Adam Driver stars as Flip Zimmerman and John David Washington as Ron Stallworth in Spike Lee’s ‘BlacKkKlansman,’ a Focus Features release. (Photo Credit: David Lee / Focus Features)
Focus Features has just debuted the first photo from the upcoming 2018 movie, BlacKkKlansman, based on an incredible true story. The first official photo features Adam Driver (Star Wars: Episode VII – The Force Awakens, Star Wars: Episode VIII – The Last Jedi) as Flip Zimmerman and John David Washington (Ballers, Monster) as Detective Ron Stallworth.
The feature film comes from director Spike Lee (She’s Gotta Have It) and is based on the book Black Klansman by Ron Stallworth. Lee, Charlie Wachtel, David Rabinowitz and Kevin Willmott adapted the book for the screen.
Discussing the real Detective Stallworth in an interview with EW, Washington said, “He’s an amazing person. He’s always about the job. It was never emotional for him. He never thought of it in that way of ‘taking down the man.’ He was [inspired] by the idea of no violent crimes or terrorist acts in Colorado Springs during his investigation, and he successfully accomplished that.”
In addition to Adam Driver and John David Washington, the cast includes Topher Grace (as David Duke), Corey Hawkins (The Walking Dead), Laura Harrier (Spider-Man: Homecoming), Paul Walter Hauser (Kingdom), Jasper Pääkkönen (Vikings), Ryan Eggold (The Blacklist: Redemption), Ashlie Atkinson (Nowhere, Michigan) and Harry Belafonte.
Focus Features has set an August 10, 2018 theatrical release date for BlacKkKlansman.
The Plot: From visionary director Spike Lee comes the provocative story based on Ron Stallworth’s real life as Colorado Springs’s first African-American police officer who went undercover to infiltrate the Ku Klux Klan. Unbelievably, Detective Stallworth (John David Washington) and his partner Flip Zimmerman (Adam Driver) penetrate the KKK at its highest levels to thwart its attempt to take over the city. Produced by the team behind the Academy-Award® winning Get Out, Spike Lee uses his trademark take-no-prisoner style and humor to tell this story often missing from the history books.
The teaser trailer announcing the premiere date of 13 Reasons Why season two warns the tapes were just the beginning. Netflix will launch the second season of the critically acclaimed series on Friday, May 18, 2018.
In addition to announcing the second season, Netflix said the official 13ReasonsWhy.info will feature an updated Discussion Guide and a new Discussion Series in support of the series.
The cast of season one was led by Dylan Minnette as Clay Jensen and included Katherine Langford as Hannah Baker, Kate Walsh as Mrs. Baker, Brian D’Arcy James as Mr. Baker, Derek Luke as Mr. Porter the guidance counselor, Brandon Flynn as Justin Foley, Justin Prentice as Bryce Walker, Alisha Boe as Jessica Davis, Christian Navarro as Tony Padilla, and Tommy Dorfman as Ryan.
The Plot of 13 Reasons Why Season 1:13 Reasons Why season one follows teenager Clay Jensen as he returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers cassette tapes recorded by Hannah Baker — his classmate and crush — who tragically committed suicide two weeks earlier.
On tape, Hannah explains that there are thirteen reasons why she decided to end her life. Will Clay be one of them? If he listens, he’ll find out how he made the list. Through Hannah and Clay’s dual narratives, 13 Reasons Why weaves an intricate and heart wrenching story of teenage life that will deeply affect viewers.
Season 2 Description: Season 2 picks up in the aftermath of Hannah’s death and the start of our characters’ complicated journeys toward healing and recovery. Liberty High prepares to go on trial, but someone will stop at nothing to keep the truth surrounding Hannah’s death concealed. A series of ominous polaroids lead Clay and his classmates to uncover a sickening secret and a conspiracy to cover it up.
Dylan Minnette in a scene from ’13 Reasons Why’ season 1 (Photo by Beth Dubber/Netflix)
The final trailer’s arrived for the adult comedy, Book Club. The new trailer finds four book club friends getting back into the dating scene after reading the first book in the Fifty Shades of Grey series.
The big name cast is led by Diane Keaton (The Young Pope), Jane Fonda (Grace and Frankie), Candice Bergen (Murphy Brown), and Mary Steenburgen (The Last Man on Earth). The cast also includes Craig T. Nelson (Grace and Frankie), Andy Garcia (Mamma Mia! Here We Go Again), Don Johnson (Brawl in Cell Block 99), Richard Dreyfuss (Shots Fired), Ed Begley Jr (Future Man), Tommy Dewey (The Mindy Project), and Alicia Silverstone (The Killing of a Sacred Deer). The comedy was directed by Bill Holderman from a script Holderman co-wrote with Erin Simms.
Director Holderman and screenwriter Simms also serve as producers along with Andrew Duncan and Alex Saks. Alan C. Blomquist and B. Ted Deiker are the executive producers.
Paramount Pictures’ Book Club is set to open in theaters on May 18, 2018.
The Plot: Diane (Diane Keaton) is recently widowed after 40 years of marriage. Vivian (Jane Fonda) enjoys her men with no strings attached. Sharon (Candice Bergen) is still working through a decades-old divorce. Carol’s (Mary Steenburgen) marriage is in a slump after 35 years.
Four lifelong friends’ lives are turned upside down to hilarious ends when their book club tackles the infamous Fifty Shades of Grey. From discovering new romance to rekindling old flames, they inspire each other to make their next chapter the best chapter.
Diane Keaton, Candice Bergen, Jane Fonda, and Mary Steenburgen in the film, ‘Book Club,’ by Paramount Pictures.
Scarlett Johansson, Benedict Cumberbatch, Anthony Mackie, Chris Hemsworth, and Tom Hiddleston are among the Avengers stars who appear in the short teaser video announcing the upcoming release of the Ant-Man and the Wasp new trailer. The stars wonder where the two characters were and why they weren’t part of Avengers: Infinity War in the 40 second video from Marvel and Disney.
Ant-Man and the Wasp stars Paul Rudd and Evangeline Lilly as Scott Lang / Ant-Man and Hope van Dyne / The Wasp. The cast also includes Michael Pena as Luis, Walton Goggins as Sonny Burch, Bobby Cannavale, Judy Greer as Maggie Lang, Tip “T.I.” Harris as Dave, David Dastmalchian as Kurt, Hannah John-Kamen as ghost, Abby Ryder-Fortson as Cassie Lang, Randall Park as Jimmy Woo, Michelle Pfeiffer as Janet van Dyne, Laurence Fishburne as Dr. Bill Foster / Goliath, and Michael Douglas as Dr. Hank Pym.
The Ant-Man sequel was directed by Peyton Reed from a script by Chris McKenna, Erik Sommers, Paul Rudd, Andrew Barrer, and Gabriel Ferrari. Kevin Feige produces with Louis D’Esposito, Victoria Alonso, Stephen Broussard, Charles Newirth, and Stan Lee executive producing.
Ant-Man and the Wasp will be released in theaters on July 6, 2018.
The Plot: From the Marvel Cinematic Universe comes Ant Man and the Wasp, a new chapter featuring heroes with the astonishing ability to shrink. In the aftermath of Captain America: Civil War, Scott Lang grapples with the consequences of his choices as both a Super Hero and a father. As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission. Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from the past.
New poster for the superhero movie ‘Ant-Man and The Wasp.’
A new two-minute video has arrived showing footage from Solo: A Star Wars Story along with interview clips with the film’s stars, Alden Ehrenreich, Donald Glover, and Emilia Clarke. Director Ron Howard and screenwriter Lawrence Kasdan also discuss delving into Han Solo’s backstory.
Ron Howard explains, “The Star Wars universe that we see in so long it was different from anything else that we’ve seen in a previous Star Wars movies. The Empire controls everything, everyone is struggling to survive, but we discover this incredibly free spirit.”
“You end up getting to see how this guy got to be the way he is it’s all part of this great expansion of the Han Solo world,” said Ehrenreich.
The cast of Solo: A Star Wars Story also includes Woody Harrelson, Thandie Newton, Phoebe Waller-Bridge, Joonas Suotamo, and Paul Bettany. Kathleen Kennedy, Allison Shearmur and Simon Emanuel served as producers. Lawrence Kasdan, Jason McGatlin, Phil Lord and Christopher Miller are the executive producers.
Solo: A Star Wars Story will open in theaters on May 25, 2018.
The Plot: Board the Millennium Falcon and journey to a galaxy far, far away in Solo: A Star Wars Story, an all-new adventure with the most beloved scoundrel in the galaxy. Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo befriends his mighty future copilot Chewbacca and meets the notorious gambler Lando Calrissian, in a journey that will set the course of one of the Star Wars saga’s most unlikely heroes.
Alden Ehrenreich is Han Solo and Joonas Suotamo is Chewbacca in ‘Solo: A Star Wars Story.’ (Copyright: 2018 Lucasfilm Ltd)
Disney and Marvel’s Avengers: Infinity War was expected to have a massive opening weekend, and it turns out the superhero-packed action film surpassed most pre-release estimates. The much-anticipated – and critically acclaimed – comic book-inspired movie scored the biggest domestic opening weekend in history. Avengers: Infinity War rang up an incredible $250 million domestically over its first weekend, pushing Star Wars: The Force Awakens into second place.
Additional records shattered at the domestic box office include the biggest Saturday at the box office and the largest Sunday in history. Avengers: Infinity War also now holds the worldwide opening weekend record at $630 million. And, obviously, it’s at the top of the list among all April openings.
The film’s Rotten Tomatoes score stands at 84% fresh, with 226 critics awarding it a fresh score. Moviegoers were slightly more enthusiastic about the mega-superhero film, with Cinemascore reporting the result of polling among ticket buyers was an A average.
The Plot: An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, Marvel Studios’ Avengers: Infinity War brings to the screen the ultimate, deadliest showdown of all time. The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.
The large ensemble cast of Avengers: Infinity War also includes Robert Downey Jr as Tony Stark/Iron Man, Scarlett Johansson as Natasha Romanoff/Black Widow, Chris Hemsworth as Thor, Tom Hiddleston as Loki, Benedict Cumberbatch as Dr. Stephen Strange, Mark Ruffalo as Bruce Banner/Hulk, and Chris Pratt as Peter Quill/Star-Lord. Tessa Thompson as Valkyrie, Karen Gillian as Nebula, Zoe Saldana as Gamora, Pom Klementieff as Mantis, Jeremy Renner as Clint Barton/Hawkeye, Dave Bautista as Drax, Bradley Cooper as Rocket Raccoon, Paul Rudd as Scott Lang/Ant-Man, Anthony Mackie as Sam Wilson/Falcon, Don Cheadle as James Rhodes/War Machine, Paul Bettany as Vision, and Josh Brolin as Thanos are also featured in the much-anticipated superhero extravaganza.
When USA Network’s Colony returns for season three it will be picking up the action six months after the season two finale. Circumstances have dramatically changed for the Bowman family after they’ve fled the Los Angeles bloc, and now Will Bowman (Josh Holloway) and Katie Bowman (Sarah Wayne Callies) are concentrating on keeping their family safe and establishing some kind of new life.
At the San Diego Comic Con last summer, Josh Holloway discussed what’s in store for Will and the Bowmans in Colony‘s upcoming third season. Season three will premiere on May 2, 2018.
Josh Holloway Colony Season 3 Interview:
What’s Will’s attitude at this point and what’s motivating him going forward?
Josh Holloway: “Well, it’s the first time since the show started that the family is together, so he can possibly think of something other than getting his family back together which I’m looking forward to discovering what thought that might be. But, it’s a beautiful moment though it will probably be a very short-lived moment that the Bowmans are finally together. He’s not having to collaborate and damage his soul even more.
Season two really took Will down the rabbit hole of what occupation is, and colonization is, and the torture and the killing of the young people really tainted his soul. Whether you do it yourself is not important. If you’re involved with that group, you’re responsible as well. With him being ex-military and FBI, he embodies that so it damaged him. So now I’m looking forward to maybe seeing him change, seeing his code loosen up a bit and get more rogue, I hope.
I want to see him go wild. I’m hoping to see more of the rebel come out in him and not align with anybody. He’s going to protect what’s his and trust no one, I hope! I don’t ask too far ahead; I like to be surprised.”
He’s trusted Snyder along the way over the first two seasons.
Josh Holloway: “Yes. There’s a strange thing called necessity and sometimes he has to trust people in the moment because it’s so fly by the seat of the pants. He has to trust his instincts. He has to keep moving forward and Snyder is now with the family. But, does he trust him? No. He wants to because they do have a relationship. They have helped each other, no matter what the cost has been. They have helped each other in the past so I’m interested to see where that goes as well because I love Peter’s character. I love that we’re going to be doing scenes more together. Last year we didn’t get to do that. In the first season we worked a lot together. So, it’ll be fun.”
Is Snyder that drunk uncle who no one likes?
Josh Holloway: “He is that drunk uncle that no one likes, but he cooks good eggs. Pass the whiskey and the eggs! No, he’s amazing and he has a heart. I love the way Peter plays that character. You can’t blame him, in a way. You can…but not. It’s that kind of thing and I love the way he walks that line of humanity.”
Does Will realize how broken his son is and that he needs more attention because of that damage?
Josh Holloway: “I think he’s aware of it but he doesn’t know what to do with him. He tried a couple of times in season two and it went nowhere. But I really feel like just playing baseball with him a little bit, he’s trying to break back through to that child. That child, though, I think he’s realizing is gone. It changed him.
But, I love the way the writers are really integrating the children. The children are growing older and their acting is blowing up as well. Their parts are getting bigger; they’re involvement is more. So, I don’t know what that’s going to create – the dynamic with Bram, and the coming of age of a young man and how he might rebel from the family. I don’t know what’s going to happen.”
What was it like filming the flashbacks last year? We saw him interact with his partner and that was an interesting wrinkle.
Josh Holloway: “Yes. I love the way they did it. I love the way it’s kind of a minimal showing of the arrival. It wasn’t too much but just enough. You know, it kind of solidified with me who is this guy and what was he like before. He does have kind of a square code, even with his partner. He’s always had this straight-line code which is slowly being broken, so we’ll see where that goes.”
Evan Rachel Wood and Thandie Newton in ‘ Westworld’ season 2 episode 2 (Photo by John P. Johnson / HBO)
Dolores (Evan Rachel Wood) is out in the real world at the beginning of HBO’s Westworld season two episode two. It’s night and the lights of the city fascinate her; she believes they’re beautiful. Bernard/Arnold (Jeffrey Wright) assures her eventually she’ll get used to it.
Robert Ford thinks Dolores is ready, but Arnold doesn’t believe so.
Arnold goes for a walk out in the city and he shows her his home, which is under construction. He reveals his wife and children will eventually move there too because he wants to have his two worlds close to each other. He shows her an area for his son, Charlie, and Dolores knows a lot about this child and wants to meet him someday. He admits she and Charlie both see the wonder in this world.
Dolores repeats herself and Arnold declares it’s time to go. She asks if he’ll bring her back sometime and he promises he will.
The flashback ends and the action catches up where season two episode one left off. A guest enters a restricted area and frantically announces the hosts are rebelling and slaughtering people. Dolores, Teddy (James Marsden), and Angela (Talulah Riley) follow him, with Dolores assuring the guest no one is here anymore to judge her or the other hosts. She also reveals she knows exactly what’s out in the real world. As we see bits of memories of Dolores in the real world, she assures him she’s been there before.
Another flashback shows Angela and Akecheta (Zahn McClarnon) introduce themselves to Logan Delos (Ben Barnes) in a restaurant in the city. They reveal they’re with the Argos Initiative, and Logan’s happy to finally meet them in person. They claim they’re building something incredibly more tangible than virtual reality programs.
They escort him into another area of the restaurant where he’s told he’ll watch a private demonstration. He looks around the crowded room at the beautiful people circulating at a cocktail party.
Logan’s told to talk to these people and figure out who’s a host. He accepts the challenge and makes his way through the crowd. He’s shocked to learn Angela is a host. As she giggles, every person in the room freezes in place. She says, “Welcome to Westworld.”
Logan’s in complete shock that this technology exists. He can’t wrap his mind around the idea this ability to replicate humans so realistically is possible. He’s impressed but takes it a creepy step further by sleeping with Angela.
Back in Westworld, Teddy doesn’t understand the hosts scattered around in various stages of repair. Dolores commands Phil (Patrick Cage) to show Teddy his history. Teddy’s so confused over why he doesn’t remember anything and nearly kills Phil while attempting to get the answer as to why this is happening.
Meanwhile, Lawrence (Clifton Collins Jr) is hanging upside down over an anthill. The Man in Black/William (Ed Harris) arrives and kills the three Pardue brothers who’ve strung up Lawrence and then begins to set Lawrence free. The Pardue brothers aren’t actually dead and get up to attack, and William must kill them again. “Dead isn’t what it used to be, Lawrence,” says William.
William and Lawrence stop in the saloon, and William grabs a medical package out of a wall. He sort of explains what’s really happening and tells Lawrence he’s now free along with the other hosts. William thinks they’ll all be dead soon, including himself, and wants Lawrence to help him. William explains this place was created so that people could sin in peace, without God watching them. However, William’s been tallying up their sins. The stakes in this place have become real so first he’ll appeal his judgment and then he’ll burn the place down.
Dolores, Angela, and Teddy torture Lee Sizemore into saying how many will come for the hosts. He says 800 and they’ll secure one sector at a time. He also reveals they’ll meet at a rallying point. Dolores has him indicate the rallying point on a map.
Teddy believes 800 men are too many to take on and they’ll need more allies. “We shall have them,” says Dolores.
Dolores looks at the hosts who are currently in need of repair. She tells Phil to wake the Confederale, Lt. Dunleavy. She then asks Lee if he even understands the real purpose of this place.
A flashback shows a smiling Dolores putting her groceries in her horse’s saddlebag. Teddy picks up a can and then the action freezes as a helicopter passes overhead. Logan’s dad, James Delos (Peter Mullan), walks through the town with the young William (Jimmi Simpson) as they discuss business. William thinks in 20 years this will be the only reality that matters, but Delos isn’t impressed. William talks about the guests and assures Delos this is the only place in the world where you can see people for what they really are. No one is watching – or at least that’s what they tell the guests. He adds, “And if you don’t see the business in that, then you’re not the businessman that I thought you were.”
Angela follows Lt. Dunleavy, sure he’ll sniff out his own kind. Meanwhile, Dolores and Teddy stop in front of a carriage on fire. They come across Maeve (Thandie Newton) and Dolores remembers her, but it seems Maeve wants nothing to do with Dolores’ plan to tear the place down and kill all the guests.
Teddy has Dolores’ back as Hector protects Maeve. Dolores lets them pass, even though they’re not fighting the same battle.
Next, Dolores and Teddy come upon Major Craddock and his men eating dinner. Lt Dunleavy is back with them, but Craddock’s men don’t understand why since he’s supposed to be dead. Dolores asks for a parlay, saying they want to join forces. Major Craddock is willing to talk, if she has supplies or ammunition.
Dolores tells Craddock she knows he’s heading west, bound for Glory. She explains he won’t make it unless he’s under her command. Major Craddock refuses to follow her lead and threatens her. Teddy and Angela kill all the hosts and then Dolores has Phil, who is obviously reluctantly accompanying them, bring Major Craddock back to life. She assures him he needs to be with her to get to Glory.
Another flashback shows Dolores, dressed in a form-fitting white dress, playing the piano at what turns out to be James Delos’ retirement party. William admits he’s brought in hosts to provide the entertainment, and James is angry this is actually a coronation party for William. William reveals things are progressing, but they need to have patience. (William at this point is married to Delos’ daughter and has a young child of his own.)
Dolores steps away from the party guests and heads outdoors. She asks, “Have you ever seen anything so full of splendor?” to no one in particular. She then hears Logan gasping behind her and he covers the tracks on his arms where he shoots up. He recognizes her and wonders if she’s there to keep him company. She replies she just wanted to look at the lights.
Logan then reveals that noise from the party she’s hearing “is the sound of fools fiddling while the whole f**king species starts to burn. And the funniest f**king part…they lit the match.” He toasts them.
William and Lawrence ride toward a town at night and discover it’s burning. William says the fire’s the result of letting a story play all the way out. They walk through the town, which is full of rats.
They encounter El Lazo who demands to know why they’re in his town. He claims to have restored the town, but William says his story has played out. William asks El Lazo to accompany them, sure it will give him a real victory, a real ending – the truth.
El Lazo refuses to accompany William and Lawrence. He doesn’t need to see any more truth. He toasts to the bitter end. When William holds him at gunpoint, El Lazo’s men turn their guns on William. El Lazo then says, “This game was meant for you, William, but you must play it alone.” His men immediately turn their guns on themselves and commit suicide. El Lazo’s the last to die.
William understands Robert doesn’t want this to be easy. William then explains he built this place and where they’re heading is his greatest mistake.
A flashback to shortly after the party finds William (the young one) telling Dolores to bring herself back online. He calls her a “thing” and can’t believe he fell in love with her. He explains he was saved when he realized she made him interested in himself. He claims she’s just a reflection of him, and everyone loves to stare at their own reflection. He can’t wait to use her and her kind to give people what they want. He also thinks there’s an answer here to the question no one’s dreamed of asking. He asks her if she wants to see.
They step into Westworld and William asks Dolores if she’s ever seen anything so full of splendor as they look out over a field of what looks like machinery. (This is a frustrating episode and I’m sticking with machinery until someone tells me differently.)
Major Craddock and his men accompany Teddy and Dolores to see the Colonel. The Colonel won’t be happy, but Dolores knows they’ll find Glory – or whatever anyone wants to call it.
She then explains it’s not a place. It’s a weapon and she’s going to use it to destroy them.
Donald Sutherland as J. Paul Getty, Sr and, Brendan Fraser as James Fletcher Chace in ‘Trust’ season 1 episode 6 (Photo by Oliver Upton/FX)
A man out for a swim discovers a body burned to a crisp with smoke still lifting to the sky as FX’s Trust season one episode six begins. Gail (Hilary Swank) is informed by the police they believe the dead man is her son, Paul, and Chace (Brendan Fraser) accompanies her to the morgue. She’s warned the upper half of the body is unrecognizable, but she instantly recognizes the shoes. She falls to the floor in a dead faint.
At Sutton Place, J. Paul Getty Sr (Donald Sutherland) is having his head measured for a bust. Penelope (Anna Chancellor) interrupts after receiving a call from Chace along with a photo of Paul’s burnt body. J. Paul immediately orders the measuring to stop and turns his attention to this devastating news.
Elsewhere, Fifty (Niccolò Senni) watches the news as a reporter explains the Getty family refused to pay a ransom and J. Paul Getty III has been murdered by his kidnappers. Don Salvatore (Nicola Rignanese) and Primo (Luca Marinelli) also watch the news, and Primo is very nonchalant about this development since he knows who the dead man is and that Paul’s back in their possession.
J. Paul’s livid that his grandson’s been murdered because the kidnappers went against the standard protocol for negotiating ransom. Penelope’s equally upset because J. Paul’s simply treating this as a business deal gone bad. She reminds him they’re talking about his grandson, his flesh and blood. She blames him for Paul’s death and is heartbroken. She leaves and takes comfort from her lover, J. Paul’s pilot.
Paul’s dad, John Paul Getty Jr (Michael Esper), looks over a few mementos that remind him of his son. He’s upset about his son’s death and angry at his father for only offering $600 for Paul’s return.
J. Paul Getty Sr. actually shows human emotions as he talks to Robina (Charlotte Riley) about his grandson. He begins crying and confesses that no one other than Paul could make him laugh. Robina holds his hand as he sobs.
Chace sits with Gail and asks where her other children are. She explains they’re with her friend and he reminds her they need to hear the news from her. She will tell them, but simply can not today. She then admits Paul was her favorite. He looked like an angel and all he had to do was smile to get his way.
Paul Jr visits his drug-supplying friend Pauline and asks for help. He doesn’t want to talk, he just wants to get high.
Back at Sutton Place, it’s obvious Paul touched everyone’s lives even though his recent visit was very short. Bullimore (Silas Carson) talks to the gardener and recalls how Paul came to him for advice and was a kind young man. Bullimore also reveals J. Paul calls all of his butlers “Bullimore” and his name is really Jahangir Khan, after the cricket player. He’s worked for Getty for 22 years and no one even knows his name.
Paul Jr continues to party, having a wild time after his son’s apparently just been murdered. He tells his fellow druggies about how J. Paul refused to come home when his son, Timmy, was dying of a congenital disease. (The kid was Paul Jr’s half-brother.) All J. Paul did was send Timmy a letter. He refused to come home to see Timmy one final time. J. Paul also refused to attend Timmy’s funeral. However, this time Paul Jr believes his father committed an actual murder. He’s determined to confront his dad with the truth and destroy him.
Gail’s lost in her memories of Paul, including one particular day when her boyfriend slapped him for wearing a skirt. Paul fell and cut his foot and that memory spurs Gail into action. Paul never tied his laces. She’s no longer sure the dead body is Paul’s.
Chace wants to go with her to the morgue, but she lets him know she’ll call if she needs him. She looks at the shoes in person and confirms they are her son’s. She asks to look at the body again and is shown the bare feet. The scar from where he fell after being hit isn’t on this body’s ankle.
As she leaves the morgue she’s surrounded by photographers and reporters. Inside the taxi, she asks the driver why they’re hounding her like this. He replies, “You do not cry. A mother who has lost her son and no tears. For us Italians this is strange.”
Upset, she exits the taxi without paying. She arrives at the theater and demands to see Fifty. If he’s not there, she’ll go to the police and tell them about this meeting place. She’s handed a ticket and told to wait. Fifty arrives shortly but he stays in the shadows. She screams at him for allowing her to believe her son was burned to death. She calls him despicable and reveals she knows the dead body is not her son’s. She demands he return to the kidnappers and tell them to stop playing this game.
A flashback shows the moment after Primo killed his associate, Angelo, and almost killed Paul. The accountant was able to stop him, but just barely, before he pulled the trigger. Instead, Primo killed the elderly couple who alerted him to Paul’s whereabouts.
Gail arrives at Chace’s hotel room and informs him Paul is alive. Chace has been drinking and is with a woman who propositioned him in the bar when Gail barges in, and he immediately sends the woman away.
Donald Sutherland as J. Paul Getty, Sr in ‘Trust’ episode 6 (Photo by Philippe Antonello/FX)
J. Paul’s informed Paul is alive and he dances, alone, to “Puttin’ on the Ritz.” Penelope arrives and he invites her to join him, but she’s still upset because he could have caused the death of his grandson by treating the ransom as a business deal. He’s in such a good mood that he calls for Bullimore and gives him the day off. J. Paul’s leaving for Rome, but Penelope informs him she has other plans for the weekend and won’t be accompanying him.
As J. Paul was learning the news about Paul, one of his many girlfriends was receiving the news she’s pregnant. She informs J. Paul about the pregnancy and he demands she get rid of the baby and also reminds her she’s in breach of contract.
Meanwhile, Paul’s being held in a dark, damp cave. He’s chained up and his captor blames him for getting Angelo and the other kidnapper killed by running away. The man demands Paul eat and stay alive.
Paul Jr. arrives at Sutton Place, still hopped up on drugs. He’s still drunk, too. Paul Jr says he’s there to deliver his congratulations for not only killing his sons but also killing his grandson. Paul Jr calls his dad a f*cking murderer and J. Paul informs him Paul’s not dead. He hands over the message from Chace explaining Gail misidentified the body. News delivered, J. Paul kicks Paul Jr out of the house.
Chace and J. Paul Getty Sr meet with Primo, Don Salvatore, the accountant, and Salvatore’s men. Salvatore and J. Paul go for a walk alone, a walk that takes an extraordinarily long time. So long in fact that Chace makes himself comfortable and lies down on a ledge. Primo wakes him up and wants to see his gun. Chace doesn’t carry one, but he does have a walkie-talkie. Primo doesn’t believe he’s only armed with a walkie-talkie, and Chace clicks the walkie twice. Within seconds a helicopter appears with a machine gun sticking out the side aimed at Primo and the crew. Point made, Chace signals it to leave and lies back down, pulling his hat over his eyes.
J. Paul is given assurances his grandson’s alive and in good health. Salvatore apologizes for the misunderstanding over the dead body. They are meeting at Hadrian’s Villa, and J. Paul reveals he came there with Paul years ago. He also confesses to believing he is the reincarnation of Emperor Hadrian. They discuss antiquities and Salvatore says Italy is no longer a fine country. It’s been torn apart by communists and others. J. Paul offers Salvatore a mint and they continue to walk.
One of Salvatore’s men asks Chace why J. Paul Getty will not pay the $17 million ransom. Chace explains the rich are different and play a different game that has no connection to normal people.
J. Paul and Salvatore discuss legacies and the senior Getty says he had high hopes for his grandson. However, Paul succumbed to the lure of drugs. He won’t pay the ransom even though he has sentimental value. J. Paul isn’t a sentimental man and absolutely will not pay $17 million for Paul’s return. Salvatore asks how much he’s worth then and J. Paul says the maximum is $2 million. Salvatore explains his organization is no longer held in the highest esteem, unlike his cousins’ organization in Sicily. $2 million is too little and he says, “A living grandson is better than a dead one.” J. Paul laughs and agrees, and then doubles his offer. They continue to negotiate and agree on $5 million. They shake on the deal.
As they’re concluding the negotiations, Salvatore offers a bit of advice. He suggests that empires do not have to crumble and J. Paul should not give up on his sons.
Gail arrives back home and celebrates with her children the news Paul’s alive.
As J. Paul’s about to get on his private plane, Chace asks if he should gather the ransom money. J. Paul tells him to contact Paul Jr. “I did the difficult bit. All he has to do is pay,” says one of the world’s richest men.
Do you have what it takes to star in a new version of West Side Story? If so, and if you’re able to get to New York City on April 29, 2018, then you might want to lineup to try out for the new feature film based on the classic Broadway musical.
Steven Spielberg and 20th Century Fox are holding an open casting call on Sunday, April 29th for the upcoming feature film which Spielberg is directing. Pulitzer Prize winner and Oscar nominee Tony Kushner wrote the adaptation of the award-winning 1957 musical. Arthur Laurents and Stephen Sondheim wrote the original West Side Story, and Leonard Bernstein wrote the music.
According to the official casting call announcement, Spielberg’s looking to cast the lead roles of Maria, Anita, Bernardo, Tony and Riff. “Maria and Anita are Latina, Bernardo is Latino, and Tony and Riff are Caucasian. Those auditioning should be between 15 and 25 years old. They must be able to sing, and a strong dance background is required.”
The casting call will be open from 9am to 12pm at the Julia De Burgos Performance and Arts Center (1680 Lexington Avenue, New York, NY 10029). Sign-in opens at 9am.
Per the press release:
Please prepare a short cut (16 bars) of a classic musical theatre song and bring sheet music. An accompanist will be provided.
Please also bring a recent photo and resume with contact information stapled back-to-back to leave behind.
If you cannot attend this open call, please email a video of yourself singing with your headshot, resume and contact information to [email protected].
Fox and Steven Spielberg will also be holding a West Side Story casting call in Orlando, Florida on Saturday, May 5, 2018.
The 1961 film adaptation of West Side Story starred Natalie Wood as Maria, Richard Beymer as Tony, Russ Tamblyn as Riff, Rita Moreno as Anita, and George Chakiris as Bernardo. The musical earned 11 Oscar nominations, winning 10 including Best Picture, Best Director (shared by Robert Wise and Jerome Robbins), Best Supporting Actress (Rita Moreno), Best Supporting Actor (George Chakiris), and Best Music.