Bill Hader stars in ‘Barry’ season 3 (Photograph by Merrick Morton/HBO)
The Covid-19 pandemic struck as season three of HBO’s award-winning comedy Barry was two weeks away from beginning production in March 2020. The unexpected and unavoidable delay means that by the time the new season finally arrives it will have been nearly three years since the season two finale aired.
“I think also literally right before the pandemic hit we had done our first table read, and then just a couple days later we were supposed to have a second table read, and we got the email of like, ‘All right, guys, we might need to be locked down for two weeks,’ and everyone flipped out. But, honestly, just knowing that we were going to be able to come back was a huge thing. It was a huge thing that kind of kept me going, the idea of just knowing that like that we had these wonderful, wonderful scripts to kind of work on at some point was actually something that really helped carry me through,” explained Anthony Carrigan (“NoHo Hank”) during the 2022 Television Critics Association’s virtual winter press tour.
“You go through these periods of like, ‘What’s it going to be like? Am I still going to be able to act when I get back to it?’ And you put on the costumes and you get back in there, and you just get right back into it, so that was really a big thing for keeping me sane and keeping me focused was just looking forward to the season,” offered Carrigan.
Co-creator, writer, executive producer, and showrunner Alec Berg remembers telling everyone it would be a few weeks before they could return to production. Writer, executive producer, co-creator, and series star Bill Hader recalled that Berg told everyone the target date was May 7th, which hindsight tells us was wishful thinking.
“In that time when the scope of how awful the pandemic was, we decided to write season four, and then while we were doing that, we went back and did a pretty extensive rewrite of season three. As far as how much time has expanded, you’re going to have to see the show,” said Bill Hader.
The critically acclaimed series follows Hader as a hitman who wants to leave that world behind to become an actor. According to HBO, season three will find Barry and the other characters attempting to make the right choices…whatever that means.
Hader believes there’s still a lot to explore regarding Barry’s acceptance of his violent past.
“His one kind of boneheaded way of trying to get in touch with himself ends up really hurting a lot of people. And I think this season…I don’t think he knew the extent that he’s hurt people, and I think that’s what he’s kind of learning,” said Hader.
Sarah Goldberg as Sally Reed in ‘Barry’ season 3 (Photograph by Merrick Morton/HBO)
Sarah Goldberg (“Sally Reed”) shared that she thinks all of the characters are constantly grappling with how they can become better versions of themselves.
“There’s all these fork-in-the-road moments and they all tend to make poor choices,” explained Goldberg. “So morality is sort of the undercurrent of the whole show which is what makes it so fun to play and the sort of moral duality in each of the characters.”
Every terrible thing Barry did throughout the first two seasons he did because he was determined to pursue a career as an actor, according to Alec Berg.
“[…] I just really enjoy thinking about the fact that every single thing that happens in the show is a consequence of Barry wanting a slightly better – well, not slightly, a very much better – life. But you could argue that every bit of that better life that he’s trying to achieve has led to all of this chaos. I mean, he obviously didn’t know it would be that bad, but he was warned,” said Berg.
Bill Hader and Henry Winkler in ‘Barry’ season 3 (Photograph by Merrick Morton/HBO)
The TCA panel participants kept the conversation spoiler-free so neither Bill Hader nor Henry Winkler addressed how the dynamic between Barry and Gene might change given the events of season two. However, Winkler’s joy in being a part of Barry was evident when he discussed the show’s publicity campaign suggesting people call Gene Cousineau for acting lessons.
“I thought it might have been the best campaign I’ve ever been part of, and I did the voice for the phone number so if you called the phone number you literally heard me talk to you,” said Winkler. “I was so thrilled to be part of that campaign.”
Asked if his approach to helping other actors is similar to Gene’s, Winkler replied, “Gene thinks and tries to be the best teacher he can be. And I have had the experience of five times of holding master classes, and it is one of my favorite things. I’m not sure I know what I’m talking about but whatever I’m feeling about what the actors in front of me are doing, it is my pleasure to try and get them to taste something different than they came into the room with, just by pushing them a little bit. So it goes back and forth. I take Gene with me, and I bring Henry to Gene.”
Andy’s got a lot to deal with on ABC’s Station 19 season five episode 15. “When the Party’s Over” will air on Thursday, April 7, 2022 at 8pm ET/PT.
The season five cast includes Jaina Lee Ortiz as Andy Herrera, Jason George as Ben Warren, Boris Kodjoe as Robert Sullivan, and Grey Damon as Jack Gibson. Barrett Doss plays Victoria Hughes, Jay Hayden is Travis Montgomery, Danielle Savre is Maya Bishop, Stefania Spampinato is Carina DeLuca, and Carlos Miranda plays Theo Ruiz.
Episode 15 guest stars include Kim Raver as Teddy Altman, Jaicy Elliot as Taryn Helm, and Josh Randall as Sean Beckett.
“When the Party’s Over” Plot: Andy deals with the aftermath of a trauma.
Station 19, currently in its fifth season, follows a group of heroic Seattle firefighters as they put their lives and hearts on the line. Station 19 takes us inside the tough, tight-knit and sometimes heartbreaking world of the city’s bravest first responders.
Jason George in season 5 episode 15 (ABC/Liliane Lathan)Jason George in season 5 episode 15 (ABC/Liliane Lathan)Director Daryn Okada, Jay Hayden and Carols Miranda on the set of season 5 episode 15 (ABC/Liliane Lathan)A scene from ‘Station 19’ season 5 episode 15 (ABC/Liliane Lathan)
This Is Us fans need to prepare for yet another heartwrenching episode. The teaser for NBC’s This Is Us season six episode 11 reveals Jack has gone missing which sends Kate and Toby into a panic even as their relationship continues to disintegrate. Episode 11 – “Saturday in the Park” – will air on April 5, 2022.
The sixth and final season stars Milo Ventimiglia as Jack Pearson, Mandy Moore as Rebecca Pearson, Sterling K. Brown as Randall, Chrissy Metz as Kate, Justin Hartley as Kevin, Susan Kelechi Watson as Beth Pearson, and Chris Sullivan as Toby.
“Saturday in the Park” Plot: Rebecca and Miguel’s anniversary barbecue does not go as planned.
The Plot, Courtesy of NBC:
Everyone has a family. And every family has a story. This Is Us chronicles the Pearson family across the decades: from Jack (Ventimiglia) and Rebecca (Moore) as young parents in the 1980s to their kids (the big three), Kevin (Hartley), Kate (Metz) and Randall (Brown) searching for love and fulfillment in the present day along with Toby (Sullivan) and Beth (Kelechi Watson).
This grounded, life-affirming dramedy reveals how the tiniest events in our lives impact who we become, and how the connections we share with each other can transcend time, distance and even death.
Chrissy Metz as Kate, Baby Jack, and Chris Sullivan as Toby in ‘This Is Us’ season 6 episode 11 (Photo by: Ron Batzdorff/NBC)Milo Ventimiglia as Jack, Kaz Womack as Kevin, Isabella Rose Landau as Kate, Ca’Ron Jaden Coleman as Randall, and Mandy Moore as Rebecca in season 6 episode 11 (Photo by: Ron Batzdorff/NBC)Chrissy Metz as Kate, Chris Sullivan as Toby, and Baby Jack in season 6 episode 11 (Photo by: Ron Batzdorff/NBC)Justin Hartley as Kevin, Chrissy Metz as Kate, and Sterling K. Brown as Randall in season 6 episode 11 (Photo by: Ron Batzdorff/NBC)Mandy Moore as Rebecca in season 6 episode 11 (Photo by: Ron Batzdorff/NBC)Caitlin Thompson as Madison in the “Saturday in the Park” episode (Photo by: Ron Batzdorff/NBC)
Going shopping for clothes at the mall used to be an incredibly popular past-time and there was a time when Abercrombie & Fitch stores drew in crowds of pretty people. The trailer for Netflix’s White Hot: The Rise & Fall of Abercrombie & Fitch shows exactly who the company designated as their key demographic as well as who they discouraged from patronizing (and working in) their stores.
Streaming on Netflix on April 19, 2022, director Alison Klayman’s documentary examines the exclusionary hiring practices that resulted in the company being the target of lawsuits. Klayman produces along with Emmet McDermott and Hayley Pappas, and Matt Ippolito, Adam Bardach, John Sloss, Tim Pastore, production designer Smiley Stevens, and director of photography Julia Liu executive produce.
Netflix released the following description of the Abercrombie & Fitch documentary:
“In the late ‘90s and early ‘00s, Abercrombie & Fitch was the first stop for many shoppers on their trip to the mall. Shirtless jocks stood guard at store entrances, selling a potent mix of sex and wholesomeness. Pulsing dance beats and the brand’s fierce scent drew in hordes of young people hoping to buy themselves a seat at the cool kids’ table. Led by outspoken CEO Mike Jeffries, A&F cashed in on an ‘all-American’ image and enshrined its clothes as must-haves for the new millennium. But over time, revelations of exclusionary marketing and discriminatory hiring practices began to engulf the white-hot brand in scandal.
Featuring interviews with dozens of former employees, executives, and models, White Hot: The Rise & Fall of Abercrombie & Fitch unravels the complex history of the iconic brand that influenced an entire generation.”
Catherine Bell stars in Lifetime’s ‘Jailbreak Lovers’ (Photo Courtesy of Lifetime)
Lifetime’s assortment of new summer films includes stories of hoarding, a woman who packs up her husband’s body in suitcases, and the tale of a woman who plots a jailbreak. The network’s summer movie lineup will kick off on June 11, 2022 with Dirty Little Secret – the one that involves hoarding – starring Melissa Joan Hart (No Good Nick).
Candice King (The Originals) takes on the lead role as a nurse who commits murder in Suitcase Killer: The Melanie McGuire Story airing June 18th. He’s Not Worth Dying For premieres on June 25th and stars Robin Givens. The summer movie schedule finishes up on July 2nd with the debut of Jailbreak Lovers starring Catherine Bell.
DIRTY LITTLE SECRET STARRING MELISSA JOAN HART AND LIZZIE BOYS
Inspired by true events, Dirty Little Secret follows seventeen-year-old Lucy (Lizzie Boys) who has been painfully isolated from her peers for years, refusing to let anyone near her house in order to hide her family secret – the overwhelming mountain of items filled in every crevice of space in her home. She quietly plans her escape to college while managing her mother Joanna’s (Melissa Joan Hart) hoarding disorder. Outwardly, a highly functioning nurse, Joanna maintains the dysfunction in their home with an obsessive grip but after a tragedy, Lucy must decide if she will hide her mother’s secret, or expose it to the world.
Candice King stars in Lifetime’s ‘Suitcase Killer’ (Photo Courtesy of Lifetime)
SUITCASE KILLER: THE MELANIE MCGUIRE STORY STARRING CANDICE KING, MICHAEL ROARK, JACKSON HURST AND WENDIE MALICK
Based on a shocking true story, Melanie McGuire (Candice King) was an exceptional fertility nurse, married to her ex-Navy husband Bill (Michael Roark) and doting mother of two boys. When she falls for Brad (Jackson Hurst), a doctor at her clinic, and gets entangled in a steamy love affair, Melanie does the unthinkable. After drugging and murdering Bill, she dismembers him and places the body parts into three suitcases, throwing them into Chesapeake Bay.
But when the suitcases are found on the shores of Virginia Beach, an investigation is launched leading to Melanie as the prime suspect. Led by the efforts of assistant attorney general Patti Prezioso (Wendie Malick), authorities eventually bring Melanie to justice, who despite being convicted, continues to maintain her innocence.
Robin Givens stars in Lifetime’s ‘He’s Not Worth Dying For’ (Photo Courtesy of Lifetime)
HE’S NOT WORTH DYING FOR STARRING ROBIN GIVENS, HILDA MARTIN, RACHEL BOYD,LACHLAN QUARMBY AND LOCHLYN MUNRO
Inspired by true events, He’s Not Worth Dying For follows the intertwined real and social media lives of Isla (Rachel Boyd), a 19-year-old girl who has established herself as a beauty and fashion influencer and Grace (Hilda Martin) the expected valedictorian of her class with hopes of a veterinary career. Though both are very different, they unknowingly share one thing in common – Jake (Lachlan Quarmby) – who is dating them both without their knowledge.
When Isla and Grace discover that Jake was cheating on them, the girls turn on each other in a jealous rivalry and use their arsenal of social media platforms to badmouth and attack one another. While their followers take sides and pit them against each other, their hatred for one another escalates into a real life fight that ultimately turns deadly.
Tom Stevens stars in Lifetime’s ‘Jailbreak Lovers’ (Photo Courtesy of Lifetime)
JAILBREAK LOVERS STARRING CATHERINE BELL AND TOM STEVENS
Inspired by a true story, Jailbreak Lovers follows Toby (Catherine Bell), a woman who always played by the rules. Toby never ran a red light, married the only boy she ever dated, raised a family and went to church. She did everything she was supposed to do. When Toby loses her job and starts a non-profit to rehabilitate abused, rescued dogs at the local prison no one could have anticipated that she would end up on the run, shacked up with her younger lover John (Tom Stevens), a convicted murderer. The star-crossed lovers hatch a plan to break John out of prison by smuggling him out in one of the dog crates, sparking a federal manhunt.
NCIS and its two spinoffs NCIS: Hawai’i and NCIS: Los Angeles have been renewed and will return for CBS’s 2022-2023 primetime season. The network officially confirmed the renewals today, guaranteeing NCIS will return for season 20. NCIS: Los Angeles will be back for a 14th season while newbie NCIS: Hawaii‘s impressive ratings earned it a second season order.
“NCIS, one of the most popular and enduring series in the world, and fan favorite NCIS: LOS ANGELES have been hugely successful on the CBS schedule for years,” stated Kelly Kahl, president, CBS Entertainment. “With the strong new addition of NCIS: HAWAI`I, we are able to expand the strength of this formidable franchise across our schedule. We couldn’t be more excited to have all three talented casts and creative teams back to bring more compelling NCIS stories to viewers in the U.S. and around the globe.”
NCIS tops the chart as the #1 broadcast series and is pulling in more than 11 million viewers. The cast is led by Sean Murray, Wilmer Valderrama, Brian Dietzen, Diona Reasonover, and Katrina Law. David McCallum, Rocky Carroll and Gary Cole also star. Steven D. Binder, Chas. Floyd Johnson, Mark Horowitz, Mark Harmon, Scott Williams, David North and Donald P. Bellisario executive produce.
NCIS: Los Angeles starring Chris O’Donnell and LL Cool J has averaged 7+ million viewers, beating all scripted shows in its Sundays at 10pm time slot. The season 13 cast also includes Linda Hunt, Daniela Ruah, Eric Christian Olsen, Medalion Rahimi, Caleb Castille, and Gerald McRaney.
Vanessa Lachey, Alex Tarrant, and Noah Mills star in the newest entry in the NCIS franchise, NCIS: Hawai’i. Season one airs on Mondays at 10pm and is averaging 8+ million viewers.
The network previously announced renewals of The Amazing Race, Bob ♥ Abishola, CSI: Vegas, Ghosts, The Neighborhood, Secret Celebrity Renovation, Tough as Nails, Young Sheldon, and Survivor. CBS expects to announce additional renewals soon.
Season two of Paramount+’s incredibly popular horror series Evil premiered in June 2021, and it appears season three will be sticking with the summer release schedule. Paramount+ confirmed the third season will premiere on June 12, 2022, with new episodes arriving on Sundays.
The critically acclaimed drama stars Katja Herbers as Kristen Bouchard, Mike Colter as David Acosta, Aasif Mandvi as Ben Shakir, and Michael Emerson as Leland Townsend. Christine Lahti plays Sheryl Luria, Kurt Fuller is Dr. Kurt Boggs, and Andrea Martin is Sister Andrea.
Brooklyn Shuck, Skylar Gray, Maddy Crocco and Dalya Knapp reprise their roles as Lynn, Lila, Lexis, and Laura Bouchard.
Robert King, Michelle King, Liz Glotzer, Rockne S. O’Bannon, and Nelson McCormick executive produce. Evil‘s produced by CBS Studios in association with King Size Productions.
Paramount+’s release date announcement included the following synopsis for the upcoming third season:
Season three of Evil begins moments after the end of season two: when a newly ordained David and Kristen kiss. In season three, the two not only have to navigate this fraught new reality but contend with David’s involvement with “the entity,” an espionage unit within the Catholic church. Meanwhile, Ben finds his brain breaking from their unsolved cases and turns to his sister for help.
The Evil Plot:
Evil is a psychological mystery that examines the origins of evil along the dividing line between science and religion. The series focuses on a skeptical female psychologist who joins a priest-in-training and a contractor as they investigate the church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings. Their job is to assess if there is a logical explanation or if something truly supernatural is at work.
France’s Call My Agent! gets a British makeover with Sundance Now’s Ten Percent, a workplace comedy set in the entertainment world. The official trailer for the comedy arrived along with the announcement that season one will premiere on Sundance Now and AMC+ on April 29, 2022, with the release of the first two episodes.
New episodes will arrive on the following Fridays.
Ten Percent stars Jack Davenport (The Morning Show), Lydia Leonard (Last Christmas), Maggie Steed (Chewing Gum), Prasanna Puwanarajah (Patrick Melrose), Chelsey Crisp (Fresh Off the Boat), Hiftu Quasem (Killing Eve), Fola Evans-Akingbola (Black Mirror), and Rebecca Humphries (The Crown). Harry Trevaldwyn (The King), Tim McInnerny (Game of Thrones), Natasha Little (Night Manager), Edward Bluemel (Killing Eve), Eleonore Arnaud (Nu) and Oscar winner Jim Broadbent (Iris) also star in season one.
The lengthy list of big names showing up in cameo roles includes Kelly Macdonald, Helena Bonham Carter, Olivia Williams, Dominic West, Phoebe Dynevor, and Jessica Oyelowo. David Oyelowo, Emma Corrin, Himesh Patel, Clemence Poesy, and David Harewood also pop in for cameos.
Sundance Now’s official season one description:
“The Sundance Now Original Series, based on the original hit French series Call My Agent!, follows the small London talent agency of Nightingale Hart as it struggles to adapt in an ever-changing industry. After tragedy strikes the company, the personal and professional lives of the agents and assistants are thrown into turmoil. But duty calls – their celebrity clients are in constant need of help from their agents, with issues ranging from marital problems to over-commitment to lingering method acting to stage fright.
As the Nightingale Hart agents deal with the incessant demands of their jobs, they’ll also find themselves dealing with more off-screen drama than they ever expected.”
Taron Egerton stars in ‘Black Bird’ (Photo Credit: Apple TV+)
Apple TV+ just unveiled the first two official photos from the upcoming series Black Bird, a psychological thriller based on true events. The just-released photos feature series stars Taron Egerton and Paul Walter Hauser in prison.
The cast of the six episode series also includes Sepideh Moafi, Greg Kinnear, and Ray Liotta.
Described as a psychological thriller, Black Bird was developed by bestselling author Dennis Lehane and is adapted from James Keene and Hillel Levin’s true crime memoir In With The Devil: A Fallen Hero, A Serial Killer, and A Dangerous Bargain for Redemption. Lehane executive produces along with Taron Egerton, author James Keene, Kary Antholis, and EDEN Productions’ Richard Plepler. Bradley Thomas, Dan Friedkin, and Ryan Friedkin executive produce through Imperative Entertainment and Alexandra Milchan and Scott Lambert executive produce through EMJAG Productions.
Michaël R. Roskam (Bullhead, The Drop) directs the first three episode and executive produces. Jim McKay and Joe Chappelle also direct episodes.
Apple TV+ has set a July 8, 2022 premiere date for the first two episodes. New episodes arrive on subsequent Fridays.
Paul Walter Hauser and Taron Egerton in ‘Black Bird’ (Photo Credit: Apple TV+)
Apple TV+ released the following synopsis of Black Bird:
“Inspired by actual events, when high school football hero, decorated policeman’s son, and convicted drug dealer Jimmy Keene (Egerton) is sentenced to 10 years in a minimum security prison, he is given the choice of a lifetime — enter a maximum-security prison for the criminally insane and befriend suspected serial killer Larry Hall (Hauser), or stay where he is and serve his full sentence with no possibility of parole.
Keene quickly realizes his only way out is to elicit a confession and find out where the bodies of several young girls are buried before Hall’s appeal goes through. But is this suspected killer telling the truth? Or is it just another tale from a serial liar? This dramatic and captivating story subverts the crime genre by enlisting the help of the very people put behind bars to solve its mysteries.”
Sean Bridgers as Mark Hupp, Sarah Stipe as Sarah Hupp, Celia Weston as Shirley, Renée Zellweger as Pam Hupp, and Drew Scheid as Travis Hupp in ‘The Thing About Pam’ episode 4 (Photo by: Skip Bolen/NBC)
Keith Morrison opens NBC’s The Thing About Pam episode four saying, “No one knows a mother like a daughter,” while Pam (Renee Zellweger), her mother, Shirley (Celia Weston), and Pam’s family gather at a restaurant to celebrate Shirley’s birthday. Sarah (Sarah Stipe) tells her grandmother to make a wish and when she doesn’t react quickly enough, Pam gets annoyed and blows out the candles.
Sarah offers to drive Shirley back to the nursing home, but Shirley doesn’t want to go with her. Pam says she’ll take her home and Shirley points out that’s just Pam’s way of assuring her spot in her will.
Keith Morrison asks the question, “When does one become obsessed with money?” which prompts a flashback to 1977 – Pam’s prom, to be exact. She’s leaving the prom and chatting with a friend about her prom date, claiming she’s saving herself for after college. Pam’s mother interrupts to scold her daughter, and Pam tells her she should be inside with the other teachers. Shirley warns Pam her date better have her home soon, and Pam’s friend assures her she doesn’t have to worry; Pam’s saving herself until after she finishes the University of Missouri.
Shirley laughs and says her daughter doesn’t have the brains for Mizzou. Pam begins to walk off and Shirley yells, “Don’t you walk away from me. I will cut you out of my will, Pam!”
Moving forward to 1984, a young Sarah stands in the kitchen crying as Pam does the dishes. Pam’s upset and asks Sarah if she wet herself. After her crying daughter confirms she did, Pam reacts with a disgusting (and disturbing) punishment, taking Sarah’s underwear off and placing them on her head. Pam warns her if she tries to take them off it’ll be worse for her.
Pam tells Sarah she owes her while dumping out their remaining milk. Sneaky Pam then tells her first husband, Randy, she needs money to buy milk. Shirley’s there too and believes it’s too late for Pam to go across town by herself, offering to accompany her. Pam’s able to get her to back off by asking, “Mom, do you want me to bring back some gin for you?”
Pam grabs money from Randy as Shirley insults her saying good mothers don’t run out of milk. Pam reminds her they used to run out of milk and food when she was a kid, and Shirley claims it was because they were poor, adding “dumba**” onto the end of her explanation. Pam wonders why she’s even there and Shirley says, “Somebody’s got to keep an eye on you for Sarah’s sake.”
The milk was definitely a ruse to get out of the house as she ends up at a bar where she orders a drink and watches a man talking to a lady about baseball. After the woman gets up and goes to the bathroom, Pam blocks her in the bathroom by pushing a keg of beer in front of the door. She then sits next to the man and offers to buy him a drink.
He reveals his plans to go to Florida to play Triple-A baseball. Pam’s impressed and says in a flirty tone, “So when do we leave?”
The stranger turns out to be Pam’s current husband, Mark (Sean Bridgers).
We’re still in flashback mode as we see Pam, Mark, Sarah, and baby Tyler sitting by a pool watching an elderly lady working out. It’s now 1989 in Naples, Florida. Pam shares cookies the woman in the pool baked for them because Pam’s helping her out. Mark asks if he can have money for a beer and she tells him no; they can’t spend any more money that day.
Sarah tries to take another cookie but Pam slaps her hand away. She recalls when she was a child she had to wear pedal pushers to the pool because her mom beat her with a belt. She asks Sarah, “Do you think I ever got any cookies?”
After telling Sarah she and Tyler don’t know how lucky they are to have her as a mom – and to be far away from their grandma – the story jumps back to present day with the family celebrating grandma’s birthday.
Sarah asks her mom to go with her to check out the house they want to buy that’s in foreclosure. Sarah explains her husband, Scott, just got his real estate license and they’re going to start flipping houses. Pam shoots her down, telling her they don’t have the bankroll for “this game.”
Pam changes the subject and says Sarah owes her money for her meal. Sarah wonders why her brother, Tyler (Drew Scheid), doesn’t have to pay. Grandma Shirley jumps in while looking at Pam and says, “Your mother is always going to make you pay.” Shirley claims Pam stole candy from a corner store and hid it under the bed when she was little and lied to her dad saying her mom took it. Shirley also insists Pam still steals money from her. Pam says she’s lying.
Dateline producer Cathy Singer (Alice Barrett Mitchell) shows up at Pam’s house and as she knocks Keith Morrison says it’s been almost two years since Russ’s trial. Cathy apologizes for just showing up but Pam’s stopped answering her texts. Pam insists she’s a private person and tries to shut the door. “I know, but with Joel pushing for a retrial you should really think about telling your side of the story,” says Cathy.
That gets Pam’s attention and she asks who said anything about a retrial. Cathy explains that’s just what she’s heard.
Attorney Joel Schwartz (Josh Duhamel) and Nate Swanson (Ben Chase) visit Russ (Glenn Fleshler) in jail. They explain it was really Pam who got the ball rolling on this retrial because Russ’s daughters Lily and Mariah filed a civil suit against her over the insurance money. Joel was able to use some of the material from Pam’s civil deposition as evidence to support a thing called a Mooney Motion. The motion got them in front of a judge who agreed to give Russ a new trial.
Russ doesn’t seem to share their excitement but Nate assures him this is a good thing. Russ is worried because they’re all a bunch of cheats. Joel’s sure this time things will be different. They’re allowed to bring in all the evidence pointing to Pam, and they have requested a bench trial. Russ tells Joel he trusts him and to go for it.
Pam pays a visit to District Attorney Leah Askey (Judy Greer), walking in uninvited and helping herself to Askey’s food. Pam reminds her she said it would take five or six years for an appeal and now there’s going to be a retrial. Askey thinks it’s ridiculous.
Askey brings up the Mooney Motion and Pam thinks she’s saying money motion. Askey attempts to correct her as Pam goes off about being able to show Askey her bank statement. She insists the money’s still there.
DA Askey explains Joel’s going to use the deposition she gave as part of Betsy’s daughters’ lawsuit. Pam nervously sips from the signature pop she always carries around.
Askey believes Joel will use Pam’s testimony where she claimed she felt pressured by the cops to open the trust. Pam insists she never said that. It appears Askey’s no longer feeling “Team Pam” because when she talks about having to prep her Pam makes a comment about them being a dream team and Askey doesn’t seem to share that feeling.
After Pam leaves, Leah asks her assistant, Tina, if she understands Facebook. She’s made a page for her campaign and doesn’t understand if she’s a page or a person. It’s an odd question, but Tina isn’t interested in answering.
Tina explains she was going over the original evidence and it seems there are a few items that weren’t filed correctly or even tested. Tina asks if she should test them now and Leah agrees. Tina wants to know if she should test them against anyone else in addition to Russ, and Leah wonders why they’d do that. “I don’t know…so we can be on the right side of things?” replies Tina.
Leah asserts they’re on the right side of things because they won. She questions why they would change anything now.
Pam returns home and complains to Mark about the DA. She thinks Askey was acting weird by questioning her about the civil lawsuit. Mark holds up a little money and reminds Pam they’re behind on the mortgage. Pam informs him that’s all they have left. She claims she’s holding on to Betsy’s insurance money for sentimental value.
Pam brings up Russ’s retrial and reporters hounding her. Mark calls reporters “rats” which prompts a story from Pam about how her mom used to deal with rats. She would use zinc and watch them pop while laughing and smiling about it. Mark tells her to make sure the reporters have nothing to feed on. Pam thinks he’s right. If Russ never gets out, there’s no story and no Dateline. Keith Morrison chimes in with, “No Dateline? Hmmm, we’ll see.”
Betsy’s mother, Janet (Suanne Spoke), sits down for an interview with Dateline. As she’s getting last-minute touch-ups done on her makeup, she tells Cathy Singer she knows what she’s there for. Cathy states she’s there to report the facts. Janet thinks Cathy’s going to say the facts don’t point to Russ. Cathy admits there are certain facts that call into question that theory and it’s her responsibility to report those as well. Janet believes Cathy will say some of those facts point to Pam Hupp. She knows what people are saying about Pam but Pam was there for the family and police. She was the star witness.
Pam returns to the DA’s office and although Leah doesn’t need more info, Pam very weirdly asks if she knew Betsy had an inverted nipple. Detective McCarrick (Mac Brandt) is also there and he shakes his head no along with Askey. Pam claims she did and that it’s a sign of cancer, and she was the one who told Betsy that.
Pam drops an incredible/unbelievable bombshell that Betsy had a crush on her. She explains it kept growing and Betsy wanted their relationship to be more than just friendship. McCarrick asks if they had a sexual relationship and Pam claims they did; it didn’t start out that way but after time it became more. Pam explains she didn’t mention this before because Betsy wanted to keep it private. However, Russ knew and he was jealous.
Viewers are treated to a ridiculous reenactment of Pam and Betsy throwing a softball back and forth in the basement and an angry Russ (who’s eating chicken for some reason) yelling at them. The story gets even more out of control when supposedly Russ gets physical with Pam and threatens to stab her and bury her in the yard if he catches them again.
Pam finishes up and Detective McCarrick escorts her out. Askey believes they’re going to need to rethink the appeal and Tina agrees. She believes it’s about time they move away from Pam’s lies. Tina’s shocked when Askey says, “She’s not lying. She just keeps changing her story.”
Tina points out Pam never mentioned this in the first trial. Askey makes excuses for her and claims it was probably because she was scared after what happened to Betsy. Askey admits they can’t rely on Pam too much this time around; they need more hard evidence. Tina brings up the letter Pam said Betsy wrote back in 2011 that she was going to email Pam. No one ever looked for the letter and Askey believes they need to find it.
And speaking of that letter… Nate and Joel receive a copy from the DA’s office and Joel recalls the medical examiner said it appeared Betsy had bruising on her neck. If Pam wrote the letter then she was setting it up that Russ suffocated her. Joel wants the hard drive evidence – not just some piece of paper.
Pam checks on her mom at the nursing home and Shirley accuses her of stealing her glasses. Shirley calls her daughter a fat little thief and slams her for marrying a Gunderson which is apparently some sort of putdown in their family. Shirley further irritates Pam by claiming Pam’s daughter has done better than Pam.
Later, Sarah and her husband attend an auction for the house in foreclosure and are about to be the winning bidder when they’re outbid by none other than Sarah’s mom. Mark can’t believe what Pam’s doing and knows the lender won’t give them any more money. Sarah considers raising her bid but Pam says, “Bow out, Sarah. It’s only going to get worse from here. Trust me.”
Ben Chase as Nate Swanson, Josh Duhamel as Joel Schwartz, and Glenn Fleshler as Russ Faria in ‘The Thing About Pam’ episode 4 (Photo by: Skip Bolen/NBC)
Joel, Nate, and Russ meet and Joel tosses a folder on the table and reveals he’s in possession of the luminal photos from Russ’s house. There’s no sign of a clean-up like the police claimed and the photos are in perfect condition which means the police lied on the stand about a camera malfunction. Russ doesn’t share their enthusiasm. Joel tells him straight up he can’t promise they’ll win but he can promise these photos give them a much better shot. “I’ve thought about you and this case every damn day since the last trial and I’m going to fight like hell for you out there, Russ,” says Joel.
Trial number two kicks off with DA Askey imitating Russ’s 9-1-1 call claiming his wife killed herself. She says Betsy didn’t kill herself and the state will prove Russ did it.
Joel opens the defense’s argument declaring the evidence will prove their case. The person who murdered Betsy was the last person to see her alive, the person who received her insurance payout, and the person who consistently lied about every detail of this case.
Detective McCarrick takes the stand and Joel gets him to admit no one actually followed up with Pam’s husband to do an interview with him alone. Also, no one seized Mark’s phone to verify when Pam’s message was left. Joel asks if anyone can testify where Pam Hupp was at the time of the murder. He admits no one can. Joel asks if he knew Pam’s financial situation was so dire that she was late on several payments on her COBRA insurance. McCarrick says he was not aware of that. He then asks how much Pam gained when Betsy died. McCarrick says $150,000.
The next witness is the state’s forensics specialist who reads out loud the letter Betsy supposedly wrote. He tells Askey he found the document on Betsy’s computer. Joel seems unaffected by his testimony and tells Russ not to worry about it.
Joel questions Detective Merkel (Jesse Scott Egan) about testifying in the first trial that the luminal photos showed absolutely nothing because of a malfunction with the camera. He asks, “So, no photographs were printed, correct?” Merkel states he doesn’t believe so. Joel presents the folder full of luminal photos. (As he looks through the folder Askey turns to Tina and asks where he got those photos.) Joel reveals there are 130 photos and asks Merkel to pull any one of them out. He pulls out photo after photo as Joel gets him to admit the photos are fine and there’s no evidence anything was cleaned up at the scene.
Joel calls up his own digital forensics specialist who testifies Betsy was running Windows 2003. He says whoever created the document was listed as unknown which means either someone changed the author to unknown or the file was created on another computer and then copied over. He further explains the document was created by someone running Word 97 which Betsy didn’t have on her computer. Joel states that the document did not come from Betsy’s computer.
The judge asks the DA if she has any more witnesses to call and, after a long pause, Askey says no. She’s decided not to call Pam. Joel also rests his case.
As the judge gets ready to issue his verdict, he points out the investigation by the police department is quite disturbing and raises more questions than answers. He finds Russ not guilty of murder in the first degree. He’s found not guilty on all counts.
Joel’s overcome with emotion and has to have a moment alone.
Russ joins his supporters outside to celebrate while Mariah (Gideon Adlon) watches from a window. The oldest daughter, Lily (Olivia Luccardi), still seems to think Russ did it and says, “So mom’s killer just gets to walk free and that’s it?” Mariah stares at Pam and replies, “Looks like it.”
Pam thinks Leah Askey blew it by not calling her to the stand.
Joel shows up at Askey’s office and offers to share all the evidence they collected if she decides to reopen Betsy’s case. “We had the right guy but thanks,” says Askey.
DA Leah Askey then does the unthinkable and makes a call requesting the destruction of all evidence in Betsy’s case.
Later, Mark and Pam are at home and watch Joel being interviewed about the case. He believes he didn’t receive all the evidence in this case. He explains Pam was within three miles of the victim’s house when she called Betsy which means she lied about where she was.
Pam takes her mom out to lunch and it’s yet another uncomfortable meal shared by the mother and daughter. Shirley brings up how Pam bought Sarah’s house out from under her and Pam corrects her saying it wasn’t Sarah’s house. Shirley threatens to kick her out of her will again and claims she has half a mind to stick Sarah in her spot. Pam’s anger level increases as Shirley talks.
Back at the nursing home Pam mixes her mom a drink and Shirley states she doesn’t know what she would do without her.
As Pam leaves, she tells the front desk clerk that her mom is “down for the count” and that they shouldn’t go up at dinner time. As a matter of fact, they should let her skip breakfast too and not get her up until lunch.
It turns out this final meeting between mom and daughter is taking place on Halloween.
That evening two teenagers are running around decked out in costumes when they discover a body on the ground and scream. It is Pam’s mother, Shirley.