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Exclusive Interview: ‘Revenge’s Josh Bowman on ‘Escaping the Madhouse: The Nellie Bly Story’

Escaping the Madhouse Josh Bowman and Christina Ricci
Christina Ricci and Josh Bowman star in ‘Escaping the Madhouse: The Nellie Bly Story’ (Photo by Courtesy of Lifetime)

Nellie Bly exposed the abuses perpetrated inside mental care asylums in the late 1800s. Christina Ricci plays Nellie in the Lifetime original movie Escaping the Madhouse: The Nellie Bly Story. In this dramatization, Nellie loses her memory due to electroshock treatments and has to piece together her own story. Inside, she runs afoul of Matron Grady (Judith Light) and psychiatrist Dr. Josiah (Josh Bowman).

Bowman, a fan favorite from ABC’s Revenge, spoke to Showbiz Junkies about his role in Escaping the Madhouse and working with Ricci and Light. Escaping the Madhouse: The Nellie Bly Story airs Saturday, January 19, 2019 at 8pm ET/PT on Lifetime.

What were the most intense or challenging scenes?

Josh Bowman: “I had about 23 pages to do my first three days and I had five days to prep. That was a challenge. That was for sure a challenge.”

Are you usually good at memorizing?

Josh Bowman: “No, no. No, I’m not.”

You’ve made it pretty far.

Josh Bowman: “Hopefully it’s not just learning lines, but you’re right. That’s kind of the job, isn’t it?”

Have you developed tricks?

Josh Bowman: “Cutting dialogue. ‘Can we change that? I think we don’t need to say that. I can do it with a look, a gesture, an action.'”

Did you do that a lot on Revenge?

Josh Bowman: “Oh God, yeah. Cut my lines.”

After those first three days and 23 pages did it get lighter for you?

Josh Bowman: “Yes, and it was a good jumping off point, literally, because it was just all right, buddy, you’ve got three or four days. Just go, go, go. It was nice after that. I had time for everything to come through osmosis and sit into who this guy is. It was good. I didn’t get a lot of time to think.

Sometimes the actor gets in their own way. It gets a bit up here when it should be a bit more down here. And again, I just had a ball working with these actors and a good filmmaker, Karen Moncrieff. As I said, it was me and the ladies for a month in Winnipeg.”

Did you get much input into your look?

Josh Bowman: “Yes, I had all the input. I collaborated with Karen, the director. I wanted him to have a mid-Atlantic accent voice but then she quite rightly said that he should be an immigrant, come from England. There were lots of people coming from all over Europe to America. And also, it gave him a different layer that maybe he’s fleeing something, maybe he’s escaped somewhere that he maybe should be put into, i.e. a jail. So yeah, it was good that she made that call, and they had beards. There was either beard, mustache or clean shaven. I felt a beard was a little bit more studious. I wanted him to be a little older than I am, so there was that.”

That’s the classic Sigmund Freud impression.

Josh Bowman: “Yes, beards or no beards and a mustache is a little pervy sometimes. I’ve had one so I know.”

What sort of relationship did you have with Christina Ricci?

Josh Bowman: “You know, it was a film where we didn’t have too much time to prepare. So I didn’t meet her before. We met on set and got to work. She was very well prepared. She was super professional, great actress to work with, as was Judith Light who is obviously the antagonist in the story. So me and her had a lot of fun playing against each other. She was a marvelous actress.”

Was there any parallel to Revenge which took many seasons to work out all these manipulations?

Josh Bowman: “Well, luckily with this we got the beginning, middle, and end in one script instead of being told a few days before. Those scripts changed so often, so yeah. I love both mediums, where you can develop a character over a long period of time and you can really see them grow and rise and fall. In film, you don’t obviously get that as much. You know the segments and it’s pretty mapped out once you get in there.”

Were there any big Revenge twists that blindsided you?

Josh Bowman: “Probably the fact that her father was alive. That was probably the biggest one because I didn’t think they’d actually go through with it.”

How early did you get to know that?

Josh Bowman: “They were pretty good at keeping these secret. They really were. It was usually the read through. Maybe a couple days, someone would have seen a script and said, ‘Oh, you’ll never guess what… no!'”

Have the Revenge fans followed you to subsequent projects?

Josh Bowman: “I think yeah, they have. We had the best fans. They loved the story and it was such a whirlwind, all of it. We had amazing fans of the show and people who followed it from the beginning and really related to the story and the themes. Yes, it got a bit mad in there and it got a little over the top, but I think with the production and the acting and some of the writing, we managed to keep it grounded somewhat in such a crazy world.”

Do you expect a little overlap between Revenge fans and Lifetime viewers?

Josh Bowman: “I don’t know. You’d have to tell me. I wouldn’t know. I hope people check the film out. I hope they enjoy it. I think they’ll be educated by it. They’ll learn about Nellie Bly and what she had to overcome. I know I did. I think there’s a great story of overcoming obstacles and perseverance and a strong female heroine who overcomes it all.”

Will you watch Nellie Bly live?

Josh Bowman: “Maybe I will. Maybe I will. I hesitate because I don’t like watching myself at all. But I’ll gladly watch the girls’ performances and see what they did. I’ll definitely watch it.”

Did they have you live tweeting Revenge?

Josh Bowman: “I’m not a Tweeter so I said, ‘See you later, guys. I’ll be doing my own thing.’ I think everyone else tweeted but I don’t know what a tweet is these days. Is it a bird or is it a thing that happens off your phone?”

Are you a big TV watcher?

Josh Bowman: “I’ve been watching Black Mirror. I’ve been watching You. I was watching a bit of that which was pretty good. I just got married so I actually haven’t been watching as much. I kinda put the TV and film stuff down. This weekend I’m going to binge. I’ve got a lot of films to watch. I’m going to check out a lot of films.”

What’s on your list?

Josh Bowman: “The list is The Favourite, Green Book, Cold War, Shoplifters… That’s a good starting point.”

How long did it take you to watch Bandersnatch?

Josh Bowman: “I still haven’t finished it because it kept repeating itself and I got fed up with it. I think it’s the worst one they’ve done. I thought the originals were just better. I love the freedom of choice, massive fan of it, but it’s not. It’s go back and re-choose what we want you to choose. Well, you’ve taken that away from me then. That’s why I enjoyed watching it.

It was like a video game that I’ve played before. I’ve seen this ending, I’ve seen this, I’ve seen this, so I gave up on it. It killed me. I felt Mosaic did it well. Did you see Mosaic, Soderbergh on HBO? They did a freedom of choice. They did it on an app and I was watching it on my phone, on my iPad. That was cool. Sharon Stone and Garrett Hedlund are in it. Soderbergh’s one of my favorite filmmakers. It was good. It was really good. It was different. I think people are probably going to start doing that more. People want choices now. It’s a transient world we live in, right? No, I don’t want that, I want the red one. It’s like all right, have the red one then. Put it on the video game.”




Ted Bundy Documentary Series Features New Audio of the Serial Killer

Netflix just released a two-minute trailer for the documentary series Conversations with a Killer: The Ted Bundy Tapes. The series features never-before-heard audio interviews with the serial killer while he was on death row.

Netflix has set a Thursday, Jan 24, 2019 premiere date for the documentary series directed by Joe Berlinger. January 24th will mark the 30th anniversary of Bundy’s execution in prison.

Director Berlinger was nominated for an Oscar for his 2011 documentary, Paradise Lost 3: Purgatory. He also directed Unspeakable Crime: The Killing of Jessica Chambers, Cold Blooded: The Clutter Family Murders, and Metallica: Some Kind of Monster.

Sara Enright produced with Justin Wilkes, Jon Doran, and Jon Kamen executive producing.

Conversations with a Killer: The Ted Bundy Tapes Plot Details:

“Conversations with a Killer: The Ted Bundy Tapes brings the infamously twisted mind of serial killer Ted Bundy into the light for the very first time and invades our psyche in a fresh yet terrifying way through exclusive, never-before-heard interviews from the ‘Jack the Ripper of the United States,’ himself. This unique and gripping doc series, directed and executive produced by true crime pioneer Joe Berlinger, focuses on the man whose personality, good looks and social graces defied the serial-killer stereotype, allowing him to hide in plain sight as he committed the brutal sex-crime slayings of more than 30 women before being caught in 1978.

While on trial, Bundy received extraordinary adoration from American women, which made his gruesome crimes doubly haunting, even in an era of anything-goes mayhem. Inspired the book of the same name written by Stephen G. Michaud and Hugh Aynesworth, the series utilizes over 100 hours of exclusive audio interviews that the two journalists conducted with Bundy on death row in 1980, giving the unique perspective of hearing the killer analyze his own life and motives.”

Conversations with a Killer: The Ted Bundy Story Poster
Poster for the documentary series, ‘Conversations with a Killer: The Ted Bundy Story’ (Photo Credit: Netflix)




‘So You Think You Can Dance’ Renewed for Season 16: Audition Details Announced

So You Think You Can Dance Season 16

So You Think You Can Dance will return for season 16 as officially announced today by Fox. The dance competition series’ 16th season will air during the summer of 2019, with auditions set to take place in Dallas, Los Angeles, and New York City in February.

The popular dance show has racked up 64 Emmy Award nominations, winning 16 times in categories including Outstanding Choreography, Outstanding Costumes, and Outstanding Lighting Design. Choreographers Mandy Moore, Travis Wall, Mia Michaels, Napoleon & Tabitha Dumo, Tyce Diorio, and Wade Robson have each earned Emmys for their work on the Fox series.

“Each season, the talent on So You Think You Can Dance reaches new levels and continues to create the most incredible routines,” stated Rob Wade, President, Alternative Entertainment and Specials, Fox Broadcasting Company. “The hard work and passion that goes into each performance is awe-inspiring. We can’t wait to see what Season 16 has in store and look forward to bringing you a new crop of incredible, inspired and inspiring dancers.”

“I am thrilled that we have been picked up by FOX for Season 16 of So You Think You Can Dance,” said executive producer Nigel Lythgoe. “This allows us to shine the spotlight once again on the incredible choreographic and dance talent across the United States as we search for America’s favorite dancer.”

The series is also executive produced by Allen Shapiro, Barry Adelman, Mike Yurchuk, Jeff Thacker, Eli Holzman, and Aaron Saidman.

SYTYCD Audition Details, Courtesy of Fox:

Auditions for the 16th season of So You Think You Can Dance kick off next month. Dancers can audition online by registering and uploading a video, or providing a link to a video of their performance, at soyouthinkyoucandance2019season16.castingcrane.com. Selected dancers will be invited to attend auditions in New York (Feb. 9), Dallas (Feb. 12) and Los Angeles (Feb. 23). From those auditions, the dancers selected will be invited to Los Angeles to perform for the judges.

Dancers either must be U.S. citizens, legal permanent residents of the U.S. or possess current legal Employment Authorization Cards enabling them to seek employment freely in the U.S. (i.e., without restrictions as to employer) by the date specified in the eligibility rules. Dancers must be no younger than 18 or older than 30 years of age on the day of their in-person auditions. Dancers must provide legal, valid proof of age when they register for auditions.

The deadline to register online for a chance to audition in New York and Dallas is Sunday, Jan. 27, 2019 at midnight PT. The deadline to register online for a chance to audition in Los Angeles is Sunday, Feb. 10, 2019 at midnight PT.

  • Saturday, Feb. 9
    New York Auditions
    Gelsey Kirkland Academy of Classical Ballet
    29 Jay St
    Brooklyn, NY11201
    **Dancers should arrive at 7:00 AM**
  • Tuesday, Feb. 12
    Dallas Auditions
    Duncanville Fieldhouse
    1700 S Main St
    Duncanville, TX 75137
    **Dancers should arrive at 7:00 AM**
  • Saturday, Feb. 23
    Los Angeles Auditions
    BBC Highland Studios
    953 N Highland
    Los Angeles, CA 90036
    **Dancers should arrive at 7:00 AM**




Michelle Yeoh to Headline a New ‘Star Trek’ Series

Star Trek: Discovery Michelle Yeoh
Michelle Yeoh as Georgiou in ‘Star Trek: Discovery’ (Photo Cr: James Dimmock © 2018 CBS Interactive)

The Star Trek world is expanding once again, with CBS All Access confirming a new live-action Star Trek series is in the development stage. Michelle Yeoh’s Captain Philippa Georgiou character will be spun-off from Star Trek: Discovery into the new currently untitled series involving the Section 31 division.

The untitled series has Alex Kurtzman, Heather Kadin, Rod Roddenberry and Trevor Roth on board as executive producers. Erika Lippoldt’s been tapped to write the spin-off which will explore the shadow organization within the Federation. CBS Television Studios, Secret Hideout and Roddenberry Entertainment are producing the new sci-fi series.

“I’m so excited to continue telling these rich Star Trek stories,” said Michelle Yeoh. “Being a part of this universe and this character specifically has been such a joy for me to play. I can’t wait to see where it all goes – certainly I believe it will go ‘where no WOMAN has ever gone before!’”

“Michelle has shattered ceilings, broken boundaries, and astonished us with her grace and gravitas for decades. As a human, I adore her. As an actor, I revere her,” stated Alex Kurtzman. “Erika and Boey are remarkable, exciting writers who bring a fresh perspective to the world of Star Trek, and we’re all thrilled to explore the next wild chapter in the life of Captain Philippa Georgiou.”

In addition to Star Trek: Discovery, Michelle Yeoh’s credits include Crazy Rich Asians, Crouching Tiger, Hidden Dragon, Memoirs of a Geisha, Sunshine, and Tomorrow Never Dies.

Season two of Star Trek: Discovery will premiere on Thursday, January 17, 2019. CBS All Access hasn’t announced when we can expect the just-announced new series to debut.

The cast of Star Trek: Discovery is led by Sonequa Martin-Green (Commander Michael Burnham) and includes Doug Jones (Commander Saru), Shazad Latif (Ash Tyler), Anson Mount (Captain Christopher Pike), Anthony Rapp (Lt. Commander Paul Stamets), Mary Wiseman (Ensign Sylvia Tilly), Wilson Cruz (Dr. Hugh Culber), Mary Chieffo (L’Rell), and Ethan Peck (Spock).




‘Roswell, New Mexico’ – Carina Adly MacKenzie Discusses the New Sci-Fi Series

The CW’s delving into aliens on Earth with a revamped version of the 1999 fan fav, Roswell. 2019’s Roswell, New Mexico ups the ages of the lead characters introduced in Melinda Metz’ young adult Roswell High book series and adds in a murder mystery. Jeanine Mason and Nathan Dean Parsons take on the lead roles with support from Lily Cowles, Michael Vlamis, Michael Trevino, Tyler Blackburn, Heather Hemmens, Trevor St. John, and Karan Oberoi.

Writer/executive producer/showrunner Carina Adly MacKenzie joined the cast at the New York Comic Con to tease the show’s first season. In our roundtable interview, MacKenzie talked about how the new series differs from the original show, bringing on some The Vampire Diaries/The Originals cast members, and the influence of social media on storytelling.

Roswell, New Mexico will premiere on January 15, 2019 at 9pm ET/PT.

How many Easter eggs have you worked in?

Carina Adly MacKenzie: “So far just one. We have a Tess mention in episode six. It’s funny because I keep getting asked about Easter eggs and I am less familiar with the details of the original series and the books than people might think. I mean, I watched it when I was a kid. I was 12 when the show started. I watched it and I loved it, and then I popped in to rewatch bits and pieces when I was writing the pilot. I read the first book, but I wish I had a better memory. Yeah, I figured we had to name-drop Tess.”

What were some of your inspirations going into the series, aside from the books?

Carina Adly MacKenzie: “I love cowboys. Really, for me what it was was I was wrapping up my run on The Originals and they came to me and said, ‘Would you be interested in revamping Roswell?’ and I said no because I didn’t really want to do a teen supernatural romance. But I owed Warner Bros a pilot, so I wanted to go in and pitch them something.

Julie Plec suggested I go in and pitch them the version that I would want to do. So, I made everybody grown-up. I just really wanted to do stories about what it feels like…I think that people talk about being on the cusp of adulthood as being 18, but in my experience being on the cusp of adulthood is being 28. Maybe that’s just the factor of being millennial, but I think that was when I really felt like I had one foot in childhood and one foot in adulthood. And so, I really wanted to tell that story.

The influences that I was feeling at the time were one, ‘politics Twitter’ which was my whole entire life and continues to be my whole entire life. And two, I love murder so a lot of murder podcasts and murder documentaries. I wanted to tell a small-town murder mystery. When I went in to pitch Roswell I was like, ‘They’re grown-ups. One’s a cop. It’s a small-town murder mystery. Oh yeah, also aliens!’

They liked it. And so, we’ve got a lot of influences. I’m very influenced by old cowboy stuff and very classic sci-fi. What we’re trying to do is take sort of classic sci-fi ideas and then flip them. So, we’re taking a look at like Body Snatchers and Stepford Wives, and alien autopsies. How do we start to make people think they know what we’re about to do and then twist it? So, it’s going to be really fun.”

How do you think this series is going to resonate with fans of the original series?

Carina Adly MacKenzie: “I hope it’s going to resonate well because I was an original fan. I really liked the show as a kid. One of my best friends in the world recently confessed to me that when she was a kid, she wrote tons and tons of Roswell fan fiction. I was like, ‘Jesus, come on! This is a lot of pressure! Also, can you send it to me because I don’t know what we’re doing in episode seven?’

I hope that they like it. I hope that it feels like it honors the feeling of the original show. I think that what I was trying to do is the original show to me resonated so well because when you’re in high school everybody feels alone, everybody feels like a freak. And so I wanted to take that and raise the stakes a little bit because in adulthood right now, especially in this country, feeling alone and feeling like a person without a community means something different than it means in high school. The stakes are different. Not necessarily higher because what represents high stakes in high school is different from high stakes as an adult. That’s what I wanted to play with.

I hope people see the heart of the characters they loved so much but don’t go in expecting them to be the same. I don’t think our versions of the characters are better or worse. They’re really different, but god I loved them – the characters that I watched as a kid. I hope people feel like we’re honoring it as opposed to trying to replace it or trying to step on it in any way.”

Roswell, New Mexico Jeanine Mason and Nathan Parsons
Nathan Parsons as Max Evans and Jeanine Mason as Liz Ortecho in ‘Roswell, New Mexico’ (Photo: JSquared Photography © 2018 The CW Network)

What’s been it been like as a female showrunner with a strong, intelligent female lead? Has there been a lot of pressure in the climate today?

Carina Adly MacKenzie: “No. Jeanine is brilliant and is so engaged. Jeanine and Nathan have really been partners for me in this process. We, during the pilot, had family dinners – the four of us with Julie Plec – and really dug into the script. We’d sit there and I’m crying about my daddy issues that I put into this scene, and then I’m like talking about my ex-boyfriend in this scene and really getting into the heart of what we’re trying to do. And so I think that we have an intelligent female character, an intelligent female actress, an intelligent female showrunner, really great female directors, and what we’re making is, I think, really good.

I don’t think we need to feel like we’re representing all women with it. I’m starting to feel like getting out of bed as a successful female in the morning is an act of political protest in itself and I don’t need my show to be that, though I think it is kind of becoming it anyway. But no, I don’t feel pressure when it comes to that because I feel immensely supported by the people that I’m working with. I think we exist in a world that really tries to break down women’s confidence, and I have just gotten to a point where I’m really confident in the work that I’m doing and the people that I have surrounded myself.”

How influenced are you by social media?

Carina Adly MacKenzie: “A lot! I’m very influenced by it because I like to… I should say not necessarily by the fan aspect of it, but by the political aspect of it. I get into some of my most intelligent conversations on Twitter – also some of my least intelligent, for sure. But I’ve learned a lot.

People like to put down social media and sort of turn up their nose at millennials being on their phones all the time, but we’ve gotten an opportunity to hear stories from people across the world that we never would have been able to hear stories from and engage with people that we never would be able to reach. So, I think a lot in my writing about how Twitter is going to respond because I think Twitter has become sort of the checks and balances for art. They will tell you if something’s problematic, which is good. We’re telling stories about race and immigration and sexuality and gender, and I think we are definitely going to step into territory that is scary to step into. So, I try to look at it from the perspective of Twitter and hope that I am telling stories that make people feel included.

I was deeply, deeply affected a few years ago by the #BuryYourGays movement on Twitter which I thought was so important and changed the way that we talk in writers rooms and changed the way that we talk about a character’s fate, because a character becomes representative of something larger. That also led me to really avoid tokenism on my show.

We were talking a lot about Liz who’s a Latina and she’s the daughter of undocumented immigrants. She’s not the only Latin character on the show. We’ve also got Michael Trevino who plays Kyle Valenti. Michael played a white character on The Vampire Diaries, but Michael Trevino is 100% Mexican. We now have another perspective of a family that did immigrate legally, and those perspectives are not necessarily the same on our show. So, we’re really trying open up the world and include different points of view and tell stories that make people feel heard. A lot of that is because of social media.”

Will there be more cast members from The Vampire Diaries showing up?

Carina Adly MacKenzie: “I don’t think so. Nathan and I worked together on The Originals. Trevino I have known since the very beginning of The Vampire Diaries because I covered The Vampire Diaries as a journalist. I was so nervous on set the first day and he came up and was like, ‘You look nervous. I’m Michael Trevino.’ We’ve been really good friends for like almost 10 years now.

It’s funny because we’re right now shooting a flashback episode and Trevino walks in all clean-shaven. I’m like, ‘Tyler Lockwood, how you been?’ (Laughing) It’s been really wonderful having everybody – Riley Voelkel – on board. She’s become a very big part of this season. Paul Wesley… Actually, he’s here. I had dinner with him last night. We both flew from Santa Fe on the same day because he’s directing for us right now.

I feel incredibly lucky to have my Vampire Diaries family with me at all times. We really are still there for each other at crucial moments, but I think we have enough Vampire Diaries people on the show for right now. Though I will say, I really, really hope that someday Charles Michael Davis’ schedule clears up and I get to work with him again because I would really love to work with him forever until I die.”




The Who Announce Their 2019 “Moving On!” North American Tour Dates

The Who Moving On Tour

The Who’s Roger Daltrey and Pete Townshend just announced details of their 2019 tour, “Moving On!,” kicking off on May 7th in Grand Rapids, MI. The North American tour will stop in 29 cities including Nashville, Chicago, Detroit, Atlanta, Los Angeles, and Houston before wrapping up on October 23rd in Edmonton, AB.

Joining singer Daltrey and guitarist/songwriter Townshend on stage for the tour will be guitarist/backup singer Simon Townshend, keyboardist Loren Gold, bassist Jon Button, and drummer Zak Starkey. The band is expected to put out their first album in 13 years in 2019.

“The Who are touring again in 2019,” said Townshend. “Roger christened this tour Moving On! I love it. It is what both of us want to do. Move on, with new music, classic Who music, all performed in new and exciting ways. Taking risks, nothing to lose. Looking forward to seeing you all. Are you ready?”

Daltrey added, “Be aware Who fans! Just because it’s The Who with an orchestra, in no way will it compromise the way Pete and I deliver our music. This will be full throttle Who with horns and bells on.”


Tickets for the “Moving On!” tour go on sale to the general public on Friday, January 18, 2019 via LiveNation.com. Fan club members can participate in a special presale beginning Wednesday, January 16 at 10am local time through Thursday, January 17 at 10pm local time. $1 from each ticket purchased will be donated to Teen Cancer America.

2019 The Who North American Tour Dates

Summer Dates

    May 7 / Van Andel Arena / Grand Rapids, MI
    May 9 / KeyBank Center / Buffalo, NY
    May 11 / Jiffy Lube Live / Bristow, VA
    May 13 / Madison Square Garden / New York, NY
    May 16 / Bridgestone Arena / Nashville, TN
    May 18 / Ruoff Home Mortgage Music Center / Noblesville, IN
    May 21 / Hollywood Casino Amphitheatre / Chicago, IL
    May 23 / Hollywood Casino Amphitheatre St. Louis / Maryland Heights, MO
    May 25 / Citizens Bank Park / Philadelphia, PA
    May 28 / Little Caesars Arena / Detroit, MI
    May 30 / PPG Paints Arena / Pittsburgh, PA
    June 1 / Scotiabank Arena / Toronto, ON

Fall Dates

    Sept 6 / Xcel Energy Center / St. Paul, MN
    Sept 8 / Alpine Valley Music Theatre / Alpine Valley, WI
    Sept 10 / Blossom Music Center / Cuyahoga Falls, OH
    Sept 13 / Fenway Park / Boston, MA
    Sept 15 / Northwell Health at Jones Beach Theater / Wantagh, NY
    Sept 18 / State Farm Arena / Atlanta, GA
    Sept 20 / BB&T Center / Ft. Lauderdale, FL
    Sept 22 / Amalie Arena / Tampa, FL
    Sept 25 / Toyota Center / Houston, TX
    Sept 27 / American Airlines Center / Dallas, TX
    Sept 29 / Pepsi Center / Denver, CO
    Oct 11 / Hollywood Bowl / Los Angeles, CA
    Oct 13 / Hollywood Bowl / Los Angeles, CA
    Oct 16 / Viejas Arena at Aztec Bowl San Diego State University / San Diego, CA
    Oct 19 / T-Mobile Park / Home of the Seattle Mariners / Seattle, WA
    Oct 21 / Pepsi Live at Rogers Arena / Vancouver, BC
    Oct 23 / Rogers Place / Edmonton, AB




‘Game of Thrones’ Season 8 Teaser Trailer and Premiere Date

Viewers tuning in to watch the season three premiere of HBO’s True Detective were the first to see a new teaser trailer for season eight of Game of Thrones. The minute and a half teaser features Jon Snow (Kit Harington), Sansa Stark (Sophie Turner), and Arya Stark (Maisie Williams) reunited in the family’s family crypt at Winterfell. They walk the darkened corridor until it ends and they come face-to-face with statues of themselves.

As three of the four remaining Stark children walk through the crypt, whispers of their deceased family members can be heard. They pass Lyanna Stark’s tomb and we hear, “You have to protect him,” the instruction she gave her brother Ned in her final moments after delivering Jon (fathered by Rhaegar Targaryen).

Catelyn Stark is heard saying, “All this horror that has come to my family, it’s all because I couldn’t love a motherless child.”

Ned Stark is next and he confirms Stark blood flows through Jon’s veins. “You are a Stark. You might not have my name, but you have my blood.”

After realizing their own images are carved in stone, Jon, Sansa, and Arya feel the chill seeping through the crypt. A fog rolls in and Jon and Arya draw their swords to face an unseen enemy.

The teaser trailer directed by David Nutter (Emmy winner for the season five finale, “Mother’s Mercy”) ends with the reveal of the final season’s premiere date. Season eight will arrive on Sunday, April 14, 2019 at 9pm ET/PT. According to HBO, the new season will consist of just six episodes. Fortunately, each episode will be super-sized.

Discussing season eight with Variety, HBO CEO Richard Pepler described each episode as a movie. “I’ve watched them twice without any CGI and I’m in awe. Everybody’s in for an extraordinary treat of storytelling and of magical, magical production,” said Pepler.

Although Game of Thrones is coming to an end, fans can look forward to multiple prequels. The first, The Long Night, takes place thousands of years before the events in Game of Thrones.

Per HBO’s website: “The series chronicles the world’s descent from the golden Age of Heroes into its darkest hour. From the horrifying secrets of Westeros’s history to the true origin of the White Walkers, the mysteries of the East to the Starks of legend, only one thing is for sure: It’s not the story we think we know.”

The Long Night cast is led by Naomi Watts (Twin Peaks) and Josh Whitehouse (Poldark). The series also features Naomi Ackie (Lady Macbeth), Denise Gough (Monday), Jamie Campbell Bower (Sweeney Todd: The Demon Barber of Fleet Street, Mortal Instruments), Sheila Atim (Harlots), Ivanno Jeremiah (Humans), Georgie Henley (The Chronicles of Narnia films), Alex Sharp (How to Talk to Girls at Parties) and Toby Regbo (The Last Kingdom, Reign).




‘Gotham’ Season 5 Episode 3 Photos: “Penguin, Our Hero” Preview

Fox’s Gotham season five episode two found Jim Gordon needing to rely on help from Barbara in order to save some of Gotham’s children. In exchange, Barbara wanted Jim to help kill Penguin. Poison Ivy, known as The Witch by the locals, re-enters the story and heals a horribly injured Selina. The cure makes Selina feel different, and one of the episode’s finale scenes confirms Selina’s transforming into Catwoman. The preview for season five episode three even shows her hissing!

Up next, Gotham season five episode three titled “Penguin, Our Hero.” Episode three airs on January 17, 2019 at 8pm ET/PT.

The cast of the comic book-inspired series’ final season is led by Ben McKenzie as Detective James Gordon. Donal Logue is Detective Harvey Bullock, Sean Pertwee is Alfred Pennyworth, Robin Lord Taylor is Oswald Cobblepot/The Penguin, and Erin Richards is Barbara Kean. David Mazouz plays Bruce Wayne, Camren Bicondova is Selina Kyle/the future Catwoman, Cory Michael Smith is Edward Nygma/The Riddler, and Chris Chalk plays Lucius Fox.

The “Penguin, Our Hero” Plot: With the creation of Haven as a safe place for refugees, Gordon hopes to stop the gang fighting in Gotham. Meanwhile, Selina is determined to find Jeremiah (guest star Cameron Monaghan) and she convinces Bruce to help her. Then, Penguin goes to Haven to reclaim his staff.

The Gotham Plot:

Gotham is an origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer and writer Bruno Heller and executive producers Danny Cannon and John Stephens, Gotham follows the rise of Det. James Gordon (McKenzie) through a dangerously corrupt city teetering between good and evil, and chronicles the birth of one of the most popular super heroes of our time.

Beginning in Winter 2019, Gotham will air its fifth and final season, wrapping up this beloved series in a farewell event that will focus on Bruce Wayne’s (Mazouz) transformation into the caped crusader.

Gotham Season 5 Episode 3
David Mazouz and Camren Bicondova in ‘Gotham’ season 5 episode 3(Photo © 2018 Fox Broadcasting Co)
Gotham Season 5 Episode 3
Ben McKenzie in the ‘Penguin, Our Hero’ episode of ‘Gotham’ (Photo © 2018 Fox Broadcasting Co)
Gotham Season 5 Episode 3
Guest star Francesca Root-Dodson in season 5 episode 3 (Photo © 2019 Fox Broadcasting Co)
Gotham Season 5 Episode 3
David Mazouz and Camren Bicondova in season 5 episode 3 (Photo © 2018 Fox Broadcasting Co)
Gotham Season 5 Episode 3
Robin Lord Taylor as Penguin in season 5 episode 3 (Photo © 2018 Fox Broadcasting Co)




Critics’ Choice Awards 2019 Winners: Roma, The Americans, Marvelous Mrs. Maisel Win Big

Critics' Choice Awards Roma
Marco Graf as Pepe, Daniela Demesa as Sofi, Yalitza Aparicio as Cleo, Marina De Tavira as Sofia, Diego Cortina Autrey as Toño, and Carlos Peralta Jacobson in ‘Roma’ (Photo by Carlos Somonte)

Roma emerged as the big winner among the film nominees at the 24th Annual Critics’ Choice Awards. The moving drama took home the Best Picture and Best Foreign Language Film awards, and writer/director Alfonso Cuarón earned Best Director and Best Cinematography honors. Black Panther and Vice were close behind with three wins each, including two wins for Vice‘s Christian Bale (Best Actor, Best Actor in a Comedy).

Among the television nominees The Marvelous Mrs. Maisel and the final season of The Americans each scored three wins, topping the TV list. The Assassination of Gianni Versace: American Crime Story, Barry, and Sharp Objects followed with two awards each. Sharp Objects‘ Amy Adams was included in one of the two tied category wins this year, sharing a win in the Best Actress in a Limited Series category with Escape at Dannemora‘s Patricia Arquette. Glenn Close and Lady Gaga were involved in the other tie, splitting the vote in the Best Actress category.


Taye Diggs did a terrific job hosting the awards show which aired on The CW on Sunday, January 13, 2019. Diggs kicked off the show with a musical number celebrating diversity on the screen and behind the camera in 2018, and then spent much of his time as host among the tables in the crowd interacting with the celebrities in attendance.

The annual Critics’ Choice Awards are voted on by members of the Broadcast Television Journalists Association* and Broadcast Film Critics Association*. The Critics’ Choice Awards have been, according to the BFCA, one of the most accurate predictors of the Oscar nominations.

24TH ANNUAL CRITICS’ CHOICE AWARDS FILM NOMINEES AND WINNERS

    BEST PICTURE
    Black Panther
    BlacKkKlansman
    The Favourite
    First Man
    Green Book
    If Beale Street Could Talk
    Mary Poppins Returns
    WINNER: Roma
    A Star Is Born
    Vice

    BEST ACTOR
    WINNER: Christian Bale – Vice
    Bradley Cooper – A Star Is Born
    Willem Dafoe – At Eternity’s Gate
    Ryan Gosling – First Man
    Ethan Hawke – First Reformed
    Rami Malek – Bohemian Rhapsody
    Viggo Mortensen – Green Book

    BEST ACTRESS
    Yalitza Aparicio – Roma
    Emily Blunt – Mary Poppins Returns
    WINNER, TIE: Glenn Close – The Wife
    Toni Collette – Hereditary
    Olivia Colman – The Favourite
    WINNER, TIE: Lady Gaga – A Star Is Born
    Melissa McCarthy – Can You Ever Forgive Me?

    BEST SUPPORTING ACTOR
    WINNER: Mahershala Ali – Green Book
    Timothée Chalamet – Beautiful Boy
    Adam Driver – BlacKkKlansman
    Sam Elliott – A Star Is Born
    Richard E. Grant – Can You Ever Forgive Me?
    Michael B. Jordan – Black Panther

    BEST SUPPORTING ACTRESS
    Amy Adams – Vice
    Claire Foy – First Man
    Nicole Kidman – Boy Erased
    WINNER: Regina King – If Beale Street Could Talk
    Emma Stone – The Favourite
    Rachel Weisz – The Favourite

    BEST YOUNG ACTOR/ACTRESS
    WINNER: Elsie Fisher – Eighth Grade
    Thomasin McKenzie – Leave No Trace
    Ed Oxenbould – Wildlife
    Millicent Simmonds – A Quiet Place
    Amandla Stenberg – The Hate U Give
    Sunny Suljic – Mid90s

    BEST ACTING ENSEMBLE
    Black Panther
    Crazy Rich Asians
    WINNER: The Favourite
    Vice
    Widows

    BEST DIRECTOR
    Damien Chazelle – First Man
    Bradley Cooper – A Star Is Born
    WINNER: Alfonso Cuarón – Roma
    Peter Farrelly – Green Book
    Yorgos Lanthimos – The Favourite
    Spike Lee – BlacKkKlansman
    Adam McKay – Vice

    BEST ORIGINAL SCREENPLAY
    Bo Burnham – Eighth Grade
    Alfonso Cuarón – Roma
    Deborah Davis and Tony McNamara – The Favourite
    Adam McKay – Vice
    WINNER: Paul Schrader – First Reformed
    Nick Vallelonga, Brian Hayes Currie, Peter Farrelly – Green Book
    Bryan Woods, Scott Beck, John Krasinski – A Quiet Place

    BEST ADAPTED SCREENPLAY
    Ryan Coogler, Joe Robert Cole – Black Panther
    Nicole Holofcener, Jeff Whitty – Can You Ever Forgive Me?
    WINNER: Barry Jenkins – If Beale Street Could Talk
    Eric Roth and Bradley Cooper & Will Fetters – A Star Is Born
    Josh Singer – First Man
    Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee – BlacKkKlansman

    BEST CINEMATOGRAPHY
    WINNER: Alfonso Cuarón – Roma
    James Laxton – If Beale Street Could Talk
    Matthew Libatique – A Star Is Born
    Rachel Morrison – Black Panther
    Robbie Ryan – The Favourite
    Linus Sandgren – First Man

    BEST PRODUCTION DESIGN
    WINNER: Hannah Beachler, Jay Hart – Black Panther
    Eugenio Caballero, Barbara Enriquez – Roma
    Nelson Coates, Andrew Baseman – Crazy Rich Asians
    Fiona Crombie, Alice Felton – The Favourite
    Nathan Crowley, Kathy Lucas – First Man
    John Myhre, Gordon Sim – Mary Poppins Returns

    BEST EDITING
    Jay Cassidy – A Star Is Born
    Hank Corwin – Vice
    WINNER: Tom Cross – First Man
    Alfonso Cuarón, Adam Gough – Roma
    Yorgos Mavropsaridis – The Favourite
    Joe Walker – Widows

    BEST COSTUME DESIGN
    Alexandra Byrne – Mary Queen of Scots
    WINNER: Ruth Carter – Black Panther
    Julian Day – Bohemian Rhapsody
    Sandy Powell – The Favourite
    Sandy Powell – Mary Poppins Returns

    BEST HAIR AND MAKEUP
    Black Panther
    Bohemian Rhapsody
    The Favourite
    Mary Queen of Scots
    Suspiria
    WINNER: Vice

    BEST VISUAL EFFECTS
    Avengers: Infinity War
    WINNER: Black Panther
    First Man
    Mary Poppins Returns
    Mission: Impossible – Fallout
    Ready Player One

    BEST ANIMATED FEATURE
    The Grinch
    Incredibles 2
    Isle of Dogs
    Mirai
    Ralph Breaks the Internet
    WINNER: Spider-Man: Into the Spider-Verse

    BEST ACTION MOVIE
    Avengers: Infinity War
    Black Panther
    Deadpool 2
    WINNER: Mission: Impossible – Fallout
    Ready Player One
    Widows

    BEST COMEDY
    WINNER: Crazy Rich Asians
    Deadpool 2
    The Death of Stalin
    The Favourite
    Game Night
    Sorry to Bother You

    BEST ACTOR IN A COMEDY
    WINNER: Christian Bale – Vice
    Jason Bateman – Game Night
    Viggo Mortensen – Green Book
    John C. Reilly – Stan & Ollie
    Ryan Reynolds – Deadpool 2
    Lakeith Stanfield – Sorry to Bother You

    BEST ACTRESS IN A COMEDY
    Emily Blunt – Mary Poppins Returns
    WINNER: Olivia Colman – The Favourite
    Elsie Fisher – Eighth Grade
    Rachel McAdams – Game Night
    Charlize Theron – Tully
    Constance Wu – Crazy Rich Asians

    BEST SCI-FI OR HORROR MOVIE
    Annihilation
    Halloween
    Hereditary
    WINNER: A Quiet Place
    Suspiria

    BEST FOREIGN LANGUAGE FILM
    Burning
    Capernaum
    Cold War
    WINNER: Roma
    Shoplifters

    BEST SONG
    All the Stars – Black Panther
    Girl in the Movies – Dumplin’
    I’ll Fight – RBG
    The Place Where Lost Things Go – Mary Poppins Returns
    WINNER: Shallow – A Star Is Born
    Trip a Little Light Fantastic – Mary Poppins Returns

    BEST SCORE
    Kris Bowers – Green Book
    Nicholas Britell – If Beale Street Could Talk
    Alexandre Desplat – Isle of Dogs
    Ludwig Göransson – Black Panther
    WINNER: Justin Hurwitz – First Man
    Marc Shaiman – Mary Poppins Returns

24TH ANNUAL CRITICS’ CHOICE AWARDS TELEVISION NOMINEES AND WINNERS

    BEST DRAMA SERIES
    WINNER: The Americans (FX)
    Better Call Saul (AMC)
    The Good Fight (CBS All Access)
    Homecoming (Amazon)
    Killing Eve (BBC America)
    My Brilliant Friend (HBO)
    Pose (FX)
    Succession (HBO)

    BEST ACTOR IN A DRAMA SERIES
    Freddie Highmore – The Good Doctor (ABC)
    Diego Luna – Narcos: Mexico (Netflix)
    Richard Madden – Bodyguard (Netflix)
    Bob Odenkirk – Better Call Saul (AMC)
    Billy Porter – Pose (FX)
    WINNER: Matthew Rhys – The Americans (FX)
    Milo Ventimiglia – This Is Us (NBC)

    BEST ACTRESS IN A DRAMA SERIES
    Jodie Comer – Killing Eve (BBC America)
    Maggie Gyllenhaal – The Deuce (HBO)
    Elisabeth Moss – The Handmaid’s Tale (Hulu)
    WINNER: Sandra Oh – Killing Eve (BBC America)
    Elizabeth Olsen – Sorry For Your Loss (Facebook Watch)
    Julia Roberts – Homecoming (Amazon)
    Keri Russell – The Americans (FX)

    BEST SUPPORTING ACTOR IN A DRAMA SERIES
    Richard Cabral – Mayans M.C. (FX)
    Asia Kate Dillon – Billions (Showtime)
    WINNER: Noah Emmerich – The Americans (FX)
    Justin Hartley – This Is Us (NBC)
    Matthew Macfadyen – Succession (HBO)
    Richard Schiff – The Good Doctor (ABC)
    Shea Whigham – Homecoming (Amazon)

    BEST SUPPORTING ACTRESS IN A DRAMA SERIES
    Dina Shihabi – Jack Ryan (Amazon)
    Julia Garner – Ozark (Netflix)
    WINNER: Thandie Newton – Westworld (HBO)
    Rhea Seehorn – Better Call Saul (AMC)
    Yvonne Strahovski – The Handmaid’s Tale (Hulu)
    Holly Taylor – The Americans (FX)

    BEST COMEDY SERIES
    Atlanta (FX)
    Barry (HBO)
    The Good Place (NBC)
    The Kominsky Method (Netflix)
    WINNER: The Marvelous Mrs. Maisel (Amazon)
    The Middle (ABC)
    One Day at a Time (Netflix)
    Schitt’s Creek (Pop)

    BEST ACTOR IN A COMEDY SERIES
    Hank Azaria – Brockmire (IFC)
    Ted Danson – The Good Place (NBC)
    Michael Douglas – The Kominsky Method (Netflix)
    Donald Glover – Atlanta (FX)
    WINNER: Bill Hader – Barry (HBO)
    Jim Parsons – The Big Bang Theory (CBS)
    Andy Samberg – Brooklyn Nine-Nine (Fox)

    BEST ACTRESS IN A COMEDY SERIES
    Rachel Bloom – Crazy Ex-Girlfriend (The CW)
    WINNER: Rachel Brosnahan – The Marvelous Mrs. Maisel (Amazon)
    Allison Janney – Mom (CBS)
    Justina Machado – One Day at a Time (Netflix)
    Debra Messing – Will & Grace (NBC)
    Issa Rae – Insecure (HBO)

    BEST SUPPORTING ACTOR IN A COMEDY SERIES
    William Jackson Harper – The Good Place (NBC)
    Sean Hayes – Will & Grace (NBC)
    Brian Tyree Henry – Atlanta (FX)
    Nico Santos – Superstore (NBC)
    Tony Shalhoub – The Marvelous Mrs. Maisel (Amazon)
    WINNER: Henry Winkler – Barry (HBO)

    BEST SUPPORTING ACTRESS IN A COMEDY SERIES
    WINNER: Alex Borstein – The Marvelous Mrs. Maisel (Amazon)
    Betty Gilpin – GLOW (Netflix)
    Laurie Metcalf – The Conners (ABC)
    Rita Moreno – One Day at a Time (Netflix)
    Zoe Perry – Young Sheldon (CBS)
    Annie Potts – Young Sheldon (CBS)
    Miriam Shor – Younger (TV Land)

    BEST LIMITED SERIES
    A Very English Scandal (Amazon)
    American Vandal (Netflix)
    WINNER: The Assassination of Gianni Versace: American Crime Story (FX)
    Escape at Dannemora (Showtime)
    Genius: Picasso (National Geographic)
    Sharp Objects (HBO)

    BEST MOVIE MADE FOR TELEVISION
    Icebox (HBO)
    WINNER: Jesus Christ Superstar Live in Concert (NBC)
    King Lear (Amazon)
    My Dinner with Hervé (HBO)
    Notes from the Field (HBO)
    The Tale (HBO)

    BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
    Antonio Banderas – Genius: Picasso (National Geographic)
    WINNER: Darren Criss – The Assassination of Gianni Versace: American Crime Story (FX)
    Paul Dano – Escape at Dannemora (Showtime)
    Benicio Del Toro – Escape at Dannemora (Showtime)
    Hugh Grant – A Very English Scandal (Amazon)
    John Legend – Jesus Christ Superstar Live in Concert (NBC)

    BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
    WINNER, TIE: Amy Adams – Sharp Objects (HBO)
    WINNER, TIE: Patricia Arquette – Escape at Dannemora (Showtime)
    Connie Britton – Dirty John (Bravo)
    Carrie Coon – The Sinner (USA Network)
    Laura Dern – The Tale (HBO)
    Anna Deavere Smith – Notes From the Field (HBO)

    BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
    Brandon Victor Dixon – Jesus Christ Superstar Live in Concert (NBC)
    Eric Lange – Escape at Dannemora (Showtime)
    Alex Rich – Genius: Picasso (National Geographic)
    Peter Sarsgaard – The Looming Tower (Hulu)
    Finn Wittrock – The Assassination of Gianni Versace: American Crime Story (FX)
    WINNER: Ben Whishaw – A Very English Scandal (Amazon)

    BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
    Ellen Burstyn – The Tale (HBO)
    WINNER: Patricia Clarkson – Sharp Objects (HBO)
    Penelope Cruz – The Assassination of Gianni Versace: American Crime Story (FX)
    Julia Garner – Dirty John (Bravo)
    Judith Light – The Assassination of Gianni Versace: American Crime Story (FX)
    Elizabeth Perkins – Sharp Objects (HBO)

    BEST ANIMATED SERIES
    Adventure Time (Cartoon Network)
    Archer (FXX)
    Bob’s Burgers (Fox)
    WINNER: BoJack Horseman (Netflix)
    The Simpsons (Fox)
    South Park (Comedy Central)

(*I’m a member of the Broadcast Film Critics Association and Broadcast Television Journalists Association)




‘Outlander’ Season 4 Episode 11 Recap: “If Not For Hope”

Outlander Season 4 Episode 11
Sophie Skelton in ‘Outlander’ season 4 episode 11 (Photo Credit: Starz)

If not for hope! I believe we could say that at many points in our lives. If not for hope, we would have frozen at the point of our greatest pain. I use an acronym I made up for HOPE – Happy Optimism People Employ. Starz’s Outlander season four episode 11 is a lesson in clinging to hope, and some of the best ways to get there communication and love.

Even before the initial “Skye Boat” intro rolls, the show throws us off just slightly. Roger (Richard Rankin) might have chosen to step back through the stones because we find him in the shower. None exist in the 18th century. As Roger gets out of the shower and tries to clear the mirror, he sees Kaheroton (Braeden Clarke), the Mohawk native, standing behind him. He’s startled, turns, and is instantly back in the forest near a river.

Kaheroton warns him not to attempt an escape again as the Mohawk gather to continue their journey toward their village. Cue “Skye Boat.”

In the book they caught Roger because he injured his foot while fleeing his captors. He did find the stones though and eventually did have to make that same choice of whether to stay or go. His book scenario came with more knowledge and less fear of captivity. You’ll see what I mean soon… I don’t want to give away spoilers.

Brianna (Sophie Skelton) is sitting at the dining room table sketching a picture as tears slowly roll down her face when Lizzie (Caitlin O’Ryan) brings her a tray of food. Lizzie gets close enough to see the drawing that Bree’s working on. It’s a dark representation of the man who violated her and how she feels emotionally. Lizzie’s so startled she thinks Brianna is possessed. Bree assures her she’s not possessed, just hurt and angry. (Not everyone understands art, you know.)

Lizzie thinks everything is her fault and asks for Brianna’s forgiveness. Bree gives it to her freely. Lizzie asks on behalf of Jamie (Sam Heughan) and isn’t so lucky in securing forgiveness for him. Sharing that stubborn blood of her father, his forgiveness will be harder won after his actions and words involving Roger. As Lizzie leaves Brianna to her sketch, Bree reaches down to her wrist to touch the bracelet Roger gave her.

Ian (John Bell) shows a brave from the Cherokee village the carved necklace he received in the trade of Roger to the Mohawk. As Jamie and Claire (Caitriona Balfe) are waiting to the side a bit away with the horses, Jamie asks Claire if she has any knowledge of the Mohawks from her time. Claire mentions movies were her only knowledge point, and it’s hard to separate fact from fiction. Jamie says it’s hard to separate the two when you don’t have both sides of the story. They give each other a knowing look at the double meaning hanging in the air.

Ian comes back with news that the Cherokee think it was from a Mohawk village called Shadow Lake which is a two month journey north. Well, Tulach Ard! Jamie knows that Bree’s now suffering through what he and Claire felt while separated and he’s determined to relieve Bree’s pain of missing Roger.

We’re treated to amazing country and majestic trees as the trio move along the path north. Rollo’s so cute I just want to hug his neck and bury my face in his fur. I love that you can hug big dogs like people, though the slobbery kisses are not quite as welcome!

As they make camp later that day, the friction between Claire and Jamie is palpable enough for Ian to attempt to get Claire into action to resolve it. Ian tries to explain what he and Jamie thought when Jamie attacked Roger and Ian sold him away. Claire assures Ian she understands all that and is not angry with them over it. She goes on to explain that as a mother she’s worried about Brianna and Roger and how they feel at that moment. As a mother, it’s hard to separate your pain from that of a child in pain. They are very much one and the same. A mother is only as happy as her most miserable child; I can say from experience. As they grow a mother must step away and develop distance, but there’s never enough distance to remove the ties completely.

In Wilmington, Fergus (Cesar Domboy) has been inquiring about Steven Bonnet (Ed Speleers). He discovers Bonnet is due to return to the area of Wilmington in a week’s time. Fergus also notices a wanted poster of Murtagh (Duncan Lacroix). Apparently, he has good news and bad news to share with Murtagh when he gets back to his apartment with Marsali (Lauren Lyle) and the baby.

Fergus has also been trying to find work. In the book, Fergus didn’t settle in Wilmington but found his place on Fraser’s Ridge. It looks like the show might eventually find his path there as well, but we’ll have to wait and see. No one wants to employ a one-handed man, apparently. So, all this makes Fergus feel like less than a man since he cannot provide for his family in the usual way.

Murtagh is also in the apartment talking in a side room with one of his rebel friends. Marsali feels as any mother would about the danger of housing a wanted man under their roof. Fergus knows Murtagh would without a doubt do the same for him if the situation were reversed. Marsali accepts it but remains disquieted about the situation. Fergus enters the side room where he can share the news of Bonnet’s return in a week with Murtagh.

At River Run, Aunt Jocasta (Maria Doyle Kennedy) has planned a dinner party. Phaedre (Natalie Simpson) is charged with making Brianna a new dress for the occasion. Of course, Brianna’s not receptive to this demand at all. Being an artist, she distracts Phaedre by making her sit down so she can sketch her in the light by the window. Phaedre’s surprised, to say the least. Never before has anyone taken a moment to consider her as a beautiful young woman instead of a house slave.

The next day while Brianna’s on a settee reading a book, Aunt Jocasta walks up with a box of earrings to accent the dress Brianna will wear for the party. Bree declares again that she doesn’t need a new dress. However, Jocasta’s not someone to be deterred easily as Brianna will find out.

Brianna continues to press the point that she would rather be alone to read and draw in peace and quiet. Jocasta indicates the company of others can be helpful in situations like Bree’s and points out her sister Ellen was a talented artist. With that admission, Bree perks up with interest to hear more about her grandmother. Jocasta admits she feels Bree and Ellen are a great deal alike. Jocasta shares a bit of the tale about Ellen’s decision of a husband and how their father wouldn’t force her into a marriage that Ellen didn’t choose.

Bree doesn’t know that Jocasta’s motives are to do that very thing to her. With the bairn coming a woman must be married in that time period, as Bree will come to understand. On the pretext of helping Bree through her worries over her situation, Jocasta convinces Bree to get Phaedre’s help in altering a dress Jocasta picked from her own wardrobe to be ready for the party.

Late one evening as Murtagh’s sleeping on the floor in Fergus’ apartment, Marsali begins lightly banging cups down to fill with drink so only Murtagh will wake up. It works in waking Godfather Fraser. Marsali gets right to her point. She’s concerned about the actions of the Regulators and asks Murtagh to also take Fergus with him when any action does occur. Murtagh understands why she’s asking, but just so sh’s clear she admits to wanting a whole man or none at all.

Bree’s introduced to several unmarried prominent men who are acquaintances of Jocasta at River Run on the night of the party. Brianna’s first presented to Gerald Forbes (Billy Boyd). Polite conversation gives way to the knowledge that Bree sketched a slave, Phaedre, to the shock of Mrs. Alderdyce (Maggie Macleod) but not so much her son, the Judge Alderdyce (Andrew Steele). The Judge expresses an interest in seeing her work.

Mr. Forbes draws Brianna’s attention into another room as he guides her into the parlor. Mr. Forbes presents Brianna a box of four jewels. With her father’s gift for navigating difficult and delicate situations, Brianna asks for Mrs. Alderdyce’s opinion prior to giving her own. The test was a ploy to trap Brianna into a decision so she would almost certainly be promised to Mr. Forbes. If she chose a stone, he would have it made into a setting for her engagement ring since everyone else in the room would have witnessed her selecting the stone.

Lord John Grey (David Berry) enters before anyone can choose or offer thoughts on the gems. Strikingly handsome, the other men in the room immediately feel threatened by the newcomer and highest-ranking male in the room. After all, who can compete with a Lord? Bree’s presented to Lord John and he acknowledges immediately that he knows her parents.

Fergus and Murtagh speak of plans for the Regulators, or at least they’re trying to talk… A bairn crying in the room does tend to make it difficult. As Fergus calms the wee one, Murtagh asks Fergus to join them. Fergus is heartened by the request but declines due to his responsibilities to his wife and child. Marsali enters the room to report that Bonnet’s ship has returned to port. As both men are leaving, Marsali holds Murtagh up to softly tell him thank you. Murtagh smirks and takes his leave. The hunter (Bonnet) is now the prey and he doesn’t even know it yet.

At the dinner party, antidotes are shared over the fine meal. Slainte Mhath! Lord John entertains everyone with some interesting tales of his time in Jamaica. He then turns to Brianna sitting on his immediate left and asks her to share something. She proposes a game of psychology. The book doesn’t have this game in it, but it was an interesting approach to get some key bits of information out that the book took longer to discover. The game adeptly reveals that the Judge is hiding a rather large secret. She then turns to Lord John to inquire about his answer to her question, and through their delicate verbal dance Lord John reveals he was asked to check on her by Jamie because Jamie mentioned he would be going on a long trip. Lord John accurately measures by Bree’s response that there’s more to Jamie’s trip and Brianna’s presence at River Run than he was currently informed.

Brianna tries to escape the gathering by politely excusing herself, but when Mr. Forbes requests to take a walk Brianna lightly faints. Lord John is there to catch her. Jocasta asks his Lordship to escort Bree into the next room. As Lord John and Phaedre are tending to Bree, Lizzie hurries into the room concerned about her ‘condition.’ Since they’re in a side room only Lord John hears the reference to the baby.

Very quick on the uptake, Lord John catches on to the situation. The circumstances with Roger come out as to the reason for Jamie and Claire’s trip. Lord John presents a letter to Brianna that Jamie left with him. In the book, Jamie handed Bree the letter himself and declared that he would come back with Roger or not come back himself.

Lord John takes his leave of Bree shortly after Jocasta comes into the room to check on her. The ladies are left entirely alone at Brianna’s request. She needs a private word with her Great Aunt about the covert mission to marry her off. Brianna’s upset, naturally, but she’s given some hard truth from Jocasta about the way of society in the present time. Brianna asks about the fact that her grandmother was married in love instead of being forced into marriage. Jocasta reveals the rest of the story in that Ellen too was with child when she married Brian Fraser, but if Bree’s not married at the time the bairn is delivered he will be branded a fatherless bastard in society. Unlike in Bree’s 20th-century life, the bastard title is hard to carry in the 18th.

Jocasta candidly points out that Roger is with savages now. The hidden meaning is that if he’s still alive, he’ll be changed by his situation. She tells Bree to not live on hope. There are times we must resolve ourselves to the situation at hand, and other times when hope can see us through our darkest hours. The trick is to know when which is most appropriate to take.

Fergus and Murtagh wait for Bonnet at the tavern. The Irishman eventually shows up and immediately grabs a barmaid. A sea captain’s first night in port – no need to have it spelled out, I’m sure. Bonnet retires to a room while Fergus and Murtagh plan to deal with him. Je Suis Prest!

Murtagh bursts into the room where Bonnet is and as Bonnet lunges at him, Murtagh pistol whips him in the head. Don’t mess with the Godfather! Not so tough against a grown seasoned man are we, Mr. Rapist/Thief/Smuggler/Murderer? In the book, Bonnet does get captured but it’s not really revealed how per se. This is certainly an interesting way to show the capture. As I’ve indicated several times but bears repeating, Murtagh was killed at Culloden in the books. So Murtagh taking Bonnet in the show is a pure fabrication and continuation to the story that I just love. Hit him again, Murtagh!

Brianna is laying in bed trying to rest but too many worries buzz in her head to let her sleep. She decides to go downstairs for something to eat and hears a noise in the kitchen cupboard. She follows the sounds to see Lord John and Judge Alderdyce involved in non-verbal communications of the physical kind. She quickly leaves the kitchen and heads back to her room.

Some soldiers appear early the next morning as Murtagh and Fergus are attempting to take a still unconscious Bonnet away by horse or wagon. Murtagh punches Fergus to make the soldiers not suspect him, but they do recognize Murtagh from the wanted posters. They take both Murtagh and Bonnet away. New wrinkle…a hanging surely awaits Murtagh as well as Bonnet.

Phaedre wakes Bree up the next morning and informs her Mr. Forbes intends to ask for her hand, with her aunt’s blessing of course. Bree doesn’t exactly welcome this news, so the good Fraser/MacKenzie that she is immediately forms a new plan. She tells Phaedre to say she went on her morning walk so she’ll be delayed in seeing Mr. Forbes. She asks that Lizzie be sent to her as well.

Bree gets dressed as quickly as she can and heads outside. She has Lizzie fetch Lord John to meet her outside.

Upon walking a safe distance away from the house, Brianna gets right to the point and asks Lord John to marry her. John initially believes she’s kidding but can quickly see she’s serious. He certainly sees her father in her at the request. Brianna, knowing Lord John prefers men, but forgetting he was married at one time, thinks she will be safe in an arranged marriage of convenience. She threatens to expose him if he rejects her. She threatens to tell Jamie, too.

Lord John warns her she’s not as safe as she might think with him as a husband. He can perform his husbandly duties as he did with his first wife. Taking a deep breath, he suggests they both sit down. Brianna apologizes for the outlandish scheme. Lord John admits he understands her feelings. He also admits how close his bond is to Jamie, and even Claire.

Lord John explains to Brianna why he cannot be her husband and it’s not what she thinks. Lord John has faith that Jamie and Claire will bring Roger back to her and she cannot be married when Roger arrives. He tells her not to give up hope. Bree confesses that Roger might not take her back once he finds out about the assault on her and the baby. He might also be so altered by his experience that he might not want her. She knows that Forbes is about to propose but is willing to give her life over to him for the sake of her child. Chin up and soldier on, as Frank (Tobias Menzies) told her.

Brianna returns to the house expecting the proposal from Forbes but gets another surprise instead. Lord John bursts in behind her and spills the beans that they were just engaged. A dejected and downcast Forbes takes his leave of the room upon that declaration. Jocasta’s even happier with the addition of a Lord to the family and whispers that the MacKenzie blood is very much alive in Brianna.

Outlander Season 4 Episode 11
John Bell and Caitriona Balfe in ‘Outlander’ season 4 episode 11 (Photo Credit: Starz)

Jamie, Claire, and Ian are still on the hunt for Roger. Ian grabs something from Rollo and Claire realizes it’s a human leg. Rollo runs to where he found it and the trio discover the body of Caleb, the captive who was initially with Roger. They go looking to see if they can find Roger’s body, too. They don’t find him, so Claire points out there’s hope that he’s still alive.

Brianna is sitting on the porch with Lord John chatting about her plight with the approaching child. Lord John reveals he has a son. Lord John acknowledges he’s very much like his father, but Brianna doesn’t understand the true meaning of the statement. Lord John then admits the boy is not his blood but still loves him as if he were his own. Lord John’s sure Roger will love the baby, his own or not. His Lordship voices his opinion that hope is at the very heart of love. She should keep up her hope. Brianna removes the letter from her pocket after Lord John heads into the house. She hasn’t read the letter even though Lord John gave it to her days ago.

Ian, Jamie, and Claire bury Caleb’s remains. Jamie’s still very downcast about the situation, and it greatly troubles Claire. That night Claire and Jamie talk about her and Bree keeping the information about Bonnet from him. Claire admits the secrets between her and Bree were just their secrets together, but now there’s Jamie. Claire confesses she might not be able to keep the truth in all things between her and Jamie as they first promised after they were married. Jamie reveals he was struck by what Brianna said about Frank. Jamie felt jealous of Frank and was not sure he could be a father to Brianna. Claire says Frank made his share of mistakes too. All parents make mistakes.

Jamie’s sure Brianna thinks Frank is a better man and worries Claire feels the same. Claire smiles and tells Jamie that Brianna is very much like him. She says things in anger that she doesn’t mean; he admits to having done the same. Claire asks him to trust her, that she knows them both and loves them both tremendously.

Claire and Jamie resolve their conflict with apologies and their usual sharing of the flesh, giving over body and soul to the other. Mo Nighean Donn!

The Mohawk arrive in their village, Roger in tow. The entire village is stirred up and the men of the village line up in two columns. Roger is pushed down the line between them. He quickly realizes it is a test of strength. He’s punched, beaten, and knocked to the ground. The woops and shouts stop as they all wait to see if Roger will get back up and continue down the line. The Natives of all tribes value strength as warriors, and the Mohawk are no exception. Weakness will certainly get you killed, but strength might see you live and even excel among the Indian nations. Jamie had to perform his test with the Cherokee, now it is Roger’s turn. Roger rises from the ground with a determination to survive.




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