Advertisement
Home Blog Page 678

‘Severance’ – Adam Scott, Ben Stiller and Britt Lower Discuss Apple TV+’s New Drama

Apple TV+ will launch season one of the riveting dramatic thriller Severance on February 18, 2022. Created by Dan Erickson, Severance is set in a world in which a new procedure’s been developed that allows employees of a fictional corporation (Lumon Industries) the ability to literally separate their work lives from their personal lives. The personal life has no idea what the work life does during their time in control of the body and vice-versa.

Severance stars Adam Scott as Mark Scout, the Lumon Industries employee at the center of season one. Britt Lower plays Helly, Mark’s co-worker and a newcomer to the severance procedure.

Scott, Lower, and series creator, writer and executive producer Dan Erickson joined executive producer and director Ben Stiller for Apple TV+’s 2022 Television Critics Association’s virtual winter press tour. During the panel, Stiller said he was excited to dig into something that felt different than other projects he’s been involved in.

“You know, I didn’t really know exactly what the tone was going to be going into it. I had an idea. I think we all had an idea but that’s what I really loved about the writing,” explained Stiller. “It felt very unique, and so it was exciting to go into something that was different, for sure.”

Creator Dan Erickson described the series’ setting as deliberately ambiguous. Severance takes place somewhere in America but neither the geographic location nor year are ever discussed.

“We obviously shot mostly in New York, in New Jersey, so there’s sort of a vague New England, East Coast-y feel to the city. But we didn’t really want to know exactly where it was or tie it to a specific locale,” explained Erickson. “And then the time…I would just say it is around now. It’s like vaguely now-ish. We’re not going for something where like, you know, this is 10 years in the future where severance has existed or has been invented and already exists. It’s sort of an alternate, vaguely now-ish timeline.”

Severance Series Cast
Tramell Tillman, Zach Cherry, John Turturro, Britt Lower and Adam Scott in ‘Severance’ (Photo Courtesy of Apple TV+)

Erickson was also deliberately vague when it came to the actual severance process. When Adam Scott as Mark enters Lumon Industries, how does he suddenly lose his memories of life outside of work? Those who’ve gone through the severance process label their two halves as innies and outies, but how does the switch take place?

Erickson joked that he has files in his laptop that explain how he made it make sense scientifically, but viewers don’t need all the intricate details to understand when the innie/outie swap happens.

“…Suffice it to say there’s some sort of a barrier that, you know, if you’re basically halfway down the elevator, you pass it,” said Erickson. “We’ve talked about it as a [trip] wire; we talked about it as just some sort of a threshold. You pass that and it sends a frequency in the chip in your head that causes you to switch to your innie mode and then it just comes back up when you’re going home.”

Essentially, the actors playing characters who’ve undergone the severance process are playing two versions of their characters. Adam Scott said the actors were given all nine of season one’s scripts before shooting so they knew exactly what the innie and outie versions of their characters would be going through.

“We didn’t go episode by episode. We were shooting it all basically at once. We were jumping around constantly, so we got all of them. And it was great to know exactly where things are going because often in TV, or at least in TV I’ve done, you’re finding out week by week what’s unfolding for your character. Which is super interesting, as well, but this was really handy to be able to know where you’re going and be able to jump in and know exactly where you are in the arc.

And as far as the innie and outie of Mark, it was important to Ben and Dan and I that this not feel like…that we not approach it like it’s two different characters,” explained Scott. “I think for an actor, often your first instinct in a situation like that is to be like, ‘Yeah, I want one of them to have like a mustache and a limp or something like that.’ But this, it was very important that this be one guy and it’s just different parts of one guy or almost different halves.”

Scott continued: “And so the differences are subtle. I mean, one of them has 40-odd years-worth of life experience and the sorrow and grief and joy and all of the stuff that goes along with that. And the other one is, for all intents and purposes, two or two and a half years old but physiologically is bringing in a lot of that stuff and a lot of the feelings from the outside world but just doesn’t know how to locate it or name it. And so it was a matter of figuring out what those differences are from one to the other, the addition/subtraction of that and how it may manifest physically or in the voice or you know, and how that changes over the course of the story. That’s kind of how we approached it.”

Describing her approach to playing Helly, the most recent Lumon employee to undergo severance, Britt Lower said, “So Helly obviously wakes up on an office table, having no clue who she is. And so, as an actor, I was doing a lot of homework outside of work but primarily when I was coming to set as Helly, my job was to be in a state of discovery, investigating what is going on.

One of the lines I say most often is, ‘What the hell?’ and I think Helly is operating as kind of this avatar for the audience, understanding what it’s like to have the severance procedure, to have no clue who you are and to immediately be in this place that you’re like…she immediately knows she’s got to get out of there. Her instinct is to escape right away. And so being able to just be present to the elements of design that were contributing to that eeriness and to be in a state of investigation was kind of the way I went.”

Severance addresses the work/life balance and takes the division between the two to the extreme. Erickson found it ironic that writing a script about hating work wound up getting him a job that he loves.

“It’s sort of been a strange evolution for me. But I will say you know going into this, I think in this industry in this particular job, it’s one of many, many jobs where it is hard to separate work/life balance. I think since the pandemic, certainly, a lot of people are working from home. You’re doing your job 10 feet from where you sleep. So, for me, it’s been a challenge to sort of teach myself to be like, ‘Okay, it’s 5 p.m., I’m done. I’m gonna sit on the couch and watch something and not think about this anymore.’ And it’s a challenge, especially when it’s something you love,” said Erickson.

Britt Lower describes Severance as being about the very human desire to want to compartmentalize parts of our lives. “And what really struck me about the role of Helly is that she really becomes her own worst enemy in this series, and she thinks of herself as…you know, she’s at odds with herself. And I think the core question is does forgetting about the painful parts of life or the parts of yourself that you don’t like for half the day, does that make life better or worse? And there’s a lot to chew on in there,” said Lower.

Ben Stiller thinks Dan Erickson’s created a series that’s more than just a metaphor for the work/life balance. He believes Severance addresses how we live our lives in general.

“Like what we’re doing in our lives and how we’re going through this experience that we all have of being alive and how we spend our time and what we question and don’t question,” said Stiller. “I feel like that’s so there in that workspace, that that idea, that really resonates and made me think about it a lot. As we were sort of toiling to make the show about people toiling and doing things, we were all sort of like wondering what are we all doing here, doing all this stuff, keeping ourselves busy? I mean, it’s not just that, but I think ultimately, those bigger questions are interesting and kind of somehow resonate for me with this show.”

Adam Scott’s takeaway was less philosophical. “I feel like one of many things I learned was never let a stranger put a microchip into your brain. It’s just not a good idea, no matter how terrific the promises sound. Just stop. Or just really think about it before you let it happen,” joked Scott.




‘9-1-1: Lone Star’ Season 3 Episode 6 Photos: “The ATX-Files” Preview

Owen hunts for aliens while Tommy believes her house is haunted on Fox’s 9-1-1: Lone Star season three episode six. “The ATX-Files” will air on Monday, February 14, 2022 at 8pm ET/PT.

Season three stars Rob Lowe as Owen Strand, Gina Torres as Tommy Vega, Ronen Rubinstein as T.K. Strand, Sierra McClain as Grace Ryder, and Jim Parrack as Judd Ryder. Natacha Karam plays Marjan Marwani, Brian Michael Smith is Paul Strickland, Rafael Silva is Carlos Reyes, Julian Works is Mateo Chavez, and Brianna Baker plays Nancy Gillian.

“The ATX-Files” Plot: In an attempt to bond with Wyatt, Owen and Judd take the teen alien hunting, but their search takes a different turn when they find two dead bodies. Meanwhile, Tommy joins a grief group for widowers, as mysterious events around her house lead her to believe Charles is communicating from the beyond with her and the twins. Then, a woman fears she is cursed and takes drastic measures to cure herself.

The Season 3 Plot:

In the third season, a slight time-jump takes place after the events of the previous season finale found the 126 shut down and the crew dispersed across the city. In the multi-episode opening storyline, a massive and unexpected arctic front hits Austin. As the ice storm causes widespread chaos, Owen and Tommy must not only save the city but find a way to resurrect and reunite the former 126.

9-1-1 Lone Star Season 3 Episode 6
Gina Torres in ‘9-1-1: Lone Star’ season 3 episode 6 (Photo by kevin Estrada © 2022 Fox Media LLC)
9-1-1 Lone Star Season 3 Episode 6
Rob Lowe in “The ATX-Files” episode (Photo by Jordin Altaus © 2022 Fox Media LLC)
9-1-1 Lone Star Season 3 Episode 6
Gina Torres and guest star Lourdes Benedicto in “The ATX-Files” episode (Photo by Kevin Estrada © 2022 Fox Media LLC)
9-1-1 Lone Star Season 3 Episode 6
Rob Lowe and Gina Torres in season 3 episode 6 (Photo by Kevin Estrada © 2022 Fox Media LLC)
9-1-1 Lone Star Season 3 Episode 6
Jim Parrack, guest star Kerry O’Malley, Rob Lowe and Gina Torres in “The ATX-Files” episode (Photo by Kevin Estrada © 2022 Fox Media LLC)
9-1-1 Lone Star Season 3 Episode 6
Gina Torres and Kelsey and Skyler Yates in “The ATX-Files” episode (Photo by Kevin Estrada © 2022 Fox Media LLC)




Niecy Nash to Star in an Untitled ‘The Rookie’ Spinoff

The Rookie Season 4 Episode 20 Niecy Nash
Melissa O’Neil and Niecy Nash in ‘The Rookie’ season 4 episode 20 (ABC/Raymond Liu)

Niecy Nash’s upcoming guest-starring appearance in two episodes of ABC’s The Rookie season four will pave the way for a possible starring role in a The Rookie spinoff. The two-episode arc sets up an untitled spinoff that could join the network’s primetime lineup next season. According to ABC, The Rookie and its spinoff will be able to swap characters as they’ll exist in the same universe.

ABC describes Nash’s character, Simone Clark, as “a force of nature, the living embodiment of a dream deferred – and the oldest rookie in the FBI Academy.” Simone Clark will be introduced in an episode that finds Officer John Nolan and the LA division of the FBI turning to her for help when her former student is suspected of terrorism.

“I’m so excited to guest star on The Rookie and bring Simone Clark to life! She is a spirited and spicy fish out of water,” stated Nash. “The cast is amazing and I can’t wait to play!”

The Rookie season four stars Nathan Fillion as John Nolan, Mekia Cox as Nyla Harper, Alyssa Diaz as Angela Lopez, and Richard T. Jones as Wade Grey. Melissa O’Neil is Lucy Chen and Eric Winter stars as Tim Bradford.

Season four airs on ABC on Sundays at 10pm ET/PT.

Niecy Nash earned two Emmy nominations for her supporting role in Getting On and an additional nomination for her work in When They See Us. Her television credits also include Scream Queens, Masters of Sex, Claws, and Reno 9-1-1.

 

‘Lightyear’ Releases a Buzz-Worthy New Trailer

Disney and Pixar’s new trailer for Lightyear reveals what the Space Ranger was up to in the years before we met him in Toy Story. Chris Evans lends his voice to Buzz during the character’s early career as a Space Ranger.

“Buzz’s world was always something I was excited about,” stated director Angus MacLane. “In Toy Story, there seemed to be this incredible backstory to him being a Space Ranger that’s only touched upon, and I always wanted to explore that world further. So my Lightyear pitch was, ‘What was the movie that Andy saw that made him want a Buzz Lightyear toy?’ I wanted to see that movie. And now I’m lucky enough to get to make it.”

In addition to Chris Evans in the title role, the voice cast of the animated prequel includes Keke Palmer, Dale Soules, and Taika Waititi as ambitious recruits. Peter Sohn is voicing Sox, Buzz’s feline robot companion. Uzo Aduba, James Brolin, Mary McDonald-Lewis, Efren Ramirez, and Isiah Whitlock Jr also lend their voices to Lightyear characters.

“The cast for Lightyear is truly a dream team,” said director MacLane. “Each of the performers immediately inhabited their character, which gave us the opportunity to play a bit during recording sessions. This resulted in a level of specificity that elevated the material and brought additional depth to the characters’ relationships. It has been a privilege to work with such a talented and generous cast.”

Disney and Pixar’s trailer was accompanied by the announcement that Oscar-winning composer Michael Giacchino (Up) will score Lightyear. Giacchino was also responsible for the scores of Pixar’s The Incredibles, Ratatouille, Cars 2, Inside Out, Coco, and Incredibles 2.

Lightyear is set for release on June 17, 2022.

Lightyear
Disney and Pixar’s ‘Lightyear’ is an all-new, original feature film that presents the definitive origin story of Buzz Lightyear (voice of Chris Evans)—the hero who inspired the toy—following the legendary Space Ranger on an intergalactic adventure. But Buzz can’t do it alone—he shares space with a dutiful robot companion cat called Sox (voice of Peter Sohn). A hidden grab bag of gizmos in a cute kitty package, Sox is Buzz’s go-to friend and sidekick. (Photo © 2022 Disney/Pixar)
Lightyear
The definitive origin story of Buzz Lightyear (voice of Chris Evans), the hero who inspired the toy, ‘Lightyear’ follows the legendary Space Ranger on an intergalactic adventure (Photo © 2022 Disney/Pixar)
Lightyear
The all-new story follows the legendary Space Ranger on an intergalactic adventure alongside a group of ambitious recruits (voices of Keke Palmer, Taika Waititi and Dale Soules), and their robot companion Sox (voice of Peter Sohn). (Photo © 2022 Disney/Pixar)
Lightyear
The story, which follows the legendary Space Ranger on an intergalactic adventure, features none other than Zurg—a seemingly invincible adversary of Buzz who would go on to inspire his own toy (Photo © 2022 Disney/Pixar)
Lightyear Poster




‘The Afterparty’ Cast Discusses Shooting the Twisted Murder Mystery

The Afterparty
Sam Richardson, Jamie Demetriou, Ben Schwartz, John Early, Tiffany Haddish, Tiya Sircar, Kelvin Yu, Genevieve Angelson, Illana Glazer, Zoë Chao and Ike Barinholtz in Apple TV+’s ‘The Afterparty’

Fans of Apple TV+’s The Afterparty can rest assured the killer will be revealed by the end of the season. Plus, executive producer/writer Phil Lord swears The Afterparty is a “fair play mystery.” There won’t be some random stranger showing up in the finale who turns out to be the killer. The person who murdered Xavier (played by Dave Franco) during a high school reunion party is definitely someone viewers meet during the season.

The Afterparty creator, writer, executive producer, director, and showrunner Chris Miller joined Lord and six of the series’ talented cast members for the 2022 Television Critics Association’s virtual winter press panel. No spoilers were revealed, however, The Afterparty gang did deliver quite a few interesting tidbits – including a surprising revelation about the characters’ names.

Miller explained the characters came first, followed by creating a mystery that worked, with the genre aspect coming in later. “[…] We were sort of looking at each character and thinking about how can we approach the style of what their worldview is, and then as we picked genres for each person then it’s sort of we had to adjust everything and adjust our characters to sort of fit into the world of that style,” said Miller. “And so, it did keep evolving back and forth, but it started with the characters and the mystery first, and then the genres sort of built out of who they were.”

Miller added: “It was a math problem at first. That’s why all the characters’ names start with A, B, C, D, W, X, Y, Z. (Aniq, Brett, Chelsea, Danner, Walt, Xavier, Yasper, and Zoe.)

Each of the suspects has a specific episode in which they lay out the events leading up to Xavier’s murder from their point of view. And each episode unfolds in a different, specific genre.

Ben Schwartz’s character, Yasper, tells his story to Detective Danner (Tiffany Haddish) as if he’s part of a musical.

“My email when I got it from Chris said, ‘This is what the format of the show is. It’s going to be a murder mystery. Each episode is going to be a different genre. And he said, ‘And your genre is going to be musical.’ And first of all, getting anything from Phil or Chris, I say yes. It could have been anything. And then, literally, a week later when it was time to record the song Chris texted me and said, ‘Hey, do you know how to sing? Do you know how to sing or dance?’ after he had already cast me for the musical.

And I go, ‘Not like Ben Platt, but I can kind of pull it off.’ He goes, ‘Okay, good. I figured you’d be pretty good at it.’ And I was like, ‘Great.’

It was very funny to get cast as that role and then a week later, Chris being like, ‘Oh, and by the way, can you dance or sing?’” explained Schwartz.

Filming in different genres and from various points of view meant the actors had to change up how they played their characters, which sometimes meant taking things way over the top.

“I think it was a really fun way to shade your character too because you kind of get to play how other people see you. So, in Aniq’s romantic, I’m the best friend that idolizes him but I’m in the background. And then when it’s the musical time, it’s time where I think everything is all about me. My character barely notices anything that’s not about him,” said Schwartz. “It’s a really fun tool that Chris used to kind of shade your character in so many different ways. And as an actor, it’s so fun to play in a thriller and then to play in a romantic comedy and to play into this. And everybody’s so talented and amazing, so it’s so fun to watch.”

Ike Barinholtz (“Brett”) gives props to Chris Miller for making it easy on the actors, even with all the shifts in tone.

“He’s been sitting with this story in his head for a long time, so he has kind of mapped it out so specifically and knows all the answers. He kind of comes up to you after you shoot a take and he’s like, ‘That was great. So now we’re going to shoot this, and this is for 104 which is kind of a thriller, and this is Ilana’s POV, and in that, you’re trying to kill her.’ It’s a lot of explanation but he made it so clear and concise that there was never a minute where we were like, ‘Wait, what is this? What am I supposed to be doing?’ He allowed us just to kind of go in there and really just tear it up and have fun,” said Ike Barinholtz.

Ilana Glazer (“Chelsea”) described the switching up of genres as an excellent way to exercise their acting muscles. “And with this incredible cast, it was like we were athletes just stretching it out,” said Glazer.

Dave Franco joked that it was fun to play eight different shades of douche. “Where like in Ike’s episode, I get to be aggro douche. And then Ilana’s episode, I get to be kind of vulnerable awkward douche. It was a good time.”

And speaking of Dave Franco’s douchey pop star/murder victim character, Franco confirmed he did a little research to nail his obnoxious personality.

“I definitely looked at some interviews on YouTube. I probably shouldn’t say who because they might take offense,” said Franco. “I sympathize [with] this character. In the flashback episode, you kind of get to see that he wasn’t the coolest kid in high school, and he wasn’t accepted, and so you kind of get to see why he is acting out now. But I think for anyone who knew that this was based on them, they might take offense because on the surface, he’s a huge douche.”

Even with all the genres covered in season one, Phil Lord joked they have “roughly seven seasons and a movie worth of genres” in mind that wasn’t included in the first season.

“I would have loved to do magic, the magical genre,” said Tiffany Haddish. “And I would love to have done fantasy…a Dungeons and Dragons episode, in particular. I love playing Dungeons and Dragons.”

And what would Franco’s genre be? “I’d like to do a self-serious student film. [That] would have been fun.”

Ike Barinholtz suggested a softcore pornography episode while Ilana Glazer thinks there should be a The Afterparty episode shot in black and white and featuring Buster Keaton-style slapstick.

“Or do like a very grandiose sort of operatic kung fu film like Crouching Tiger Hidden Dragon. Like things balancing and every gesture is like spinning with wires,” suggested Sam Richardson (“Aniq”).

“I think I would love to do a film noir, like a full-on like detective-type film noir with like Colin Money Cabbage and stuff like that,” added Chris Miller.

Season one of Apple TV+’s The Afterparty premiered on January 28, 2022. New episodes arrive on Fridays.




Step Inside ‘Alice’s Wonderland Bakery’ with the Animated Series’ Voice Cast

Disney Junior’s animated series Alice’s Wonderland Bakery is a fresh, kid-friendly take on Alice in Wonderland. The new series focuses on Alice’s great-granddaughter and features new versions of beloved characters including The Mad Hatter, The March Hare, Queen of Hearts, and the Tweedledee and Tweedledum twins. And in this peppy yet educational series, Alice is a budding baker who whips up special treats in the enchanted Wonderland Bakery.

Alice’s Wonderland Bakery premieres on February 9, 2022, on the Disney Channel, Disney Junior, and Disney+. In support of its upcoming launch, executive producer Chelsea Beyl (Doc McStuffins) joined voice cast members Libby Rue (“Alice”), Donald Faison (“Harry the March Hare”), Eden Espinosa (“Queen of Hearts”), and one half of the renamed Tweedledee twins, Bobby Moynihan (“Tweedle Don’t”) for the Television Critics Association’s virtual winter press tour.

Executive producer Chelsea Beyl confirmed they used the 1951 animated feature film as a jumping-off point. “We did take all those wonderful, curious characters, but then we adapted them for preschoolers,” explained Chelsea Beyl. “So, we took the zany, the silliness, the whimsy of Wonderland and that’s what kind of made it so natural for kids.”

Beyl and art director/co-executive producer Frank Montagna studied the film and drew inspiration from its style and color palette. ”We really wanted to make the connection between the 1951 Disney feature and our show because there’s a lot of versions of Alice in Wonderland out there, but our show is inspired by the 1951 feature. So, of course, we wanted to include a lot of that Mary Blair influence of the curvy shapes and the beautiful colors,” said Beyl. “The movie is very dark in palette, but I think even some of our framing shots are straight out of the movie – colors and shapes, and even if you look at Alice’s outfit, she’s got the blue chef’s coat, the white apron, the bow. It’s a different look for a modern Alice but it’s very much reminiscent of original Alice.”

Donald Faison, the voice of Harry the March Hare, declared himself a huge fan of the original film. “I felt like it was really dark so when I found out that they were making a version that is more kid-friendly and they were interested in me being a part of it, I jumped at the opportunity. And so, personally, I’m just really excited to be able to sing for y’all because I never get that opportunity in the first place,” said Donald Faison, laughing.

Bobby Moynihan and Vanessa Bayer provide the voices of the Tweedledee twins, although in this version of the story the twins have been renamed Tweedle Don’t and Tweedle Do. Moynihan was happy to join the animated series and to play one of Disney’s legacy characters.

“Tweedle Don’t is…he’s the safe one. He’s the one that tells you not to do things, while Tweedle Do is kind of the one who’s like, ‘Do it, do it! which I think in real life is possibly the complete opposite of me and Vanessa Bayer,” joked Moynihan. “It just seemed like fun to play. And I love Disney and I love Vanessa.”

Alice's Wonderland Bakery
A scene from ‘Alice’s Wonderland Bakery’ (Disney)

“Alice is just so kind and one of the things that I think is her biggest superpower is she loves baking,” said Libby Rue, commenting on the series’ lead character. “And when she’s baking, she gets to cheer up her friends when they’re having a bad day and she gets to bake for all of Wonderland. And that makes her happy and it makes people around her happy. I think that’s such a great story for little kids because it tells you that when somebody’s having an off day, there’s always a way to cheer them up.”

Eden Espinosa, the series’ Queen of Hearts, was born in Anaheim and grew up spending lots of time at Disneyland. She even worked at the theme park, including a stint as the voice in the sky during the fireworks show.

“That created a lot of amazing opportunities with the Disney family. And now, diving into animation is such a dream come true for me. So to be able to collaborate with such a creative and amazing company is a blessing,” said Espinosa.

Asked if her experience playing Elphaba on Broadway helped her get into character as the Queen of Hearts, Espinosa replied, ”It definitely helps me tap into a different side of myself, but I think these two women in particular are very different. Elphaba really comes from a place of hurt and insecurity, and the Queen thinks very highly of herself.

So it’s actually fun to live that out, to really be like my biggest fan and to think that I’m amazing and everyone else should think I’m amazing. ‘Why don’t you think I’m amazing?’ That is so fun. So I don’t know if it prepared me, but I think playing both extremes and acting in that way is really a treat for anyone.”

Espinosa added: “I feel like these incarnations of these characters are more well-rounded and more human. They have a lot more sides to them. Especially, I feel, for the Queen. You see a lot more of her humanity and soft side and fun side, as well as, ‘Off with her head.’ But we don’t take anyone’s heads off.”




Hulu Announces 2022 Premiere Dates and Unveils New Teaser Trailers

Hulu’s set a March 29, 2022 premiere date for The Girl From Plainville based on a true murder case and starring Elle Fanning, Colton Ryan, and Chloe Sevigny. The premiere date was announced during Hulu’s presentation at the Television Critics Association’s winter press tour. Hulu offered up a first look at the limited series with the release of a short teaser trailer, and also unveiled the official trailer for Life & Beth starring Amy Schumer.

Additional announcements included the confirmation the third and final season of Love, Victor will kick off on June 15th. Season two of Woke will arrive on April 8th.

Conversations with Friends will join Hulu’s lineup in May with the release of all 12 episodes of the limited series. Starring Alison Oliver, Joe Alwyn, Sasha Lane, and Jemima Kirke, Conversations with Friends centers around a college student as “she navigates a series of relationships that force her to confront her own vulnerabilities for the first time.”

The Girl From Plainville Plot: The Girl From Plainville is inspired by the true story of Michelle Carter’s unprecedented “texting-suicide” case. Based on the Esquire article of the same name by Jesse Barron, the limited series explores Carter’s relationship with Conrad Roy III and the events that led to his death and, later, her conviction of involuntary manslaughter.

Woke Season 2: Cartoonist Keef Knight is now a popular activist on the rise, but he’s facing a world where “woke” has become big business. Can Keef and his friends bring about real change, or is it just about the dollar$? And can Keef navigate this new world without destroying what he’s become? Inspired by the life and work of artist Keith Knight, Woke continues to upend Black nerd and activist culture, deftly satirizing with a wink and a smile.

Love, Victor Season 3: This season finds Victor going on a journey of self-discovery — not only deciding who he wants to be with, but more broadly, who he wants to be. With their post-high-school-plans looming, Victor and his friends are faced with a new set of problems that they must work through to make the best choices for their futures.

Life & Beth: Beth’s life would look pretty great on paper. Impressive to everyone she grew up with. She makes a good living as a wine distributor. She’s in a long term relationship with a successful guy and lives in Manhattan. When a sudden incident forces Beth to engage with her past her life changes forever. Through flashbacks to her teen self, Beth starts to learn how she became who she is and who she wants to become. We’ll go on her journey towards building a bigger, bolder and more authentic life. Learning to express herself and living in an intentional way. A trip down memory lane is a strong source of trauma, comedy and moving forward.





2022 Oscars: ‘The Power of the Dog’ Leads with 12 Nominations

The Power of the Dog
Benedict Cumberbatch and Jesse Plemons in ‘The Power of the Dog’ (Photo Credit: KIRSTY GRIFFIN/NETFLIX © 2021)

Netflix’s The Power of the Dog earned 12 Oscar nominations, leading the pack of nominees for the 94th Academy Awards. The critically acclaimed Western picked up nominations in the best director, best picture, adapted screenplay, actor (Benedict Cumberbatch), supporting actor, (Jesse Plemons, Kodi Smit-McPhee), supporting actress (Kirsten Dunst), cinematography, editing, original score, production design, and sound categories.

The gorgeous sci-fi action thriller Dune came in second, collecting 10 nominations including best picture, adapted screenplay, and cinematography. Belfast and West Side Story earned seven nominations each, followed by King Richard with six.

Despite the awards season hype, House of Gucci was nearly shut out, earning only one nomination. Lady Gaga and Jared Leto were expected to pick up acting nominations but, apparently, Academy members felt otherwise. Neither Caitriona Balfe nor Jamie Dornan were embraced by voters for their outstanding work in Belfast. And although Dune earned the second-most nominations, its director – Denis Villeneuve – was left out of the best director category. Also, what happened to Passing? Rebecca Hall’s adaptation of Nella Larsen’s 1929 novel was totally ignored. Even Ruth Negga’s riveting performance was overlooked by Academy members.

The Academy of Motion Picture Arts and Sciences provided the following key facts regarding the 2022 Oscar nominees:

  • In the acting categories, nine individuals are first-time nominees (Jessie Buckley, Ariana DeBose, Kirsten Dunst, Aunjanue Ellis, Ciarán Hinds, Troy Kotsur, Jesse Plemons, Kodi Smit-McPhee and Kristen Stewart). Seven of the nominees are previous acting winners (Javier Bardem, Olivia Colman, Penélope Cruz, Judi Dench, Nicole Kidman, J.K. Simmons and Denzel Washington). Olivia Colman is the only acting nominee who was also nominated last year.
  • Flee is the first documentary to be nominated for Animated Feature Film, and the first animated film to be nominated for Documentary Feature.
  • Steven Spielberg receives his eleventh nomination for Best Picture, a record for an individual producer (since 1951 when producers were first named as nominees).
  • Jane Campion becomes the first woman to have more than one nomination in the Directing category. She is the fourth woman to be nominated for Directing, Writing and Best Picture for the same film, following Sofia Coppola (Lost in Translation, 2003), Emerald Fennell (Promising Young Woman, 2020) and Chloé Zhao (Nomadland, 2020).
  • Ari Wegner (The Power of the Dog) is the second woman to be nominated for Cinematography. The first was Rachel Morrison, who was nominated for Mudbound (2017).
  • Javier Bardem and Penélope Cruz are the sixth married couple to be nominated for acting in the same year. Previous nominees were Lynn Fontanne and Alfred Lunt, 1931/32; Frank Sinatra and Ava Gardner, 1953 (in separate films); Elsa Lanchester and Charles Laughton, 1957; Rex Harrison and Rachel Roberts, 1963 (in separate films); and Richard Burton and Elizabeth Taylor, 1966. (Kirsten Dunst and Jesse Plemons are also a real-life couple, but aren’t married.)
  • Troy Kotsur is the second deaf actor to be nominated for playing a deaf character and the first male. Previously, Marlee Matlin won an Oscar for her leading role in Children of a Lesser God (1986).

Winners will be announced on Sunday, March 27, 2022.

Dune
TIMOTHÉE CHALAMET as Paul Atreides and REBECCA FERGUSON as Lady Jessica Atreides in ‘Dune’ (Photo Credit: Chiabella James © 2020 Warner Bros. Entertainment Inc.)

94th ACADEMY AWARDS NOMINATIONS

Best motion picture of the year
• “Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
• “CODA” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
• “Don’t Look Up” Adam McKay and Kevin Messick, Producers
• “Drive My Car” Teruhisa Yamamoto, Producer
• “Dune” Mary Parent, Denis Villeneuve and Cale Boyter, Producers
• “King Richard” Tim White, Trevor White and Will Smith, Producers
• “Licorice Pizza” Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
• “Nightmare Alley” Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers
• “The Power of the Dog” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers
• “West Side Story” Steven Spielberg and Kristie Macosko Krieger, Producers

Performance by an actor in a leading role
• Javier Bardem in “Being the Ricardos”
• Benedict Cumberbatch in “The Power of the Dog”
• Andrew Garfield in “tick, tick…BOOM!”
• Will Smith in “King Richard”
• Denzel Washington in “The Tragedy of Macbeth”

Performance by an actor in a supporting role
• Ciarán Hinds in “Belfast”
• Troy Kotsur in “CODA”
• Jesse Plemons in “The Power of the Dog”
• J.K. Simmons in “Being the Ricardos”
• Kodi Smit-McPhee in “The Power of the Dog”

Performance by an actress in a leading role
• Jessica Chastain in “The Eyes of Tammy Faye”
• Olivia Colman in “The Lost Daughter”
• Penélope Cruz in “Parallel Mothers”
• Nicole Kidman in “Being the Ricardos”
• Kristen Stewart in “Spencer”

Performance by an actress in a supporting role
• Jessie Buckley in “The Lost Daughter”
• Ariana DeBose in “West Side Story”
• Judi Dench in “Belfast”
• Kirsten Dunst in “The Power of the Dog”
• Aunjanue Ellis in “King Richard”

Best animated feature film of the year
• “Encanto” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
• “Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
• “Luca” Enrico Casarosa and Andrea Warren
• “The Mitchells vs. the Machines” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
• “Raya and the Last Dragon” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

Achievement in cinematography
• “Dune” Greig Fraser
• “Nightmare Alley” Dan Laustsen
• “The Power of the Dog” Ari Wegner
• “The Tragedy of Macbeth” Bruno Delbonnel
• “West Side Story” Janusz Kaminski

Achievement in costume design
• “Cruella” Jenny Beavan
• “Cyrano” Massimo Cantini Parrini and Jacqueline Durran
• “Dune” Jacqueline West and Robert Morgan
• “Nightmare Alley” Luis Sequeira
• “West Side Story” Paul Tazewell

Achievement in directing
• “Belfast” Kenneth Branagh
• “Drive My Car” Ryusuke Hamaguchi
• “Licorice Pizza” Paul Thomas Anderson
• “The Power of the Dog” Jane Campion
• “West Side Story” Steven Spielberg

Best documentary feature
• “Ascension” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
• “Attica” Stanley Nelson and Traci A. Curry
• “Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
• “Summer of Soul (…Or, When the Revolution Could Not Be Televised)” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
• “Writing with Fire” Rintu Thomas and Sushmit Ghosh

Best documentary short subject
• “Audible” Matt Ogens and Geoff McLean
• “Lead Me Home” Pedro Kos and Jon Shenk
• “The Queen of Basketball” Ben Proudfoot
• “Three Songs for Benazir” Elizabeth Mirzaei and Gulistan Mirzaei
• “When We Were Bullies” Jay Rosenblatt

Achievement in film editing
• “Don’t Look Up” Hank Corwin
• “Dune” Joe Walker
• “King Richard” Pamela Martin
• “The Power of the Dog” Peter Sciberras
• “tick, tick…BOOM!” Myron Kerstein and Andrew Weisblum

Best international feature film of the year
• “Drive My Car” Japan
• “Flee” Denmark
• “The Hand of God” Italy
• “Lunana: A Yak in the Classroom” Bhutan
• “The Worst Person in the World” Norway

Achievement in makeup and hairstyling
• “Coming 2 America” Mike Marino, Stacey Morris and Carla Farmer
• “Cruella” Nadia Stacey, Naomi Donne and Julia Vernon
• “Dune” Donald Mowat, Love Larson and Eva von Bahr
• “The Eyes of Tammy Faye” Linda Dowds, Stephanie Ingram and Justin Raleigh
• “House of Gucci” Göran Lundström, Anna Carin Lock and Frederic Aspiras

Achievement in music written for motion pictures (Original score)
• “Don’t Look Up” Nicholas Britell
• “Dune” Hans Zimmer
• “Encanto” Germaine Franco
• “Parallel Mothers” Alberto Iglesias
• “The Power of the Dog” Jonny Greenwood

Achievement in music written for motion pictures (Original song)
• “Be Alive” from “King Richard”
Music and Lyric by DIXSON and Beyoncé Knowles-Carter
• “Dos Oruguitas” from “Encanto”
Music and Lyric by Lin-Manuel Miranda
• “Down To Joy” from “Belfast”
Music and Lyric by Van Morrison
• “No Time To Die” from “No Time to Die”
Music and Lyric by Billie Eilish and Finneas O’Connell
• “Somehow You Do” from “Four Good Days”
Music and Lyric by Diane Warren

Achievement in production design
• “Dune” Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
• “Nightmare Alley” Production Design: Tamara Deverell; Set Decoration: Shane Vieau
• “The Power of the Dog” Production Design: Grant Major; Set Decoration: Amber Richards
• “The Tragedy of Macbeth” Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
• “West Side Story” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo

Best animated short film
• “Affairs of the Art” Joanna Quinn and Les Mills
• “Bestia” Hugo Covarrubias and Tevo Díaz
• “Boxballet” Anton Dyakov
• “Robin Robin” Dan Ojari and Mikey Please
• “The Windshield Wiper” Alberto Mielgo and Leo Sanchez

Best live action short film
• “Ala Kachuu – Take and Run” Maria Brendle and Nadine Lüchinger
• “The Dress” Tadeusz Łysiak and Maciej Ślesicki
• “The Long Goodbye” Aneil Karia and Riz Ahmed
• “On My Mind” Martin Strange-Hansen and Kim Magnusson
• “Please Hold” K.D. Dávila and Levin Menekse

Achievement in sound
• “Belfast” Denise Yarde, Simon Chase, James Mather and Niv Adiri
• “Dune” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
• “No Time to Die” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
• “The Power of the Dog” Richard Flynn, Robert Mackenzie and Tara Webb
• “West Side Story” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

Achievement in visual effects
• “Dune” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
• “Free Guy” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
• “No Time to Die” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
• “Shang-Chi and the Legend of the Ten Rings” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
• “Spider-Man: No Way Home” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

Adapted screenplay
• “CODA” Screenplay by Siân Heder
• “Drive My Car” Screenplay by Ryusuke Hamaguchi, Takamasa Oe
• “Dune” Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
• “The Lost Daughter” Written by Maggie Gyllenhaal
• “The Power of the Dog” Written by Jane Campion

Original screenplay
• “Belfast” Written by Kenneth Branagh
• “Don’t Look Up” Screenplay by Adam McKay; Story by Adam McKay & David Sirota
• “King Richard” Written by Zach Baylin
• “Licorice Pizza” Written by Paul Thomas Anderson
• “The Worst Person in the World” Written by Eskil Vogt, Joachim Trier

First Photos: ‘Surviving Paradise: A Family Tale’ with Regé-Jean Page

Surviving Paradise Rege Jean Page
Regé-Jean Page narrates ‘Surviving Paradise: A Family Tale’ (Photo Courtesy of Netflix © 2022)

Bridgerton season one breakout star Regé-Jean Page narrates the upcoming nature documentary Surviving Paradise: A Family Tale. Netflix just released the first three photos from the documentary, including one of Regé-Jean Page, ahead of Surviving Paradise‘s March 3, 2022 premiere.

Director Renee Godfrey served as a producer and co-director Matt Meech edited the documentary. James Honeyborne executive produced and Brad Bestelink is the director of photography.

Netflix released the following official synopsis:

Surviving Paradise explores the Okavango Delta, a vast oasis, isolated from the rest of the world by unforgiving desert. It’s also a refuge, built and maintained daily by its inhabitants; in return, it caters for their every need. Big cats may appear to reign here, but in reality, the fate of every creature, great and small, is intertwined.

This film explores the blueprints for building the perfect world, managing it sustainably, and maintaining it – despite extremes of drought, famine, and flood. Most crucially, it spotlights those passing the secret formula on to their descendants, who will find it harder than ever before to keep their Eden intact.”

Surviving Paradise
A scene from ‘Surviving Paradise: A Family Tale’ (Photo Courtesy of Netflix © 2022)
Surviving Paradise
A scene from ‘Surviving Paradise: A Family Tale’ (Photo Courtesy of Netflix © 2022)

‘The Marvelous Mrs. Maisel’ Season 4 Trailer Reminds Us How Much We’ve Missed This Series

The new official trailer’s arrived for Prime Video’s The Marvelous Mrs. Maisel season four and all I can say is it’s about damn time. Now, if I was channeling my inner Mrs. Maisel that “damn” would have been replaced with a much stronger expletive – like the ones she uses in the just-released trailer.

Emmy-winner Rachel Brosnahan returns to lead the series in the title role. Four-time Emmy-winner Tony Shalhoub is back as Abe Weissman, three-time Emmy-winner Alex Borstein returns as Susie Myerson, Emmy nominee Marin Hinkle is Rose Weissman, Michael Zegen is Joel Maisel, and Kevin Pollak is Moishe Maisel. Caroline Aaron plays Shirley Maisel and Emmy winner Luke Kirby stars as Lenny Bruce. Guest stars include Kelly Bishop, Milo Ventimiglia, John Waters, and Jason Alexander.

Season four will premiere on Friday, February 18, 2022.

Series creator/executive producer Amy Sherman-Palladino and executive producer Daniel Palladino write and direct season four.

Prime Video released the following description of the new season along with a season four poster:

It’s 1960 and change is in the air. Looking to hone her act, Midge finds a gig with total creative freedom. But her commitment to her craft – and the places it takes her – creates a rift between her and the family and friends around her.

The Marvelous Mrs. Maisel Season 4 Poster
Poster for Prime Video’s ‘The Marvelous Mrs. Maisel’ Season 4




Trending