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‘Dirty John: The Betty Broderick Story’ Episode 5 Recap: “Scream Therapy”

Dirty John The Betty Broderick Story Episode 5
Lena Georgas as Janet and Amanda Peet as Betty Broderick in ‘Dirty John: The Betty Broderick Story’ episode 5 (Photo by: Isabella Vosmikova/USA Network)

Episode five of USA Network’s Dirty John: The Betty Broderick Story kicks off with Dan (Christian Slater) explaining to Linda (Rachel Keller) that Betty feels most alive around Christmas time. He claims he tried to give her the kids to share the holiday with, but she wouldn’t take them. Linda quickly changes the subject and the conversation devolves into a red hot makeout session.

The kids pause while decorating the Christmas tree to watch their dad make out with Linda in the kitchen. Or at least that’s the story Betty (Amanda Peet) is unspooling to her friend Karen Kintner (Missi Pyle) over lunch. It’s really just her imagination taking over as the kids haven’t said anything like this happened while they’re around.

Linda admits Dan did offer to let her take the kids skiing over the holidays. She refused and instead he took them on a trip with Linda. She’s obsessed with the idea Linda and Dan are sharing a bed and that the kids know this is going on.

Karen tries to convince her friend she should have taken the kids away instead of Dan, just to get some form of continuity in their lives.

Betty returns home from lunch to find a gorgeous bouquet of flowers on her doorstep. They’re from Dan and the card reads:

“Bets, I hope you have a Merry Christmas. Love, Dan”

Dan and Linda keep the kids from entering the living room when they return home from their short winter vacation. Betty broke in and destroyed presents addressed to Linda and left shattered glass all over the carpet. It’s a mess and Dan concedes sending flowers was probably the wrong thing to do. (You think?!)

Dan believes Linda did this because she’s childish and craves his attention. He thinks that once they move to Balboa Park, Linda will stop acting out like this. She won’t feel ownership of that house like she does the Coral Reef place.

Dan takes photos to document the destruction before he cleans up.

As Betty’s outside her place preparing to get coffee and go for a walk on the beach with a friend, a man delivers papers notifying her the divorce is final. Dan has been awarded everything. Betty’s confused because she postponed the hearing and wasn’t even in attendance. She doesn’t have a lawyer and claims there was no due process.

The paperwork lays out that Betty is no longer allowed to visit her kids until she sees a psychiatrist. Betty’s livid that mom’s who abuse their kids can still see them, but Dan’s now found a way to keep her from her children.

A letter from Dan insists they stop badmouthing each other to the children as they head into the next step: court-ordered mediation. She immediately calls Dan’s house and gets his machine.

Dan arrives at work and passes his answering machine tape to a secretary. It’s obvious she’s had to type up its contents multiple times before and isn’t looking forward to listening to more of Betty’s vindictive spewings.

Dan dictates a new letter to Betty informing her that calling him is violating a court order. Because she won’t obey the law, he’s now going to deduct $100 per offensive word. When she sets foot on the Cypress Ave property, he’ll withhold $250 from her monthly alimony. If she comes through the door, it’s a $500 fine. “Each time you try to spend time with the boys without clearing it with me, $1,000,” says Dan.

Betty shows her friends the letter from Dan while at lunch. She knows Dan’s calling the shots and she doesn’t have any way to fight back. She’s no longer working at the gallery and this is her whole life right now. Her friends suggest she see a therapist, but Betty knows he’ll subpoena the records and somehow use them against her.

“That answering machine is my therapy,” says Betty. “My primal scream.”

Her friends continue to try and come up with alternatives to leaving hate-filled messages on Dan’s machine, but Betty takes issue and thinks they’re siding with Dan. She shows off the bill she just received from when Dan had her involuntarily committed and confesses smashing things is all she wants to do at this point.

Betty keeps leaving messages and Dan keeps having them typed up.

Betty sits outside Dan’s new house, fuming in her car. On one such occasion, she gets out and rips the antenna off his sports car.

When Dan continues to refuse to call her back, Betty seriously spirals out of control. She leaves a message threatening that if he doesn’t call her back, she’ll kill him.

Betty’s messages never refer to Linda by name. Instead, they always address her as “the whore.”

Betty returns to Dan’s new place and throws a potted plant at a glass door. She enters his house and begins destroying walls with a hammer. She smashes vases and glass shelves, and spray paints all over his walls.

Meanwhile, she’s also leaving dozens of messages that are all transcribed. The secretary confides in a co-worker that Betty sounds evil and has a laugh like The Exorcist.

During one answering machine message she says, “I don’t want to see you or the whore or the slums where you live or your bullshit anymore. You made my life into a nightmare. I close my eyes and I see you and the whore doing all your wonderful things. You’re going to be real sorry.”

Dan dictates a new letter to Betty that explains the results of his monthly sanctions. Her deductions exceed the $9,000 he agreed to pay her each month. She now owes him $1,300 and he warns her to stop attacking him and his property or else he’ll never pay her anything ever again.

To add insult to injury, the letter’s notarized by Linda.

Betty hasn’t learned her lesson and instead heads over to Dan’s house. She won’t leave when he asks her to and after a brief discussion, Dan calls the cops to have her arrested. She’s taken to jail and ultimately let go on her own recognizance.

Betty tells a friend she has no idea how she can live without Dan’s monthly check. Her friend writes her a check for $6,500 to tide her over.

Betty finally follows the suggestion of some of her close confidantes and begins keeping a diary.

August 7, 1986. Betty meets with a mediator without a lawyer. Dan’s not in attendance as normally the mediator meets with both parties separately. He asks for Betty’s prepared statement and she’s confused because she thought she was supposed to read it. He allows her to read it into the record.

In her statement, she claims to be the victim and refuses to accept responsibility for raising the children because of how he’s twisted her sense of values with his lies and behavior.

She asks to hear Dan’s position statement and is told he didn’t submit one.

Linda and Dan attend a gala and the friend of Betty’s who loaned her money asks to speak with them. She reveals she knows about the fines and jail time and thinks it’s gone too far. Dan doesn’t understand why this woman who doesn’t really know the details of his life would involve herself in this matter. He suggests she focus on her own life rather than spread stories about his. (It’s revealed this black-tie event is in honor of the 1987 President-Elect of the San Diego County Bar Association, Daniel T. Broderick, III.)

Betty’s friend was insulted by Dan’s behavior and decides to give Betty the name of a lawyer, Hilary Clark (Mary B. McCann), who will be willing to represent her. They meet and Betty explains she wants to ask for $28,500 a month from Dan – a figure she believes is a quarter of what he earns.

“Why should my lifestyle decline when he wouldn’t have his lifestyle without me?” asks Betty. She also wants custody of the kids – but not without a settlement.

Hilary explains it would be easier to get a judge to go along with a settlement if she has custody of the kids. The lawyer suggests Betty undergo the court-mandated psych evaluation while she digs into Dan’s finances.

Hilary requests Betty cease calling, going to Dan’s house, and visiting the kids without permission. Betty agrees to all that plus she promises to return the lawyer’s phone calls.

Dirty John The Betty Broderick Story Episode 5
George Newbern as Walter Mills and Christian Slater as Dan Broderick in ‘Dirty John: The Betty Broderick Story’ episode 5 (Photo by: Isabella Vosmikova/USA Network)

Betty and Dan are in the courtroom, each represented by counsel. Before the hearing begins, Dan’s lawyer reveals Betty called Dan again to harass him. The judge stops the lawyer and says, “Going forward, you will not use this court to litigate minor infractions. We will proceed in an efficient manner and I will not tolerate any attempt to waste my time with garbage.”

Score one point for Betty.

The judge appoints Dr. Margot Hayes to perform the court-ordered evaluation.

Betty secretly meets with one of her boys to help him with his homework.

Dr. Hayes asks Betty how Dan got custody in the first place and Betty lays out the story of the rats. She left the kids at his place and he’s had them ever since. The doctor begins to write this down and Betty frantically stops her, requesting she doesn’t take notes.

Dr. Hayes assures Betty that since Dan has such long hours and Betty is the primary parent, they should be able to work out a reasonable custody arrangement. But, it all depends on what the kids tell her. Dr. Hayes adds that this is possible since Dan wasn’t awarded custody as part of “an actual contested litigation in court.”

Things are going her way but then she says, “Not going to be a single parent to four kids. He’ll die first.”

The doctor appears shocked by this statement. (Who wouldn’t be?) She asks if Betty’s threatening Dan and Betty confirms she threatens him all the time.

Betty writes down all her troubles – real and imaginary – in her diary. She blames everything on Dan. She believes solitary confinement is the cruelest punishment other than the electric chair.

Betty meets again with her lawyer and explains Dan doesn’t pay at any set time of the month. It’s more like whenever he feels like it. She thought about trying to get a job in childcare but then wasn’t sure how she’d explain she can’t see her own kids. Betty’s in tears as she reveals she didn’t even see Ryan on his birthday.

The lawyer has good news; Betty can have the boys on Easter weekend. Betty’s incredibly happy and can’t believe she’ll be with her kids on the holiday.

The school rings up Betty because they can’t reach Dan. Anthony’s sick at school and wants her to come to get him. Betty learns Anthony’s had a lot of colds and he recently had lice, thanks to another student.

The night before Betty’s supposed to pick up her boys for the Easter weekend, she has a happy chat with one of them about their plans for celebrating the holiday. She promises to be first in line to pick them up at school.

Betty dons bunny ears and prepares to go get the kids. The phone rings as she’s heading out and she doesn’t answer it.

Betty arrives at the school just as Dan is pulling away with the boys in his backseat. She runs over the safety cones to follow him and races through traffic to catch up. She pulls alongside him and he screams through his window at her to stop. She finally forces him over – still in traffic – and runs up to his window screaming he promised she could have the boys for Easter.

Dan claims he changed his mind and her lawyer should have informed her of his new plans. The kids want to go with their mom but Dan won’t let them. He pulls away, leaving Betty standing in the road being honked at by backed-up traffic.

Betty returns home and eats the Easter candy. She writes in her diary that she’s done nothing in self-defense. “How can anyone survive after this kind of an assault?” she writes, adding, “Wouldn’t anyone become violent after all his incessant bullshit?”

Betty continues to leave messages on Dan’s machine. One of her sons finally answers and blames her for causing her own problems. If she knocked it off, they could come to see her. He claims he wants to be with her and if she stopped saying bad words, then they could be around her.

He asks his mom to grow up and start acting like an adult. He also reveals they think she only cares about money and what it can buy. Betty says Dan robbed her of everything.

Dan comforts his young son who’s crying when he hangs up the phone. He then retrieves the answering machine tape with the recorded conversation.

Betty tells Dr. Hayes about her son’s colds, the lice, and that his ears were filled with wax. She thinks Dan doesn’t care if his children walk around filthy and sick. He’ll just blame any parenting issues on her.

Dr. Hayes confirms she normally only meets with a parent once but thought they needed this second, more structured session. She wants to know what kind of visitation she would want Dan to have if she got the children back, and Betty says none. She then describes herself as a good parent and only now does Dan contend she’s unfit. Betty doesn’t help herself by becoming emotional and saying “his whore” while describing the kids’ current living conditions.

The doctor stops her and asks her to say Linda’s name. Betty won’t. Dr. Hayes asks if Betty ever discussed any of this with Linda and Betty doesn’t actually respond other than to ask if that’s on her too. She does, however, say Linda’s name and then gets up to leave.

Dr. Hayes is shocked Betty’s leaving during the session and Betty claims it’s because she’s too good of a therapist. She doesn’t want the kids by herself. “I won’t let you talk me into it. You make me forget that I’m angry at the a**hole and his whore, and if I’m not angry I’m not going to make it,” she confesses as she leaves.

After she leaves, Dr. Hayes begins writing everything down.

Betty meets with her attorney who’s upset about a stack of contempt motions Dan sent over. Hilary’s angry Betty continued to call Dan’s house after she agreed not to. Plus, she hasn’t been paid by Dan. She then offers up a deal. Hilary learned Dan’s selling a Colorado property and he agreed to send her a check for the full amount. She’ll act as a broker and divide the proceeds, taking her fee from Betty’s half.

Betty’s livid that Hilary called Dan. She can’t believe this happened behind her back and now believes Hilary is just trying to get in good with Dan at her expense. Hilary’s at her wit’s end and asks what she’s supposed to do – she’s not going to work for free.

Betty fires Hilary but Hilary still appears at her side during a hearing. She informs the judge the contempt filings and postponements by Dan are only to deliberately delay trial proceedings. She also believes they could be used to hide assets.

The judge is over all this nonsense and tells Dan to get Linda off the answering machine. He also announces that after Betty’s psych exam, he’s going to leave the kids exactly where they are. Betty can only see the kids if Dan agrees. Plus, the judge hands her a 25-day jail sentence.

Hilary speaks up and asks if the judge will allow Betty to apologize to the court rather than serve time. Betty rises to her feet and promises to change her ways. She agrees to not leave more messages and to obey the rules. The judge lightens the sentence to six days in jail. However, she will not be allowed to go home and get her affairs in order first.

She’s taken out of the courtroom in handcuffs.

Dan returns home and has a heart-to-heart with one of his sons. The boy wants to see his mom and Dan describes Betty as being like a kid who kicks and screams to get her way. Dan assures his son it’s not his fault; it’s all on Betty.

The scene switches to show a blindfolded Linda walking through their friends gathered at a bar. Dan drops to one knee and proposes. Linda says yes.




‘Last Chance U’ Announces Switch from Football to Basketball

Last Chance U
John Beam in ‘Last Chance U: Laney’ (Photo © 2020 Netflix)

Netflix’s Last Chance U is preparing for a huge shakeup. The successful series has spent four seasons covering football and will do so once again with season five. Season five will then wrap up the show’s focus on football as it launches a basketball-centric spinoff, Last Chance U: Basketball.

Season five of Last Chance U will premiere on July 28, 2020 featuring Laney College JUCO football’s Eagles. Netflix is targeting a 2021 premiere of LCU: Basketball. Season one of the spinoff focuses on the East Los Angeles Community College basketball team during their 2019-2020 season.

“We’re thrilled to be able to delve into the world of Laney College for our fifth season and to have had the opportunity to document the incredible grit and drive of these JUCO players in Oakland, CA. With this series, we always wanted to give viewers a raw behind-the-scenes look at junior college athletics and we’re excited to expand the LCU legacy onto the court with JUCO basketball,” said executive producer and director Greg Whiteley.

Last Chance U: Laney Plot:

“Netflix’s critically acclaimed, Emmy-nominated series Last Chance U returns for Season 5 in a brand new setting to give viewers a raw, authentic look at the junior college football program at Laney College in the heart of Oakland, CA. After clinching the title of state and national champions in 2018, the Laney Eagles have a hard season to follow and a lot to prove.

Going into his eighth season and having built the program from the ground up, powerhouse head coach John Beam must fight to rally the team amidst countless setbacks. Season 5 brings intensity both on and off the field as players battle injuries, stress, and personal demons while finding much-needed support in the community and taking pride in their scrappy mentality and motto ‘Laney Built.'”




‘Unsolved Mysteries’ Trailer: Docuseries Returns in July with New Cases to Solve

Netflix has released a new trailer, poster, and series details for the streaming service’s revamp of the popular Unsolved Mysteries series. Six episodes of season one of Unsolved Mysteries will premiere on July 1, 2020, with the six additional new episodes arriving on an undisclosed date.

The original docuseries creators Terry Dunn Meurer and John Cosgrove of Cosgrove/Meurer Productions are involved as executive producers along with Shawn Levy’s 21 Laps Entertainment.

Levy says this version is loyal to the original series. “The stories still range from supernatural occurrences to unthinkable crimes. The title music remains intact. ​Unsolved Mysteries ​originally included four cases per episode. We at 21 Laps ​— along with our partners at Cosgrove/Meurer Productions — ​made an early decision to have our storytelling dive deeper and establish a more intimate connection with the audience. To do that, you need time,” explained Levy.

“The people we’re interviewing on screen are often revisiting deeply painful experiences that are traumatic and not easy to discuss. These new episodes will each focus on a singl​e case that is produced, directed, photographed, scored and edited at a high level. ​I think audiences are going to find it very satisfying.”

Levy added, “We have also opted for a hostless format, because the late, legendary Robert Stack was a singular and irreplaceable presence. In Robert’s absence, we are letting the spirit and the strength of the stories carry the narrative. Above all, our aspiration was to make a new chapter worthy of his memory and of iconic contribution to this iconic series.”

Unsolved Mysteries Poster

Series Details, Courtesy of Netflix:

“Fusing signature elements from the original series with contemporary immersive, character-driven storytelling, the 12 new episodes are rooted in the experiences of ordinary people who have lived the unthinkable — from the trauma of a loved one’s unexplained disappearance or horrific death, to the shock of a bizarre paranormal encounter.

Alongside detectives and journalists, family members offer clues, present theories, and identify suspects, hoping one viewer holds the key to solving the mystery.”

Directors of Volume 1:
Marcus A. Clarke:
“Mystery on the Rooftop” “No Ride Home” “Berkshire’s UFO”

Jimmy Goldblum:
“13 Minutes”

Clay Jeter:
“House of Terror” “Missing Witness”

‘Lucifer’ Will Reign for a Sixth – and Maybe Final – Season on Netflix

Lucifans have reason to rejoice… Not only did Netflix recently confirm an August 21, 2020 premiere date for season five of Lucifer, the streaming service also announced an unexpected sixth season of the delicious comedy/drama. Netflix is calling the just added new Lucifer season the “FINAL final” season but, that said, there’s no reason to believe Lucifans can’t convince them to continue the tale of the sexy Devil who’s taken up residence in the City of Angels. After all, Lucifans’ successful #SaveLucifer campaign is responsible for Netflix reviving the series after Fox dropped it following season three.

Netflix didn’t confirm when production will begin on season six or how many episodes we can expect when it arrives.

Season five of the series is expected to consist of 16 episodes, delivered up in eight-episode blocks for your binge-watching pleasure. Showrunner/writer Ildy Modrovich promises all of the episodes will be lengthy. “[…]I CAN tell you that ALL the episodes are SUPERSIZED. Between 50 and 60 mins each. (IE: we’re long-winded mo fos this season.)” tweeted Modrovich.

Tom Ellis leads the cast as Lucifer Morningstar. Lauren German plays LAPD Detective Chloe Decker, Lesley-Ann Brandt is Mazikeen, and DB Woodside is Amenadiel. Rachael Harris is Dr. Linda Martin, Aimee Garcia plays Ella Lopez, Kevin Alejandro is Dan “Detective Douche” Espinoza, and Scarlett Estevez plays Trixie. The series is based on characters created by Neil Gaiman (who provided the voice of God in season three), Sam Kieth, and Mike Dringenberg for Vertigo. Lucifer was originally developed for television by Tom Kapinos.

The series is executive produced by Joe Henderson, Ildy Modrovich, Sheri Elwood, Jerry Bruckheimer, Jonathan Littman, and KristieAnne Reed.

The Lucifer Plot:

Lucifer, bored and unhappy as the Lord of Hell, resigns his throne and abandons his kingdom for the gorgeous, shimmering insanity of Los Angeles, where he gets his kicks helping the LAPD punish criminals.

A Look Back at Season 4:

Reeling from the aftermath of Chloe seeing his devil face, Lucifer faces a new challenge: Eve, the original sinner herself, is back. Does she want revenge for when he tempted her out of Eden oh so many years ago… or something else entirely?

Lucifer season 4 cast
The season 4 cast of ‘Lucifer’ (from left to right): D.B. Woodside, Lesley-Ann Brandt, Tom Ellis, Lauren German, Kevin Alejandro, and Rachael Harris.




‘Foundation’ Epic Sci-Fi Series Reveals a Sneak Peek Behind the Scenes

The Dark Knight Trilogy‘s David S. Goyer guides Apple+’s ambitious sci-fi series, Foundation. The drama is based on the beloved award-winning novel by Isaac Asimov and in this just released video, we get a glimpse behind the scenes into season one’s production.

The Apple Original series stars Jared Harris (Carnival Row) as Hari Seldon, Lee Pace (Halt and Catch Fire) as Brother Day, and Lou Llobell as Gaal. Leah Harvey (Search and Destroy) is Salvor, Laura Birn (The Innocents) is Demerzel, Terrence Mann (Sense8) is Brother Dusk, and Cassian Bilton plays Brother Dawn.

Goyer is the season one showrunner and serves as an executive producer. Robyn Asimov, Josh Friedman, Cameron Welsh, David Ellison, Dana Goldberg, and Marcy Ross also executive produce.

The Plot, Courtesy of Apple+:

Foundation chronicles a band of exiles on their monumental journey to save humanity and rebuild civilization amid the fall of the Galactic Empire.

‘The Great North’ Earns a Season 2 Order Prior to Season 1

The Great North

Fox has gone ahead and given the upcoming animated comedy The Great North a renewal order for a second season before season one even premieres. The new comedy was created by Bob’s Burgers writers and executive producers Wendy Molyneux and Lizzie Molyneux-Logelin along with writer Minty Lewis (Regular Show). All three serve as writers, executive producers, and showrunners on the animated series.

Bob’s Burgers creator is involved as an executive producer.

“Wendy, Lizzie, Minty, and Loren delivered a show that embodies our animation brand so strongly, they left us no choice but to give this stellar series an early renewal ahead of its midseason debut,” stated Michael Thorn, President, Entertainment, for FOX Entertainment. “Of course, we’d also like to thank our friends at 20th, who continue to be tremendous partners.”

The season one voice cast includes Nick Offerman, Jenny Slate, Will Forte, Megan Mullally, Paul Rust, Aparna Nancherla, and Dulcé Sloan.

The Plot, Courtesy of Fox:

The Great North follows the Alaskan adventures of the Tobin family, as a single dad, BEEF (Offerman), does his best to keep his weird bunch of kids close – especially his only daughter, JUDY (Slate), whose artistic dreams lead her away from the family fishing boat and into the glamorous world of the local mall. Rounding out the family are Judy’s older brother, WOLF, (Forte) and his fiancé, HONEYBEE (Sloan), her middle brother, HAM (Rust), and ten-year-old-going-on-fifty little brother, MOON (Nancherla).

While their mother is not in the picture, Judy seeks guidance from her new boss, ALYSON (Mullally), and her imaginary friend, ALANIS MORISSETTE (guest-voicing as herself), who appears to her in the Northern Lights.”




‘Walking Dead’ Franchise and ‘NOS4A2’ Announce Comic-Con@Home Panels

The Walking Dead
Norman Reedus as Daryl Dixon and Cailey Fleming as Judith Grimes in ‘The Walking Dead’ Season 10 Episode 15 (Photo Credit: Jackson Lee Davis/AMC)

San Diego Comic-Con isn’t happening this year due to the Covid-19 pandemic, however a virtual version – Comic-Con@Home – is planned for this July. Although SDCC attendees won’t be able to cram into sweaty Hall H or attempt to find a path through the jam-packed exhibit halls, the online alternative will still serve up panels with exclusive previews and cast Q&As.

AMC has officially committed to continuing its association with the massive pop culture convention, today announcing its Comic-Con@Home panels. Fans can expect to delve into The Walking Dead, The Walking Dead: World Beyond, Fear the Walking Dead, and NOS4A2 during Comic-Con@Home set for July 23rd through July 26th.

AMC’s Comic-Con@Home Panels:

THE WALKING DEAD
The Walking Dead will make its 11th San Diego Comic-Con appearance with a panel spotlighting the season 10 finale episode, “A Certain Doom,” which will air as a standalone episode later this year. Moderated by Chris Hardwick (Talking Dead), the panel will feature TWDU Chief Content Officer Scott M. Gimple, Showrunner and Executive Producer Angela Kang, Executive Producer Greg Nicotero, who directed the season finale, and cast members Norman Reedus, Melissa McBride, Jeffrey Dean Morgan, Lauren Cohan, Josh McDermitt, Ross Marquand and Paola Lazaro, among others.

In The Walking Dead’s season 10 finale, “A Certain Doom,” Beta engages the final battle of the Whisperer War.

FEAR THE WALKING DEAD
Fear the Walking Dead will present a panel for the series’ upcoming sixth season, premiering later this year. Moderated by Hardwick, the panel will feature Gimple, Showrunners and Executive Producers Andrew Chambliss and Ian Goldberg and cast members Lennie James, Alycia Debnam-Carey, Colman Domingo, Danay Garcia, Karen David, Jenna Elfman and Rubén Blades.

Season six of Fear the Walking Dead explores what has become of the unlikely family once united by a mission to help those in need. After being torn apart by Virginia (Colby Minifie) and her Pioneers, the group is now dispersed across her far-reaching settlements. Morgan’s (James) last message at the end of season five implored the group to “Live” and this season we’ll see what that means to each of them. Some will find the stability and opportunity within Virginia’s communities to be intriguing, some will sink into darkness, while others will fight back against what has been forced upon them. Life behind Virginia’s walls will test each and every one of them in different ways, forcing them to define who they are in this new world.

THE WALKING DEAD: WORLD BEYOND
The Walking Dead: World Beyond makes its Comic-Con International debut as the third series in wildly successful The Walking Dead Universe. Moderated by Hardwick, the series’ panel will feature Gimple, Showrunner and Executive Producer Matt Negrete and cast members Aliyah Royale, Alexa Mansour, Hal Cumpston, Nicholas Cantu, Nico Tortorella, Julia Ormond and Joe Holt.

The Walking Dead: World Beyond delves into a new mythology and story that follows the first generation raised in a surviving civilization of the post-apocalyptic world. Two sisters along with two friends leave a place of safety and comfort to brave dangers, known and unknown, living and undead on an important quest. Pursued by those who wish to protect them and those who wish to harm them, a tale of growing up and transformation unfurls across dangerous terrain, challenging everything they know about the world, themselves and each other. Some will become heroes. Some will become villains. But all of them will find the truths they seek.

NOS4A2
NOS4A2 returns to Comic-Con for its second season, which kicked off on Sunday, June 21 and airs through August 23. Moderated by Entertainment Weekly’s Clark Collis, the panel will feature Showrunner and Executive Producer Jami O’Brien, Executive Producer Joe Hill and cast member Zachary Quinto.

NOS4A2’s second season picks up eight years after the events of season one. Vic McQueen (Asleigh Cummings) remains more determined than ever to destroy Charlie Manx (Quinto). Charlie, having faced his own mortality, emerges desperate for revenge against Vic. This time, he sets his sights on the person who means most to Vic – her eight-year-old son Wayne. The race for Wayne’s soul sends Vic and Charlie on a high-speed collision course, forcing both to confront the mistakes of their pasts in order to secure a hold on Wayne’s future.




‘The Broken Hearts Gallery’ Rom-Com Debuts a New Trailer and Poster

Sony Pictures has released the full trailer along with a new poster for the romantic comedy, The Broken Hearts Gallery. Stranger ThingsDacre Montgomery and Blockers‘ Geraldine Viswanathan co-star in the PG-13 romcom targeting a July 17, 2020 theatrical release.

In addition to Geraldine Viswanathan and Dacre Montgomery, the cast includes Utkarsh Ambudkar (Mulan), Molly Gordon (Animal Kingdom), Phillipa Soo (The Code), Suki Waterhouse (The White Princess), Arturo Castro (Silicon Valley), Ego Nwodim (Brockmire), Taylor Hill (Too Old to Die Young), and Bernadette Peters (The Good Fight).

First-time feature film director Natalie Krinsky wrote and executive produced the romantic comedy. Selena Gomez, Jesse Shapira, Jeff Arkuss, Josh Phillips, Chantelle Tabrizi, Andrew Robinson, Mathew Hart, Mason Novick, Michelle Knudsen, Mandy Teefy, Laurie May, and Noah Segal also serve as executive producers.

The Broken Hearts Gallery Poster

The Broken Hearts Gallery Plot:

“What if you saved a souvenir from every relationship you’ve ever been in? The Broken Hearts Gallery follows the always unique Lucy (Viswanathan), a 20-something art gallery assistant living in New York City, who also happens to be an emotional hoarder. After she gets dumped by her latest boyfriend, Lucy is inspired to create The Broken Heart Gallery, a pop-up space for the items love has left behind. Word of the gallery spreads, encouraging a movement and a fresh start for all the romantics out there, including Lucy herself.”




‘Cobra Kai’ with Ralph Macchio and William Zabka Moves to Netflix

YouTube’s critically acclaimed original series Cobra Kai is moving to Netflix. The streaming service just announced seasons one and two will be available later this year. The upcoming third season premiere date will be announced later by Netflix.

This is fantastic news for the series as it will greatly expand the available audience.

“Making Cobra Kai has been a dream come true for us since day one. We are thankful for the tireless dedication of Jeff Frost, Chris Parnell, Jason Clodfelter, Karen Tatevosian, and all our partners at Sony for finding us a new home where we can not only continue the series but also explore opportunities to further expand The Karate Kid universe. We are beyond excited to join our new partners at Netflix and look forward to the show reaching the massive global audience who loves this franchise as much as we do,” stated executive producers Josh Heald, Jon Hurwitz, and Hayden Schlossberg.

The cast of Cobra Kai is led by Ralph Macchio as Daniel LaRusso and William Zabka as Johnny Lawrence. Xolo Maridueña is Miguel Diaz, Tanner Buchanan is Robby Keene, Jacob Bertrand is Hawk, Courtney Henggeler is Amanda LaRusso, Mary Mouser is Samantha, and Martin Kove reprises his role as John Kreese.

“The appeal of The Karate Kid saga is timeless, and Cobra Kai picks up right where it left off without missing a beat,” said Brian Wright, Vice President, Original Series, Netflix. “The rivalry between Daniel and Johnny is one for the ages, and the show has a ton of heart and is a lot of fun. We can’t wait to introduce a new generation of fans to Cobra Kai and are thrilled to be its new home around the world.”

Josh Heald, Jon Hurwitz, and Hayden Schlossberg write and executive produce The Karate Kid followup. James Lassiter, Caleeb Pinkett, and Susan Ekins also serve as executive producers. Series stars Ralph Macchio and William Zabka are co-executive producers.

Jeff Frost, President of Sony Pictures Television, said, “We are so proud of Cobra Kai and are overwhelmed by the massive fan response to the series. Josh, Jon, Hayden, Ralph, William and the entire cast have done such a brilliant job with this sensational series and the huge audience reaction and sentiment for it is a testament to that. We are very thankful to our partners at Netflix and couldn’t be more elated that they have become the new home for this epic saga.”

Ralph Macchio in Cobra Kai
Ralph Macchio stars in ‘Cobra Kai’

The Plot:

Cobra Kai takes place 30 years after the events of the 1984 All Valley Karate Tournament, where a now-successful Daniel LaRusso (Macchio) struggles to maintain balance in his life without the guidance of Mr. Miyagi, and must face his previous adversary, down-and-out Johnny Lawrence (Zabka), who seeks redemption by reopening the infamous Cobra Kai karate dojo.”




‘Critics Choice Awards’ to Air on The CW with Taye Diggs Back as Host

Taye Diggs to Host Critics' Choice Awards
Taye Diggs to return as host of the Critics’ Choice Awards (Photo by Jordon Nuttall)

The CW Network will once again broadcast the 25th Annual Critics Choice Awards set for Sunday, March 7, 2021. The awards show, which followed the Academy of Motion Pictures’ lead and delayed its 2021 event, will air live on the East Coast beginning at 7pm (tape-delayed on the West Coast).

The Critics Choice Awards are normally held in January, with the 2020 show broadcast on January 12th. The delay to March is a result of the Covid-19 pandemic drastically affecting studios’ release schedules. The 2021 awards show will expand the release window to include films released in 2020 as well as January and February of 2021.

Taye Diggs (All American, Empire) is confirmed to return to host the show for the third consecutive time. Barker Hangar in Santa Monica, CA will again open its doors for the gala awards event.

“Now more than ever, people are turning to film and television as a source of comfort, as a means of education, and as a way to connect,” said Critics Choice Association CEO Joey Berlin. “With the revised timeline, we are looking forward to celebrating all of the brilliant new work created during this extended season.”

The awards are voted on by members of the Critics Choice Association* and recognize the best in films and television. The CCA is “the largest critics organization in the United States and Canada, representing more than 400 television, radio and online critics and entertainment reporters.”

TELEVISION AWARDS TIMELINE:
Honoring the finest in television achievement in 2020

    November 2, 2020 – Submissions Open
    January 4, 2021 – NomComs begin consideration
    January 15, 2021 – NomComs render recommendations
    January 18, 2021 – Critics Choice Awards TV nominations announced
    March 4, 2021 – Final ballots go out to CCA TV Branch members
    March 5, 2021 – Deadline for returning final ballots

FILM AWARDS TIMELINE:
Honoring the finest in cinematic achievement in 2020 and January/February 2021

    February 1, 2021 – Nominating ballots go out to CCA Film Branch members
    February 5, 2021 – Deadline for returning nominating ballots
    February 7, 2021 – Critics Choice Awards Film nominations announced
    March 4, 2021 – Final ballots go out to CCA Film Branch members
    March 5, 2021 – Deadline for returning final ballots

* – I’m a member of the Critics Choice Association




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