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‘The Alienist’ Season 2 Episode 7 Recap: “Last Exit to Brooklyn”

The Alienist Season 2 Episode 7
Dakota Fanning, Daniel Brühl, and Luke Evans in ‘The Alienist’ season 2 episode 7 (Photograph by Kata Vermes / TNT)

Season two episode seven – the first half of the two-part season finale – of TNT’s psychological thriller The Alienist begins with Thomas Byrnes (Ted Levine) and an officer heading into the Oyster Saloon and locating one of Goo Goo Knox’s men. Byrnes breaks the man’s nose before even asking him any questions.

Sara Howard (Dakota Fanning) and John Moore (Luke Evans) are at the Brooklyn police station discussing how Thomas is treating the missing Vanderbilt baby case as a race against Sara, more so than actual time. They meet with Sergeant Kelly to search for information on Elizabeth Hunter or, as we know her, Libby. The Sergeant believes it’s unfathomable to think the girl who lost her father to suicide would grow up to be a killer. His reasoning being she came from money, had a good upbringing, and was a good girl who always did what she was told.

Goo Goo’s man claims he doesn’t know anything but Thomas demands to know if Goo Goo has a price. The man responds, “Every man has a price.” Byrnes lays down money, explaining it’s for the baby’s safe return and there will be more where that came from after the baby is returned.

Sergeant Kelly comes back with a file on Libby and it appears he was mistaken about sweet, innocent Elizabeth. The file contains info on her time spent in an asylum for the attempted murder of her own mother.

Laszlo (Daniel Brühl) and Karen (Lara Pulver) are together in a sort of sexual fantasy club where it seems one would go to live out their fetishes. Karen reveals she’s been offered a position in Vienna and she could be leaving in two weeks. He wonders if she will be taking the job and she replies, “Unless you know of a reason I shouldn’t.”

The reason behind their visit to the club soon becomes clear. They’re there to speak with an acquaintance of Karen’s named Alice. After many discussions with Laszlo about their suspect, Karen feels Alice can provide some insight. Alice’s partner seems to share similar characteristics with their suspect. After talking with Alice, Laszlo feels Libby’s driven by loneliness and obsession.

Meanwhile, Libby (Rosy McEwen) and Goo Goo (Frederick Schmidt) are holed up in an apartment. Libby looks down at the ships and gets the idea they should get on one of them and go wherever the wind takes them. Their plans are still up in the air when Goo Goo has to leave, warning her to stay off the streets while he’s gone.

Goo Goo meets with the man who Thomas roughed up, instructing him to collect rent from the tenants earlier in the month than usual. The man comes clean and tells Goo Goo about Byrnes and his offer of money in exchange for the baby. Goo Goo takes the money Byrnes handed over as a down payment and punches his lackey in his already broken nose for wanting a finder’s fee.

Laszlo’s rambling on as Karen is looking through his books when he finally asks if she’s ever been to that sex club before. She responds with her own question, “Are you asking me professionally or personally?” She confesses she likes to keep her mind open.

Sara and the gang – plus Byrnes, for the time being – go to Libby’s mother’s house to question her. Sara felt it was necessary to invite Thomas as well because she gave Mr. Vanderbilt her word she would keep Thomas informed. She’s aware Thomas is most likely not granting her the same courtesy.

They knock on Mallory Hunter’s (Matilda Ziegler) door and she answers, saying, “I’ve been expecting you.”

Mrs. Hunter insists she doesn’t know where Elizabeth is or anyone she might turn to. Mallory begins to tell them about Elizabeth’s childhood…she went to the best schools and even studied dance in Paris. Laszlo, with no tact whatsoever, jumps right in and questions why she thinks her husband killed himself. She seems taken aback but admits she would like to know that as well.

The discussion moves on to why Elizabeth would want to kill her own mother. Laszlo and Sara take turns suggesting ideas – a fight over the baby, perhaps. Mallory opens up about Elizabeth’s child, confirming it was a girl and she’s now at the Children’s Aid Society. She believes Elizabeth was incapable of caring for a child when she herself was still a child. Mallory reminds them Elizabeth came at her with a knife but Laszlo’s not buying it. “That’s the story you told the police but that’s not really what happened, is it?”

Mallory’s shocked he’s calling her a liar. Laszlo doesn’t back down, insisting the Children’s Aid Society wouldn’t take the baby unless she confirmed her daughter was a danger to the child. He accuses her of inflicting trauma on her daughter. “You abandoned her, you abandoned her child, and you created a killer,” claims Laszlo.

Mallory insists Elizabeth doesn’t know where her child is right now. Laszlo believes she didn’t help her child then but can help her now. Sara wonders if Libby came back to Brooklyn to find her daughter and Laszlo is unsure. He feels if that is the case, the child is in grave danger.

Goo Goo returns with a gorgeous long jacket for Libby so she won’t get cold on the ship. Her happiness quickly turns to anger when he suggests a way out of “this mess.” Goo Goo reveals Vanderbilt is offering a reward for the baby and she screams, “He’s our baby!”

Goo Goo yells back that he’s just going to end up like the rest of them (meaning the other babies she killed) so they might as well get some money for him and then they can plan their great escape. She tells him no once again and he tries to take the baby. She grabs him but he slams her into a wall. He takes the baby and insists he’s doing this for her. As he walks out, Libby cries, “NO!”

The Alienist Season 2 Episode 7
Dakota Fanning in ‘The Alienist’ season 2 episode 7 (Photograph by Kata Vermes / TNT)

Sara and Laszlo pour over the papers Mallory gave them and they learn the child’s name is Clara. The Isaacson brothers show up with Libby’s memory boxes and something Libby’s mother said intrigued Laszlo enough to make him look through them again. Lucius (Matthew Shear) shows them one of the memory boxes and based on the deterioration, he thinks it’s the first box she constructed. Sara assumes it’s her first victim, but Laszlo believes it’s her own child.

Thomas and Goo Goo’s man wait for Goo Goo to show up with the baby, with the man insisting Goo Goo told him he would be there. When Goo Goo doesn’t show, Thomas and two officers beat the man up. All the while Goo Goo is watching the action from a nearby window.

Thomas goes to see William Hearst (Matt Letscher) and informs him Libby had a child who was ripped from her own hands by her mother and given away. William and Thomas realize Laszlo was right about that assumption and find admitting he was correct a hard pill to swallow. Thomas, the not-so-clever man, has a plan. He wants to get Libby’s child and use her as bait to lure Libby out of hiding. William agrees to this and wants to know how much it’s going to cost him.

Thomas shows up at Mallory’s and announces he has a proposal for her on behalf of Cornelius Vanderbilt.

Sara’s worn out and falls asleep at Laszlo’s. When he wakes her the following morning, he tries to get her to open up about John. She declines. Sara changes the subject and insists there must be some sort of clue in the memory boxes. She wonders why Libby’s mom ever had a child if she didn’t want one. After mulling it over, Sara believes Mallory must have felt like she had to. “It is a woman’s purpose after all,” she says, reflecting the views of society during that time period.

Byrnes has found Libby’s real child and has the child and Mallory pose for pictures.

Goo Goo has a change of heart and returns to Libby with the baby. He’s trying to apologize for taking the baby when Libby attacks him and screams she hates him. After a brief scuffle, she snaps out of it and comforts the crying child. Her mood changes again when she sees the newspaper he brought home featuring an article about her real daughter. The headline declares the child was reunited with her grandmother. Libby’s in tears and confused about what’s going on.

Sara’s at her office when Bitsy (Melanie Field) shows her that same newspaper article. Sara’s angry, and rightfully so, immediately calling John to express her anger that Thomas undermined her and went behind her back with his future father-in-law and ran this in the paper.

John confronts William and lets him know how he feels about what they did with Elizabeth’s child. However, William would rather talk about Violet. William reminds John that Violet is a lovely woman and he doesn’t want to see her get hurt. John agrees he doesn’t want that either.

Laszlo and Sara show up at Mallory’s and Sara’s still fuming over what Thomas has done and the chaos that will surely ensue. Sara reminds him she was placed in charge by Mr. Vanderbilt and she will not allow him or Mr. Hearst to exploit the poor child. Thomas insists Mallory consented to this. Mallory speaks up and admits she only did so because Thomas lied to her saying this was a personal request from Vanderbilt.

Sara assures Clara that if she comes with them they’ll keep her safe.

The group receives a warning that Libby was spotted and is most likely heading their way. Thomas is smug about the news and says, “Results, Miss Howard.”

Libby and Goo Goo wait around the corner and watch as a woman with red hair and the same jacket as Libby’s walks toward the building. She knocks at the door and after grabbing the woman and bringing her inside, they discover it’s not Libby. Libby instructed this stranger to deliver a bullet and a message. “She said to tell you there is one for each of you,” says the confused woman.

As all parties begin to leave the building, Libby insists on staying and watching them exit. She desperately wants to see her child. After Libby gets a glimpse of her leaving with Sara, an officer spots Libby and begins to yell. Goo Goo and Libby take off running. He suggests they split up and they do so. Sergeant Doyle (Martin McCreadie) is hot on Libby’s tail.

Doyle finds and provokes Libby by saying her daughter’s not right in the head – just like her. He makes the mistake of turning his back on her and Libby slits his throat.

Laszlo has Clara and introduces her to Karen. The institute is still open even though he doesn’t have a license at the moment. Karen questions what’s next for the case, more deaths? “Today’s events guaranteed it,” says Laszlo.

Night falls and Bitsy and Sara are walking to their office building. Bitsy insists she can stay with Sara if she needs to do more work. Sara doesn’t feel it’s necessary and suggests Bitsy go on her date with Lucius. Before Sara can walk through the door Bitsy tells her, “If you love him you must tell him, Sara. A time will come before it’s too late.”

Violet (Emily Barber) and her social circle are at the restaurant waiting for John. After William insists he’ll be there, they order for him.

John calls Sara at the office, worried about her after not hearing from her. He brings up that perhaps she’s been avoiding him and she admits it’s difficult for her to express her feelings. She confesses she considers what they did rather wonderful, but they didn’t think it through since he’s engaged to Violet. John questions what she wants and admits he feels this is all maddening.

After hanging up, Sara tries to ring him again. It appears she wants to tell him how she feels but he’s already left in his carriage. Suddenly, Sara discovers she has an unexpected visitor. Surprise…it’s Libby and she’s armed with a gun!

Libby demands to know where her child is. Sara wants to know where the Vanderbilts’ baby is being kept. Libby insists that baby is hers as well. Sara questions whether Clara is Libby’s or is the Vanderbilt baby hers. Libby angrily says they are both hers. Sara asks if she’s sure, frustrating Libby. Sara’s trying to negotiate with her to get the baby back but Libby wants to know what her child is like. She reveals the cop said her daughter was like her – off in the head. She admits she slit that cop’s throat.

After telling Sara she ruined everything, Libby’s about to fire the gun when John knocks it away. Libby gains the upper hand again and after smashing a tumbler into his head, she grabs her knife and holds it to his throat. Sara now has the gun and points it at Libby.

The episode ends with Libby demanding she put the gun down or John dies.




Peacock to Add ‘MacGruber,’ ‘Girls5eva,’ and 2 Late Night Shows

MacGruber Will Forte
Will Forte and Kristen Wiig in a scene from 2010’s ‘MacGruber’ (Photo by Greg Peters © 2010 Rogue Pictures)

Peacock is adding more series to their streaming roster including a just-announced late-night block featuring Amber Ruffin and Larry Wilmore. The recently launched NBC streaming service has also been busy filling in details on other greenlit shows, and has confirmed Sara Bareilles is onboard to headline the Girls5eva comedy from Tina Fey, Robert Carlock, and Meredith Scardino.

MacGruber, inspired by the SNL sketch which launched the 2010 comedy film starring (and co-written by) Will Forte, is moving forward at Peacock. Forte will star in, write, and executive produce the series which is described as a “high-octane action comedy.” Peacock has given the series an eight-episode order.

The film’s director, Jorma Taccone, will direct the series. John Solomon, Lorne Michaels, John Goldwyn, Andrew Singer, and Erin David are attached as executive producers.

Peacock released the following synopsis of season one: “After rotting in prison for over a decade, America’s ultimate hero and uber patriot MacGruber (Will Forte) is finally released. His mission: to take down a mysterious villain from his past – Brigadier Commander Enos Queeth. With the entire world in the crosshairs, MacGruber must race against time to defeat the forces of evil — only to find that evil… may be lurking within.”

Girls5eva will follow Grammy Award-winner Sara Bareilles as Dawn, “a former member of the short-lived 90s girl group Girls5eva, who is now a bit restless in life managing her family’s small Italian restaurant in Queens. When the opportunity arises, Dawn reluctantly gets the band back together for a Girls5eva reunion and it might just be exactly what she needed.”

Meredith Scardino writes and executive produces, with Tina Fey, Robert Carlock, Jeff Richmond, David Miner, and Eric Gurian also executive producing.

“It is a pinch-me moment to get to cross paths creatively with women like Meredith Scardino and Tina Fey, who I have been a fan of forever,” said Bareilles. “I am a longtime admirer of so many of the characters they have brought to life in other projects, and I am already in love with the women at the center of Girls5eva. I am so excited to help bring to life what I know will be a smart, creative, hilarious show with a lot of heart.”

Plus, Jana Schmieding, Michael Greyeyes, Jesse Leigh and Dustin Milligan have joined the cast of the comedy series Rutherford Falls. Michael Schur, Ed Helms, and Sierra Teller Ornela created and will executive produce, with Helms also set to star. Mike Falbo, David Miner, and Morgan Sackett also executive produce.

Per Peacock:

“A small town in upstate New York and the Native American reservation it borders, are turned upside down when local legend and town namesake, Nathan Rutherford (Ed Helms) fights the moving of a historical statue.

Jana Schmieding will star as Reagan Wells, Nathan’s best friend since childhood. Incredibly smart and hopelessly principled, Reagan dreams of making her tribe’s modest Cultural Center into a world-renowned museum.

Michael Greyeyes (I Know This Much Is True) will star as Terry Tarbell. Terry is the CEO of his tribe’s mid-level casino. Shrewd and charismatic, he’s also Reagan’s boss and has big plans for both her and their tribe.

Jesse Leigh (Heathers) will star as Bobbie Yang, Nathan’s non-binary teenage intern/executive assistant. Bobbie is an outspoken and ambitious first-generation American, doing everything possible to escape their tiny hometown.

Dustin Milligan (Schitt’s Creek) will star as Josh Cogan, A reporter/podcaster who takes an interest in the goings-on in Rutherford Falls.”

And for those searching for new late-night entertainment, Peacock will be launching two new series headlined by Amber Ruffin and Larry Wilmore. Ruffin’s new series, The Amber Ruffin Show, has an initial nine-episode order while Wilmore’s series received an 11 episode order. Both shows are expected to premiere this September.

“Having a late-night show on Peacock is so exciting!” said Emmy and WGA Award nominee Amber Ruffin. “We can’t wait to write sketches, songs and jokes about this terrible time we call now!”

“I’m honored to have the chance to not only be back on television but to partner with the great team at Peacock,” said Larry Wilmore. “Apparently there’s a lot going on in the world right now and a big election happening soon, so I’m happy to have a place in the conversation.”




‘Away’ Space Series Shows Off a New Trailer and Poster

Netflix has just released the official trailer for the sci-fi drama Away starring two-time Oscar winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby). The new trailer was accompanied by a poster for the series which is set to land on Netflix on September 4, 2020.

Joining Hilary Swank in the season one cast are Josh Charles, Talitha Bateman, Vivian Wu, Mark Ivanir, Ato Essandoh, and Monique Curnen.

Andrew Hinderaker created the series and executive produces with Jason Katims, Jessica Goldberg, Matt Reeves, Andrew Hinderaker, Edward Zwick, Hilary Swank, Adam Kassan, and Jeni Mulein. Goldberg serves as the season one showrunner.

Away Plot, Courtesy of Netflix:

“From Executive Producer Jason Katims, the Netflix series Away is a thrilling, emotional drama on an epic scale that celebrates the incredible advancements humans can achieve and the personal sacrifices they must make along the way.

As American astronaut Emma Green (Swank) prepares to lead an international crew on the first mission to Mars, she must reconcile her decision to leave behind her husband (Charles) and teenage daughter (Bateman) when they need her the most. As the crew’s journey into space intensifies, their personal dynamics and the effects of being away from their loved ones back on Earth become increasingly complex.

Away shows that sometimes to reach for the stars, we must leave home behind.”

Cast & Character Information

  • Emma Green (Hilary Swank)
    Emma Green is an American astronaut and former Navy pilot. She is the commander of the first mission to Mars. She is a headstrong, empathetic and highly intelligent astronaut and leader. She is married to Matt Logan, a chief engineer at NASA. Emma and Matt have a 15-year-old daughter, Lex.
  • Matt Logan (Josh Charles)
    Matt Logan is a NASA engineer whose wife Emma Green is commanding the first mission to Mars. He faces the already enormous challenges of dealing with the mission from home, while trying to raise their teenage daughter on his own.
  • Alexis “Lex” Logan (Talitha Bateman)
    15-years-old Lex is the daughter of astronauts Emma Green and Matt Logan. Like her father, Lex is supportive and proud of her mother’s three-year mission. She struggles with coming of age while her mother is on the mission and her father faces his own struggles.
  • Misha Popov (Mark Ivanir)
    Misha Popov is a Russian cosmonaut and engineer on the mission to Mars alongside Emma Green. The most experienced member of the crew, Misha doesn’t lack for ego, but secretly struggles with the personal sacrifices he made to get to space.
  • Dr. Kwesi Weisberg – Abban (Ato Essandoh)
    Kwesi Weisberg-Abban is a British citizen from Ghana. Kwesi (pronounced Kway-Si) is good-humored, modest, and a man of deep faith. He’s a world-renowned botanist and carries with him the hope of growing life on Mars.
  • Ram Arya (Ray Panthaki)
    Ram Arya is an Air Force fighter pilot from India. While the other astronauts are forced to reckon with their attachments to earth and their families, Ram is quite alone in the world.
  • Lu Wang (Vivian Wu)
    Lu Wang is a chemist and astronaut representing China. She is intelligent and pragmatic but below her focused exterior, she has a complex personal life. She is married with a young son.
  • Melissa Ramirez (Monique Curnen)
    Melissa Ramirez is a former astronaut who is Emma’s Crew Support Astronaut. Her job is to be Emma’s Liaison To Earth. Melissa gave up her own career as an astronaut to support her special needs child, but she is there for Emma and her family. She takes care of Lex in Matt and Emma’s absence.

Away Poster




‘Fargo’ Season 4: Premiere Date, Cast List, and Plot Details

Fargo Season 4
Chris Rock as Loy Cannon in ‘Fargo’ season 4 (Photo by Matthias Clamer/FX)

Production on season four of FX’s critically acclaimed, award-winning limited series Fargo will resume later this month. After filming was forced to shut down due to the Covid-19 pandemic, FX delayed the planned spring premiere date for the new season. With safety protocols now in place, production can resume. Season four is now confirmed to premiere on September 27, 2020.

New episodes will air on Sundays at 10pm on FX and will be available the following day on Hulu.

The 11-episode season’s cast is led by Chris Rock. The cast also includes Jason Schwartzman, Salvatore Esposito, Ben Whishaw, Jessie Buckley, Jack Huston, E’myri Crutchfield, Andrew Bird, and Anji White. Gaetano Bruno, Sean Fortunato, Jeremie Harris, Corey Hendrix, Matthew Elam, James Vincent Meredith, Francesco Acquaroli, Karen Aldridge, Kelsey Asbille, Rodney Jones, Jameson Braccioforte, Tommaso Ragno, Glynn Turman, and Timothy Olyphant also star in season four.

Fargo is inspired by the film of the same name by Joel and Ethan Coen. Writer/director Noah Hawley created the series and executive produces with Warren Littlefield, Joel Coen, and Ethan Coen. The series is produced by MGM Television and FX Productions.

Fargo Season 4 Poster

The Season 4 Plot, Courtesy of FX:

In 1950 Kansas City, two criminal syndicates fighting for a piece of the American dream have struck an uneasy peace. Together, they control an alternate economy of exploitation, graft and drugs. To cement their truce, Loy Cannon (Chris Rock), the head of the African American crime family, trades his youngest son Satchel (Rodney Jones), to his enemy Donatello Fadda (Tommaso Ragno), the head of the Italian mafia. In return, Donatello surrenders his youngest son Zero (Jameson Braccioforte) to Loy.

When Donatello dies in the hospital following a routine surgery, the tenuous truce is threatened. Josto Fadda (Jason Schwartzman) takes up his father’s mantle, but his efforts to stabilize the organization are undermined by his brother, Gaetano (Salvatore Esposito), who has joined the family in Kansas City after building a reputation for ruthlessness in Italy. The other Fadda men – including Ebal Violante (Francesco Acquaroli), Constant Calamita (Gaetano Bruno) and Antoon Dumini (Sean Fortunato) – must decide where their loyalties lie. Amongst the turmoil, Patrick “Rabbi” Milligan (Ben Whishaw), a man who once betrayed his own family to serve the Italians, watches carefully to ensure his survival.

Sensing an opportunity, Loy tests the Faddas for weakness, deploying his most trusted advisor, Doctor Senator (Glynn Turman), and top lieutenants, Leon Bittle (Jeremie Harris), Omie Sparkman (Corey Hendrix) and Opal Rackley (James Vincent Meredith) to do his bidding. However, to Loy’s dismay, his oldest son Lemuel Cannon (Matthew Elam) wants no part of the family business.

Intertwined with this tale of immigration, assimilation and power, are the stories of Ethelrida Pearl Smutny (E’myri Crutchfield), the precocious 16-year-old daughter of Thurman (Andrew Bird) and Dibrell Smutny (Anji White), an interracial couple who own their own mortuary; U.S. Marshal Dick “Deafy” Wickware (Timothy Olyphant), a Mormon lawman; Detective Odis Weff (Jack Huston), the Kansas City cop known for his compulsive tics; and Oraetta Mayflower (Jessie Buckley), a nurse who cannot abide others’ suffering.




‘Nancy Drew’ Season 1 Episode 5 Recap: “The Case of the Wayward Spirit”

Nancy Drew Season 1 Episode 5
Leah Lewis as George and Kennedy McMann as Nancy in ‘Nancy Drew’ season 1 episode 5 (Photo: Robert Falconer © 2019 The CW Network)

George (Leah Lewis) shows up at Ryan’s house in the middle of the night as The CW’s Nancy Drew season one episode five begins. It appears Tiffany has inhabited her body and after cutting her finger, she writes “I Know” on the bathroom mirror in blood.

Nancy Drew (Kennedy McMann) shares her thoughts on Karen and Lucy Sable once being friends. She feels Dead Lucy wanted her to find that photo which means she has to get to the bottom of it and suck it up to talk to Karen, even though she’s not happy with her at the moment.

Bess (Maddison Jaizani) and Ace (Alex Saxon) seem to be the only ones at the diner…not even a single customer is there. Bess wonders when they should worry about business because she’s under the impression this town loves their ghost stories. Ace explains ghost sightings are good for business while murders, on the other hand, are not.

George arrives and needs a Band-Aid because somehow she cut her finger last night. Their conversation’s interrupted when a man comes in asking if they can cater an event that day. He explains the caterer they hired dropped out. The Hudson family is the host and it’s a charity gala.

George agrees to do the job but leaves the room to take a phone call from Ryan (Riley Smith). He wants to know why she was at his house last night and she’s confused, claiming she wasn’t. He reveals the only other person who has his alarm code is her. Still, she denies it. He tells her whoever it was wrote on his mirror in blood. Just then she looks at her freshly bandaged finger and tells him she has to go.

Nancy shows up at the police station looking for Karen. An officer informs her Karen’s not there and Nancy says she’ll leave a note on her desk. He reveals she’s not allowed back there because of the ongoing investigation. Nancy picks up on the “ongoing investigation” and begins to question the officer if it has anything thing to do with what her father said at the press conference. He replies, “You know I can’t tell you that.”

Nancy heads over to the diner after receiving several texts from Ace and Bess. When she enters, she spots a trail of blood that Ace is mopping up. When Nancy asks what’s going on, he explains George was chopping potatoes and cut her hand pretty badly. When he offered her the first aid kit, she just sat there staring and then locked herself in her office.

Nancy walks up to George’s office and hears what sounds like George in distress. She barges in to find George on the ground with pictures of herself, frantically scratching out her own face. Ace says, “I think it is time to worry.”

Nancy, Bess, and Ace discuss what could be wrong with George and Ace thinks it could be stress. Bess thinks it is supernatural-related. Nancy isn’t buying the supernatural angle; she’s still trying desperately not to believe in such things. However, she does entertain the thought since there’s no other logical explanation.

They begin to go over what George was supposed to do to Tiffany’s body. It was two simple steps: place the ring back on her finger and put the mirror over her heart. They’re not sure about the mirror over her heart and try to figure out how they can confirm she did that. Bess suggests checking George’s locker and when they do, they find the mirror. Bess seems excited that she was right.

Ace is still mopping up blood when Nick (Tunji Kasim) comes in and asks him about his relationship with Laura. Ace downplays it and says they’re friendly. Nick reveals Laura broke into his place last night and shows Ace the footage on his phone. Nick says she took a box he thought was empty and wonders how she would know what Tiffany hid in it.

George suddenly stands up from a booth and crumples the newspaper that has an article about the Hudson Gala. She then begins to mess with her finger as if there’s a ring on it. Nick asks if everything’s okay and Bess explains what’s happening. Bess stands next to George with the mirror and George takes it from her and looks at herself. The reflection is of Tiffany. While George is looking in the mirror, Nancy snaps a photo with her phone. She shows George the photo and George nearly faints. She snaps out of it and is George once again. George asks why no one’s working and they explain they think she’s possessed by Tiffany.

Nick doesn’t believe it and tells everyone to calm down. Ace agrees with Bess that this is for real – Tiffany took over George’s body.

Ace grabs the photo of George with her face scratched out. “The bad news is Tiffany doesn’t like you. The good news is Tiffany is dead,” says Ace. He pauses and then apologizes to Nick for the last comment. Ace adds, “The other bad news is that Tiffany’s spirit has been hitching a ride in your body – intermittingly.”

They take George home and speak with her mom, Victoria (Liza Lapira), about what happened. They inform her George forgot to put the mirror on Tiffany. Victoria wonders how she could let this happen and reveals they’re dealing with a brand-new ghost. New ghosts are the most dangerous because they’re looking for a body to inhabit.

Victoria asks to see the photo George trashed. “Whoa, this spirit hates you…like really hates you. She cannot stand your face. Why does she hate you so much?” George comes clean about her affair with Ryan. Her mom’s angry and warns that soon this spirit will become stronger and take up permanent residence in her body. When that happens, George will be gone forever.

George’s mother mixes stuff together while Bess watches closely, clearly intrigued. She asks what the herbs are for and Victoria explains she hopes they’ll keep Tiffany from getting stronger. Victoria believes George will soon start to have Tiffany’s memories. Nancy latches onto that tidbit and asks, “Including the memories of the night she was murdered?”

Bess thinks it’s insensitive of Nancy to ask that.

George drinks the awful concoction her mom made while her mom warns her she needs to not stress. She informs her mom she’s stressed because they really need the money. Her mom reveals her little sister has money under her bed and George cuts her off, saying, “Don’t you dare touch that money! She’s saving it for BTS.” (Nice shout-out to BTS there!)

The gang shows up to cater the event minus Bess who wants to hang out with George’s mom. Nick’s helping out when the guy who asked them to cater the event, Owen (Miles Gaston Villanueva), shows up. He introduces himself to Nancy and asks if she needs help. They stare at each other way too long for Nick’s liking and he slams some dishes down, drawing their attention.

While outside Nancy hears strange noises and spots freshly dug up dirt. She’s bending down and grabbing part of a bloody dress when a hand suddenly grabs her arm. She pulls away and stumbles into Karen (Alvina August). Karen asks if she’s okay and when Nancy turns back around the dirt pile is no longer there. Nancy gets straight to the point and shows Karen the photo of her and Lucy, demanding to know why she lied. Karen confesses she did so out of guilt.

Karen says she and Lucy were best friends all the way up until junior year. That’s when Lucy started to pull away. It all started after Lucy attended a party and when Nancy pushes for more details, Karen says it was some underground thing. She confesses Lucy is why she became a cop.

Owen interrupts their conversation. Nancy realizes he’s a Marvin but before they can talk any further, she discovers she lost George and runs off to find her.

Nick’s asking Ace if he’s talked to Laura (Stevie Lynn Jones) when she comes walking in. Nick asks if she’s going to apologize for breaking into his place and she explains Tiffany was collecting information to try to take the Hudsons down, but then she stopped talking to her about it. Nick insists she did that to try to protect her.

Ace tries to talk about teamwork when Laura cuts him off stating she’s not handing over the flash drive she took from his place. The only thing on that drive is a website she can’t get into without a password, which she doesn’t know. Ace thinks they should ask George for it. Nick doesn’t understand what he’s getting at at first but then realizes what he means. However, Nick still thinks all that’s nonsense.

Owen’s outside when Ryan spots him and reminds him he owes him a call about a deal. Owen confesses his father, Everett Hudson, sold him out. He told Owen how Ryan lost a lot of money and because of that, he doesn’t want to make any deals.

George spots Ryan…only it isn’t George. Dropping her tray, she grabs a knife and heads to a van with clothes in it.

Back inside, Nancy and Nick search for George. As they’re talking about splitting up, Ace arrives and asks if they think Tiffany is back. Nick still isn’t buying it and, annoyed, replies, “I think we need to find George…no matter what.”

Ace is ready to help but Laura stops him, revealing she heard her sister’s name. She wants him to tell her everything.

Nancy Drew Season 1 Episode 5
Leah Lewis as George Fan, Kennedy McMann as Nancy and Tunji Kasim as Nick in ‘Nancy Drew’ season 1 episode 5 (Photo: Dean Buscher © 2019 The CW Network)

Bess shows up and runs into Lisbeth (Katie Findlay) who claims she’s a driver for the Hudsons. Lisbeth brings up the fact that Bess hasn’t called her back, confirming she’s been calling her at work all week. As Bess is giving Lisbeth her cell number, she spots George in a red dress and holding a knife. She needs to get to her without Lisbeth knowing why she’s rushing off.

Bess finds Nancy instead and reveals what she’s seen. Nancy still seems dead set on asking George questions while she’s possessed by Tiffany, but Bess reminds her they need to save George before Tiffany completely takes over.

George finds Ryan talking to some men and when he spots her, he excuses himself. She grabs his face and whispers, “I know about the waitress.” Right before she kisses him, he pulls away. Nancy stops them and gets Ryan away from her. After leading George away, Nancy explains they don’t have a lot of time to talk. She needs Tiffany to tell her what happened the night she was murdered.

A flashback shows Nancy coming out of The Claw with Tiffany’s food. Nancy hands it to her and then we zoom back to real-time as George/Tiffany says, “I’m not dead!” George’s mom comes in, demanding Tiffany leave her daughter’s body.

As Victoria and Bess are preparing things, Nancy’s still attempting to talk to Tiffany. Nancy begs her to please remember what happened the night of her murder, insisting she’s trying to help her. Nick comes in and asks George/Tiffany if she knows him. She finally puts the knife down as she looks at Nick affectionately. George/Tiffany begins to mess with her finger again as if a ring were there. Nick confirms Tiffany used to do that.

The gang tries to tell Tiffany again that she’s dead and that’s not her body she’s occupying. Nancy reveals they buried her yesterday and Tiffany becomes angry and picks up the knife again. Just then Laura and Ace come barging through the door. Laura asks if that’s the girl Ace told her about and Ace apologizes, revealing Laura knows everything. Laura promises Tiffany everything will be okay but Bess tells her no, she’s killing their friend. Laura doesn’t want her sister gone and throws the incense Bess and Victoria put together, yelling for Tiffany to run.

Ryan finds George and grabs her, pulling her into an empty room. He’s mad about what she did and wants to know if she knows what his father would do if he found out about them. George is going in and out between her and Tiffany’s spirit as Victoria and Nancy come bursting in, begging Tiffany to leave. Confused, Ryan takes off.

Bess and Nick arrive with the incense and Victoria begins to chant in Chinese. Nick promises Tiffany he’ll stay with her and assures her he’ll keep looking for her killer. George/Tiffany says, “Dantes,” before passing out.

George wakes up to find Nancy standing over her. She asks where Ryan is and Nancy explains he took off. Nick tells George he’s glad she’s okay and George asks Nancy if she got what she wanted. Nancy responds that she’s also glad George is okay. Bess takes that moment to ask what it was like being possessed by Tiffany. George confesses she hated it.

Nancy wonders what Lucy was emotionally attached to.

Nick and Ace tell Laura that Tiffany wanted to keep her out of this and she needs to trust them. She hands over the flash drive but isn’t happy with Ace.

Nancy talks to Owen and asks if he’s in real estate. She follows that up by asking if he wants to make himself useful. The two walk off together as Nick watches.

Nick and Ace return to the diner with the flash drive, ready to figure out what’s on it. Nick tries the password “Dantes” and it works. It opens a log, almost like a journal. They see old shareholder reports and insurance statements signed by the officer of the corporation who is none other than Owen Marvin. Nick calls Nancy right away but she declines his call.

Nancy and Owen are on some construction site and he wonders where they’re headed next. She reveals they need to go to her old high school. Apparently, she needs his help digging up an old time capsule that Tiffany’s class buried.

As the episode comes to an end, we see Bess texting Lisbeth asking her out. She agrees. Victoria makes dinner as George silently sits down at the table. Nancy is cracking open the time capsule from the class of 1999. Inside, Nancy finds a DVD of memories and watches it on her laptop. She spots Lucy and then as the DVD continues to play, it begins to glitch and goes back to the clip of Lucy. The boy she’s talking to turns and the camera catches his face. It is Ryan Hudson.




‘Yellowstone’ Season 3 Episode 8 Recap: “I Killed a Man Today”

Yellowstone Season 3 Episode 8
Kelly Reilly and Kevin Costner in ‘Yellowstone’ season 3 episode 8 (Photo Credit: Paramount Network)

Kayce (Luke Grimes) and Monica (Kelsey Asbille) have the house to themselves as Paramount Network’s Yellowstone season three episode eight opens. John’s taken Tate to see the cow horse guys in action, and Kayce realizes his dad is shopping for a new horse. Monica reminds him that’s fine since John’s retired, but Kayce begs to differ. He claims his dad isn’t retired. Monica lays out exactly how John spends each day now…walks with Tate, baseball with Tate, fishing with Tate…he’s definitely retired.

Kayce finally concedes his dad is taking it easy, and Monica points out he’s lucky John’s not out with a 25-year-old woman, buying sports cars and condos. Kayce believes that might actually be cheaper than horse shopping.

Before they go their separate ways for the day, Monica explains she’s heading out to do volunteer work.

Rip (Cole Hauser) and Jimmy (Jefferson White) are also checking out horses with John (Kevin Costner) and Tate (Brecken Merrill). John explains to Tate why he needs more horses on the ranch – it’s to market the horses as an added source of income. He’s also looking at the riders, acknowledging these are some of the best in the world. He’ll need to hire one to show the horses.

Kayce joins his dad and is about to advise him they don’t need to buy a horse when he’s distracted by the new horse in the arena. Apparently, he and his dad both share expensive taste in horses.

Kayce and John carry on a conversation by just mouthing words behind Tate’s back. John wants to know how the investigation’s going and Kayce tells him the guys are recovering from the shoot-out. Neither Monica nor Tate are aware of the cattle thief Kayce was forced to shoot, and they want to keep it that way as long as possible.

Over at Schwartz & Meyer, Beth (Kelly Reilly) continues to wreak havoc on Market Equities. Roark (Josh Holloway) paces at home, screaming on the phone that every hedge fund manager is now shorting them. He thinks a buyback by shareholders is the only way to right the sinking ship.

Market Equities CEO Willa Hayes (Karen Pittman) is jumping into Beth’s game, ordering shares of Schwartz & Meyer to be snatched up. She wants this particular “bug” squished today.

Kayce shows up at his office to find it packed with ranchers. They’re in town supporting him and to thank him for protecting their ranches. One by one they extend their hands, acknowledging he risked his life to protect their cattle.

Jamie (Wes Bentley) is in Kayce’s office waiting for him, and Jamie assures his brother nothing like that ever happened when their dad was in charge. “He had their respect. He had their loyalty, but that…I don’t even know what you call that,” admits Jamie. Kayce suggests it was gratitude and then confirms the shooting was justified. Although Jamie claims his office won’t question it, Kayce believes they should to keep everything on the up-and-up.

Jamie’s actually there on a personal matter. He wonders if he can still call Kayce his brother and Kayce quickly replies, “To the day you die you better never call me anything else.”

Jamie lays out Market Equities’ plans for the valley, including the permissions they’ve already been granted for their proposed ski resort and international airport. Jamie explains Montana wants this deal to go through and that there’s an offer on the board for $10,000 an acre – and there’s 50,000 acres involved.

Kayce understands the situation but Jamie further explains that if they don’t accept the offer, Market Equities will begin a legal battle over eminent domain. Jamie won’t be involved in the legal battle because he has a horse in this race. He admits Market Equities does have a real shot at winning in court and Kayce asks if there’s a solution to this dilemma.

“We sell it to them,” responds Jamie. Jamie notes the ranch is only on solid financial ground for the next year or two. After that, they’ll probably fall behind on taxes and other expenses. One way or another, the ranch will be sold.

Jamie explains he can’t discuss this with their dad. (He says Beth’s poisoned that relationship.) Kayce knows their dad doesn’t want to hear about “numbers” from him and Jamie believes this has to come from Beth.

Kayce appears willing to speak with Beth about it, but he wants this offer in writing. A verbal agreement won’t cut it. Jamie understands.

Monica’s car breaks down in the middle of nowhere and, unfortunately, she doesn’t have cell service. Her options are either to wait for a car to come along or start walking. We think the decision’s made for her when a car arrives on the scene, however it keeps on driving without slowing down.

A truck pulls up moments after the car passes by, and Monica explains she thinks it’s the radiator and she needs a hose. The driver offers her a ride to Billings. After considering it for a minute, Monica takes him up on the offer.

Elsewhere, Schwartz & Meyer’s stock is being negatively affected by Willa Hayes and Market Equities. Beth instructs her boss what to buy and to keep spending on it until she tells him to stop. We don’t hear his side of the phone conversation, but Beth appears very much in charge of Schwartz & Meyer’s reaction to what had to be anticipated revenge by Willa Hayes.

The appearance of calm is shattered when Beth fires her assistant for offering coffee she didn’t request and then spilling the pot as she tried to escape her wrath.

Beth calls Angela Blue Thunder (Q’orianka Kilcher) and asks if she wants to make some money. Of course, Angela does and Beth tells her to gobble up stock because Market Equities is going on a run.

Over at Market Equities, Willa and her team pay close attention to the action. A breaking news announcement declares Market Equities is attempting a hostile takeover of Schwartz & Meyer. Willa dislikes Beth but also respects her game. “After we get this b*tch fired, we should hire her,” says Willa.

Just then Jamie calls and asks Willa for a written offer. She quickly agrees to have something written up and emailed.

Rip and John have a discussion about horses that ultimately leads to a discussion about Rip’s intentions with Beth. Rip doesn’t seem to be of the mind to talk about it, but John says, “If you’re joining the family can you please be the one person in it who f**king talks to me?”

Rip confesses he loves Beth and will always take care of her. John knows that and reveals that’s why he said yes. Rip explains why people don’t talk to John…he believes it’s because they’re scared they’ll let him down.

Yellowstone Season 3 Episode 8
Kelsey Asbille in ‘Yellowstone’ season 3 episode 8 (Photo Credit: Paramount Network)

Monica hasn’t been in the truck long when the driver pulls off the main road, claiming he knows a spot with cell service so she can call home. Monica’s instantly leery of his motivation and asks that he get back on the road. He doesn’t.

They park and the driver instructs her to walk out a few dozen feet to get service, but she declines and says she’ll stay in the truck. He doesn’t allow that and opens her door, urging her out. Monica immediately makes a run for it and he gives chase, quickly catching up to her.

The driver tackles her and tries to pin her down but she’s able to hit him in the head with a rock. She makes a run for it again but he’s back on his feet and faster than she is. She’s forced onto her back and he sits astride her.

Whatever was going to happen next – rape, murder, or both – is terminated when he’s shot through the head.

Quite a distance away a man looks through his scope and verifies his target is down.

Monica finally makes it to her feet, blood soaked into her clothes and face. She runs toward a line of approaching police cars, and it’s confirmed this was a setup. Still, she’s upset it went as far as it did. Thomas Rainwater (Gil Birmingham) assures her EMS have already been alerted at the tactical center and they’re on their way to check her out.

Monica gives the man who shot her assailant a hug, thanking him for not missing.

Monica had no idea how much blood was soaked into her clothes and gasps when she sees herself in a car’s window.

A signal comes in from out in the area where Monica was attacked. There’s a least one dead body out there.

“People talk about making a difference but they don’t because they don’t try. They don’t risk. You risked…everything. Today, you made a difference,” says Thomas.

As Thomas is talking, whistles are heard in the background indicating more dead bodies have been located.

Monica admits she didn’t tell Kayce what she was up to and Thomas reveals Kayce has a little secret of his own. He shows her the newspaper with the huge front-page article about the shoot-out with the cattle thief. She thinks it just goes to show why they’re married; they think exactly alike.

Beth’s day is pretty much done – Schwartz & Meyer’s stock wound up plummeting after Willa denied the rumor of a hostile takeover. She receives a call from Bob Schwartz’ assistant setting up a meeting the following day.

Apparently, her day’s not quite over as Kayce arrives with the written offer. She realizes before he even hands it to her that he’s just the middleman and that it’s Jamie who wants her to know about this deal.

Meanwhile, John told Rip to decide what to do with the horse no one can ride. Rip figures out the solution and asks Lloyd (Forrie J. Smith) to accompany him on the ride. Six hours in and Rip hasn’t really spoken, so Lloyd is justified in wondering why he needed any company.

They arrive at the Pryor Mountain Wild Horse Range which is the perfect place for a horse that doesn’t like to be ridden. And it turns out Rip’s been trying to find the right words to announce he’s getting married and to ask Lloyd to be his best man.

The horse takes off and then looks back as if to thank Rip for his freedom. He then gallops away, out of sight.

Back on the ranch, Colby (Denim Richards) and Teeter (Jennifer Landon) are out fixing fences when she notices the nearby creek. She immediately begins stripping off her clothes, suggesting they go skinny dipping. She beats him to the river and is already in it, naked, when Colby walks up. Unfortunately, Wade Morrow (Boots Southerland) and his son are also there, and Colby points out they’re on the wrong side of the fence.

After making a snide racist comment, Wade and his son ruthlessly attack Colby, riding into the creek and beating him and their horses with a rope as Colby slips underwater. Teeter and Colby are both repeatedly stepped on by the horses and forced underwater. Wade and his son eventually ride away, but neither Colby nor Teeter surface as the scene shifts to the ranch house.

Monica’s in the shower when Kayce arrives home. He tries to join her and she keeps him out. He quickly learns she knows about the cattle thief. Monica wants to know what he’s protecting her from by keeping secrets. She’s aware of what he’s gone through and capable of, and believes not sharing what happens to him isn’t protecting her.

Kayce explains he didn’t tell her because he’s always in a position where he needs to kill or be killed. He didn’t say anything because – and this is heartbreaking – he doesn’t want her to think he’s a bad man. He may think it of himself, but he doesn’t want her to believe that.

Monica reveals that with every man Kayce kills, he makes the world safer. She then confesses she killed a man. Kayce’s speechless as she says she killed a man today. He joins her in the shower – fully clothed – and comforts her with a hug and kisses.

John’s relaxing outside when Beth joins him to discuss the offer. She’s reluctant to show him the offer and stresses he needs to know everything she does is for him – to please him and protect him. Although she can access the numbers and offer suggestions, she will do whatever he wants her to do.

Beth passes her dad the written offer. He reads it and asks if she believes it’s a legitimate offer. She does, and they’ve promised to wire 10% the following day if John agrees to it. John believes Beth’s going to run through the list of why he should say yes, but she explains she’s actually going to list the consequences of not accepting the offer.

Beth ticks off the key points, including the drawn-out court battle, Jamie’s recusal from being involved, and the fact the government will ultimately condemn the land. The Duttons will receive 15 cents on the dollar once that happens, according to Beth. The rest of the ranch will also be taken. Plus, the property taxes will be so massive John will lose the land anyway within three or four years.

“The cycle will continue until the ranch is whittled down to its least valuable parts,” explains Beth. “Then you’ll die and there will be no way for Kayce, and certainly not Tate, to make a living from it.”

John understands and doesn’t disagree with her reasoning. However, he won’t budge one inch. He will not be selling the ranch.

Beth doesn’t believe there’s any other option and doesn’t want his pride to factor into the decision. “No pride, honey,” says John. “I made a promise and I’d rather lose it than break it. He’d rather me lose it, too.”

John says an early good night and leaves Beth alone outside to consider the future.

The episode ends with Rip and Lloyd stopping on their way back to the ranch to celebrate Rip’s engagement with a beer at a bar. As they’re sitting at the bar, a man begins singing. Lloyd turns to look at him and is shocked to see Walker (Ryan Bingham) playing the guitar on stage. Lloyd says in surprise, “He’s supposed to be dead!”

Rip doesn’t say a word.




‘Robin’s Wish’ Trailer: Examining Robin Williams’ Final Days

The neurodegenerative disorder that ultimately contributed to Robin Williams’ death is explored in the documentary Robin’s Wish. Directed by Tylor Norwood (The United States of Detroit), the documentary had access to Robin Williams’ family and closest friends and delves into moments the public was unaware of during Williams’ final days.

“When my husband Robin Williams died, the whole world grieved. It’s enough to grieve personally over this type of loss, and then to have the entire world grieving with you—that pushed it into a different realm altogether. Robin was one of the most beloved artists in the world, a comic genius, whose mind functioned on a mighty level. Yet in the end, it was a little known disease in his beautifully gifted brain that became his greatest and final battle,” explained Susan Schneider Williams.

During the last year of his life, Robin was confronted with anxiety, paranoia, insomnia, scary altered realities and a roller coaster of hope and despair. With our medical team’s care we chased a relentless parade of symptoms but with very little gain. It wasn’t until after Robin’s passing, in autopsy, that the source of his terror was revealed: he had diffuse Lewy body disease.

It was one of the worst cases medical professionals had seen. Armed with the name of a brain disease I’d never heard of, I set out on a mission to understand it, and that led me down my unchosen path of advocacy. With invaluable help from leading medical experts, I saw that what Robin and I had gone through, finally made sense — our experience matched up with the science. And what I discovered along the way was bigger than me, and bigger than Robin. The full story was revealed during the making of this film and it holds the truth that Robin and I had been searching for.”

Robin’s Wish will be released digitally and On Demand on September 1, 2020.

The Plot:

In August 2014, the world was shocked to find out that Robin Williams had died by suicide. For someone who brought so much humor to the world, it was a tragic, traumatic end. But no one knew how much more there was to the story. Left to speculate on Robin’s motives, the media circus spun out further and further, leaving the public in the dark about a complicated and obscured truth: Robin — bright, funny, quick witted — had lost a battle against an unknown enemy: the nearly impossible to diagnose degenerative brain disease Lewy body dementia.

Robin’s Wish is an intimate portrait of Robin in his final days, with deeply personal stories from some of those closest to him, including his wife Susan, who bravely came forward on her own to publicly reveal the findings of Robin’s autopsy — that he had been suffering unimaginably from LBD. Some of Robin’s closest friends and colleagues also speak out for the very first time about what they saw, getting the word out to fans about who Robin really was in light of what happened at the end of his life.

Knowing the truth can make all the difference — Susan and Robin’s story can spread awareness of and raise support around LBD, making it possible to fight misconceptions about Robin’s state of mind and stigmas around mental illness, bringing awareness to a disease that, while all too common, is unknown to most. Robin’s Wish can also aid progress toward earlier diagnosis, so families can have an understanding of what is happening to their loved ones. To fans around the world, the complete story of what really happened to Robin, and his complete legacy — to make people less afraid — has been untold. Until now.

Robin's Wish Poster




AMC Networks Announces 2020-2021 Series Premiere Dates

Soulmates
Steven Mackintosh as Brother Samson, Malin Åkerman as Martha, and Charlie Heaton as Kurt in ‘Soulmates’ (Photo Credit: Jorge Alvarino / AMC)

AMC Networks has set fall and winter 2020-21 premiere dates for its roster of new and returning series. AMC, AMC+, BBC America, IFC, and SundanceTV fall premiere dates were confirmed, and AMC Networks also released the series’ plot descriptions for the upcoming season.

The new batch of premiere dates includes info on Gangs of London, The Watch, The A Word, and the final season of Baroness Von Sketch Show. In addition, AMC announced its new series Soulmates has earned an early season two renewal order. Season one of the episodic anthology series from writers Will Bridges (Stranger Things) and Brett Goldstein (Ted Lasso) premieres on Sunday, October 5, 2020.

“We were immediately drawn to the unique premise of Soulmates as it explores love and relationships from several touchpoints in a way that naturally feeds the zeitgeist, prompting conversations around human connection, relationships and happiness,” said Dan McDermott, President of Original Programming for AMC Networks’ Entertainment Group and Co-President of AMC Studios. “These are stories and themes that resonate and feel almost timely given today’s climate in which so many of us feel disconnected or are coping with shifting relationship dynamics. We’re thrilled to continue our relationship with Will and Brett who never fail to deliver the very best in high-caliber, imaginative storytelling.”

The Walking Dead season 10’s finale was previously confirmed to air on October 4th followed by the series premiere of The Walking Dead: World Beyond. Season six of Fear the Walking Dead kicks off on October 11th.

AMC Fall and Winter Premiere Dates:

The Walking Dead Season 10 Finale
Premieres Sunday, October 4 at 9pm ET/8c
In the season 10 finale, “A Certain Doom,” Beta engages the final battle of the Whisperer War.

The Walking Dead: World Beyond
Premieres Sunday, October 4 at 10pm ET/9c
The Walking Dead: World Beyond expands the universe of The Walking Dead, delving into a new mythology and story that follows the first generation raised in a surviving civilization of the post-apocalyptic world. Two sisters along with two friends leave a place of safety and comfort to brave dangers, known and unknown, living and undead on an important quest. Pursued by those who wish to protect them and those who wish to harm them, a tale of growing up and transformation unfurls across dangerous terrain, challenging everything they know about the world, themselves and each other. Some will become heroes. Some will become villains. But all of them will find the truths they seek.

Soulmates
Premieres Monday, October 5 at 10pm ET/9c
From AMC Studios, Soulmates is set fifteen years into the future, when science has made a discovery that changes the lives of everyone on the planet – a test that unequivocally tells you who your soulmate is. In a first-ever format for AMC, each of the six episodes will feature a different cast and explore an entirely new story around discovering (or opting not to discover) the results of this new test and the impact of those results on a myriad of relationships.

The series stars Sarah Snook, Kingsley Ben-Adir, David Costabile, Sonya Cassidy, Charlie Heaton, Malin Akerman, Bill Skarsgård, Betsy Brandt, JJ Field, Darren Boyd, Dolly Wells, Karima McAdams, Laia Costa, Shamier Anderson, Georgina Campbell, Henry Goodman, Sofia Oxenham, Nathan Stewart-Jarrett, Sandra Teles, Letty Thomas, and Adam El Hagar.

Fear The Walking Dead Season 6
Premieres Sunday, October 11 at 9pm ET/8c
Season six of Fear the Walking Dead explores what has become of the unlikely family once united by a mission to help those in need. After being torn apart by Virginia (Colby Minifie) and her Pioneers, the group is now dispersed across her far-reaching settlements. Morgan’s (Lennie James) last message at the end of season five implored the group to “Just Live” and this season we’ll see what that means to each of them. Some will find the stability and opportunity within Virginia’s communities to be intriguing, some will sink into darkness, while others will fight back against what has been forced upon them. Life behind Virginia’s walls will test each and every one of them in different ways, forcing them to define who they are in this new world.

The Salisbury Poisonings
All four episodes drop on AMC+ on Thursday, October 1; debuts on AMC early next year
The Salisbury Poisonings tells the remarkable story of how ordinary people and public services reacted to a crisis on their doorstep, displaying extraordinary heroism as their city became the focus of an unprecedented national emergency. In March 2018, the eyes of the world turned to the British city of Salisbury when it became the epicenter of what has been described as one of the biggest political events of the 21st century – but until now, the heroic acts behind the headlines have not been told.

Within three days of the assassination attempt on double agent and spy Sergei Skripal and his daughter Yulia, key agencies discovered that a lethal nerve agent called Novichok was used, just half a teaspoon of which could kill 20,000 people. Within four days, hundreds of traces were found across the city, and, just when things were finally thought to be under control, a perfume bottle containing the nerve agent was discovered, throwing the investigation into renewed chaos.

Gangs of London Season 1
First three episodes drop on AMC+ on Thursday, October 1 (episodes will then roll out weekly); debuts on AMC early next year
Gangs of London’s critically acclaimed first season was a huge success in the UK as it took audiences on an immersive journey into the hidden heart of the capital. The 10-episode first season of the action-packed thriller debuts on AMC+ this fall for US audiences and has been renewed for a second season with the network on board to co-produce.

Set in the heart of one of the world’s most dynamic and multicultural cities, Gangs of London tells the story of a city being torn apart by the turbulent power struggles of the international gangs that control it and the sudden power vacuum that’s created when the head of London’s most powerful crime family is assassinated. The series stars a multi-talented ensemble cast including Joe Cole, Ṣọpẹ́ Dìrísù, Colm Meaney, Lucian Msamati, Michelle Fairley, Paapa Essiedu, and Pippa Bennett-Warner.

For 20 years, Finn Wallace (Meaney) was the most powerful criminal in London. Billions of pounds flowed through his organization each year. But now he’s dead – and nobody knows who ordered the hit. With rivals everywhere, it’s up to the impulsive Sean Wallace (Cole), with the help of the Dumani family headed by Ed Dumani (Msamati), to take his father’s place. If the situation wasn’t already dangerous enough, Sean’s assumption of power causes ripples in the world of international crime. Perhaps the one man who might be able to help him and be his ally is Elliot Finch (Dìrísù), who up until now, has been one of life’s losers, a lowlife chancer with a mysterious interest in the Wallace family. But as the wind of fate blows, Elliot finds himself transported to the inner workings of the largest criminal organization in London. It doesn’t end with the Wallaces though, there are shadowy higher powers at play.

Eli Roth’s History of Horror Season Two
Premieres Saturday, October 10 at 10pm ET/9c
Season Two of Eli Roth’s History of Horror digs even deeper into the catacombs of creepiness, exhuming landmark films and cult classics while chewing on the entrails of recent horror cinema. The series explores the dark power and wicked fun of scary movies, the craft that went into making them, and the ways that horror films reflect the anxieties of their times. The story is told by Eli Roth and a celebrated cast of writers, directors, actors, cinematographers, composers, and special effects artists who bring our nightmares to life.

Interviewees include Stephen King, Quentin Tarantino, Jordan Peele, Ari Aster, Bill Hader, Nancy Allen, Megan Fox, Greg Nicotero, Rob Zombie, James Brolin, Edgar Wright, Piper Laurie, Leonard Maltin, Katharine Isabelle, Jack Black, Slash, Rachel True, Ashley Laurence, Joe Dante, Roger Corman, Mary Harron, John Landis, Tom Savini, Karyn Kusama, and many others.

BBC AMERICA Fall and Winter Premiere Dates:

Planet Earth: A Celebration
Premieres Monday, August 31 at 8:00pm ET/7c on BBC America, AMC, IFC and SundanceTV
Planet Earth: A Celebration highlights eight of the most extraordinary sequences from BBC AMERICA’s impactful and Emmy® Award-winning Planet Earth II and Blue Planet II and features new narration from Sir David Attenborough. To accompany these sequences, award-winning composer Hans Zimmer, Jacob Shea and the team at Bleeding Fingers have created new compositions, and have rearranged the original scores, for this exciting, joyful and adrenaline-packed journey around the world to some of the most extreme environments, where despite the odds, animals manage to survive.

The string section of the score is performed by BBC Concert Orchestra, accompanied by Brit and Mercury Award-winning UK rapper, Dave, who performs on the grand piano. Both the orchestra and Dave were filmed for the program in the Lyndhurst Hall at Air Studios, London.

Top Gear
Premieres Sunday, August 30 at 8pm ET/7c
The world’s biggest motoring entertainment show returns this summer with the Top Gear Nepal Special and all-new episodes on BBC AMERICA. The special sees the team embarking on an epic high-altitude voyage from Kathmandu to the Forbidden City of Lo Manthang. The new line up of Paddy McGuinness, Freddie Flintoff and Chris Harris has been a hit with viewers and critics alike. Expect to see bungee jumping in a car, an epic race between a fighter jet and the latest McLaren hypercar, a spectacular road trip through Peru and more mischief as they travel the globe in pursuit of hijinks and motoring mayhem.

Wonderstruck – Animal Babies
Premieres Saturday, September 12 at 8pm ET/7c
Three heart-warming films about baby animals growing up in some incredibly challenging environments – in the mountains, on the open plains of Africa and around water. Animal Babies follows the first breaths, first steps and first feeds of some adorable baby animals, revealing the challenges they face to survive in some of the toughest but most beautiful places on the planet.

Doctor Who: The Faceless Ones
Premieres Wednesday, October 7 at 8pm ET/7c and Thursday, October 8 at 8pm ET/7c
The Faceless Ones is the mostly missing eighth serial of the fourth season of Doctor Who, which was first broadcast in six weekly parts from April to May 1967, starring Patrick Troughton as the Doctor. Only two of the six episodes are held in the BBC film archives with snippets of footage and still images existing from the other four. Fortunately, off-air recordings of the soundtrack also still exist, making the animation of a complete serial possible once again. The Faceless Ones sees the TARDIS arrive on Earth at a runway at Gatwick Airport in England, where the Doctor and his companions encounter sinister identity-stealing aliens known as the Chameleons.

The Graham Norton Show
Premieres Fall 2020
BBC AMERICA’s BAFTA Award-winning talk show features the biggest celebrities and the brightest conversation on television. The show returns with a new special featuring the best moments of last season and then all-new episodes arrive every Friday this fall.

Doctor Who Festive Special: Revolution of the Daleks
Premieres this Holiday Season
This one-off holiday season special, entitled Revolution of the Daleks, will see the return of one of the Doctor’s biggest and most feared enemies – the Daleks. Doctor Who stars Jodie Whittaker as the Doctor, Tosin Cole as Ryan, Bradley Walsh as Graham and Mandip Gill as Yaz.

The Watch
Premieres January 2021
In BBC AMERICA’s newest original series, The Watch, an unlikely group of misfits, The City Watch, find the guts to save the world, surprising even themselves in the process. The comedic yet thrilling series pits trolls, werewolves, wizards and other improbable heroes against an evil plot to resurrect a great dragon which would lead to the destruction of life as they know it.

From lead writer and executive producer Simon Allen, the modern and inclusive series is inspired by many of Sir Terry Pratchett’s famous “Discworld” creations including the captain of The City Watch Sam Vimes (Richard Dormer), the last scion of nobility Lady Sybil Ramkin (Lara Rossi), the naïve but heroic Carrot (Adam Hughill), the mysterious Angua (Marama Corlett) and the ingenious forensics expert Cheery (Jo Eaton-Kent) together with Pratchett’s iconic characterization of Death.

IFC Fall and Winter Premiere Dates:

Baroness von Sketch Show Season 5
Premieres Wednesday, October 14th
Returning for a fifth and final season, the critically-acclaimed Canadian sketch comedy series Baroness von Sketch Show, continues its exploration of the angst and absurdity of modern life, delivering their observations in bite sized nuggets of fun. The series will also premiere on CBC, Canada’s public broadcaster, on Tuesday, October 6.

SUNDANCETV Fall and Winter Premiere Dates:

The A Word Season 3
Premieres Wednesday, November 4 at 11:00pm ET/ 10c
The A Word returns to the idyllic landscape of the Lake District and to the city of Manchester. In the two years since we left our family, everything has changed once more. Joe is ten, and living in two places at once, processing the seismic change in his life through the filter of his autism. His parents, Alison and Paul, are divorced and living 100 miles apart. His sister Rebecca has returned home from University with a secret that will change everything further. Only Joe’s granddad Maurice is holding it together, and if Maurice is the one holding it together you know you are in trouble.

Peter Bowker’s 6-part drama revisits the funny, messy, mixed-up lives of the extended Hughes and Scott family as they struggle to meet the challenges of parenthood, disability and separation and to hold the family together around the child who needs them all.

Deutschland 89
Premieres Thursday, October 29 at 11:00pm ET/ 10c
When the “anti-fascist” Berlin Wall falls on November 9th, 1989, superspy Martin Rauch (Jonas Nay) gets involved and must deal with the consequences. The peaceful revolution has thrown his world into turmoil. He and his fellow agents at the HVA (East German Foreign Intelligence) are reeling. Their government has collapsed, their organization is in chaos and their futures are uncertain, at best. How to play the next hand? Join Big Brother at the KGB? Go West and work for an enemy agency? Use international contacts to begin a new career? Or run off to paradise with hoarded gold? Our heroes need to reinvent themselves in the face of a new world order.




First Photos: ‘Rebecca’ Starring Lily James and Armie Hammer

Rebecca
Armie Hammer as Maxim de Winter and Lily James as Mrs. de Winter in ‘Rebecca’ (Photo by Kerry Brown / Netflix)

Daphne du Maurier’s classic novel springs to life on the screen once again in Rebecca, directed by Ben Wheatley (High Rise, Free Fire). Netflix just released the first batch of photos from the psychological thriller and confirmed Rebecca will be released on October 21, 2020.

Lily James and Armie Hammer lead a cast that includes Kristin Scott Thomas, Keeley Hawes, Ann Dowd, and Sam Riley. Tom Goodman-Hill, Mark Lewis Jones, John Hollingworth, and Bill Paterson also star in the new adaptation of the gothic novel.

Jane Goldman, Joe Shrapnel, and Anna Waterhouse adapted Daphne du Maurier’s novel for the screen. Eric Fellner, Tim Bevan, and Nira Park served as producers on the Working Title Films production.

Alfred Hitchcock brought Daphne du Maurier’s story to the big screen back in 1940 with Laurence Olivier and Joan Fontaine in the lead roles. Hitchcock’s adaptation earned 11 Academy Award nominations, winning two for Best Picture and Best Cinematography (black-and-white). Hitchcock, Olivier, Fontaine, and Judith Anderson all received Oscar nominations as did screenwriters Robert E. Sherwood and Joan Harrison.

The Plot:

“After a whirlwind romance in Monte Carlo with handsome widower Maxim de Winter (Hammer), a newly married young woman (James) arrives at Manderley, her new husband’s imposing family estate on a windswept English coast. Naive and inexperienced, she begins to settle into the trappings of her new life, but finds herself battling the shadow of Maxim’s first wife, the elegant and urbane Rebecca, whose haunting legacy is kept alive by Manderley’s sinister housekeeper Mrs. Danvers (Scott Thomas).”

Rebecca
Lily James as Mrs. de Winter (Photo by Kerry Brown / Netflix)
Rebecca
Armie Hammer as Maxim de Winter and Lily James as Mrs. de Winter (Photo by Kerry Brown / Netflix)
Rebecca
Lily James as Mrs. de Winter and Kristin Scott Thomas as Mrs. Danvers (Photo by Kerry Brown / Netflix)




Guillermo del Toro Finishes ‘Tales of Arcadia’ with ‘Trollhunters: Rise of the Titans’

Trollhunters: Rise of the Titans

Oscar winning filmmaker Guillermo del Toro (The Shape of Water) isn’t quite done with the world of Tales of Arcadia. While Wizards marks the third entry in the Tales of Arcadia series and was expected to be the last visit fans would have to the epic animated trilogy, Guillermo del Toro, DreamWorks Animation, and Netflix today revealed they’ve got a feature film in the works. Trollhunters: Rise of the Titans is expected to arrive on the streaming service in 2021.

“Team Trollhunters committed, about a decade ago, to try and push the boundaries of 3D CGI animation made for TV. We outlined a vast trilogy of interconnecting mythology and characters that we always hoped could culminate with a massive ‘all-stars’ reunion,” says creator and executive producer Guillermo del Toro. “DreamWorks Animation and Netflix both shared the very ambitious notion of doing the three series, interwoven and then finishing off with a bigger, epic-sized feature film to top it all off.”

Creator Guillermo del Toro serves as an executive producer on the feature film which is currently in production. Marc Guggenheim, Chad Hammes, Dan Hageman, and Kevin Hageman are also executive producing. Johane Matte, Francisco Ruiz-Velasco, and Andrew L. Schmidt are on board as directors with Marc Guggenheim, Dan Hageman, and Kevin Hageman handling the screenplay.

The 2021 feature film will be voiced by Emile Hirsch (Once Upon A Time…In Hollywood) as Jim, Lexi Medrano (Trollhunters) as Claire, Charlie Saxton (Hung) as Toby, and Kelsey Grammer in his Emmy Award-winning role as Blinky. Alfred Molina (Frozen II) is Archie, Steven Yeun (The Walking Dead) is Steve, Nick Frost (Shaun of the Dead) is Stuart, and Colin O’Donoghue (Once Upon A Time) returns as Douxie.

The voice cast also includes Diego Luna (Narcos: Mexico) as Krel, Tatiana Maslany (Orphan Black) as Aja, and Nick Offerman (Parks & Recreation) as Vex. Cole Sand, Fred Tatasciore, Brian Blessed, Kay Bess, Piotr Michael, James Hong, Tom Kenny, Angel Lin, Amy Landecker, Jonathan Hyde, Bebe Wood, Laraine Newman, Grey Griffin, and Cheryl Hines will also lend their voices to animated characters.

The Plot:

Arcadia may look like an ordinary town but it lies at the center of magical and mystical lines that makes it a nexus for many battles among otherworldly creatures including trolls, aliens and wizards. Now the heroes from the hit series Trollhunters, 3Below and Wizards team-up in their most epic adventure yet where they must fight the Arcane Order for control over the magic that binds them all.





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