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Disney TV Announces New Series Including Brie Larson and Jeremy Renner Projects

Rita Ora Beauty and the Beast
Rita Ora joins Disney+’s Beauty and the Beast prequel series (Photo Credit: Hayley Louisa Brown)

Disney Branded Television’s 2022 Television Critics Association’s winter panel included announcements of new series, casting updates, and renewals. Disney Branded Television President Ayo Davis revealed Rita Ora has joined the cast of the Beauty and the Beast prequel limited series. Plus, Catherine Zeta-Jones will star in the National Treasure series and Daveed Diggs will narrate The Crossover.

Disney+ has greenlit a new original Halloween-themed film sequel to Under Wraps as well as a holiday adventure titled The Naughty Nine. New unscripted series will include Growing Up from Brie Larson and Rennervations from Jeremy Renner.

“With each one of these projects, we see an opportunity to build upon the strong foundation of storytelling that is a hallmark of the Disney brand. I am so proud to be working with some of the most creative and diverse talent in the industry, both in front of and behind the camera, to bring these fresh, inventive and impactful stories — new and reimagined — to life for our audiences to enjoy, regardless of platform,” stated Davis.

ORIGINAL MOVIES:

PROM PACT (Working Title) (Disney+ Original Movie)
Executive Producers: Melvin Mar, Julie Bowen, Jake Kasdan and Rachael Field
Written by: Anthony Lombardo
Directed by: Anya Adams

It’s the height of prom season, and high school senior Mandy Coleman and her best friend and fellow outsider Ben are surrounded by over-the-top ’80s-themed Promposals. However, Mandy keeps her eyes focused on a different goal: her lifelong dream of attending Harvard. When she finds out her acceptance has been deferred, she is determined to do whatever she can do to get herself off the waitlist, even if that means asking for help from the one person she abhors — popular all-star jock Graham Lansing, whose father is a powerful senator and Harvard alum. Once Mandy becomes Graham’s tutor, she begins to realize there’s more to him than she thought and perhaps something more to life than Harvard. Peyton Elizabeth Lee stars as Mandy, and Milo Manheim will play Ben.

THE NAUGHTY NINE (Disney Channel and Disney+)
Executive Producers: Suzanne Todd, Jed Elinoff and Scott Thomas
Written by: Jed Elinoff and Scott Thomas
Directed by: Alberto Belli

The Naughty Nine is a holiday heist movie — think Ocean’s 11 at the North Pole — that follows fifth grader Andy, who has been a bit of a troublemaker this year. When Christmas morning rolls around and Andy gets stiffed by Santa, he realizes he’s on the “naughty list.” Feeling unfairly maligned, Andy pulls together a crack team of fellow “naughty listers” to execute an elaborate heist to get the presents he and the others feel they deserve.

The determined ensemble includes Dulce, Andy’s best friend and archery expert; North Pole conspiracy theorist Lewis; daredevil “wheel woman” Ha-Yoon; animal whisperer Rose; master-of-disguise Jon Anthony; adorable charmer Albert; and Andy’s older sister, Laurel, a talented gymnast seeking to regain her confidence. Andy also enlists the help of Bruno, a disgruntled cargo pilot who claims to have witnessed Santa’s sleigh. However, in the process of finding their gifts, the gang begins to realize that Christmas is more about giving than taking. “The Naughty Nine” stars Winslow Fegley, Camila Rodriguez, Anthony John Joo, Clara Stack, Imogen Cohen, Madilyn Kellam and Deric McCable.

UNDER WRAPS 2 (Disney Channel and Disney+)
Produced by: MarVista Entertainment
Executive Producers: Todd Y. Murata and Fernando Szew
Written by: Josh A Cagan
Directed by: Alex Zamm

The sequel to Under Wraps, the remake of the very first Disney Channel Original Movie, Under Wraps 2 picks up as Amy is preparing for her father’s Spooktacular Halloween-themed wedding to his fiancé Carl. However, plans soon go awry when Amy, Gilbert and Marshall discover that their mummy friend Harold and his beloved Rose may be in danger. Sobek, an evil mummy with a thousand-year-old grudge against his best friend-turned-bitter rival Harold, is unexpectedly awakened and out for revenge. With help from his hypnotized lackey Larry, Sobek kidnaps Rose, and Amy, Gilbert, Marshall, Buzzy and Harold must use their skills once again to save her and get back in time to attend the wedding.

Under Wraps 2 stars Malachi Barton, Christian J. Simon, Sophia Hammons, Phil Wright, Melanie Brook, T.J. Storm, Rryla McIntosh, Jordan Conley and Adam Wylie.

UNSCRIPTED:

GROWING UP (Disney+ Original Series)
Produced by: Culture House
Executive Producers: Brie Larson, Nicole Galovski, Raeshem Nijhon and Carri Twigg
Episode Directors: Brie Larson, Yara Shahidi, Sydney Freeland, Elegance Bratton, Ashley Eakin, Ekwa Msangi, Smriti Mundhra, Rudy Valdez, Bernardo Ruiz, Kishori Rajan and Nicole Galovski

Growing Up is a groundbreaking hybrid docu-series that explores the challenges, triumphs, and complexities of adolescence through ten compelling coming of age stories. The series uses narrative, experimental, and documentary filmmaking to follow one casted individual, ages 18-22, as they tell their story. They represent a wide range of lived experiences, giving audiences emotionally powerful narratives that offer an engaging look at teenage-hood and the diverse social, familial, and internal obstacles young people face on their path to self-discovery and acceptance. Each 30-minute episode features one young person, or “hero,” and their experience growing up.

Each episode is anchored by a deeply personal interview that allows our heroes to walk us through their childhood and teenage years. Alongside these interviews, creative cinematic reenactments help bring their major inflection points to life.

RENNERVATIONS (Disney+ Original Series)
Produced by: Boardwalk Pictures
Executive Producers: Jeremy Renner, Rory Millikin, Romilda De Luca, Andrew Fried, Dane Lillegard, Sarina Roma, Patrick Costello

RENNERVATIONS is an original four-part series that embraces Jeremy’s lifelong passion for giving back to communities around the world by reimagining unique purpose-built vehicles to meet a community’s needs. Behind the big screen, Jeremy is a construction aficionado. He is heavily invested in the highly creative fabricator culture that exists across the globe and hopes to change lives with these skills and inspire others to do the same.

SCRIPTED SERIES:

GOOSEBUMPS (Disney+ Original Series)
Produced by: Sony Pictures Television Studios
Executive Producers/Writers: Nick Stoller and Rob Letterman
Executive Producers: Neal H. Moritz, Pavun Shetty, Conor Welch, Iole Lucchese, Caitlin Friedman
Director (first episode): Rob Letterman

Based on R.L. Stine’s best-selling book series, Goosebumps combines teen comedy with horror, action-adventure, mystery and psychological thrill. The series follows a group of five high schoolers who unleash supernatural forces upon their town and must all work together — thanks to and in spite of their friendships, rivalries and pasts with each other — in order to save it, learning much about their own parents’ teenage secrets in the process.

Published by Scholastic, Goosebumps is one of the best-selling book series of all time, with more than 400 million English-language books in print, plus international editions in 32 languages. The television series is influenced by five of the most popular Goosebumps books.

SERIES RENEWAL:

SECRETS OF SULPHUR SPRINGS SEASON 3 (Disney Channel and Disney+)
Produced by: Gwave Productions, LLC.
Creator/Writer/Executive Producer: Tracey Thomson
Executive Producer/Showrunner: Charles Pratt Jr.

A live-action, time-travel mystery series, Secrets of Sulphur Springs follows 12-year-old Griffin Campbell, whose family has uprooted their lives to move to a new town and take ownership of an abandoned hotel, The Tremont, in hopes of restoring it back to the lively vacation destination it once was. Not long after, Griffin learns that the hotel is rumored to be haunted by a ghost. Griffin and his best friend Harper, a bright-eyed, mystery-obsessed classmate, and Savannah, a girl who lives in the 1960s, work together to solve the mysteries of the supernatural forces at The Tremont by traveling through time via a secret portal in the basement of the hotel.

Season two of the series took Griffin, Harper and Savannah back to the 1930 and 1962 to learn more about Harper’s family’s deep-seated connection to the hotel. In Season Three, a new ghost will torment The Tremont. Also, Griffin will travel to the future and then back to his present, where he and Harper will have to change the timelines of their lives in order to save their friendship and their families.

PREMIERE UPDATE:

THE PROUD FAMILY: LOUDER AND PROUDER
(Disney+ Original Series Premiering Feb. 23, 2022 – NOW WITH TWO EPISODES)
Executive Producers: Bruce W. Smith and Ralph Farquhar

A continuation of the acclaimed series, The Proud Family: Louder and Prouder follows the adventures and misadventures of newly 14-year-old Penny Proud and her Proud Family as they navigate modern life with hilarity and heart. The 2020s bring new career highs for mom Trudy, wilder dreams for dad Oscar and new challenges for Penny, including a socially woke neighbor who thinks she has a lot to teach her, bullying social media influencers who want to cancel her, and her own teenage hormones.

Penny’s friends return, including Dijonay, LaCienega, Zoey and Michael. Penny’s Suga Mama also returns, ready as ever to dispense tough love or a gentle hand whenever Penny needs it. Among the new faces are Maya and KG, who not only have to deal with the struggles of being the new kids but also having two dads, a first for Smithville.

PROJECTS IN DEVELOPMENT:

PAOLA SANTIAGO AND THE RIVER OF TEARS (Disney+ Original Series)
Produced by: 20th Television
Executive Producers: Eva Longoria and Ben Spector for UnbeliEVAble Entertainment
Executive Producer/Writer: Kevin Rodriguez
Executive Producer: Tehlor Kay Mejia

A fantasy/adventure television series based on Paola Santiago and the River of Tears, the critically acclaimed novel by author Tehlor Kay Mejia and published by Disney-Hyperion under the Rick Riordan Presents imprint. Inspired by the legend of La Llorona (the Weeping Woman), the story introduces a teen girl, Paola Santiago, who has always relied on hard science and logic to make sense of the world, unlike her mother, who believes in magic. But folklore becomes fact when Paola’s best friend goes missing, and to save her, Paola has to enter a world of mind-bending monsters and relentless spirits steeped in Latin folklore that defy both logic and legend.

TINY TRAILBLAZERS (Disney Junior Original Series)
Produced by Hello Sunshine in Association With Disney Junior
Executive Producers: Reese Witherspoon, Claire Curley

Geared towards kids aged 2-7, the entertaining stories model positive attitudes about the great outdoors and highlight the importance of environmental conservation and wildlife protection. Partners from National Geographic are consulting on the project. Academy Award-winning actress Reese Witherspoon serves as executive producer and will voice one of the mom characters, Fern, a wildlife specialist. The main characters are two girls, an adventurous city kid named Tilly and the more risk-averse Birdie, who befriends her when Tilly’s family moves to a campground while her scientist mom is doing field research on forest streams.

As the girls observe their mother’s careers and interests and begin to explore and discover the magic of nature all around them, they develop a supportive friendship and a deep understanding of and appreciation for the natural world. The series also highlights age-appropriate social and emotional lessons about thoughtfulness, self-esteem, good instincts and trying new things.

SUPERFUDGE (Disney+ Original Movie)
Produced by: The Russo Brother’s AGBO
Written by: Amos Vernon and Nunio Randazzo

Based on the global, best-selling book by Judy Blume and from Joe and Anthony Russo of the Marvel Cinematic Universe, Superfudge centers on The Hatcher family. Twelve-year-old Peter Hatcher almost has it all — two boomer parents, a perfect though slightly odorous turtle, his very own bedroom in a cramped Manhattan apartment, a ride-or-die best friend Jimmy and eight whole weeks of summer vacation ahead of him — with just one massive problem. Farley Drexel Hatcher, his 3-year-old brother, aka Fudge.

Fudge isn’t just a problem; he is a tornado, a tsunami, a superstorm, an arctic bomb of chaos and destruction. And when Fudge runs away under Peter’s watch, an epic family adventure across NYC ensues. One that ultimately brings these two together just as their world is turned upside down by the arrival of a brand-new problem — an infant baby sister — reminding us all that nothing is ever constant … except change.




‘Vikings: Valhalla’ Trailer Starring Sam Corlett as Leif Eriksson

Netflix’s new official Vikings: Valhalla trailer features new action clips and much more with the series’ main characters – Leif Eriksson, Freydis Eriksdotter, and Harald Sigurdsson. Vikings creator Michael Hirst serves as an executive producer on this epic adventure based on his popular series that focused on Ragnar Lothbrok (Travis Fimmel) and his family.

Vikings: Valhalla is set 100 years after Vikings and stars Sam Corlett as Leif Eriksson, Frida Gustavsson as Freydis Eriksdotter, Leo Suter as Harald Sigurdsson, and Bradley Freegard as King Canute. Jóhannes Haukur Jóhannesson plays Olaf Haraldsson, Caroline Henderson is Jarl Haakon, Laura Berlin is Emma of Normandy, David Oakes plays Earl of Godwin, and Louis Davison stars as Prince Edmund.

Writer Jeb Stuart is the season one showrunner and executive produces with Morgan O’Sullivan, Michael Hirst, Sheila Hockin, Steve Stark, James Flynn, John Weber, Sherry Marsh, Alan Gasmer, and Paul Buccieri.

Netflix has set a February 25, 2022 premiere date for the eight-episode season.

The Plot, Courtesy of Netflix:

Set over a thousand years ago in the early 11th century, Vikings: Valhalla chronicles the heroic adventures of some of the most famous Vikings who ever lived — the legendary explorer Leif Eriksson (Corlett), his fiery and headstrong sister Freydis Eriksdotter (Gustavsson), and the ambitious Nordic prince Harald Sigurdsson (Suter). As tensions between the Vikings and the English royals reach a bloody breaking point and as the Vikings themselves clash over their conflicting Christian and pagan beliefs, these three Vikings begin an epic journey that will take them across oceans and through battlefields, from Kattegat to England and beyond, as they fight for survival and glory.




‘The Dropout’ Trailer Features Amanda Seyfried as Theranos’ Disgraced Founder

Hulu’s official trailer for the original limited series The Dropout showcases Amanda Seyfried channeling Theranos’ founder Elizabeth Holmes. The new trailer arrived along with an official poster for the much-anticipated limited series.

In addition to Amanda Seyfried, the limited series stars Naveen Andrews as Sunny Balwani. Guest stars include Utkarsh Ambudkar, Kate Burton, Michel Gill, LisaGay Hamilton, and William H. Macy. Elizabeth Marvel, Laurie Metcalf, Dylan Minnette, Alan Ruck, Sam Waterston, and Michaela Watkins also guest star.

Elizabeth Meriwether guides the series as showrunner. Meriwether also executive produces with Liz Heldens, Liz Hannah, Katherine Pope, Rebecca Jarvis, Victoria Thompson, and Taylor Dunn. Michael Showalter directs multiple episodes and is an executive producer along with his Semi-Formal Productions producing partner Jordana Mollick.

The series marks Searchlight Television’s first production and will premiere on Thursday, March 3, 2022 with the release of the first three episodes.

The Plot, Courtesy of Hulu:

Money. Romance. Tragedy. Deception. Hulu’s limited series The Dropout, the story of Elizabeth Holmes (Seyfried) and Theranos, is an unbelievable tale of ambition and fame gone terribly wrong. How did the world’s youngest self-made female billionaire lose it all in the blink of an eye?

The Dropout Poster
Poster for ‘The Dropout’ (Photo Courtesy of Hulu)




National Geographic Announces New Projects with Chris Hemsworth, Will Smith, and Jon Favreau

Chris Hemsworth in Limitless
Chris Hemsworth during production of ‘Limitless’ in Norway. (Photo credit: National Geographic/Craig Parry)

National Geographic announced new titles coming to Disney+, the home of their streaming content, including series featuring Chris Hemsworth, Will Smith, Benedict Cumberbatch, and David Blaine. The announcement was made by Courteney Monroe, president, National Geographic Content, during the 2022 Television Critics Association winter panel.

“At National Geographic, our strategy is to tell bold, best-in-class stories that ignite curiosity and inspire people to explore and care about our world,” stated Monroe. “With premium, creatively ambitious shows from the very best storytellers in the world, we are bringing awe and wonder to the lives of global Disney+ subscribers with wildly entertaining National Geographic documentary series, feature documentary films, epic natural history and fact-based scripted drama.”

POLE TO POLE (Westbrook Studios, Nutopia and Protozoa)
In his third epic project for National Geographic, actor and producer Will Smith (Welcome to Earth, One Strange Rock) leads viewers on an astounding journey from the bottom of the planet to its top — covering 26,000 miles from the South Pole to the North Pole — to unlock the mystery of Earth’s astonishing diversity and alchemy. Filming for more than 100 days, the series documents his journey across all of Earth’s biomes: polar ice, desert, jungle, mountain, savannah and swamp. In each location, the explorer Smith and his film crew will embed with local communities and experience firsthand what it is like to live in some of the most amazing and extreme landscapes on the planet.

For Westbrook, Will Smith, Miguel Melendez and Terence Carter are executive producers. For Nutopia, Jane Root and Peter Lovering are executive producers. For Protozoa, Darren Aronofsky and Ari Handel are executive producers.

GREAT MIGRATIONS (Plimsoll Productions)
Our planet is on the move. Animals across every landscape embark on epic migrations in search of food, shelter and safe breeding grounds. Whether by land, sea or air, all of these journeys are full of obstacles and dangers — only those with the strength, determination and persistence go the distance. Now, using the state-of-the-art remote cameras and drones and the latest tracking technology that can break down animal behavior by the hour, we can follow the drama, jeopardy and courage every step of the way.

Inspiring animal stories of endeavor and emotion are set against a backdrop of sweeping wildlife spectacles and epic landscapes. Executive producers are Tom Hugh-Jones (Hostile Planet, Planet Earth II) and Martha Holmes (Earth Live, Blue Planet). The showrunner is Sarah Gibbs (Kingdom of the Mummies, Arctic Live).

HOME (BBC Studios Natural History Unit)
Filmed over an unprecedented decade and running an exceptional nine seasons, National Geographic and the world-leading BBC Studios Natural History Unit embark on HOME, the most ambitious and definitive portrait of life on Earth ever attempted. Production has commenced on the first three seasons and development committed to six more seasons of what will be a cinematic spectacle of natural history across the planet, created by a multiple award-winning team. HOME will journey through five oceans and seven continents to reveal the deeply symbiotic relationships between all living things. This ambitious blue-chip event will set a new benchmark for landmark natural history television, culminating with an examination of how our planet has adapted and transformed during the 10 years of program making.

The creative team is showrunner and producer Doug Hope (Big Blue Live, Endangered), producer is Gavin Boyland (Big Cats, Primates) and editor is Simon Blakeney (Dynasties, Africa, Life).

LION (Creator and Executive Producer Jon Favreau and BBC Studios Natural History Unit)
Currently in pre-production, acclaimed director Jon Favreau, the world’s foremost natural history producer, Mike Gunton, and the BBC Studios Natural History Unit have joined forces in a formidable creative partnership to present a landmark series about one the world’s most majestic creatures — Lions. When principal photography begins, Lion will follow a single pride for an unprecedented four years. In this intimate and emotional series, the filmmakers will use cutting-edge technology to explore the heart-stopping challenges facing an entire species, all told through a compelling, serialized dramatic story of a single group of characters.

The executive producers are Favreau and Gunton (Planet Earth II, Dynasties) and series editor is Simon Blakeney (Life, Dynasties); each brings unrivaled experience, an innate passion for emotional storytelling and a deep love of lions to this television event.

Secrets of the Elephants
The Earth Day franchise series kicks off in 2023 with SECRETS OF THE ELEPHANTS (Michael Nichols/National Geographic Creative)

SECRETS OF THE ELEPHANTS and SECRETS OF THE OCTOPUS (Executive Producer James Cameron, Oxford Scientific Films, SeaLight Pictures)
National Geographic turns its 2021 Emmy-winning SECRETS OF THE WHALES natural history limited series into a new annual multipart franchise presented to coincide with Earth Day each year, SECRETS OF… with James Cameron returning as Executive Producer. Each year will focus on one species to fully explore its unique traits and culture. In 2023, the franchise will present SECRETS OF THE ELEPHANTS with conservationist Dr. Paula Kahumbu, winner of the Rolex National Geographic Explorer of the Year (2021). Elephants have long been a source of wonder and mystery with their rich emotional lives and almost supernatural ways of navigating the world.

In SECRETS OF THE ELEPHANTS, we travel the globe to meet different families of elephants, each with their own set of remarkable cultural behaviors which they’ve adapted to suit the environment in which they live. This series deploys the latest science and brand-new camera technology to reveal the elephant’s secret world, revealing not just how truly extraordinary they are in their own right but also how similar they are to humans. Desert elephants, forest elephants, Asian elephants and African savannah elephants each have an incredible story of intelligence, grace and survival to tell.

For SECRETS OF THE ELEPHANTS, Emmy Award-winners James Cameron and Maria Wilhelm for Earthship are executive producers. Lucinda Axelsson is the executive producer for Oxford Scientific Films. SECRETS OF THE OCTOPUS will be presented by wildlife scientist Dr. Alexandra Schnell. It is executive produced by Emmy Award-winners James Cameron and Maria Wilhelm for Earthship, two-time Emmy Award nominee Colette Beaudry and Emmy Award Honoree Adam Geiger for SeaLight Pictures.

SENTIENT (Executive Producer Darren Aronosky’s Protozoa and Wildstar Films)
If monkeys do math, whales mourn their dead, bees draw maps and the largest communication network on Earth is run by mushrooms — how special are we? For centuries we’ve set ourselves apart from nature because of the way we think and feel and learn, but the latest revelations from the fields of animal behavior, cognition and psychology reveal some astonishing truths about the other minds with which we share our planet.

SENTIENT will show that life at all scales — plants, animals and arguably, entire ecosystems — has aspects of sentience and will ask us to rethink our place in nature. Executive producers for Protozoa are Darren Aronofsky and Ari Handel. Executive Producers for Wildstar Films are Mark Linfield and Vanessa Berlowitz. The showrunner is Hannah Gibson (Savage Kingdom and Earth From Space).

Supernatural Lizard
An Anole lizard breathing underwater using its air bubble in Costa Rica (National Geographic for Disney+/Robin Cox)

SUPER/NATURAL (Executive Producer James Cameron and Plimsoll Productions)
Narrated by Benedict Cumberbatch

Executive-produced by James Cameron and narrated by Academy Award-nominated and BAFTA Award-winning actor Benedict Cumberbatch, this new series will utilize the latest scientific innovations and leading-edge filmmaking technology to reveal the secret powers and super-senses of the world’s most extraordinary animals, inviting viewers to see and hear beyond normal human perception to experience the natural world as a specific species does — from seeing flowers in bee-vision to eavesdropping on a conversation between elephant seals to soaring the length of a football field with glow-in-the-dark squirrels.

Set to premiere later this year, the series is executive produced by Emmy Award-winners James Cameron and Maria Wilhelm for Earthship and multiple Emmy and BAFTA Award-winning executive producers Martha Holmes and Tom Hugh-Jones. The showrunners are Matt Brandon and Bill Markham.

THE BIGGEST LITTLE FARM SERIES (FarmLore Films in Association With Apricot Lane Farms and Neon)
After previously announcing a special for this year’s Earth Day based on the award-winning feature documentary about John and Molly Chester, who abandon their Los Angeles urban life to instead live on a dried-up farm in Ventura County, National Geographic has announced it will expand into a series for Disney+. Over the course of 14 years, the Chesters transformed that farm into Apricot Lane Farms, a magical working farm that reflects the biodiversity of our planet and continued to document the whole process in a new heartwarming series that’s akin to a real-life “Charlotte’s Web.”

The series will introduce the audience to the animals on the farm, including Georgie, the gopher-eating egret, Walter, the rooster who protects injured chickens, and an adorable lamb named Moe who befriends the family. The executive producers are Erica Messer, Sandra Keats and John Chester. The series is directed by John Chester.

BEYOND BELIEF WITH DAVID BLAINE (Executive Producers Brian Grazer and Ron Howard and Imagine Documentaries)
BEYOND BELIEF WITH DAVID BLAINE presents a rarely seen side of magician and endurance artist David Blaine. This new documentary adventure series brings viewers along as Blaine goes on a global odyssey across remote cultures, each embedded with unique histories and practices. He will hunt for extraordinary people — including shamans, fakirs and magicians who perform magic that defies what doctors and scientists think is possible — and convince them to share their secrets.

Brian Grazer, Ron Howard, David Blaine, Sara Bernstein, Justin Wilkes and Matthew Akers are executive producers. Toby Oppenheimer is the executive producer and showrunner.

THE EPIC ADVENTURES OF BERTIE GREGORY (Wildstar Films)
The face of a new generation of aspirational adventurers and natural history filmmakers, 27-year-old Bertie Gregory takes viewers on an epic and nail-biting journey that pushes into the most spectacular and secretive corners of our wild world. Armed with leading-edge film technology, Bertie breaks the mold of the traditional natural history program by telling extraordinary, real-life animal stories and taking viewers with him for every beat of the action.

For weeks at a time, the charismatic BAFTA Award-winning cinematographer immerses himself into the animals’ lives to capture the untold stories of iconic creatures living in some of the harshest environments on our planet. This season will see Bertie braving the icy worlds of Antarctica in search of the biggest gathering of whales ever filmed and coming face-to-face with specialist buffalo-hunting lions in Zambia. In this multipart adventure series, he will take audiences on an ambitious odyssey across the globe, showcasing the natural world at a time when it faces its greatest challenges. Set to premiere later this year, the series has also been picked up for a second season, which is filming now.

Executive producers for Wildstar Films are BAFTA and Emmy Award-winning Vanessa Berlowitz and Anwar Mamon. The showrunner is James Brickell.

PHOTOGRAPHER (Executive Producers E. Chai Vasarhelyi and Jimmy Chin and Their Production Company, Little Monster Films)
A stunning and intimate documentary series from Academy and Emmy Award-winners E. Chai Vasarhelyi and Jimmy Chin (Free Solo, The Rescue), PHOTOGRAPHER will tell the intensely personal stories of the world’s greatest visual storytellers and artists, from how they found themselves behind a camera to how they dedicate themselves to the endless pursuit of perfecting their craft. Spanning diverse genres of photography, each episode will profile an extraordinary photographer, taking viewers on a journey to discover just what it takes to produce the world’s most iconic images and providing an immersive ride on what it feels like to be a photographer behind the lens during extraordinary moments.

Each episode will be directed by a different filmmaker, who will partner with a photographer to tell the story of his or her life. Vasarhelyi and Chin directed the first episode featuring conservation photographers Paul Nicklen and Cristina Mittermeier.

A SMALL LIGHT (Executive Producers and Writers Joan Rater and Tony Phelan, Executive Producer and Director Susanna Fogel) From ABC Signature in partnership with Keshet Studios

A powerful limited scripted series tells the remarkable story of twentysomething Miep Gies who, when her boss Otto Frank came to her and asked her to hide his family from the Nazis during World War II, didn’t hesitate. For the next two years, Miep, her husband Jan, and the other helpers watched over the eight souls in hiding in the Secret Annex. And it was Miep who found Anne’s Diary and preserved it so that she and Otto could later share it with the world.

Gies, who died in 2010 at the age of 100, was an amazing and unlikely heroine whose story is inspiring, and deeply humanistic. The series title comes from something Gies said late in her life: “I don’t like being called a hero because no one should ever think you have to be special to help others. Even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”

The screenwriters are Joan Rater and Tony Phelan. DGA award winner and Emmy® nominated Susanna Fogel will direct multiple episodes. The Disney+ Original limited series A SMALL LIGHT, from National Geographic, will be produced by ABC Signature in partnership with Keshet Studios. Executive producers are Joan Rater, Tony Phelan, Susanna Fogel; Keshet Studios’ Peter Traugott, Keshet International’s Alon Shtruzman and Keshet Media Group’s Avi Nir. Executive producers are Joan Rater, Tony Phelan, Susanna Fogel; Keshet Studios’ Peter Traugott, Keshet International’s Alon Shtruzman and Keshet Media Group’s Avi Nir.

WE FEED PEOPLE (From Director Ron Howard and Producers Brian Grazer and Imagine Documentaries)
Premieres Friday, May 27

WE FEED PEOPLE spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years, from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector. As the world’s most prominent food-focused first responders, Andrés and the World Central Kitchen team have snapped into action, combating hunger in the wake of crisis by serving over 60 million meals to date. Featuring exclusive access to World Central Kitchen’s initiatives and archives, the documentary follows Andrés and his team around the globe as they address the increasing environmental and humanitarian crises that devastate our world the best way they know how: through food.

The film takes an in-depth look at World Central Kitchen’s collaborations with local chefs to feed affected people and first responders, which has instilled an extraordinary sense of hope in these communities. From the front lines of a crisis to the backrooms of the kitchen, the film examines the restoration of community and the activation of change, one meal at a time.

Joining Brian Grazer and Ron Howard as producers are Sara Bernstein, Justin Wilkes, Walter Matteson and Meredith Kaulfers. For Imagine Entertainment, Michael Rosenberg and Louisa Velis are executive producers. For World Central Kitchen, Nate Mook and Richard Wolffe are executive producers. Sam Pollard is a consulting producer and Andrew Morreale is the editor.

AMERICA THE BEAUTIFUL (Wildstar Films)
Narrated by Michael B. Jordan

From the award-winning producers of Planet Earth, Frozen Planet and the Disneynature films, AMERICA THE BEAUTIFUL, narrated by Michael B. Jordan, is the jaw-dropping story of our homeland and its amazing animals. North America is the most diverse and extreme continent on Earth. The only place where you can find every landscape, from Arctic icecap to baking desert and everything in-between. We take a journey through America’s most spectacular regions — the mountainous Northwest, the steamy South, the arid West and the endless Heartland. Whatever the neighborhood, there’s a hero who can make it a home.

Smart, tough, brave, you name it, the animals of North America have what it takes to overcome the elements and thrive. In our closing episode, we meet the human heroes fighting to preserve our wildlife and wild places for future generations. Executive producers for Wildstar Films are multi-BAFTA and Emmy Award-winning team of Mark Linfield and Vanessa Berlowitz. The showrunner is Dan Rees.

A REAL BUG’S LIFE (Plimsoll Productions)
A REAL BUG’S LIFE will be one of the most ambitious and innovative natural history series ever to be made. Only now, with recent advancements in camera technology, can we meet these extraordinary little characters and see our colossal world through their tiny eyes. A REAL BUG’S LIFE takes viewers on an unforgettable journey that exposes how these microsized creatures keep our world turning while facing monstrous forces and threats. From the savannas of Africa and the Australian Outback to the streets of New York and your own backyard, each episode immerses the viewer inside a microcosm, where tiny-yet-extraordinary creatures rely on their mighty abilities to make it through the day.

In ten spellbinding episodes, we take you on adventures into a world beyond your imagination to show you what life is like on planet Earth from a bug’s eye view. Set to premiere in 2023, the series boasts multiple Emmy and BAFTA Award-winning executive producers: Tom Hugh-Jones and Martha Holmes. Showrunners are Helen Williamson and Nat Sharman.

LIMITLESS WITH CHRIS HEMSWORTH (Executive Producer Darren Aronofsky and Protozoa and Executive Producer Jane Root and Nutopia)
What if you could combat aging and discover the full potential of the human body? Global movie star Chris Hemsworth explores this revolutionary idea in the new National Geographic original series LIMITLESS WITH CHRIS HEMSWORTH, created by Darren Aronofsky and hailing from his production company Protozoa and Jane Root’s Nutopia.

New scientific research is shattering conventional wisdom about the human body and offering fascinating insights into how we can all unlock our body’s superpowers to fight illness, perform better and even reverse the aging process! This science is put to the test by Hemsworth, who, despite being in peak superhero condition, is on a personal mission to learn how to extend our health, strength and intellect further into our later years. Undergoing a series of epic trials and extraordinary challenges in order to understand the limits of the human body, he’ll learn firsthand how we can live better for longer by discovering ways to regenerate damage, maximize strength, build resilience, supercharge memory and confront mortality.

Entertaining, immersive and life-changing, LIMITLESS will rewrite the rulebook on living better for longer. Chris Hemsworth and Ben Grayson are executive producers. For Protozoa, Darren Aronofsky, Ari Handel and Scott Franklin are executive producers. For Nutopia, Jane Root, Arif Nurmohamed and Ruth Shurman are executive producers.

OCEANXPLORERS (Executive Producer James Cameron, OceanX and BBC Studios Natural History Unit)
From National Geographic Explorer James Cameron, OceanX and BBC Studios Natural History Unit comes the most ambitious ocean adventure ever filmed. OCEANXPLORERS takes audiences aboard an advanced scientific research vessel, OceanXplorer, to investigate the farthest frontiers of the world’s oceans, 95% of which are entirely unexplored. Combining a high-end, science-driven documentary with breathtaking sequences to capture the drama and thrill of exploration, the six-part series is a high-stakes adventure in ocean discovery.

James Cameron and Maria Wilhelm are executive producers. For BBC Studios Natural History Unit, Roger Webb and Orla Doherty are executive producers. For OceanX, Ray Dalio, Mark Dalio and Joe Ruffolo are executive producers. For Brian Catalina Entertainment, Brian Catalina is executive producer.

QUEENS (Wildstar Films)
Six mighty sisterhoods, six epic worlds. Meet the most powerful queens in nature, from the peace-loving bonobo chimps of the Congo basin to the ruthless jewel bees of Costa Rica. Whether they rule with love, wisdom or brute force, all would sacrifice everything for their family. This is the first natural history series to focus on matriarchal societies and put female animal leaders in the spotlight. For the first time, a female-led camera and production team draws on their feminine intuition to capture a revelatory view of the natural world.

QUEENS is also dedicated to training and supporting women around the planet to help change the face of wildlife TV. Executive producer for Wildstar Films is BAFTA and Emmy Award-winning Vanessa Berlowitz. The showrunner is Chloe Sarosh.




Michelle Yeoh Joins Disney+’s ‘American Born Chinese’ Series

American Born Chinese Michelle Yeoh
Michelle Yeoh in ‘American Born Chinese’ (Photo Credit: Disney+)

Michelle Yeoh (Marvel’s Shang-Chi and the Legend of the Ten Rings) has been cast in Disney+’s original series American Born Chinese. Ben Wang (MacGyver), Emmy Award nominee Yeo Yann Yann (Wet Season), Chin Han (Mortal Kombat), Daniel Wu (Reminiscence), Ke Huy Quan (Finding ‘Ohana), former Taekwondo champion Jim Liu, and Sydney Taylor (Just Add Magic) have also joined the cast of the upcoming action-comedy based on Gene Luen Yang’s popular graphic novel.

Disney+’s casting announcement included descriptions of the key characters:

  • Michelle Yeoh as “Guanyin,” an unassuming auntie, who helps her nephew Wei-Chen navigate the challenges of American high school while maintaining her secret identity as the all-powerful Buddhist bodhisattva of Compassion.
  • Ben Wang as “Jin Wang,” an American teen whose parents immigrated from Taiwan, who is struggling to carve out exactly who he’s supposed to be socially and culturally.
  • Yeo Yann Yann as Jin’s mom, “Christine Wang,” a strong-willed, opinionated woman with a sly wit, who loves her family deeply.
  • Chin Han as Jin’s father, “Simon Wang,” a hard-working, devoted father and husband who is bumping up against the “bamboo ceiling” at his job.
  • Daniel Wu as Sun Wukong “The Monkey King,” the legendary, all-powerful god of the Chinese epic Journey to the West, who enters our world in search of his son.
  • Ke Huy Quan as “Freddy Wong,” a fictional character from a popular mid-1990s sitcom.
  • Jim Liu as Jin’s confident friend “Wei-Chen,” a teen who has just arrived in the United States, whose sweet demeanor belies the deeper mystery of his true identity.
  • Sydney Taylor as “Amelia,” a friendly “All-American” girl who is Jin’s classmate and crush.

Emmy Award winner Kelvin Yu (Bob’s Burgers) is the showrunner and executive produces with graphic novelist Gene Luen Yang, Melvin Mar, Jake Kasdan, Erin O’Malley, and Asher Goldstein. Destin Daniel Cretton (Marvel’s Shang-Chi and the Legend of the Ten Rings) is directing and executive producing the 20th Television production.

Production is expected to begin in Los Angeles this month.

Disney+ released the following description of the series:

American Born Chinese tells the story of Jin Wang, an average teenager juggling his high school social life with his home life. When he meets a new foreign student on the first day of the school year, even more worlds collide as Jin is unwittingly entangled in a battle of Chinese mythological gods. The action-packed coming-of-age adventure explores identity, culture, and family.




‘1883’ Season 1 Episode 7 Recap: “Lightning Yellow Hair”

1883 Season 1 Episode 7
Audie Rick as John, Faith Hill as Margaret and Tim McGraw as James in ‘1883’ episode 7 (Photo Cr: Emerson Miller / Paramount+ © 2022 MTV Entertainment Studios)

The group is on the move as Paramount+’s 1883 season one episode seven begins. New-hire Colton (Noah Le Gros) works the cattle with Elsa (Isabel May) and Wade (James Landry Hebert), noting that Elsa’s constantly working and only has one speed when it comes to taking care of the herd.

In a voiceover, Elsa reveals they haven’t seen any wildlife – not even birds or lizards – in over a week. However, the plains are littered with bones.

The travelers pause as two Native Americans are spotted on a nearby hill. Wade and Colton tell Elsa it’s necessary to pay a tax if they want to graze cattle on Comanche land. Elsa’s shocked, and Colton explains this land belongs to the Comanche and they can do what they want.

“The only people that think this is America still live in Washington,” says Wade.

James (Tim McGraw) and Shea (Sam Elliott) meet with the Comanches while Thomas (LaMonica Garrett) instructs Wade to give a cow to the cook. They’re going to water the cattle at the river and camp here for the night.

Cookie (James Jordan) gets busy grilling steaks but suddenly interrupts his work when one of the immigrants takes a steak. Cookie screams out instructions, ordering everyone into a single file line. When it’s their turn, they will take a plate, a fork, and a steak. After they’ve eaten, each person will wash their own plate in the creek and hold onto it for the rest of the trip.

Anyone who loses a plate will owe him $3.

Cookie’s use of the word f*ck results in a whispered conversation with Shea. Shea explains the immigrants don’t know that word and neither does little John Dutton. If John asks his mom the meaning, Cookie will be in a world of hurt. Shea suggests he refrain from using that particular word from now on. Cookie confesses that’s going to be difficult to do.

John (Audie Rick) does ask his mom the meaning and Margaret (Faith Hill) replies, “It means a spanking – and a good one – if you say it again.”

John asks if Cookie’s getting a spanking and James says, “Some form of one’s probably heading his way, son.” Margaret confirms that’s the case.

Josef (Marc Rissmann) wonders why the two Comanches cut to the front of the line. Shea says it’s because they’re guests.

As Margaret and John make it to the front of the line, she delivers a painful slap to Cookie’s face. She whispers a warning that she’ll stab him with a fork if he says f*ck again.

James is next and he tells Cookie that could have gone a lot worse. Cookie assures him he’s learned his lesson.

Elsa and the younger of the two Comanche visitors keep exchanging smiles. He speaks English and compliments her horse. She says his name’s Lightning because he’s fast. He asks her to show him.

Elsa walks toward her horse through camp, followed by the two Native Americans and Wade. As they’re walking, Wade tells Margaret and James that Elsa’s about to race against the Comanche.

Margaret’s a little worried but James points out Elsa’s actually happy.

The race begins and they match each other stride for stride, but then Elsa spreads her arms out as they race past Wade and the other Comanche. Wade thinks she dropped the reins, but the Comanche knows she let them go.

Lightning takes the lead as they race away from camp. The horses slow and the competitors are all smiles. “Lightning…told you,” says Elsa. The Comanche names her Lightning Yellow Hair. He introduces himself as Sam (Martin Sensmeier), explaining that was the name of the man who killed his wife. He killed him and took the name.

Elsa confesses she killed a man but didn’t know to take his name. Sam assures her she didn’t want his name and doesn’t need to be sad. “Lightning doesn’t mourn,” says Sam. He wipes away her tears and adds, “Lightning doesn’t do that, either.”

Sam compliments her face and hair, and she cuts off some and gives it to him. In exchange, he gives her his knife. She believes it’s too much, but he explains it’s hers because she won the race.

That night Elsa and Margaret have a heart-to-heart, and Margaret confesses she’s not happy in general because their survival is out of their control. However, she’s very happy in this moment because she has a family she adores and loves.

Shea and Sam share a campfire, and Shea asks about bandits. Sam thinks they’ll be a problem because this group is big enough to be worth attacking but small enough not to put up much of a fight. Sam also points out that north of Kansas and into Wyoming the war’s still going on. Most people take the train there; wagons don’t use that route now.

Sam suggests Shea and his group leave now because a storm’s coming tomorrow. He also suggests Shea take this group to Colorado. It’ll be better for them there.

As the sun rises Thomas tells Shea the cook is gone. They’re not sure where he went, but Thomas believes he’s just trying to get ahead of the storm. Shea decides they can’t baby the group anymore.

James wakes up Elsa and says it’s time to move the herd. As she’s getting ready, she discovers Sam’s left her a horse he made with her hair as its gorgeous, flowing tail.

The group set out again, with the storm raging around them. The cattle are spooked by the thunder and lightning, and Elsa attempts to chase them. Wade and Colton make her back off. Chasing them will do more harm than good. They’ll regroup the herd after the storm’s over.

They’re forced to stop as the winds pick up. The horses are unhitched, and the group leave their wagons and make a run for it. As if they don’t have enough to deal with, a tornado is picking up strength in the distance.

James and Margaret pull their saddles off their horses and set them free. Margaret’s frantic and worried about Elsa. James won’t leave his wife and son, even though Elsa’s still out there. James insists she’s a survivor and will be okay.

1883 Season 1 Episode 7
Martin Sensmeier as Sam and Isabel May as Elsa in ‘1883’ season 1 episode 7 (Photo Cr: Emerson Miller / Paramount+ © 2022 MTV Entertainment Studios)

Colton, Wade, and Elsa spot the tornado and worry about their next move. Fortunately, Sam’s nearby and waves for them to follow him.

The tornado destroys multiple wagons and wreaks havoc on the group.

Sam tells Elsa, Wade, and Colton to turn their horses loose. Elsa wonders how Lightning will survive and Sam, bluntly, says he won’t. They lay down and Sam holds a screaming Elsa tight as the winds move over them. Elsa climbs on top of Sam and kisses him as the worst of it moves past them.

The sun breaks through the clouds as the tornado moves on.

There are a few wagons left standing but James, John, and Margaret have made it through the storm. So have the immigrants, although now their possessions are scattered all over the plains.

Elsa spots Lightning and smiles; he’s come through safe and sound. She mounts Lightning and Sam gets on behind her. They head off to look for the other horses.

Wade glances at Colton who shakes his head and says, “This has been a fun first week.”

Colton adds, “Got chased by a tornado and lost a girl to an injun at the same time.”

Wade replies, “Got to have it to lose it.”

They laugh as Colton admits he over-estimated his appeal.

Elsa tightens Sam’s grip around her waist as they find their three missing horses. Sam mounts his and they don’t speak but instead exchange sweet smiles as he rides away.

He calls out from a short distance: “Everything you see and everything you saw yesterday is my home. You’re always welcome in it, Lightning With The Yellow Hair. It’s your home too now.”

James catches up to Elsa as she’s headed back with Wade and Colton’s horses. She explains they found a place to lie down and it went over them. When James says she can now claim to have lived through hell, Elsa corrects him. “It wasn’t hell, daddy. It was beautiful.”

James chuckles and says his tornado experience was definitely hell.

Back at the main group, the immigrants attempt to collect their scattered belongings. Noemi finds the mirror but the glass has cracked. She tells Thomas they have nothing now and wonders how they’ll survive. Thomas reveals he’s got money enough for the both of them.

Shea and Thomas determine they can salvage two of the broken wagons. Altogether the group is now down to eight wagons for 26 adults and 22 children. The next big town they can buy wagons in is Denver, and this group won’t make it that far.

Shea believes they need to turn back now. Hopefully, they can locate the cattle because neither Thomas nor Shea wants to resort to eating horses.

Elsa and James ride up with Wade and Colton’s horses. The four set out to gather up the herd.

Cookie returns with his wagon intact, confirming he rode out ahead of the storm. Shea asks if he saw the cattle and Cookie did, adding that six of Shea’s boys are rounding them up. Shea realizes these boys are actually stealing their cattle.

Shea and Thomas join John, Wade, Colton, and Elsa to discuss how to get their cattle back. James decides he, Shea, and Thomas will go for the herd while Elsa, Wade, and Colton remain behind to protect the wagons. Elsa challenges her dad, demanding to go with him. “If there’s going to be a gunfight, I want to be with you,” says Elsa.

James asks for backup but Shea sides with Elsa.

James gives in and orders Elsa to sit still when they confront the bandits.

Colton tells Wade this is the strangest outfit he’s ever worked for. They return to camp and fill Margaret in on what’s happening. Colton suggests she get the remaining rifles loaded and ready for a fight. She asks about James and Elsa, and Colton reluctantly explains Elsa went with her dad to fight off the bandits.

Margaret orders Colton and Wade to guard her son. She then orders Colton off his horse because she’s going after her daughter. Colton has no choice but to comply.

James, Thomas, Shea, and Elsa are shocked to learn there are 13 bandits with their herd, not just six. They ride a distance away and then take up positions to shoot the bandits who’ve now given chase.

Fortunately, our men are better shots than the bandits. Unfortunately, three of the men are in hot pursuit of Elsa who followed her dad’s orders and is riding like the wind away from the group.

A voiceover reveals she felt no fear; she viewed this as just another race. She lets go of her reins, fully aware they would kill her if they caught up to Lightning.

Suddenly, Sam comes to her rescue and attacks the three bandits in pursuit. “Watching Sam kill is like watching a lion hurl itself into a deer,” says Elsa in a voiceover. “His fury was so magnificent there was no time for horror – not even for the men he killed.”

Sam’s friend also assists with hunting down the remaining bandits. Elsa rides after Sam as he returns to the main group that includes her dad.

The 13 bandits are wiped out but Thomas and James have been hit. James’ wound is basically surface level and Shea’s able to squeeze out the bullet that’s lodged in his skin under his belt. Thomas has two bullet wounds but neither is life-threatening.

Thomas points out blood on Shea’s boot and Shea had no idea he was hit. Turns out his forehead was just grazed by a bullet. They chuckle over both having used up all their remaining luck in this gunfight.

An old friend of Thomas and Shea’s arrived during the gunfight and helped dispatch the bandits, and Shea can’t believe the man – whose name is Charlie (played by series creator Taylor Sheridan) – randomly appeared out here in the middle of nowhere. Charlie explains he was out hunting bandits and strays.

James thanks him for his help and Charlie confesses killing cattle thieves is one of the West’s five great pleasures. He suggests James thank the Comanches instead.

Elsa and James reunite and he kisses her hand, happy they’ve both survived this fight.

Shea and the group ride off back to camp, but Charlie remains behind to say a prayer over the dead bandits.

Elsa and Sam touch hands before they ride off in opposite directions.

Margaret encounters an injured bandit who managed to escape. She blows him away with her double-barrel shotgun when he demands her horse. He has no idea who he messed with.

Elsa’s voiceover reveals killing this man took quite a toll on Margaret. Elsa encountered her mother crying by the fire and asked what was wrong. Margaret told her she killed a man over a horse and now only John has a chance of getting into Heaven. “I didn’t have the heart to tell her there is no Heaven to go to because we’re in it already,” says Elsa. “We’re in Hell, too. They co-exist right beside each other and God is the land.”




‘Crime Scene Confidential’ Revisits the Murder of Caylee Anthony

Crime Scene Confidential
Alina Burroughs hosts ‘Crime Scene Confidential’ (Photo Courtesy of ID)

ID’s new true-crime series Crime Scene Confidential stars former Orange County, Florida C.S.I. Alina Burroughs leading viewers through investigations into murder cases including the heartbreaking death of toddler Caylee Anthony. Burroughs was involved in the case as a Crime Scene Investigator and helped recover and process little Caylee’s body.

The Caylee Anthony case is examined in the first episode of Crime Scene Confidential airing on Tuesday, March 8th at 9pm ET/PT on ID and streaming the same day on discovery+. During the 2022 Television Critics Association’s winter press tour, Burroughs discussed not only the Caylee Anthony case but also the six-episode first season.

Burroughs goes into each investigation with an open mind, depending on the evidence to lead to the truth. Even when the murder victim is a toddler, as in the case of Caylee Anthony, Burroughs says it’s important to keep your emotions out of the investigation and instead follow wherever the clues lead.

“[…]When we do this, what happens is when we let our emotions kind of take over it can lead us to follow a dangerous path,” explained Burroughs. ”It can lead us to fall prey to listening to narratives that have been created for us by sides – by the defense, by the prosecution, by the media. And then we hear that and our emotions will tie us into that and we will go, ‘That sounds good,’ and we want to fall into that.”

“We want to look at the evidence and what it’s telling us. And what’s important as a CSI on this case or any, we have to look at what the evidence is telling us but we also have to look at not only what we have, but what we do not have. In this case, especially on the recovery scene, when we look at the way that Caylee was found, when we look at what she was wearing, the clothing she was in, the diaper, the laundry bag, Winnie the Pooh blankets, when we look at the car that was questioned with the odor, all of those things, one thing in common [was] that those originated from connections to the Anthonys. What we do not see is evidence of third-party involvement, right? We don’t see things like broken windows at the Anthony house that would lead us to believe there was a break-in, a kidnapping, something to indicate a third party,” explained Burroughs.

Burroughs continued: “So I think fairly immediately investigators were not necessarily looking at this like there’s third-party involvement. There might be some red herrings that were thrown in there with the intent of leading us to a different direction, but when you really focus on physical evidence, there was nothing to lead us in the direction of a third party.”

Crime Scene Confidential
Alina Burroughs with Dr. Jan Garavaglia in ‘Crime Scene Confidential’ (Photo Courtesy of ID)

Dealing with death takes a toll on all involved, however dealing with the murder of a child is particularly distressing. Asked how she copes, Burroughs replied, “They’re all challenging and we all have coping mechanisms and ways that we deal with this. I think we all have a unique sense of humor among law enforcement. We have to deal with taking care of ourselves physically, mentally, emotionally. This case was a challenge in that particular aspect because normal cases that don’t receive this amount of media attention you can pack up in a little box, put in the back of your brain and move on.

In this case, how many years later, it’s still something that we are discussing. So, it’s hard to move on, to move over, to get over it. But the way that I cope with these cases – because this wasn’t the only case I was working, this was not the only infant death that I’ve ever dealt with, there were dozens in my career – you have to use the sadness, the sorrow, the pain and take that as fuel for your fire.”

Burroughs calls Crime Scene Confidential her passion and truly believes her work makes a difference. “I think that Crime Scene is the way that I can do that. So, when you see suffering and as a crime scene investigator it’s done…I can’t undo the suffering but I can damn sure make sure that I can hold somebody accountable and make sure that it doesn’t happen again. And so, I have to turn that into power and to take it forward to ensure that it doesn’t happen again and that I can use that as fuel to my fire.”

Caylee Anthony’s murder is the focus of episode one. The murders examined in depth in the five other season one episodes were selected using 16 specific criteria.

“We want to get these thought-provoking cases that showcase and highlight the importance of the crime scene, the crime scene investigator as a career or as a role, that showcase the importance of evidence. Cases where the evidence may have provided a wrongful release, a wrongful conviction – we want cases that have experts that have been involved, experts that might have divergent opinions,” said Burroughs. “In particular, what always intrigues me is when we have experts with divergent opinions about a pivotal piece of evidence – a single piece of evidence that is viewed very differently from two opposing sides.

We look at how that narrative was crafted and how it was portrayed and through that, through the court process and how it played a large role in that court process, and what it did in that particular case. We wanted to showcase a variety of different types of forensic evidence and a variety of different types of causes of death. There are challenges of time. There are challenges of technology. But access to the actual crime scene is one of our criteria.”




‘Shining Girls’ Teaser Trailer: Elisabeth Moss Stars in the Apple TV+ Thriller

The first teaser trailer’s arrived for Apple TV+’s Shining Girls starring Emmy Award winner Elisabeth Moss (The Handmaid’s Tale). The series is based on Lauren Beukes’ Shining Girls and focuses on Moss’ character, Kirby, a troubled woman who’s drawn into a murder case that appears to be connected to a trauma from her past.

Shining Girls is set to launch on Friday, April 29, 2022 with the release of the first three episodes.

In addition to Elisabeth Moss, the cast includes Wagner Moura (Narcos), Phillipa Soo (Hamilton), Amy Brenneman (Tell Me Your Secrets), and Jamie Bell (TURN).

Silka Luisa adapted Beukes’ novel for television and serves as showrunner on the eight-episode season.

Emmy Award winner Michelle MacLaren (Breaking Bad) directed the first two episodes, with Moss also directing and serving as an executive producer. Additional executive producers include author Lauren Beukes, Alan Page Arriaga, Michelle MacLaren, Rebecca Hobbs, Lindsey McManus, and Appian Way’s Leonardo DiCaprio, Jennifer Davisson, and Michael Hampton. Daina Reid (The Handmaid’s Tale) is also on board as a director and executive producer.

Shining Girls
Elisabeth Moss in “Shining Girls,” premiering globally April 29 on Apple TV+

The Plot, Courtesy of Apple TV+:

Shining Girls follows Kirby Mazrachi (Moss) as a Chicago newspaper archivist whose journalistic ambitions were put on hold after enduring a traumatic assault. When Kirby learns that a recent murder mirrors her own case, she partners with seasoned, yet troubled reporter Dan Velazquez (Moura), to uncover her attacker’s identity. As they realize these cold cases are inextricably linked, their own personal traumas and Kirby’s blurred reality allow her assailant to remain one step ahead.




‘From’ Stars and Producers Discuss the Creatures and Premise of EPIX’s Supernatural Series

From Season 1
Harold Perrineau stars in ‘From’ (Photo Courtesy of EPIX)

EPIX’s new supernatural drama From finds strangers mysteriously trapped in a small town somewhere in America. None of the residents set out to visit this creepy town and there’s no obvious way to escape. And as if being forced to take up residence in a crazy town wasn’t bad enough, nightmare creatures inhabit the nearby forests and prowl the streets for potential victims every nightfall.

From was created by executive producer John Griffin and has executive producer Jeff Pinkner guiding the series as showrunner. Pinkner reunites with his fellow Lost executive producer Jack Bender for this twisted series that has a Lost-ish vibe.

The Lost connection extends to include one of the series’ stars, Harold Perrineau, who plays Boyd Stevens. The season one cast also includes Catalina Sandino Moreno (Maria Full of Grace) as Tabitha Matthews and Eion Bailey (Once Upon a Time) as Jim Matthews.

The series’ stars and executive producers recently took part in the 2022 Television Critics Association’s winter press tour, sharing insight into what’s in store for the first season that kicks off on February 20, 2022 at 9pm ET/PT on EPIX.

John Griffin explained that the premise came from the question of what would happen if life as you know it was suddenly snatched away and your reality transformed into a literal nightmare. “What kind of person would you be? What kind of person would you become? And that idea was really at the heart of where the show first began and everything kind of grew from that,” said Griffin.

Executive producer Jeff Pinkner agreed. “I think, as John said, the mythology is central to the show of course but really I think – like all great genre – we were looking for an opportunity to tell a story about people. And everything else is really just designed to be either pressure points or a goal; either the thing you’re afraid of or the thing you’re hoping for. And the story takes place between those two poles,” said Pinkner.

Jack Bender said he was drawn to the project because he felt audiences would be interested in thinking about what they would do if they were trapped in a similar situation. “I think any great television has to do with who are the people we are watching in this place and time, and what if those people were us? What if…the what-if of what if we were faced with the horrifying obstacle course that these people are when they were on the road to somewhere else?” said Bender.

Bender was also intrigued by the idea that these monsters look human. “They’re not what you always see. They seem to be these lovely people who seduce you and bring you in, and the moment they hook you, it’s not good. And I thought that was a very fresh approach to – and we all work very hard together to figure out what those monsters would look, sound like, be like,” said Bender.

And speaking of the nightmare creatures, Catalina Sandino Moreno believes the creatures looking human makes their actions even more terrifying. “I mean like they’re just normal people walking towards you and that’s what makes it even scarier when you know what can they do. They’re just regular people that come out at night,” offered Sandino Moreno.

“We don’t really see them. We just see the townsfolk, the people who come to you and express something of interest. They hone in on your vulnerabilities and what you might be susceptible to and then go for that. And then when they actually do their shapeshifting – I guess you’d call it – it’s very brief which I think is really effective. It’s Spielberg’s approach to Jaws; like you don’t see a lot of the shark which makes it even more terrifying in the flashes that you do,” said Bailey.

While Sandino Moreno and Bailey’s characters are newcomers to the town, Harold Perrineau’s character Boyd has been trapped there for quite a while. Boyd’s had a longer time to deal with these nightmare creatures.

“You’ll get to see more as the series goes on, but in those very opening episodes it’s really just a matter of I really know the devastation that these creatures can cause and I’ve already experienced it. And so, for me, it’s just continuing to play the reasons that I have to protect everyone in this town and how serious that is. But you’ll see later on the effect that those monsters have had on him and why Boyd acts the way that Boyd acts,” teased Perrineau.

From Season 1
Catalina Sandino Moreno, Hannah Cheramy, Simon Webster, and Eion Bailey in ‘From’ (Photo © 2021 EPIX Entertainment LLC)

Eion Bailey recalled a specific scene when the young actor who plays his son became legitimately frightened by the creatures. Perrineau comforted the young actor and Sandino Moreno added that even the following day the actor confirmed he was terrified.

Jack Bender credits the entire cast with being grounded and real, even though the circumstances their characters find themselves in are horrifying. “As a director, you’re only as good as your cast and especially a show that’s focused on the humanity in the characters. And we were really blessed with the cast that we got,” said Bender. “That’s a real blessing for our show.”

Bender added: “And the one thing I wanted to say about the monsters and what John initially wrote, we all know that – as Eion said with Jaws – it’s what you don’t see that’s ultimately the most terrifying because that’s in our head. We imagine, and usually that’s scarier than what you can create. We decided we wanted to focus on the initial…we didn’t want to celebrate the attacking, the monstrous attack of the monsters or the nightmare creatures. We wanted to show the aftermath of what they would and could do as opposed to focusing on the devouring or whatever the hell they do. And I think the approach works.”

Working within a 10-episode season meant the story needed to be more contained. Pinkner promised that unlike Lost and its 22-episode seasons, From season one answers specific questions.

“I think we’re approaching every season like its own chapter with its own questions and its own answers,” said Pinkner. “We’re almost like the limitations of 10 episodes force you to make harder choices. We, John and Jack and I, have been very cognizant of making sure that the characters are asking the questions that we know that the audience is asking. The show is sort of reinforcing and playing along with the audience’s experience of the show in a way that hopefully makes it…we’re aware of what the audience is asking and looking for, and so being mindful of the questions and knowing that we have answers, and using all of it really just to focus back on what are the characters going through, really that’s the reason that we’re so enamored with our cast is we’re taking kind of a Twilight Zone-y trope and using it to explore humanity.”

In Lost, Harold Perrineau played a character trapped in strange circumstances. Asked if that helped with this role, Perrineau replied, “Yeah, I really have been through it before. And one of the things that I have to do that’s actually simple for the actor is I just have to [understand] fear is fear is fear. When you’re afraid for your life, it could be a monster or on a plane or of a bad guy, where you’re afraid for your life, you’re just afraid for your life. And then I rely on the brilliance of Jack Bender and John and the writing and the directing and the editing and all that to sell the rest of the story. So, yeah, I’ve been through it a lot and I have a lot to draw on from my life, from my work, and so I simply have to be afraid or try to be brave or be hopeful, and then I rely on our brilliant partners to fill in the rest for the audience and make that story sell.”

Jack Bender’s recent experience on Mr. Mercedes, based on the Bill Hodges trilogy by Stephen King, also helped prepare him for From.

“Everything you do you learn from. That’s the most exciting part of what I’m blessed to be able to do. And working with the maestro like Stephen King, I learned all the time. He’s the master of what makes you want to hide under the bed. But in the world of Stephen King, it’s always about – what fascinates me is the monster inside the characters, not just the monster outside the characters. And that very much was the focus of our show.

And also, one sidebar, Stephen King has written me many emails. He saw our first four episodes and he’s a massive fan of this show. I have to say that because you brought him up. He thinks it’s great, which is an honor.”




Magic Johnson Docuseries ‘They Call Me Magic’ Premieres in April

Magic Johnson in They Call Me Magic
Earvin “Magic” Johnson in “They Call Me Magic,” premiering globally April 22, 2022 on Apple TV+

Apple TV+ announced details of their upcoming four-part Magic Johnson documentary series during a jam-packed Television Critics Association winter press tour panel. The documentary event – They Call Me Magic – will debut on April 22, 2022 and focuses on the life of NBA legend Magic Johnson on and off the court.

Directed by Rick Famuyiwa, They Call Me Magic features key moments in the career of Magic Johnson along with interviews with many of his fellow NBA players and famous friends.

Apple TV+ released the following description of the documentary series:

They Call Me Magic offers a rare glimpse into the incredible real life story of Johnson, who left his mark on history through his work—both on and off the court—and continues to impact our culture today.

With unprecedented access, the docuseries explores Earvin ‘Magic’ Johnson’s remarkable journey from being the face of the Los Angeles Lakers and cementing himself as an all-time NBA legend, to changing the conversation around HIV, and transforming into a successful entrepreneur and community activist.

From his humble beginnings in Lansing, Michigan to becoming the global force he is today, They Call Me Magic features intimate interviews with Magic, his family, and an all-star lineup, as the docuseries charts the cinematic life of one of the biggest cultural icons of our era.”

Bryn Mooser, Rafael Marmor, Christina Arquette, John Terzian, and Jeremy Allen executive produce.

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