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‘Assassination of Gianni Versace: American Crime Story’ Episode 8 Recap – Creator/Destroyer

The Assassination of Gianni Versace Episode 8 Recap
Jon Jon Briones as Modesto Cunanan and Darren Criss as Andrew Cunanan in ‘The Assassination of Gianni Versace: American Crime Story’ episode 8 (Photo by Ray Mickshaw / FX)

FX’s dramatic thriller The Assassination of Gianni Versace: American Crime Story heads toward the season finale with episode eight airing March 14, 2018. The episode titled “Creator/Destroyer” begins in Italy in 1957. A young Gianni Versace sits in the corner of the room, sketching dresses. His mother, a dressmaker, looks at his sketches and tells him he must do what he loves as a profession. She offers to teach him about dressmaking.

Gianni’s love of designing clothing earns the ridicule of his fellow students. His teacher labels him a pervert after looking at his drawings in class.

At home, his mother is fully supportive of his vision. She doesn’t care about his teacher’s opinion and suggests he make the dress he’s designed. When he says it’s too hard, his mother advises him success only comes with hard work.

The timeline switches to San Diego in 1980. Andrew’s parents pack up their home and move to a bigger house in a much nicer neighborhood. Andrew, the youngest of four children, seems to have a special relationship with his father – a much closer one than Modesto “Pete” Cunanan has with his other children. As the rest of the family unpacks, Pete (Jon Jon Briones) gives Andrew a tour of the house. He informs Andrew that he gets the master bedroom, saying he’s special. “When you feel special, success will follow,” says his father.

Andrew’s siblings share one small room and his parents share another. (This truly is a bizarre family.)

Andrew and his father dress in suits and then his mother, Mary Anne, escorts him to The Bishop’s School, an exclusive school in La Jolla. He participates in the interview process to see if he’s accepted into the school, choosing his answers carefully to make the best first impression.

Meanwhile, Pete interviews for a job as a stockbroker. He’s not like the others interviewing, pulling himself up from his bootstraps while others graduated from Ivy League schools. He spends much of his time discussing his upbringing and personal history, rather than his skills. (It’s obvious Andrew’s gift for gab and embellishing stories is inherited from his father.)

Later at home, Pete tells his wife and Andrew that he didn’t get the stockbroker job and acts devastated. He quickly switches to being “on,” saying he was joking and did get hired by Merrill Lynch. He’ll make $60,000 to start, promising they’ll eat like kings from now on. His other children arrive to share in the good news, but the mood turns sour. Pete becomes angry at Mary Anne because she believed he didn’t get hired. She was too quick to accept that, and he bats her hands away when she tries to apologize.

Pete wonders if his wife needs her medication checked, saying he doesn’t want to put her back in the hospital. She tries to lighten the mood, declaring they need to celebrate.

In the evenings, Pete reads The Art of Conversation in bed to Andrew. Andrew doesn’t want to read the whole book, but his dad insists his son needs to know everything from calling cards to reading menus. “It’s not enough to be smart. You need to fit in,” he explains.

Andrew worries he won’t get into Bishop’s, but his dad insists he’ll get accepted. It’s the reason they moved to this neighborhood.

The letter from Bishop’s arrives and Andrew cries. His mom doesn’t understand his tears since he got in. His father arrives home, grabs the letter, hugs Andrew, and then drops to the ground and kisses Andrew’s feet. (Papa Cunanan takes creepy to a whole new level.)

Pete arrives at work where a co-worker enthusiastically congratulates him for beating out 500 applicants. Pete gets busy working the phones, but his potential customer hangs up and doesn’t want to buy the suggested stocks. Instead of hanging up and trying someone else, Pete pretends the man’s still on the line and acts like he made a sale.

That afternoon, Pete returns home and surprises Andrew with a new car. Andrew’s definitely not old enough to drive, but Pete doesn’t care. Mary Anne follows them outside and is shocked to hear Pete bought a car for Andrew when their two oldest children are actually old enough to drive. Pete claims he bought the car as a present because Andrew got into Bishop’s. He grabs Mary Anne by the throat, telling her he doesn’t want Andrew to end up like her.

Pete sits in the passenger seat and calls his youngest son “special.” He also confesses he thinks Andrew is his best friend. His other children aren’t special. He then explains that Andrew’s mom was hospitalized for depression when he was born, and he believes she has a weak mind.

Andrew’s already in bed as his father dresses for bed. They discuss Andrew’s future plans for employment, with Andrew suggesting maybe he’ll be a novelist. Pete sits on the edge of Andrew’s bed and reminds him that when he was small, he burned his foot. Pete picked him up and Andrew didn’t make a sound. He repeats “not a sound” as he leans over Andrew and turns off the light.

A few years later, a teenage Andrew (Darren Criss) pulls up to Bishop’s in his car, dressed in a suit and carrying a briefcase. (He fits in with the other students.) While the other students strike the same pose for school photos, Andrew acts rebellious and unbuttons his shirt, exposing his chest but keeping his tie in place.

Pete arrives at work, but now he’s working for a less reputable firm and sitting in a cubicle. He works the phones and offers a client a new opportunity to make her money back. He wants to liquidate her late husband’s pension, but her son grabs the phone and yells at him for attempting to steal a 90-year-old woman’s money. He promises to hunt Pete down, and Pete abruptly hangs up.

At home, Andrew’s mom asks about his special lady. He smells nice and she assumes it’s because of a woman. He claims the lady is older than 30, and Mary Anne’s not shocked. In fact, she thinks young men should be with older women.

Andrew meets an older man and tells him that while it’s great he buys him gifts, their relationship means more than just that to him. They head to a house party and the older man refuses to go in. He’s married and he needs to keep his relationship with Andrew a secret. Andrew’s disappointed and the man kicks him out of the car.

Andrew enters the party, dressed in a red leather jumpsuit. He takes over the dance floor and everyone watches from the sidelines. Finally, Elizabeth (Annaleigh Ashford) joins him on the floor. She tells him he looks fabulous.

This is Andrew and Elizabeth’s first meeting and he’s sure she doesn’t go to Bishop’s. If she did, they’d be best friends. She leans in and tells him a secret. She confesses she’s an imposter; she’s actually married. She has a boring house, a boring husband, and she’s just at the party keeping an eye on her friend’s house. She’s a grown-up, but that doesn’t bother Andrew. They instantly bond over their dreams. He even reveals he wants to seek out his heroes, including Versace.

Pete arrives at work and is immediately brought into a meeting with his supervisors. He’s accused of trading in non-existent stocks. The elderly woman’s son made this claim, and his bosses think he’s done something unethical. They wonder why he changed jobs so much and why he would want to go from Merrill Lynch to their firm. They also reveal the Feds are involved and they’re examining Pete’s entire employment history. Pete claims he has nothing to hide.

After the meeting, his co-workers stare at him as he walks through the hall. He returns to his cubicle and begins shredding his paperwork until the shredder jams. He finally sits in his desk chair and silently screams. He then pulls himself together, takes out a credit card, and books a flight out of town.

The FBI arrives with an arrest warrant for Modesto Cunanan. The receptionist warns Pete to leave now and he uses the fire exit to escape.

Over at Bishop’s, the yearbooks are out and Andrew was voted “Most Likely to be Remembered.”

Pete races home, leaving the car running in the driveway as he runs upstairs. He pries open the floor in the closet and withdraws large stacks of cash. When Mary Anne asks what he’s doing, he shoves her to the floor. Before he can leave his house, the FBI arrive at his front door. He makes a break out the back, climbing over a fence.

Assassination of Gianni Versace Recap
Darren Criss as Andrew Cunanan (Photo by Ray Mickshaw / FX)

Andrew arrives and parks across the street, realizing the FBI are in his driveway. Andrew sees his dad carrying a large bag scurrying over the fence, and his dad grabs his car keys and races away. He warns Andrew, “Don’t believe a word they say.”

Mary Anne tells Andrew his dad emptied the bank accounts and maxed out the credit cards. The FBI continue their search of the home as Mary Anne informs Pete the house was sold weeks ago. Pete knew they were coming and left his family penniless and homeless.

Andrew packs his clothes, telling his mom he’s going to search for his father. Mary Anne’s sure Pete fled to Manila, and she blames herself for not saying something sooner. Andrew writes notes to his mom in response, just in case the FBI are listening. He believes his dad left money hidden, but Mary Anne knows that’s not true.

Mary Anne begs her son not to go, and he grabs her face and covers her mouth. He insists she’s wrong about his father.

Andrew flies to Manila and takes a cab to what’s apparently a very bad neighborhood. He arrives at the address and it’s a tiny house. He introduces himself as Modesto’s son. The man who answered the door is Pete’s brother, and he takes Andrew to see Pete in a small building behind the main house.

The door opens as Andrew knocks. He walks in and sees the sparsely decorated home, complete with a hammock as a bed. His father is there, reading the paper. He receives a hug from his dad who says, “I knew you’d come!”

Andrew asks if there’s any money and questions Pete about selling the house. Pete says there are millions, but he can’t get to them. He claims the money is out of reach.

Later, Andrew can’t sleep and wakes up his father. Pete’s adjusted to life back in Manila, but Andrew is having a hard time. He gets his dad to confess there isn’t any money and there isn’t a plan. Andrew calls his dad a liar and a thief, but Pete thinks his crime was he stole too little. He should have taken more, not just what he needed for his family.

Andrew’s ashamed of his father and doesn’t want to be him any longer. (He’s wanted to be just like his dad his entire life.) Andrew admits he did research on Manila before the trip. He also reveals he wanted to look up his dad in California’s Top 500 Stockbrokers. The book doesn’t exist and when Andrew cries, Pete calls him weak – just like Mary Anne. He yells at Andrew, calling him a sissy kid with a sissy mind. He spits on his son, telling him he’s ashamed of him. When his dad slaps him, Andrew picks up a knife. Pete taunts him, telling him to be a man and do it. Andrew can’t, crying and shaking his head no. Pete says, “You don’t have it in you.”

As he cries, Andrew’s blood drips from the knife. He’s sliced his hand gripping the blade.

Andrew returns home as all the family’s belongings are being loaded into a truck under the watchful eyes of the FBI. When he enters his bedroom, it’s already been completely packed up. He tosses his remaining belongings across the room, ripping and kicking the few items left.

Later, Andrew applies for a job at Rite Aid. When the store manager asks if Andrew’s Filipino, Andrew tries to avoid the question and then lies and says his dad owns multiple pineapple plantations in Manila.

More on The Assassination of Gianni Versace:

The Assassination of Gianni Versace Episode 1 Recap
The Assassination of Gianni Versace Episode 2 Recap
The Assassination of Gianni Versace Episode 3 Recap
The Assassination of Gianni Versace Episode 4 Recap
The Assassination of Gianni Versace Episode 5 Recap
The Assassination of Gianni Versace Episode 6 Recap
The Assassination of Gianni Versace Episode 7 Recap
The Assassination of Gianni Versace Episode 9 Recap




‘The Fosters’ Stretches Its Series Finale Over Three Nights

Freeform’s sending off its award-winning series The Fosters with a three night series finale. The one-hour drama will be ending its five-season run over the course of three consecutive nights: Monday, June 4, 2018, at 8pm ET/PT; Tuesday, June 5th; and Wednesday, June 6th. The network confirmed the June 6th episode will be “supersized.”

Over the course of its five seasons, The Fosters has earned the GLAAD Media Award for Outstanding Drama Series and the Television Academy Honors Award. The series also earned 14 Teen Choice Awards nominations, winning the Choice TV Breakout Show in 2013. And, The Fosters won two Television Critics Association Awards in the Outstanding Achievement in Youth Programming category in 2014 and 2015.

In addition to revealing the three-night series finale dates, the network announced special guest stars who will be helping to say goodbye to the series. Abigail Cowen (Wisdom of the Crowd) will return as Eliza, Brandon’s fiancé. Robert Gant (Queer as Folk), Susan Walters (Teen Wolf), Beau Mirchoff (Awkward.) and Spencer List (The Bachelors) will play Eliza’s parents and brothers, respectively. Dallas Young will guest star as Corey, a charismatic foster child.

The series is executive produced by Jennifer Lopez (Shades of Blue), Greg Gugliotta, Elaine Goldsmith-Thomas and Benny Medina. Bradley Bredeweg, and Peter Paige created the series and also serve as executive producers and writers.

The Fosters Series Details: The Fosters is a compelling, one-hour drama about a multi-ethnic family mix of adopted and biological teenaged kids being raised by two moms. Stef Adams Foster (Teri Polo), a dedicated police officer, and her wife, Lena Adams Foster (Sherri Saum), a school vice principal, have built a close-knit, loving family with Stef’s biological son from a previous marriage, Brandon (David Lambert); their adopted twins, Mariana (Cierra Ramirez) and Jesus (Noah Centineo); and adopted siblings Jude (Hayden Byerly) and his half-sister, Callie (Maia Mitchell).

The Fosters Series Finale Details
Teri Polo, Sherri Saum, Hayden Byerly, Cierra Ramirez, Maia Mitchell, Noah Centineo, and David Lambert in ‘The Fosters’ (Freeform/Vu Ong)




‘Lucifer’ Season 3 Episode 18 Preview: The Last Heartbreak Photos

Fox’s Lucifer season three episode 17 centered around the attempted murder of a popular singer which gave the writers a chance to finally write new scenes with Tom Ellis singing. Episode 17 also found the sexy Devil attempting to stay away from Chloe in order to protect her from his dad. Chloe figured out what he was doing, but not the reasoning behind it. The episode ended with a jealous Lucifer watching Chloe and Pierce leave the police station together on their way to a concert.

Up next, season three episode 18 airing March 19, 2018 at 8pm ET/PT. The guest cast of “The Last Heartbreak” includes Fiona Gubelmann as Kay/Maddie, Joshua Gomez as Neil Berger, and Andrew Leeds as Joel.

Season three stars Tom Ellis as Lucifer, Lauren German as Chloe, DB Woodside as Amenadiel, Lesley-Ann Brandt as Maze, Kevin Alejandro as Dan, Scarlett Estevez as Trixie, Rachael Harris as Linda Martin, Tricia Helfer as Charlotte, Aimee Garcia as Ella, and Tom Welling as Marcus Pierce/Cain.

“The Last Heartbreak” Plot: As Chloe and Lucifer go on the hunt for a serial killer targeting couples in love, Pierce realizes the case is connected to a murder he previously solved…in 1958. Then, Lucifer becomes upset when Pierce has a change of heart about an important decision in the all-new “The Last Heartbreak” episode of Lucifer.

More on Lucifer Season 3:
Tom Ellis Interview
Kevin Alejandro Interview
Rachael Harris Interview
Joe Henderson and Ildy Modrovich Interview

Lucifer Season 3 Episode 18 Preview
Tom Welling and Aimee Garcia in ‘Lucifer’ season 3 episode 18 (Photo by Ray Mickshaw / FOX)
Lucifer Season 3 Episode 18 Preview
Tom Welling in season 3 episode 18 (Photo by Ray Mickshaw / FOX)
Lucifer Season 3 Episode 18 Preview
Tom Welling and Tom Ellis in season 3 episode 18 (Photo by Ray Mickshaw / FOX)
Lucifer Season 3 Episode 18 Preview
Tom Ellis in ‘Lucifer’ season 3 episode 18 (Photo by Ray Mickshaw / FOX)
Lucifer Season 3 Episode 18 Preview
Tom Ellis as Lucifer Morningstar (Photo by Ray Mickshaw / FOX)




A&E Announces Four New Original Series

A&E Greenlights 4 New Shows

A&E’s ratings have continuously improved over the last 12 months and with viewership for the network growing, Executive Vice President and Head of Programming Elaine Frontain Bryant announced the addition of four new projects. Many Sides of Jane, Lost for Life, The Accused, and Employable Me have all been greenlit by the network, joining A&E’s Leah Remini: Scientology and the Aftermath, Born This Way, Intervention, Biography, and Live PD.

“A&E has been leading the reality revolution, doubling down on our slate of brave nonfiction storytelling, moving away from scripted drama and refocusing our programming and development on what we do best,” stated Frontain Bryant. “A&E continues to invest in provocative, high-quality content that sparks meaningful conversation and resonates with our loyal audience. Not many networks can proudly say that they currently have four Emmy-award winning series on their schedule.”


A&E’s New Original Series:

Many Sides of Jane (working title) – 6 x 60 min
Jane is a 28-year-old woman from Boise, Idaho who has Dissociative Identity Disorder – commonly referred to as multiple personality disorder. Her 9+ personalities, ranging in age from 6-27 years old, appear at any time, usually triggered by stress. Diagnosed only two years ago, she is on a journey to understand what caused the D.I.D. as well as to figure out how she can best co-exist with her many “parts,” as she calls them. As a full-time single mother of two, Jane is also studying for a Ph.D in Biology. She’ll be coming to terms with her childhood, her relationship with her family, and launching her career.

Many Sides of Jane (working title) is produced by Renegade 83 for A&E Network. Executive producers for Renegade 83 are Jay Renfroe, David Garfinkle and Erica Hanson. Executive producers for A&E are Elaine Frontain Bryant, Shelly Tatro and Brad Abramson.

Lost for Life (working title) – 8 x 60 min
There is no crime worse than murder, and no murder more shocking than one committed by a child. For decades the courts showed these young killers no mercy, but due to a recent Supreme Court decision, now those sentenced to mandatory life without parole may get a second chance. In 2012, the Supreme Court ruled that mandatory life terms without parole for juveniles was “cruel and unusual punishment,” deeming it unconstitutional. In January of 2016, the U.S. Supreme Court said it must be applied retroactively. Now, all of those sentenced as juveniles to mandatory life in prison have a chance to plead their case. Access to the criminals, victims, lawyers, and courts will allow viewers to be taken through the original crime, as well as experience the unfolding of an intense legal battle.

Lost for Life (working title) is produced by IPC Television for A&E Network. Executive producers for IPC Television are Eli Holzman, Aaron Saidman and Peter LoGreco. Executive producers for A&E are Elaine Frontain Bryant, Amy Savitsky and Evan Lerner.

The Accused (working title) – 8 x 60 min
The Accused (working title) tells the dramatic stories of people at the most vital and most terrifying moment of their lives. This gripping series reveals the true inside story of what happens when someone is accused of a crime they believe they did not commit. Featuring the defendant, their family and their legal teams, The Accused (working title) reveals the personal cost of every charge, watching each case unfold from the defendant’s point of view. It shares every twist and turn of this traumatic experience from their first meeting with their lawyers right up to the verdict allowing viewers to judge the subject’s innocence for themselves.

The Accused (working title) is produced by Brinkworth Films for A&E Network. Executive producers for Brinkworth Films are Malcolm Brinkworth and Xander Brinkworth. Elaine Frontain Bryant, Shelly Tatro and Brad Holcman serve as executive producers for A&E Network.

Employable Me (working title) – 8 x 60 min
Finding a job is hard enough, but when you have a mental disability, it can be even harder. Many people with these challenges face unemployment, yet so many people with disabilities have unique skills that make them excellent workers. This groundbreaking series unlocks their “secret powers” to help them land their dream jobs and gain a new independence in life.

Employable Me (working title) is produced by Optomen Productions for A&E Network. Ricky Kelehar, Maria Silver and Joseph Eardly serve as executive producers for Optomen Productions. Elaine Frontain Bryant, Shelly Tatro and Brad Holcman serve as executive producers for A&E Network.




‘Adrift’ Official Trailer: Shailene Woodley and Sam Claflin are Lost at Sea

STXfilms released a new official trailer for the dramatic thriller, Adrift, based on harrowing true events. The trailer introduces Shailene Woodley (Fault in Our Stars, the Divergent film franchise) and Sam Claflin (Me Before You, The Hunger Games films) as an adventurous young couple who set out to sea only to get caught up in a gigantic storm.

The romantic drama is based on Tami Oldham Ashcraft and Susea McGearhart’s book, Red Sky in Mourning: A True Story of Love, Loss, and Survival at Sea, published in October 1998. Adrift is directed by Baltasar Kormákur from a screenplay by Aaron Kandell, Jordan Kandell and David Branson Smith. Baltasar Kormákur, Aaron Kandell, and Jordan Kandell also served as producers.

Baltasar Kormákur’s directing credits include Everest with Jake Gyllenhaal, 2 Guns starring Denzel Washington, Contraband with Mark Wahlberg, Inhale with Diane Kruger, and A Little Trip to Heaven starring Jeremy Renner.

STXfilms is set to release Adrift in theaters on June 1, 2018.

The Plot: Adrift is based on the inspiring true story of two free spirits whose chance encounter leads them first to love, and then to the adventure of a lifetime. As the two avid sailors set out on a journey across the ocean, Tami Oldham (Shailene Woodley) and Richard Sharp (Sam Claflin) couldn’t anticipate they would be sailing directly into one of the most catastrophic hurricanes in recorded history.

In the aftermath of the storm, Tami awakens to find Richard badly injured and their boat in ruins. With no hope for rescue, Tami must find the strength and determination to save herself and the only man she has ever loved. Adrift is the unforgettable story about the resilience of the human spirit and the transcendent power of love.

Adrift stars Shailene Woodley and Sam Claflin
Sam Claflin and Shailene Woodley star in the romantic drama, ‘Adrift’ (Courtesy of STXfilms)




‘A.P. Bio’ – Eddie Leavy and Sari Arambulo Interview on NBC’s New Comedy

A.P. Bio Eddie Leavy and Sari Arambulo
Eddie Leavy as Anthony, Nick Peine as Marcus, and Tucker Albrizzi as Colin in ‘A.P. Bio’ (Photo by Vivian Zink/NBC)

NBC heads to high school with the new half-hour comedy series, A.P. Bio, starring Glenn Howerton and Patton Oswalt. The series airs on Thursdays at 8:30pm ET/PT and follows Howerton’s character, Jack Griffin, as he does everything except teach Advanced Placement Biology to a class of overachievers anxious to earn good grades. Jack’s a disgraced Harvard philosophy scholar who feels it’s beneath him to teach school and so he spends the class time forcing the students into working on fixing his personal life.

Eddie Leavy and Sari Arambulo play Anthony and Grace, two of the students not actually being taught biology by Jack Griffin. Teamed up on a recent conference call, Leavy and Arambulo discussed working with Glenn Howerton and Patton Oswalt on A.P. Bio, their characters, and their own horrible experiences with teachers.

A.P. Bio’s Eddie Leavy and Sari Arambulo Interview:

We see a lot of Glenn’s character Jack’s home life. Do we get to know much about Anthony and Grace throughout the season? Will we learn what they do after school hours and what their lives are like?

Sari Arambulo: “I think that, yes, we definitely as episodes go on we get to learn more and more about the kids. Specifically their home life as well as their personalities. I think you’re already starting to get a glimpse of Grace and I feel like the last episode that just aired you kind of get a sense of what kind of character Grace is. She is very smart and sweet and is on the student council. So, that’s definitely one of her passions. She loves to be in student government and is super organized.

It’s definitely interesting to see that side of things. And then I believe that in next week’s episode it’s the parent-teacher conference, so that’s when you’ll really get to see our home life. It was really fun to meet my onscreen mom, and same for Eddie. I think he had like both your ‘onscreen parents’ were there. So as the episodes go on, I think that you really get to start to see the kids home life and just learn more about them.”

Eddie Leavy: “Yes. And just going off of that, so next week yes you will see sort of all of our parents in a parent-teacher setting. But also, you know, I think up until this point from what viewers have seen we’ve been mostly on campus or in the classroom. And again in later episodes as we sort of get on our feet a little more and we start appearing in different locations, you know, some of our favorite episodes I think to shoot when we were actually outside of the classroom.”

Sari Arambulo: “Oh yes.”

Eddie Leavy: “[You] see what our characters were like outside of the classroom and sort of in a real world setting. So, I think the best is yet to come in terms of character development and being able to sort of see more of our characters in different scenarios. So, yes, it’s a lot of fun stuff to come.”

Sari Arambulo: “That reminded me of one of, I think, our favorite episodes we shot would be for me it was ‘House Party.’ Eddie, I remember that was so much fun to shoot with you and the rest of the cast. And we really got to – this is a later episode, I don’t want to give any spoilers away – but it’s just a really fun setting to see the kids outside of the comfort zone in this party. So, yes, stay tuned.”

Have either of you had any really horrible teacher experiences in real life?

Sari Arambulo: “I think I might. I still go to school so it’s super fresh for me to think of professors in my life. I think one that sticks out to me is in – I also study Cinematic Art at USC and one of my professors was insane. He was just super…like, he’s great, like, this is the class that everyone takes. But he is just super dramatic, kind of similar to Jack Griffin in that sense. Just over the top, super dramatic. He like has an entrance when he comes into the classroom. And if you ever participate, he’ll remember your name. It is a huge lecture hall and he’ll remember your name and then continue throughout the course of the months that you’re taking the class he’ll just continue calling on you even if you don’t know the answer. He’ll just right on the moment just call on you. So it was definitely, a nerve-racking experience to be in his class which is kind of similar to Jack Griffin.”

Eddie Leavy: “Yes, I actually have memories of getting […]a substitute teacher fired once because she was so horrible. She was verbally abusive of the kids…”

Sari Arambulo: “Oh my gosh.”

Eddie Leavy: “…in my class that we, like, honestly the kids rallied together and talked to our parents. And this was in, I think, middle school. We rallied together and we told our parents and we got her fired because she would just say the nastiest things to us. Called us idiots and dumb and gave us horrible grades for no reason. So I’ve definitely had, you know, an experience. It wasn’t as comical as A.P. Bio but definitely dealing with…”

Sari Arambulo: “It’s kind of similar to A.P. Bio, I must say.”

Eddie Leavy: “Yes, except your teacher was charming and wonderful. But, you know, this woman was pretty horrific and we got rid of her. So, yes.”

Sari Arambulo: “Way to go.”


Can you talk about your audition for the show?

Eddie Leavy: “Our experiences were similar yet different. I had one audition for the majority of the creative team. The casting directors were there, Mike O’Brien the creator was there. Some of the other executive producers were there. So they were all in one room and I thought it had really went well. And it was a really quick turnaround, you know, I auditioned and I think I found out in a day or two that they wanted to cast me as the part of Anthony.

And then the next week I remember we had a rehearsal with our director Oz Rodriguez. We started shooting shortly thereafter. So it was a pretty painless audition process, which is not normally the case. It was awesome and, you know it was a lot of fun.

Sari Arambulo: “Yes, awesome. For me it was actually pretty similar to Eddie’s situation just slightly different. I came on after the pilot was shot. […] And I remember it was two pages, super short and sweet. I went in, saw the casting directors that I kind of previously knew from another project, and just read it once, was on tape with casting, left and then I had two other auditions that day so it was kind of just out of my mind. I wasn’t really thinking about it, and then I remember finding out literally the next morning that I booked the role. And then I was on set three days later, so it was really great to have such a short and sweet audition process. I loved it.”

Eddie Leavy: “And if I may add for you how it’s really interesting to see sort of the evolution of our characters as this moves on. Obviously, you know, when they’re auditioning in the beginning they have an idea what the characters may be like but, you know, they sort of let the characters evolve when they cast the actor. I know initially my character of Anthony was supposed to be this very sort of nerdy, sort of Lord of the Rings obsessed type of character. And then Mike O’Brien the creator after we had wrapped the pilot he just sort of saw who I was and saw me at the wrap party and he was you know, ‘I just saw who you were in real life and we decided we needed to take Anthony in a little bit of a different direction that’s just more true to who you are.’

So, it’s really interesting how characters or the idea of a character can sort of start off one way but then when the actor is cast in a role they can sort of bring them to life and then it can sort of go in a different direction. It’s been really cool to see that process and to get the script every week and just see how we sort of are intertwining with our characters was a lot of fun.”

Is it easier for you to play a character who’s more closely aligned to you?

Eddie Leavy: “Well, yes. I mean, definitely. Anthony definitely is probably a little more blunt and honest than I am in real life. But it’s definitely a lot of fun to feel you see yourself in the character and to just bring it to life. It just gives you a level of comfortability. Again, we shot this show for 3 1/2 months. I think we just got to know these characters so well and we were able to have a level of comfortability on set where we were able just to play – every week we had a director but we were able to just play with the director and bounce off each other’s energy.”

Sari Arambulo: “Yes, I just want to bounce off that. I think that we really were so lucky and blessed to have these writers who really almost tailored the characters to our personalities and kind of got to see…they saw us as people. They kind of translated that into our characters, which is really great.

Like, for example, all I really knew about Grace is that she was just sweet in the classroom, cute girl in the high school in the Biology class. But then I guess as they started to know me, they realized I was super sweet and nice so they started playing upon that more which is really great. And then they really paid attention to our relationships as well, like as people with the cast members. Eddie, I remember we just hit it off right from the get-go and I’m pretty sure the writers started to notice we always wanted to be together sitting together.

There was this one episode where they kind of just started – they gave us this one moment in the house party episode that’s going to be coming up, they just gave us this amazing moment where it was just us two. And you just kind of see our relationship and our friendship grow. So, I just think that it’s so amazing just to see the writers really take advantage of the actors and like what we can bring to the table, which is awesome.”

What is not going to happen as the show continues?

Sari Arambulo: “That’s an interesting question.”

Eddie Leavy: “We’re never going to learn biology.”

Sari Arambulo: “I was about to say that.”

Eddie Leavy: “That was said in the pilot, we stick to that. We are never going to learn biology. And is Jack ever going to really be nice?”

Sari Arambulo: “Be nice?”

Eddie Leavy: “There are moments.”

A.P. Bio Poster

What’s it been like working with Glenn Howerton and Patton Oswalt? Have you learned very much from them?

Sari Arambulo: “I loved working with both of them. We spent so much time with Glenn because of course with all of our classroom scenes he’s teaching, I guess not teaching us. So it was really fun for me as an actor just to kind of learn from him, really study his comedic talk on set, and see his process and how he really takes on the lines and makes them his own and his improv. It was just really great for me as a learning process. So, he’s really great.

This last episode that just aired which was where there’s a whole car situation and student council. I loved that week because it was great because I got to spend a lot of time with Glenn and just kind of learned about his life. We would just have great chats on set. It was really great to have that special time with him.

In terms of Patton, he is amazing. Such a pleasure to work with. Honestly, the nicest man. Every time I see Patton I just want to give him a hug. He was the nicest. And I was so starstruck by Patton at first. I remember the first table read I freaked out because I was like, ‘Oh my God, this is Remy from Ratatouille who is reading all these lines!’ and I’m obsessed with him. And, of course, I was just freaking out.

But I actually saw Patton…a really random story…long story short I saw Patton at a restaurant months before I booked A.P. Bio. I was starstruck. And then it turns out I booked this role and Patton is my principal. So I finally mustered up the courage to talk to Patton about it. And I’m like, ‘Patton, were you at this restaurant?’ It’s In My Sole and he was the nicest, sweetest man. And I was like, ‘Oh my gosh, you go to that restaurant too!’

He spent 40 minutes with me, I’m not kidding, and we just talked about food and great restaurants in L.A. Honestly, just the nicest man. I have the nicest things to say about both of them.”

Eddie Leavy: “Yes. I mean, I pretty much will echo exactly what she said. I mean I think the biggest takeaway was just learning from them. Again, we were in that classroom with Glenn a lot and just such an established actor and comedian. He sort of comes in every day and does his thing. What better acting class than that? I think for us it was just such a profound learning experience seeing his process, seeing how he approached the material, how he would do things differently every take. Same with Patton.

I mean, Patton I feel has just the most amazing comedic timing. He would improv and it would just…he was so simple. But it was so brilliant just to see his commitment to Principal Durbin. I think for me it was just incredible to spend months observing them and watching them. And, again, they’re just lovely people. Sari said it all. But, yes, the nicest so it was a pleasure.”




‘The Flash’ Season 4 Episode 16 Recap and Review: Iris Becomes the Team’s Speedster

The Flash Season 4 Episode 16 Recap
Candice Patton as Iris West in ‘The Flash’ season 4 episode 16 (Photo: Katie Yu © 2018 The CW Network)

“I lost my speed,” says a surprised Flash (Grant Gustin). “What do you mean you lost your speed?” asks a confused Joe (Jesse L. Martin) “Uh guys, I think I found it,” says a shocked Iris (Candice Patton) as she watches her hand vibrate with intense speed and energy in season four episode 16 of The CW’s The Flash.

As the episode begins, Harry (Tom Cavanagh) and Cisco (Carlos Valdes) are brainstorming at 1:01am on how to find the other bus metas before DeVoe does. Cisco’s exhausted so he calls it a night and tries to get Harry to do the same, but Harry’s determined to stay until he comes up with an idea. By pulling an all-nighter, Harry decides to go over the footage of the particle accelerator explosion and sees video of DeVoe getting hit by dark matter while wearing his thinking cap device. Harry decides to build his own thinking cap and wants to replicate the process DeVoe underwent, making him smart enough to out-think the evil mastermind.

When Harry presents his idea to Team Flash the next morning, the gang’s hesitant to go forward with it because they’re worried about Harry’s safety. Finally, Iris, Barry, and Caitlin (Danielle Panabaker) decide it’s worth exploring. However, Cisco shuts down the idea bringing up the experiment warped and changed DeVoe from being a loving husband and devoted professor to the self-absorbed, evil mastermind he is now.

Ralph (Hartley Sawyer) gets upset they aren’t going to explore the idea because he knows DeVoe is after all the bus metahumans, including him. When he walks off brooding, Iris catches up with him to give him a pep talk. It fails because Ralph points out she doesn’t know what it’s like to be out in the field risking your life to save people. She’s always safe back at S.T.A.R. Labs playing team leader.

Meanwhile at a Central City bank, a meta with the power of fire is trying to hold up the bank. A young man tries to talk him down and tries to change his mind. The man touches the fire meta and gets tossed backward. But simply by touching the bank robber, he removes his powers and accidentally transfers them to one of the citizens in the bank just by falling into him. The bank security guard tackles the meta and stops the robbery. A little while later, Joe and Cisco are investigating the robbery and are quick to realize the man in custody is the would-be robber but that his powers are now gone.

Back at S.T.A.R. Labs, Caitlin’s theorizing how the meta lost his powers when Cisco realizes looking at the bank video footage that the mystery man who was gone before Joe and Cisco arrived might be a new meta who took the fire meta’s powers. He cross-references his image in the video and identifies him as Matthew Kim (Leonardo Nam), a Central City EMT. Joe heads out to talk to him and Iris says she’ll tag along to help, a move that surprises Team Flash.

When Joe and Iris talk to Matthew, he panics believing they want to take away his powers. He grabs Iris and holds her at knife point. Joe sends an alert on his phone and The Flash speeds there to stop him. The Flash shoves Matthew away from Iris but by doing it Kim accidentally transfers The Flash’s powers to Iris.

At S.T.A.R. Labs, Caitlin runs tests and tells Team Flash that for now Iris has Barry’s powers and Barry is back to being his normal human self. Barry asks if she can find a way to reverse it and Caitlin says she’ll try. In the meantime, Barry tells Iris he’ll train her to be a speedster.

Harry approaches Cisco to help him with his thinking cap creation and again Cisco refuses. An upset Harry storms off. Caitlin, who was in earshot, confronts Cisco and tells him he should help Harry. Cisco reminds her of how the experiment changed DeVoe’s personality, but Caitlin points out Harry’s going to create it with or without him so he should help and make sure it doesn’t happen to Harry.

The Flash Season 4 Episode 16 Recap
Grant Gustin as Barry Allen and Candice Patton as Iris West (Photo: Katie Yu © 2018 The CW Network)

Barry’s sulking about losing his powers and Iris assures him Caitlin will find a way to fix it when Caitlin calls both of them about a high-rise fire and people being trapped. Iris speeds out to save the day using a mask Jesse Quick used to wear. With Barry’s coaching, she’s able to get the five residents out but when she goes back in to put out the fire creating wind tunnels as Barry has done time and time again she does it wrong. She makes the fire worse and a beam collapses on her, trapping her.

Barry tries to tell her to phase through the beam and she has to reach down inside herself and feel it, but the scared and inexperienced speedster begins to panic. Realizing she won’t be able to do it, Cisco breaches into the building, grabs Iris, and breaches them back to S.T.A.R. Labs. (Hello…Cisco should have breached Killer Frost into the building so she could put out the fire and Iris should have stayed back at S.T.A.R. Labs).

A little later, Caitlin again encourages Cisco to help a struggling Harry with his thinking cap, giving him the Caitlin “puppy dog eyes” look which Cisco can never say no to. He tells Harry he’ll help him but that he has to promise not to use any dark matter which he agrees to.

Iris is running around the speed lab to burn off steam and admits to Barry she feels the need to prove to herself she can be fearless like she once was. Another call comes in about a new fiery meta outside the same bank. Team Flash sees Matthew’s there to try to take away the meta’s powers. Barry suggests that Cisco and Caitlin handle this but Iris assures them she will handle it. As she’s about to go, Cisco pulls out a new speedster suit. Iris speeds into it and off to the bank.

Matthew tries to stop the meta but almost gets roasted alive. Thankfully, Iris grabs him and speeds him out of the line of fire. She puts the power-reducing cuffs on him and faces off with the fire meta who starts shooting fire at her at a temperature of 800 degrees (the same temperature as lava). The fire meta makes a thermo-cyclone that threatens to destroy nearby buildings. Iris again starts to panic asking what she should do. Harry uses his almost finished thinking cap and comes up with an idea. Iris needs to run on water on the nearby bay and create a tidal wave to put out the tower of fire. At first, Iris says she can’t but Barry is successful in convincing her she can, promising he’ll talk her through it. Iris speeds across the bay with Barry’s coaching and she’s able to create the huge wave which douses the fire.

Back at S.T.A.R. Labs, Matthew apologizes for the chaos he created and returns Barry’s powers to him. Iris admits it was fun to run on water but will be happy to get back behind the desk at S.T.A.R. Labs. Barry races around a few times to make sure he has his powers and Cisco declares, “My boy‘s back!” Team Flash talks to Matthew about joining them in their fight against DeVoe and he agrees, asking, “How do we start?” Cisco starts by giving him a tour.

Iris reaches out to Ralph to stay close to Matthew saying he’ll need a buddy. Ralph apologizes to her about what he said earlier about not risking her life.

At their apartment, Barry double checks with Iris being okay with not being a speedster anymore. She tells him he was always meant to be The Flash with his desire to help people and being the light for everyone when all goes dark. She confides that her strength is her writing and tells him she’s going to go back to being a journalist.

The final scene shows Harry and Cisco working on the thinking cap. Harry outs it on and Cisco wants to turn it off, worried it’s been too long. After Cisco turns it off, Harry reveals he knows the names of the other two bus metas.

The Flash Season 4 Episode 16 Review:

More gimmick than substance, season four episode 16 titled “Run, Iris, Run” is a forced and contrived outing front-lining Iris as the new hero of Central City while benching Barry, Killer Frost, and for the most part, Cisco. This is a poorly written episode with Team Flash encouraging Iris to race out and play hero with people’s lives while in other seasons of the series it would be weeks or months before they let a rookie speedster take on a crisis or villain solo. It just doesn’t ring true to what Team Flash has done in the past with new speedsters like Kid Flash or Jesse Quick. The scene where Iris races off to save people from a fire after barely getting her new powers also lacks any common sense and logic. It’s so obvious Vibe and Killer Frost could have easily saved the residents and put out the fire as a team.

The one thing this episode does prove is that the writers and showrunner don’t seem to know what to do with the character Iris West. Keeping her as Team Leader doesn’t make any sense with Barry and Harry both at S.T.A.R. Labs. What might be best is to let Iris go back to being a journalist and have her own storyline separate from Team Flash, similar to what they did with her in the first two seasons of the show.

With Harry identifying the last two bus metas and with Matthew joining Team Flash to fight DeVoe, it should be very interesting and exciting to see what Team Flash comes up with to stop the evil mastermind.

GRADE: C

More on The Flash Season 4:
The Flash Season 4 Episode 1 Recap
The Flash Season 4 Episode 2 Recap
The Flash Season 4 Episode 3 Recap
The Flash Season 4 Episode 4 Recap
The Flash Season 4 Episode 5 Recap
The Flash Season 4 Episode 6 Recap
The Flash Season 4 Episode 7 Recap
The Flash Season 4 Episode 8 Recap
The Flash Season 4 Episode 9 Recap
The Flash Season 4 Episode 10 Recap
The Flash Season 4 Episode 11 Recap
The Flash Season 4 Episode 12 Recap
The Flash Season 4 Episode 13 Recap
The Flash Season 4 Episode 14 Recap
The Flash Season 4 Episode 15 Recap
The Flash Season 4 Episode 17 Recap
The Flash Season 4 Episode 18 Recap
The Flash Season 4 Episode 19 Recap
The Flash Season 4 Episode 21 Recap
The Flash Season 4 Episode 22 Recap

Grant Gustin Interview
Danielle Panabaker Interview
Candice Patton Interview
Todd Helbing Interview
Tom Cavanagh Interview
Keiynan Lonsdale Interview
Carlos Valdes Interview




‘Life Itself’ Teaser Trailer and Poster: Oscar Isaac and Olivia Wilde Star in This Romantic Drama

Amazon Studios has released the teaser trailer for the dramatic film, Life Itself. The trailer for the romantic drama, which comes from the creative mind behind NBC’s award-winning This is Us, proclaims “There’s no greater story than life…itself.”

Dan Fogelman wrote and directed Life Itself, with Marty Bowen, Wyck Godfrey and Aaron Ryder producing. The cast includes Oscar Isaac (Star Wars: The Last Jedi), Olivia Wilde (Doll & Em), Mandy Patinkin (Homeland, Wonder), Olivia Cooke (Bates Motel), Laia Costa (Piercing), Annette Bening (Film Stars Don’t Die in Liverpool), and Antonio Banderas (The 33).

Amazon Studios has set a September 21, 2018 theatrical release date. Life Itself is rated R for language including sexual references, some violent images and brief drug use.

The Plot: Life Itself centers on a couple (Oscar Isaac and Olivia Wilde) that lead a multi generational love story spanning both decades and continents, from the streets of New York to the Spanish countryside, and are all connected by a single event.

Life Itself Teaser Trailer and Poster
Poster for ‘Life Itself’ starring Oscar Isaac and Olivia Wilde (Photo Courtesy of Amazon Studios)




Elton John Grammy Salute Performers and Songs Announced

Elton John Grammy Salute Performers
Elton John and stars perform “I’m Still Standing” on ‘Elton John: I’m Still Standing – A Grammy® Salute (Photo by Michele Crowe © 2017 CBS Broadcasting, Inc)

The star-studded list of performers set to honor Elton John during Elton John: I’m Still Standing – A Grammy Salute has been revealed, with artists including Lady Gaga and Sam Smith paying tribute to the iconic performer. CBS will broadcast the tribute on Tuesday, April 10, 2018 at 9pm ET/PT, with the network promising a two-hour event featuring more than a dozen of the artist’s biggest hits.

In addition to Elton John, Sam Smith, and Lady Gaga, the list of artists includes Miley Cyrus, Ed Sheeran, Maren Morris, Shawn Mendes, Little Big Town, Kesha, John Legend, Alessia Cara, Christopher Jackson, SZA, Chris Martin, Valerie Simpson, and Miranda Lambert. According to CBS, John Batiste, Neil Patrick Harris, Anna Kendrick, Gayle King, Lucy Liu, and Hailee Steinfeld will also appear in the two-hour tribute.

The Elton John: I’m Still Standing – A Grammy Salute Artists List:

  • “The Bitch Is Back” – Miley Cyrus
  • “Candle in the Wind” – Ed Sheeran
  • “Daniel” – Sam Smith
  • “I Guess That’s Why They Call It the Blues” – Alessia Cara
  • “Your Song” – Lady Gaga
  • “Rocket Man” – Little Big Town
  • “Border Song” – Christopher Jackson & Valerie Simpson
  • “Don’t Go Breaking My Heart” – SZA & Shawn Mendes
  • “Mona Lisas and Mad Hatters” – Maren Morris
  • “We All Fall in Love Sometimes” – Chris Martin
  • “My Father’s Gun” – Miranda Lambert
  • “Goodbye Yellow Brick Road” – Kesha
  • “Don’t Let the Sun Go Down on Me” – John Legend
  • “Bennie and the Jets” – Elton John
  • “Philadelphia Freedom” – Elton John
  • “I’m Still Standing” – Elton John and Ensemble

The Elton John: I’m Still Standing – A Grammy Salute special is produced by Ron Basile and executive produced by Ken Ehrlich and Rac Clark. David Wild is the special’s writer. AEG Ehrlich Ventures, The Recording Academy and CBS previously presented the Sinatra 100 – An All-Star GRAMMY Concert, Stevie Wonder: Songs in the Key of Life – An All-Star GRAMMY Salute, The Beatles: The Night That Changed America – A GRAMMY Salute, and Stayin’ Alive: A GRAMMY Salute to the Music of the Bee Gees musical tributes.




‘Once Upon a Time’s Jennifer Morrison Directs ‘Supergirl’s Melissa Benoist in ‘Sun Dogs’

Once Upon a Time star Jennifer Morrison makes her feature film directorial debut with Sun Dogs, a comedy/drama which just released a new lengthy trailer. Sun Dogs stars Supergirl‘s Melissa Benoist, I’m Dying Up Here‘s Michael Angarano, Oscar winner Allison Janney (I, Tonya), and Modern Family‘s Ed O’Neill.

Jennifer Morrison directed from a script by Anthony Tambakis (Jane Got a Gun, Warrior). Morrison also acts in the feature film along with Alvin “Xzibit” Joiner (Hawaii Five-O), Eric Christian Olsen (NCIS: Los Angeles), and J.R. Ramirez (Marvel’s Jessica Jones).

Sun Dogs is set to premiere on April 6, 2018 on Netflix.

The film, which isn’t yet rated, was shot in Santa Clarita, CA and premiered at the Los Angeles Film Festival. It also played at the 2017 Savannah Film Festival and 2018 Mammoth Film Festival. Morrison took home the Best Narrative Feature award at the Savannah festival and was a triple winner at the Mammoth festival (Achievement in Filmmaking, Best Picture, and Grand Jury Award).


Actor/director Jennifer Morrison starred as Emma Swan for six seasons on Once Upon a Time. The series went through a major reboot for its seventh season, with only Lana Parrilla, Robert Carlyle, and Colin O’Donoghue remaining as part of the main cast. Ratings fell and ultimately ABC opted not to renew the series for an eighth season.

Morrison’s acting credits also include The List, The Darkness, How I Met Your Mother, Star Trek: Into Darkness, and House M.D..

The Plot: A young man (Michael Angarano) determined to be a military hero, ends up on a misguided adventure with his family and new friend Tally (Melissa Benoist), which leads him to the most unlikely realization of how he can courageously “save lives.”

Sun Dogs from Jennifer Morrison
Michael Angarano stars in ‘Sun Dogs’ (Photo Credit: Netflix)




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