The official trailer for the third and final chapter in the To All the Boys franchise – To All the Boys: Always and Forever – is the three minute diversion we all need right now. In addition to launching the full trailer, Netflix also released a batch of photos from the much-anticipated coming-of-age film.
The trailer, which is all kinds of adorable, shows the relationship between Lara Jean and Peter is severely tested by the possibility of being separated as they head off to college.
The cast of the third film of the trilogy based on the popular books by Jenny Han is led by Lana Condor as Lara Jean Covey and Noah Centineo as Peter. The cast also includes Janel Parrish as Margot Covey, Anna Cathcart as Kitty, Ross Butler, Madeleine Arthur as Christine, Sarayu Blue as Trina Rothschild, and John Corbett as Dr. Covey. Katie Lovejoy adapted Han’s book, Michael Fimognari returned to direct, and Matt Kaplan produced.
To All the Boys: Always and Forever will premiere on February 12, 2021.
The Plot, Courtesy of Netflix:
As Lara Jean Covey prepares for the end of high school and the start of adulthood, a pair of life-changing trips lead her to reimagine what life with her family, friends, and Peter will look like after graduation.
And a Look Back at To All the Boys: P.S. I Still Love You:
It’s a new year and Lara Jean and Peter are no longer pretending to be a couple. They ARE a couple. And, as Lara Jean navigates a trove of official firsts with Peter – her first real kiss, her first real date, her first Valentine’s Day – she finds herself leaning more on Kitty and Margot, Chris, and an unexpected new confidant, Stormy, to help her manage the complex emotions that come with this new chapter of balancing a relationship and figuring out her authentic self.
But when John Ambrose, another recipient of one of Lara Jean’s old love letters, enters her life again she must rely on herself more than ever as she’s confronted with her first real dilemma: Can a girl be in love with two boys at once?
The gang winds up in a bar alongside killers on Magnum P.I. season three episode five, “The Day Danger Walked In,” featuring guest star Roger E. Mosley (TC in the original series) back as John Booky. Episode five was directed by Krishna Rao from a script by Peter M. Lenkov and Eric Guggenheim and will air on Friday, January 15, 2021 at 9pm ET/PT.
Jay Hernandez leads the cast as Thomas Magnum. Perdita Weeks is Juliet Higgins, Zachary Knighton is Orville “Rick” Wright, Stephen Hill is Theodore “TC” Calvin, Tim Kang stars as Det. Gordon Katsumoto, and Amy Hill as Teuila “Kumu” Tuileta.
Episode five’s guest stars include Christopher Thornton as Kenny “Shammy” Shamberg, Jay Ali as Dr. Ethan Shah, Robert Angelo as Earl Kinney, Esera Tuaolo as Tua, Rayan Lawrence as Neil, and Graham Shiels as Vince.
“The Day Danger Walked In” Plot: As a major hurricane hits the Island, Magnum and his friends find shelter inside La Mariana, along with two armed killers also escaping the dangerous storm. Also, Rick must confess to TC that he let the insurance lapse on the bar.
Magnum P.I. is a modern take on the classic series centering on Thomas Magnum, a decorated former Navy SEAL who, upon returning home from Afghanistan, repurposes his military skills to become a private investigator. A charming rogue, an American hero and a die-hard Detroit Tigers fan, Magnum lives in a guest cottage on Robin’s Nest, the luxurious estate where he works as a security consultant to supplement his P.I. business. The “majordomo” of the property is Juliet Higgins, a beautiful and commanding disavowed MI:6 agent whose second job is to keep Magnum in line, with the help of her two Dobermans.
When Magnum needs back-up on a job, he turns to his trusted buddies and fellow POW survivors, Theodore “TC” Calvin, a former Marine chopper pilot who runs Island Hoppers, a helicopter tour business, and Orville “Rick” Wright, a former Marine door-gunner-turned-impresario of Oahu’s coolest nightclub and the most connected man on the island.
Suspicious of Magnum’s casual attitude and presence at his crime scenes, Detective Gordon Katsumoto finds that he and Magnum are more alike than either of them care to admit. One of Magnum’s biggest supporters is Teuila “Kumu” Tuileta, the unofficial “House Mom” and cultural curator of Robin’s Nest. With keys to a vintage Ferrari in one hand, aviator sunglasses in the other, and an Old Düsseldorf longneck chilling in the fridge, Thomas Magnum is back on the case!
Season four of ABC’s critically acclaimed, award-winning medical drama The Good Doctor continues with episode seven, “The Uncertainty Principle.” Episode seven was directed by Gary Hawes and written by Doris Egan and will air on Monday, January 18, 2021 at 10pm ET/PT.
The cast of season four includes Freddie Highmore as Dr. Shaun Murphy, Antonia Thomas as Dr. Claire Browne, Hill Harper as Dr. Marcus Andrews, and Richard Schiff as Dr. Aaron Glassman. Christina Chang plays Dr. Audrey Lim, Fiona Gubelmann is Dr. Morgan Reznick, Will Yun Lee is Dr. Alex Park and Paige Spara stars as Lea Dilallo.
Guest stars include Brian Marc as Dr. Enrique Guerin, Bria Samoné Henderson, Noah Galvin as Dr. Asher Wolke, Summer Brown as Dr. Olivia Jackson, and Elfina Luk as Nurse Villanueva.
“The Uncertainty Principle” Plot: Dr. Morgan Reznik discovers her patient’s wealth and obsession with extending his life is a dangerous mix that could end up costing more than he can afford.
Dr. Shaun Murphy, a young surgeon with autism and savant syndrome, continues to use his extraordinary medical gifts at St. Bonaventure Hospital’s surgical unit. As his friendships deepen, Shaun tackles the world of dating for the first time and continues to work harder than he ever has before, navigating his environment to prove to his colleagues that his talents as a surgeon will save lives.
Paige Spara and Freddie Highmore in ‘The Good Doctor’ season 4 episode 7 (ABC/Jeff Weddell)Brian Marc, Noah Galvin, Freddie Highmore, Will Yun Lee, and Hill Harper in season 4 episode 7 (ABC/Jeff Weddell)Noah Galvin and Brian Marc in season 4 episode 7 (ABC/Jeff Weddell)Antonia Thomas, Christina Chang, Will Yun Lee, and Freddie Highmore in season 4 episode 7 (ABC/Jeff Weddell)Freddie Highmore in season 4 episode 7 (ABC/Jeff Weddell)Freddie Highmore and Paige Spara in season 4 episode 7 (ABC/Jeff Weddell)
The official plot description for Prodigal Son season two episode one teased Malcolm Bright was going to be dealing with the aftermath of his sister’s decision to kill the sleazeball, Nicholas Endicott. And the season two premiere lives up to that description while also offering Malcolm a disturbing new case to piece together.
Episode one, “It’s All in the Execution,” begins with a distraught man on a ledge shocked to discover Malcolm (Tom Payne) is just feet away – also on the ledge. Malcolm confesses he’s had a tough year, what with family problems and his dad constantly in his head. Malcolm mentions his dad’s name and his ledge partner’s only response is a shocked, “Whoa.”
Malcolm attempts to work through his daddy issues while also revealing he knows exactly who he’s standing next to hundreds of feet above the city. His ledge co-occupant is Chester, aka The Penthouse Slasher (Hiram Delgado), who Malcolm knew was in the building to slit the throats of the Rose family. Malcolm quickly learns he did get one thing horribly wrong – Chester didn’t ditch the knife after getting spooked out of killing the Roses.
They tussled on the ledge, and, unfortunately, the team hasn’t had time to anchor Malcolm’s tether. As they struggle, Malcolm slips and almost allows Chester to fall to his death. Chester struggles to hold on as Malcolm appears to debate the option of just letting him die.
Of course, dear old serial killer dad, Dr. Martin Whitly (Michael Sheen), chooses this moment to ring up his son. Malcolm holds onto Chester, who’s dangerously dangling from the ledge, while listening to his dad declare he’s heading home. Martin quickly clears that up, revealing he’s heading back to Claremont. He claims he was granted the move after single-handedly preventing Covid “from ravaging the most overpopulated prison on the East Coast.”
Malcolm attempts to get off the phone, but Martin reminds him they haven’t talked in months.
A short while later, Ainsley (Halston Sage) rushes up to JT Tarmel (Frank Harts), microphone ready to capture his response to her questions. He confirms Chester’s in custody, but he’s not as poised in front of the camera as Gil.
Ainsley makes this point to her brother and Malcolm reminds her Gil needs time to recover. He also suggests it’s okay if she takes time off, too, given what she’s gone through. Ainsley claims to be fine and Malcolm’s hand shakes as he lies and says he’s fine, too.
The following morning Malcolm screams as he wakes from a dream in which he picked up the blood-soaked knife after Ainsley murdered Nicholas and told his sister he’s the one who actually stabbed him. As he’s trying to clear his head, Malcolm realizes his mom, Jessica (Bellamy Young), is playing the piano and serenading him with “I Say a Little Prayer.”
Jessica apparently practiced piano during months of quarantine with Ainsley. She reveals the dead body of Nicholas has turned up and Malcolm already knows it was retrieved from Lake Peipus in Estonia. He’s obviously not himself but assures his mom he’ll be better with a new case to solve.
Later, Malcolm meets with Dani Powell (Aurora Perrineau) and seems genuinely excited to be back at work solving murders. JT Tarmel (Frank Harts) explains the victim is Millicent Lee, the widow of a Texas oil tycoon. Malcolm notes the body looks as though it was respectfully laid out. Dr. Edrisa Tanaka (Keiko Agena) asks them to hold onto their heads – she’s such a punster – as she confirms the victim was killed elsewhere. She then shows the team the cause of death by gently picking up the victim’s head. She was decapitated, but it wasn’t obvious until her scarf was removed.
Malcolm and Edrisa are both impressed by the precise cut, with Malcolm immediately convinced the death was an execution.
Millie’s New York lawyer confirms her client’s identity and drops the bombshell that her husband’s death might not have been committed by the person blamed. Millie had an affair with a carpenter who followed her to New York, taking up residence in her mansion. It’s just a rumor, but the lawyer seems to think there could be a connection. Maybe the carpenter killed both the husband and Millie.
Malcolm reminds the team that beheadings are usually a form of punishment and not about the money. “Our killer is a justice-seeker. That’s why Millie had to die,” explains Malcolm. The preciseness of the cut prompts Malcolm to ask again if it was postmortem, but Edrisa is sure the cause of death was a high-velocity single strike. Malcolm quickly realizes the only possibility is a guillotine was used to sever Millie’s head.
Edrisa believes that this explains the pieces of wood from an extinct tree that she found in Millie’s neck.
Malcolm narrows the likely murder weapon down to a 1996 auction in New York. Edrisa’s all googly-eyed over Malcolm’s knowledge while JT looks justifiably concerned. Malcolm admits he doesn’t know who bought it but realizes his dad does.
And now 15-ish minutes into the season two opener, we’re treated to our first meeting between Malcolm and his dad. Martin’s happy to be closer to home but confesses he’s in hell because they’ve given him a roommate who makes farting noises and is apparently legitimately crazy. The roommate, Jerry (Michael Chernus), is so out of it watching cartoons that it’s okay for Martin to fill Malcolm in on the decapitation. Martin refuses to disclose the winning bidder of the guillotine auction until Malcolm makes him feel more like a partner again.
Malcolm has a flashback to the moments after Nicholas’s murder and taking instructions over the phone from his dad on how to get rid of the evidence and body. (Malcolm had to chop him up before rigor mortis set in.) Martin believes they should be celebrating the death and manages to get out, “Like father, like..,” before Malcolm cuts him off, demanding he never utter that saying again.
Martin finally writes down the name of the man who purchased the guillotine. Jerry launches a shoe at Malcolm’s head, and Malcolm takes his leave while Martin begs him to stay. Martin shifts his attention to an electrical cord near the TV that’s been wheeled in for Jerry to watch his cartoons. Poor Jerry doesn’t realize who he’s just pissed off.
Dani visits Gil (Lou Diamond Phillips) during his physical therapy and although he’s still weak and recovering, he seems to be doing okay. Dani’s next visit is with Malcolm to the owner of the guillotine, Izzy Collins (Jeremy Crutchley). Izzy shows them around his mansion and admits he’s building a new sex dungeon he plans on filling with toys. He shows off the guillotine, which weighs 1,600 pounds and can’t be moved. Malcolm sprays it down, hoping blood will show up with the lights off.
Izzy’s shocked to see the guillotine’s coated with blood and quickly claims he was on a plane the prior evening. Malcolm hears noises and places his ear to the floor, and Izzy says the new sex dungeon’s going in directly below where they’re standing.
They head down to the dungeon and discover someone’s been entombed alive behind a wall of bricks. Malcolm quickly pounds a hole in the wall and discovers Boyd Hicks (Robbie Tann) – Millie’s carpenter boyfriend – chained up and experiencing psychosis. He believes Malcolm’s the person who did this to him and Malcolm plays into his fantasy. He picks up a whip (one of Izzy’s sex toys) and other items and presses Boyd to confess to killing Millie’s husband. He finally gives in and admits he killed her husband and let an innocent man be executed in his place.
Millie’s murder and Boyd’s torture were revenge for the innocent man’s death. Dani advises Boyd he needs an attorney and he requests Millie’s lawyer, Natalie. Dani and Malcolm are shocked when he reveals she’s from back home in Texas.
A short while later they pull Natalie in for questioning. It turns out it was her brother who was executed for a murder he didn’t commit. Natalie claims she didn’t kill Millie; she’s been busy looking for proof Millie and Boyd actually murdered Millie’s tycoon husband. She’s already submitted a report with her findings to the Texas state attorney – a report that was quickly buried.
Back at Claremont, Martin sets his plan to get rid of his annoying cellmate in action. He snakes the electrical cord under his cot and begins electrocuting Jerry. Jerry jumps around in pain while handcuffed to his bed. Martin shuts it off seconds before a guard arrives to check out what’s going on.
Jerry comes to and explains he felt a jolt. “I feel like the words that I’m saying make sense. Do they make sense to you?” he asks. Martin confirms they do and declares it’s a miracle!
Malcolm, JT, and Dani discuss the possibility Natalie is the killer. Malcolm doesn’t think so as her motivation is to clear her brother’s name. He thinks it’s possible the killer was the judge, a lawyer involved in the case, or a member of the jury. He pauses and Dani recognizes he’s just come up with the answer…and he has.
“What if the killer is the actual executioner?” asks Malcolm. That person would have a motive after receiving Natalie’s report.
They come up with a plan to out the killer by announcing they’ve taken Natalie into custody for Millie’s murder. Malcolm fills Ainsley in on what they’re doing, warning her she needs to keep it a secret. He promises to contact her when the real killer shows up so she’ll get the scoop.
Dani has a heart-to-heart with Gil about Jessica. (Earlier in the episode she asked Malcolm what’s going on between his mom and Gil. Malcolm claimed to have no idea.) She believes he was careless and that none of this had to happen. Dani thinks he played the hero because of Jessica and was ultimately stabbed because of her. Gil admits to making a mistake by letting his feelings cloud his judgment.
“Jessica is a good person,” he says, trying to assure Dani he knows what he’s doing. Dani just wants him to be careful and Gil lets slip that Jackie thought the Whitlys were cursed. He confesses she might be right.
Jessica, looking gorgeous and eager to see Gil, overhears this from outside the door and pauses in her tracks.
Malcolm arrives home just as Dani calls him with the name of the Texas executioner: Tom Henry Glanton. She warns him Tom is in town and Malcolm suddenly realizes Tom’s in his house. Tom explains he’s been watching the investigation and demands they let Natalie go.
Malcolm reveals he knows Tom executed Natalie’s brother and has since learned he was innocent. Tom wanders over and picks up a scimitar from the cabinet. He again demands Malcolm let Natalie go, but Malcolm just chuckles. He doesn’t believe Tom will hurt him since he’s innocent and killing an innocent doesn’t fit his profile.
However, Tom’s really been paying attention. He knows all about Malcolm and thinks maybe he’s a killer, too. “That’s the third time this week,” replies Malcolm. “I must be giving off murder-y vibes. Is it my hair?”
Tom thinks he can set Natalie free by killing Malcolm, which in a twisted way makes sense. Malcolm admits his killer dad’s a part of him and that’s why he understands what Tom needs to do. Before Tom can actually strike out, Malcolm forces him to pause by revealing he never hung up the phone. His confession has been overheard and police are on the way.
Dani makes it to Malcolm’s place before backup’s available. Tom begins to attack and Malcolm arms himself. They go after each other and Malcolm draws the first blood. He also draws the second blood before asking if Tom’s had enough. Tom hasn’t and continues his attack.
Malcolm gets the upper hand and is poised to strike when Dani arrives and forces him to drop his weapon.
Meanwhile, JT’s also arrived on the street along with other police officers. Rather than going to assist Malcolm as JT requests, they call him “boy” and demand he put his hands up even though he clearly explains he’s with Major Crimes. They won’t even let him get his badge out before a white officer attempts to choke him against the wall. JT manages to shove him away so he can breathe, and the other cops all take aim and command JT to put his hands up once again.
JT’s seconds from being shot when both Malcolm and Dani rush up. It’s only after Dani shows her badge and confirms he’s a cop that the officers lower their weapons.
Back at the station, JT’s justifiably upset and certain this is all going to come down on his head. He’s convinced the cops will lie and say he assaulted them and his career will be over. Fortunately, Gil appears in the doorway and assures JT he won’t allow that to happen.
“I know what happened tonight and I got your back,” says Gil. He calls JT a good cop and suggests he go home and kiss his wife.
Malcolm pays another visit to his dad and Martin explains Jerry’s gone now and getting better due to electroshock therapy. Malcolm’s out of sorts because of what Ainsley did and what he covered up. Martin tries to comfort his son by reminding him Ainsley wouldn’t have survived that night without him.
Martin asks Malcolm to step closer and when he does, he grabs his hand. “Thank you for saving my little girl. You realize that, don’t you? You saved your sister,” says an emotional Martin. He asks Malcolm not to torture himself any more about it. But then Martin – being Martin – adds that maybe it’s the idea of getting away with murder, being free on the streets, and knowing what he’s capable of that’s gotten Malcolm all worked up. He describes killing as intoxicating and the ultimate thrill, suggesting Malcolm’s not sure what to do after getting a taste of it.
Michael Benjamin Washington as Cyrus, Ana Gasteyer as Katherine, Humphrey Ker as Elliot, Harriet Dyer as Sadie, and Tye White as Jack in ‘American Auto’ (Photo by: Greg Gayne/NBC)
NBC’s officially moving forward with series orders for two comedies and one new drama. Justin Spitzer, the creator of Superstore, is currently working on a comedy set in the car world titled American Auto. Brooklyn Nine-Nine writer Phil Augusta Jackson is heading up the comedy Grand Crew where the action will take place at a wine bar.
The upcoming drama La Brea from writer and executive producer David Applebaum (NCIS: New Orleans) catapults family members into a primeval world.
“Our driving force has always been to seek out talented storytellers who have a strong point of view,” stated Lisa Katz, the recently named President of Scripted Content. “While these shows are very different thematically, what they have in common is a unique voice, excellent world-building, and compelling storytelling. We can’t wait to share them with TV fans everywhere.”
All three just-announced series are expected to premiere during the 2021-2022 season.
NBC released the following details on the three new shows:
AMERICAN AUTO
Genre: Comedy (single-cam)
Studio: Universal Television
Production companies: Spitzer Holding Company, Kapital Entertainment
Writer/EP: Justin Spitzer (Superstore)
Director/EP: Jeff Blitz (pilot)
EP: Aaron Kaplan, Dana Honor
Cast: Ana Gasteyer, Jon Barinholtz, Harriet Dyer, Humphrey Ker, Michael B. Washington, Tye White and X Mayo
Logline: Set at the headquarters of a major American automotive company in Detroit where a floundering group of executives try to rediscover the company identity amidst a rapidly changing industry.
GRAND CREW
Genre: Comedy (single-cam)
Studio: Universal Television
Writer/EP: Phil Augusta Jackson (Brooklyn Nine-Nine)
EP: Dan Goor
Director/Co-EP: Mo Marable (pilot)
Cast: Echo Kellum, Justin Cunningham, Carl Tart, Aaron Jennings and Nicole Byer
Logline: A group of Black friends unpack the ups and downs of life and love at a wine bar.
LA BREA
Genre: Drama
Studio: Universal Television
Production company: Keshet Studios
Writer/EP: David Applebaum (NCIS: New Orleans)
EP’s: Avi Nir, Alon Shtruzman, Peter Traugott, Rachel Kaplan, Ken Woodruff
Cast: Natalie Zea, Zyra Gorecki and Chiké Okonkwo. Additional cast will be announced shortly.
Logline: When a massive sinkhole mysteriously opens in Los Angeles, it tears a family in half, separating mother and son from father and daughter. When part of the family find themselves in an unexplainable primeval world, alongside a disparate group of strangers, they must work to survive and uncover the mystery of where they are and if there is a way back home.
AMC’s just dropped a new teaser trailer for the upcoming new episodes of The Walking Dead season 10. The new teaser was accompanied by the release of brand new photos from the six new episodes.
The extended 10th season will kick off on Sunday, February 28, 2021 at 9pm ET/PT. Subscribers to AMC+ will be able to stream the episodes early, beginning on February 25th.
The season 10 cast includes Norman Reedus, Ross Marquand, Seth Gilliam, Melissa McBride, Lauren Cohan, Khary Payton, and Jeffrey Dean Morgan. New guest stars in the extended season 10 episodes include Robert Patrick (Scorpion) as ‘Mays,’ Hilarie Burton Morgan (One Tree Hill) as ‘Lucille,’ and Okea Eme-Akwari (Cobra Kai) as ‘Elijah.’
Description of The Walking Dead‘s Extended Season 10, Courtesy of AMC:
Last on The Walking Dead, we witnessed the fall of Alpha (Samantha Morton) and the end of the Whisperers War. The Kingdom had fallen, Hilltop was virtually destroyed and Alexandria abandoned to prepare for final battle. Our survivors were trapped and separated from one another. Yet, when faced with almost certain death, they rallied together to fight, killing Beta (Ryan Hurst) and eliminating the threat of the horde.
In these six new episodes, we find our survivors trying to pick themselves up by their bootstraps following the destruction the Whisperers left in their wake. The years of struggle weigh upon them as past traumas surface, exposing their more vulnerable sides. As they question the state of humanity, the state of their collective community, and the states of their minds, will they find the inner strength to persevere with their lives, friendships, and group intact?
Norman Reedus as Daryl Dixon in ‘The Walking Dead’ season 10 (Photo Credit: Eli Ade/AMC)Jeffrey Dean Morgan as Negan and Hilarie Burton Morgan as Lucille (Photo Credit: Josh Stringer/AMC)Paola Lazaro as Princess in season 10 (Photo Credit: Josh Stringer/AMC)Norman Reedus as Daryl Dixon and Melissa McBride as Carol Peletier in season 10 (Photo Credit: Eli Ade/AMC)Lauren Cohan as Maggie in season 10 (Photo Credit: Eli Ade/AMC)Seth Gilliam as Gabriel and Ross Marquand as Aaron (Photo Credit: Josh Stringer/AMC)
Netflix just unveiled their plans to release a new movie every week for all of 2021. The announcement was accompanied by a video featuring a few of the stars (and directors) of films coming to the streaming service throughout 2021.
The two and a half minute preview video kicks off with Gal Gadot, Ryan Reynolds, and Dwayne Johnson – co-stars of the upcoming action film Red Notice – followed by interview snippets and super brief clips from Netflix’s 2021 slate. Regina King touts the ability of movies to make you feel every emotion while a clip from The Harder They Fall plays. Netflix also provides a sneak peek at Octavia Spencer and Melissa McCarthy’s superhero comedy, Thunder Force; Halle Berry’s directorial debut, Bruised; and Lin-Manuel Miranda’s first feature as director, Tick, Tick…Boom!.
The announcement video also provides a glimpse of The Kissing Booth 3, To All the Boys: Always and Forever, The Woman in the Window starring Amy Adams, and Chris Hemsworth’s Escape From Spiderhead. Jennifer Garner says she loves making movies her entire family can watch will promoting the comedy Yes Day, and Jason Momoa’s hyped about films that get audiences into the action, like his Sweet Girl.
Netflix’s new video teases 2021 films including Army of the Dead, Outside the Wire, Bad Trip, The Last Mercenary, Malcolm & Marie, Monster, and Moxie.
Kylie Bunbury and Katheryn Winnick in ‘Big Sky’ season 1 episode 6 (ABC/Darko Sikman)
ABC’s popular drama Big Sky is set to return from its long winter holiday break with season one episode six, “The Wolves Are Always Out for Blood.” Episode six, which was directed by Mark Tonderai from a script by Maria Sten, picks up immediately after Cassie was forced to shoot Rick Legarski.
“The Wolves Are Always Out for Blood” will air on Tuesday, January 26, 2021 at 10pm ET/PT.
The series stars Katheryn Winnick as Jenny Hoyt, Kylie Bunbury as Cassie Dewell, and Brian Geraghty as Ronald Pergman. Dedee Pfeiffer plays Denise Brisbane, Natalie Alyn Lind is Danielle Sullivan, Jade Pettyjohn is Grace Sullivan, Jesse James Keitel is Jerrie Kennedy, John Carroll Lynch plays Rick Legarski, and Ryan Phillippe as Cody Hoyt.
Patrick Gallagher guest stars as Sheriff Tubb.
“The Wolves Are Always Out for Blood” Plot: After Jenny and Cassie learn the truth about Cody’s fate, they decide to officially team up to track down Ronald. Elsewhere, Merrilee grapples with the fact that she didn’t truly know her husband, while Helen learns more about her son’s recent activities.
Katheryn Winnick and Kylie Bunbury in ‘Big Sky’ season 1 episode 6 (ABC/Darko Sikman)Dedee Pfeiffer in episode 6 (ABC/Darko Sikman)Kylie Bunbury in ‘Big Sky’ season 1 episode 6 (ABC/Darko Sikman)Kylie Bunbury in season 1 episode 6 (ABC/Darko Sikman)
NBC’s The Blacklist will finally return from its month-long winter break with season eight episode three, “16 Ounces.” Episode three is set to air on Friday, January 22, at 8pm ET/PT.
The cast of The Blacklist is led by James Spader as Raymond “Red” Reddington and Megan Boone as Elizabeth Keen. Diego Klattenhoff plays Donald Ressler, Amir Arison is Aram Mojtabai, Hisham Tawfiq is Dembe Zuma, and Harry Lennix stars as Harold Cooper.
“16 Ounces” Plot: The eighth season of The Blacklist resumes with the devastating consequences of the fallout between Raymond Reddington (Spader) and Elizabeth Keen (Boone) intensifying.
Season 8 Description, Courtesy of NBC:
With his back against the wall, Raymond Reddington (Spader) faces his most formidable enemy yet: Elizabeth Keen (Boone). Aligned with her mother, infamous Russian spy Katarina Rostova, Liz must decide how far she is willing to go to find out why Reddington has entered her life and what his endgame really is. The fallout between Reddington and Keen will have devastating consequences for all that lie in their wake, including the Task Force they helped to create.
James Spader as Raymond “Red” Reddington in ‘The Blacklist’ season 8 episode 3 (Photo by: Sony Pictures Television)Megan Boone as Liz Keen in season 8 episode 3 (Photo by: Sony Pictures Television)Hisham Tawfiq as Dembe Zuma in season 8 episode 3 (Photo by: Sony Pictures Television)Amir Arison as Aram Mojtabai and Megan Boone as Liz Keen in season 8 episode 3 (Photo by: Sony Pictures Television)Amir Arison as Aram Mojtabai and Megan Boone as Liz Keen in season 8 episode 3 (Photo by: Sony Pictures Television)Fisher Stevens as Marvin Gerard, James Spader as Raymond “Red” Reddington, and Hisham Tawfiq as Dembe in season 8 episode 3 (Photo by: Sony Pictures Television)
Hulu just released the first trailer for The United States vs. Billie Holiday starring Grammy Award nominee Andra Day. The streaming service unveiled the trailer while announcing they’ve picked up the U.S. rights to the much-anticipated drama from Oscar nominee Lee Daniels (Precious).
In addition to Andra Day as the legendary Billie Holiday, the cast includes Trevante Rhodes, Natasha Lyonne, and Garrett Hedlund. Miss Lawrence, Rob Morgan, Da’Vine Joy Randolph, Evan Ross, Tyler James Williams, Tone Bell, and Erik LaRay Harvey also star.
Hulu has set a February 26, 2021 premiere date.
“Whether you are new to the story and legacy of Billie Holiday or know every note she ever sang, I do hope our celebration of this complex woman does justice to a great musical legend and civil rights activist whose artistry resonates as well today, as it did 80 years ago. Hulu releasing this film and giving it a platform to be seen nationwide is a blessing, because as recent events reveal, our country has much work to do in fulfilling its promise of a more perfect union,” stated Lee Daniels.
Lee Daniels, Jordan Fudge, Pamela Oas Williams, Tucker Tooley, Joe Roth, and Jeff Kirschenbaum produce with New Slate Ventures, Lee Daniels Entertainment, and Roth Kirschenbaum Films. Hilary Shor, Jeremy Allen, Patty Long, Johann Hari, Cassian Elwes, Mark Bomback, and Dennis Stratton serve as executive producers.
The Plot, Courtesy of Hulu:
The legendary Billie Holiday, one of the greatest jazz musicians of all time, spent much of her career being adored by fans across the globe. Beginning in the 1940’s in New York City, the federal government targeted Holiday in a growing effort to escalate and racialize the war on drugs, ultimately aiming to stop her from singing her controversial and heart-wrenching ballad, “Strange Fruit.” Led by Oscar® nominated director Lee Daniels and introducing Grammy® nominated singer-songwriter Andra Day, The United States vs. Billie Holiday unapologetically presents the icon’s complicated, irrepressible life.
Screenwriter Suzan-Lori Parks, the first African American woman to win a Pulitzer Prize for Drama, pens this intimate tale of a fierce trailblazer whose defiance through music helped usher in the civil rights movement.
