Apple TV+ has set a Friday, February 17, 2023 premiere date for season two of Make or Break. The surfing documentary series also dropped a new trailer ahead of its second season release.
Season two will consist of eight episodes, with the first four episodes arriving on Feb. 17th. The final four episodes will launch on the streaming service on Friday, February 24th.
Make or Break season two will include interviews with surfers Kelly Slater, Tatiana Weston-Webb, Stephanie Gilmore, Owen Wright, Tyler Wright, Jack Robinson, and Morgan Cibilic. Gabriel Medina, Filipe Toledo, Kanoa Igarashi, Griffin Colapinto, Italo Ferreira, Matthew McGillivray, Johanne Defay, John John Florence, and Brisa Hennessy are also featured in the upcoming season.
Academy Award and BAFTA Award winner James Gay-Rees (Exit Through the Gift Shop), BAFTA Award nominee Paul Martin, Warren Smith, and World Surf League CEO Erik Logan serve as executive producers. The series comes from Box to Box Films (F1: Drive to Survive, Break Point) in partnership with the World Surf League.
Apple TV+ released the following description of the new season:
The docuseries features behind-the-scenes access to the world’s best surfers as they battle for the top title at the World Surf League Championship Tour.
With unprecedented access, Make or Break returns to the world of professional surfing, offering an intimate deep dive into the aspirations, challenges, accomplishments, and personal lives of the surfers who compete to remain on the elite Men’s and Women’s WSL Championship Tour. This season will take viewers on location for the 2022 competition season to stunning surf locations across the globe, capturing the highs and lows of the “Dream Tour,” including the first-ever mid-season cut, international rivalries, and record-breaking upsets.
Poster for season 2 of Apple TV+’s surfing documentary series ‘Make or Break’
Friends and current/former NBA players describe Bill Russell as a stand-up man and the smartest player who ever played the game in Netflix’s official trailer for Bill Russell: Legend. The two-part documentary, which explores the NBA legend’s extraordinary life on and off the court, will premiere on the streaming service on February 8, 2023.
Sam Pollard (MLK/FBI, Lowndes County and the Road to Black Power) directs and Corey Stoll (Billions) and Jeffrey Wright (Westworld) narrate. Larry Gordon, Ross Greenburg, Mike Richardson, and Charles Rosenzweig serve as executive producers.
Netflix released the following description of the documentary:
“The remarkable life and legacy of an NBA superstar and civil rights icon is captured in the documentary Bill Russell: Legend. This two-part film from award-winning director Sam Pollard features the last interview with Bill prior to his passing in 2022 as well as access to his sprawling personal archives. On the court, Russell went on to lead each and every one of his basketball teams to championships — two back-to-back NCAA titles, a gold medal at the 1956 Melbourne Olympic Games, and 11 championship titles in his thirteen-year career as a Boston Celtic (his last two as the first Black head coach in NBA history).
Off the court, Russell was a force in the fight for human rights — marching with Martin Luther King Jr., leading boycotts in the NBA over racist practices and speaking out against segregation — efforts which earned him the Presidential Medal of Freedom. Narrated by actors Jeffrey Wright and Corey Stoll and featuring exclusive interviews with the icon’s family and friends as well as Steph Curry, Chris Paul, ‘Magic’ Johnson, Larry Bird, Jim Brown, and more, Bill Russell: Legend illuminates the ways in which Russell stood tall in every sense of the word.”
The second half of a two-hour La Brea midseason premiere airs on January 31, 2023. Season two episode nine, “Murder in the Clearing,” will premiere immediately following “Stampede” at 10pm ET/PT.
Natalie Zea stars as Eve Harris, Eoin Macken plays Gavin Harris, Jon Seda is Dr. Samuel Velez, Nicholas Gonzalez plays Levi Delgado, Josh McKenzie is Lucas, and Zyra Gorecki stars as Izzy Harris. Jack Martin plays Josh Harris, Veronica St. Clair is Riley Velez, Chiké Okonkwo is Ty Coleman, Rohan Mirchandaney is Scott Israni, Tonantzin Carmelo is Paara, Lily Santiago plays Veronica Castillo, and Michelle Vergara Moore stars as Ella Jones.
“Murder In The Clearing” Plot: When a Survivor is murdered, Lucas and Sam lead a contentious investigation to find the killer. Gavin embarks on a mission to save Eve from the fateful vision he’s had of her death. Eve finds herself closer than ever to seeing it come true.
Chiké Okonkwo as Ty and Zyra Gorecki as Izzy Harris in ‘La Brea’ season 2 episode 9 (Photo by: Sarah Enticknap/NBC)
The Season 2 Plot:
La Brea follows an epic family adventure after a massive sinkhole opens in Los Angeles pulling people and buildings into a mysterious and dangerous primeval land where they have no choice but to band together to survive. In season two, the Harris family remains separated as Eve is reeling from her son, Josh, having mistakenly gone through a portal to 1988. What she doesn’t know yet is that her estranged husband, Gavin, and their daughter, Izzy, have landed in prehistoric Seattle and now must brave the elements and animals to make their way to L.A.
Josh McKenzie as Lucas in the “Murder in the Clearing” episode (Photo by: Sarah Enticknap/NBC)Jon Seda as Dr. Sam and Josh McKenzie as Lucas in season 2 episode 9 (Photo by: Sarah Enticknap/NBC)Chiké Okonkwo as Ty and Zyra Gorecki as Izzy Harris in season 2 episode 9 (Photo by: Sarah Enticknap/NBC)Eoin Macken as Gavin Harris and Natalie Zea as Eve Harris in season 2 episode 9 (Photo by: Sarah Enticknap/NBC)Josh Martin as Jack Harris, Melissa Neal as Dr. Caroline Clark, and Eoin Macken as Gavin Harris in season 2 episode 9 (Photo by: Sarah Enticknap/NBC)Melissa Neal as Dr. Caroline Clark, Eoin Macken as Gavin Harris, Josh Martin as Jack Harris, and Veronica St. Clair as Riley in season 2 episode 9 (Photo by: Sarah Enticknap/NBC)
The 126 leaps into action when a woman’s ex puts her life in danger on Fox’s 9-1-1: Lone Star season four episode two. “New Hot Mess” will air on Tuesday, January 31, 2023 at 8pm ET/PT.
The season four cast is led by Rob Lowe as Captain Owen Strand and Gina Torres as Captain Tommy Vegas. The season also stars Ronen Rubinstein as T.K. Strand, Sierra McClain as Grace Ryder, Jim Parrack as Judd Ryder, Natacha Karem as Marjan Marwani, and Brian Michael Smith as Paul Strickland. Rafael L. Silva is Carlos Reyes, Julian Works is Mateo Chavez, and Brianna Baker plays Nancy Gillian.
“New Hot Mess” Plot: Captain Strand and the 126 race to the rescue when a woman is trapped in her mobile house that has been hijacked by her ex; Owen has a run-in with former nemesis Sgt. O’Brien and is then questioned by the FBI; Tommy asks Grace dating advice; T.K. and Carlos meet with Iris Blake.
Nearly 20 years ago, Owen Strand was the lone survivor of his Manhattan firehouse on 9/11, and in the wake of the attack, was left with the unenviable task of rebuilding the station. After a similar tragedy strikes a firehouse in Austin, Texas, Owen – along with his troubled firefighter son, T.K. – takes his progressive philosophies of life and firefighting down to the Lone Star State to help them start anew.
On the surface, Owen is all about big-city style and swagger, but underneath he struggles with a secret he hides from the world — one that could very well end his life.
A real estate agent and a football hero are the subjects of investigations on ABC’s Will Trent season episode five. “The Look Out” is scheduled to air on Tuesday, January 31, 2023 at 10pm ET/PT.
The series stars Ramón Rodríguez (The Affair) in the title role, Erika Christensen (Ten Days in the Valley) as Angie Polaski, Iantha Richardson (This Is Us) as Faith Mitchell, Jake McLaughlin (Quantico) as Michael Ormewood, and Sonja Sohn (The Chi) as Amanda Wagner.
“The Look Out” Plot: When the wife of a local football hero is shot in a robbery gone wrong, Will is determined to quickly solve the seemingly simple case. Meanwhile, Angie and Ormewood investigate the murder of a local realtor in an investigation that quickly takes a dark turn.
Julia Chan and Ramon Rodriguez in ‘Will Trent’ season 1 episode 5 (ABC/Danny Delgado)
Will Trent Synopsis:
Special Agent Will Trent of the Georgia Bureau of Investigation (GBI) was abandoned at birth and endured a harsh coming-of-age in Atlanta’s overwhelmed foster care system. But now, determined to use his unique point of view to make sure no one is abandoned like he was, Will Trent has the highest clearance rate in the GBI.
Ramon Rodriguez and Julia Chan in episode 5 (ABC/Danny Delgado)Iantha Richardson in “The Look Out” episode (ABC/Danny Delgado)Ramon Rodriguez in season 1 episode 5 (ABC/Danny Delgado)Erika Christensen and Jake McLaughlin in episode 5 (ABC/Danny Delgado)Julia Chan and Ramon Rodriguez in ‘Will Trent’ season 1 episode 5 (ABC/Danny Delgado)
Kelly Siegler stars in ‘Cold Justice’ (Photo by: Oxygen)
Oxygen’s Cold Justice returns with new season six episodes on February 25, 2023, bringing with it a track record that includes 56 arrests. The true-crime series is also responsible for helping with 22 convictions, stats no other investigative series can match.
Cold Justice was Oxygen’s highest-rated series in 2022 and follows prosecutor Kelly Siegler as she assists small-town law enforcement agencies with their cold case files. Siegler’s joined by detectives Steve Spingola, Tonya Rider, and Abbey Abbondandolo as she examines unsolved homicide cases.
Per Oxygen: “Bringing fresh eyes, valuable resources, and key experts, Kelly and her team have an unparalleled success rate, and one of the most recent arrests can be seen in this upcoming batch of episodes. The new episodes kick off with a 30-year-old cold case that Kelly has been chasing her entire career.”
Cold Justice 2023 Episodes
Saturday, Feb. 25 at 8 p.m. ET/PT – San Jacinto County, TX – “Burning Mystery”
Kelly and Steve investigate the biggest unsolved cold case in East Texas — the 1992 death of a popular teen whose charred remains were found in her car. Can they crack the case that’s stumped detectives for decades?
Saturday, March 4 at 8 p.m. ET/PT – Mercer County, WV – “Double Disappearance”
For the first time, Kelly and Steve investigate two missing persons cases at once — a loving mother and her high school friend who vanished just months apart. Are their disappearances somehow connected?
Saturday, March 11 at 8 p.m. ET/PT – San Jacinto County, TX – “Trail of Terror”
The Cold Justice team tackles the twisted murder case of Rhonda Richardson, who went searching for her lost dog and was later found seemingly scalped by a sadistic killer. The biggest twist is a new piece of evidence that breaks the case wide open.
Saturday, March 18 at 8 p.m. ET/PT – Creve Coeur, MO – “On Holy Grounds”
Kelly and Steve investigate the brutal homicide of a beloved seminary student brutally hung and stabbed to death in the chapel restroom. Their investigation reveals even more dark secrets and sinister deeds.
Saturday, March 25 at 8 p.m. ET/PT – Burton, MI – “Deadly Abduction”
In 2000, a young mother was abducted from a parking lot and executed in a nearby field. Was it a random predator or did it have anything to do with her secret affair? State-of-the-art DNA testing may provide the answer.
Saturday, April 1 at 8 p.m. ET/PT – Hubbard, OH – “Digging for Justice”
Kelly and Tonya investigate the mysterious disappearance of a mother who went missing after a Fourth of July celebration. An old tip on where her body might be buried takes a new turn when cadaver dogs signal they’ve found something.
Cold Justice is produced by Magical Elves and Wolf Reality, with Dick Wolf and Tom Thayer executive producing for Wolf Reality. Magical Elves’ Casey Kriley, Kelly Siegler, Zak Cordova, Scott Patch, and Ashley Graybow Stelle also executive produce.
CBS’s S.W.A.T. season six episode 12 will find the team tracking a gunman out for revenge. Directed by Mahesh Pailoor from a script by John Amato, episode 12 – “Addicted” – will air on Friday, February 3, 2023 at 8pm ET/PT.
SWAT season six stars Shemar Moore as Daniel “Hondo” Harrelson, Alex Russell as Jim Street, Jay Harrington as David “Deacon” Kay, Kenny Johnson as Dominique Luca, David Lim as Victor Tan, Patrick St. Esprit as Commander Robert Hicks, and Rochelle Aytes as Nichelle.
Recurring season six cast members include Bre Blair as Annie, Anna Enger Ritch as Powell, and David Rees Snell as Det. Burrows.
“Addicted” Plot: The SWAT team races to stop a gunman targeting rehab centers and those he considers responsible for his brother’s death. Also, Deacon is caught off guard when his wife, Annie, makes a parenting decision that has unexpected consequences for their daughter.
Episode 12 guest stars include Amanda Lowe-Oadell as Lila, Josh Breslow as Rich, Jonney Ahmanson as Harry, Tyler Hansen as Tim, and Taylor Krasne as Janice. Additional guest stars include Kelly Overton, Steve Wilcox, Coby Ryan McLaughlin, Cara Mitsuko, Ricco Ross, and Duncan Anderson.
S.W.A.T. stars Shemar Moore as a former Marine and locally born and raised S.W.A.T. sergeant tasked to run a specialized tactical unit that is the last stop in law enforcement in Los Angeles. Torn between loyalty to where he was raised and allegiance to his brothers in blue, Daniel “Hondo” Harrelson strives to bridge the divide between his two worlds. Committed to the job and embracing personal change, Hondo prepares for fatherhood with his girlfriend, Nichelle, the operator of a South LA community center.
The other members of Hondo’s elite S.W.A.T. unit include David “Deacon” Kay, an experienced S.W.A.T. officer and dedicated family man who always puts the team first; Dominique Luca, an expert driver who gets them in and out of high-risk situations; Victor Tan, who started in the LAPD Hollywood Division and uses his confidential informants in the community to help the team; and Jim Street, the team’s cocky newest member.
Responsible for the management of all Metro Division S.W.A.T. units is Commander Robert Hicks, a senior LAPD official with the Special Operations Bureau. With Hondo leading the charge, these dedicated men bravely put themselves at risk to protect their community and save lives.
As with any Cronenberg (David or Brandon) movie, you must be in a particular mood for Infinity Pool. A viewer can’t nonchalantly wander into a Cronenberg film. It needs to be experienced. And love it or hate it, Infinity Pool commands your attention.
Writer/director Brandon Cronenberg begins Infinity Pool innocently enough. James (Alexander Skarsgard) is an author struggling to overcome writer’s block, worried he’s simply not talented enough to pen another book. Fortunately, money isn’t an issue as his wife, Em (Cleopatra Coleman), comes from a wealthy family. Her dad’s a book publisher and warned her not to marry a writer. Because her father’s a monster, she ignored his advice.
James and Em are vacationing at a gorgeous resort on a fictitious isolated island when Gabi (Mia Goth) introduces chaos into their lives. Gabi fangirls over James, claiming to love his novel (released six years prior). That ego-stroking leads to James and Em agreeing to an excursion with Gabi and Alban (Jalil Lespert) outside the safety of the gated resort. Barb wire tops its fence, warning its impoverished neighbors not to dare sully the resort’s idyllic façade.
The two couples take a relaxing drive to a pristine, secluded beach. There’s talk of cannibalism and laughter at the thought of eating James. In just a matter of hours, Gabi and Albin have wormed their way into James and Em’s lives. Gabi even makes a power move of masturbating James; he’s stunned by the act but doesn’t tell her to stop.
Alcohol is consumed and James believes he’s the only one sober enough to drive home. That is his second of what will be a lengthy string of disastrous decisions, the first being breaking the rules and leaving the resort’s grounds.
The car’s headlights go out and James becomes distracted. He makes a tragic mistake the consequences of which take him on a horrifying dive into the world of clones.
Although the area outside the resort is poverty-stricken, they have the technology to make doubles of wealthy tourists who’ve gotten themselves into trouble with the law. For a hefty sum of cash, a double – who shares the guilty person’s memories as well as his/her physical attributes – can take the punishment. And on this island, punishment is nearly always death.
Understandably, Em wants to leave as soon as they’re allowed to return to the resort. But James needs to understand what happened. He’s welcomed into an exclusive club of other tourists who’ve experienced being doubled…a club that includes Gabi and Alban.
A scene from ‘Infinity Pool (Photo Courtesy of Sundance Institute)
A dangerous, horrifying, and absurd game ensues among those who’ve tested the waters at least once. This knowledge gives them the freedom to live out their most grotesque dreams, and this hedonistic group feasts on the fact money can buy their way out of any crime.
Cult-like behavior follows, and Cronenberg tosses in a graphic orgy because he can. James, a regular guy as the film began, loses all touch with his humanity.
Cronenberg’s assembled an incredible cast to bring this gruesome horror story to life. Skarsgard continues to score big by taking chances, and Mia Goth’s mesmerizing as both his muse and his tormentor.
Extreme closeups and hallucinatory images are used to hypnotize the audience and pull us into this twisted, nightmare world. Terrifying masks hide and then blend in with the actors’ faces. Diving into Brandon Cronenberg’s shocking, gore-infused sci-fi horror film isn’t a pleasurable experience, but it is weirdly engrossing.
Infinity Pool isn’t an easy watch, but it is an undefinable, unique experience meant to spark conversation. There came a point in Infinity Pool, as often happens in a Cronenberg production, where I wasn’t sure I was interpreting the filmmaker’s intentions correctly. That struggle to understand is part of the joy of engaging in a Cronenberg film. If that applies to your taste in films, then just go with it and lap up Infinity Pool.
GRADE: B
Infinity Pool screened at the 2023 Sundance Film Festival. Neon has set a January 27, 2023 limited theatrical release.
When NBC’s La Brea season two finally returns from its long winter break it will be with an episode that finds Josh missing. While the rest of the group, except for Levi who remained behind, jumped into a sinkhole, Josh apparently either didn’t make the leap or was taken by someone as soon as he landed.
Season two episode eight, “Stampede,” will air at 9pm on January 31, 2023 followed by episode nine, “Murder in the Clearing,” at 10pm ET/PT.
Natalie Zea stars as Eve Harris, Eoin Macken plays Gavin Harris, Jon Seda is Dr. Samuel Velez, Nicholas Gonzalez plays Levi Delgado, Josh McKenzie is Lucas, and Zyra Gorecki stars as Izzy Harris. Jack Martin plays Josh Harris, Veronica St. Clair is Riley Velez, Chiké Okonkwo is Ty Coleman, Rohan Mirchandaney is Scott Israni, Tonantzin Carmelo is Paara, Lily Santiago plays Veronica Castillo, and Michelle Vergara Moore stars as Ella Jones.
“Stampede” Plot: The Harrises return to 10,000 BC, determined to upload a virus that will stop all sinkholes, despite knowing that this will mean they will never get home again. An unlikely leader rallies the Clearing to face an oncoming prehistoric threat.
Melissa Neal as Dr. Caroline Clark and Natalie Zea as Eve in ‘La Brea’ season 2 episode 8 (Photo by: Sarah Enticknap/NBC)
The Season 2 Plot:
La Brea follows an epic family adventure after a massive sinkhole opens in Los Angeles pulling people and buildings into a mysterious and dangerous primeval land where they have no choice but to band together to survive. In season two, the Harris family remains separated as Eve is reeling from her son, Josh, having mistakenly gone through a portal to 1988. What she doesn’t know yet is that her estranged husband, Gavin, and their daughter, Izzy, have landed in prehistoric Seattle and now must brave the elements and animals to make their way to L.A.
Michelle Vergara Moore as Ella and Josh MeKenzie as Lucas in season 2 episode 8 (Photo by: Sarah Enticknap/NBC)Michelle Vergara Moore as Ella in season 2 episode 8 (Photo by: Sarah Enticknap/NBC)Josh MeKenzie as Lucas, Rohan Mirchandaney as Scott, and Chiké Okonkwo as Ty in season 2 episode 8 (Photo by: Sarah Enticknap/NBC)Melissa Neal as Dr. Caroline Clark, Veronica St. Clair as Riley, Jon Seda as Dr. Sam, and Natalie Zea as Eve in the “Stampede” episode (Photo by: Sarah Enticknap/NBC)Chiké Okonkwo as Ty and Rohan Mirchandaney as Scott in the “Stampede” episode (Photo by: Sarah Enticknap/NBC)
Stephanie Hsu, Michelle Yeoh, and Ke Huy Quan in ‘Everything Everywhere All At Once’ (Photo Credit: Allyson Riggs / A24)
Nominees have been announced for the 95th Oscars and members of the Academy of Motion Picture Arts and Sciences fell in line with most critics groups, awarding Everything Everywhere All At Once the most nominations with 11. The 2023 Academy Awards also recognized All Quiet on the Western Front with nine nominations, making it the eighth feature film to score nominations in both the Best Picture and Best International Feature categories.
The Banshees of Inisherin also picked up nine nominations, including the first-ever Oscar nominations for Colin Farrell, Brendan Gleeson, Barry Keoghan, and Kerry Condon. Elvis earned eight nominations, with Austin Butler picking up his first Oscar nomination for channeling the King of Rock and Roll.
The Fabelmans was nominated in seven categories, followed by Tar and Top Gun: Maverick with six.
The Oscars will take place on Sunday, March 12, 2023 at the Dolby Theatre in Hollywood.
2023 Oscars – The Nominees:
Performance by an actor in a leading role
• Austin Butler in “Elvis”
• Colin Farrell in “The Banshees of Inisherin”
• Brendan Fraser in “The Whale”
• Paul Mescal in “Aftersun”
• Bill Nighy in “Living”
Performance by an actor in a supporting role
• Brendan Gleeson in “The Banshees of Inisherin”
• Brian Tyree Henry in “Causeway”
• Judd Hirsch in “The Fabelmans”
• Barry Keoghan in “The Banshees of Inisherin”
• Ke Huy Quan in “Everything Everywhere All at Once”
Performance by an actress in a leading role
• Cate Blanchett in “Tár”
• Ana de Armas in “Blonde”
• Andrea Riseborough in “To Leslie”
• Michelle Williams in “The Fabelmans”
• Michelle Yeoh in “Everything Everywhere All at Once”
Performance by an actress in a supporting role
• Angela Bassett in “Black Panther: Wakanda Forever”
• Hong Chau in “The Whale”
• Kerry Condon in “The Banshees of Inisherin”
• Jamie Lee Curtis in “Everything Everywhere All at Once”
• Stephanie Hsu in “Everything Everywhere All at Once”
Best animated feature film of the year
• “Guillermo del Toro’s Pinocchio” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
• “Marcel the Shell with Shoes On” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
• “Puss in Boots: The Last Wish” Joel Crawford and Mark Swift
• “The Sea Beast” Chris Williams and Jed Schlanger
• “Turning Red” Domee Shi and Lindsey Collins
Achievement in cinematography
• “All Quiet on the Western Front” James Friend
• “Bardo, False Chronicle of a Handful of Truths” Darius Khondji
• “Elvis” Mandy Walker
• “Empire of Light” Roger Deakins
• “Tár” Florian Hoffmeister
Achievement in costume design
• “Babylon” Mary Zophres
• “Black Panther: Wakanda Forever” Ruth Carter
• “Elvis” Catherine Martin
• “Everything Everywhere All at Once” Shirley Kurata
• “Mrs. Harris Goes to Paris” Jenny Beavan
Achievement in directing
• “The Banshees of Inisherin” Martin McDonagh
• “Everything Everywhere All at Once” Daniel Kwan and Daniel Scheinert
• “The Fabelmans” Steven Spielberg
• “Tár” Todd Field
• “Triangle of Sadness” Ruben Östlund
Best documentary feature
• “All That Breathes” Shaunak Sen, Aman Mann and Teddy Leifer
• “All the Beauty and the Bloodshed” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
• “Fire of Love” Sara Dosa, Shane Boris and Ina Fichman
• “A House Made of Splinters” Simon Lereng Wilmont and Monica Hellström
• “Navalny” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris
Best documentary short subject
• “The Elephant Whisperers” Kartiki Gonsalves and Guneet Monga
• “Haulout” Evgenia Arbugaeva and Maxim Arbugaev
• “How Do You Measure a Year?” Jay Rosenblatt
• “The Martha Mitchell Effect” Anne Alvergue and Beth Levison
• “Stranger at the Gate” Joshua Seftel and Conall Jones
Achievement in film editing
• “The Banshees of Inisherin” Mikkel E.G. Nielsen
• “Elvis” Matt Villa and Jonathan Redmond
• “Everything Everywhere All at Once” Paul Rogers
• “Tár” Monika Willi
• “Top Gun: Maverick” Eddie Hamilton
Best international feature film of the year
• “All Quiet on the Western Front” Germany
• “Argentina, 1985” Argentina
• “Close” Belgium
• “EO” Poland
• “The Quiet Girl” Ireland
Achievement in makeup and hairstyling
• “All Quiet on the Western Front” Heike Merker and Linda Eisenhamerová
• “The Batman” Naomi Donne, Mike Marino and Mike Fontaine
• “Black Panther: Wakanda Forever” Camille Friend and Joel Harlow
• “Elvis” Mark Coulier, Jason Baird and Aldo Signoretti
• “The Whale” Adrien Morot, Judy Chin and Anne Marie Bradley
Achievement in music written for motion pictures (Original score)
• “All Quiet on the Western Front” Volker Bertelmann
• “Babylon” Justin Hurwitz
• “The Banshees of Inisherin” Carter Burwell
• “Everything Everywhere All at Once” Son Lux
• “The Fabelmans” John Williams
Achievement in music written for motion pictures (Original song)
• “Applause” from “Tell It like a Woman”
Music and Lyric by Diane Warren
• “Hold My Hand” from “Top Gun: Maverick”
Music and Lyric by Lady Gaga and BloodPop
• “Lift Me Up” from “Black Panther: Wakanda Forever”
Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
• “Naatu Naatu” from “RRR”
Music by M.M. Keeravaani; Lyric by Chandrabose
• “This Is A Life” from “Everything Everywhere All at Once”
Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
Best motion picture of the year
• “All Quiet on the Western Front” Malte Grunert, Producer
• “Avatar: The Way of Water” James Cameron and Jon Landau, Producers
• “The Banshees of Inisherin” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
• “Elvis” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
• “Everything Everywhere All at Once” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
• “The Fabelmans” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
• “Tá”r Todd Field, Alexandra Milchan and Scott Lambert, Producers
• “Top Gun: Maverick” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
• “Triangle of Sadness” Erik Hemmendorff and Philippe Bober, Producers
• “Women Talking” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
Achievement in production design
• “All Quiet on the Western Front” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
• “Avatar: The Way of Water” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
• “Babylon” Production Design: Florencia Martin; Set Decoration: Anthony Carlino
• “Elvis” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
• “The Fabelmans” Production Design: Rick Carter; Set Decoration: Karen O’Hara
Best animated short film
• “The Boy, the Mole, the Fox and the Horse” Charlie Mackesy and Matthew Freud
• “The Flying Sailor” Amanda Forbis and Wendy Tilby
• “Ice Merchants” João Gonzalez and Bruno Caetano
• “My Year of Dicks” Sara Gunnarsdóttir and Pamela Ribon
• “An Ostrich Told Me the World Is Fake and I Think I Believe It” Lachlan Pendragon
Best live action short film
• “An Irish Goodbye” Tom Berkeley and Ross White
• “Ivalu” Anders Walter and Rebecca Pruzan
• “Le Pupille” Alice Rohrwacher and Alfonso Cuarón
• “Night Ride” Eirik Tveiten and Gaute Lid Larssen
• “The Red Suitcase” Cyrus Neshvad
Achievement in sound
• “All Quiet on the Western Front” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
• “Avatar: The Way of Water” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
• “The Batman” Stuart Wilson, William Files, Douglas Murray and Andy Nelson
• “Elvis” David Lee, Wayne Pashley, Andy Nelson and Michael Keller
• “Top Gun: Maverick” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor
Achievement in visual effects
• “All Quiet on the Western Front” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
• “Avatar: The Way of Water” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
• “The Batman” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
• “Black Panther: Wakanda Forever” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
• “Top Gun: Maverick” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher
Adapted screenplay
• “All Quiet on the Western Front” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
• “Glass Onion: A Knives Out Mystery” Written by Rian Johnson
• “Living” Written by Kazuo Ishiguro
• “Top Gun: Maverick” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
• “Women Talking” Screenplay by Sarah Polley
Original screenplay
• “The Banshees of Inisherin” Written by Martin McDonagh
• “Everything Everywhere All at Once” Written by Daniel Kwan & Daniel Scheinert
• “The Fabelmans” Written by Steven Spielberg & Tony Kushner
• “Tár” Written by Todd Field
• “Triangle of Sadness” Written by Ruben Östlund
