel Toledo

This is Mr. Coimbra’s first DGA Award nomination.

JOEL EDGERTON – The Gift
Mr. Edgerton’s Directorial Team:

    Unit Production Manager: Luc Etienne
    First Assistant Director: Michael J. Moore
    Second Assistant Director: Matt Haggerty
    Second Second Assistant Director: Dillon Neaman

This is Mr. Edgerton’s first DGA Award nomination.

ALEX GARLAND – Ex Machina
Mr. Garland’s Directorial Team:

    Unit Production Manager: Sara Desmond
    First Assistant Director: Nick Heckstall-Smith
    Second Assistant Director: Ray Kenny

This is Mr. Garland’s first DGA Award nomination.

MARIELLE HELLER – The Diary of a Teenage Girl
Ms. Heller’s Directorial Team:

    Unit Production Manager: Molly Salz
    First Assistant Director: Brian Benson
    Second Assistant Director: Jerremy Stewart
    Second Second Assistant Director: Alex Gilbert

This is Ms. Heller’s first DGA Award nomination.

LÁSZLÓ NEMES – Son of Saul
Mr. Nemes’s Directorial Team:

    Unit Production Manager: Gábor Szántó
    First Assistant Director: István Kolos
    Second Assistant Directors: Zoltán Gyovai, Edina Galgócz

This is Mr. Nemes’s first DGA Award nomination.

Critics’ Choice Awards to Honor Amy Schumer and Industrial Light & Magic

Amy Schumer in Trainwreck
Amy Schumer in ‘Trainwreck’ (Photo © 2015 Universal Pictures)

Trainwreck star Amy Schumer has been tapped to receive the Critics’ Choice MVP Award during the 21st Annual Critics’ Choice Awards airing live on A&E, Lifetime, and LMN on January 17, 2016 at 8pm ET/5pm PT. This year’s star-studded awards show will be hosted by Silicon Valley‘s T.J. Miller and will take place at the Barker Hanger in Santa Monica, CA. The Broadcast Film Critics Association* (BFCA) and the Broadcast Television Journalists Association (BTJA) also announced Industrial Light & Magic (ILM) will receive the Critics’ Choice Genius Award which Star Wars: The Force Awakens director J.J. Abrams will present. ILM is being recognized for 40 years of revolutionizing filmmaking.

“The BFCA and BTJA are thrilled to be honoring someone as wildly talented and multifaceted as Amy Schumer with our second MVP Award. With her work in both film and television, Amy proves that she can make us laugh until it hurts whatever the platform,” said BFCA/BTJA’s President Joey Berlin. “For our Genius Award this year, there seemed no more deserving recipient than Industrial Light & Magic. For the last 40 years, George Lucas and his extraordinary team have changed the way we see film and the industry would not be the same without their groundbreaking work.”

In addition to revealing the Critics’ Choice MVP and Genius Awards, BTJA also revealed the nominees in the Most Bingeworthy Show category. The nominees for this year’s bingeworthy series are The Walking Dead, Game of Thrones, Outlander, Empire, Orange is the New Black, and Friends. Fans can vote on their favorites by visiting Facebook, Twitter or Instagram by posting #[Show Name]CCA. Per the BTJA, for the first time ever fans can vote by posting a tweet using the following emojis (along with the @CriticsChoice handle):

• #TheWalkingDeadCCA OR skull emoji @CriticsChoice
• #GameofThronesCCA OR crown emoji @CriticsChoice
• #FRIENDSCCA OR people holding hands emoji @CriticsChoice
• #EmpireCCA OR lion emoji @CriticsChoice
• #OITNBCCA OR orange emoji @CriticsChoice
• #OutlanderCCA OR crossed swords emoji @CriticsChoice

More on Amy Schumer, Courtesy of the Critics’ Choice Awards:

Amy Schumer is the creator, star, writer and executive producer of the Emmy and Peabody Award winning Inside Amy Schumer, the popular Comedy Central television series which premiered in April 2013 to the network’s highest season premiere ratings of the year. Schumer’s provocative and hilariously wicked mind is on full display as she explores topics revolving around sex, relationships, and the general clusterf*ck that is life through a series of scripted vignettes, stand-up comedy, and man-on-the-street interviews. The show, which was recently picked up for a fifth season by Comedy Central, will be premiering in April 2016.

Last fall the show was honored with the first-ever Emmy Award for “Outstanding Sketch Variety Series” and Schumer also received honors for “Individual Achievement in Comedy” and “Outstanding Achievement in Comedy” from the Television Critics Association, the Critics’ Choice Television Award for “Best Actress in a Comedy Series” and The Charlie Chaplin Britannia Award for “Excellence in Comedy.” Schumer also hosted the 2015 MTV Movie Awards.

Her one-hour HBO comedy special, Amy Schumer: Live at the Apollo, directed by Chris Rock premiered on October 17th. It was HBO’s most watched Saturday night comedy special debut since December 2009.

More on ILM:

The “Critics’ Choice Genius Award” will be given to ILM in recognition of its 40 years of revolutionary moviemaking that changed entertainment forever. Star Wars: The Force Awakens director J.J. Abrams will be on hand to present the honor. For four decades, ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, ILM continues to break new ground in visual effects. ILM has been awarded 15 Academy Awards for Best Visual Effects, received 26 Scientific and Technical Achievement Awards, and was presented with the National Medal of Technology by the President of the United States in 2004. Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production and attraction industries. ILM has created visual effects for over 250 feature films, including all seven Star Wars episodes, the Jurassic Park Franchise, the Harry Potter series, the Indiana Jones films, the Pirates of the Caribbean trilogy, Iron Man, Transformers, and The Martian.

Complete List of Critics’ Choice Awards Nominees

* – I am a member of the Broadcast Film Critics Association

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