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‘Gemini Man’ Debuts a Behind the Scenes Video Along with a New Poster and Photos

Paramount Pictures just released a new behind-the-scenes video from the 2019 sci-fi action thriller, Gemini Man. The new featurette explores Will Smith playing Henry and his antagonist, Junior, and delves into the process of bringing the younger version of Smith to life.

“What is so special about Gemini Man is that at the center of it you have two characters played by one person across generations,” explains Will Smith. “I play both 50 year old Henry and 23 year old Junior who is sent to kill him.”

“You’re looking at Will who’s looking at his younger self. That’s a phenomenal experience for an audience,” says producer Jerry Bruckheimer.

VFX Supervisor Bill Westenhofer confirms the younger version wasn’t achieved via a de-aging process or face replacement. “What you see for Junior is a completely digital creation 100% driven by Will Smith’s performance capture.”

“The concept of a man being chased by himself, that’s a really compelling idea for a story. Thanks to the technology now it’s possible,” adds director Ang Lee.

In addition to two-time Oscar nominee Will Smith (Ali, The Pursuit of Happyness), the cast includes Mary Elizabeth Winstead (Smashed, Fargo), Oscar nominee Clive Owen (Closer), and Benedict Wong (Avengers: Endgame, Deadly Class). Two-time Oscar winner Ang Lee (Brokeback Mountain, Life of Pi) directs and and Jerry Bruckheimer, David Ellison, Dana Goldberg, and Don Granger produced the thriller.

Paramount Pictures will release Gemini Man in theaters on October 11, 2019.

The Plot:

Gemini Man (#GeminiMan) is an innovative action-thriller starring Will Smith (#WillSmith) as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move.”

Gemini Man Ang Lee and Will Smith
Director Ang Lee and Will Smith on the set of ‘Gemini Man’ from Paramount Pictures, Skydance and Jerry Bruckheimer Films.
Gemini Man Will Smith
Will Smith in ‘Gemini Man’ from Paramount Pictures, Skydance and Jerry Bruckheimer Films.
Gemini Man Official Poster




The Search Heats Up for Amelia Earhart and Her Missing Airplane

Dr. Robert Ballard Amelia Earhart Plane
Dr. Robert Ballard heads the search for Amelia Earhart’s airplane (Photo Courtesy of National Geographic)

Dr. Robert Ballard heads up a team searching for Amelia Earhart and her navigator, Fred Noonan, in National Geographic’s Expedition Amelia. Ballard, who was responsible for finding the Titanic shipwreck in 1985, has assembled teams that will search land and water for Earhart’s remains and her airplane.

“I have always been intrigued by the story of Amelia Earhart because she shocked the world doing what everyone thought was impossible, much like what I have attempted to do my entire career as a deep-sea explorer. Also, like Amelia, I was born in Kansas, so it is only appropriate that a Kansan solves this riddle,” stated Ballard. “We have an incredible team in place of experts, scientists and explorers who are working diligently to map out this ambitious expedition. Using state-of-the-art technology and decades of evidence collected in regard to her disappearance, I would say we have a real shot at rewriting history by solving one of the greatest mysteries of our time.”

National Geographic Partners and National Geographic Society are funding the expedition. Ballard is joined by National Geographic Society’s archeologist-in-residence, Fredrik Hiebert, in the hunt for the answer to what happened to Earhart after her plane stopped responding.

Ballard’s search will be featured in Expedition Amelia, a two-hour special set to air on Sunday, October 20, 2019. Expedition Amelia is produced by Chad Cohen and executive produced by Christine Weber.

Details on the Search for Amelia Earhart, Courtesy of National Geographic:

“The ocean search will be conducted aboard EV Nautilus, owned by the Ocean Exploration Trust under the direction of Chief Operating Officer and Expedition Leader Allison Fundis. Ballard has assembled a group of Earhart experts, scientists and technicians for the monthlong journey that departs from Samoa to a remote Pacific atoll called Nikumaroro in the Republic of Kiribati on Aug. 7, 2019.

Nikumaroro is part of the Phoenix Island Protected Area, the largest and deepest mid-ocean World Heritage site. Ballard and his team, equipped with the latest in technology and scientific expertise, will explore the waters surrounding the island using remotely operated underwater vehicles and autonomous surface vessels. The archaeological team will investigate Earhart’s potential campsite using bone-sniffing dogs, DNA sampling and good, old-fashioned digging.

The special also follows clues gathered over the past 30 years by Ric Gillespie and The International Group for Historic Aircraft Recovery (TIGHAR)— clues that have led Ballard to Nikumaroro. And perhaps most importantly, the film delves into Earhart herself and how she became one of the most intriguing and inspirational figures in history.”




‘The Boys’ Unveils a Final Trailer Leading to the Season 1 Premiere

Amazon Prime Video’s twisted superhero series The Boys just released its final season one trailer. The nearly three minute trailer dropped just days before the eight-episode first season is set to premiere on July 26, 2019. Season two of the wild and raunchy series has already been greenlit and is currently in production.

The series is based on the bestselling comics by Garth Ennis and Darick Robertson, with season one focusing on The Supes of The Seven and The Boys. The Boys are Billy Butcher (Karl Urban), Hughie (Jack Quaid), Mother’s Milk (Laz Alonso), Frenchie (Tomer Capon), and The Female (Karen Fukuhara). The Supes are Homelander (Antony Starr), Starlight (Erin Moriarty), Queen Maeve (Dominique McElligott), A-Train (Jessie T. Usher), The Deep (Chace Crawford), and Black Noir (Nathan Mitchell).

The first season’s cast also includes Simon Pegg as Hughie’s father and Elisabeth Shue as Madelyn Stillwell, Vought’s Senior VP of Hero Management.

Eric Kripke (Supernatural) developed the series and serves as showrunner, writer, and executive producer. Kripke also directed the season one finale. Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Ori Marmur, Ken Levin, and Jason Netter also executive produce.

The Plot:

The Boys is a fun and irreverent take on what happens when superheroes – who are as popular as celebrities, as influential as politicians and as revered as Gods – abuse their superpowers rather than use them for good. It’s the powerless against the super powerful as The Boys embark on a heroic quest to expose the truth about The Seven, and Vought – the multi-billion dollar conglomerate that manages these superheroes and covers up all of their dirty secrets.

More on The Boys:




VMAs Nominees 2019: Ariana Grande and Taylor Swift Earn 10 Nominations

The 2019 VMAs nominees have been announced and it’s Ariana Grande and Taylor Swift who are sitting on the top of the list. Grande and Swift both earned 10 nominations, with VMA newbies Billie Eilish and Lil Nas X also picking up multiple nominations. MTV’s VMAs will introduce two new categories for the 2019 show: “Best K-Pop” and “Video for Good.”

This year’s awards show will take place on August 26th and will air live on MTV from the Prudential Center in Newark, New Jersey.

“It’s been an incredible year in music and this group of nominees perfectly reflect the rich pop music landscape,” stated Bruce Gillmer, Head of Music and Music Talent, Viacom and Co-Brand Head, MTV International. “We can’t wait to see the outcome, once the fans weigh in. It’s going to be an awesome, unforgettable evening!”

Voting is now open in 14 VMAs categories including Artist of the Year, Video of the Year, and Best New Artist. Fans can vote via vma.mtv.com.

2019 VMAs – List of Nominees

    VIDEO OF THE YEAR
    21 Savage ft. J. Cole – “a lot” – Epic Records
    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records
    Ariana Grande – “thank u, next” – Republic Records
    Jonas Brothers – “Sucker” – Republic Records
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
    Taylor Swift – “You Need to Calm Down” – Republic Records

    ARTIST OF THE YEAR
    Cardi B – Atlantic Records
    Billie Eilish – Darkroom/Interscope Records
    Ariana Grande – Republic Records
    Halsey – Astralwerks/Capitol Records
    Jonas Brothers – Republic Records
    Shawn Mendes– Island Records

    SONG OF THE YEAR
    Drake – “In My Feelings” – Young Money/Cash Money/Republic Records
    Ariana Grande – “thank u, next” – Republic Records
    Jonas Brothers – “Sucker” – Republic Records
    Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
    Taylor Swift – “You Need to Calm Down” – Republic Records

    BEST NEW ARTIST
    Ava Max – Atlantic Records
    Billie Eilish – Darkroom/Interscope Records
    H.E.R. – MBK/RCA Records
    Lil Nas X – Columbia Records
    Lizzo – Atlantic Records
    ROSALÍA – Columbia Records

    BEST COLLABORATION
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
    Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records
    Taylor Swift ft. Brendon Urie of Panic! At The Disco – “ME!” – Republic Records
    Ed Sheeran & Justin Bieber – “I Don’t Care” – Atlantic Records
    BTS ft. Halsey – “Boy With Luv” – Columbia Records

    PUSH ARTIST OF THE YEAR
    Bazzi – Atlantic Records
    CNCO – RCA Records
    Billie Eilish – Darkroom/Interscope Records
    H.E.R. – MBK/RCA Records
    Lauv – LAUV/AWAL
    Lizzo – Atlantic Records

    BEST POP
    5 Seconds of Summer – “Easier” – Interscope Records
    Cardi B & Bruno Mars – “Please Me” – Atlantic Records
    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records
    Khalid – “Talk” – Right Hand Music Group/RCA Records
    Ariana Grande – “thank u, next” – Republic Records
    Jonas Brothers – “Sucker” – Republic Records
    Taylor Swift – “You Need to Calm Down” – Republic Records

    BEST HIP HOP
    2 Chainz ft. Ariana Grande – “Rule the World” – 2 Chainz Ps/Def Jam
    21 Savage ft. J. Cole – “a lot” – Epic Records
    Cardi B – “Money” – Atlantic Records
    DJ Khaled ft. Nipsey Hussle & John Legend – “Higher” – We The Best/Epic Records
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
    Travis Scott ft. Drake – “SICKO MODE” – Epic Records/Grand Hustle/Cactus Jack

    BEST R&B
    Anderson .Paak ft. Smokey Robinson – “Make It Better” – Aftermath Ent/12 Tone Music
    Childish Gambino – “Feels Like Summer” – RCA Records
    H.E.R. ft. Bryson Tiller – “Could’ve Been” – MBK/RCA Records
    Alicia Keys – “Raise A Man” – RCA Records
    Ella Mai – “Trip” – 10 Summers/Interscope Records
    Normani ft. 6lack – “Waves” – Keep Cool/RCA Records

    BEST K-POP
    BTS ft. Halsey – “Boy With Luv” – Columbia Records
    BLACKPINK – “Kill This Love” – YG Entertainment/Interscope Records
    Monsta X ft. French Montana – “Who Do You Love” – Epic Records
    TOMORROW X TOGETHER – “Cat & Dog” – Republic Records
    NCT 127 – “Regular” – SM Entertainment
    EXO – “Tempo” – SM Entertainment

    BEST LATIN
    Anuel AA, Karol G – “Secreto” – Universal Music Latino
    Bad Bunny ft. Drake – “MIA” – OVO Sound/Warner Bros. Records
    benny blanco, Tainy, Selena Gomez, J Balvin – “I Can’t Get Enough” – NEON16/Friends Keep Secrets/Interscope Records
    Daddy Yankee ft. Snow – “Con Calma” – Universal Music Latin Entertainment
    Maluma – “Mala Mía” – Sony Music US Latin
    ROSALÍA & J Balvin ft. El Guincho – “Con Altura” – Columbia Records

    BEST DANCE
    The Chainsmokers ft. Bebe Rexha – “Call You Mine” – Disruptor/Columbia Records
    Clean Bandit ft. Demi Lovato – “Solo” – Big Beat/Atlantic Records
    DJ Snake ft. Selena Gomez, Ozuna & Cardi B – “Taki Taki” – DJ Snake Music Productions Ltd/Geffen
    David Guetta, Bebe Rexha & J Balvin – “Say My Name” – Big Beat/Atlantic Records
    Marshmello & Bastille – “Happier” – Capitol Records
    Silk City & Dua Lipa – “Electricity” – Columbia Records

    BEST ROCK
    The 1975 – “Love It If We Made It” – Dirty Hit/Interscope Records
    Fall Out Boy – “Bishops Knife Trick” – Island Records
    Imagine Dragons – “Natural” – KIDinaKORNER/Interscope Records
    Lenny Kravitz – “Low” – BMG Rights Management (UK) Ltd.
    Panic! At The Disco – “High Hopes” – Elektra Music Group
    twenty one pilots – “My Blood” – Elektra Music Group

    VIDEO FOR GOOD
    Halsey – “Nightmare” – Astralwerks/Capitol Records
    The Killers – “Land of the Free” – Island
    Jamie N Commons, Skylar Grey ft. Gallant – “Runaway Train” – Interscope Records
    John Legend – “Preach” – Columbia Records
    Lil Dicky – “Earth” – Dirty Burd, Inc./Commission/BMG
    Taylor Swift – “You Need to Calm Down” – Republic Records

    BEST DIRECTION
    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records – Directed by Dave Meyers
    FKA twigs – “Cellophane” – Young Turks – Directed by Andrew Thomas Huang
    Ariana Grande – “thank you, next” – Republic Records – Directed by Hannah Lux Davis
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Directed by Calmatic
    LSD ft. Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Directed by Dano Cerny
    Taylor Swift – “You Need to Calm Down” – Republic Records – Directed by Drew Kirsch & Taylor Swift

    BEST VISUAL EFFECTS
    Billie Eilish – “when the party’s over” – Darkroom/Interscope Records – Visual Effects by Ryan Ross, Andres Jaramillo
    FKA twigs – “Cellophane” – Young Turks – Visual Effects by Matt Chandler, Fabio Zaveti for Analog
    Ariana Grande – “God is a Woman” – Republic Records – Visual Effects by Fabrice Lagayette, Kristina Prilukova & Rebecca Rice for Mathematic
    DJ Khaled ft. SZA – “Just Us” – We The Best/Epic Records – Visual Effects by Sergii Mashevskyi
    LSD ft. Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Visual Effects by Ethan Chancer
    Taylor Swift ft. Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Visual Effects by Loris Paillier & Lucas Salton for BUF VFX

    BEST EDITING
    Anderson .Paak ft. Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Editing by Elias Talbot
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Record – Editing by Calmatic
    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records – Editing by Billie Eilish
    Ariana Grande – “7 Rings” – Republic Records – Editing by Hannah Lux Davis & Taylor Walsh
    Solange – “Almeda” – Columbia Records – Editing by Solange Knowles, Vinnie Hobbs, Jonathon Proctor
    Taylor Swift – “You Need to Calm Down” – Republic Records – Editing by Jarrett Fijal

    BEST ART DIRECTION
    BTS ft. Halsey – “Boy With Luv” – Columbia Records – Art Direction by JinSil Park, BoNa Kim (MU:E)
    Ariana Grande – “7 Rings” – Republic Records – Art Direction by John Richoux
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Art Direction by Itaru Dela Vegas
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Art Direction by Tatiana Van Sauter
    Taylor Swift – “You Need to Calm Down” – Republic Records – Art Direction by Brittany Porter
    Kanye West and Lil’ Pump ft. Adele Givens – “I Love It” – Warner Records & Def Jam Music Group – Art Direction by Tino Schaedler

    BEST CHOREOGRAPHY
    FKA twigs – “Cellophane” – Young Turks – Choreography by Kelly Yvonne
    ROSALÍA & J Balvin ft. El Guincho – “Con Altura” – Columbia Records – Choreography by Charm La’Donna
    LSD ft. Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Choreography by Ryan Heffington
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Choreography by Calvit Hodge, Sara Biv
    Solange – “Almeda” – Columbia Records – Choreography by Maya Taylor, Solange Knowles
    BTS ft. Halsey – “Boy With Luv” – Columbia Records – Choreography by Rie Hata

    BEST CINEMATOGRAPHY
    Anderson .Paak ft. Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Cinematography by Elias Talbot
    Billie Eilish – “hostage” – Darkroom/Interscope Records – Cinematography by Pau Castejon
    Ariana Grande – “thank you, next” – Republic Records – Cinematography by Christopher Probst
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Cinematography by Scott Cunningham
    Solange – “Almeda” – Columbia Records – Cinematography by Chayse Irvin, Ryan Marie Helfant, Justin Hamilton
    Taylor Swift ft. Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Cinematography by Starr Whitesides




‘The Flash’ and ‘Supergirl’ Cast News: Sendhil Ramamurthy, Julie Gonzalo and Staz Nair Join the Superhero Shows

Supergirl New Suit

The CW’s The Flash and Supergirl used the San Diego Comic Con to announce three new cast members for their upcoming seasons. Sendhil Ramamurthy (Heroes, New Amsterdam) is confirmed to play the DC villain Bloodwork (aka Dr. Ramsey Rosso) in the sixth season of the comic-book inspired series, The Flash, premiering on Tuesday, October 8, 2019 at 8pm ET/PT. Julie Gonzalo (Veronica Mars) and Staz Nair (Game of Thrones) have joined the cast of season five of Supergirl.

Bloodwork is described as “a brilliant physician with a genius intellect, and the world’s leading expert on hematological oncology. A former colleague of S.T.A.R. Labs’ Caitlin Snow (Danielle Panabaker), Rosso rekindles their friendship after they are reunited by an unexpected event. But their longtime bond is quickly shattered when the doctor’s desire to defy the laws of nature takes him down a dark path…one that transforms Rosso from an old friend into the most chilling villain Team Flash has ever faced: the monstrous Bloodwork.”


Julie Gonzalo will play DC Character Andrea Rojas (aka Acrata) and Staz Nair will play an original character named William Dey.

Gonzalo’s Andrea Rojas is “a polished businesswoman and heir to a Central American tech empire.” She will be “making a hostile advance into the world of media. Unapologetic and unafraid to make waves, she also holds a mystical secret.”

Nair’s reporter William Dey appears to be a “cynic and a sellout who looks down on Kara’s earnest idealism. Dey’s not interested in making friends, he just wants to get the story — but his ties to the criminal underworld could prove problematic.”

Both Gonzalo and Nair will debut on the series during the first episode of Supergirl season five arriving on October 6, 2019 at 9pm ET/PT.

The CW also released an official photo of series star Melissa Benoist in her new season five Supergirl costume. The Kryptonian supersuit was designed by Victoria Auth and created by Ironhead Studios and Bill Hargates Costumes. “We’re beyond excited to update Supergirl’s iconic suit. We think her new image is strong and powerful. We hope the fans are as excited about it as we are,” explained executive producers Jessica Queller and Robert Rovner.




‘Riverdale’ Brings in Shannen Doherty for a Special Luke Perry Tribute Episode

Riverdale Shannen Doherty
Shannen Doherty to guest star on ‘Riverdale’ (Photo Credit: Kurt Iswarienko)

The CW’s Riverdale will begin its fourth season with a special episode that pays tribute to recently deceased cast member, Luke Perry. Season four episode one will be titled “Chapter Fifty-Eight: In Memoriam” and, as just announced by executive producer Roberto Aguirre-Sacasa, will guest star Luke Perry’s friend and Beverly Hills, 90210 co-star Shannen Doherty. Aguirre-Sacasa made the announcement during the series’ panel at the 2019 San Diego Comic-Con.

“In Memoriam” will air on Wednesday, October 9, 2019 at 8pm ET/PT. Per The CW, “the season premiere will reflect Luke Perry’s enduring legacy and the indelible imprint his character, Fred Andrews, had on Riverdale.”

Roberto Aguirre-Sacasa told the Riverdale fans in attendance at the Con panel that Perry had wanted Shannen Doherty to appear on the series since the show’s first season. “They were such good friends, and when we were putting together this tribute episode, we wanted to make it as special as possible, and so we asked Shannen to do a pivotal, super-emotional role. She read the script and immediately said ‘yes.’ It’s very impactful,” explained Aguirre-Sacasa.

Shannen Doherty’s credits include Charmed, North Shore, Our House, and Heathers. She’s reuniting with her 90210 co-stars for a limited series, BH90210.

It was also revealed there will be a new Riverdale High principal when the show returns for season four. Kerr Smith (The Fosters, Life Unexpected) joins the cast in the recurring role of Mr. Honey, a character described as “a bit of a hard-ass who takes a harder line with the students this year, especially with the seniors.”

The cast of season four includes KJ Apa, Lili Reinhart, Camila Mendes, Cole Sprouse, Marisol Nichols, Madelaine Petsch, Mark Consuelos, Casey Cott, Charles Melton, Vanessa Morgan, Skeet Ulrich, and Mädchen Amick.




‘Fargo’ Season 4 Cast Announced and Plot Details Confirmed

Fargo Season 4 Cast
Jack Huston joins the ‘Fargo’ season 4 cast (Photo Courtesy of FX)

FX has finally announced additional details on the much anticipated fourth season of Fargo. Chris Rock was previously announced to star in season four, and now we know who’ll be starring alongside him in the critically acclaimed series.

Jack Huston, Jason Schwartzman, Ben Whishaw, Jessie Buckley, Salvatore Esposito, Andrew Bird, Jeremie Harris, Gaetano Bruno, Anji White, Francesco Acquaroli, E’myri Crutchfield, and Amber Midthunder are confirmed for season four which is expected to begin shooting this fall in Chicago.

FX is targeting a 2020 premiere for the drama’s fourth season. The series debuted in April 2014, with season two airing in 2015. The 10-episode third season didn’t arrive until April 2017.

Fargo is based on the award-winning film of the same name. The series was created by Noah Hawley who serves as showrunner, writer, and director. Hawley and his production company 26 Keys will lead the creative team once again, with Joel Coen and Ethan Coen (writers/directors of the feature film) serving as executive producers. Warren Littlefield also returns to executive produce.

Fargo Season 4 New Characters:

    JACK HUSTON (Boardwalk Empire) as “Odis Weff”
    JASON SCHWARTZMAN (Wet Hot American Summer: 10 Years Later) as “Josto Fadda”
    BEN WHISHAW (Mary Poppins Returns) as “Rabbi Milligan”
    JESSIE BUCKLEY (Beast) as ”Oraetta Mayflower”
    SALVATORE ESPOSITO (Gomorrah) as “Gaetano Fadda”
    ANDREW BIRD as “Thurman Smutney”
    JEREMIE HARRIS (Legion) as “Leon Bittle”
    GAETANO BRUNO as “Constant Calamita”
    ANJI WHITE (The Chi) as “Dibrell Smutney”
    FRANCESCO ACQUAROLI as “Ebal Violante”
    E’MYRI CRUTCHFIELD (Roots) as “Ethelrida Pearl Smutney”
    AMBER MIDTHUNDER (Hell or High Water) as “Swanee Capps”

The Season 4 Plot:

“In 1950, at the end of two great American migrations — that of Southern Europeans from countries like Italy, who came to the US at the turn of the last century and settled in northern cities like New York, Chicago — and African Americans who left the south in great numbers to escape Jim Crow and moved to those same cities — you saw a collision of outsiders, all fighting for a piece of the American dream. In Kansas City, Missouri, two criminal syndicates have struck an uneasy peace. One Italian, one African American. Together they control an alternate economy — that of exploitation, graft and drugs. This too is the history of America. To cement their peace, the heads of both families have traded their youngest sons.

Chris Rock plays the head of one family, a man who — in order to prosper — has surrendered his youngest boy to his enemy, and who must in turn raise his enemy’s son as his own. It’s an uneasy peace, but profitable. And then the head of the Kansas City mafia goes into the hospital for routine surgery and dies. And everything changes. It’s a story of immigration and assimilation, and the things we do for money. And as always, a story of basically decent people who are probably in over their heads. You know, Fargo.”




Jonas Brothers Honored with the ‘Teen Choice 2019’ Decade Award

Jonas Brothers Tour

The Jonas Brothers – Nick, Joe, and Kevin – have been selected to receive the Decade Award at Teen Choice 2019. According to Fox, the Decade Award is in celebration of the group’s evolution over the past 10 years.

The popular sibling act just reunited to put out their first new album in a decade, Happiness Begins. In May the brothers announced their “Happiness Begins Tour” which marks the trio’s first headlining tour in nearly 10 years. The tour will kick off on Wednesday, August 7, 2019 in Miami, FL at the AmericanAirlines Arena and will stop in 40 cities before wrapping up on Sunday, October 20th in Los Angeles at the Hollywood Bowl.

The Jonas Brothers will pick up the Decade Award during the Teen Choice 2019 live broadcast on Sunday, August 11th. The two-hour awards show begins at 8pm ET/PT (tape-delayed on the West Coast). This year’s show will take place in Hermosa Beach, CA.

Stars set to take the Teen Choice stage include Iron Man himself, Robert Downey Jr., and Choice Action TV Actress nominee Jessica Alba (LA’s Finest). The Act‘s Joey King, singer Madison Beer, Choice Drama TV Actress nominee Maia Mitchell (Good Trouble), singer/songwriter Lauren Jauregui, and Marvel’s Runaways actor Gregg Sulkin are also confirmed to appear.

Choice Action TV Actor nominee Grant Gustin (The Flash), ten-year-old skateboarder Sky Brown, nominee Noah Centineo (To All the Boys I’ve Loved Before), and Fuller House‘s actress Candace Cameron Bure are also set to join the Teen Choice crowd.

‘Yellowstone’ Season 2 Episode 4 Recap: “Only Devils Left”

Yellowstone Season 2 Episode 4
Luke Grimes in ‘Yellowstone’ season 2 episode 4 (Photo Credit: Paramount Network)

Paramount Network’s Yellowstone season two episode four, “Only Devils Left,” begins with a plane dropping what looks like might be hay to feed the Duttons’ cows. It swoops over the field and then takes off into the night sky after dropping its load.

The following morning Kayce (Luke Grimes), Rip (Cole Hauser), and Jimmy (Jefferson White) ride the ranch, repairing any breaks in the fencing. As Rip and Kayce talk about the chain of command – again – Jimmy notices a nearby cow looks funny. Rip and Kayce quickly determine the cow is suffering from bloat. They lasso the poor thing and Rip stabs it to relieve the gas. He then places wound dust in the hole as they try and determine what it ate.

Kayce walks a few yards and is shocked to see the herd scattered across the field, down on their sides and apparently dead.

Meanwhile, John (Kevin Costner), Jamie (Wes Bentley), Beth (Kelly Reilly), and Governor Perry (Wendy Moniz-Grillo) meet with Attorney General candidate Cassidy Reid (Kelly Rohrbach). It turns out she’s running unopposed now that Jamie withdrew from the race. Governor Perry explains she’ll have the current AG step down and she’ll appoint Cassidy Reid prior to the election. Cassidy promises to serve the state with pride and “to the letter of the law.”

Outgoing Attorney General Stewart (Timothy Carhart) is also in attendance at the meeting and offers to brief Cassidy on the most pressing matters of the office. While they’re talking, Jamie receives a call from Kayce about the dead cows.

Back at the ranch, John, Kayce, and Jamie look out over the hundreds of cattle that have died from bloat. Lloyd (Forrie J. Smith) discovers clover that shouldn’t be there, and John declares the ranch a crime scene. He pulls his men out of the field and puts Ryan in charge of making sure not so much as a bird disturbs the scene.

John tells Kayce he knows who did it, but now they’ll have to prove it.

Elsewhere, Dan Jenkins (Danny Huston) and Thomas Rainwater (Gil Birmingham) are surrounded by their men as they walk the land where their casino and hotel project will be built. Thomas springs the news he’ll be annexing the land and the state won’t control what they do. Dan didn’t agree to that, but Thomas assures him it’s definitely part of the deal. It’ll mean they don’t have to deal with the state and instead all the licenses will be handled by the tribe.

Dan’s right-hand man points out that sidestepping regulations will anger a lot of important people, but Thomas isn’t worried. He does, however, suggest Dan hire security moving forward. He’s going to need it.

Thomas takes the stage to deliver a speech in front of tribe members. As he speaks, Dan’s associate won’t let go of the annex issue. He knows the contract will be voided if the land is annexed. “Are you familiar with the term Indian giver? Well, this is the opposite,” he whispers to Dan.

Dan understands that if Thomas doesn’t keep his word, he loses everything. But, he considers it worth the risk.

As Dan and Thomas dig a hole to mark the beginning of the project, Dan notices a cameraman out on the street surreptitiously snapping photos of those gathered for the ceremony. A member of the tribe is also challenging the development, explaining to a local reporter that he doesn’t believe this is best for the tribe.

A short while later Malcolm Beck (Neal McDonough) learns about the annexation of the land while watching the news coverage of the groundbreaking ceremony. The reporter explains there are questions over whether the state will have any say at all over the usage of the land.

Malcolm demands to know who’s the contractor and his brother, Teal (Terry Serpico), assures him he’ll find out. Malcolm has decided they need to find a “less subtle” way to express their displeasure. “Did we bait that trap? I think it’s time we spring it,” threatens Malcolm.

Back on the Yellowstone Ranch, Sheriff Donnie Haskell (Hugh Dillon) and his men examine the field. It’s obvious there aren’t any tire tracks and John is certain the clover was dropped from a plane. The Sheriff’s skeptical someone would deliberately airdrop clover, but John assures him someone would. He even names that someone as the Sheriff’s golfing buddy.

John doesn’t have enough livestock officers to handle this big of a case and asks for help with the investigation. Sheriff Haskell claims he doesn’t have any men to lend, and John demands that he immediately deputize his men to do what needs to be done.

John pulls Donnie aside and reminds him he wouldn’t be Sheriff if it weren’t for him. Donnie finally agrees to deputize Kayce and John warns Donnie he better respond if they call on his men for help.

After the sheriff leaves, John tells Jamie to start collecting evidence. When they have enough, John wants Kayce to pick him up.

Yellowstone Season 2 Episode 4
Wes Bentley and Kelly Reilly in ‘Yellowstone’ season 2 episode 4 (Photo Credit: Paramount Network)

Jamie looks through the paperwork to figure out the nearest skydiving locations, believing the plane that dropped the clover will be one of theirs. While talking to Kayce on the phone, Jamie thumbs through the papers on John’s desk and comes across a trust. Jamie’s upset John placed the ranch in a trust and Kayce claims not to know what he’s talking about, even though he signed the papers. Knowing his father and sister, Jamie believes Kayce’s been kept in the dark.

When Kayce hangs up Jamie says, “What the f*ck, Beth!” out loud to the empty room.

Speak of the devil… Beth arrives and Jamie demands to know about the trust. He’s not in it and Beth confesses she doesn’t think Jamie is worthy of trust, that their father never will trust him again and that he doesn’t have a role in running the ranch.

Jamie thinks the ranch is only in a trust so that she can use the money to invest in her project. Beth actually agrees that’s what’s happening. She confesses the ranch is in it for $5 million now, but the risk is minimal.

Jamie’s angry and doesn’t think Beth sees the big picture. $5 million is half the ranch’s cash, which doesn’t leave them much wiggle room if the cattle prices go down. The ranch hasn’t turned a profit in six years and now there’s half a million dollars-worth of dead cow out in the field.

He demands she withdraw the ranch’s money from her investment.

As the sun’s setting, Rip and Floyd report in. They’ve discovered 360 more dead cattle. Bales were dropped throughout the valley, which means they need to move the remaining herd out of danger and into the mountains. It’s a rough trail but it has to be done to save the remaining cows.

The problem remains that the clover will take root and come spring the cows will feed on it again. They need to burn the field which means they’ll have to have water trucks on standby in case the fire grows too large.

The following morning the wranglers prepare to burn the field (without using horses). As they’re gearing up, an elderly man arrives. Jimmy’s sleazeball ex-friends beat him up and warned him Jimmy has one week to pay off his debt. Jimmy admits he owes about $8,000 but believes he can gather it up.

Morgan and Teal arrive at the Dutton ranch and are peering through the windows when Rip rides up, demanding to know what they’re doing. They ask for John and before the conversation can continue, two of Morgan’s men attempt to beat up Rip. That doesn’t go well for the men as Rip disarms one and uses him as a shield against the other.

Kayce rides up as the standoff is going down and kicks the gun out of the stranger’s hand.
Jamie hears the commotion from inside and hurries out to find Rip still holding the men at gunpoint. Jamie attempts to be the peacemaker and Morgan introduces himself and apologizes. John gives him one of those if looks could kill stares but allows him to continue speaking. However, he doesn’t immediately tell Rip to lower his weapon.

Malcolm asks to take a meeting with John, advising him they share a problem. John agrees, and Jamie explains they did call 15 minutes ago but he didn’t understand they wanted to meet right away. John wants to meet the Becks alone, sensing this isn’t the sort of discussion a lawyer should listen in on.

The Becks believe all the ranches will cease to exist within five to 10 years because of the casino and hotel. They can’t handle this fight legally, but they can “fight outside the lines.” Malcolm and Teal don’t think Dan Jenkins and Thomas Rainwater have the stomach for that sort of battle, but John knows better. (He has hundreds of dead cattle to take care of, thanks to Dan.)

The Becks believe they’ll be the perfect allies for John since their business doesn’t compete with his. They also believe they’ll win at any cost. John’s not sold on this, but he will consider all options. He warns he will always choose what’s best for his family above all else.

Jamie and John watch the Becks leave. Jamie believes working with them is like making a deal with the devil. “All the angels are gone, son. There’s only devils left. At least they admit it,” replies John.

John, Jamie, and Beth meet with new AG Cassidy Reid and ask her to look into the Paradise Valley Development Corporation. Jamie wants her to file an injunction, stopping the reservation from annexing the property into the reservation. He explains they’re doing this to avoid taxes and regulations, so they have a good chance of fighting this legally.

Beth interjects, attempting to cause her brother legal trouble. John cuts her off before Cassidy can figure out what Beth’s talking about.

Once Beth and Jamie are alone, Beth confesses she’s attempting to get him disbarred. “You should have never come home,” says Beth. When Jamie reminds her she told him to come home, she asks why he would ever listen to her.

Cassidy joins the Duttons for an uncomfortable dinner. Beth places Cassidy in Jamie’s normal seat, and when Jamie attempts to sit in their mother’s place, Beth warns him not to try it. He’s forced to sit next to his sister who makes matters worse by stabbing him under the table with her bread knife. Jamie finally excuses himself and leaves.

Meanwhile, Monica and Kayce have been carrying on short phone conversations throughout the day. She invites him over to her place and he leaps at the opportunity to be with his wife. They wind up in bed as soon as he arrives.

Tate doesn’t knock but, fortunately, the lovemaking is over when he enters his mom’s bedroom. He’s ecstatic to find his dad in her bed and joins them for a happy family reunion.

The following day Kayce returns to the ranch with the news he can’t find a manifest for the plane that dropped the clover. John wants him to keep looking but if he finds the person responsible, he should call the sheriff. John warns his son not to take matters into his own hands.

As Kayce heads off with a livestock officer, they receive a call about another rancher’s dead cow. They have to put their search for the plane on hold to check out the dead cow situation.

They arrive at the ranch and the cow hasn’t been moved. It’s obvious something was chewing on it and there’s an animal track next to the body. The rancher believes his cow was attacked by a wolf.

Unfortunately, the rancher doesn’t have any cowboys to watch over his herd. Although he will be compensated for this cow’s death, it’s quite possible the wolves will return to take out more of his cattle.

Kayce suggests he rent some mean mules and place them out with the herd.

They have to hang around for a sheriff’s deputy to show up, but there’s no one available to take the case. Kayce and the livestock officer head over to the neighbor’s place where Kayce finds the weapon used to kill the cow. It wasn’t a wolf after all.

The officer attempts to arrest the neighbor but his son arrives, brandishing a shotgun. Kayce tries to de-escalate the situation, but the officer pulls his gun and shoots the son. The son dies.

Back at Yellowstone Ranch, the wranglers prepare to set fire to the field. John has to leave the job of supervising to Rip after Kayce calls him about the shooting.

John arrives on the scene, initially worried it was Kayce who pulled the trigger. His next question is whether the shooting was justified. “He had a freaked-out kid pointing a shotgun at him. It was justified. Was it right? Right and wrong is so far from this place I don’t think it factors in at all,” says Kayce.

John reminds the officer he told him to call the sheriff for backup. He explains that he did but the requests were denied. He then takes the blame for what went down, admitting it was his call to continue the investigation.

Finally, Sheriff Donnie Haskell arrives and immediately begins yelling at John, assuming it was Kayce who pulled the trigger. John cuts him off by delivering a punch to his nose which knocks Donnie off his feet. John’s livid that Donnie refused to provide backup and denied their request for assistance after promising he would provide it. John says, “You want to blame somebody? Then you blame yourself, you son of a bitch.”

A while later, the Boyds watch the news and hear about the shooting and about Sheriff Donnie Haskell’s refusal to assist the livestock officers in their investigation of false claims of a wolf attack. “I know how we can help John Dutton,” says Malcolm.

Back at the ranch, John gives the signal to burn the field. He stands, hands in his pockets, staring at the wranglers as they set fire to the field and dead cows.

More on Yellowstone:




‘Cats’ – A Sneak Peek Behind the Scenes

Universal Pictures and Working Title are teasing Cats fans with a taste of the upcoming film. The studio’s just unveiled a three-minute behind the scenes look at the making of the musical, complete with interview snippets with Taylor Swift, Judi Dench, Rebel Wilson, Jason Derulo, Idris Elba, Jennifer Hudson, and James Corden.

Oscar winner Tom Hooper (The King’s Speech) directs and adapted the screenplay with Lee Hall. The story’s based on Old Possum’s Book of Practical Cats by T.S. Eliot and the musical Cats by Andrew Lloyd Webber. Tony Award winner Andy Blankenbuehler (Hamilton, In the Heights) is the film’s choreographer.

Cats is set to open in theaters on December 20. 2019.

Universal describes the movie as “reimagining the musical for a new generation with spectacular production design, state-of-the-art technology, and dance styles ranging from ballet to contemporary, hip-hop to jazz, street to tap.”

Debra Hayward, Tim Bevan, Eric Fellner, and Tom Hooper are producing. The executive producers are Andrew Lloyd Webber, Steven Spielberg, Angela Morrison, and Jo Burn.

More on Cats, Courtesy of Universal:

“One of the longest-running shows in West End and Broadway history, the stage musical Cats received its world premiere at the New London Theatre in 1981, where it played for 21 years and earned the Olivier and Evening Standard Awards for Best Musical. In 1983, the Broadway production became the recipient of seven Tony Awards, including Best Musical, and ran for an extraordinary 18 years.

Since opening in London in 1981, Cats has continuously appeared on stage around the globe, to date having played to 81 million people in more than fifty countries and in nineteen languages. It is regarded as one of the most successful musicals of all time.




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