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‘Station 19’ Season 4 Episode 1 Photos, Plot, Cast and Trailer

ABC’s Station 19 kicks off season four with a Grey’s Anatomy crossover event. Season four episode one, “Nothing Seems the Same,” will air on Thursday, November 12, 2020 at 8pm ET/PT and features Grey’s Anatomy‘s Chandra Wilson and Kevin McKidd. Grey’s Anatomy follows with a two-hour season 17 premiere at 9pm ET/PT.

Paris Barclay directed from a script by Kiley Donovan.

The season four cast includes Jaina Lee Ortiz as Andy Herrera, Jason George as Ben Warren, Boris Kodjoe as Captain Robert Sullivan, and Grey Damon as Jack Gibson. Barrett Doss plays Victoria Hughes, Jay Hayden is Travis Montgomery, Okieriete Onaodowan is Dean Miller, Danielle Savre is Maya Bishop, and Stefania Spampinato stars as Carina DeLuca.

Additional episode one guest stars include Patricia DeLeon, Laura Ceron, Noah Alexander Gerry, BJ Tanner, V. Vieux, Jayne Taina, Colleen Foy, and Ansel Sluyter-Obidos. Jeannie Sakata, Kenneth Maseroll, Drew Powell, Nathan Wallace, Tess Aubert, Paul Lee, Justin Ellings, Matthew Erick White, Peter Onorati, Jack Conley, and Reginald VelJohnson also guest star.

“Nothing Seems the Same” Plot: – When the COVID-19 pandemic hits Seattle, the Station 19 crew leans on each other for support. Andy tries to make sense of her mother’s return, while Sullivan settles into a new routine. And it’s all-hands-on-deck when a group of teenagers unintentionally starts a wildfire on the season four premiere.

Station 19 Season 4 Episode 1
Grey Damon, Okieriete Onaodowan, Barrett Doss and Jay Hayden in ‘Station 19’ season 4 episode 1 (ABC)
Station 19 Season 4 Episode 1
Jaina Lee Ortiz in ‘Station 19’ season 4 episode 1 (ABC)
Station 19 Season 4 Episode 1
Jason George, Grey Damon, Okieriete Onaodowan, Barrett Doss, and Jay Hayden in season 4 episode 1 (ABC)
Station 19 Season 4 Episode 1
Okieriete Onaodowan in season 4 episode 1 (ABC)
Station 19 Season 4 Episode 1
Barrett Doss and Danielle Savre in season 4 episode 1 (ABC)
Station 19 Season 4 Episode 1
Grey Damon in season 4 episode 1 (ABC)
Station 19 Season 4 Episode 1
Jason George in season 4 episode 1 (ABC)




Taraji P. Henson Will Host the ‘2020 American Music Awards’

Taraji P Henson American Music Awards
Taraji P. Henson to host the ‘2020 AMERICAN MUSIC AWARDS (ABC/Sami Drasin)

Oscar nominee Taraji P. Henson (The Curious Case of Benjamin Button) has been tapped to host the 2020 American Music Awards set for Sunday, November 22, 2020. The awards show will air live on ABC beginning at 8pm ET/PT (tape-delayed on the West Coast).

“The AMAs bring together the music community to celebrate what really drives all artists – the fans,” said Henson, commenting on her hosting gig. “I’m proud to take the stage as this year’s host – and also a fan – for what promises to be an electrifying night of music.”

Henson won Golden Globe, Critics Choice, and BET awards for her work on Fox’s Empire opposite Terrence Howard. She also earned two Emmy nominations for her role as Cookie Lyon on Empire. In addition, Henson’s performances in feature films Hidden Figures, Hustle & Flow, and Talk To Me garnered awards attention.

Henson is a New York Times bestselling author for her memoir, Around the Way Girl.

Voting is currently for the 2020 AMAs at TheAMAs.com/Vote.

Details on the American Music Awards, Courtesy of ABC and dick clark productions:

“The American Music Awards, the world’s largest fan-voted award show, is seen in more than 200 countries and territories around the world. Nominees are based on key fan interactions – as reflected on the Billboard charts – including streaming, album and digital song sales, radio airplay and social activity. These measurements are tracked by Billboard and its data partners MRC Data and Next Big Sound, and reflect the time period of Sept. 27, 2019, through Sept. 24, 2020. The American Music Awards winners are voted entirely by fans.”




‘Transplant’ Season 1 Episode 8 Photos: Preview of “Birth and Rebirth”

Transplant Season 1 Episode 8
Hamza Haq as Dr. Bashir “Bash” Hamed, Paula Rivera as Maria Romero, and Rodrigo Fernandez-Stoll as Javy Romero in ‘Transplant’ season 1 episode 8 (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)

NBC’s Transplant is currently on an extended break as This Is Us‘ two-hour season premiere and election day news coverage take over its timeslot. The series will return on Tuesday, November 10, 2020 with season one episode eight, “Birth and Rebirth,” airing at 10pm ET/PT.

The cast of season one includes Hamza Haq as Dr. Bashir “Bash” Hamed, Laurence Leboeuf as Dr. Magalie “Mags” LeBlanc, John Hannah as Dr. Jed Bishop, Jim Watson as Dr. Theo Hunter, and Ayisha Issa as Dr. June Curtis. Sirena Gulamgaus plays Amira, Linda E. Smith is Dr. Wendy Atwater, and Torri Higginson plays Claire Malone.

“Birth and Rebirth” Plot: Bash must help a patient make an impossible decision.

The Season 1 Plot, Courtesy of NBC:

When Dr. Bashir Hamed (Haq), a charismatic Syrian doctor with battle-tested skills in emergency medicine, flees his war-torn homeland, he and younger sister Amira (Gulamgaus) become refugees, struggling to forge a new life in Canada. But if Bash ever wants to be a doctor again, he must redo his medical training from the ground up and obtaining a coveted residency position is nearly impossible.

When a horrific truck crash nearly kills a senior doctor right in front of him, Bash saves the doctor’s life and earns a residency in the biggest Emergency Department of the best hospital in Toronto.

Yet for all Bash’s experience, it’s a tough road. Bash’s training is different, his life experience are unique to him and he’s not an exact match for his new colleagues, who include Dr. Magalie “Mags” LeBlanc (Leboeuf), a ferociously analytical second-year resident who pushes herself relentlessly; Dr. June Curtis (Issa), a reserved, ambitious surgical resident whose loyalty doesn’t come easily; and Dr. Theo Hunter (Watson), a pediatric Emergency Fellow whose small-town upbringing is cracking wide open as life at the hospital changes his worldview.

The team works tirelessly to save lives and win the approval of the legendary head of the Emergency Department, Dr. Jed Bishop (Hannah), all the while managed by sharp-eyed, acerbic Dr. Wendy Atwater (Smith) and supported by longtime head nurse, the deadpan, confident Claire Malone (Higginson).

Through it all, Bash tries to meet the demand of his new country and new job, while trying to pay the bills, raise his little sister and carve out a new life for them both in this unfamiliar land. It’s a journey that’s universal to people everywhere. Bash aims high and is determined to succeed, and those around are quick to see that his passion and hopefulness are contagious. But will his newfound life reject him, or will this “transplant” take?

Transplant Season 1 Episode 8
Paula Rivera as Maria Romero, Kenny Wong as Arnold De Luca, and Hamza Haq as Dr. Bashir “Bash” Hamed (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
Transplant Season 1 Episode 8
Sirena Gulamgaus as Amira Hamed and Hamza Haq as Dr. Bashir “Bash” Hamed in season 1 episode 8 (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
Transplant Season 1 Episode 8
Hamza Haq as Dr. Bashir “Bash” Hamed and John Hannah as Dr.Jed Bishop in season 1 episode 8 (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
Transplant Season 1 Episode 8
Sirena Gulamgaus as Amira Hamed and Jim Watson as Dr. Theo Hunter in season 1 episode 8 (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)
Transplant Season 1 Episode 8
Jim Watson as Dr. Theo Hunter in season 1 episode 8 (Photo by: Yan Turcotte/Sphere Media/CTV/NBC)




‘Fargo’ Season 4 Episode 7 Recap: “Lay Away”

Fargo Season 4 Episode 7
Chris Rock as Loy Cannon in ‘Fargo’ season 4 episode 7 (Photo by Elizabeth Morris/FX)

Nurse Oraetta Mayflower (Jessie Buckley) is whipping up a “tasty” treat for her boss, Dr. Harvard, as FX’s Fargo season four episode seven kicks off. She’s baked him some of his favorites – macaroons – and delivers them, announcing she’s spreading holiday cheer.

Dr. Harvard (Stephen Spencer) tries to put Oraetta off, but she’s not to be denied. Even though he explains he’s not hungry, she convinces him by complimenting his discerning palate. He carefully selects one, sniffs it, and takes a bite. He seems impressed with her cooking skills, even licking his fingers to get every last crumb.

Seconds after calling the macaroons extraordinary, he begins gasping for air and falls to the ground. Oraetta does nothing to help but does smile as she hears him struggling for breath. While he’s incapacitated and trembling in pain, she takes a seat at his desk and finds the letter. (We know it was written by Ethelrida, but she doesn’t.) She grabs it and then practices what she believes would be a normal reaction to his predicament. Satisfied she looks convincing, she screams and asks for help as his assistant rushes in.

Elsewhere, Josto Fadda (Jason Schwartzman), Constant Calamita (Gaetano Bruno), and some of the Fadda muscle have located Antoon’s dead body. Josto orders Constant to head over to Loy’s house and kill Irish and the boy – plus anyone else there who deserves to die. Josto decides Antoon’s body should just be left where it is.

Loy (Chris Rock) engages in an argument with Leon Bittle (Jeremie Harris) over whether they should kill Gaetano Fadda now or keep him alive. Leon believes he should be killed immediately as payback for Doctor Senator’s murder. Loy asks Leon exactly how his plan would go down, screaming in his face. Leon makes the major error of speaking again and Loy punches him twice in the face, sending him to the floor. He takes off his belt and whips Leon while he’s down, and only Opal Rackley (James Vincent Meredith) reminding Loy that Leon is Happy’s cousin and Happy will be needed if they’re to win gets Loy to stop the beating.

Our first good look at Gaetano (Salvatore Esposito) reveals he’s bloody and still chained up.

Loy receives a call and tells whoever it is to meet him at 3pm at his place.

Detective Odis Weff (Jack Huston) is seated alone in his car, parked near Loy’s warehouse and completely stressed out. U.S. Marshal Dick “Deafy” Wickware (Timothy Olyphant) joins him in the passenger seat and immediately tells Odis not to get any ideas. Loy’s place is a fortress, says Dick. Dick confirms he saw Loy picking up Zelmare and Swanee a few days ago but hasn’t yet done anything because he doesn’t want to warn any dirty cops about what’s going down.

Dick knows the fugitives are back at work and are definitely not on the lam. He recites the Blood Atonement and Odis admits he’s not familiar with it. (Odis isn’t Mormon.) Dick asks Odis if he’s just as crooked as the rest of them because he’s heard rumors. Odis is enraged by the accusation. “You listen to me, Slick. If I knew where your Mormon god was, I’d drive through the night and stab him in the f**king eyes!” says Odis before declaring he’s done with this partnership.

Constant arrives at Loy’s place and Loy’s wife, Buel (J. Nicole Brooks), answers the door. He asks how many kids are in the house and she replies with a question of her own. “You ever go to the zoo?” asks Buel. When Constant chuckles, she adds, “You see the mama lion and her cubs? You think she’s in that cage for her protection?”

Buel raises a shotgun and chambers a round. “To be fair…that’s what we call a rhetorical question,” she says. Buel orders him to leave and he grabs the barrel. He warns her to be careful with the gun, tips his hat, and leaves. (Don’t mess with Buel!)

Now that Loy’s the new owner, the Smutnys’ funeral home is being used to store alcohol and other items. Ethelrida (E’myri Crutchfield) makes herself scarce as the items are moved in. (Ethelrida was a major player in the previous episodes but has been relegated to a cameo in this one.)

Constant returns to the Fadda place and looks around the room shared by Rabbi Milligan and Satchel Cannon. He spots a Bible, opens it up, and thumbs through the pages. Tucked inside is a newspaper ad for Uncle Jack’s Feed and Seed.

We learn who it was that called Loy earlier when Josto and his men arrive at Loy’s vending machine warehouse for the 3pm meeting. Josto’s met outside by Omie Sparkman (Corey Hendrix) who instructs him to leave his ‘muscle’ outside. Josto gives orders to his men to give him 30 minutes and if he doesn’t return, come in shooting.

U.S. Marshal Dick Wickware’s watching this go down from his car parked nearby.

Consigliere Ebal Violante (Francesco Acquaroli) speaks for the Faddas and apologizes for how things have gotten out of hand. He claims Doctor Senator was a friend of his and is saddened by the fact he was murdered. It shouldn’t have happened. However, he explains Gaetano Fadda – the son of Donatello Fadda – was chosen by New York. Ebal claims his death isn’t allowed. “I’m simply telling you how it is. There are people you can kill, people you can’t,” says Ebal.

Ebal proposes a trade: if Gaetano is returned, Loy will receive full control of the slaughterhouses on the East Side and some trucking routes. Loy replies by wondering what would happen if Gaetano was already dead. He follows that up by suggesting he should just kill them too.

Ebal believes if Gaetano were dead this conversation wouldn’t be taking place. He assures Loy that Gaetano will be on the next plane out if they release him, as per orders from New York. Josto interjects (he’s done that a few times, always in a way to disparage his brother) and admits NY doesn’t know Loy has Gaetano.

Josto confirms Gaetano shot at Lemuel and killed Doctor Senator. But, he had rats helping him. Josto then reveals Satchel is dead and that it never should have happened. He realizes the rules and that means it needs to be a life for a life. Josto begs Loy to kill Gaetano instead of his son, Zero.

Ebal looks completely shocked by this turn of events.

Loy demands to see his dead son but Josto doesn’t have the body. He blames Constant Calamita for taking the boy somewhere and killing him in anger over the trade. When Loy asks to speak with Rabbi Milligan, Josto claims Rabbi fought for Satchel but couldn’t save him. He reveals Rabbi is gone, too.

Loy has a flashback to his son begging him not to be traded.

Loy orders Josto and Ebal to leave, screaming it over the objections of his men.

Fargo Season 4 Episode 7
Francesco Acquaroli as Ebal Violante and Jason Schwartzman as Josto Fadda in ‘Fargo’ season 4 episode 7 (Photo by Elizabeth Morris/FX)

Josto’s in a much better mood as he sits in the backseat celebrating what he believes is a win.

Loy returns home and sits in the dark watching Zero Fadda prepare for bed. He approaches the boy and considers strangling him. Ultimately, he decides against it.

Loy can’t put it off any longer and tells Buel the heartbreaking news. She screams in anguish.

The following day Loy demands his driver pull over. He exits the vehicle and stands in front of a new billboard. It’s advertising the Diner’s Club credit card. They’ve stolen his idea and made it their own.

Odis is at home and remembering the love of his life and how she’s been taken from him. He stands in front of a memorial he created for her and then begins carefully packing it away. He packs up his other belongings and as he’s about to place suitcases in his car, Opal appears behind him and demands he get in their car. Odis reminds them they have it wrong – he’s a cop and they’re supposed to get in his car. Opal and his partner agree and take seats in his vehicle.

Odis, who’s now completely freaking out, is taken to a gymnasium’s locker room. Swanee (Kelsey Asbille) and Zelmare (Karen Aldridge) enter and Odis can only stare and count. The women ask if they make him nervous and he responds by asking if they realize they’re wanted.

Loy arrives and tells Odis to cover his ears. Odis does as instructed while Loy hands the dynamic duo tickets for the 10pm train to Philly. He warns them not to ever return, but they want to stay and mix things up. When Zelmare asks what happens if they don’t go, Loy only has to bring up her sister for Zelmare to change her tune.

Once the ladies leave, Odis fumbles out his explanation as to why he wasn’t able to grab Satchel. Loy thinks the Italians can’t rise to their level so they’re trying to drag them down to theirs. He reveals Satchel has been murdered and Odis appears genuinely upset by the news. Loy believes this whole thing’s a trap and refuses to get in the dirt with the Italians. He refuses to fight the way they fight.

Loy discusses criminals and the American dream, and then tells Odis that Josto wants him to kill Gaetano. Loy reveals he won’t do it. When Odis asks what he’s going to do, Loy corrects him. “What are we going to do?” says Loy, including Odis in his plans.

Back at the warehouse, Gaetano’s running down a list of people he’s killed. Loy returns and takes a seat within a foot of the chained Fadda prisoner. He tells Gaetano this thing is done, explaining Josto offered him the stockyards and trucking if he kills him.

Loy doesn’t kill Gaetano and instead orders him released. As Loy’s leaving, he tells Gaetano to inform Josto the stockyards are now his.

Outside, Loy orders Constant Calamita’s death. He’s assured it will be done immediately.




‘The Spanish Princess’ Season 2 Episode 4 Recap: “The Other Woman”

The Spanish Princess Season 2 Episode 4
Charlotte Hope and Ruairi O’Connor in ‘The Spanish Princess’ season 2 episode 4 (Photo Credit: Starz)

Season two episode four opens by immediately revealing time has passed since the events that transpired in Starz’s The Spanish Princess season two episode three. Queen Catherine (Charlotte Hope) is once again pregnant and fairly far along as “The Other Woman” begins.

Catherine has a brief encounter with King Henry (Ruairi O’Connor) as she heads out to get fresh air. He’s positive she’s carrying a son and asks about his health. Henry expresses concern that Catherine isn’t in bed, resting, and she claims his son is demanding exercise and fresh air. Henry strolls with her and they encounter Charlie Brandon (Jordan Renzo) on their walk. Charlie’s accompanied by his child-bride-to-be, Elizabeth, and both the King and Queen appear happy to see Charlie.

Henry and Catherine’s relationship seems pretty stable as the episode beings, although she’s not pleased to learn Wolsey wants to be named Chancellor. Henry’s fine with it, but Catherine points out that would make Wolsey second in power only to him.

Over in Scotland, Meg (Georgie Henley) is in bed with her new lover Angus (Andrew Rothney) who’s reciting poetry as they cuddle. Meg’s genuinely in love and asks Angus to continue with his compliments. Their quiet moment together is broken up when Meg’s bedroom door’s kicked in. Angus is pulled from bed as Meg protests, with the men lobbing charges that Angus has compromised the Queen of Scotland.

Meg chases after him and screams out the bombshell news that she has married Angus. She demands they release her husband and they do, however now they claim she’s a traitor to Scotland. She promised not to marry and the council reminds her she was only regent as long as remained single and cared for her son, the future king.

Meg’s warned the Duke of Albany will be called home from France. He’ll govern until her son comes of age. They threaten to take custody of her sons and that sets Meg into motion. She races to her quarters, slamming the door to bar the council. They’re able to break it down but not before Meg and Angus grab the children. The couple manage to outrun the council and lock themselves in a room.

The council doesn’t attempt to break down this door as Meg screams they’ll be punished for disrespecting her, reminding them King Henry and Queen Catherine won’t stand for this.

Meg quickly pens a letter to Catherine, which Catherine immediately brings to Henry upon receipt to discuss in private. Henry doesn’t take the news his sister remarried well and is more upset with her actions than those of the council’s in response. He takes it as a personal insult.

Catherine reveals Meg also requested an army but to make sure they indicate they’ve come in peace. Henry’s livid at this point that Meg wrote to Catherine rather than him and believes his sister has risked the survival of his heir by upsetting Catherine.

Henry commands Catherine not to reply to Meg. He refuses to take any action.

Catherine doesn’t write Meg, but she does reach out to Mary who is now Queen of France. She requests Mary keep the Duke of Albany in France and away from Scotland.

King Henry’s among those gathered in a field to hunt. Maggie Pole (Laura Carmichael) is there accompanied by William Compton (Luke Mullens). Thomas More (Andrew Buchan) is also with the group, as is the ever-present Thomas Wolsey (Philip Cumbus). Wolsey asks King Henry about a promotion to Chancellor and Henry reveals Catherine’s thoughts on the matter, which aren’t complimentary.

Wolsey, always looking for a way to push Catherine aside, suggests King Henry assist Lady Anne Hastings (Tessa Bonham Jones) who’s enthusiastic but has terrible aim. Thomas points out Wolsey’s maneuverings to Maggie who seems upset that Wolsey’s working against Catherine.

When the group returns from the hunt, Catherine watches as King Henry takes Lady Anne’s hand while she curtseys. Henry and Catherine share alone time moments later and she suggests General Thomas Howard ride to Scotland with just a handful of soldiers to negotiate. Henry stands firm, still angry at his sister’s reckless actions. Catherine confesses Howard has already left and Henry’s stunned she disobeyed.

An argument ensues, with Catherine clearly upset at Wolsey’s influence over her husband.

Later, King Henry addresses his council and explains he sent General Howard to negotiate with the Scots after Meg’s hasty action. “England will not be intimidated. We are mighty. We will be obeyed,” says King Henry.

Catherine’s out for a walk when she asks Lina if Lady Anne has found a lover. Lina claims not to know anything about palace gossip, but Catherine clearly believes Oviedo would share such news. Henry arrives to interrupt the uncomfortable conversation and escort Catherine to her room. Once there, she makes it known she wants to make love but Henry resists. He wants her to stay in her room until the baby has arrived and avoid any stress.

Catherine begs to be allowed out for a few more days to attend mass. Henry gives in, kissing her hand then gently kissing her lips.

Over in Scotland, Meg’s in panic mode. She wonders why they haven’t heard from Angus’ uncle in England or from King Henry. She realizes she’s angered Henry but is counting on Catherine to soothe things over. Just then Angus’ uncle appears at the window with a letter from General Thomas. Meg quickly reads it and is stunned to learn Thomas is only bringing six men. There won’t be an English army arriving soon to save her.

Meg and Angus get into a heated argument over this development. Angus yells at Meg’s son and then refers to himself as a sovereign which immediately earns Meg’s wrath. She points out he’s not a sovereign and he shouldn’t have assumed this would be an easy life. Meg slowly realizes Angus isn’t the man she thought he was and that she was blinded by infatuation.

Catching up with Lina’s family, Oviedo (Aaron Cobham) is playing with his children who are old enough to speak. He confirms King Henry is bedding Anne Hastings but explains that’s just the way of English kings.

Catherine prays for her unborn child and her marriage and then takes one last barefooted walk in the grass before facing confinement. She’s upset by the lack of eye contact and whispers in the hallways as she heads to her room. Lina attempts to assure her confinement can be a blessing, but Catherine once again broaches the subject of her husband’s infidelity. She admits she’s heard the rumors and demands Lina tell her what she’s heard. Lina’s silence appears to confirm to Catherine that King Henry is having an affair with Anne Hastings. Lina tries to assure her they’re foolish rumors but does admit the rumors are spreading. She also reveals a woman was seen leaving King Henry’s rooms – and that woman looked like Anne Hastings.

Catherine doesn’t need to be told by Lina that King Henry loves her. She refuses to be jealous like her sister.

And speaking of gossip, the dinner table is buzzing with whispered conversations about Wolsey’s blatant attempts to put Anne and Henry together. Wolsey’s made sure they’re seated next to each other at the head of the table.

Lady Anne makes a toast to her nephew Henry Stafford and Ursula Pole, wishing them many children and the joys of love. She then goes on to talk about the wedding night and how it’s normal to bleed and be uncomfortable the first time. When King Henry points out not every woman bleeds her first time, Lady Anne corrects him and says all women bleed when they lose their virginity.

Maggie Pole is watching Henry’s reaction from the other end of the table and tries to change the subject by offering her own toast to her daughter and Henry Stafford. It’s not working as King Henry is lost in thought, recalling his first time with Catherine and the lack of blood.

Edward Stafford (Olly Rix) whispers his own toast that only he can hear. “To Wolsey’s swift demise,” he says and then drinks.

The Spanish Princess Season 2 Episode 4
Laura Carmichael in ‘The Spanish Princess’ season 2 episode 4 (Photo Credit: Starz)

Maggie Pole steps away from the table for a conversation with Lina. Lina reveals Catherine knows about the rumors of King Henry sleeping with Lady Anne. Lina confesses she’s worried about the baby because Catherine’s so distressed. Maggie then fills Lina in on the conversation about wedding nights and bleeding. She believes this is an extremely dangerous conversation.

That night King Henry comes to Queen Catherine’s room to say goodnight. She asks if he has any news of Meg before confessing she worships him. She explains she realizes he has appetites she can’t fulfill right now, and she’d understand if he took another woman to his bed. Catherine practically begs him to share this with her so she won’t be pitied anymore. She understands their love is different from his sexual desires.

Henry claims there’s nothing for him to confess. He kisses her forehead and tells her to rest.

General Howard (Peter Egan) and his men arrive in Scotland. Meg leaves her room with Angus and the children, threatening the council England will attack if they harm her or her children. As she’s speaking with General Howard, council members move in to snatch her children. General Howard warns them to hand the boys over or feel England’s wrath. Angus has betrayed her and still holds one child, rushing him back inside the castle as Howard instructs Meg to get on a horse.

Meg’s hysterical and doesn’t want to leave without her children, but Howard assures her it’s the only way she survives this – for now.

They pause on their ride home as Meg’s overcome with emotion. She can’t believe she trusted Angus, betrayed her boys, and that she was so stupid. Howard attempts to comfort her by saying she was lonely. He promises Meg she will return to Scotland and get her boys back. “You’re a f**king she-wolf,” says Howard.

Meg changes their plans, deciding she’ll ride to York to collect herself. She won’t see King Henry until she’s ready.

Maggie has a plan to help Catherine. She asks William Compton for help in easing Catherine’s distress so that their Queen doesn’t lose another baby. Maggie wants William to say Lady Anne was with him, not with King Henry. It has to be William because he’s the only man who shares Henry’s rooms. This will remove the blame from Henry while soothing Catherine’s distress.

William appreciates Maggie’s loyalty to Catherine and agrees to do his part.

A dance is held and Lady Hastings is on the floor with King Henry. When the song ends, Maggie speaks with Anne and says, “It seems the better woman has won. Sir William Compton hasn’t been able to take his eyes from you all night.”

Maggie says she won’t compete with Lady Anne, given her youth and beauty. The dutiful William approaches and Lady Anne giggles as he compliments her appearance.

Tongues are beginning to wag and Maggie appears quite satisfied her plan’s working.

Queen Catherine’s water breaks and she panics because it’s too early. She sends Bessie (Chloe Harris) out to find Lina and upon their return, Catherine’s struggling with the pain of labor. It’s too late to call a midwife and Lina assures her they’ll make it through the delivery together.

Meanwhile, Edward Stafford waits until King Henry’s taking a break from dancing to inform him of Angus’ betrayal and Meg’s escape from Scotland.

Wolsey watches and understands the significance of Lady Anne openly dancing with William Compton. Maggie sees his expression and can only smile.

Bessie arrives to tell King Henry his baby’s about to be born. Henry’s friends congratulate him as Lina tries to convince Catherine the baby won’t die if it’s born this early. Maggie has also joined the women assisting Catherine.

After Charlie Brandon suggests Henry name his son Prince Charles, Henry informs his friend the baby will be named Henry.

The baby arrives and Catherine’s disappointed she’s given birth to a girl. The baby cries, as does Catherine.

Henry arrives seconds after the birth and Catherine breaks the news she’s had a healthy girl. She asks through the closed door if Henry will hold his child. He says nothing and leaves.

Maggie tells Catherine her baby needs her mother, but Catherine walks by without comforting her newborn child.

Days later King Henry can only thank her for her efforts. He’s cold and distant in front of the court.

Wolsey writes a note to King Louis instructing him to send the Duke of Albany to take control of Scotland. Wolsey believes it’s the only way to settle matters without going to war.

Queen Catherine walks with Lina and her ladies through the gardens. She’s not holding Princess Mary and is in a horrible mood when she scolds Lina. She thinks Lina was wrong about Lady Anne and believes the lie Sir William Compton was actually bedding Lady Hastings – not King Henry. She blames King Henry being angry with her on the fact she confronted him about the affair, based on Lina’s information.

Meg and General Howard arrive at Westminster and she finally reunites with her brother. She confronts him about his order to send the Duke of Albany to Scotland to raise her children, and he’s momentarily perplexed. Wolsey admits he wrote to France with instructions without Henry’s knowledge, and Meg accuses him of being the new King of England. Henry recovers enough to say Wolsey simply forgot Henry actually gave the order.

King Henry believes the Duke of Albany will keep Scotland stable until Meg’s son comes of age. Meg storms off, determined to speak to Catherine about this matter.

If looks could kill, Wolsey would fall dead to the floor as King Henry stares at him before exiting the room.

The room’s full of the power players as King Henry enters and is immediately asked by Maggie Pole to be released from her betrothal to William Compton. She can not marry him knowing William kissed a married woman. After a lengthy pause, Henry releases her while acknowledging this is what she wanted all along.

Maggie’s next conversation is just as difficult. She informs William that King Henry has withdrawn his consent.

Thomas More walks with Maggie, complimenting a game well played. He then reveals it’s actually true that Lady Hastings never slept with King Henry. Wolsey lied about that. However, King Henry does have a lover.

General Howard tells Catherine he’s being sent away, and Catherine understands he’s being punished by King Henry. She’s grateful for all he’s done for her and for England.

Meg’s next to bend Catherine’s ear, but their conversation is interrupted by Catherine’s lady announcing she’s taking the baby’s swaddling to the laundry. Once she leaves, Meg asks Catherine to tell Henry to help her. She wants to return to Scotland to raise her boys, but Catherine doesn’t think that will happen. “It will not work, Meg. We have all failed. Mary’s trapped in France married to a man she wishes dead. Albany has your kingdom for himself,” says a very depressed Queen Catherine.

Catherine believes King Henry’s angry she failed him by giving birth to a girl.

Catherine refuses to hold her daughter when she’s brought to her. She spots a cloth on the ground and leaves Meg, using the excuse she’s taking it to Bessie. She enters the laundry and there, right out in the open, is King Henry having sex with Bessie. Catherine runs off before they spot her.




BTS to Perform “Life Goes On” During the ‘American Music Awards’

BTS Life Goes On
BTS (Photo Courtesy of Big Hit Entertainment)

Global K-pop superstars BTS revealed “Life Goes On” will be the lead single off of their upcoming album, BE (Deluxe Edition), to be released on November 20, 2020.

According to their label Big Hit Entertainment, the new album delivers a message of healing to the world by declaring, “Even in the face of this new normality, our life goes on.” BE (Deluxe Edition) reflects the thoughts, emotions, and deepest ruminations of BTS who have been actively involved in all aspects of the creative process for their upcoming record.

The new album arrives on the heels of their record-breaking single “Dynamite” which, among other honors, topped the Billboard Hot 100 chart for three non-consecutive weeks.

As always, the band and Big Hit are being very tight-lipped about the new album. While details on BE are few thus far, earlier this week BTS members rolled out postcards to fans. “I realized once again during our concert (online) that singing and dancing in front of ARMY is the reason I exist,” member Jungkook wrote. They finished their notes by asking their fans questions such as, “What makes you the happiest?” And, “What are the words that give you comfort?”

It wasn’t in the least bit surprising that shortly after the postcards were released the hashtag #TO_BTS started to trend worldwide as fans responded to their postcards with heartfelt messages.

In addition to teasing “Life Goes On,” BTS announced they’ll perform the single for the first time at the 2020 American Music Awards to be held on November 22nd. The group will also be performing their smash hit “Dynamite” during the awards show. BTS’ performance is the first, and so far only, announcement from the awards show on performers who’ll be hitting the stage to entertain fans. Additional performers should be announced soon.

BTS made their AMAs debut back in 2017. With the performance of their title track, “DNA,” BTS became the first Korean group to perform during the American Music Awards. This year they’re up for two awards at the AMAs: Favorite Duo or Group – pop/rock and Favorite Social Artist.




Fox Orders ‘This Country’ from Paul Feig and Jenny Bicks

This Country
Chelsea Holmes and Sam Straley in ‘This Country’ coming soon to Fox (Photo by Brownie Harris © 2020 FOX Media LLC)

Fox has officially picked up the comedy series This Country for the 2021-2022 season. This Country, based on BBC’s critically acclaimed series by Daisy Cooper and Charlie Cooper, comes from writer Jenny Bicks (Sex and the City) and director Paul Feig (Zoey’s Extraordinary Playlist).

“Fueled by Jenny and Paul’s imaginative wit and distinct comedic voices, we knew This Country was a special project from the moment we heard their pitch,” stated Michael Thorn, FOX Entertainment’s President of Entertainment. “As we curate FOX’s comedy brand, it is important to align ourselves with pedigree talent and dynamic partners with proven track records. In Jenny, Paul, Lionsgate and BBC Studios, we have the perfect team to help us do just that.”

The docu-comedy marks Fox’s first 2021-2022 new series committment.

“Jenny and I are SO EXCITED to bring this amazing series to the American public. We have assembled a cast of comedic superstars who have taken the hilarious groundwork laid by Daisy and Charlie Cooper and made it their own. We can’t thank Charlie Collier, Michael Thorn and Julia Franz enough for making this comedy dream come true,” said Paul Feig.

Chelsea Holmes, Sam Straley, Seann William Scott, Aya Cash, Taylor Ortega, Krystal Smith, and Justin Linville will star in season one.

“We’re proud to continue to see the fruits of our powerful collaboration,” stated BBC Studios Managing Director of International Production & Formats Matt Forde and Lionsgate Television Group Chairman Kevin Beggs. “This Country has all the ingredients to be FOX’s next hit premium docu-comedy – an incredible director in Paul, a very talented writer in Jenny and an amazing cast. We can’t wait to bring the adaptation of this BBC hit to U.S. audiences and continue the strong momentum of our partnership.”

The series will be a Lionsgate, BBC Studios’ Los Angeles production arm, FOX Entertainment and Feigco Entertainment co-production. Bicks, Feig, Angie Stephenson, Charlie Cooper, and Daisy May Cooper are executive producing.

The Plot, Courtesy of Fox:

In the half-hour series, a documentary crew goes to a small town to study young adults and their current concerns. Their focus is the daily lives of cousins Kelly (Holmes) and Shrub Mallet (Straley) and their idiosyncratic surroundings.




‘The Outpost’ Season 3 Episode 5 Photos: Preview of “Under Yavalla’s Control”

The Outpost Season 3 Episode 5
Jessica Green as Talon in ‘The Outpost’ season 3 episode 5 (Photo: Aleksander Letic/NBCU International © 2020 Outpost TV LLC. Courtesy of Electric Entertainment)

The CW’s just released new photos from the next episode of The Outpost. Season three episode five, “Under Yavalla’s Control,” was directed by Orsi Nagypal from a script by Laura Whang and will air November 5, 2020.

The cast is led by Jessica Green as Talon and includes Jake Stormoen as Captain Garret Spears, Imogen Waterhouse as Gwynn Calkussar/Rosmund, Anand Desai-Barochia as Janzo, and Aaron Fontaine as Tobin. Reece Ritchie plays Zed, Izuka Hoyle is Wren, Jaye Griffiths is Yavalla, Georgia May Foote is Falista, and Adam Johnson as Munt.

“Under Yavalla’s Control” Plot: A THREAT TO THE MISSION – Tobin (Fontaine) returns to the Outpost with an army – and a secret. Talon (Green) presses for answers and a fight in the Throne Room ends in death, imprisonment and a new commander of the Outpost.

Series Description, Courtesy of The CW:

After summoning Zed (Ritchie) and his Blackblood comrades to save the Outpost, Talon (Green) finds herself betrayed by her own kind and struggles to reconcile her human friends and her Blackblood heritage. With the demonic Lu Qiri providing the muscle to enforce Zed’s master plan, the Outpost’s human inhabitants are enslaved as miners in search of a mysterious substance to solve a dark riddle.

From her bedroom under house arrest, Gwynn (Waterhouse) plots her escape and the overthrow of her new foes. To save her beloved Garret (Stormoen), Talon is forced to summon a Blackblood Priestess named Yavalla (Griffiths) into the world. Yavalla prophesies a paradise for Blackbloods, and an era of peace for the world, but she soon discovers a power that threatens every living creature.

As Gwynn and Tobin (Fontaine) become Yavalla’s unwilling allies, Talon and her friends must fight, suffer, and sacrifice their way to save each other and vanquish their new enemies. As Talon discovers more about her lost family from Yavalla, she must piece together the truths from the lies, and solve the mystery of her heritage and a forgotten power, before the world becomes enslaved to a new power that could consume every living being.

The Outpost Season 3 Episode 5
Imogen Waterhouse as Gwynn and Aaron Fontaine as Tobin in season 3 episode 5 (Photo: Aleksander Letic/NBCU International © 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 3 Episode 5
Aaron Fontaine as Tobin in season 3 episode 5 (Photo: Aleksander Letic/NBCU International © 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 3 Episode 5
Jessica Green as Talon in season 3 episode 5 (Photo: Aleksander Letic/NBCU International © 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 3 Episode 5
Jessica Green as Talon (Photo: Aleksander Letic/NBCU International © 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 3 Episode 5
Jake Stormoen as Garrett in season 3 episode 5 (Photo: Aleksander Letic/NBCU International © 2020 Outpost TV LLC. Courtesy of Electric Entertainment)
The Outpost Season 3 Episode 5
Jessica Green as Talon, Reece Ritchie as Zed and Jake Stormoen as Garrett (Photo: Aleksander Letic/NBCU International © 2020 Outpost TV LLC. Courtesy of Electric Entertainment)




‘Supernatural’ Season 15 Episode 17 Recap: “Unity”

Supernatural Season 15 episode 17
Alexander Calvert as Jack, Jensen Ackles as Dean, Jared Padalecki as Sam and Emily Swallow as Amara in ‘Supernatural’ season 15 episode 17 (Photo: Jeff Weddell © 2020 The CW Network, LLC)

It’s about time that The CW’s Supernatural felt like things were getting big in scale, and Season 15 episode 17, “Unity,” certainly reflected that grand feel the final season has so far lacked.

Amara (Emily Swallow) is shown enjoying herself in a pool in Iceland (it’s good to see characters ditch the USA for once and actually see the world) when she sees the sky light up with shooting stars. Chuck is back after destroying all the other universes.

At the Men of Letters HQ, Sam (Jared Padalecki) is giving Dean (Jensen Ackles) the silent treatment for his plan to use Jack’s death to kill Chuck. Dean’s still a giant bag of jerk and becomes more motivated when Amara shows up and tells the brothers to proceed with the plan. Of course, she’s still under the impression that Dean genuinely wants to help her rather than his true plan of killing her.

Sam refuses to leave for Santa Fe, where Amara’s directed them to, because he wants to find another way and save Jack. Dean tries his angry schtick, and when that doesn’t work, outright tells Sam that he doesn’t mind giving up on family because, to him, Jack isn’t family. While he claims he does care somewhat for Jack, he’s not the same for Dean as Sam and Castiel are. That’s too bad, as Jack (Alexander Calvert) walks in and hears it. True to his nature, he doesn’t mind and leaves with Dean.

In a good way of presenting the framing device of the episode, the points of view are separated between the characters. The Amara sequence shows her reuniting with Chuck (Rob Benedict). He reveals he didn’t write the connection Amara feels to Dean and is flabbergasted why she wants to convince him not to destroy his world.

Amara tries to change his mind by taking him to Heaven to see the angels fanboying over Chuck (seriously, what the heck happened to the storyline about Heaven being near destruction due to the lack of angels?). This doesn’t work as Chuck is over being worshipped. Faced with no choice, Amara takes him to the HQ and traps him there with herself until Dean and Jack are done with their mission.

In the Dean sequence, he tries to make excuses to Jack over what he heard but the latter tells him he understands that Dean doesn’t see him as important as his family. In Santa Fe, the two reach their location to find Adam (Alessandro Juliani). Yes, the first human, and the guy turns out to be a hippie who’s been shacking up for 300,000 years or so with his angel girlfriend, Serafina (Carmen Moore).

The last test turns out to be really simple, in that all Jack has to do is identify a crystal that God has touched. He answers correctly that it’s all of them since God created everything. Adam is ecstatic, claiming he’s been plotting Chuck’s demise all this time to get payback for being kicked out of Eden. To complete the ritual, Serafina stabs Adam and rips out his rib. Apparently, this is the ingredient needed to complete Jack into being a living black hole that can suck divine beings like Chuck and Amara into himself.

On the drive back, Dean comes up with a gratitude of sorts where he thanks Jack for his sacrifice because his death will mean Sam and Dean can now be free of Chuck. If the show wanted it to feel genuine the attempt failed because Dean just seemed like he was trying to gain sympathy for his selfish needs.

In the Sam sequence, he’s gotten pretty frustrated by going nowhere and is comforted by Castiel (Misha Collins). The “Destiel” fans can beat it for all I care, Sam and Castiel (Sasstiel?) is a far better combo. They come to the realization that they can talk to Billie and learn if this plan truly is the only way. Remembering Sergei’s mention of a key to Death’s library within the HQ, the two find it so Sam can go and talk to Billie.

When he enters, though, Sam finds a bunch of dead people, who are perhaps Reapers, being killed by the Empty who’s still using Meg’s form. She reveals that Billie’s entire plan is to become the new God and seal everything away in its own realm.

Sam is almost killed by the Empty when the latter figures taking his life will summon Billie who’s been ignoring the Empty. Thinking fast, Sam claims Billie was the one who sent him since she can’t leave Earth. As the Empty can’t go to Earth, it relents and lets Sam take Chuck’s death book so that Billie will honor her promise to the Empty about sending it back to sleep like it wants. When he returns, he realizes Dean has already brought Jack back and the final ritual has already been completed. It’s time for Jack to face Chuck and Amara.

Supernatural Season 15 Episode 17
Jared Padalecki as Sam and Jensen Ackles as Dean in season 15 episode 17 (Photo: Jeff Weddell © 2020 The CW Network, LLC)

Dean, confirming how he’s gone full psycho, goes so far as to beating Sam and being willing to shoot him if he doesn’t move out of the way. Sam tries to reason with him by telling Dean about Billie’s plan, but Dean only cares about killing Chuck so he has no problem with whatever else happens. As for me, I’ve no idea why Castiel doesn’t slap Dean into oblivion with his angelic powers instead of just staring at him while he’s beating Sam up.

During their captivity, Chuck reveals to his sister that Dean’s planning to kill her. He also confesses that all of this was his plan. That’s right, God is omniscient after all and he knew everything the heroes had been planning the whole time. Now, all he wants to see is Dean kill his family. Shocked and hurt, Amara is convinced by her brother to be part of a new creation. Amara lets Chuck absorb her, which empowers him enough to break out of the room.

Dean eventually does budge under the puppy eye stare of Sam’s, agreeing to find another way. Chuck’s angry that another one of his planned endings hasn’t panned out. He admonishes Castiel for being the only version of the many he created that rebelled and didn’t follow orders like he wanted.

Chuck is done with Sam and Dean for always ruining his plans but finds consolation in the fact that Jack is now dying. He then leaves after pointing this out as Jack collapses and seems to be on the verge of exploding.

To be honest, I’m not too shook up by the conclusion since Chuck has claimed several times before that he’s done but comes back – the same way we’ve seen countless times where Dean seems to let go of his incessant rage but reverts to being a jerk again. Still, at least the episode ended on a note that guarantees a continuation and I think this might extend all the way till the finale.




‘The Killing of Two Lovers’ Trailer Starring Clayne Crawford

Neon just acquired worldwide distribution rights to the thriller The Killing of Two Lovers which had its world premiere at the 2020 Sundance Film Festival. In support of the acquisition, Neon released a new trailer for the drama which is currently sitting at 77% fresh on Rotten Tomatoes.

The cast is led by Clayne Crawford (Lethal Weapon) and includes Sepideh Moafi (The Deuce), Chris Coy (The Front Runner), Avery Pizzuto, Arri Graham, and Ezra Graham.

Robert Machoian wrote, directed, edited, and produced the thriller, and Neon has already committed to producing Machoian and actor/producer Crawford’s next film. The Killing of Two Lovers is a Back40 Pictures presentation of a 433 Pictures production.

Neon is targeting a February 23, 2021 release.

The Plot:

The Killing of Two Lovers follows David, who desperately tries to keep his family of six together during a separation from his wife, Nikki. They both agree to see other people but David struggles to grapple with his wife’s new relationship.

The Killing of Two Lovers
Clayne Crawford stars in ‘The Killing of Two Lovers, an official selection of the NEXT program at the 2020 Sundance Film Festival (Courtesy of Sundance Institute | Photo by Oscar Ignacio Jimenez)

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