This new clip from Apple TV+’s Fraggle Rock: Back to the Rock is specifically for those willing to believe it’s possible to love Dave Grohl and the Foo Fighters even more. The two-minute video features the Foo Fighters and an assortment of Fraggles belting out “Fraggle Rock Rock” during the “Heart of the Garbage” episode.
“Well they threw us in a cage and there’s no key.
We gotta find a way that we can get free.
There’s just one thing that might be found.
Gotta rock this joint till the bars fall down.
‘Cause everybody here’s gotta shout till we all break out
Rock, rock, Fraggle Rock
We’re gonna rock our way to freedom.
Gonna roll right back and seat ’em.
Gonna flip flop skipity hop, Back to Fraggle Rock.“
The “Heart of the Garbage” episode finds Marjory becoming ill and Boober needing to head deep into the mountain of trash to help her. Meanwhile, Uncle Matt takes in a musical performance by the Foo Fighters.
The new Fraggle Rock series features beloved Fraggles Gobo, Red, Wembley, Mokey, and Boober joining new Fraggles for “hilarious, epic adventures about the magic that happens when we celebrate and care for our interconnected world.”
The Jim Henson Company’s Lisa Henson and Halle Stanford executive produce along with John Tartaglia and New Regency’s Yariv Milchan and Michael Schaefer. Matt Fusfeld and Alex Cuthbertson guide the series as showrunners and executive produce. Harvey Mason Jr. is the executive music producer and Ritamarie Peruggi serves as producer.
Renee O’Connor and Lucy Lawless in ‘My Life Is Murder’ season 2 (Photo Credit: Matt Klitscher / AcornTV)
AMC Networks has officially renewed AMC+’s Kin along with Acorn’s Bloodlands, My Life is Murder, and London Kills. Shudder’s Creepshow will return for season four and Slasher‘s getting a new installment with Eric McCormack (Will & Grace) attached to star.
McCormack will play Basil Garvey in Slasher: Ripper. The character’s described as a “charismatic tycoon whose success is only rivaled by his ruthlessness. He oversees a city on the cusp of a new century, and a social upheaval that will see its streets run red with blood.”
The renewal announcements were made during AMC Networks’ 2022 Television Critics Association’s virtual winter press tour. Details on the renewed series’ upcoming seasons were also laid out in the official announcement.
KIN:
The series starring Charlie Cox (Daredevil), Clare Dunne (Herself), Aidan Gillen (Game of Thrones) and Ciarán Hinds (Belfast) charts the lives of the Kinsellas, a small but tight-knit crime family embroiled in a war against a powerful drug kingpin, Eamon Cunningham (Hinds). The new season, which begins production this summer, will see the Kinsellas as the top dogs in Dublin, but killing Eamon Cunningham has created as many problems as it solved. They have incurred the wrath of an enemy even more dangerous than him. And where once there was “the unbreakable bonds of blood and family,” now there is only suspicion, distrust and resentment. But the greatest threat to the family emerges from “within” – in the shape of ruthless, bullying, agent of chaos.
Fortunately, from positions of great adversity the boldest plans are often forged. And so it is with the Kinsellas.
BLOODLANDS:
In the action-packed season 2 of Bloodlands, a top performer for Acorn TV, James Nesbitt reprises his role as DCI Tom Brannick when the murder of a crooked accountant unravels a trail of greed that threatens to expose his identity as legendary assassin, Goliath, Tom and the accountant’s widow, Olivia (Victoria Smurfit), must keep each other dangerously close. As they try to solve the riddle her husband left behind, Tom and Olivia draw in Tom’s fellow officers DS Niamh McGovern (Charlene McKenna) DCS Jacki Twomey (Lorcan Cranitch) and DC “Birdy” Bird (Chris Walley), as well as his daughter, Izzy (Lola Petticrew), until deceit and betrayal build into a shattering climax.
MY LIFE IS MURDER: My Life is Murder returns with retired detective and sourdough superstar Alexa Crowe (Lucy Lawless) in 10 new episodes facing a raft of fascinating, powerful, and surprising suspects – from eccentric billionaires and grieving florists to tango dancers and fiery fashionistas. The only thing they have in common is that none of them are expecting Alexa’s unique brand of crime-solving…but they’ll quickly learn that you underestimate her at your own risk.
Her small ‘found family’ of fierce supporters, friends and fellow investigators are back: partner-in-crime-solving, Madison (Ebony Vagulans), charismatic detective Harry (Rawiri Jobe), and café owner Reuben (Joe Naufahu) – and that’s before her actual family members turn up to add their own drama and chaos.
LONDON KILLS:
Returning with its cutting-edge documentary style, London Kills dramatizes the experiences of an elite murder investigation squad in central London, led by Detective Inspector David Bradford (Hugo Speer) and the core cast including Sharon Small as Detective Sergeant Vivienne Cole, Bailey Patrick as Detective Constable Rob Brady and Tori Allen-Martin as Trainee Detective Constable Billie Fitzgerald.
In season 3, the elite murder investigation team deals with a series of killings – which turn out to be linked. It soon becomes clear that the killer has access to information from within the police service itself – are the detectives hunting one of their own? In season 4, Bradford has always been a maverick, but now his behavior is spinning out of control. Cole thinks she knows why David is falling to pieces, but the real reason is darker than she could ever imagine.
SLASHER: RIPPER:
Shudder’s Slasher: Ripper, set to begin production this spring, takes the Slasher franchise back in time to the late 19th century — there’s a killer stalking the mean streets, but instead of targeting the poor and downtrodden like Jack the Ripper, The Widow is meting out justice against the rich and powerful. The only person standing in the way of this killer is the newly promoted detective, Kenneth Rijkers, whose ironclad belief in justice may wind up being yet another victim of The Widow.
CREEPSHOW:
Shudder’s record-breaking series Creepshow, executive produced by showrunner Greg Nicotero, is based on George Romero’s 1982 horror-comedy classic and brings to life a series of vignettes, exploring terrors ranging from murder, creatures, monsters and delusions to the supernatural and unexplainable. Heralded as “an irresistibly macabre package,” (Slant Magazine) and “an undeniable love letter to all generations of horror fans,” (CBR), the series has, over three seasons, been one of the most-watched programs on Shudder and begins production on its new installment this spring.
AMC+ is delving into the spaghetti Western genre with their upcoming drama That Dirty Black Bag. The first trailer introduces Dominic Cooper (Preacher) as a small-town sheriff named Arthur McCoy and Douglas Booth (Loving Vincent) as a bounty hunter who lugs around the bag in the series’ title. Why? Because cutting off heads and carrying them around in a bag is a lot less difficult than carting around an entire body.
The cast also includes Niv Sultan (Tehran), Guido Caprino (The Miracle), Christian Cooke (The Promise), Travis Fimmel (Vikings), and Aidan Gillen (Game of Thrones).
Italian filmmaker Mauro Aragoni (Nuraghes S’Arena) co-wrote the series with writers Silvia Ebreul, Marcello Izzo, and Fabio Paladini. Aragoni and Brian O’Malley direct, and PJ Dillon is the director of photography.
The eight-episode season is set to premiere on Thursday, March 10, 2022.
AMC+ released the following description of season one:
That Dirty Black Bag is a raw, epic and romantic series about the dark side of the Far West. The story describes the 8-day clash between Arthur McCoy, played by Dominic Cooper, an incorruptible sheriff with a troubled past, and Red Bill, played by Douglas Booth, an infamous, solitary bounty hunter known for decapitating his victims and stuffing their heads into a dirty black bag, because, as he puts it, “Heads weigh less than bodies.”
The drama echoes and pays homage to the classic spaghetti western, capturing the genre’s legendary irony while revolutionizing it in a modern way for new audiences. The series tells of bounty hunters, bandits and bloody vendettas, lonely souls driven by such great passions as faith, love and revenge. In the world of That Dirty Black Bag, there are no heroes, nobody is invincible, and predators become the prey.
Dominic Cooper as Arthur McCoy in ‘That Dirty Black Bag’ episode 1 (Photo Credit: Stefano C. Montesi/AMC+)Douglas Booth as Red Bill in episode 1 (Photo Credit: Stefano C. Montesi/AMC+)Douglas Booth as Red Bill in episode 1 (Photo Credit: Stefano C. Montesi/AMC+)Niv Sultan as Eve in episode 1 (Photo Credit: Stefano C. Montesi/AMC+)
Oscar winner Juliette Binoche (The English Patient) is confirmed to star as Coco Chanel and Emmy Award winner Ben Mendelsohn (Bloodline) is on board to star as Christian Dior in Apple TV+’s The New Look. Apple TV+’s just announced they’ve given the drama from writer, executive producer, and director Todd A. Kessler (Bloodline, Damages, The Sopranos) a series order.
The series marks the first production from the new producing partnership of Lorenzo di Bonaventura (Transformers) and Todd A. Kessler. Mark A. Baker’s also serving as a producer on the series set up at Apple Studios.
Apple TV+’s official announcement greenlighting the series included the following description of The New Look:
An epic thriller set against the World War II Nazi Occupation of Paris when Coco Chanel’s reign as the world’s most famous fashion designer ends and Christian Dior rises helping return spirit and life to the world with his ground-breaking, iconic imprint of beauty and influence that will go on to define generations to come.
Inspired by true events and filmed exclusively in Paris, The New Look is a live-action, World War II-era thriller that centers on the pivotal moment in the Twentieth Century when Paris led the world back to life through its fashion icons: Christian Dior (Mendelsohn), whose creations dominated world fashion in the decade following World War II. The interwoven saga will include the surprising stories of Dior’s contemporaries and rivals: the grand dame Coco Chanel (Binoche), Balmain, Balenciaga, Givenchy, Pierre Cardin, Yves Saint Laurent, and more.
Mark Ruffalo and Jennifer Garner play Ryan Reynolds’ parents in Netflix’s The Adam Project…and no, the sci-fi film isn’t a sequel to 13 Going on 30. The nearly three-minute teaser trailer reveals Reynolds is a time-traveler who goes back in time and teams up with his childhood self.
“To say I had the time of my life making this film would be an understatement. And a misleading reference to Dirty Dancing,” tweeted Ryan Reynolds about his latest collaboration with Free Guy‘s director Shawn Levy.
Jonathan Tropper, T.S. Nowlin, Jennifer Flackett, and Mark Levin wrote the screenplay, and Reynolds, Levy, David Ellison, Dana Goldberg, and Don Granger produced. Levin, Flackett, Mary McLaglen, Josh McLaglen, Dan Levine, Dan Cohen, George Dewey, and Patrick Gooing executive produced.
The Adam Project also stars Walker Scobell, Catherine Keener, and Zoe Saldana.
The Adam Project will premiere on Netflix on March 11, 2022.
Hot off his critically acclaimed starring role in Belfast, Jamie Dornan takes on the lead in HBO Max’s The Tourist. The trailer sets up Dornan as a man who winds up in the hospital without any idea of who he is or the circumstances surrounding his injuries.
In addition to Jamie Dornan, the cast includes Danielle Macdonald, Shalom Brune-Franklin, Damon Herriman, Alex Dimitriades, Ólafur Darri Ólafsson, and Kamil Ellis.
Emmy-winning producers and screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) wrote the drama and serve as executive producers with Christopher Aird (Baptiste) and Tommy Bulfin (Normal People). Chris Sweeney (Back to Life) directs and also executive produces.
The series is a Two Brothers Pictures (an All3Media company) production for the BBC, in association with Highview Productions, All3Media International, the South Australian Film Corporation, HBO Max, Stan, and ZDF.
The Tourist will launch with the release of all six episodes on Thursday, March 3, 2022.
The Plot, Courtesy of HBO Max:
Jamie Dornan stars as a British man who finds himself in the glowing red heart of the Australian outback being pursued by a vast tank truck trying to drive him off the road. An epic cat and mouse chase unfolds and the man later wakes in the hospital, hurt, but somehow alive — except he has no idea who he is. With merciless figures from his past pursuing him, The Man’s search for answers propels him through the vast and unforgiving outback.
Bob Odenkirk as Jimmy McGill in ‘Better Call Saul’ season 6 (Photo Credit: Greg Lewis/AMC/Sony Pictures Television)
AMC has set an April 18, 2022 premiere date for the sixth and, unfortunately, final season of the critically acclaimed drama Better Call Saul. The final season will kick off with the release of the first two episodes. The much-anticipated sixth season will be split into two parts, with the release of seven episodes followed by a lengthy break. The final original six episodes will kick off on July 11th.
Season six will be accompanied by three short-form series set in the Better Call Saul universe: Slippin’ Jimmy, Cooper’s Bar, and the Emmy Award-winning Better Call Saul Employee Training Video series.
“In my eyes, this is our most ambitious, surprising and, yes, heartbreaking season. Even under incredibly challenging circumstances, the whole Saul team — writers, cast, producers, directors, and crew — have outdone themselves. I couldn’t be more excited to share what we’ve accomplished together,” said showrunner and executive producer Peter Gould.
The cast is led by Bob Odenkirk and includes Rhea Seehorn, Jonathan Banks, Patrick Fabian, Michael Mando, Tony Dalton, and Giancarlo Esposito. Gould, Vince Gilligan, Mark Johnson, Melissa Bernstein, Thomas Schnauz, Gordon Smith, Alison Tatlock, Diane Mercer, and Michael Morris executive produce.
“Vince, Peter and Bob took the question, ‘Why would you ever try to follow one of the most celebrated and beloved shows in television history with a sequel’ and they answered it on every possible level, with truly extraordinary results,” stated Dan McDermott, president of entertainment and AMC Studios for AMC Networks.
McDermott added: “Saul Goodman has been a central character on AMC for more than a decade, and he really livens up the place. Profound appreciation and respect for Vince, Peter, Bob, Rhea, Jonathan, Giancarlo, Patrick, Michael and everyone else responsible for this remarkable series, which has earned its place alongside Breaking Bad in the hearts and minds of millions of fans and in the pantheon of great television. As we approach these final episodes, it truly is S’all good, man.”
“While we are very sad to say goodbye to this complicated and fascinating character, we can’t wait for Saul’s full story to be revealed to audiences. Better Call Saul and Breaking Bad are woven into the DNA of Sony Pictures Television and we are in complete awe of what Peter and Vince have created. They have truly transformed television. And this season of Saul, bolstered by the incomparable performances of Bob, Rhea, Jonathan, Giancarlo and the rest of this brilliant cast, takes that legacy to even loftier heights. We are so honored and grateful to have been on this journey with the entire Breaking Bad and Better Call Saul teams, as well as our partners at AMC in bringing this captivating world to life,” said Jeff Frost, President, Sony Pictures Television Studios.
Rhea Seehorn as Kim Wexler in ‘Better Call Saul’ season 6 (Photo Credit: Greg Lewis/AMC/Sony Pictures Television)
AMC released the following description of the final season:
Better Call Saul’s final season concludes the complicated journey and transformation of its compromised hero, Jimmy McGill, into criminal lawyer Saul Goodman. From the cartel to the courthouse, from Albuquerque to Omaha, season six tracks Jimmy, Saul and Gene as well as Jimmy’s complex relationship with Kim, who is in the midst of her own existential crisis. Meanwhile, Mike, Gus, Nacho and Lalo are locked into a game of cat and mouse with mortal stakes.
The six-part animated series Slippin’ Jimmy “follows the misadventures of a young Jimmy McGill and his childhood friends in Chicago, Illinois. Told in the style of classic 70s-era cartoons, each episode is an ode to a specific movie genre — from spaghetti westerns and Buster Keaton to The Exorcist.”
Set to debut this spring, Slippin’ Jimmy is produced by Rick and Morty animators Starburns and written by Better Call Saul writers Ariel Levine and Kathleen Williams-Foshee. Voice talent includes Chi McBride, Laraine Newman and Sean Giambrone.
Rhea Seehorn leads the six-episode Cooper’s Bar that “follows the antics of character actor Cooper, played by Lou Mustillo (Mike & Molly) and the unique group of LA natives who frequent his neighborhood bar.”
Seehorn co-created the series and serves as executive producer and director. She also stars “as an awful Hollywood executive — the biggest dick in Hollywood — who’s a regular at Cooper’s makeshift watering hole.” The cast also includes Casey Washington, series co-creator David Conolly, and Kila Kitu. Hannah Davis-Law, Nick Morton, and Mustillo are also co-creators.
Better Call Saul Employee Training Video returns this summer and will feature cameos by Better Call Saul characters.
The nearly three-minute trailer for Jurassic World Dominion opens with dinosaurs running free and a reminder that life will find a way. It’s then revealed that Owen Grady (Chris Pratt) has been keeping his favorite velociraptor safe by hiding her away from other humans.
The trailer also features the long-awaited reunion of Laura Dern as Ellie Sattler and Sam Neill as Alan Grant. Plus, Jeff Goldblum’s Ian Malcolm warns we’re racing toward the extinction of our species. “We not only lack dominion over nature, we’re subordinate to it.”
The cast of what’s teased as the “epic conclusion of the Jurassic era” also includes BD Wong, Mamoudou Athie, Dichen Lachman, and DeWanda Wise.
Director Colin Trevorrow co-wrote the screenplay with Emily Carmichael. Trevorrow, Steven Spielberg, and Alexandra Derbyshire executive produce, with Frank Marshall and Patrick Crowley producing.
Oscar winner Jared Leto (Dallas Buyers Club) and Oscar winner Anne Hathaway (Les Misérables) star in Apple TV+’s WeCrashed, an eight-episode limited series inspired by true events. The series delves into the creation of WeWork and focuses on the relationship between founder Adam Neumann (Leto) and his wife, Rebekah (Hathaway).
Hathaway described Adam and Rebekah as flawed, fascinating, and complex people, and during the 2022 Television Critics Association winter press tour, series co-creator, writer, and executive producer Lee Eisenberg confirmed the characters in the series exist in a grey area.
Hathaway didn’t know anything about Adam and Rebekah’s story prior to WeCrashed.
“I was unfamiliar with the story when it came to me, and I became very interested in this idea of the mentality that people have that doesn’t let them see the world that other people see. That was the first thing that interested me about it,” explained Hathaway during the TCA panel. “And then as I got to know Lee and Drew (Crevello, co-creator, writer, and executive producer), I began to realize that this was a really serious team. And then they told me that Jared Leto was involved, and I realized this was a team I wanted to very much to be on. So that was the beginning of it for me, was the possibility of exploring how these two people work. And then as we got deeper into it and realizing the depth of the love story, that’s when it went to a new place for me.”
Leto, after noting this TCA panel marks the first time he and Hathaway have sat down to talk about the series, discussed his knowledge of Adam Neumann before signing on to star in the limited series.
“I remember learning about the story that they wanted to tell. I was familiar with it. I was familiar with WeWork. I had been to some WeWorks before and I thought, ‘Wow, this is a gorgeous company.’ The product was amazing; the spaces were incredible. I remember friends of mine that were up-and-coming filmmakers or artists kind of using WeWork, using that product and being really happy with it. And I remember hearing about this kind of huge success story and the fact that it was valued so high, and that they all of a sudden were confronted with these enormous challenges,” said Leto. “But I think for me as well, sitting down with Lee and Drew was pretty interesting to get a sense of where they wanted to go with this story. We kind of shared our thoughts and ideas. I was happy to hear that they didn’t want to just make a takedown piece that kind of vilify people and really look at this nuanced story and dig in deep into character.”
Jared Leto and Anne Hathaway star in ‘WeCrashed’ (Photo Credit: Apple TV+)
WeCrashed isn’t just the story of WeWork; it’s also very much the story of who Adam and Rebekah are outside of the business. Eisenberg and Crevello believe they’ve laid out the story in such a way that there’s enough information provided for viewers to draw their own conclusions as to the couple’s motivations.
“[…]So much of what we aspired to do with this was to present a story as fairly as possible and to not assume the worst of people, and to explain that just because people do things that we might disagree with doesn’t automatically make them bad,” said Hathaway. “And I thought it was very important to get the full picture of who she is because, at the end of the day, I’m just playing a human being. I’m just a human being playing a human being. And I was very excited to find out that Lee and Drew wanted to tell a more full, complex story of someone who, like all of us, is really complicated.”
Hathaway didn’t share her opinion of Rebekah, opting to keep that to herself.
“But the one thing I will say is that I do think that, certainly at the beginning, certainly in the first episodes that everyone’s going to see, you see that these are people who had very sincere intentions. I really think they wanted to make the world a better place. How they executed that is a lot more complicated, but I do think they were people who – certainly in my character’s case – really looked at the world and was trying to leave it better than she found it,” explained Hathaway.
Asked whether he thought Adam might have been just a dreamer who didn’t understand just how complicated his vision would become, Leto replied, “I think that they set out…Adam set out to build something that he was proud of, something that he believed in. And I think that he set his sights on a pretty impossible goal and achieved something pretty remarkable. I love that this story is the story of an immigrant who comes to this country and really wrestles his dreams into reality. I think that’s a pretty fascinating thing, as well.”
Leto is aware we’re never going to understand everything about Adam. “And this is a painting…it’s not a photograph…it’s not a documentary…so it’s impressionistic. When you play a real-life character, I always feel like you have an obligation to do the work, dive deep, do the diligence, and to bring that person to the screen with as much dignity and grace as possible. So, that’s what I did in this scenario,” said Leto. “And Adam was and is a really verbose person. We talked about this a little bit but one of his superpowers is his ability to use words, to again wrestle his dreams into reality. I related to that quite a bit, as any artist probably would…maybe any person would. To create something meaningful and share it with the world is a really beautiful thing.”
Hathaway confirmed she did extensive research on Rebekah to prepare for WeCrashed.
“I did study her a lot and during the rise of WeWork Rebekah gave a series of interviews, and she’s always been very generous in terms of sharing the wisdom that she’s learned. She’s very interested in spirituality, sharing the books that she’s read, so I really immersed myself in those. I also work with a woman named Amy Hammond, who’s a researcher, and she gave me amazing, amazing research on Rebekah’s life, on Rebekah’s world,” explained Hathaway. “It is a world that I was not born into but I am familiar with, and then I just sort of did my own investigative reporting. I would find people that knew her and I would ask them questions, and it was very interesting to kind of hear people’s experience with her versus the way she’s portrayed in the media. There’s a big difference there.”
* * * * * * *
WeCrashed premieres on Apple TV+ on March 18, 2022 with the release of the first three episodes. New episodes arrive on subsequent Fridays.
Samuel L. Jackson in ‘The Last Days of Ptolemy Grey’ (Photo Credit: Apple TV+)
Samuel L. Jackson stars in and executive produces Apple TV+’s The Last Days of Ptolemy Grey, based on the critically acclaimed novel by Walter Mosley. Jackson plays Ptolemy Grey, an elderly gentleman who lives on his own and suffers from dementia. Dominique Fishback (Judas and the Black Messiah) co-stars as Robyn, an intelligent and thoughtful teenager who becomes Ptolemy’s caretaker.
Executive producer Mosley adapted his novel for the six-episode limited series and joined Jackson and Fishback to discuss the Apple TV+ drama during the 2022 Television Critics Association’s winter press tour. The Last Days of Ptolemy Grey will premiere on March 11, 2022.
Samuel L. Jackson said he and Walter Mosley have discussed adapting The Last Days of Ptolemy Grey for 10 years, and Jackson’s been picturing how to bring the character to life in his head all during that time. Part of the reason Jackson’s been interested in playing Ptolemy Grey for so many years has to do with his personal connection to the subject matter. Multiple members of his family have suffered from Alzheimer’s.
“I watched them change, deteriorate, and become different people over the years,” said Jackson, explaining why he was so passionate about being a part of this limited series. “And being able to tell their story or listening to them and understanding that things in their past are more their present than what’s going on in their everyday life and understanding how to convey that to people. And giving an audience an opportunity to know that they aren’t the only people who watch their loved ones deteriorate that way, who need an outlet to look at someone else dealing with those particular things, and having a young person like Robyn, played by Dominique, to come in and access this person and to look at that person like they were worthwhile, that the memories that they have aren’t a place that they should abandon – that it’s okay to have that, that it’s okay to remember. It’s okay to live in a place, and that you are still a worthwhile individual even though a lot of people discard you. Like some people say, some garbage is other people’s treasure. And she [Robyn] comes in when his family kind of discards him and treats him like a really valued individual, and that’s something that a lot of people don’t have.”
Walter Mosley described the process of adapting his novel for the series as difficult, noting that books are different from screenplays and unfold in different ways. “Working all the way through, I kept on looking about what was going to happen next,” explained Mosley. “When you’re writing fiction, you don’t have to worry about that so much because people are reading it, they’re moving through it slowly at their own pace, whatever. But at this time you have to, one, make sure that the revelations that you run across work out for the audience. The other thing of course is we’re making a movie. I don’t have the freedom to just, ‘Okay, and now we’re going to be on the beach in Santa Monica or now we’re going to be in the mountains.’ You can’t do that. You have to say, ‘Well, listen, physically, what am I going to do, how am I going to make things fit?’
But the great thing, of course, is that the actors — I mean certainly Sam and Dominique, but everybody who was involved in the project — they were so good and they so much wanted to make it work that it actually became easy to change things according to what people needed.”
Samuel L. Jackson and Dominique Fishback in ‘The Last Days of Ptolemy Grey’ (Photo Credit: Netflix)
The relationship between Ptolemy and Robyn is the heart and soul of the series, and Samuel L. Jackson revealed he knew he found their “Robyn” while watching Dominique Fishback in a Jamie Foxx film.
“I was just so happy that she had a gap in her schedule that she could do it – and that she really wanted to do it. And when she came in, the relationship between the two of us just being able to talk and laugh between shots… She’s a very focused and different kind of actress than most of the actresses that I’ve met,” explained Jackson. “She embodies the character in a way that a lot of people don’t. I mean, she probably wouldn’t even want you to know that she journals her characters, which is kind of crazy. I don’t have time for that.”
Dominique Fishback confirmed she was so committed to bringing the Robyn from the book into the series that she created a pdf file specifically for the character. “Walter was really great about that. Different quotes I would match with pictures and say, ‘What if she did this?’ And then I emailed it to Sam. I was like, ‘I know it’s a lot, I don’t know if you’re going to read all of this, but this is what I’m thinking.’ It was a huge collaboration with both of them, so I was really thankful.”
Walter Mosley described his novel and the limited series it inspired as a dark fairytale, and Jackson agreed with that description. “[…]It’s a story about a person who has Alzheimer’s but it’s a fairytale. Walter created a drug and a person that comes with a cure, in theory, that’s temporary, and it’s not a real thing. It’s a story of what if we could do this? It’s almost a modern-day fairytale of once upon a time there’s a guy who had Alzheimer’s and he had an opportunity to not have Alzheimer’s for a while and he didn’t, and this is what he did. It helped him remember this thing or it helped him rediscover a piece of his life that was very important to him with the help of a wonderful young lady who came in and gave him the support that no one else did,” said Jackson.
Jackson continued: “So, it’s a fanciful story in that way. It’s based in the reality of, yes, someone who has lost himself over the years to himself, who rediscovers things about himself and she [Robyn] helps him discover things about himself. That’s the fanciful part that allows people to come up out of the heaviness of the story of who Ptolemy is into the lightness of what his life had been when he had a full and fruitful and lively life, and help him solve a mystery that’s been bothering him that’s the nagging, dragging thing that disturbs him more than anything else that he has not fulfilled his purpose in life. And she [Robyn] helps him do that – and this fanciful drug.”
Asked where Ptolemy Grey ranks on the lengthy list of memorable characters he’s played over the decades, Jackson replied, “That’s a difficult question because all the characters that I portray mean something to me and in the moment of doing them, they’re the most important character of the moment. And even characters that I repeat. I’m here in London doing Nick Fury now. I repeat him a lot so I know who he is and he’s easy to access. Ptolemy was easy to access because I read the book a lot. I mean, I read the book a lot of different times in different time periods when we were trying to deal with other people to get it made, and they wanted to make it as an hour-long or hour-and-a-half-long movie, which was impossible. And I was always banging my head against the wall about that because I never wanted to tell the story that way.
Ptolemy fits into the real-life chronology of my life in terms of honoring all those people in my life who had Alzheimer’s, or all the people that I met at the places that my mom was where there were other people. Or every time I walk into a room and I can’t remember why I walked in there, or I can’t remember the name of an actor in this movie. All those things mean something to me.
So, it’s an honest and hopefully endearing assessment of the deterioration of life that a lot of us face, feel, in a personal way with someone who’s in our family or maybe people who feel themselves slipping and need to see and find a way to pull themselves back. So, it’s right there.”