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Deadpool & Wolverine Review: Hilarious, Violent, and Unmissable Marvel Mayhem

Deadpool & Wolverine
Ryan Reynolds as Deadpool/Wade Wilson and Hugh Jackman as Wolverine/Logan in 20th Century Studios/Marvel Studios’ ‘DEADPOOL & WOLVERINE’ (Photo by Jay Maidment © 2024 20th Century Studios / © and ™ 2024 MARVEL)

Back in 2016, Ryan Reynolds rejoined the Marvel Universe, bringing to life the anti-hero with twisted wit and over-the-top action in the first standalone Deadpool film. A year later, Hugh Jackman portrayed the X-Men’s Wolverine in what was to be his swan song performance as the character in the gritty and moving Logan. Now seven years later, Marvel’s never-aging loner hero and the smart aleck super mercenary team up for the third entry in the Deadpool film franchise, Deadpool & Wolverine.

The action catches up with Wade Wilson making the best of his life after the break-up with his girlfriend Vanessa (Morena Baccarin, Gotham). He’s still sulking after being turned down to join the Avengers, and he’s hung up his Deadpool suit. While celebrating his birthday with his few but very loyal friends, Wilson suddenly finds himself yanked away and placed in front of a mysterious man known as Mr. Paradox (Matthew Macfadyen, Succession). Paradox informs him that since Wolverine sacrificed himself for Laura, this world will cease to exist in 72 hours. Luckily for the Merc with a Mouth, Paradox has special plans for him, so he will not face the same fate.

Wilson refuses to accept the end of his world and sets out to either resurrect Wolverine or find one from the Multiverse to help him save his world.

After a hilarious montage of numerous Wolverines, Wilson-once again suited up as Deadpool-finds a brooding, semi-drunk, and easily annoyed Logan in a bar. “Alright, I’m sort of on the tick-tick here, so upsy-daisy, here we go,” says Deadpool, literally dragging Logan out of the bar and into his fight to save his world.

Insanely funny, extremely violent, and substantially upping the vulgar factor over its predecessors, Deadpool & Wolverine is one of the best Marvel superhero films to date. Its relentlessly crass humor, high-octane action scenes, dozens of surprise cameos, and hugely entertaining performances make it a fine tribute to countless FOX superheroes, as well as a launching pad for the next wave of Marvel superhero adventures.

Ryan Reynolds is once again hilarious as Deadpool, the obnoxious, sarcastic but brave anti-hero who must team up with Wolverine to save his world. Reynolds has not only revived the Marvel character but has also reinvigorated the Marvel Universe by starring in and being one of the main creative forces behind the R-rated action-comedy. Reynolds, Jackson, and director Shawn Levy delivered huge laughs and incredible over-the-top action to the screen, making the six-year wait between Deadpool 2 and Deadpool & Wolverine well worthwhile.

Hugh Jackman reprises the role that made him famous and launched his film career, coming out of X-Men retirement and donning Wolverine’s adamantium claws (at least) once more. Jackman’s the perfect Wolverine and, as expected, delivers another stellar performance as Logan. Jackman’s running on all cylinders here, bringing the brooding and angry Logan back to life on the screen and being the emotional center of the film. Witnessing Reynolds and Jackman’s off-screen friendship transform into a hate-love bromance between Deadpool and Wolverine is enough to justify the price of admission.

The Crown’s Emma Corrin is the very definition of a scene-stealer as Cassandra Nova, one of the film’s main villains who’s cunning, clever, and deadly. Corrin’s Nova is the best villain in the Marvel Universe since Thanos, and Corrin’s performance is mesmerizing.

The action scenes have the perfect mix of over-the-top violence with ridiculous humor, and the use of pop and rock songs only adds to the comic absurdity of the sequences. And while I can’t mention any by name, just know that every cameo is given its moment to shine. Profanity-filled, action-packed, and wildly funny, Deadpool & Wolverine is the best of the Deadpool films and the best Marvel film since Avengers: Endgame.

GRADE: B+

MPAA Rating: R for language throughout, gore, sexual references, and strong bloody violence

Release Date: July 26, 2024

Running Time: 2 hours 7 minutes




Joker 2 Trailer: Love, Madness, and Music

Warner Bros Pictures’ Joker: Folie À Deux (formerly known as Joker 2) trailer focuses on the budding relationship between Arthur Fleck/Joker and Harley Quinn. There’s music mixed in with the madness as Joker and Harley Quinn prepare to put on a show and give the people what they want.

Joaquin Phoenix reprises his Oscar-winning role in 2019’s Joker, and Oscar-winner Lady Gaga (A Star Is Born) stars as Harley Quinn. The comic book-inspired film also features Oscar nominee Brendan Gleeson (The Banshees of Inisherin), two-time Oscar nominee Catherine Keener (Being John Malkovich, Capote), and Zazie Beetz, returning as Sophie Dumond.

Joker: Folie À Deux finds Arthur Fleck institutionalized at Arkham awaiting trial for his crimes as Joker,” reads Warner Bros synopsis. “While struggling with his dual identity, Arthur not only stumbles upon true love, but also finds the music that’s always been inside him.”

Todd Phillips returns to direct Joker 2 from a screenplay he co-wrote with Scott Silver. Returning members of Phillips’ behind-the-scenes team include director of photography Lawrence Sher, production designer Mark Friedberg, editor Jeff Groth, executive music director Jason Ruder, and composer Hildur Guđnadóttir. Joining the sequel are costume designer Arianne Phillips and casting director Francine Maisler. Randall Poster and George Drakoulias are the music supervisors.

Joker: Folie À Deux opens in theaters on October 4, 2024 domestically and October 2nd internationally.

Joker 2 Poster
Poster for ‘Joker: Folie à Deux’ (Photo Credit: Warner Bros Pictures)

Cuckoo: Trailer 2 Teases Chilling Secrets in the German Alps

Neon’s second trailer for Cuckoo is, well, cuckoo. As YouTube commenters point out, Dan Stevens is excellent at playing twisted characters. And trailer #2 confirms everything about Cuckoo – including Stevens’ character – is twisted.

“Reluctantly, 17-year-old Gretchen leaves her American home to live with her father, who has just moved into a resort in the German Alps with his new family. Arriving at their future residence, they are greeted by Mr. König, her father’s boss, who takes an inexplicable interest in Gretchen’s mute half-sister Alma,” reads Neon’s synopsis. “Something doesn’t seem right in this tranquil vacation paradise. Gretchen is plagued by strange noises and bloody visions until she discovers a shocking secret that also concerns her own family.”

In addition to Dan Stevens, director Tilman Singer’s latest horror film stars Hunter Schafer (Euphoria), Jessica Henwick (The Royal Hotel), Greta Fernandez (La Hija de un Ladron), Marton Csokas (Chevalier), and Jan Bluthardt.

Cuckoo currently sits at 81% fresh on Rotten Tomatoes after a festival run that included the 74th Berlin International Film Festival, SXSW, and the Overlook Film Festival. Neon’s set an August 9, 2024 theatrical release date.

Cuckoo Poster
Poster for ‘Cuckoo’ (Photo Credit: Neon)

Farewell Fangs: What We Do in the Shadows Final Season Premieres in October

What We Do in the Shadows Season 6 Poster
Poster for ‘What We Do in the Shadows’ season 6 (Photo Credit: FX)

FX has set a premiere date for the sixth and final season of What We Do in the Shadows. The upcoming final season will premiere on October 21, 2024 at 10pm ET/PT with the release of the first three episodes. New episodes of the 11-episode season will follow on Mondays.

Stars Matt Berry (“Laszlo Cravensworth”), Kayvan Novak (“Nandor the Relentless”), Mark Proksch (“Colin Robinson”), and Kristen Schaal (“The Guide”) will join executive producer/writer Paul Simms and executive producer/director Kyle Newacheck as the farewell tour kicks off at the San Diego Comic-Con. The WWDITS panel will take place in Hall H on Thursday, July 25th at 3:30pm PT. FX confirmed those in attendance will be the first to check out an exclusive preview of a season six episode.

What We Do in the Shadows documents the nightly exploits of vampire roommates Nandor (Kayvan Novak), Laszlo (Matt Berry), Nadja (Natasia Demetriou) and Colin Robinson (Mark Proksch) as they navigate the modern world of Staten Island with the help of their former familiar and current human friend, Guillermo (Harvey Guillén) as well as their vampire bureaucrat acquaintance, The Guide (Kristen Schaal),” reads FX’s synopsis. “After a very brief stint as a full-blown vampire, Guillermo is re-evaluating his life. Who is he if not a familiar who will do anything to please his Master in hopes of one day being turned into a vampire? Meanwhile, the vampires are reevaluating, too. When their former roommate reappears after a 50-year nap, they realize how little they’ve done in half a century — not one goal accomplished, not one dream pursued, not one part of the New World conquered (except for their street and part of Ashley Street).

In the sixth and final season of the Emmy-nominated comedy, Nandor, Nadja, Laszlo, Colin and Guillermo will enter the workforce, visit New Hampshire, go to a human dinner party, fête The Baron, and conjure a demon — all while trying to find their place and their purpose in this crazy, mixed-up world.”

The series is currently nominated for eight Emmys including Outstanding Comedy Series, Outstanding Lead Actor in a Comedy Series (Matt Berry), Writing, Costumes, Production Design, Picture Editing, Sound Mixing, and Stunt Coordination.

Paul Simms, Jemaine Clement, Sam Johnson, Sarah Naftalis, and Yana Gorskaya serve as executive producers. Additional executive producers include Kyle Newacheck, Taika Waititi, Garrett Basch, and Eli Bush.




Bridgerton Season 4: It’s Benedict’s Time to Shine

The news Bridgerton fans have been waiting for has arrived, but not in the form of a new letter from Lady Whistledown. Instead, Netflix released a short video announcing that fan-favorite Benedict (Luke Thompson) is in the spotlight in season four.

“Benedict has always been a little lost — or free depending on the way you want to look at it,” said Luke Thompson in a feature on Netflix’s Tudum. “But now he’s trying to find something a bit more solid in himself.”

Netflix’s logline for season four reads: “The fourth season of Bridgerton turns its focus to bohemian second son Benedict (Luke Thompson). Despite his elder and younger brothers both being happily married, Benedict is loath to settle down — until he meets a captivating Lady in Silver at his mother’s masquerade ball.”

Who is this mysterious Lady in Silver? The answer will probably come much closer to the premiere of the eight-episode fourth season. However, Netflix hasn’t announced when the new season will arrive.

Luke Thompson in Bridgerton season 3 part 2
Luke Thompson as Benedict Bridgerton in season 3 part 2 (Photo Cr. Liam Daniel/Netflix © 2024)

“He’s a charming man who’s trying to find his way,” said series creator Shonda Rhimes, discussing Benedict. “He’s very delightful and funny. I’m excited for everybody to watch him.”

Season three aired in two parts, beginning on May 16, 2024, and focused on #Polin: Penelope Featherington and Colin Bridgerton. The third season starred Nicola Coughlan as Penelope Featherington, Luke Newton as Colin Bridgerton, Claudia Jessie as Eloise Bridgerton, Luke Thompson as Benedict Bridgerton, Golda Rosheuvel as Queen Charlotte, and Adjoa Andoh as Lady Danbury. Ruth Gemmell starred as Violet Bridgerton, Lorraine Ashbourne as Mrs. Varley, Hannah Dodd as Francesca Bridgerton, Simone Ashley as Kate Sharma, and Jonathan Bailey as Anthony Bridgerton.

Harriet Cains played Philipa Featherington, Bessie Carter as Prudence Featherington, Jessica Madsen as Cressida Cowper, Florence Hunt as Hyacinth Bridgerton, Martins Imhangbe as Will Mondrich, and Will Tilston played Gregory Bridgerton. The season three ensemble also included Polly Walker as Portia Featherington, Hugh Sachs as Brimsley, Emma Naomi as Alice Mondrich, Kathryn Drysdale as Genevieve Delacroix, and Sam Phillips as Lord Debling. Julie Andrews returned as the voice of Lady Whistledown.




Pachinko Season 2 Trailer: Courage, Destiny, and Difficult Decisions

BLACKPINK’s Rosé performs Coldplay’s “Viva La Vida” as Apple TV+’s official trailer for Pachinko season two unfolds. The trailer proclaims “within us all lies the courage to change our destiny” as we pick up Sunja’s story.

Rosé’s “Viva La Vida” will also be featured in the second season’s finale.

Season two stars Lee Minho, Yuh-Jung Youn, Minha Kim, and Anna Sawai. The cast also includes Jin Ha, Eunchae Jung, Soji Arai, and Sungkyu Kim. Soo Hugh created the series, based on Min Jin Lee’s bestselling novel. Soo Hugh writes and executive produces along with Blue Marble Pictures’ Theresa Kang and Media Res’ Michael Ellenberg and Lindsey Springer.

Leanne Welham, Arvin Chen, and Sang-il Lee direct season two.

Pachinko Season 2
A scene from season 2 (Photo Credit: Apple TV+)

Pachinko is a sweeping and deeply moving story of love and survival across four generations, told through the eyes of a remarkable matriarch, Sunja,” reads Apple TV+’s synopsis. “In season two, the parallel stories pick up in Osaka in 1945, where Sunja is forced to make dangerous decisions for her family’s survival during World War II, and in Tokyo in 1989, which finds Solomon exploring new, humble beginnings.”

Season two premieres on August 23, 2024, with new episodes of the eight-episode season arriving on Fridays. The second season’s finale is set for October 11th.




Speak No Evil: San Diego Promo Screening Pass Details

In San Diego for the annual San Diego Comic-Con and looking for something to do on Friday night? Or, are you lucky enough to live in San Diego and happen to be a horror fan? Blumhouse is hosting a special advance screening of Speak No Evil on Friday, July 26, 2024 you might want to check out.

We’ve been fortunate enough to get our hands on 25 Admit 2 passes to the screening at Landmark Hillcrest Cinemas. All you need to do is visit http://gofobo.com/ShhShowbiz and enter the code: ShhShowbiz *case sensitive*

However, obtaining the passes is just the first step in securing a seat. Passholders aren’t guaranteed entry as admission is on a first-come, first-serve basis. It’s going to be jam-packed which means arrive early and prepare to stand in a long line for a chance at being among the first to see Blumhouse’s Speak No Evil. (Again, possessing a pass doesn’t guarantee a seat.)

(UPDATE: We’ve been given an additional 30 Admit 2 passes!)

Speak No Evil Promo
Speak No Evil Promo hosted by Blumhouse

The Plot, Courtesy of Blumhouse:

The upcoming thriller and horror film stars James McAvoy, Mackenzie Davis, Scoot McNairy, and Aisling Franciosi, and is based on the Danish film of the same name. When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended on vacation, what begins as a dream holiday soon warps into a snarled psychological nightmare.

Speak No Evil opens in theaters on September 13, 2024.

Untold Volume 4 Kicks Off with an NFL Star’s Murder

UNTOLD Volume 4 Who Killed Air McNair
A scene from ‘UNTOLD: Who Killed Air McNair’ (Photo Cr. Getty Images, Inc./Courtesy of Netflix © 2024)

Volume 4 of Netflix’s sports documentary series UNTOLD focuses on the murder of former NFL quarterback Steve “Air” McNair by Sahel “Jenni” Kazemi in 2009 and the 2023 college football sign-stealing scandal. The third installment of the new season shines the spotlight on soccer superstar Hope Solo.

UNTOLD: The Murder of Air McNair will premiere on August 20, 2024. Directed by Rodney Lucas and Taylor Alexander Ward, the installment “captures the excitement of Steve McNair and his Tennessee Titans’ run to the 2000 Super Bowl, as well as unanswered questions surrounding his 2009 murder,” per Netflix.

Installment two of Volume 4 features Connor Stalions, the man at the heart of the NCAA investigation into Michigan football’s sign-stealing scandal. Stalions provides his side of the story in UNTOLD: Sign Stealer directed by Micah Brown and streaming on August 27th.

The third installment, UNTOLD: Hope Solo vs. U.S. Soccer, from director Nina Meredith premieres on September 3rd. “After two tumultuous decades in the public eye, U.S. soccer icon Hope Solo unpacks the unique mix of glory and scandal that accompanied her rise to a level of fame that transcended her sport,” reads Netflix’s synopsis.

Volume 4‘s executive producers include series developers Chapman Way and Maclain Way; Ben Silverman, Howard T. Owens, and Isabel San Vargas for Propagate; Ryan Duffy; LeBron James, Maverick Carter, Philip Byron, Jamal Henderson, Micah Brown and Jamie Elias for UNINTERRUPTED; and Angus Wall for MakeMake.

The sports documentary series’s Steve McNair and Hopo Solo installments are produced by Propagate and Stardust Frames Productions. Sign-Stealer is produced by UNINTERRUPTED in association with MakeMake, Propagate, and Stardust Frames.

Elizabeth Taylor: The Lost Tapes – Intimate Look at a Hollywood Golden Age Icon

Director Nanette Burstein’s Elizabeth Taylor: The Lost Tapes is set to premiere on HBO August 3, 2024 following its festival run. The HBO Original documentary debuted at the 2024 Cannes Film Festival and sits at 80% fresh on Rotten Tomatoes.

In addition to Hollywood icon Elizabeth Taylor, the documentary features the voices of actors Roddy McDowall, Debbie Reynolds, Richard Burton, and George Hamilton. Producer Sam Marx, agents Marion Rosenberg and John Heyman, longtime assistant and co-Trustee Tim Mendelson, and friends Liz Smith and Doris Brynner are also included in The Lost Tapes recordings.

HBO offered this lengthy synopsis of the documentary:

Elizabeth Taylor: The Lost Tapes allows Elizabeth Taylor’s own voice to narrate her story, inviting audiences to rediscover not just a megastar of Hollywood’s Golden Age but a complex woman who navigated lifelong fame, personal identity, and public scrutiny on a global stage from early childhood. Through newly recovered interviews with Taylor and unprecedented access to the movie star’s personal archive, the film reveals the complex inner life and vulnerability of the Hollywood legend while also challenging audiences to recontextualize her achievements and her legacy.

In 1964, at the height of her fame, Elizabeth Taylor sat down with journalist Richard Meryman for a candid, extensive interview. Drawing from 40 hours of the newly unearthed audio interviews and extraordinary access to personal photos, home movies, archival interviews, and news footage, illustrated with clips from the iconic roles that mirror her real-life challenges and triumphs, Elizabeth Taylor: The Lost Tapes provides the most intimate portrait of the actress to date. Modest, bawdy, charming, honest, at times frustrated, Taylor comes to life as she discusses her film debut in 1943’s Lassie Come Home, her struggle to free herself from the limitations of ingénue roles, her benchmark roles in Giant, Cat on a Hot Tin Roof, and Butterfield 8, for which she won her first of two Academy Awards, and the excesses of shooting the troubled epic 1963 film Cleopatra.

Taylor also speaks unguardedly about her marriages and children, her close friendships with Rock Hudson, Montgomery Clift, and Roddy McDowall, and her fifth marriage to Richard Burton, with whom she would star in Who’s Afraid of Virginia Woolf?, winning her second Academy Award. Peeling back the layers of one of cinema’s most enduring icons, the conversations reveal a woman at odds with her screen image, yearning for respect and agency, while forever under the microscope of scrutinizing press and the public.”

Elizabeth Taylor: The Lost Tapes Poster
Poster for ‘Elizabeth Taylor: The Lost Tapes’ (Photo Courtesy of HBO)

J.J. Abrams, Sean Stuart, Glen Zipper, Bill Gerber, and Rachel Rusch Rich serve as producers. Executive producers include Burstein, Barbara Berkowitz, Tim Mendelson, Quinn Tivey, and HBO’s Nancy Abraham, Lisa Heller, and Sara Rodriguez.




The Last Breath Review: Just Another Fish in the Shark Movie Sea

The Last Breath Review
Kim Spearman and Jack Parr in Joachim Hedén’s ‘THE LAST BREATH’ (Photo Courtesy of RLJE Films)

Shark movies have become a genre within themselves. They’re generally pretty hit-and-miss, though. For every good shark movie, there’s an equal and opposite bad one. For every Jaws, there’s a Shark Night. For every The Shallows, there’s a Santa Jaws. And for every Open Water, there’s a The Last Breath.

The Last Breath is about an old seaman named Levi (Warlock’s Julian Sands in what would wind up being his final role) and his first mate, Noah (Jack Parr from Peaky Blinders), who, after searching long and hard, finally locate a wrecked WWII warship called the USS Charlotte.

A group of Noah’s college friends happen to be in town, and when they find out about the Charlotte, they want to scuba dive the site. Levi and Noah initially refuse, but money talks, and soon the group is underwater exploring the shipwreck. Of course, there are sharks in and around the ship, and the gang quickly gets trapped within the vessel’s labyrinthian corridors with the man-eating predators.

Directed by Joachim Hedén (Breaking Surface) from a screenplay by Nick Saltrese (Shark Bait) and a story by Andrew Prendergast (An American Exorcism), The Last Breath is…a shark movie. In a sub-genre that is flooded (both figuratively and literally) with content, it just sort of blends in. It’s well made, and it’s suspenseful and intriguing enough, it’s just that it doesn’t really stand out from any of the other hundreds (or even thousands?) of shark movies out there.

All of the tropes and stereotypes are there. The group of divers is trapped, unable to communicate for help with the surface, while sharks keep them pinned down. There’s the added ticking clock of their air running low (hence the title) which adds a layer of tension to the festivities, but for the most part, you know what you’re going to get with The Last Breath – computer-generated sharks hunting good-looking young people until there’s an ultimate sacrifice to save the day.

The Last Breath does play pretty well into established fears, making it a decent enough horror movie. There’s the fear of water, sharks, drowning, enclosed spaces, being lost, and even mistrust of one’s friends. But even reinforcing these very real fears, the movie sensationalizes them in exploitational ways. You’re not just going to drown, you’re going to drown alone at the bottom of the sea when your friends ditch you. You’re not just going to be attacked by a shark, you’re going to be ripped apart so that you bleed to death before the hungry predator eats you. It’s a creature feature slasher movie, no more, no less.

There’s obviously a market for movies like The Last Breath, which is why so many of them exist. And, in reality, that demographic will probably have fun with The Last Breath. But they’ll also move on once the next movie like it is released. The Last Breath is far from a classic. It’s just another fish in the sea.

GRADE: C

MPAA Rating: R for bloody and grisly images, and language

Release Date: July 26, 2024 in theaters and On Demand

Running Time: 92 minutes

Distributor: RLJE Films




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