Pixar’s just confirmed details of their next new animated feature film, Luca, directed by Academy Award nominee Enrico Casarosa. Luca will arrive in theaters (cross your fingers!) on June 18, 2021.
The Pixar Animation Studios production will be produced by Andrea Warren (Lava, Cars 3). The studio didn’t provide any news on when we can expect to find out who’s involved in the voice cast or additional details on Casarosa’s behind-the-scenes crew.
“This is a deeply personal story for me, not only because it’s set on the Italian Riviera where I grew up, but because at the core of this film is a celebration of friendship. Childhood friendships often set the course of who we want to become and it is those bonds that are at the heart of our story in Luca,” stated Enrico Casarosa, director. “So in addition to the beauty and charm of the Italian seaside, our film will feature an unforgettable summer adventure that will fundamentally change Luca.”
Writer/director Enrico Casarosa was nominated for an Oscar in the Best Short Film, Animated category for his 2011 film, La Luna. Casarosa’s credits also include working as a storyboard artist on Up, Ratatouille, and Ice Age.
The Plot, Courtesy of Pixar:
“Set in a beautiful seaside town on the Italian Riviera, the original animated feature is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta, and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: he is a sea monster from another world just below the water’s surface.”
The CW’s summer pickup Tell Me a Story season one episode two picks up with Jordan losing his wife during a robbery and Kayla finding out she had sex with one of her teachers. Season one episode two, “Loss,” was directed by Liz Friedlander from a script by Eduardo Javier Canto & Ryan. Episode two airs on August 4, 2020.
The cast of season one is led by James Wolk as Jordan Evans, Billy Magnussen as Nick Simpson, Dania Ramirez as Hannah Perez, Danielle Campbell as Kayla Powell, and Paul Wesley as Eddie Longo. Kim Cattrall plays Colleen Powell, Dorian Crossmond Missick is Sam, Michael Raymond-James is Mitch Longo, Davi Santos is Gabe Perez, Sam Jaeger is Tim Powell, and Zabryna Guevara plays Detective Garcia.
“Chapter 2: Loss” Plot: THIS IS NO FAIRYTALE – Jordan (Wolk) helps the police pinpoint one of the masked robbers of the jewelry heist, Eddie (Wesley). After their ill-advised one-night stand, Kayla (Campbell) tries to keep her distance from Nick (Billy Magnussen) but finds it very hard to stay away. Hannah (Ramirez) helps Gabe (Santos) cover his tracks
The Plot, Courtesy of The CW:
“Tell Me a Story takes the world’s most beloved fairy tales and reimagines them as a dark and twisted psychological thriller. Set in modern-day New York City, the first season of this serialized drama interweaves ‘The Three Little Pigs,’ ‘Little Red Riding Hood,’ and ‘Hansel and Gretel’ into an epic and subversive tale of love, loss, greed, revenge and murder.”
Douglas Smith, Matthew Shear, Dakota Fanning, and Daniel Brühl in ‘The Alienist’ season 2 episode 4 (Photograph by Nelly Kiss / TNT)
Season two episode four of TNT’s The Alienist begins on a macabre note. Laszlo (Daniel Brühl) pays a visit to a photographer who takes photos of people – mostly children – who have passed. Laszlo spots a picture of a child with the eyes painted on the eyelids and she explains she added them to the negatives. She reveals she’s only done two photos like that over the years, and Laszlo asks where those mothers are now. She says they took their own lives.
On the carriage ride over to the Lying-In Hospital, Sara (Dakota Fanning) and Bitsy (Melanie Field) go over their plan. Bitsy’s going undercover at the hospital and Sara reminds her to be safe.
Libby (Rosy McEwen) shows up at Sara’s office and asks for the file back. Sara wonders if Libby has read the file and Libby shakes her head no. Sara explains the aggressive nurse, Colleen, was the last nurse to check on Martha the night her baby went missing. Libby claims she’s not a gossiper, but Sara asks if she thinks Colleen is capable of kidnapping and murdering a baby. The action cuts to Bitsy at the Lying-in Hospital helping Colleen without showing Libby’s answer.
Bitsy asks where a patient’s child is and Colleen says it was stillborn. Colleen is lost in thought and mutters about him giving her a goldfish and a splash of greenery “which is more than he did for me – Richard.” Bitsy’s shocked by this revelation and Colleen’s not done confessing. “See, they like to get you pregnant to prove to their fellow financial types that their pecker still works,” says Colleen.
Bitsy questions why they aren’t bathing the woman and Colleen explains he’s had her fixed. She suggests they let her sleep as long as she can. The woman hears their discussion and begins to cry.
Libby sneaks into the matron’s office and is trying to put the file back when she suddenly hears the matron coming. She hides the file amongst papers on her messy desk. The matron questions what she’s doing in her office and Libby tries to act innocent. The matron sits down at her desk and picks up the stack of papers. She finds the file and now knows what Libby was up to.
Sara, Laszlo, John (Luke Evans), Marcus (Douglas Smith), Lucius (Matthew Shear), and Narciso Linares (Diego Martin) go over their findings so far. Sara says they believe the woman is a nursing mother and whoever it is is slow to kill. Angry, Linares yells at them about their failure to save the other baby. They remind him the police won’t help him because they view him as the enemy and think he kidnapped his own child.
Sara asks him to allow them to present their theories as well as the steps they’re taking to get his baby back. They’ve identified a poison that was used on the Napp baby. That baby and his child have been at the same hospital. They inform him they have someone working undercover there at this very moment.
Libby rushes in, covered in blood and with the matron hot on her trail yelling, “If the doctor tells you to administer more chloroform, you do it!” Libby says she doesn’t understand what she did wrong and the matron replies, “I know what you were doing in my office. NOW MOP THE FLOOR!”
John buys a copy of the Journal and shows it to his boss, Bernie (Demetri Goritsas). Just then Joanna arrives about a job and Bernie’s taken aback by the fact she’s Black. He asks if she really wrote the article and she says she did. He admits it was good. John ushers her off to show her where she’ll be sitting before Bernie can say anything else.
Sara and Bitsy meet secretly in a church to discuss what Bitsy’s learned about the Lying-In. She reveals the maternal research wing is where they keep the pregnant mistresses of rich men and what’s more peculiar is that there are no babies up there. Sara wonders where all the babies are and Bitsy explains they tell all those women their babies were stillborn.
Sara asks about Colleen and Bitsy confirms she’s a ward girl who started out as a patient after Richard Osgood knocked her up. She’s not sure if Colleen’s baby was stillborn but she can find out. Sara hands her a list of poisons and asks her to check at the hospital and see if they have a log of who signed them out.
Back at the hospital, Bitsy picks the lock on the cabinet where they store the medications. She spots one Sara asked about and begins to look through logs. She writes down what she finds. Colleen catches her and wonders what she’s up to. Bitsy claims it’s nothing and Colleen informs her she’s not allowed to be in there. “But you already know that, don’t you?” Colleen adds.
Over at Sara’s office, she fills the team in on Colleen and shares her thoughts on Colleen being the killer. Laszlo has doubts and Marcus questions if it’s the matron. She has access to everything and most likely oversees the delivery of medications coming into the hospital. Sara believes the matron gets off on the power of being in charge but doesn’t see her as being the murderer. Laszlo also does not want to lose sight of Dr. Markoe. (It seems he would really like to hang onto the notion it’s Markoe.)
Sara points out the profile points to a woman. Sara brings up that these two men – Dr. Markoe and Richard Osgood – will be at the big social event that evening, John’s engagement soirée.
Sara and Laszlo show up to the extravagant event together and when they spot Dr. Markoe they part ways. Laszlo decides to go observe the doctor.
The party’s going on as John speaks to William Randolph Hearst, advising him if he tries to link the kidnappers to Spain and Cuba, he could spook them. William asks if John thinks there are kidnappers and John admits not necessarily, not wanting to give too much away. William realizes John might have a story and John points out he knows he works for The New York Times. When William says, “The Linares are clearly guilty,” a shocked John questions guilty of what. William pulls stuff out of thin air without any proof. He ends the conversation by pointing out Violet’s waiting to see John.
As John walks out, Thomas (Ted Levine) is walking in. He comes in with a gift for Violet and it appears William doesn’t want Thomas at his party. He suggests he grabs some hors d’oeuvres when he leaves through the kitchen. (This is a clear slap in the face to Thomas.)
Luke Evans in ‘The Alienist’ season 2 episode 4 (Photograph by Kata Vermes / TNT)
Back at the party, John finds Sara and lightly teases her about her costume. She informs him she has much to tell him and says Dr. Markoe is there and they need to speak to him tonight. John reminds her they have nothing to confront him with and he doesn’t want her or Laszlo to embarrass him at his engagement party.
Actually, John doesn’t need to worry about his friends embarrassing him because William asks for everyone’s attention and begins to roast John for working for The New York Times. After he good-naturedly belittles John, he presents the couple with a gift – a brand-new carriage. Violet, who doesn’t seem to like her husband being around Sara, makes comments about how they’re dusting him off and he’ll no longer need rides from Sara.
Laszlo corners Richard (Ryan Ellsworth) at the party and gets to the point, revealing he knows about the girl in the research wing that was his doing. Richard threatens to have him kicked out of the party – and out of the country. Then, proving what a sleazeball he is, Richard says these girls are hardly innocent.
As Richard begins to walk away Laszlo stops him in his tracks by saying, “Tell me what you know about Colleen.” Richard questions if Laszlo thinks Colleen did this, explaining Colleen worked in sales and he wined and dined her. He describes her as spirited, hotblooded, and feisty, and says he broke her in. Richard says he believed her child died.
Sara and John find a quiet place to speak, and Sara admits to John she’s afraid he’s being bought while on the cusp of him finding his own powerful voice. He accuses her of behaving like a sister and thinks she should thank Violet for all that she’s done for the party. Sara believes Violet just humiliated him and when he tries to deny it, she points out she laughed at him in front of all his friends. Sara thinks he deserves better and he points out he asked her to marry him (in season one) but she said no.
Bitsy continues her undercover work at the hospital and thanks Colleen for not ratting her out to the matron. They seem to be bonding until Bitsy tries to ask about her and Markoe. Colleen seems stunned, then mad, and storms out. Libby overheard what happened and tells Bitsy that Colleen tries to pretend nothing goes on between her and Markoe. She also suggests she should apologize to Colleen.
Libby finds the woman Richard impregnated trying to get dressed. Libby questions what she’s doing and tells her she should be in bed. The woman believed all Richard’s sweet nothings and begs Libby to help her.
Once more to the party we go and Violet is jealous of Sara and John talking. John heads off to look for Violet and finds her in a locked room. She seduces him while the party’s still going on, just to make sure she has his attention.
Laszlo seems to be muttering to himself about the party-goers when it appears he meets his match. A woman begins to correct him as he mutters and it turns out she’s a professor. They know each other’s work. She offers him her card and walks away. He seems quite smitten.
The woman from the hospital shows up at the party in her fancy dress, looking for Richard. She spots him and begins yelling at him wondering why he didn’t come to her. She’s causing a scene and asks if he knew what happened to her. Dr. Markoe gets to her first and grabs her. Sara also runs to her, asking if she was just in Lying-In Hospital. The woman confirms she was and Sara tells Dr. Markoe to remove his hands from the woman or she’ll scream bloody murder. He obeys, and Sara continues to ask what happened. The woman explains they took her baby and then fixed her. Markoe jumps in, claiming she had an infection and he saved her life. He assures her he’ll have a carriage take her to Richard’s townhouse. (Right. She’ll most likely die for this outburst.)
Sara begs the woman not to go with him but she doesn’t listen.
Señora Linares arrives at Sara’s office to speak with Sara, Laszlo, Marcus, and Lucius. She remembers when she took her baby to the hospital there was a nurse who worked there who always stared at her. The nurse didn’t touch her or help her, but always watched her. She recalls looking back at her one last time as she left the hospital and, most importantly, she remembers her face. It’s the same person she saw outside the museum on the day her baby was kidnapped.
Milly joins the group in Sara’s office. She obtained the photos from that day and Señora Linares looks through them. She spots the nurse and points her out to Sara. Sara looks at the photo and exclaims, “My god!”
They all rush off to the hospital.
Meanwhile, Bitsy offers to help Colleen clean and apologizes for upsetting her. Bitsy wonders if Colleen ever had any children. She asks Colleen if she lost one and if she can still have kids. Colleen hastily explains she was going to bleed out and they had to save her. That’s what Libby told her, at least. In an accusatory tone, Bitsy asks what happened to Martha Napp’s baby and Colleen looks shocked.
Colleen becomes angry and slaps Bitsy. A bucket of water goes over as they continue to fight. Bitsy gets away and locks herself in a room, unaware Libby’s in there. Bitsy finally spots her and notices she has black residue on her mouth as she fills up a syringe. She tells Bitsy, “You sure do ask a lot of questions.”
With that, Libby stabs Bitsy in the neck with the syringe as Colleen witnesses it all from the other side of the locked door. Before passing out, Bitsy’s able to get to the door and unlock it while Libby runs off.
Sara’s group arrives and she and Lucius remain trying to help Bitsy while Marcus and Laszlo chase after Libby. Unfortunately, they lose her.
Lucius is able to inject an antidote and Bitsy eventually wakes up, but not before giving everyone a scare.
Libby runs to the matron’s house and barges in. The matron demands she leave and Libby slaps her across the face. Libby begins to cry and rambles on about how she wants to rest her weary bones. She then begins to choke the matron. Libby asks how it feels to rip lives away from the women at the ward. She produces a knife and stabs her repeatedly.
Libby draws eyes on the matron’s closed eyelids with her own blood.
Krystal Sutherland’s Our Chemical Hearts makes the leap to the screen with Chemical Hearts starring Riverdale‘s Lili Reinhart. A new trailer’s just been released for the coming-of-age drama written and directed by Richard Tanne (Southside with You).
Reinhart’s co-stars include Austin Abrams (Paper Towns), Bruce Altman (Mr. Robot), Adhir Kalyan (Rules of Engagement), Sarah Jones (For All Mankind), Coral Peña (The Post) and Kara Young (The Punisher). Tanne’s behind the scenes team includes director of photography Albert Salas, production designer Lucio Seixas, costume designer Vanessa Porter, and editor JC Bond.
Lili Reinhart also serves as an executive producer on the R-rated film. Commenting on what drew her to the project, Reinhart said, “I loved that it was not what you expect when talking about a teen love story. It seemed a lot deeper than many other young adult romances out there. It’s more raw and grounded in grief. Most teen movies concentrate on drinking and experimenting and losing your virginity. This is the internal struggle of these two young people feeling overwhelming emotions as their worlds are changing.”
Chemical Hearts will premiere on Amazon Prime Video on August 21, 2020.
Austin Abrams as Henry Page and Lili Reinhart as Grace Town in ‘Chemical Hearts’ (Photo by Cara Howe / Amazon Studios)
The Plot:
For Henry Page (Abrams), senior year in high school means he will finally get the coveted position of school newspaper editor. Or so he thinks. Instead, he is asked to share the position with Grace Town (Reinhart), a transfer student with a cane and a don’t-mess-with-me attitude. Falling for her almost immediately, Henry is determined to help her put the pieces of her life back together, but Grace bristles at his attempts to “fix” her.
When Grace finally begins to let her guard down, Henry discovers the heartbreaking secret that has upended her life. As he learns to love Grace for who she really is, he starts to know himself. Based on Krystal Sutherland’s fearless debut novel, Chemical Hearts is a journey of self-discovery that captures the thrills, disappointments, and confusion of being a teenager.
Courtney B. Vance, Jonathan Majors, and Jurnee Smollett in ‘Lovecraft Country’ (Photo by Eli Joshua Ade/HBO)
HBO’s set to launch the much-anticipated drama Lovecraft Country on August 16, 2020. The series is based on the novel by Matt Ruff and has Misha Green (Underground, Helix) guiding it as showrunner and executive producer.
The cast is led by Jonathan Majors, Courtney B. Vance, Jurnee Smollett, and Michael Kenneth Williams. J.J. Abrams, Jordan Peele, David Knoller, Bill Carraro, episode 1 director Yann Demange, and episodes 2 and 3 director Daniel Sackheim executive produce.
New episodes of the 10 episode season air on Sundays at 9pm ET/PT. HBO’s released details on the first five episodes including plot descriptions and cast info.
The Plot, Courtesy of HBO:
The series follows Atticus Freeman (Majors) as he journeys with his childhood friend Letitia (Smollett) and his uncle George (Vance) on a road trip from Chicago across 1950s Jim Crow America in search of his missing father Montrose (Williams). Their search-and-rescue turns into a struggle to survive and overcome both the racist terrors of white America and monstrous creatures that could be ripped from an H.P. Lovecraft paperback.
Lovecraft Country Episodes 1 – 5
Season 1, Episode 1: “Sundown”
Debut Date: SUNDAY, AUGUST 16 (9:00-10:08 p.m. ET/PT)
Veteran and pulp-fiction aficionado Atticus Freeman (Jonathan Majors) travels from the Jim Crow South to his South Side of Chicago hometown in search of his missing father Montrose (Michael Kenneth Williams). After recruiting his uncle George (Courtney B. Vance) and childhood friend Letitia (Jurnee Smollett) to join him, the trio sets out for “Ardham,” MA, where they think Montrose may have gone looking for insight into Atticus’ late mother’s ancestry. As they journey across the Midwest, Tic, Leti, and George encounter dangers lurking at every turn, especially after sundown.
Teleplay by Misha Green; directed by Yann Demange.
Season 1, Episode 2: “Whitey’s on the Moon”
Debut Date: SUNDAY, AUGUST 23 (9:00-10:00 p.m. ET/PT)
Inexplicably recovered from their terrifying night, Leti and George luxuriate in their new surroundings, while Atticus grows suspicious of their Ardham Lodge hosts – Christina Braithwhite (Abbey Lee) and her elusive father Samuel (Tony Goldwyn) – who unveil cryptic plans for Atticus’ role in their upcoming “Sons of Adam” ceremony. Later, after Tic, Leti, and George stumble upon a clue that could lead them to Montrose, each takes an unwelcome walk down memory lane.
Teleplay by Misha Green; directed by Daniel Sackheim.
Season 1, Episode 3: “Holy Ghost”
Debut Date: SUNDAY, AUGUST 30 (9:00-10:00 p.m. ET/PT)
Hoping to mend her relationship with her sister Ruby (Wunmi Mosaku), Leti turns a ramshackle Victorian on Chicago’s North Side into a boarding house – an endeavor that stokes neighborhood racism and awakens dormant spirits stuck in the house. Meanwhile, Atticus remains burdened by a guilty conscience as George’s wife Hippolyta (Aunjanue Ellis) presses him for the full story of what happened in Ardham.
Teleplay by Misha Green; directed by Daniel Sackheim.
Season 1, Episode 4: “A History of Violence”
Debut Date: SUNDAY, SEPTEMBER 6 (9:00-10:00 p.m. ET/PT)
After Christina mysteriously shows up at her doorstep, Leti confronts Atticus about his plan to surreptitiously return to Florida. Later, in search of missing pages to a crucial text, Leti, Tic, and Montrose head to Boston, with Hippolyta and Diana (Jada Harris) along for the ride. Back in Chicago, a handsome stranger nurses Ruby’s disappointment over a squandered job opportunity.
Teleplay by Misha Green; Story by Wes Taylor; directed by Victoria Mahoney.
Season 1, Episode 5 “Strange Case”
Debut Date: SUNDAY, SEPTEMBER 13 (9:00-10:00 p.m. ET/PT)
After making a devil’s bargain with William, Ruby steps into the charmed shoes of a white woman, but her transformation only fortifies her resentment of the racial divide. A betrayal by Montrose unleashes Atticus’ pent up rage, leaving Leti deeply disturbed and sending Montrose into the comforting arms of his secret lover.
Teleplay by Misha Green and Jonathan Kidd & Sonya Winton; directed by Cheryl Dunye.
Ryan Murphy reunites with his American Horror Story star Sarah Paulson for the Netflix series, Ratched. The just-released batch of photos and poster show Paulson playing Nurse Mildred Ratched, one of the most memorable characters from One Flew Over the Cuckoo’s Nest.
Louise Fletcher played Nurse Ratched in the critically acclaimed 1975 film. Fletcher earned a Best Actress Oscar for her performance, Jack Nicholson scored a Best Actor Oscar, and Milos Forman was named Best Director. The film also took home Best Adapted Screenplay and Best Picture Oscars.
The cast of Murphy and Ian Brennan’s latest drama also includes Cynthia Nixon as Gwendolyn Briggs, Judy Davis as Nurse Betsy Bucket, Sharon Stone as Lenore Osgood, Jon Jon Briones as Dr. Richard Hanover, and Finn Wittrock as Edmund Tolleson. Charlie Carver play Huck, Alice Englert is Dolly, Amanda Plummer is Louise, Corey Stoll is Charles Wainwright, Sophie Okonedo is Charlotte, and Vincent D’Onofrio plays Gov. George Wilburn.
Murphy, Brennan, and Paulson executive produce along with Alexis Martin Woodall, Aleen Keshishian, Jacob Epstein, Jennifer Salt, Margaret Riley, Michael Douglas, Robert Mitas, and Tim Minear.
Netflix has set a September 18, 2020 premiere date for the eight-episode series.
The Plot, Courtesy of Netflix:
Ratched is a suspenseful drama series that tells the origin story of asylum nurse Mildred Ratched. In 1947, Mildred arrives in Northern California to seek employment at a leading psychiatric hospital where new and unsettling experiments have begun on the human mind.
On a clandestine mission, Mildred presents herself as the perfect image of what a dedicated nurse should be, but the wheels are always turning and as she begins to infiltrate the mental health care system and those within it, Mildred’s stylish exterior belies a growing darkness that has long been smoldering within, revealing that true monsters are made, not born.
The first season of The CW’s newest superhero series, Stargirl, continues with episode 12, “Stars & S.T.R.I.P.E. Part One.” Episode 12, the penultimate episode, was directed by Toa Fraser from a script by Melissa Carter and will air August 4, 2020 at 8pm ET/PT.
Brec Bassinger (Bella and the Bulldogs, School of Rock) leads the cast as Courtney Whitmore / Stargirl. The season one cast also includes Luke Wilson as Pat Dugan, Amy Smart as Barbara Whitmore, Trae Romano as Mike Dugan, Yvette Monreal as Yolanda Montez, Neil Jackson as Jordan Mahkent, and Anjelika Washington as Beth Chapel. Christopher James Baker plays Henry King Sr, Jake Austin Walker is Henry King Jr, Meg DeLacy is Cindy Burman, Cameron Gellman is Rick Tyler, and Hunter Sansone plays Cameron.
“Stars & S.T.R.I.P.E Part One” Plot: AND SO IT BEGINS — With the ISA on their trail, Courtney (Bassinger), Pat (Wilson) and the team regroup to figure out their next steps. Meanwhile, Rick (Gellman) makes a breakthrough, and the team prepares for a showdown with the ISA.
Season 1 Description, Courtesy of The CW
When Courtney’s (Bassinger) seemingly perfect life in Los Angeles gets upended with a move to Blue Valley, Nebraska with her mother Barbara (Smart), stepfather Pat (Wilson) and stepbrother Mike (Romano), she finds herself struggling to adapt to her new town and high school. But when Courtney discovers that Pat is harboring a major secret about his past, she ultimately becomes the unlikely inspiration for a new generation of superheroes.
Olivier Award-winning playwright Jessica Swale makes her directorial debut with IFC Films’ Summerland. The just-released clip from the drama features Gemma Arterton explaining what Summerland is to a young boy played by Lucas Bond.
Arterton and her Summerland co-star Gugu Mbatha Raw reunited with Swale after starring in her award-winning play, Nell Gwynn. The cast of Swale’s feature film directorial debut also includes Penelope Wilton and Tom Courtenay.
“Summerland is a pagan idea of what heaven is,” stated Swale. “It’s a notion of a place that exists alongside ours. And the idea that you can communicate between Summerland and normal life by leaving signs or messing with the edges is something that’s not specifically pagan, that’s borrowed from a notion of lots of different myths and legends. It’s more about what Summerland represents. It represents the possibility of something beyond and of something magical.”
Swale’s behind the scenes team includes director of photography Laurie Rose, production designer Christina Moore, editor Tania Reddin, and costume designer Claire Finlay-Thompson.
Summerland opens in select theaters and on VOD/Digital platforms on July 31, 2020.
Gemma Arterton stars in ‘Summerland’ (Photo Courtesy of IFC Films)
The Plot:
Alice is a reclusive writer, resigned to a solitary life on the seaside cliffs of Southern England while World War II rages across the channel. When she opens her front door one day to find she’s to adopt a young London evacuee named Frank, she’s resistant. It’s not long, however, before the two realize they have more in common in their pasts than Alice had assumed.
Melanie Field and Dakota Fanning in ‘The Alienist’ season 2 episode 3 (Photograph by Kata Vermes / TNT)
TNT’s The Alienist season two episode three begins with Sara (Dakota Fanning) being hypnotized by Laszlo (Daniel Brühl). She doesn’t want to subject Señora Linares to something she does not fully believe in, so she tries it out for herself.
She sees herself as a child, 12 years old and running with a balloon. She seems happy until she looks down and notices her hands are covered in blood. She somehow wakes herself up and tells Laszlo to stop.
The Isaacson brothers join Sara, Laszlo, and John (Luke Evans) at Sara’s office to examine the clothing the Napp baby was found in. It appears to have a black substance on it and when Sara’s assistant, Milly (Georgia Lowe), asks what it is they reveal it’s charcoal and blood.
Upon further examination of the baby’s dress it appears to be handmade. They’re debating whether Dr. Markoe has done this or a woman, perhaps a woman who is angry. Maybe she can’t have a child or lost a child.
Another of Sara’s employees, Bitsy (Melanie Field), comes in with a list of donors to the Lying-In Hospital since this particular hospital relies on donations. John recognizes one of their names. Sara asks if they can meet with him.
Later, Sara meets John at his fencing practice where he’s sparring with his friend Ogden Gildersleeve (Paul Reid), the donor John recognized. John pretends Sara’s visit is unexpected and Ogden seems to take a liking to Sara. He agrees to lend his help, however, she needs it.
At the hospital, the woman we saw in the last episode giving birth is asking the doctor where her baby is. He simply states, “I’m afraid your child is with the angels now.” The woman becomes hysterical and they inject her with drugs to calm her down.
Sara takes a trip to the hospital and finds a room full of women lined up and breastfeeding. Another woman is being held down and having medication shoved down her throat. The matron (Heather Goldenhersh) finds her and asks if she’s lost. After introducing herself to the matron, she informs her she’s there to see Dr. Markoe.
In his office, Dr. Markoe (Michael McElhatton) recognizes Sara from the Martha Napp execution. She thinks he seems unconcerned the baby’s body was discovered after Martha was put to death. He tries to tell her that’s not true and she gets to the point; the baby was found poisoned with a substance that can be found in his hospital. She asks what happened the night the baby went missing. He attempts to blame the staff, calling them simple ward girls.
Sara wonders if there’s a report from that night and he tells her there isn’t. He claims they have nothing to hide and agrees she can see the room where Martha was kept.
The matron explains she was kept in a room by herself due to the fact she had a bowel infection. Sara asks if this infection was written down somewhere, surely in Martha’s file. If so, Sara would like to see it. The matron claims they can’t be giving it out to anyone.
The matron turns her attention to a nurse and asks why a patient is sleeping. It’s discovered she’s bleeding heavily. After the matron berates the nurse, she leaves to get the doctor. Sara takes that opportunity to question the nurse who introduces herself as Libby (Rosy McEwen). Sara is curious if she knew Martha Napp and if this was Martha’s room. (She doesn’t believe the matron.) Her suspicions are correct. Libby says, “It was when she came, but not the night you are talking about.”
Before Sara can ask anything further, the matron and doctor arrive and ask Libby to show Sara out.
On their way out, Sara asks Libby if she can tell her more about the maternal research ward. She asks if that was where Martha was kept that night. Libby states no, she was in delivery and postpartum. She adds that Martha’s roommate from that night won’t tell her anything. “But you will, won’t you?” asks Sara.
Libby says she can’t and doesn’t know what happened to Martha’s baby. She adds that none of them do.
Their conversation is abruptly cut short when a woman screams. A nurse is attempting to de-lice her, but the nurse seems to be pulling out her hair. The matron comes running in to help as the nurse is being overly aggressive and suggesting they chop off her hair. The matron tells the nurse, Colleen, to go to the doctor’s office immediately. The nurse responds with a firm, “No.”
Sara has been taking all this in and says if she the nurse doesn’t want to go to the doctor’s office, she’s quite certain she doesn’t have to. The matron doesn’t pay her any attention and says, “Colleen, you are to go to the doctor’s office right now!”
After stabbing the scissors into a bedside table, Colleen leaves.
Laszlo puts Martha and her baby to rest, throwing the blanket Martha gave him in the grave.
The Isaacson brothers are back at their lab discussing how strange it is for the baby’s stomach to be with them, but the child has already been buried. Marcus (Douglas Smith) talks about how we have a soul and conscience, while Lucius’ thinking is more along the lines of bodies being made of biological material. Lucius seems off and Marcus asks if something’s wrong. Lucius (Matthew Shear) tells him no. So far, the brothers have found poison, powdered carbon, and breastmilk in the baby’s system.
Sara’s waiting outside the hospital in her carriage for Libby to leave the hospital. She spots the young woman and offers to take her to lunch. When Libby seems hesitant Sara promises she can trust her.
Over lunch, Sara asks how the woman from earlier is doing – the one who was bleeding. Libby says she’s fine and then admits she knows why Sara invited her to lunch but claims she doesn’t know very much. Sara wants to know if anyone came and asked questions and wrote stuff done, and Libby says yes. When Sara asks if she would be able to see that report, Libby becomes nervous and says she must return to work soon. Sara assures her they still have time and Libby spots a photo of Sara’s dad she keeps in her watch. They soon realize they, unfortunately, have something in common. Both their fathers committed suicide.
Before parting ways after lunch, Sara confides in her that another baby has gone missing and she believes they are connected. Sara tells Libby who the missing child is and notes that baby once stayed at the hospital. Libby remembers them and recalls it was all very hush-hush. Libby says the matron kept that baby close to her and wouldn’t let anyone near the baby. Sara asks if she knows where the matron lives.
Obviously the answer was yes as Sara shows up at the matron’s place. An older tenant stops her from trying to enter the apartment and Sara tries to play it off saying she was going to knock but didn’t want to wake the baby. The woman informs her that tenant doesn’t have a child. Sara asks if the woman ever brings babies home. The neighbor says she used to from time to time but hasn’t done so in quite a while.
When Sara asks if she remembers the last time she brought a baby home, the woman reveals the last one she brought home she really showered with attention. But, she had to give her back. She adds that it was sad because she can’t have a child of her own.
Back at the hospital, the woman who just gave birth and lost her child wakes ups to see the matron trying on a gorgeous gown the rich man who got her pregnant sent over. The woman begins to cry, stating she doesn’t want the dress. Bizarrely, the matron dances around the room in the dress.
Libby sneaks into where the files are kept and secures Martha’s file. She suddenly hears the doctor’s voice draw near and he’s standing in front of the door. She overhears him talking to former chief Thomas Byrnes (Ted Levine) and complaining about Sara Howard showing up there. He explains the matron caught her snooping and he’s sure the hospital’s donors wouldn’t like what’s going on. Thomas asks if there’s anything to unearth on the Martha Napp case that could connect the hospital to the missing Spanish baby. Markoe assures him of course there isn’t and both men finally walk away.
Emily Barber and Luke Evans in ‘The Alienist’ season 2 episode 3 (Photograph by Kata Vermes / TNT)
Violet (Emily Barber) shows up at The New York Times with her little dog and asks John about the papers he’s holding. He reveals they’re death certificates of the babies at the Lying-In Hospital. Regretting she asked, she asks him not to tell her such horrible stories because they’ll give her nightmares. She’s actually there to obtain the guestlist for their upcoming wedding.
Sara pays Laszlo a visit while he’s in a session with a boy. He allows her to come in and watch. After the session, he asks if she’s gotten anywhere with the Martha Napp case. She says sadly no, but she feels she has a confidant who will help. She has suspicions about the matron. Laszlo thinks they’ve reached an impasse. Sara informs him not quite; Señora Linares has agreed to be hypnotized.
As the session begins, Señor Linares (Diego Martin) is skeptical. Sara assures him she herself has been hypnotized and it will be all right. Laszlo asks Señora Linares (Bruna Cusí) what she sees. She describes a painting in the Metropolitan Museum and he instructs her to turn away from the painting. We see her walking in the park outside the museum. As Laszlo repeatedly asks who or what she sees, she faints.
While Marcus goes over what he discovered about the chemicals mixed together in the baby’s body, Lucius’ guilty conscience gets the best of him and he confesses he needs to tell his brother something. He reveals he did something horrible and explains Thomas came to see him one day and he told him about the Linares case. Marcus asks why he would do that and Lucius explains Thomas had threatened Marcus. Thomas warned he would find a way to destroy Marcus if he didn’t give him information about the Linares case.
John, Sara, and Laszlo discuss what went wrong with Señora Linares and how they could fix it for the next session. Señora Linares once was a painter so she sees things very vividly. John suggests maybe they can get her to paint next time. Sara believes they should ask Señora Linares’ art teacher, Cecilia Beaux, to assist them.
Cecilia agrees to help them since the baby’s life is at stake.
Laszlo puts Señora Linares under again and asks where she is. She relives her visit to the park outside the Museum of Art on the day her baby disappeared. She describes where she is and they realize she’s at The Tea House. She believes she’s being watched and describes a dark presence that’s threatening her as female. She can’t see it, but she can feel it. She’s afraid. “She is close. I feel it. I can sense it,” says Señora Linares.
She sees a flash, like a gunshot. She sees the woman and describes her heart as beating fast. She wakes and says it is gone.
Sara and Milly go to The Tea House to investigate and Sara spots a photographer. When he takes a photo, there’s a flash – like a gunshot. She tells Milly to ask him if he still has anything from that day.
Libby meets Sara outside her building and hands over the Martha Napp file. She needs to put it back before anyone realizes it’s missing. Libby has to leave and asks if she can pick up the file from Sara the following day.
It’s the night of John’s bachelor party and he doesn’t seem interested in it, wanting to call it a night early on. Ogden tries to talk him out of it and suggests they slum it somewhere and get a nightcap. John agrees but says he gets to choose where they’re going.
Laszlo picks up on John’s subdued behavior and asks if they should have a toast together. They toast to John’s grandmother who would be happy John is marrying Violet.
Sara’s still at her office looking over papers when John and Laszlo show up asking her to join them. At first, she declines because she isn’t interested in attending John’s bachelor party. He insists this part of the evening will be an intimate setting with his closest friends. She picks up on Laszlo being intoxicated and finally agrees.
Sara tells them in the carriage she has the file on Martha Napp and her baby. She also informs them of her plan to have someone go into the hospital undercover. She thinks she’ll send in her assistant, Bitsy.
The group shows up at the Oyster Saloon where they know the bar owner. (It’s the same bar they were in looking for Goo Goo Knox.) Cyrus (Robert Wisdom) the owner congratulates John on his engagement while Sara asks Ogden about getting someone employed at the Lying-In Hospital. He admits it sounds very cloak and dagger-ish but seems happy to help her.
John asks Cyrus if his daughter is still studying the law. She is, but Cyrus admits this isn’t the best place for her to do that. John recalls she used to work for the newspaper in Philly and suggests maybe he can get her a job at The New York Times. Cyrus is stunned by the suggestion and very appreciative of the offer.
Laszlo draws everyone’s attention so he can deliver a toast to John. Surprisingly, it’s a very touching, heartfelt, and beautiful speech. With the way Laszlo is you never know what’s going to come out of his mouth. Most of the time he manages to offend someone, but not in this instance.
As the episode ends, we see baby Anna crying and a woman picking her up. Of course we can’t see the woman, but whoever it is appears to be breastfeeding the baby.
Regina King stars in ‘Watchmen’ (Photo by Mark Hill/HBO)
HBO’s Watchmen and Amazon Prime’s The Marvelous Mrs. Maisel pulled in the most 72nd Emmy Awards nominations, but it was Disney+’s The Mandalorian and its 15 nominations that proved to be biggest surprise. The Mandalorian even snagged a Best Drama Series nod where it will be competing against Better Call Saul, The Crown, The Handmaid’s Tale, Killing Eve, Ozark, Stranger Things, and Succession.
Watchmen‘s 26 topped the list followed by The Marvelous Mrs. Maisel with 20. Overall, Netflix was way ahead of the pack with an incredible 160 nominations.
Jimmy Kimmel will host and executive produce the 72nd Emmy Awards set for September 20, 2020 at 5pm PT/8pm ET on ABC.
2020 Emmy Awards Nominees in Key Categories:
Best Comedy Series
”Curb Your Enthusiasm” (HBO)
“Dead to Me” (Netflix)
“The Good Place” (NBC)
“Insecure” (HBO)
“The Kominsky Method” (Netflix)
“The Marvelous Mrs. Maisel” (Amazon)
“Schitt’s Creek” (Pop)
“What We Do in the Shadows” (FX)
Best Drama Series
”Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“Killing Eve” (BBC)
“The Mandalorian” (Disney+)
“Ozark” (Netflix)
“Stranger Things” (Netflix)
“Succession” (HBO)
Best Actor in a Comedy Series
Anthony Anderson — “Black-ish” (ABC)
Don Cheadle — “Black Monday” (Showtime)
Ted Danson — “The Good Place” (NBC)
Michael Douglas — “The Kominsky Method” (Netflix)
Eugene Levy — “Schitt’s Creek” (CBC Television)
Ramy Youssef — “Ramy” (Hulu)
Best Actress in a Comedy Series
Christina Applegate — “Dead to Me” (Netflix)
Rachel Brosnahan — “The Marvelous Mrs. Maisel” (Amazon)
Linda Cardellini — “Dead to Me” (Netflix)
Catherine O’Hara — “Schitt’s Creek” (CBC Television)
Issa Rae — “Insecure” (HBO)
Tracee Ellis Ross — “Black-ish” (ABC)
Best Supporting Actress in a Comedy Series
Alex Borstein – “The Marvelous Mrs. Maisel” (Prime Video)
D’Arcy Carden – “The Good Place” (NBC)
Betty Gilpin – “GLOW” (Netflix)
Marin Hinkle – “The Marvelous Mrs. Maisel” (Prime Video)
Kate McKinnon – “Saturday Night Live” (NBC)
Annie Murphy – “Schitt’s Creek” (Pop TV)
Yvonne Orji – “Insecure” (HBO)
Cecily Strong – “Saturday Night Live” (NBC)
Best Supporting Actor in a Comedy Series
Mahershala Ali – “Ramy” (Hulu)
Alan Arkin – “The Kominsky Method” (Netflix)
Andre Braugher – “Brooklyn Nine-Nine” (NBC)
Sterling K. Brown – “The Marvelous Mrs. Maisel” (Amazon)
William Jackson Harper – “The Good Place” (NBC)
Daniel Levy – “Schitt’s Creek” (Pop TV)
Tony Shalhoub – “The Marvelous Mrs. Maisel” (Amazon)
Kenan Thompson – “Saturday Night Live” (NBC)
Best Actor in a Drama Series
Jason Bateman — “Ozark” (Netflix)
Sterling K. Brown — “This Is Us” (NBC)
Steve Carell — “The Morning Show” (Apple)
Brian Cox — “Succession” (HBO)
Billy Porter — “Pose” (FX)
Jeremy Strong — “Succession” (HBO)
Best Actress in a Drama Series
Jennifer Aniston — “The Morning Show” (Apple)
Olivia Colman — “The Crown” (Netflix)
Jodie Comer — “Killing Eve” (BBC)
Laura Linney — “Ozark” (Netflix)
Sandra Oh — “Killing Eve” (BBC)
Zendaya — “Euphoria” (HBO)
Best Supporting Actor in a Drama Series
Nicholas Braun – “Succession” (HBO)
Billy Crudup – “The Morning Show” (Apple TV+)
Kieran Culkin – “Succession” (HBO)
Mark Duplass – “The Morning Show” (Apple TV+)
Giancarlo Esposito – “Better Call Saul” (AMC)
Matthew Macfadyen – “Succession” (HBO)
Bradley Whitford – “The Handmaid’s Tale” (Hulu)
Jeffrey Wright – “Westworld” (HBO)
Best Supporting Actress in a Drama Series
Helena Bonham Carter – “The Crown” (Netflix)
Laura Dern – “Big Little Lies” (HBO)
Julia Garner – “Ozark” (Netflix)
Thandie Newton – “Westworld” (HBO)
Fiona Shaw – “Killing Eve” (BBC America)
Sarah Snook – “Succession” (HBO)
Meryl Streep – “Big Little Lies” (HBO)
Samira Wiley – “The Handmaid’s Tale” (Hulu)
Best Actor in a Limited Series or Movie
Jeremy Irons — “Watchmen” (HBO)
Hugh Jackman — “Bad Education” (HBO)
Paul Mescal — “Normal People” (Hulu)
Jeremy Pope — “Hollywood” (Netflix)
Mark Ruffalo — “I Know This Much Is True” (HBO)
Best Actress in a Limited Series or Movie
Cate Blanchett — “Mrs. America” (FX)
Shira Haas — “Unorthodox” (Netflix)
Regina King — “Watchmen” (HBO)
Octavia Spencer — “Self Made”
Kerry Washington — “Little Fires Everywhere” (Hulu)
Best Supporting Actress in a Limited Series or Movie
Uzo Aduba – “Mrs. America” (FX Networks)
Toni Collette – “Unbelievable” (Netflix)
Margo Martindale – “Mrs. America” (FX Networks)
Jean Smart – “Watchmen” (HBO)
Holland Taylor – “Hollywood” (Netflix)
Tracey Ullman – “Mrs. America” (FX Network)
Best Supporting Actor in a Limited Series or Movie
Yahya Abdul-Mateen II – “Watchmen” (HBO)
Jovan Adepo – “Watchmen” (HBO)
Tituss Burgess – “Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend” (Netflix)
Louis Gossett Jr. – “Watchmen” (HBO)
Dylan McDermott – “Hollywood” (Netflix)
Jim Parsons – “Hollywood” (Netflix)
Best Limited Series
”Little Fires Everywhere” (Hulu)
“Mrs. America” (FX)
“Unbelievable” (Netflix)
“Unorthodox” (Netflix)
“Watchmen” (HBO)
Best Variety Talk Series
”The Daily Show With Trevor Noah” (Comedy Central)
“Full Frontal With Samantha Bee” (TBS)
“Jimmy Kimmel Live!” (ABC)
“Last Week Tonight With John Oliver” (HBO)
“The Late Show With Stephen Colbert” (CBS)
Best Competition Series
”The Masked Singer” (Fox)
“Nailed It” (Netflix)
“RuPaul’s Drag Race” (VH1)
“Top Chef” (Bravo)
“The Voice” (NBC)
Best Television Movie
“American Son” (Netflix)
“Bad Education” (HBO)
“Dolly Parton’s Heartstrings” (Netflix)
“El Camino” (Netflix)
“Unbreakable Kimmy Schmidt” (Netflix)