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‘Roswell, New Mexico’ Season 3 Episode 4 Recap: “Walk on the Ocean”

Roswell New Mexico Season 3 Episode 4
Heather Hemmens as Maria DeLuca, Jeanine Mason as Liz Ortecho, and Lily Cowles as Isobel Evans-Bracken in ‘Roswell, New Mexico’ season 3 episode 4 (Photo: John Golden Britt © 2021 The CW Network, LLC)

The CW’s Roswell, New Mexico season three episode four gives fans of Max and Liz a brief moment of happiness before ripping it away. Liz (Jeanine Mason) is seated on the beach when Max (Nathan Dean) arrives, declaring he couldn’t stay away. Of course it’s just a dream…but for one second it seemed so real.

In reality, Jones (also Nathan Dean) has escaped his cage, made it to Max’s place, and is busy shaving off his beard. Makeover accomplished, he goes through Max’s private writings and absorbs everything he needs to know. Jones uses his powers to open Max’s safe and takes out his gun. He smiles at a photo of Isobel and Noah, and then looks at a drawing accompanied by a question about the “alighting.”

Isobel (Lily Cowles) wants to work as a guide to help Maria (Heather Hemmens) access details of the funeral, along with a little help from a drug. They need to do this now because the fire’s almost out which means the murder will happen soon.

They dose up and Isobel joins Maria in her vision which, as it turns out, contains items from Isobel’s mind too. That makes sorting things out confusing as Liz points out while serving them piña coladas at the bar. When Maria asks to be shown the psychic vision section, Liz says Maria’s unconscious mind buried it because it’s so unsettling.

Liz explains everyone in this vision represents a hidden truth. She’ll need to confront each person in order to access her vision.

They spot a young girl practicing karate and Isobel confirms that’s part of her dream to open a self-defense school. Once she takes ownership of that vision, the girl vanishes.

Liz claims that was the easy part.

Next, Isobel spots Bronson (Gaius Charles) in a booth with her mom, Louise (Cassandra Jean Amell), and Liz wants her to explain their appearance in this vision. Isobel claims she has nothing to hide. Their attention turns to Max and his identical twin in a booth playing cards and Isobel’s forced to reveal Max is a clone. She explains they found Jones in a cave and still aren’t sure if he’s good or bad. When Isobel adds that he’s currently locked in a cage, Maria is shocked. Isobel clarifies that he’s only been in a cage a week; he spent the other 51 weeks of the previous year in a pod.

Isobel admits their moms were afraid of Jones, but she can feel he’s telling the truth when he says he cares about Max. She also admits he feels like family – and with that Max and Jones disappear from the booth.

They continue to work their way through the people who populate the vision, and Maria confesses that being neither completely human nor completely alien makes her feel lonely. Isobel understands how Maria’s feeling and promises to do a better job of including her.

Roswell New Mexico Season 3 Episode 4
Michael Trevino as Kyle Valenti in ‘Roswell, New Mexico’ season 3 episode 4 (Photo: John Golden Britt © 2021 The CW Network, LLC)

Sheriff Taylor (Gillian Vigman) delivers a speech claiming she’s all about law and order. Bert (La’Charles Trask) asks how she’s planning on handling the recent racial attacks and she declares she’s going to get to the bottom of it. Taylor says black lives matter as do brown, red, white, etc., etc., etc. She even adds green to the mix since they’re in Roswell.

Bert isn’t buying it and neither is Kyle (Michael Trevino).

Elsewhere, Rosa (Amber Midthunder) is interrupted by Wyatt (Dylan McTee) while she’s spraying art on the side of a building. He asks about the woman she’s painted and recognizes the quote surrounding it is from Leonard Cohen’s “Anthem.” Wyatt confesses he still can’t remember his life but thinks something bad happened to his sister. He asks Rosa about it and she claims she doesn’t know anything.

Kyle pays a visit to Michael (Michael Vlamis) to find out why his dad’s old radio played something strange. Michael refuses to help and Kyle places the radio in front of Michael’s face to get his full attention. Michael’s turquoise stone causes the radio to broadcast once again.

Kyle confirms it’s his dad’s voice reacting to Michael’s magic rock. Kyle admits he knows about Jones but didn’t know anything about magic pebbles, and Michael explains it amplifies chemical properties of anything with a current.

Michael opens the radio and discovers alien glass inside. The glass is cracked which will take a while to fix, and Michael wonders why Kyle’s dad hid it in a broken radio in the first place.

The radio features a carving that reads: “In times of trouble let this be your guide”

Michael gets to work on the glass with Kyle’s assistance. He discovers the alien glass makes the radio a transmitter and a receiver and wonders who’s on the receiving end of the messages.

Once the glass is mended, his lab shakes like an earthquake has hit and then the glass activates. A message from Kyle’s dad begins playing and it’s revealed the Valentis have chosen to protect the “others” since the crash in ’47. The Valentis believed they needed to help others who were being persecuted, however, Kyle’s dad has come to believe they were wrong.

The recording instructs Kyle to walk away before it’s too late. He doesn’t want Kyle to “make a sacrifice no more Valentis should make.”

Kyle helps Michael clean up after the quake, and Michael corrects him when he calls the place Guerin Grotto. “First of all, it’s a lair. Second, I’m pretty sure your dad told you to get the hell out of here,” says Michael.

Michael reminds Kyle he’s supposed to get far away, according to his dad. Kyle refuses and Michael becomes angry, admitting he’s as incapable of flying in a ship to his other planet and helping out in a war that’s probably over as Kyle is in helping them. Kyle remains undeterred and refuses to just walk away.

Their argument’s put on hold when Kyle receives a text about a medical emergency at the Lopez Farm. Before he takes off, Kyle suggests Michael quit feeling sorry for himself and talk to Jones to get some much-needed answers.

Wyatt and Rosa chat over coffee and Rosa asks about his relationship with Rosa, which sounds utterly confusing now that I’ve typed that. (Remember, Wyatt thinks this woman is Rosa’s cousin, Rosalinda.) Apparently, Rosa and Wyatt were friends at some point and even shared a love of Nirvana and art.

Their quiet talk’s interrupted by Jordan Bernhardt (Michael Grant Terry) and his minion Zeke (Zacciah Hanson) being tossed from the Take Me to Your Latte shop. When Wyatt tries to get them to leave, Jordan suggests he ask Rosa what happened to his sister. Wyatt explains Rosalinda doesn’t know and his ex-friends are happy to tell him Rosa killed Kate.

Liz is back in LA and attends a party thrown by Genoryx in her honor. Heath (Steven Krueger) tries to lure her back inside to join the celebration and learns Liz has the special spores in her bag but hasn’t done anything with them. She confesses she’s not sure she’s supposed to be in LA working for Genoryx. If she discovers anything important with the spores, Genoryx will own her research.

Heath escorts Liz over to a club with an empty dance floor. He jokes that it’s a good thing as there’s more room for them to show off their moves. The sparks fly as Jeanine Mason’s skills on the dance floor remind us she started her television career on So You Think You Can Dance.

After the number ends, Heath explains he’s there for her and willing to help her do research off-book, if that’s what she wants. He’ll even have his friend set up all the necessary firewalls and protections they need for them to work from her home.

Catching up with Jones…the escaped alien’s reading Tripp’s journal and learns it’s been assumed he’s pure evil and the devil. He becomes angry and fires off Max’s gun, accidentally hitting a poor, innocent dog in the hip.

Jones is a lot of things but he’s not a dog hater. He heals the dog’s wounds and names him Lucky. The twosome return to the cave where Max is now inside the cage and Jones deactivates it. He then touches Max, determined to show him who he really is.

A flashback shows Jones demanding Louise turn over the boy. She refuses to do so.

Jones reactivates the cage after the flashback and uses his alien skills to break into Kyle’s office. He finds Max’s chart and learns he’s in late-stage heart failure.

Kyle arrives at the Lopez Farm and discovers Jordan Bernhardt and Zeke beat Mr. Lopez. Mr. and Mrs. Lopez refuse to go to the hospital because they’re undocumented and only called Kyle because his mom used to take care of them. They don’t have anyone else to turn to.

Michael’s ready to finally have a one-on-one with Jones but finds Max occupying the cage instead. He revives Max and both realize Jones is on the loose. They head over to Max’s and find Jones playing a harmonica and making himself at home. Max warns Michael that Jones is stronger than any of them, but Michael’s not worried about fighting someone with Max’s face.

With a flick of his wrist Jones disarms Michael and gets down to business. He understands why they don’t trust him and confesses he’s come to learn Max is a good, decent man. He deserves a healthy life and knows Max is dying. “Will you trust me enough to let me heal you?” asks Jones.

Max doesn’t think Jones is strong enough to do that, but Jones points out Lucky is just fine. Jones insists he’s okay with dying if it means Max is healed.

Max remains unconvinced and Jones offers to show him the rest of his memories from the ‘40s. Michael doesn’t want him to but Max knows memories can’t be faked.

Another flashback finds Jones in the cave looking at the turquoise stones and an empty pod. He leaves the cave and demands to know where Louise has taken his boy. She admits they moved him and that they were using the stones to fix him. Jones is in tears as he describes them as two halves of a whole; he claims he wants to do what’s right.

An alien sword fight breaks out and Jones is able to disarm Louise. Unfortunately, he didn’t anticipate Bronson shooting him.

Max is yanked out of the flashback with a better understanding of Jones. Jones is okay with returning to his cage and continues to insist he wants to heal Max.

Michael and Max take Jones back to the cage, and Jones asks to keep the harmonica. Max describes what he saw in Jones’ memories and confirms Jones was hunting Nora and Louise but only to save him – not to hurt either woman. Jones thinks of him like a son and felt pain when they locked him away in the pod.

Max is still confused and unsure about letting Jones heal him. Michael remains distrustful but isn’t sure of his own motivations. Is it because Jones revealed things about his mom he didn’t want to know? Maybe.

Michael says he’ll back Max’s decision, no matter what.

The café’s closed when Wyatt pays Rosa a visit. He explains he googled himself and discovered he was a racist prior to losing his memory. Rosa confirms that’s true and that Wyatt shot up the diner and attacked Arturo. She also confesses she doesn’t understand why he’s different now but is sympathetic to his plight having recently gone through rehab to heal herself. She believes people are capable of changing. Wyatt apologizes for his past actions and Rosa doesn’t take responsibility but does apologize for his sister’s death.

Liz shocks Heath by deciding the best thing to do is resign from Genoryx. Heath wants her to think it through before she submits her resignation, but Liz is certain this is the best option. Heath seems more upset than he should be as Liz explains she has people she cares about and should have put her faith in. She hits send and it’s a done deal.

Isobel and Maria have made it through their fears and finally enter the funeral vision. It’s still blurry, but Isobel is seated next to Maria in the vision and says they’ll work through this together. They both turn to look as Bert talks to Michael about the sheriff. That means it’s definitely not Michael’s funeral.

Jordan confronts Kyle as he’s on his way to speak with Sheriff Taylor.

Isobel and Maria watch Rosa hug her mom from the front row of the funeral. Maria realizes this could be Liz’s funeral. Max stands at the podium but is overcome with emotion and unable to speak. He returns to his seat just as Liz rushes in. So, it’s not Liz’s funeral either!

Jordan attacks Kyle, calling his mom a bitch and swearing he’ll make his job more difficult. Punches are thrown and Kyle’s on the receiving end of most of them.

Isobel and Maria approach the coffin, move the flowers on top, and uncover the Valenti coat of arms. OH NO THIS IS NOT HAPPENING!

Jordan pushes Kyle and Kyle’s impaled through the stomach. He chokes up blood as he struggles to breathe. (I refuse to believe everyone’s sounding board, the man who puts all others before himself, is about to die.)

A pool of blood expands at Kyle’s feet.

Max is on the phone with Isobel when he pulls to a stop feet from Kyle. He confirms he’s found him and that he needs an ambulance immediately. As Max approaches Kyle, the lights on Max’s Jeep flash on. In LA, Liz becomes lightheaded and feels pain where Max left his handprint. Lightbulbs explode around Liz’s house and the handprint lights up as she collapses.




Eddie Vedder and Daughter Olivia Collaborate on Original Song from ‘Flag Day’

MGM’s Flag Day is a real family affair, with Sean Penn directing and starring alongside his daughter, Dylan Penn, in the drama based on a true story. The just-released music video of a song featured in the soundtrack keeps the father-daughter pairing going, with Eddie Vedder writing “My Father’s Daughter” and his daughter Olivia Vedder performing. (Glen Hansard co-wrote the song.)

The cast of Flag Day also includes Katheryn Winnick (Big Sky, Vikings), Josh Brolin (Avengers: Endgame), Norbert Leo Butz (Fosse/Verdon), Dale Dickey (Claws), Eddie Marsan (Ray Donovan), Bailey Noble (Them), and Hopper Jack Penn (Sean Penn’s son).

Jennifer Vogel’s memoir Flim-Flam Man: The True Story of My Father’s Counterfeit Life was adapted by Jez Butterworth and John-Henry Butterworth for the screen. William Horberg, Jon Kilik, and Fernando Sulichin produced, with Maximilien Arvelaiz, Lawrence Kopeikin, Thorsten Schumacher, Vincent Maraval, Sidney Kimmel, Allen Liu, Peter Touche, Christelle Conan, Vaishali Mistry, and John Wildermuth executive producing.

UA and MGM have set an August 20, 2021 theatrical release. Flag Day‘s rated R for language, some drug use and violent content.

The Plot:

“Jennifer Vogel’s father John was larger than life. As a child, Jennifer marveled at his magnetizing energy and ability to make life feel like a grand adventure. He taught her so much about love and joy, but he also happened to be the most notorious counterfeiter in US history. Based on a true story and directed by Sean Penn, Flag Day stars Penn and his real-life daughter Dylan Penn in an intimate family portrait about a young woman who struggles to rise above the wreckage of her past while reconciling the inescapable bond between a daughter and her father.”

‘Field of Dreams’ Series Emerges from the Cornfield

The announcement today of a straight-to-series order for Field of Dreams is perfect timing on Peacock’s part. The network confirmed they’re moving forward on the series inspired by the Oscar-nominated feature film starring Kevin Costner just days after the New York Yankees and Chicago White Sox emerged from the film’s cornfield.

MLB set up a temporary ballpark in Dyersville, Iowa next to where the movie was shot and invited 8,000+ fans. Kevin Costner had the honor of leading the Yankees and White Sox out onto the field prior to the game and of addressing the fans prior to the first pitch. “On the other side of that corn we filmed a movie that stood the test of time. Tonight, thanks to that enduring impact that that little movie had, it’s allowed us to come here again,” stated Costner.

The Peacock stated the series will “reimagine the mixture of family, baseball, Iowa and magic that makes the movie so enduring and beloved.”

The Universal Television production will be written and executive produced by Michael Schur. Lawrence Gordon, David Miner, and Morgan Sackett are also on board as executive producers.

“Through the years, Field of Dreams has remained a fan favorite, maintaining its rightful position in the zeitgeist,” stated Lisa Katz, President, NBCUniversal Television and Streaming. “It’s whimsical and grounded, a space where Mike Schur excels, and we’re looking forward to bringing a new version of this classic to Peacock.”

Universal Television President Erin Underhill added, “Field of Dreams is an iconic Universal Film title from venerable producers Lawrence and Charles Gordon, that we could only have entrusted to Mike Schur. His talent, his love for baseball and his reverence for its themes make him the perfect choice to revisit this beloved film that evokes nostalgia and visceral emotion in so many of its fans.”

In addition to Kevin Costner, the critically acclaimed film starred Amy Madigan, Ray Liotta, James Earl Jones, and Gaby Hoffman. Director Phil Alden Robinson earned a Best Adapted Screenplay Oscar nomination, and the film also earned Oscar nominations in the Best Original Score (James Horner) and Best Picture categories. Driving Miss Daisy won the Best Picture Oscar that year over Field of Dreams, My Left Foot, Dead Poets Society, and Born on the Fourth of July.




‘Afterlife of the Party’ Trailer: Victoria Justice Has 5 Days to Change Her Fate

A dead party girl has to set things right with her parents and best friend in order to wind up in heaven rather than hell in Netflix’s Afterlife of the Party. The first official trailer finds Victory Justice playing the ghost on a mission and Midori Francis as her freaked out BFF.

The cast also includes Robyn Scott, Adam Garcia, Timothy Renouf, Gloria Garcia, Myfanwy Waring, and newcomer Spencer Sutherland.

Netflix has set a September 2, 2021 premiere date.

The supernatural comedy was directed by Stephen Herek (Same Time, Next Christmas) from a screenplay by Carrie Freedle (My Secret Valentine). Robyn Snyder and Deborah Evans served as producers.

Afterlife of the Party Poster
Poster for ‘Afterlife of the Party’ (Photo Courtesy of Netflix)

The Plot, Courtesy of Netflix:

Party planner and social butterfly Cassie (Justice) is on top of the world, but a freak accident during her 25th birthday extravaganza brings it all crashing down – literally. When she finds herself in the waiting room of the afterlife, Cassie meets Val, her guardian angel, who explains that she has five days as an angel-in-training to make things right on Earth with the people who meant the most to her: her lifelong best friend Lisa ( Francis), her grieving father, and her estranged mother. In order to repair those relationships and make it to the big VIP room in the sky, Cassie breaks through the spiritual plane to communicate with Lisa and enlists her help to set things right with everyone.

In her journey of reflection and forgiveness, and, in true Cassie fashion, a few makeovers and impromptu dance parties along the way, Cassie finds that she might be the one with the most to learn. Featuring the perfect balance of heart and hilarity, Afterlife of the Party is a modern testament to the power of female friendship, the magic of a perfect pop song, and the importance of living and loving each day like it’s your last.




Country Music Hall of Fame 2021 Inductees Include Ray Charles and The Judds

Country Music Hall of Fame

Reba McEntire had the honor of announcing Ray Charles, The Judds, Eddie Bayers, and Pete Drake have been voted into the Country Music Hall of Fame. The Country Music Association confirmed Ray Charles will be inducted in the “Veterans Era Artist” category, The Judds in the “Modern Era Artist” category, and both Eddie Bayers and Pete Drake enter in the “Recording and/or Touring Musician” category. (Bayers and Drake tied in the number of votes cast.)

The date of the formal induction ceremony for Bayers, Charles, Drake, and The Judds will be announced soon.

“The works of this year’s inductees span crucial timestamps of Country Music history,” said Sarah Trahern, CMA Chief Executive Officer. “This impressive career landmark is the pinnacle of accomplishment in Country Music and I’m so proud to see Eddie, Ray, Pete, Naomi and Wynonna getting their much-deserved plaques on the wall of the Rotunda. Today’s fans and generations to come will forever be reminded of the distinct impact each made on this genre.”

The CMA provided the following comments from the 2021 class of Country Music Hall of Fame inductees:

“I’d like to thank everyone who voted to induct Ray Charles into the Country Music Hall of Fame,” stated Valerie Ervin, Ray Charles Foundation President. “Needless to say, Ray Charles loved Country Music. As a matter of fact, he risked a lot in 1962 when he decided to record Modern Sounds in Country and Western Music. I cannot express enough how happy and honored Ray Charles would be at this moment in time, as I am for him. Congratulations to all the fellow inductees and as Ray Charles would say, ‘That is so nice.’”

“When we moved to Nashville in the late 70s, still struggling to make ends meet and dressing Wy and Ashley in thrift store dresses, I could’ve never imagined the success we achieved as The Judds,” said Naomi Judd. “I am beyond thrilled and humbled for this incredible recognition. There’s no greater pinnacle in Country Music than the Country Music Hall of Fame.”

“This moment takes me back to 1983 when Mom and I first started,” added Wynonna Judd. “We would get in the car and visit multiple radio stations a day. It kind of feels like I’ve hit the lottery. It is so surreal. John Lennon always said that he just wanted to be remembered, and now we’re truly part of history, or I should say HERstory. What an honor.”

“My heartfelt thanks to those who voted for me,” said Eddie Bayers. “I’ve been blessed to be a recording musician for 58 years, and it continues. I’ve been in the Country Music Hall of Fame Medallion Band for 18 years, and it continues. I’ve been in the Opry Band for 18 years, and it continues. Now I’m blessed to be inducted into the Country Music Hall of Fame, which will be everlasting.”

“I am so happy for Pete to receive this well-deserved honor,” stated Pete Drake’s widow, Rose Drake, on behalf of the family. “We are deeply touched and honored for the great recognition of this unique and talented icon that enriched so many illustrious recordings with his special steel guitar tone and sound that distinguished itself, in hundreds of successful recordings.”




‘Heels’ Season 1 Episode 1 Recap and Review: “Kayfabe”

Heels Season 1
Stephen Amell and Alexander Ludwig in ‘Heels’ (Photo Courtesy of Starz)

Starz’s new drama Heels is set in the world of small-town wrestling and the first episode begins by explaining the series’ title for those who aren’t into the sport. Heroes in the wrestling world are known as “Faces” while villains are referred to as “Heels.”

Season one episode one introduces the siblings at the heart of the family-owned Duffy Wrestling League and establishes their dysfunctional relationship. Jack Spade (the heel) is the hands-on owner of the family wrestling business who writes the scripts and manages all aspects of the business. Ace Spade (the face) is Jack’s younger brother who’s aching to leave the DWL behind for greener pastures. There’s a deep divide between the brothers that’s only partially due to what goes down in the ring.

Jack (Stephen Amell) pounds away at the keyboard and with the choreographed match plotted out, he and his opponent act out the script in front of a cheering crowd. Jack’s wife, Staci (Alison Luff), roots him on while his young son, Thomas (Roxton Garcia), remains silent. Apparently, Thomas is more into the good guys than he is his dad, a DWL villain.

After some brutal action in the ring, Jack emerges victorious and is rewarded with a chorus of boos. He grabs the mic, slams Duffy and its citizens, and regrets this is his hometown. Jack struts around the ring, taunting the crowd while clutching a championship belt. Suddenly, the crowd roars in approval as Ace (Alexander Ludwig) enters the ring and delivers a kick to his brother’s head before tossing him over the ropes.

Ace soaks up the adulation before lobbing some insults at his brother. He challenges his big bro to a match, and Jack announces they’ll fight for the belt in a week. As Jack walks off, Ace keeps the crowd pumped with a “f*ck you” and a literal mic drop.

Backstage, the wrestlers unwind and celebrate their performances. Willie (Mary McCormack), the DWL’s managing producer, is the voice of reason and asks Jack to remind Ace to stop breaking the mic. Jack’s more upset about the fact Ace cussed on stage, reminding his bro there are kids in the audience.

Even as the chant of “Ace” rings out in the background, Jack tries – unsuccessfully – to rein in his sibling.

In the days that follow, Jack’s morning run takes him past an old, dilapidated billboard promoting the DWL’s glory days, back when his dad, Tom “King” Spade, squared off against “Wild Bill” Hancock in the ring. His own son has a poster of Jack’s dad along with an autographed photo of Ace in his room, while anything promoting Jack is conspicuously absent.

A week’s passed since Ace threw down the gauntlet and tickets for the event are sold out, yet Jack still hasn’t written the script. Staci interrupts his thought process to ask him to attend church and to chide him over the purchase of four fog machines. She could’ve shopped around for a better deal if he’d told her his plans. Jack blames his dad for buying bad equipment in the first place and also admits she’s right.

Staci’s the family’s financial planner and is quite adept at balancing their budget when she’s kept in the loop. She wonders if she should go back to work, but Jack’s against that idea and reminds her his mom never had a job.

Jack’s unsure how the match should end, and Staci assures him it should end with him winning.

After pissing on a tree outside the church, Ace joins the congregation as Staci’s playing the guitar and singing. After the sermon’s over, Jack and Ace’s mom, Carol (Alice Barrett Mitchell), warns Ace to be good to his brother in the ring. “The world needs love right now,” says Carol. Ace reminds her Jack writes the scripts.

The other wrestlers prepare for the upcoming sold-out show by making sure the ring’s in good shape and warming up. Apocalypse (James Harrison) is happy Jack brought Ace in because it’s good for business, but Rooster Robbins (Allen Maldonado) doesn’t think newcomer Ace deserves to be in the main event.

Rooster shows off some of his moves during a practice session in which the new guy, Bobby Pin (Trey Tucker), fails to act hurt. Rooster offers to demonstrate how it’s supposed to be done but Bobby Pin’s in way over his head and has no idea how to fake a hit, causing Rooster to scream in actual pain. (Bobby Pin’s going to need a lot of coaching to make it in the DWL.)

Willie watches a promo of Florida Wrestling Dystopia owner Charlie Gully (Mike O’Malley) announcing the DWL is dead. Charlie thinks it’s time to stick a fork in the DWL; long live Dystopia. (O’Malley is also the season 1 showrunner and serves as an executive producer.)

Jack seeks out Willie’s opinion on who should win and she believes Ace should come out on top, based on the crowd’s embrace of his character. Ace sells out the arena, but Jack doesn’t think it’s in the interest of the overall narrative for him to win the belt. Willie and Jack also discuss FWD, an organization Jack despises. Willie points out FWD’s selling out all over Florida, but Jack believes all they do is stage car crashes. Gully dreams of being Vince McMahon and Jack doesn’t respect him.

Willie’s worried their wrestlers will leave to join FWD which has lots more money to spend than the DWL. She’s also worried fans will stop coming after the Ace vs Jack fight. What’s left to entice them in once that’s done?

Jack’s sure the DWL has heat now and wants to upgrade their equipment to keep up with the times.

Before leaving, Willie asks who Jack’s dad would have won. Jack replies, “Don’t matter. He’s dead.”

The wrestlers offer up some solid advice to Bobby Pin leading up to the night’s fights. Apocalypse explains their job is to make the crowd either love them or love hating them. Diego (Robby Ramos) explains how he got his start, revealing he was initially the Venice Menace. Fans didn’t embrace that so King Spade rebranded him as Mexican luchador Diego Cottonmouth.

Before the crowd arrives, the wrestlers gather in the ring to learn who they’re wrestling that night. Big Jim (Duke Davis Roberts) gets a round of applause when Jack says he’ll be the star that evening. Jack’s come up with an ending for the Main Event and announces Ace will be going down via pinfall.

The news shocks Ace and silences the other wrestlers as well.

Jack’s leaving when Ace confronts him, demanding to know why he has to lose. Jack believes they need to do this in order to keep the fans interested. “If you beat me tonight, then what do we do then?” asks Jack. “If they see their hero lose to the villain and they get to watch their hero fight his way up top, that’s something. That’s an angle.”

Crystal Tyler (Kelli Berglund), Ace’s valet, reads the script out loud and Ace learns he’ll go down after showboating for the crowd. Ace hates Jack’s script and thinks he can come up with something better. Crystal, however, believes losing can be the best way to win over the crowd. That vulnerability from a heartbreaking loss can be an asset.

Ace and Crystal decide a little naked pre-match activity is the way to prepare for the Main Event.

Heels Season 1 Episode 1
A scene from ‘Heels’ season 1 episode 1 (Photo Courtesy of Starz)

Wild Bill (Chris Bauer) puts in an unexpected appearance in the locker room, reliving his glory days as the heel opposite Tom “King” Spade. Those matches made his career.

Wild Bill and Jack have a one-on-one chat and Wild Bill reveals he’s there to scout Ace. The “suits up north” think Ace has what it takes to succeed, but Jack’s skeptical that Ace is ready. Wild Bill can offer Ace the good life, something the DWL will never be able to do.

Jack firmly believes the stories they tell in the ring will pull in crowds and reminds Wild Bill he’s no better than the folks in Duffy just because he has wealth and fame. Wild Bill slams the DWL as nothing more than community theatre. He thinks the best thing Ace can do is leave the DWL in the rearview mirror.

After Wild Bill leaves to meet with Ace, Jack returns to his laptop and the evening’s script.

Ace has Crystal and Big Jim (Duke Davis Roberts) in his corner as he attempts to get Jack to flip the script and allow him to emerge victorious. Surprisingly, Willie doesn’t hate Ace’s suggestions. But after Ace confirms he’s leaving once he wins, Jack says the match will end as he originally planned.

After Ace storms off, Jack assures Willie they’ll be okay as long as he and Big Jim are around. Willie realizes even Jack isn’t convinced that’s true.

Jack continues to work on the script as Ace meets alone with Wild Bill. Wild Bill explains Ace will need to really work the crowd tonight; that’s what the suits are interested in. Jack will, of course, stick to the script but no one cares about that. Wrestlers have to be adaptable now, according to Wild Bill.

Wild Bill thinks Ace should improvise and land a few real punches.

In the hours leading up to the match, Jack approaches Big Jim with his idea for a twist the audience won’t see coming. He wants Big Jim to enter the match and beat up Ace after Jack goes down. Jack will come to, see what happened, and then defend his brother. It’s a win-win. Jack can become a face, Big Jim will transition to the role of a heel, and Ace can take off for the big leagues.

Sounds perfect…but Big Jim refuses to become a heel. He doesn’t want to be booed. Big Jim throws out his own twist to the night’s plans – he’s going to retire. He wants to be there for the birth of his baby and needs more shifts at work. Big Jim loves wrestling but his wife thinks it’s too dangerous.
Big Jim agrees to turn heel but, given that he’s retiring, Jack decides not to go that route.

Before the match Ace tries once final time to convince Jack to let him win. He promises after he makes it big he’ll come back and help out, but Jack knows that would never happen. They argue over who’s “against” who and Ace finally lays it on the line. He wants the belt and believes he deserves it. Jack points out he’s the one putting in all the work to keep the DWL alive, and Ace fights back by reminding his brother that he refuses to let anyone else handle any of the responsibilities.

Seconds before Jack enters the ring, Staci asks him what he’s decided about the finish. “Don’t matter. It ain’t real,” replies Jack.

Big Jim basks in the love of the crowd for what no one other than Jack knows is his final match. He exits the ring and makes way for the Main Event.

Jack enters first to a round of boos followed by a chant in support of Ace. Ace works the crowd for a minute before facing his brother who’s holding aloft the belt. When Ace turns his back, Jack attacks and takes Ace to the mat. The ref quietly warns Jack to stop hurting Ace, but Jack doesn’t let up. Instead, Ace is forced to tap out less than a minute into the match.

The crowd grows silent as Ace grunts in pain in the ring. He’s finally able to stand up and punches Jack in the face, causing Jack to tumble from the ring. The crowd turns on Ace, tossing popcorn and beers his direction.

Ace has never felt hatred from the crowd before and cries in pain and frustration as he continues to hold his injured arm.

Trash rains down on Ace and Jack leaves him in the ring, alone.

Heels Season 1 Review:

I’ve never watched a professional wrestling match in my life. It’s just not my thing. I couldn’t tell you what a backbreaker, chokeslam, or brainbuster is and, honestly, I don’t care about learning. Fortunately, Starz’s Heels requires no previous knowledge of the sport to follow the plot. Heels entices those of us who’ve managed to avoid the sport by weaving an incredibly complex, entertaining story that involves wrestling but could slide into any sport/occupation and be just as effective.

Michael Waldron (Loki) created the Starz series and promises Heels will take viewers inside the world of wrestling in a way that’s never been done before. The actors portraying wrestlers went through extensive training to prepare for their roles, and their commitment to Heels pays off with on screen matches that look savage and real.

The decision to include the sibling grudge match as part of the series’ first episode instead of being teased out over the first season is a bold choice. Jack questions what’s left if Ace wins the match, and audiences might be asking a version of that question. What remains to be told if the showdown occurs in the first episode? I’ve seen the first few episodes and can happily confirm there are plenty of compelling storylines still to unfold.

Episode one reveals the hero and villain labels from the ring don’t necessarily carry over to life outside the ring. The series is full of flawed characters who make the right decisions for the wrong reasons and vice-versa. The talented ensemble, led by Amell and Ludwig, bring depth and unexpected layers to each of these characters who refuse to be defined by one label.

Heels lays out a tale of betrayal, loyalty, love, and loss – all in just the first episode. The payoff for the first season may be that each episode is building up to make season one a redemption story. Even if that’s not the case, the first hour of Heels provides enough juicy meat to sink our teeth into while leaving plenty on the plate for upcoming episodes.




FX Renews ‘What We Do in the Shadows’ and ‘American Horror Stories’

FX’s critically acclaimed, award-winning mockumentary series What We Do in the Shadows will return for a fourth season. The renewal announcement comes in advance of the series’ third season which will kick off with the release of its first two episodes on September 2, 2021 at 10pm ET/PT.

“Fans can’t seem to get enough of What We Do in the Shadows and FX is ready to feed that appetite by setting up the series for a fourth season,” said Nick Grad, President, Original Programming, FX Entertainment. “Our thanks to the extraordinary job by the creative team, cast and crew who keep making a great show better each season.”

Over its first two seasons What We Do in the Shadows has earned 10 Emmy Awards nominations as well as five Critics Choice Awards nominations and two Writers Guild of America Awards nominations. Natasia Demetriou won Best Actress in a Science Fiction/Fantasy Series at the inaugural Critics Choice Super Awards.

In addition to Demetriou, the cast includes Kayvan Novak, Matt Berry, Mark Proksch, and Harvey Guillén. The series is based on Jemaine Clement and Taika Waititi’s feature film of the same name, and has Clement, Waititi, Paul Simms, Stefani Robinson, Sam Johnson, Garrett Basch, and Eli Bush as executive producers.

What We Do in the Shadows
Matt Berry as Laszlo, Natasia Demetriou as Nadja, Mark Proksch as Colin Robinson, and Kayvan Novak as Nandor in ‘What We Do in the Shadows’ (Photo Credit: Russ Martin/FX)

FX released a new trailer and description for the upcoming third season:

“After the shocking season two finale, we find the housemates in a panic about what to do with Guillermo after discovering that he is a vampire killer. This season, the vampires are elevated to a new level of power and will encounter the vampire from which all vampires have descended, a tempting Siren, gargoyles, werewolf kickball, Atlantic City casinos, wellness cults, ex-girlfriends, gyms, and supernatural curiosities galore. Plus, Colin Robinson is turning 100. And Nandor, faced with his own eternal-life crisis, tries to inject his life with more meaning. Will he find love or is he destined to be an immortal bachelor with 37 ex-wives?”

FX also announced the renewal of the American Horror Stories anthology series for a second season. Created by Ryan Murphy and Brad Falchuk, American Horror Stories‘ first episode was FX on Hulu’s most successful series premiere to date.

Season one will wrap up on Thursday, August 19th with the release of its seventh and final episode, “Game Over.” The seventh episode was directed by Liz Friedlander from a script by Murphy and Falchuk and features a couple who dare to spend the night in a haunted house.




‘The Outpost’ Season 4 Episode 6 Preview: Photos, Plot, Cast and Air Date

The CW’s The Outpost season four episode six finds Imogen Waterhouse returning to direct her third episode of the series. Written by Rebecca Rosenberg, episode six – “All We Do is Say Goodbye” – will air on August 19, 2021.

The cast is led by Jessica Green as Talon and includes Jake Stormoen as Captain Garret Spears, Anand Desai-Barochia as Janzo, and Reece Ritchie as Zed. Izuka Hoyle is Wren, Jaye Griffiths is Yavalla, Aaron Fontaine is Tobin, Georgia May Foote is Falista, Maeve Courtier-Lilly is Luna, Nikki Leigh Scott is Vorta, and Adam Johnson is Munt.

“All We Do is Say Goodbye” Plot: WHAT LIES BENEATH – Garret (Stormoen) and Luna (Courtier-Lilly) set out on a rescue mission. Meanwhile, Tobin (Fontaine) proves his loyalty and Wren (Hoyle) and Janzo (Desai-Barochia) discover what lies beneath the Outpost. A quest begins to uncover Luna’s past.

The Season 4 Plot:

After Gwynn (Imogen Waterhouse) sacrificed herself to destroy Yavalla, the Outpost needs a new ruler. But while Talon and Garret try to establish new leadership, a sinister threat awakens, revealing the true origin of the mysterious kinjes. Talon and her kinj-bearing friends all share dark visions from god-like beings who are hell-bent on reclaiming the kinjes for themselves. A would-be assassin named Luna hunts Talon down to get vengeance for crimes of the past, but soon discovers that her own heritage is wrapped up in Talon’s fate.

Mourning the recent loss of her beloved Tobin (Aaron Fontaine), Falista is mentored by Two to dedicate herself to the new “gods” in exchange for a costly favor. But when the Lu Qiri go missing, Talon and Zed track them down to discover the greatest threat the Realm has ever faced… a new race of beings that will ultimately explain Talon’s own dark origins.

When Janzo and Wren are forced to unlock an ancient city beneath the Outpost, they struggle to uncover who their real allies and enemies will be, while a secret they share gives them new motivation to save the world.

As she and her friends are hunted down one by one, while diabolic forces are tearing her world apart, Talon endures the darkest challenge she has ever faced, as she struggles to embrace the heroes of her past and somehow survive the villains that only she has the power to destroy.

The Outpost Season 4 Episode 6
Jessica Green as Talon and Maeve Courtier-Lilly as Luna in ‘The Outpost’ season 4 episode 6 (Photo: Aleksandar Letic/NBCU International — 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 4 Episode 6
Anand Desai-Barochia as Janzo in season 4 episode 6 (Photo: Aleksandar Letic/NBCU International — 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 4 Episode 6
Anand Desai-Barochia as Janzo, Adam Johnson as Munt, and Izuka Hoyle as Wren in season 4 episode 6 (Photo: Aleksandar Letic/NBCU International — 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 4 Episode 6
Georgia May Foote as Falista in season 4 episode 6 (Photo: Aleksandar Letic/NBCU International — 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 4 Episode 6
Izuka Hoyle as Wren in season 4 episode 6 (Photo: Aleksandar Letic/NBCU International — 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 4 Episode 6
Jessica Green as Talon in season 4 episode 6 (Photo: Aleksandar Letic/NBCU International — 2020 Outpost TV LLC. Courtesy of Electric Entertainment)




‘Gossip Girl’ Reboot Returns in November with 6 New Episodes

Gossip Girl Season 1
Emily Alyn Lind, Jordan Alexander, Whitney Peak, Savannah Lee Smith, and Zion Moreno in season 1 of ‘Gossip Girl’ (Photograph by Karolina Wojtasik/HBO Max)

HBO Max is targeting a November return of the 2021 reboot of the angsty teen drama Gossip Girl. Part one of the 12 episode first season premiered on July 8th and wrapped up on August 12th. Part two of the first season will consist of six new episodes.

2021’s Gossip Girl is based on Cecily von Ziegesar’s bestselling novels as well as the original series developed by Josh Schwartz and Stephanie Savage. The original show aired for six seasons and starred Blake Lively, Leighton Meester, Penn Badgley, Chace Crawford, Ed Westwick, Kelly Rutherford, and Matthew Settle.

The reboot stars Jordan Alexander as Julien Calloway, Eli Brown as Obie, Thomas Doherty as Max Wolfe, Tavi Gevinson as Kate Keller, Emily Alyn Lind as Audrey Hope, and Evan Mock as Aki. The series also stars Zion Moreno as Luna La, Whitney Peak as Zoya Lott, Savannah Lee Smith as Monet de Haan, Todd Almond as Gideon, Adam Chanler-Berat as Jordan Glassberg, Johnathan Fernandez as Nick Lott, and Jason Gotay as Rafa Caparros.

Showrunner Joshua Safran developed the series and serves as writer and executive producer. (Safran was a writer and executive producer on the original series.) Fake Empire’s Josh Schwartz and Stephanie Savage also executive produce along with Leslie Morgenstein and Gina Girolamo of Alloy Entertainment.

The Plot, Courtesy of HBO Max:

This extension of the pop culture classic takes us back to the Upper East Side finding a new generation of New York private school teens being introduced to social surveillance nine years after the original blogger’s website went dark.

Gossip Girl explores just how much social media — and the landscape of New York itself — has changed in the intervening years.




‘Impeachment: American Crime Story’ Official Trailer Explores Clinton’s Sex Scandal

Former President Bill Clinton’s sex scandal gets the limited series treatment with Ryan Murphy’s Impeachment: American Crime Story. FX just released the official trailer for the upcoming series which focuses on the events leading up to Clinton’s impeachment as revealed by the three women at the center of the story: Monica Lewinsky, Linda Tripp, and Paula Jones.

The official trailer offers our first real look at Beanie Feldstein as Monica Lewinsky, Sarah Paulson as Linda Tripp, and Annaleigh Ashford as Paula Jones. An unrecognizable Clive Owen stars as William Jefferson Clinton, Edie Falco is Hillary Clinton, Cobie Smulders is Ann Coulter, and Billy Eichner is Matt Drudge.

Season one of the critically acclaimed, award-winning American Crime Story franchise debuted in February 2016 and explored the behind the scene maneuverings of the OJ Simpson murder trial. Season two followed in January 2018 and focused on the murder spree of serial killer Andrew Cunanan, the man who stalked and took the life of iconic designer Gianni Versace.

Impeachment: American Crime Story is set to premiere on FX on Tuesday, September 7, 2021 at 10pm ET/PT.

The series was created by Ryan Murphy and is executive produced by Nina Jacobson, Brad Simpson, Alexis Martin Woodall, Sarah Burgess, Sarah Paulson, Brad Falchuk, Scott Alexander, Larry Karaszewski, and Michael Uppendahl. Monica Lewinsky was involved as a producer.

Sarah Burgess adapted Jeffrey Toobin’s bestselling book, A Vast Conspiracy: The Real Story of the Sex Scandal That Nearly Brought Down a President, for the series.

Impeachment: American Crime Story Poster
Poster for ‘Impeachment: American Crime Story’ (Photo Credit: FX Networks)

The Plot, Courtesy of FX:

Impeachment: American Crime Story examines the national crisis that led to the first impeachment of a U.S. President in over a century. It tells this story through the eyes of the women at the center of the events: Monica Lewinsky (Feldstein), Linda Tripp (Paulson) and Paula Jones (Ashford). All three were thrust into the public spotlight during a time of corrosive partisan rancor, shifting sexual politics and a changing media landscape. The series shows how power lifts some and disposes of others in the halls of our most sacred institutions.”




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