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‘Manifest’ Season 1 Episode 5 Recap: “Connecting Flights”

Manifest Season 1 Episode 5
Melissa Roxburgh as Michaela Stone in ‘Manifest’ season 1 episode 5 (Photo by Craig Blankenhorn / NBC / Warner Brothers)

“You just can’t walk away from this,” says Michaela (Melissa Roxburgh). “Watch me,” replies Ben (Josh Dallas) as he tries to stop listening to the voice inside his head. Ben’s desperate to simply spend time with his wife and kids in season one episode five of NBC’s Manifest.

The episode begins with a flashback showing Grace (Athena Karkanis) and her in-laws on their flight home five and a half years ago. Grandpa Steve Stone (Malachy Cleary) is trying to cheer up young Olive (Jenna Kurmemaj) who isn’t happy being apart from Cal (Jack Messina). Grandma Karen (Geraldine Leer) talks to Grace, sharing her thoughts that the vacation was really a marital repair job for her and Ben.

Their flight lands uneventfully in New York, Olive wants to stay and wait for Cal. Grace nixes the idea, saying the flight won’t be in for hours. As they look at the arrival status for Ben and Cal’s flight, they see it change from “On Time” to an ominous “See Agent.”

Back to present day and Ben’s upset with Michaela for helping Bethany (Mugga) hide Thomas (Sheldon Best), a refugee and stowaway who was on board Flight 828, from the NSA. Ben tells Michaela he’s finished and not doing this anymore, referring to listening to the voices and doing what they ask.

Ben returns home and tells Grace he’ll spend the day with Cal. They decide to have a day of chance where all their choices are decided by the flip of a coin. First up it’s decided they’ll take a trip to Coney Island.

Grace receives a text from Danny (Daniel Sunjata) and blows him off.

NSA Director Vance (Daryl Edwards) is furious that John Doe (Thomas) is missing. He makes it priority number one to find him. Surveillance video reveals Bethany was at the hospital when John Doe went missing. Vance instructs his agents to arrest her.

Michaela checks in with Jared (J.R. Ramirez) about taking the fall for the stakeout that went bad. He assures her she doesn’t need to worry about it, telling her the investigation into their actions should be a piece of cake.

Meanwhile, Ben and Cal spend the day at Coney Island playing games and going on rides. As they take a break for pizza at lunch, Ben hears a voice say, “It’s all connected.” He ignores it and flips the coin to see if they should go home or stay. The coin comes up heads meaning they should head home, and Cal suggests they should take the train in keeping with the adventure.

Flashback to six months after Flight 828 disappeared and Grace is laying in bed in the middle of the day. She’s sad and Olive brings her food. She asks Olive what happened to her hand and Olive explains she cut it while trying to make her a sandwich. Grace forces herself to get out of bed, deciding it’s time to attend a support group to try and pull herself back together. After sharing for the first time in group, Grace meets Danny and is instantly drawn to him.

Jared and Michaela’s best friend Lourdes (Victoria Cartagena) pack up Michaela’s photos and belongings and deliver them to Grandma Karen. She tells them to keep them and to always remember Michaela with laughter because she would want them to be happy.

Back to present day and Michaela is so worried about Jared that she pays a visit to Lourdes. She doesn’t want Jared to cover for her anymore, and by the look on Lourdes’ face it’s obvious she didn’t know anything about it. Michaela apologizes and leaves.

Vance arrests Bethany and interrogates her. She refuses to tell him anything about Thomas or what she’s been experiencing since Flight 828 disappeared.

Next up is a flashback to two years after Flight 828 disappeared. Lourdes meets Jared at a bar to celebrate his promotion to detective. They kiss and at first Jared apologizes. Lourdes responds by asking him if he really is. He admits he’s not and she says, “Good.” That reply leads to a make-out session.

Danny arrives at Grace’s for dinner and tries to connect with Olive. While Grace is in the kitchen, Danny attempts to talk to Olive. Unfortunately, he brings up Cal and she becomes upset. She leaves the table telling him she knows Cal is lost and when she grows up, she’ll go find him.

Manifest Season 1 Episode 5
Sheldon Best and Jack Messina (Photo by Craig Blankenhorn / NBC / Warner Brothers)

In the present day, Ben’s on the subway with Cal and again hears the voice telling him it’s all connected. Cal gets off on the wrong stop but tells Ben it’s part of their adventure. He runs and Ben’s forced to chase him down the subway tunnels, through locked gates, and into air ducts. Ben’s shocked to see Cal’s led him to the room where Thomas is waiting for Bethany.

Ben wonders how Cal knew about the place and Cal says he didn’t. Ben asks Cal if he hears voices and Cal explains that he doesn’t. Instead, he feels things sometimes. Cal becomes worried that someone’s approaching Thomas’ hiding place, but then suddenly knows whoever is knocking is a friend. It turns out the visitor is Bethany’s wife. She’s taking Bethany’s place since she was arrested and promises to take Thomas to the remote cabin where he should be safe.

Michaela visits her dad and tells him she misses her mom. Seeing Jared and Lourdes’ home made her think of what she lost out on. Grandpa Steve tells her if she still loves Jared, she should fight to get him back. “If I disappeared and came back five years later to find your mother with some guy, I would fight like hell to get her back,” says Steve, filling Michaela with a new resolve.

Another flashback takes us to three years after Flight 828 disappeared. Jared visits the Stones to tell them he’s in love with Lourdes. Karen gives him her blessing and wishes him luck. After he leaves, Steve reveals he doesn’t think it’s a good idea. “He’s still in love with Michaela,” says Steve.

Back to 2018 and Jared meets with his supervisors about the botched stake-out. He stands by his statement and his punishment is being stripped of 10 days pay. As he leaves, he sees Vance and realizes he pulled strings to bail him out. Vance orders Jared to spy on Michaela and report to him from now on.

Danny visits Grace at her home and refuses to leave until she hears him out. He confesses he thinks he can get over losing her but he can’t lose Olive. He knows Olive considers him a dad.

Michaela checks on Jared at the bar and asks how it went. He doesn’t go into things but says it was no big deal. She begins to tell him she still loves him and he cuts her off saying he needs to go home.

Once home, Jared realizes Lourdes is upset and asks what’s wrong. She admits Michaela came over and told her he was in trouble at work. Again he labels what happened no big deal. Lourdes admits what worries her is that he didn’t tell her. He explains he bailed Michaela out of a jam because he feels bad for her. “Is that all?” asks Lourdes. Jared claims it is.

A quick flashback is shown of the day Flight 828 returned. Danny leaves Grace’s house upon hearing the news. A tipsy Lourdes is reminding Jared it’s the three year anniversary of their first kiss when he informs her Michaela is back.

Present day, Olive checks on Grace and tells her she’s happy Ben is back but Danny is also her dad now.

Michaela meets up with Ben who’s working on his map of everyone on Flight 828 and how they’re all connected. He reveals Cal’s been affected by the flight too and now feels things. He admits he can’t walk away from this. “We’re all caught in the spider’s web,” says Ben.

The last scene is a flashback to onboard Flight 828. Ben and Michaela are asleep when Cal is drawn to a bright light outside their row’s window. Cal leans over and stares into it. Awed, he says, “It’s all connected.”

More on Manifest:




Imagine Dragons Unveil “Zero” Music Video from ‘Ralph Breaks the Internet’

The official music video for Imagine Dragons‘ new song “Zero” arrived ahead of the November 9, 2018 release of their fourth studio album, Origins. “Zero” is the end credit song for the much anticipated Ralph Breaks the Internet, the sequel to Disney’s 2012 Wreck-It Ralph. While the tune’s catchy, the lyrics are pretty bleak:

“Let me show you what it’s like to always feel feel
Like I’m empty and there’s nothing really real real
I’m looking for a way out

Hello hello let me tell you what it’s like to be a zero zero
Let me show you what it’s like to never feel feel
Like I’m good enough for anything that’s real real”

Commenting on the film’s emotional themes, Imagine Dragons’ lead singer Dan Reynolds said, “They are compelling because they are real to each of us, personally. That journey of feeling like nothing and trying to realize and recognize your worth as a human is an important part of life. And given the distorted version of reality kids face online and the expectations that come with it, this struggle is real for so many people right now.”

“Zero” will also be included on Walt Disney Records’ Original Motion Picture Soundtrack for Ralph Breaks the Internet. The soundtrack will be released on November 16 2018 followed by the film’s release in theaters on November 21st.

Rich Moore (Zootopia, Wreck-It Ralph) and Phil Johnston (co-writer Wreck-It Ralph, Zootopia, writer, Cedar Rapids) directed the sequel, with Clark Spencer (Zootopia, Wreck-It Ralph, Bolt, Lilo & Stitch) producing.

The Ralph Breaks the Internet Plot:

In Ralph Breaks the Internet, video-game bad guy Ralph (voice of John C. Reilly) and best friend Vanellope von Schweetz (voice of Sarah Silverman) leave the comforts of Litwak’s arcade in an attempt to save her game, Sugar Rush. Their quest takes them to the vast, uncharted world of the internet where they rely on the citizens of the internet—the Netizens—to help navigate their way.

Lending a virtual hand are Yesss (voice of Taraji P. Henson), the head algorithm and the heart and soul of the trend-maing site “BuzzzTube,” and Shank (voice of Gal Gadot), a tough-as-nails driver from a gritty online auto-racing game called Slaughter Race, a place Vanellope wholeheartedly embraces—so much so that Ralph worries he may lose the only friend he’s ever had.




‘Legends of Tomorrow’ Season 4 – Matt Ryan and Courtney Ford Interview

At this years’ San Diego Comic-Con, The CW’s Legends of Tomorrow teamed up Matt Ryan and Courtney Ford to discuss the show’s upcoming fourth season. Matt Ryan’s reprising his role as John Constantine, a role he originally played in the short-lived series, Constantine. He also voices the character in the animated series, Constantine: City of Demons. Constantine will be working with the Legends in season four as will Courtney Ford’s character, Nora Darhk, who’s been freed from Mallus and will be struggling to find her new place in the world.

In our roundtable interview at SDCC, Matt Ryan and Courtney Ford shed a little light on what’s in store for Constantine and Nora. They also talked about being a part of the large Legends of Tomorrow ensemble.

DC’s Legends of Tomorrow season four premieres on October 22, 2018 at 9pm ET/PT.

What’s it like to be a part of Legends of Tomorrow?

Matt Ryan: “What I love about the show is that it can go so far in the extreme in terms of comedy, but then it has an emotional core to it as well. And that kind of range in which as an actor you get to play is great.”

How does it feel to be back full-on in the Arrowverse after Constantine, both the live-action and animated series?

Matt Ryan: “It’s great, man. You know, it’s four years since the show was canceled. I’ve got to go off and do other things as an actor and satiate some of my other kind of wants and needs as an artist. And now I get to dye my hair blonde every week and run around in a trench coat. It’s great. And also, to explore the character in this dynamic among these different characters which is new from what I’ve discovered from the comic books. These are characters that are new relationships for me in terms of how to approach them, so it’s great.”

Courtney Ford: “You have to dye your hair lighter every two weeks and I have to dye it darker every two weeks.”

Matt Ryan: “You do? No way.”

Courtney Ford: “Yeah, it’s light brown.”

How will Nora change in season four since now she no longer has the demon in her?

Courtney Ford: “I know! Who is she? Nora needs to find out who she is without her father and without Mallus. She was possessed by him since the age of 13. And from 13 into her 30s, she fought him and she fought him and she fought him until finally, he said, ‘I’ll help you bring your father back,’ and she gave in to him. So, you know, I don’t think she’s ever had any of the normal experiences that we take for granted. Is she going to go out into the world and get a job? How is she going to interact with everybody? And then what part of her is going to win out – the dark or the light? I think she’s going to struggle with that and we’ll find out more.”

Legends of Tomorrow Matt Ryan as John Constantine
Matt Ryan as Constantine in ‘Legends of Tomorrow’ (Photo: Dean Buscher © 2018 The CW Network)

Legends of Tomorrow has such a large cast of regulars. Who would you like to see your character really interact with?

Matt Ryan: “Episode 3-10, the relationship between John and Sara is really established. They’re both very similar in lots of ways. I think that that for me is the emotional crux of how John kind of comes into this world of Legends. Now, I’m getting to play and explore dynamics with all these different characters. They’re all new. They’re all something that we’re all discovering. It’s not Zatanna, it’s not Deadman, it’s not Batman, it’s not Swamp Thing – all these characters we’ve explored in all the comics. These are characters we’re finding out how to explore. That’s probably the most exciting thing for me bringing John to this universe is figuring out those dynamics and getting to play with all these guys who are like amazing actors who have so much fun and love our work.”

Do you like playing the outsider character who’s not really on the team but comes in when they need him?

Matt Ryan: “John is like, ‘I walk my path alone.’ Everyone around him dies. He would sacrifice his best friend… He does, Gary Lester, who has a demon in him. He would do whatever it takes to get the job done. And, you know, he’s a bastard.

What’s great is John’s not going to be like, ‘Oh, I’m a Legend! Let’s go!’ That’s not John Constantine. You drop John in this universe, you drop him in the Arrowverse, you drop him anywhere, he’s going to do what he does and there’s going to be conflict and there’s going to be drama. What’s interesting about him coming into Legends is how does it all pan out. How do all these dynamics work? And, what are his motives?”

More on DC’s Legends of Tomorrow:




‘Tell Me a Story’ Stars James Wolk and Paul Wesley Discuss Their New Psychological Thriller Series

Paul Wesley and James Wolk return to series television with starring roles in CBS All Access’ Tell Me a Story. Paul Wesley wrapped up his eight seasons playing Stefan Salvatore on The Vampire Diaries in March 2017. James Wolk spent three seasons fending off killer animals on CBS’s Zoo and he played Bob Benson on AMC’s award-winning drama, Mad Men. With Tell Me a Story, created by Kevin Williamson (The Vampire Diaries, Time After Time), Wolk and Wesley found a new project they could sink their teeth into that’s vastly different from their previous television work.

Teamed up together for interviews at the New York Comic Con, James Wolk and Paul Wesley discussed the appeal of the series. They also talked about working on a show created by Williamson and how this series sets itself apart from any other series that incorporates fairy tales into the storylines.

CBS All Access will launch Tell Me a Story on Wednesday, October 31, 2018.

What can viewers expect?

James Wolk: “It’s a dark psychological thriller. I think the fact we’re on CBS All Access is allowing us to play in a streaming and premium space where we’re not bound by the confines of having to round off any edges. It’s really adult. It’s really dark.”

Paul Wesley: “You mean there’s no commercial breaks.”

James Wolk: “No commercial breaks. And Kevin Williamson, our creator, has taken three fairy tales, taken the themes and the ideas from those fairy tales and set them in a modern-day Manhattan gritty setting. There’s nothing fantastical about the show. It feels very real and it feels like you’re watching everyday people go through different traumas and different obstacles. People as their watching will start to recognize this is ‘The Three Little Pigs’ story and this is ‘Red Riding Hood’, and this is the ‘Big Bad Wolf,’ and that’s our show. It’s for people to tune into a drama, a psychological drama, and then realize they’re also seeing fairy tales unfold.”

Where is it filmed?


Paul Wesley: “New York City. New York is like a character. Kevin said…what did he say? He said it’s like the fairy tale where New York City is the woods. Like for ‘Hansel & Gretel,’ ‘The Three Little Pigs,’ and ‘Little Red Riding Hood,’ New York City is the woods. It’s a character.”

Paul, a lot of fans will be following you from The Vampire Diaries. What do you think those fans will really enjoy about this show?

Paul Wesley: “Well, you know I’d like to think The Vampire Diaries premiered a decade ago and a lot of those kids grew up. They’re young adults or they’re full-on adults…maybe they’re senior citizens, I don’t know. But most of them have grown up. I think they probably will be excited by the fact it’s unfortunately nothing like Vampire Diaries, in a good way. This isn’t to put down The Vampire Diaries, but this is a slightly more mature, sophisticated, adult thematic that isn’t as soap opera-esque I suppose. I think that my fans will enjoy the fact that there’s a hint of the supernatural but it’s actually not there. It’s just like the folklore is there.”

What was it from the pitch or the very first script that drew you in and made you want to be a part of this?

James Wolk: “I mean, the first script if you read it is very…like you kind of want to know how all these storylines are going to intersect. You know, it’s like Crash in a way. That movie where you go, ‘How is this all…’”

(Paul reacts to the Crash reference.)

James Wolk: “I’m sorry if you don’t love the movie, Paul! But it’s the idea that you can’t wait to see how all these storylines are going to fit together. And so, for me, when I read the first script I was sort of floored that there could be so much life in three distinct stories. And the characters just felt really real. That got me excited about being a part of it.”

Paul Wesley: “I’m not in the first episode very much at all. I’m barely in it. But, I was surprised that nobody’s ever done this for American TV. I know Once Upon a Time exists but that’s very much in the fantastical. This is very much in the real. I’m surprised no one’s ever done this. They have, obviously, this was a Spanish series or was it Argentina?”

James Wolk: “Argentina. It was an Argentinian show.”

Paul Wesley: “But it hasn’t been done in the US.”

How is working with Kevin Williamson?

Paul Wesley: “It’s interesting. I was just thinking about what Kevin wrote. He went from Scream to Dawson’s Creek to The Vampire Diaries to The Following. They’re all very different. And now he’s doing this which is Kevin’s first foray into streaming cable, I believe. Kevin has this way of writing these really fantastical stories. He’s a little bit like Spielberg. Obviously, Spielberg’s a director but Spielberg if you watch his movies there’s such a huge range but you always care so much about the characters and that’s what Kevin does. He creates these stories that are so fantastical but you really care about the characters. That’s why I think he’s as successful as he is.”

James Wolk: “I really can’t say it better than that. That’s spot-on. The characters feel so… They track, really, throughout the episodes. My character, Jordan, I get to see him over 10 episodes really dissolve because this tragedy befalls him. You can feel Kevin’s hand in it. It tracks great through the 10 episodes and it feels like someone is really going through this.

What Paul said, he knows character, he knows story. It’s such a joy working with someone who knows it so well.”

What can you tell us specifically about your character?

James Wolk: “I play Jordan. Paul and I are in the same storyline. We’re actually on opposite sides of the coin in the same story. He and I, we kind of play opposite of each other but both characters the audiences will root for and root against at certain points in the story. So, you don’t really know who’s good and you don’t really know who’s bad.

You meet my character and he’s loving life until he crosses paths with Paul’s character. Tragedy hits him and he kind of goes in a dark direction.”

Is there been much difference in working on a show that airs on a streaming platform?

Paul Wesley: “I think for me in the back of my mind I’m not worried about hitting certain beats. Or, I’m not worried about length or improv. A lot of times we really do need to be cognizant of it because there’s a commercial break, because there’s a network breathing down your throat. Not to rip on them, but that’s just reality. I just felt like I was able to just kind of let it go a little bit, just relax. It’s almost like you’re in a little improv group – at times, within reason. That was it for me. You were in Mad Men, was that similar?”

James Wolk: “This experience is unique from all of them. I feel like CBS All Access, to their credit, is very much like, ‘Go make your show.’ I feel like they’re not heavy-handed. I don’t know what’s happening behind closed doors and I’m sure that they have a good hand in the creation, but it’s not overpowering where you feel like you’re getting these notes from up above where you’re like, ‘How do I do this?’ It just feels like they’re saying, ‘Go make the show. We trust…’ probably it’s Kevin, and then Kevin hires us. But, they’re letting Kevin make his show. So, it feels like Paul said, we’re making something that just feels really organic and like we’re a part of it.”

Tell Me a Story Paul Wesley and James Wolk
Poster for ‘Tell Me a Story’ (Photo © 2018 CBS Interactive)




Guillermo del Toro is Bringing to Life ‘Pinocchio’ at Netflix

Guillermo del Toro Pinocchio
Guillermo del Toro and Netflix team up on ‘Pinocchio.’

Academy Award-winning filmmaker Guillermo del Toro is confirmed to direct his first animated feature film. Oscar winner del Toro’s long wanted to create a new Pinocchio feature film, and together with Netflix he’s finally moving forward on what’s described as his passion project.

Pinocchio continues and expands Guillermo del Toro’s collaboration with Netflix. The streaming service is also of the home of del Toro’s DreamWorks’ Trollhunters, the first series in the planned Dreamworks’ Tales of Arcadia trilogy. Part two, 3Below, will premiere on December 21, 2018. Part three, Wizards, is expected to launch in 2019.

The Oscar-winning filmmaker also has Guillermo del Toro Presents 10 After Midnight in the works at Netflix.

“Throughout his distinguished career, Guillermo has exhibited mastery in inspiring people through his magical worlds filled with unforgettable and magnificent characters, from the monsters in Pan’s Labyrinth to the aquatic creature in The Shape of Water. We are incredibly excited to expand our relationship with Guillermo and we know that his deeply touching vision for bringing Pinocchio to life on Netflix will be embraced by audiences the world over,” said Melissa Cobb, Vice President of Kids and Family at Netflix.

Guillermo del Toro is co-writing the script with Patrick McHale (Over The Garden Wall, Adventure Time). Mark Gustafson (Fantastic Mr. Fox) is co-directing with del Toro. Pinocchio will be a Guillermo del Toro, The Jim Henson Company (The Dark Crystal: Age of Resistance), and ShadowMachine (Bojack Horseman, The Shivering Truth) production, with ShadowMachine housing the stop-motion animation production.

The animated film’s producers include Lisa Henson, Alex Bulkley, Corey Campodonico, Gary Ungar, and del Toro.

“No art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio,” stated del Toro. “In our story, Pinocchio is an innocent soul with an uncaring father who gets lost in a world he cannot comprehend. He embarks on an extraordinary journey that leaves him with a deep understanding of his father and the real world. I’ve wanted to make this movie for as long as I can remember. After the incredible experience we have had on Trollhunters, I am grateful that the talented team at Netflix is giving me the opportunity of a lifetime to introduce audiences everywhere to my version of this strange puppet-turned-real-boy.”

Production is expected to get underway later this year.




‘The Prodigy’ Creepy New Trailer and Poster: What’s Possessing Miles?

Orion Pictures has released the official full trailer for The Prodigy, a creepy possessed kid horror thriller directed by Nicholas McCarthy (The Pact, At Devil’s Door). The two minute trailer begins with a young Miles being hypnotized and ends with whatever’s inside of Miles making its presence known to Miles’ terrified mom.

The cast is led by Emmy nominee Taylor Schilling (Orange is the New Black) and It‘s Jackson Robert Scott. The cast also includes Peter Mooney (Burden of Truth, Rookie Blue) and Colm Feore (The Umbrella Academy, House of Cards).

Jeff Buhler (The Midnight Meat Train) wrote the script and The Exorcism of Emily Rose‘s Tripp Vinson produced the 2019 horror film. Buhler also wrote the 2019 adaptation of Stephen King’s Pet Sematary starring Jason Clarke, Amy Seimetz, and John Lithgow and directed by Kevin Kölsch and Dennis Widmyer.

Orion Pictures is set to release The Prodigy in theaters nationwide on February 8, 2019.

The Prodigy Plot:

“In her much-anticipated foray into the horror-thriller genre, Taylor Schilling stars in The Prodigy as Sarah, a mother whose young son Miles’ disturbing behavior signals that an evil, possibly supernatural force has overtaken him. Fearing for her family’s safety, Sarah must grapple with her maternal instinct to love and protect Miles in favor of investigating what – or who – is causing his dark turn. She is forced to look for answers in the past, taking the audience on a wild ride; one where the line between perception and reality remains blurry.”

The Prodigy Movie Poster
Poster for Orion Pictures’ ‘The Prodigy.’




‘Riverdale’ Season 3 Episode 3 Preview and Photos: “As Above, So Below” Plot and Air Date

The CW’s Riverdale continues season three with episode three set to air October 24, 2018. But before we look ahead at episode three, let’s take a brief look back at season three episode two.

Archie’s in juvenile hall and he’s got a roommate named Mad Dog who passes on his jailhouse wisdom, warning Archie to watch out for his new sneakers. Which, of course, the Serpents proceed to steal. Archie’s got major problems with the Serpents, even though he’s sort of an honorary one.

So, what does Archie do about all this tension in juvenile hall? He gives his fellow inmates a pep talk and suggests they engage in a friendly game of football. And to top it off, Veronica and the River Vixens show up and perform a cheer to the tune of “Jailhouse Rock” right outside the fence. Speaking of Veronica, her dad is definitely not into his daughter visiting Archie while he’s locked up.

Elsewhere, Jughead and Betty begin their new investigation into the creepy and mysterious Gargoyle King. Plus, Betty’s beginning to realize her mom and sister have joined a bizarre cult.

Up next, season three episode three directed by Jeff Hunt from a script by Aaron Allen.

The cast of season three includes KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, and Cole Sprouse as Jughead Jones. Madelaine Petsch is Cheryl Blossom, Marisol Nichols is Hermione Lodge, Mӓdchen Amick is Alice Cooper, and Luke Perry is Fred Andrews. The third season also stars Ashleigh Murray as Josie McCoy, Casey Cott as Kevin Keller, Mark Consuelos as Hiram Lodge, Skeet Ulrich as FP Jones, Charles Melton as Reggie Mantle, and Vanessa Morgan as Toni Topaz.

The “Chapter Thirty-Eight: As Above, So Below” Plot: OPENING NIGHT — When a series of suspicious roadblocks threaten to delay the opening of the speakeasy, Veronica (Mendes) enlists the help of Cheryl (Petsch), Toni (Morgan), Reggie (Melton), Kevin (Cott) and Josie (Murray) to ensure opening night goes off without a hitch. Elsewhere, Betty (Reinhart) and Jughead (Sprouse) follow different leads to learn more about the strange incidents going on in the town. Finally, some unwanted attention forces Archie (Apa) to make a difficult decision about his future.

More on Riverdale Season 3:

Riverdale Season 3 Episode 3 Preview
Madelaine Petsch as Cheryl and Vanessa Morgan as Toni in ‘Riverdale’ season 3 episode 3 (Photo: Katie Yu © 2018 The CW Network)
Riverdale Season 3 Episode 3 Preview
Charles Melton as Reggie and Camila Mendes as Veronica Lodge (Photo: Robert Falconer © 2018 The CW Network)
Riverdale Season 3 Episode 3 Preview
Ashleigh Murray as Josie (Photo: Robert Falconer © 2018 The CW Network)
Riverdale Season 3 Episode 3 Preview
Britt Morgan as Penny (Photo: Robert Falconer © 2018 The CW Network)
Riverdale Season 3 Episode 3 Preview
Zoe De Grande Maison as Evelyn Evernever and Lili Reinhart as Betty (Photo: Katie Yu © 2018 The CW Network)
Riverdale Season 3 Episode 3 Preview
Madchen Amick as Alice (Photo: Katie Yu © 2018 The CW Network)




‘Legends of Tomorrow’ – Caity Lotz and Brandon Routh Interview on Season 4, Constantine, and Emotional Journeys

During our roundtable interview with The CW’s Legends of Tomorrow stars Caity Lotz and Brandon Routh on season four, they discussed who they’d like to see their characters work with more in the future. The ensemble of Legends of Tomorrow continues to grow, and season four will find Matt Ryan as John Constantine playing a big role on the team. Routh confessed he’d like to see his character, Ray Palmer, spend some time with Constantine because he thinks the pairing of magic and science would be pretty interesting to watch.

Caity Lotz, on the other hand, is pleased about all the female characters who are part of the season four cast, and she expressed interest in Sara getting a little more time with her fellow females. “I’d like to get more, now that we have so many girls on our cast, some missions where it’s all ladies. I think there’s a lot of great bromances on our show and we need some more girlmances,” said Lotz which led to a discussion of whether “girlmance” is an actual word. She added, “I would like for some of the female relationships to deepen a bit.”

Caity Lotz and Brandon Routh also discussed their characters’ arc for the new season and the impact of the return of Maisie Richardson-Sellers playing a new character named Charlie.

Season four of The CW’s Legends of Tomorrow will premiere on October 22, 2018 at 9pm ET/PT.

What would you say are your characters’ emotional journeys for season four?

Caity Lotz: “I think for Sara she really wants to try to build a life, and like some normalcy and feel like a real person. And, you know, she had a relationship and some normalcy, and of course that’s not an easy thing to do. I think she’s going to struggle a lot between her responsibilities as the captain and having a relationship and trying to be normal.”

Brandon Routh: “You know, Ray is happy they defeated Mallus but conflicted about his decision to give Nora Darhk the time stone. There’s some things that happen early on in the season that lead him to question whether that was a good idea and if his gamble on Nora turning into a good person is going to pay off or not. He’s a little worried about that.”

It seems like around season two they changed your character’s personality a bit and made him more wholesome. Do you know why?

Brandon Routh: “I think they leaned into what I was doing, and I think they wrote more towards that aspect, I guess. Maybe they had a need to make somebody be that to contrast with the other darker sides of characters that we had. I mean, the truth is that Ray on Arrow was, I think, envisioned one way and I swam upstream because I wanted to make him not so much a Tony Stark but have him be a kinder presence.

That just naturally fed into the comedic abilities of Ray and the comedy gold that could be mined out of a goody two-shoes character, a Boy Scout character. That worked and the comedy of that worked, so we just kept building and morphing Ray into this version which I think is great because it’s true to a lot of my growing up. I don’t know if it’s a character that’s represented or not enough… Maybe it is. Maybe it isn’t. Kind of the nerdy Boy Scout kid who still wants to be cool and part of the team.”

Caity Lotz: “There’s such a rise of the antihero on TV and if I had a kid I’d want my kid to watch and want to be Ray, rather than Heat Wave or Constantine. I’d be like, ‘Be like him!’ I think it’s good to have. We’re too into the antihero thing.”

Brandon Routh: “Also, the science aspect is something that I hear from a lot of fans – whether it be kids or parents – who like that, the fact that Ray is so geeked out about science and talking about science and having that positive role model for somebody who’s intelligent. And a scientist and physicist is a cool role model.”

Legends of Tomorrow season 4 Caity Lotz
Matt Ryan as Constantine and Caity Lotz as Sara Lance/White Canary in ‘Legends of Tomorrow’ season 4 (Photo: Dean Buscher © 2018 The CW Network)

How will Constantine challenge you?

Caity Lotz: “I think Constantine is sort of like the devil on Sara’s shoulder. She’s got this new hold on life of like, ‘We did good. We saved the world. I have a girlfriend. Maybe my life’s not so bad. Maybe I can let people in. Maybe I can love people.’ And then you have Constantine who’s like, ‘I know who you really are. You’re just like me.’ I see him putting in jeopardy the loose hold that she has on this new life. I think he’s going to make it harder.”

Brandon Routh: “As far as Ray’s concerned, I don’t see them having a contradiction or issues. I think Ray’s excited about understanding magic and learning about it and understanding how it works. He’s not going to push it away because it’s not science. I think he’s intrigued by the supernatural.”

How about the new character, Charlie, played by Maisie Richardson-Sellers?

Brandon Routh: “I think she’s going to be whoever she wants to be. She’s going to be a challenge for certain characters and be welcomed by others.”

Caity Lotz: “I would imagine for Sara it would be hard. It’s like, ‘You’re not my friend. You’re not Amaya. You look like Amaya. Where’s Amaya?’ Like, I liked Amaya and now you have this new person who’s coming in and it looks like your friend but it’s not your friend. I think it might take a little bit for her to (adjust).”

Brandon Routh: “Ray will probably be like, ‘Come on, guys. We can all get along.’”

Caity Lotz: “Eventually we will.”

More on DC’s Legends of Tomorrow:

(Article by Rebecca Murray. Additional reporting by Kevin Finnerty.)




‘The Walking Dead’ Season 9 Episode 3 Recap: “Warning Signs”

The Walking Dead Season 9 Episode 3 Recap
Lauren Cohan as Maggie Rhee and Norman Reedus as Daryl Dixon in ‘The Walking Dead’ season 9 episode 3 (Photo by Gene Page/AMC)

AMC’s The Walking Dead season nine episode three opens with the revelation that Justin (Zach McGowan) is the newest member of the walking dead. Walkers munch on him and then shuffle away, leaving (most) of Justin to rise and follow.

When he shuffles away, he passes a building painted with “Final Warning.”

Over at Rick’s place, he rises early, not disturbing Michonne (Danai Gurira). Rick checks on a sleeping Judith, places his hand on the wood with Carl and Judith’s handprints (from early season 8), and wanders out to the garden. It’s almost like Rick/Andrew Lincoln are taking a really early pre-goodbye tour of Alexandria.)

Back home, Michonne’s awake after a restless night. She couldn’t stop thinking about the charter she’s writing for the communities. Rick acknowledges Michonne’s the one keeping the place running since he’s been busy with the bridge.

Judith’s not feeling well and since there’s a lot of sickness going around, they agree to take her to see Siddiq. But first, Rick looks lovingly into Michonne’s eyes and thanks her for everything. Michonne and Rick then find a way to take her mind off the charter as they dissolve into each other’s arms.

Elsewhere, Maggie (Lauren Cohan) and a helper are confronted on the road by Saviors. Jed (Rhys Coiro) does his best to intimidate Maggie, obviously unaware of just how ruthless she can be. Maggie’s only reluctantly sharing more food with the Sanctuary, and they’ve interrupted her as she’s bringing fresh food to their group despite not receiving the fuel she was promised.

Maggie stares Jed down as another Savior thanks her for bringing food and tells the group to get on their way. After they walk away, Maggie’s still willing to give them a chance.

The horses only move forward a few feet when Maggie spots Justin, the newly turned walker, emerging from the trees.

Rick and Michonne make the visit to the doctor into a fun day of adventures for Judith. She’s all giggles as her dad joins her in games, including a crawling race through their home. The afternoon of adventures also includes a picnic and storytime.

Unfortunately, the relaxing family day’s interrupted with news of Justin being found dead. All indications are that he was murdered.

Over at the bridge camp, a huge fight breaks out between the Saviors and everyone else. Rosita (Christian Serratos) and Father Gabriel (Seth Gilliam) try and calm things down, but it takes Alden (Callan McAuliffe) screaming and pushing his way through the mob to quiet the crowd. He promises they’ll find out who did this, but is quickly punched in the face by Jed for his efforts.

The Walking Dead Season 9 Episode 3 Recap
Melissa McBride, Cooper Andrews, Lauren Cohan, Sydney Park and Nadine Marissa in ‘The Walking Dead’ season 9 episode 3 (Photo by Gene Page/AMC)

Carol (Melissa McBride) is next to step into the fray, placing one arm on Jed’s chest and the other on the gun in her holster. She demands the Saviors all turn around, but Jed refuses. He suggests she go ahead and kill him now instead of waiting until he’s not watching. Carol removes her gun from its holster and so do others gathered behind and at her side.

The Savior who stopped Jed from hassling Maggie steps forward and claims they don’t want to fight, they just want the ability to defend themselves.

Daryl (Norman Reedus) is standing apart from the group and growls, “No guns.” He’s immediately accused of being the one who killed Justin. Other Saviors put the blame on Jadis/Anne, but the overwhelming consensus among the Saviors is that Daryl killed Justin.

A handful of Saviors arm themselves with tools (including axes) and begin to walk toward Carol and her people. Daryl aims his crossbow and as the groups are about to meet, Rick rides through on his horse, ordering everyone to back off.

Rick whips out his gun and the one calm voice among the Saviors tells her group to let it go. Rick then sends both sides of the argument off to work on finishing the bridge.

Father Gabriel lags behind and Rick confesses he believes Anne might have had something to do with Justin’s killing. Gabriel provides her alibi for the previous night, and Rick warns him to watch out for her because the Saviors might come after her.

Alden approaches Rick and asks if he’s thought about arming a few of the very trustworthy members of the Saviors. Maggie steps in and nixes that idea. Rick just wants to figure out who killed Justin first and why other Saviors have gone missing. If they figure that out, then Rick will think about arming a few Saviors.

After Alden leaves, Maggie and Rick continue their talk. Surprisingly, Maggie is in agreement with Rick on the issue of arming a few Saviors once they find Justin’s killer.

It turns out Gabriel isn’t sure Anne didn’t kill Justin. He delicately questions Anne, reminding her he wasn’t with her the entire night. He asks if she saw anything, but she fails to provide him with a straight answer.

Rick’s equally worried Daryl killed Justin. Rick describes the wound on Justin which could have been made by an arrow. Daryl asks, “Do you really think I did it?” Rick replies, “No. But others do so I had to ask.” Daryl reminds Rick that if he did it, he wouldn’t have hidden the body.

Daryl believes this is the result to be expected by bringing all these groups together. Rick disagrees, prompting Daryl to ask, “Why do they get this future when Glenn don’t? Or Abraham? Or Sasha? All the people the Kingdom lost, Hilltop, Oceanside, do you ever think about what they want, what they’d do if they could?”

Rick acknowledges that he does, but he thinks killing the Saviors isn’t the right thing to do. He asks Daryl to try and look toward a better future.

The bridge work continues, and all the outposts report things are clear. However, Maggie and Cyndie (Sydney Park) notice a couple of walkers heading into the trees. They call it in and Rick tells Group 5 over to help them assess the situation.

Cyndie knows the area because her group used to live nearby before they set up camp at Oceanside.

Maggie and Cyndie track the walkers to a deserted house. As Maggie makes a noise to draw their attention, Cyndie sneaks onto the porch. Walkers inside the house are attempting to get out, drawn to a metal banging noise caused by loose roofing. The sounds of the walkers and the banging will ultimately draw other walkers if this group isn’t taken out.

Cyndie falls through a board on the porch and the loud noise causes the walkers inside the house to push through the boarded-up door. Cyndie frees herself as Maggie fights off the group stumbling out of the house. Cyndie no longer has a weapon and can only use her hands to fend off a walker. Fortunately, Daryl, Rick, Rosita, and Dianne (Kerry Cahill) arrive to assist in finishing off the walkers.

Group 5 never arrived and Rick tries to contact them, but no one answers. They race off to find Bea (Briana Venskus) has been knocked out. She comes to but doesn’t know what happened or who hit her. She was paired up with Arat (a Savior), but now Arat is nowhere to be found. Her radio was left behind and they have no clue who took her.

Back at the camp, Rick, Carol, Daryl, Cyndie, and Maggie try and figure out their next step. The Saviors haven’t been told Arat is missing, and Carol voices everyone’s concerns. If she’s been killed, the Saviors will desert the bridge crew.

Jerry (Cooper Andrews) is at the tent door and he’s been quiet until now. He asks what will happen if they find the murderer. “Who decides what happens next? Is it going to be a Gregory or a Negan?” asks Jerry.

No one replies for a while. Finally, Cyndie says whoever did it will get what they deserve.

The group breaks off into pairs and head out to search for Arat. Rick doesn’t want any of them to return until they find her.

Rick and Carol pair up. She admits she was going to pull the trigger earlier, ending the inevitable war before it can begin. She knows if they don’t find Arat, then there will definitely be another war. Rick swears he won’t let it come to that and then confesses he wakes up every morning with a feeling that he needs to kill Negan and the Saviors. But, he then thinks about everyone they’ve lost during the zombie apocalypse. He needs to honor those people. “It’s us or the dead, and every life counts now,” says Rick.

Carol does not look convinced.

Daryl and Maggie make up another team. She admits she wishes she could see the future Rick envisions. She also agrees Rick’s way is in fact better for the future. They spot a walker and Maggie stabs it. When it’s dead, Daryl removes an arrow from its chest and declares, “I know who took Arat.”

Anne walks through her old junkyard by flashlight. She uncovers a metal box and removes a walkie-talkie hidden there. She turns it on and says, “It’s Jadis. I know you’re in range. I saw the helicopter last night.”

A man finally responds and asks if she has an A or a B. She asks if he took the missing people and he denies he was involved. He then tells her the deal still stands and asks again if she’ll have an A or a B. She replies, “Neither.”

Anne tells this mysterious man she’s paid her share and he reminds her she’s been compensated. She wants to know what it will take and he tells her an A…tomorrow.

Gabriel secretly follows her and eavesdrops on the conversation. He demands to know who she was talking to and what she did. She admits she did bad things, but she didn’t kill Justin or take the missing Saviors.

Gabriel figures out Anne traded people and that she would have done that with both him and Rick. Anne reveals she did it for supplies. She gets emotional as she talks about how everyone, including Rick, assumes she’s the one who killed Justin. No one came to her defense except Gabriel.

Anne begs Gabriel to leave with her, indicating she knows of a better place where things will be different. If he helps her and doesn’t tell anyone, they can have a life “like you can’t imagine.”

Gabriel turns her down and says he needs to tell Rick. She knocks him out after telling him she thought he was a B.

Back out in the forest, Carol and Rick are still hunting for Arat. They’re not walking close to each other and Jed launches a sneak attack on Carol. He grabs her and holds a knife to her throat as Rick pulls his gun and tells him to drop it.

Rick asks if Jed killed Justin, but Jed says he’s just doing this to get the guns. They want to take off because they’re tired of being hunted. If Rick hands over his gun to Jed’s accomplice, DJ, then they’ll be free to leave.

Carol’s worked her own knife free and is ready to attack. She says it’s over, and Rick lowers his weapon which causes Jed to pull his knife away from Carol’s throat. As soon as it’s no longer at her neck, she turns around and stabs Jed in the shoulder. Rick then forces DJ to kneel.

Neither DJ nor Jed are killed, although both should be. Instead, Carol and Rick take them back to camp because every life matters.

Daryl was right when he deduced it was the Oceanside crew picking off the Saviors. When Maggie and Daryl arrive at the old Oceanside place, Cyndie, Bea, and two other Oceansiders have Arat on her knees insisting she beg like she and the Saviors made people beg for their lives.

Daryl doesn’t drop his weapon as he and Maggie approach, however, Cyndie keeps Bea from shooting either of them. After Daryl asks if that’s how she killed Justin, Bea reveals Justin killed her husband.

As Arat pleads for her life, Cyndie tries to assure Maggie and Daryl that Arat will be their final victim. They’ll stop killing as soon as she’s dead. Maggie doesn’t believe that, so Cyndie shares her memories of her old community. She recalls all the men, women, and children who thrived there until the Saviors, in particular Simon, wanted what they had. After the killing was over, the surviving women created a new community.

They agreed to help Rick and the other communities because they knew they couldn’t forget what had happened. After the battle, they’ve only gone along with Rick’s instructions because they didn’t think they had any other choice. It’s all because of Maggie they now believe they’re able to get revenge for their people who were slaughtered. Maggie killing Gregory was a signal that “Rick’s rules aren’t the only rules.”

Cyndie cries as she remembers how the Saviors murdered her mother. Arat was the one who shot her brother before taking all of their supplies.

Arat begs Maggie and Daryl once more for her life, claiming she’s one of them now. Maggie asks if she did what she’s accused of, and she blames it all on Simon.

“You asked me to beg for his life. He was crying and you smiled,” says Cyndie, struggling to maintain a semblance of composure. Cyndie told Arat she loved and needed her little brother who was only 11 years old when he was murdered.

Arat’s forced to recall what she said while Cyndie was begging for her brother. “No exceptions,” says Arat.

Maggie and Daryl turn and walk away, leaving Arat begging while kneeling in front of Cyndie and Bea. They are not out of earshot when Arat is killed.

As they’re walking, Maggie tells Daryl, “Cyndie says I showed her the way. She did the same thing for me.” Maggie and Daryl decide it’s time to see Negan. (Actually, it’s way past time.)

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‘CMA Awards’ First Batch of 2018 Performers Announced

CMA Awards Poster 2018
Official poster for the 52nd Annual CMA Awards (Photo credit: CMA/ABC)

The first round of performers have been announced for the upcoming 52nd Annual CMA Awards airing Wednesday, November 14, 2018 on ABC. Among the Country artists confirmed to perform are returning co-host Carrie Underwood as well as 16-time nominee Luke Bryan.

Also set to take the stage on what’s described as Country Music’s Biggest Night are Kelsea Ballerini, Old Dominion, Kenny Chesney, Dan + Shay, and Keith Urban.

This year’s CMA Awards will air live from the Bridgestone Arena in Nashville from 7pm – 10pm/CT. Gary Halvorson is directing, David Wild is the head writer, and Robert Deaton is on board as an executive producer.

Carrie Underwood is teaming up with Brad Paisley for the 11th year as hosts. Overall, Underwood has earned an incredible 30 CMA Awards nominations since 2006. She’s also been awarded the CMA Awards Female Vocalist of the Year trophy four times, and she picked up her 13th nomination in that key category this year.

Kenny Chesney ups his total to 46 with this year’s nominations, and he’ll be competing in the Entertainer of the Year category for the 11th time. He’s also garnered his 12th nomination in the Musical Event of the Year category.

Keith Urban’s nipping at Chesney’s career CMA Awards nominations total with 45, winning 11 times. Among his 2018 nominations are nods in the Entertainer of the Year, Male Vocalist of the Year, and Album of the Year categories.

Luke Bryan, a 16-time nominee, will be competing in the Entertainer of the Year category in which he’s already earned two awards.

Kelsea Ballerini has earned six nominations over the course of her career, and Old Dominion has picked up five. Dan + Shay were recognized with three nominations this year, including nominations in the Single of the Year and Music Video of the Year categories.

Complete List of the 2018 CMA Awards Nominees




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