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‘Fargo’ Season 4 Episode 10 Recap: “Happy”

Fargo Season 4 Episode 9
E’myri Crutchfield as Ethelrida Pearl Smutny in ‘Fargo’ season 4 episode 9 (Photo Credit: FX)

After taking a pitstop in the world of Oz in episode nine, Fargo season four episode 10 picks up with news that blood is flowing on the Kansas City streets. The Fadda vs Cannon war has taken over the front page of newspapers with headlines that declare “Gang War Erupts” and “Violence Reigns!”

The Smutny funeral home is doing boffo business as the body count rises.

Detective Odis Weff (Jack Huston) accompanies cops on a raid of the Fadda place in an attempt to end the gang war. Josto (Jason Schwartzman) eyeballs Odis as he’s being taken away by the police.

As Buel (J. Nicole Brooks) cuts Loy’s hair they discuss his upcoming meeting with Lionel “Happy” Halloway. Buel believes Happy is a country boy and probably won’t want a “big city headache.” Loy (Chris Rock) disagrees. He believes Happy wants the power controlling the city would afford him.

The meeting begins and Loy doesn’t exactly apologize for the way he treated Happy’s cousin, Leon. Loy explains Leon’s inept but agrees he should have given Happy a call to address the problem. Happy reveals people think Loy’s head’s getting too big and he needs to reconsider his situation. Whatever Loy does reflects on the entire Black community and right now they don’t need the extra attention.

They get down to brass tacks and Loy asks for muscle to back him up in his war with the Faddas. Happy explains the Faddas are the Cosa Nostra and Loy is incapable of driving them out of the city. Loy explains he just wants them put in their place, not cleared out of the city.

Buel’s heard enough and takes over the conversation. She reminds Happy the Faddas killed her 10-year-old son and after they wipe out her family, they’ll be coming after him.

Happy considers this for a moment and then pledges that for two weeks he will put his strength behind Loy’s efforts. However, first Loy needs to make things right with Leon.

After Happy leaves, Buel declares she wants the Fadda brothers dead and then they’ll deal with whoever New York sends as replacements.

Meanwhile, Odis Weff receives a round of applause at the station. Apparently, he’s a hero for bringing in Josto Fadda and his minions. After the applause fades, Odis receives a call from Josto who’s out of jail and ready for a little retaliation. Josto reveals he kept records of every payoff Odis received. Odis reacts by hanging up the phone, cutting Josto off in mid-sentence.

Josto and Gaetano (Salvatore Esposito) meet up with Ebal (Francesco Acquaroli) and Josto demands they put the squeeze on Odis. Ebal’s got other concerns at the moment. He’s just received news New York wants the fighting wrapped up. It’s getting far too much attention. Even Gaetano thinks they need to settle things and warns Josto he’s making this all too personal.

Josto believes they’ll never be able to deal with Loy so they have to find someone within his organization they can make deals with to replace him. He also gives the go-ahead to kill Detective Odis Weff.

Catching up with our trustworthy narrator, Ethelrida (E’myri Crutchfield ) is busy researching deaths that could be attributed to Nurse Oraetta Mayflower. She returns home from her afternoon studying newspaper obituaries on microfilm to ask her mom if they’re truly cursed. Dibrell (Anji White) confirms they are, recalling the story of Ethelrida’s great-grandmother’s dad who came to America on a ship captained by Theodore Roach. She claims Roach was the devil himself and that during a horrible storm Roach did nothing but laugh as hundreds of shackled men were about to drown. They didn’t, but Ethelrida’s relative got revenge on Roach’s cruelty by choking him to death.

They’ve been cursed by “The Roach” – the rotting corpse Ethelrida’s seen in the hallway – since then.

Lemuel Cannon (Matthew Elam) joins them and Dibrell leaves them to talk. Ethelrida asks Lemuel if he can get her a meeting with his dad. She’s convinced she knows how to get the house/funeral home back. Before Lemuel can answer, Oraetta (Jessie Buckley) barges up and demands Ethelrida give back the ring she stole. She threatens to go to the cops and Ethelrida tells her to go ahead. She’s seen the evidence of Oraetta’s criminal activities and isn’t scared Oraetta will involve the cops.

Fargo Season 4 Episode 9
Jason Schwartzman as Josto Fadda in ‘Fargo’ season 4 episode 9 (Photo Credit: FX)

Josto meets with Leon and Happy to make a deal for Loy’s territories. Leon will take over all Loy’s slaughterhouses and the territories on the east side. Plus, Josto will need to give him a piece of the trucking. Josto is forced to temporarily suspend negotiations when his future father-in-law, Milvin Gillis (Eric Slater), intrudes on the meeting and demands a private audience.

Milvin informs Josto the wedding’s off. The gang war has made any association with the Faddas bad for Milvin’s political aspirations. Insults are exchanged and Gaetano, who’s been sitting by listening in, is done with Milvin’s name-calling. He punches him once in the nose and then again, knocking him down.

Milvin’s able to get up and scurries away, warning they can’t hit a U.S. alderman and get away with it.

Loy gets an update from Opal (James Vincent Meredith) and learns Odis Weff and the cops raided their warehouse. He also learns Leon and Happy met with the Italians.

Meanwhile, Satchel (Rodney L Jones III) is still on the road with his canine best friend at his feet. A truck approaches on an otherwise deserted road and pulls up next to the duo. The passenger calls Satchel “boy” and wonders why he’s out for a walk. The man insults Satchel and Satchel is in no mood to let it pass. He whips out his gun and aims at the passenger. “This is my world. I’m the boss – I tell you what to do,” says Satchel before adding, “F**k off.”

The truck speeds away.

Josto and Gaetano pass the time telling stories from their childhood while waiting in their car in the dark outside Odis Weff’s place. Their patience finally pays off and he returns home from work.

Odis flips on the lights and discovers his place is in shambles. His figurines that were part of the memorial to his dead wife have been smashed and her picture was defaced. He runs from his apartment and makes it to his car before Josto turns on his car’s headlights.

The Fadda brothers are parked directly in front of him and as Odis struggles for his gun, Gaetano exits the car and begins slowly walking toward Odis’ vehicle, gun at his side. Odis realizes he’s a dead man and seems to accept his fate as memories of his loved one flow through his mind. Three bullets delivered at near point-blank range end his life.

Josto tells Gaetano to hurry up and Gaetano heads back to their car. He trips and shoots himself in the head, slicing open his skull. Josto checks out his body and then hustles back to the car and drives off, leaving a dead (but smiling) Odis and a scalped Gaetano behind.

Oraetta sneaks into the Smutny home late at night and stands silently over Ethelrida’s bed. The teenager is sound asleep and unaware she has a visitor. Oraetta removes a syringe from a pouch and is about to inject Ethelrida when she smells something. She senses a presence behind her (it’s “The Roach”) and screams bloody murder, dropping the syringe as her hands shake uncontrollably.

She returns to her apartment to find it’s filled with cops. They place her under arrest for the attempted murder of Dr. Harvard.

The Smutnys (and Lemuel) gather on the funeral home’s porch and watch as Oraetta’s taken away.

The following day, or shortly thereafter, Ethelrida shows up for an appointment with Loy. She thanks him for the opportunity to speak and he confirms his son told him she had something to say. Loy reiterates her family’s home and business are now his and she’s unlikely to change his mind. He’s impressed with her knowledge of the artwork on his walls and takes a seat, ready to conduct business.

Loy understands she’s there to convince him to give back the business, but Ethelrida shocks him by claiming her parents have earned the right to reclaim their funeral home. Ethelrida lays out her take on Loy’s claim to the business, saying her parents repaid their debt and currently still have the deed in their possession. Plus, they’re continuing to pay the taxes.

Loy asks if her parents sent her and Ethelrida stands up for herself, confirming this was her decision – and hers alone. She knows he’s lost 27 of his men and the invoice for their funerals comes to $8,700.

And now it’s time for Ethelrida to play the ace up her sleeve…

She places the stolen ring on Loy’s desk and he has no idea of its importance. She assures him the ring is priceless and will lead to him turning back control of the funeral home to her parents.

Ethelrida lays out the story of Nurse Oraetta Mayflower and how she poisons her patients and then takes keepsakes from each of her victims. This ring is one of those keepsakes. Ethelrida explains that through her research at the library she learned who the ring belongs to.

Before finishing her tale, she instructs Loy he will give back her parents’ business and their house. Plus, he’ll mark all their debts paid. In exchange, she’ll help him win his war. Loy swears she can have whatever she wants if she can do that.

Ethelrida hands him Donatello Fadda’s obituary and Loy compares the ring in his hand to the one in the newspaper photo. He smiles and Ethelrida smiles back.




‘The Spanish Princess’ Season 2 Episode 7 Recap: “Faith”

The Spanish Princess Season 2
Stephanie Levi-John and Charlotte Hope star in ‘The Spanish Princess’ season 2 (Photo Credit: Starz)

Starz’s The Spanish Princess season two episode seven begins with Queen Catherine (Charlotte Hope) prompting Princess Mary to impress King Henry (Ruairi O’Connor) with her ability to speak Latin. Maggie Pole (Laura Carmichael) assures King Henry that Mary is a natural scholar, and Catherine reiterates her belief girls can learn as well as boys. Unfortunately, King Henry doesn’t seem to care about Princess Mary’s education. He firmly believes Catherine is pregnant with the future King of England, meaning Princess Mary will never lead this country.

Edward Stafford (Olly Rix) arrives to deliver news of the arrests of heretics in Blackfriars. Catherine detests these Martin Luther reformists who don’t believe King Henry’s anointed by God. Edward also announces Angus has arrived from Scotland to speak with King Henry.

After Henry leaves, Catherine blames Maggie Pole for Princess Mary’s unimpressive performance. Catherine decides to bring in a new tutor to instruct her daughter.

Meg, Queen of Scots, learns of Angus’ journey to speak with King Henry and decides she too should pay a visit to her brother. She commands Hal Stewart (Thoren Ferguson) to accompany her on the long ride.

Angus (Andrew Rothney) informs King Henry and Queen Catherine that Meg isn’t well-liked in Scotland and there are fears she could incite more violence against England. Catherine stands up for Meg, blaming Angus’ visit on his own personal grievances. Angus assures them Meg’s still set on annulling their marriage. Catherine and Wolsey are firmly against that possibility, while Henry confirms it can be undone if the Pope decides it. Catherine glances at her husband at the mention of annulment and claims this discussion is upsetting their unborn prince.

Cardinal Wolsey (Philip Cumbus) and Queen Catherine’s dislike of one another’s briefly set aside when they both speak passionately about the sanctity of the Church and the need to root out heretics.

Henry dismisses Angus and sends him back to Scotland.

Queen Catherine calls Angus in for a private audience before he takes off and suggests Meg and the Duke of Albany might be lovers. If so, that could be used to get the Pope to drop their petition to annul Meg’s marriage. She assures Angus of her support in this matter.

At home, Lina (Stephanie Levi-John) and Oviedo (Aaron Cobham) feel the darkness that’s surrounding the Court. Neither are comfortable with what’s happening on the streets or in the castle. Lina confesses she no longer feels safe in England.

Queen Catherine prays for a boy and swears she’ll prove her worth. She pledges to always defend God’s Church. Cardinal Wolsey approaches as she’s praying and reveals Meg is coming to speak with King Henry. Wolsey and Henry are hopeful Catherine can talk some sense into her. Wolsey praises Catherine’s devotion to God and she confirms she sees the Protestant heresy as a threat. She suggests a truce given they’re both dedicated to defending their God and their King. Wolsey agrees.

Undersheriff Thomas More (Andrew Buchan) has confiscated written material from the heretics and presents it to King Henry and his council. Wolsey and Catherine’s alliance is on full display as they speak out against the heretics. Only Edward Stafford is concerned they’re overreacting, reminding them these fanatics are just a tiny group. He doesn’t believe wasting money rounding up this group is money well spent. Catherine reminds him a small spark can burn a city to the ground. She and Wolsey are committed to pursuing these heretics for treason.

“We are defending God, gentleman, and his King of England,” says Catherine.

The council meeting breaks up and King Henry compliments Catherine for speaking up. She credits the unborn prince within her for giving her his strength. Catherine changes the subject and admits she hates Meg’s heresy, believing an annulment will damn her soul.

Henry’s angry Edward Stafford questioned his authority. The King reminds Catherine yet again he needs a son to confirm his standing with God and England.

Thomas Boleyn (Richard Pepper) informs Queen Catherine and Cardinal Wolsey that additional heretics have been rounded up. Wolsey suggests a public hanging would send an important message and deter others. Thomas believes a fine is sufficient, and Queen Catherine appears to consider both options before demanding a public burning of confiscated materials, satisfied that will send the right message.

Queen Catherine and King Henry are joined by the council as the material’s burned in public. Wolsey warns the citizens gathered that paper – and flesh – will go to God in the Eternal Flame.

The fracture in Lina and Catherine’s relationship widens when Lina suggests to the Queen that she and Wolsey will be hanging Lutheran men and women soon. Lina wonders why in order to secure King Henry’s continued love Catherine needs to hate so many people. Catherine stands firm in her belief that she’s defending God.

Meg (Georgie Henley) arrives in London at a moment when King Henry’s in an especially sour mood. She demands her inheritance and Henry commands she leave before he forgets she’s his sister. Henry also sends Catherine away, claiming the cold air is bad for their unborn son.

Meg and Catherine have a private chat and it’s clear their relationship has been shattered by Meg’s continued demands for an annulment. Catherine dismisses Meg, informing her they have nothing more to discuss.

Meg takes matters into her own hands and, accompanied by Hal Stewart, heads to the guarded room which holds the kingdom’s riches. She’s decided she’s going to take the inheritance she’s owed in gold. Hal moves in for a kiss and Meg holds him off, although she’s obviously attracted to him. She explains she must remain focused and can’t fall for another man after what happened with Angus.

King Henry learns of Meg’s theft after she leaves. He’s enraged but won’t chase after her. He then confesses to Catherine he’s worried about rumors concerning Edward Stafford. Catherine sticks up for Edward, certain he isn’t challenging Henry’s power.

Maggie meets with Edward Stafford and asks if he’s concerned about Wolsey. Since her daughter married Edward’s son, she’s worried about the entire Stafford family. Edward, however, isn’t. He believes that although Wolsey has King Henry’s ear, he has his heart.

Queen Catherine’s alone late at night when she has another miscarriage. She wanders from her room and spots Edward who immediately understands the gravity of the situation. She begs him to take her to her chamber, but he initially refuses because it’s improper. Catherine weeps as she insists he not call for her ladies. Edward relents and delivers her to her bed, anxious to call a nursemaid. Yet again Catherine refuses attention. She breaks down, unable to understand why she’s incapable of giving her husband a son.

Catherine begs Edward not to tell anyone – including King Henry – she’s lost the baby. He pledges to keep her secret.

The following day Edward’s shocked to see Catherine dressed and on her way to speak with King Henry. He can’t believe she’s not resting. There are others present as Catherine and Edward speak in a guarded manner, not giving away their shared secret. Catherine insists she’s well enough to be up and around and Edward has no option other than to let her go about her day as if the prior evening’s events never occurred.

Queen Catherine learns King Henry’s cleaning out the Court of what he labels its filth. She hurries from Henry’s presence, concerned about what he has planned.

Maggie Pole and Edward Stafford are in conversation when Wolsey rushes up with soldiers and places Edward under arrest for high treason. “This is pure spite! There can be no just cause against the King’s loyal friend and counselor,” says an angry Maggie, convinced this is all Wolsey’s doing.

Maggie informs Catherine of what just happened, and she immediately rushes to speak with King Henry. She reminds him Edward loves him, but Henry believes Edward exploited a perceived weakness. Thomas Boleyn sides with King Henry and refuses Catherine’s plea to talk some sense into Henry.

Catherine visits Edward Stafford in the Tower, confessing she thinks the charges are absurd. Wolsey’s exploiting King Henry but she believes she might be able to reason with him. She suggests Edward beg for Henry’s forgiveness and Edward promises he will.

As they’re speaking an injured man is dragged into the adjacent cell. Edward explains the man is a Lutheran who’s been tortured for his confession.

Catherine demands Wolsey withdraw his charges, but Wolsey’s convinced Stafford is a threat to King Henry. Catherine and Wolsey’s uneasy alliance is shattered when Wolsey reveals he believes King Henry’s closest advisors are his biggest enemies.

The Spanish Princess Season 2
Andrew Buchan and Laura Carmichael in ‘The Spanish Princess’ season 2 (Photo Credit: Starz)

Thomas More had previously extended an invitation to Maggie Pole to visit his home and she takes him up on the offer, determined to speak with him about Edward. Thomas isn’t available but Maggie’s told she’s free to look around his home. She discovers a room set up as a torture chamber, complete with a rack to stretch prisoners. Disgusted and deeply disturbed, she hurries from Moore’s home without speaking to him.

Queen Catherine finally confesses to Lina she’s lost yet another child. She weeps as she expresses her wish to return to the time when she was certain of Henry’s love.

Edward Stafford’s brought before King Henry and his court to address the charges of treason. Wolsey lays out the evidence and Queen Catherine speaks on behalf of Edward, reminding Henry of Edward’s fierce loyalty and friendship. Thomas Boleyn informs all present that Edward Stafford stated that if King Henry were never to have an heir, it would be God’s judgment on him. Thomas lies and claims Edward also said if another prince died, it would “sit right with him.”

Edward’s enraged and declares he said no such thing. “I said that God’s plans are mysterious,” explains Edward, adding that he was comforting the Queen. That leads to the question of why Catherine needed comforting. Wolsey reveals Edward was in Queen Catherine’s private chambers, alone at night.

Catherine speaks up and explains Edward escorted her to her chambers only because she was tired and her ladies were not present. Wolsey continues to level accusations at Edward, claiming Edward wishes to see King Henry overthrown.

Edward becomes emotional as he proclaims everything he does is at the service of his friend and in support of King Henry and Queen Catherine. Catherine mouths “beg” and Edward does, begging forgiveness for any insult he may have unwittingly uttered.

Catherine replies, “We have never had cause to question your heart, Lord Stafford, and we do not now.”

The trial ends and the outcome is unclear. Maggie and Ursula are discussing Edward’s future when Thomas More asks to speak with Maggie. He explains he only tortures the accused so they can free themselves. He believes he’s doing good. Maggie completely disagrees and walks away, making it clear their friendship is over.

Scaffolding is set up outside the Tower of London and the audience, including Maggie Pole, assembles. Maggie assures her daughter Ursula and son-in-law Henry Stafford (Edward’s son) that Queen Catherine told her Henry will pardon Edward.

King Henry does not show up for the execution. Princess Mary’s stunned this is taking place and her husband, Charlie Brandon, warns after this day no one is safe.

Edward walks toward the spot of his planned execution, with Oviedo following as a guard. Edward acknowledges Thomas Boleyn and Cardinal Wolsey before Oviedo releases him from his shackles. Rain pours down as Wolsey declares Edward has been convicted of treason and sentenced to death. In addition, his land and titles will be forfeited to the Crown. Stafford’s heirs will inherit nothing.

Thomas More rushes in with a message from King Henry. Catherine grabs the note and reads it out loud. Queen Catherine can barely contain her sorrow as she reads what she assumed was going to be Edward’s pardon:

To My Lord Stafford, my dearest friend and noble servant, I commend you this day to Almighty God. I will light candles and say prayers for your soul as it departs this world.

Henry

Wolsey and Thomas Boleyn look smugly satisfied with King Henry’s decision while Edward appears stunned yet unafraid of what’s to come. He accepts King Henry’s sentence. Edward apologizes to his executioner that he doesn’t have any money to pay for a clean death. Oviedo’s standing by the executioner and reveals he paid him on Edward’s behalf, wishing to honor him for the time he served under him in France. “I serve you still,” declares Oviedo, placing a hand over his heart and offering a brief bow.

Edward’s last words are to declare his love for King Henry and Queen Catherine and to offer a prayer for their long and happy reign. He wishes them a son with all his heart. “Long live the King,” says Edward before refusing a blindfold. Instead, he moves his eye patch over his one good eye and is quickly beheaded.

The executioner holds up his severed head.

That evening Wolsey prevents Queen Catherine from entering King Henry’s chambers. She warns him that she’s Henry’s wife under God’s eyes and nothing can change that. She wonders who Wolsey will eventually side with – his God and Pope or his king. Catherine suggests he pray on it.

“I do fear sometimes when the fire is warm what secret will burn you, Your Grace,” replies Wolsey. Catherine only smiles before turning away.




BTS Soars to the Top of the Charts with ‘BE (Deluxe Edition)’

Global phenoms BTS released their highly anticipated album BE (Deluxe Edition) in the early morning hours of November 20, 2020. The release of their new album comes on the heels of the global success of their smash hit “Dynamite” which landed in the number one spot on Billboard’s Hot 100 chart for three nonconsecutive weeks.

“Dynamite” broke several records, including the most viewed music video in 24 hours in YouTube history, and earned them the title of first Korean act to gain a number one song on Billboard’s Hot 100. The catchy pop single also broke records on the streaming platform, Spotify.

Accompanying their new album was the official music video for the lead single “Life Goes On,” directed by band member Jungkook and exuding warmth and comfort. When asked about the lead single at their recent global press conference, leader of the group, RM, stated, “‘Life Goes On’ is different. It is a little bit more wavy. It is very sincere but also a little soft and esthetic. Our way of providing healing and consolation that life continues to go on.”

In addition to “Dynamite,” BE contains six new tracks along with a skit that captures how BTS members felt when they heard the news that “Dynamite” went number one.

TRACKLIST:

  1. “Life Goes On”
  2. “Fly To My Room”
  3. “Blue & Grey”
  4. Skit
  5. “Telepathy”
  6. “Dis-ease”
  7. “Stay”
  8. “Dynamite”

Released at midnight, BE quickly went to number one on the U.S. iTunes album chart (snagging the top spot in less than an hour) and all eight tracks, including the skit, are currently occupying the top eight spots on the “All-Genre” Top 200 chart, with ‘Life Goes On’ at number one.

BTS will be performing both “Dynamite” and “Life Goes On” at the American Music Awards on November 22nd. The awards show will mark the world premiere of “Life Goes On.” The group will also be competing as nominees at the AMAs, vying for awards in the “Favorite Duo or Group – Pop/Rock” and “Favorite Social Artists” categories.

They’ll also make an appearance on Good Morning America as part of the show’s concert series on November 23rd.




‘Supernatural’ Season 15 Episode 20 Recap: “Carry On” Series Finale

Supernatural Season 15 Episode 20
Jared Padalecki as Sam and Jensen Ackles as Dean in ‘Supernatural’ season 15 episode 20 (Photo: Robert Falconer © 2020 The CW Network, LLC)

The day finally arrived for The CW’s Supernatural to end, and it sure did conclude in such a way that this brotherly tale is over. After last week’s episode finished off in such a way that it seemed to be the ending, the actual finale served as an epilogue to everything that’s happened so far.

Things start off in wonderfully mundane fashion, as the Winchesters do stuff like their daily chores but are happy to do so since they’re finally free of Chuck’s influence.

It seems as if there’s a serious case on their hands when it turns out that Dean (Jensen Ackles) only wanted to go to a pie festival and try out six different types of pies. Sam (Jared Padalecki) is still missing Castiel and Jack, but Dean assures him that their sacrifices were supposed to be for the brothers’ benefit and they would want them to be happy. In agreement, Sam smacks Dean in the face with a pie, feeling better since that’s something he always wanted to do.

As for the final case ever on the show, it shows a family being attacked with the father killed and the mother’s tongue removed. The masked assailants seem to have kidnapped the sons and Sam and Dean show up to investigate – called Agents Kripke and Singer after the creator and longtime director of the series, respectively. The oddness of the case reminds the boys of something in John’s journal and the two track down the location of what they believe to be vampires.

It happens to be at a barn where the boys quickly realize they’re outnumbered. After killing a few off, they’re overpowered and Dean realizes one of them is Jenny, the vampire from the first-ever episode to feature these beings back in season one. Jenny’s hopes for revenge are cut literally short as Sam decapitates her from behind and turns the tide of the fight. The boys are able to win the struggle but at the expense of Dean who gets rammed into an exposed nail on the barn post.

Realizing this is it, Dean asks Sam not to call for help and to stay with him. He makes Sam promise not to bring him back because things always go wrong for them this way. He confesses how he thinks Sam is stronger and wiser than him, and how he had stood out staring at his door for hours back when he’d reached out to him in the first episode because he was scared Sam would turn him down. A distraught Sam pleads for Dean not to die, but the latter assures him he’ll always be with Sam in spirit and asks Sam’s consent in letting him pass away. Sam tells Dean it’s okay and that he can go now and watches his brother die in his arms.

After burning Dean’s body as a hunter’s funeral goes, Sam starts life alone. He’s shown depressed and completely lonely in the bunker as he wanders around the empty halls thinking of Dean and remembering how his brother, Mary, Jack, and Castiel used to be with him. In Dean’s room, Sam picks up his brother’s other “other” cell phone and gets a call from someone in Texas for a case. With his mind set to keep fighting like Dean wanted, but wanting to move on, Sam walks out of the Men of Letters HQ all packed up and leaves the place behind for good.

In Heaven, Dean arrives to find Bobby (Jim Beaver) – the real one, not that lame Apocalypse World version – waiting for him outside Harvelle’s roadhouse. Dean believes he’s seeing a memory, but Bobby informs him that Jack, before he left, fixed Heaven by tearing down all the walls and removing the endless loops of memories. Now, Heaven is open for every soul that enters and they can meet each other whenever they want. John and Mary are not too far away either, as Bobby points out, and Jack apparently resurrected Castiel from the Empty to help him out.

However, Dean still thinks it’s only “almost perfect” because Sam’s not there, to which Bobby responds that time flows differently in Heaven and Sam will be here soon enough. As for now, Dean decides to take a ride in the heavenly version of the Impala and sets off.

The series’ trademark song of “Carry On Wayward Son” begins as, on Earth, Sam is shown walking hand in hand with his son, Dean Winchester Jr. Yes, Sam has settled down in the normal life he’d always wanted and he even has his own house, wife, and child that he adores. The years pass in this montage as Sam becomes old and is shown in the Impala he’s treasured while still remembering his older brother.

Cut to several years further, and Sam is now on his deathbed, with pictures of his life and his family surrounding him. His now-adult son comes by his side and tells him it’s okay and that he can go now. Accepting his death, Sam holds his son’s hand and finally passes away.

In Heaven, Dean is done with his ride and ends up at a bridge resembling the one seen in the first episode. He looks on before turning around to see his little brother, once again young and happy to see him. The two embrace each other after such a long separation, finally reunited and never to be apart again.

The show ends there, but Jared Padalecki and Jensen Ackles deliver a special message thanking all the fans that watched for 15 years. The final shot is of the entire crew waving goodbye as director Robert Singer calls cut.

The series was never going to give a completely satisfying ending since expectations always run wild, but I did love this episode for its heartwarming sentiment. The fact remains that the show was always about the love story of the brothers, and there couldn’t have been any other way to end things. I’d have liked to have seen characters like Adam and Castiel show up and get their deserved happy endings, but I’ll take what I can get. Plus, it’s clear the Covid-19 pandemic prevented the showrunners from going all-out with the presentation of the finale.

It was an honor for me to follow this show right from the first episode, having been 12-years-old at the time and now finishing things up as a 27-year-old. Supernatural will always be near and dear to its fans and we’ll have these memories to cherish forever, just like Sam and Dean.




‘Coming 2 America’ to Premiere in March on Amazon Prime

Coming to America
Eddie Murphy and Arsenio Hall in ‘Coming to America’ (Photo © 1988 Paramount Home Entertainment. All rights reserved)

Paramount Pictures’ Coming to America sequel, Coming 2 America, will premiere on Amazon Prime early next year. Amazon Studios picked up the worldwide rights to the much-anticipated sequel and has set a March 5, 2021 release date.

Coming to America was a cultural phenomenon that is one of the most loved and celebrated comedies of all time,” said Jennifer Salke, Head of Amazon Studios. “Thanks to Eddie Murphy’s comedic genius along with the brilliant filmmakers, writers and fabulous cast, we couldn’t be more excited to celebrate this new adventure. We know audiences around the world will fall in love with this hilarious, joyful movie that will surely become a timeless favorite.”

In addition to Eddie Murphy, Coming to America‘s Arsenio Hall, James Earl Jones, Shari Headley, John Amos, and Louie Anderson return for the sequel. Joining the fun for the sequel are Wesley Snipes, Leslie Jones, Tracy Morgan, Jermaine Fowler, Bella Murphy, Rotimi, KiKi Layne, Nomzamo Mbatha, and Teyana Taylor.

“What could be better than a return to Zamunda? We are so excited for Amazon Studios to bring Eddie Murphy and Coming 2 America to a worldwide audience where they can laugh again with characters they have loved for 30 years, and meet new ones that they will love for years to come,” said producer Kevin Misher.

Coming 2 America was directed by Craig Brewer (Dolemite Is My Name) from a screenplay by Kenya Barris, Barry W. Blaustein, and David Sheffield. (Story by Barry W. Blaustein, David Sheffield, and Justin Kanew.) Kevin Misher and Eddie Murphy produced, with Brian Oliver, Bradley Fischer, Valerii An, Kenya Barris, Charisse Hewitt-Webster, Michele Imperato Stabile, and Andy Berman executive producing.

The comedy sequel’s a Paramount Pictures production in association with New Republic Pictures, and produced by Eddie Murphy Productions and Misher Films.

The original film was released on June 29, 1988 and grossed more than $288 million over its theatrical run.

Coming 2 America Plot, Courtesy of Amazon Studios:

Set in the lush and royal country of Zamunda, newly-crowned King Akeem (Murphy) and his trusted confidante Semmi (Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York – where it all began.




‘Big Sky’ Season 1 Episode 2 Preview: Photos, Plot and Cast

Episode one of ABC’s Big Sky ended with someone audiences might have assumed was going to be a key character apparently dying at the hands of a dirty cop. Episode two, airing on November 24, 2020 at 10pm ET/PT, promises even more shocking events are in store.

“Nowhere to Run” guest stars include Gage Marsh as Justin Hoyt, Jeffrey Joseph as Joseph Dewell, and Gabriel Jacob-Cross as Kai Dewell. Paul McGuigan directed from a script by David E. Kelley.

The series stars Katheryn Winnick as Jenny Hoyt, Kylie Bunbury as Cassie Dewell, and Brian Geraghty as Ronald Pergman. Dedee Pfeiffer plays Denise Brisbane, Natalie Alyn Lind is Danielle Sullivan, Jade Pettyjohn is Grace Sullivan, Jesse James Keitel is Jerrie Kennedy, John Carroll Lynch plays Rick Legarski, and Ryan Phillippe as Cody Hoyt.

“Nowhere to Run” Plot: Forced to form an unlikely team, Cassie and Jenny set out to continue the search for the missing girls. Meanwhile, Danielle, Grace and Jerrie get to work on planning their escape, leading Legarski to struggle with the consequences of his actions as a distracted Ronald deals with a difficult relationship with his mother.

Series Description, Courtesy of ABC:

From visionary storyteller David E. Kelley (Big Little Lies) comes Big Sky, a thriller created by Kelley who will write multiple episodes and serve as showrunner in its premiere season. Private detectives Cassie Dewell and Cody Hoyt join forces with his estranged wife and ex-cop, Jenny Hoyt, to search for two sisters who have been kidnapped by a truck driver on a remote highway in Montana. But when they discover that these are not the only girls who have disappeared in the area, they must race against the clock to stop the killer before another woman is taken.

Big Sky Season 1 Episode 2
Kylie Bunbury and John Carroll Lynch in ‘Big Sky’ season 1 episode 2 (ABC/Darko Sikman)
Big Sky Season 1 Episode 2
Katheryn Winnick in season 1 episode 2 (ABC/Darko Sikman)
Big Sky Season 1 Episode 2
Brian Geraghty in season 1 episode 2 (ABC/Darko Sikman)
Big Sky Season 1 Episode 2
Jade Pettyjohn, Jesse James Keitel, and Natalie Alyn Lind in episode 2 (ABC/Darko Sikman)
Big Sky Season 1 Episode 2
Dedee Pfeiffer in season 1 episode 2 (ABC/Darko Sikman)
Big Sky Season 1 Episode 2
Natalie Alyn Lind in season 1 episode 2 (ABC/Darko Sikman)




‘S.W.A.T.’ Season 4 Episode 4 Preview: Photos, Plot, and Cast

Season four of CBS’s S.W.A.T. continues with episode four, “Memento Mori.” Directed by Douglas Aarniokoski from a script by VJ Boyd, episode four is set to air on Wednesday, November 25, 2020 at 10pm ET/PT.

“Memento Mori” guest stars include Michael Beach, Michael Graziadei, Joyce Guy, Abhi Sinha, and Benny Nieves.

Shemar Moore leads the cast as Daniel “Hondo” Harrelson, Alex Russell plays Jim Street, Jay Harrington is David “Deacon” Kay, and Lina Esco plays Christina “Chris” Alonso. Kenny Johnson stars as Dominique Luca, David Lim is Victor Tan, Patrick St. Esprit is Commander Robert Hicks, and Amy Farrington plays Lieutenant Piper Lynch.

Recurring season four cast members include Bre Blair as Annie Kay, Obba Babatundé as Daniel Harrelson, Sr., Deshae Frost as Darryl, Rochelle Aytes as Nichelle, Susan Chuang as Chan Fei, Chris L. McKenna as DEA Agent Simons, and David Gautreaux as Edward Yannick.

“Memento Mori” PLOT: The SWAT team searches for a rogue member of an extremist group planning to attack the memorial service of a famous musician who was outspoken about police brutality. Also, tension mounts between Hondo and Leroy (Beach), Darryl’s (Frost) father, when Leroy is released from prison early.

  • Season 4 Episode 17 “Whistleblower” Preview
  • Season 4 Episode 18 “Veritas Vincint” Preview
  • SWAT Season 4 Episode 4
    Jay Harrington and Shemar Moore in ‘S.W.A.T.’ season 4 episode 4 (Photo © 2020 CBS Broadcasting, Inc)
    SWAT Season 4 Episode 4
    Alex Russell as Jim Street, Jay Harrington as David ‘Deacon’ Kay, Shemar Moore as Daniel ‘Hondo’ Harrelson, and David Lim as Victor Tan (Photo © 2020 CBS Broadcasting, Inc)
    SWAT Season 4 Episode 4
    Lina Esco as Christina ‘Chris’ Alonso and Shemar Moore as Daniel ‘Hondo’ Harrelson in season 4 episode 4 (Photo: Bill Inoshita © 2020 CBS Broadcasting, Inc)
    SWAT Season 4 Episode 4
    Patrick St. Esprit as Commander Robert Hicks and Jay Harrington as David ‘Deacon’ Kay in season 4 episode 4 (Photo © 2020 CBS Broadcasting, Inc)
    SWAT Season 4 Episode 4
    Jay Harrington as David ‘Deacon’ Kay, Alex Russell as Jim Street, and Lina Esco as Christina ‘Chris’ Alonso in “Memento Mori’ (Photo © 2020 CBS Broadcasting, Inc)
    SWAT Season 4 Episode 4
    Lina Esco as Christina ‘Chris’ Alonso and David Lim as Victor Tan in season 4 episode 4 (Photo © 2020 CBS Broadcasting, Inc)




    BTS Press Conference: Inside the Group’s ‘BE (Deluxe Edition)’ and Its Uplifting Message

    K-pop stars BTS released their highly anticipated album BE (Deluxe Edition) on November 20, 2020 at 12am ET. In the hours leading up to the release, they took part in a global press conference to discuss their latest project. When the seven-member boyband walked into the room for the press conference, there was one member missing. Suga was not present because he’s recovering from shoulder surgery he underwent on November 3rd.

    After BTS greeted the members of the press, they wasted no time jumping into sharing the process of putting together their new album, BE.

    BTS BE (Deluxe Edition) Q&A:

    You’ve been busy working on the new album and promoting “Dynamite.” How have you all been doing?

    RM: “We have all been very busy doing what we can do, and we had been working on this album before ‘Dynamite’ and also while promoting ‘Dynamite.’ With this album making process we show it all to the fans by live streaming through YouTube and showed our thoughts. It was our first time doing this. We always kept it (the album-making process) confidential so it feels like we made the album together with the fans.”

    Jin: “We all had fun working on the album and we focused on the emotions we have right now. So, it was my chance to look back on my past and my present self. I’m hoping many people can relate to our candid stories. We worked really hard and I hope you look forward to our album.”

    We learned during the “Dynamite” press conference Jimin took on the role of project manager. Can you tell us about that?

    Jimin: “Actually, Suga strongly suggested I should take the role, so I did. I just gathered all the opinions of the members, organized them, and gave them to the staff. When we started the album we talked about what topics we should go with and the keywords ‘Life Goes On’ came up and RM suggested that no matter what happens everyone’s lives go on and we should show how everything is going even when everything has changed. And all the members thought it was a good idea.”

    Is it true you all took on different roles for the album?

    RM: “Yes, that is true. Jimin took the role of PM and I think that is a really hard job and he did an amazing job, so I want to thank him for that. Not only with the music, we had to make the album cover and we had to come up with the concept, the outfits, the music video, and all the members took part in those. And all the visual things (were) done by V. He took the role of visual director and I want to say thank you for your good job.”

    V, can you talk about the visuals for this album?

    V: “We really wanted to show really meaningful content to Army so that’s why I started this. It wasn’t an easy process, but I tried my best. The members and Army’s supported me a lot. We all started by taking pictures with each other when we were relaxed and when we went on a trip together, I took a Polaroid camera and took pictures when they were just hanging out and relaxing. RM came up with the idea, ‘How about we come up with the idea of our rooms for our concept photos and we decorate the rooms how we like.’

    It was nerve-racking taking on the role of visual director, but our fans supported me a lot. Thank you.”

    J-Hope: “Like V said, we wanted to take photos of ourselves raw and unadorned. In video clips we wanted to show BTS not on the stage, but show what they haven’t seen before – people in their 20s, people in their daily lives and going about their daily lives – so that’s what we tried to do. The process was very fun and very natural for us.”

    BTS BE Press Conference
    BTS ‘BE’ Press Conference (Photo Credit: Big Hit Entertainment)

    Let’s talk about the songs on the album starting with the first track.

    RM: “So the first track is the title track ‘Life Goes On.’ You can tell from the title what the song is going to be about. This is what we wanted to say through this album that no matter what happens, despite what happens, that life goes on. That is the topic and that is the motive. ‘Dynamite’ and this song, BTS always wants to talk about what can we say now, what can we do now. We met ‘Dynamite’ and it was the right time for that song in the summer. We wanted to create a song that wasn’t sad, but a fun disco, more energetic and vibrant. But that was ‘Dynamite.’ ‘Life Goes On’ is different. It is a little bit more wavy. It is very sincere but also a little soft and esthetic. Our way of providing healing and consolation that life continues to go on.”

    Jimin: “The second track is ‘Fly To My Room.’ I’m sure when the tracklist was released you thought it was a very unique name and concept. It is a unit song with me, Suga, J-Hope and V. I think you will find it very unique. It’s about the situation where we can’t travel or go around freely and how the idea of traveling will change in the feature. But this song is not a sad song or a melancholy song; it’s about traveling in my room. I hope you can enjoy it.”

    V: “I participated in the third track which is ‘Blue & Grey.’ It is an acoustic pop ballad. It is about expressing sadness and depression which is usually expressed blue and gray and that was the motivation for the lyrics. The song might be a little bit darker, but the guitar sound is soft and very warm, and it really brought out warm emotions in the album so I hope you can look forward to it.”

    Jin: “’Telepathy’ is a retro pop song that is a very fun song. It is a song that was created by Suga who is unfortunately not here. Because of COVID-19 we are not able to meet our fans and wanted to melt down these emotions in the lyrics and when we are with our fans, the moments we share with our fans are when are the happiest.”

    J-Hope: “The next track is ‘Dis-ease.’ I took part a lot in writing the lyrics of this song. I think it is a very impactful name, especially in these times. When we took a break, it was not a complete break, it was matched with uncertainty and uncomfortable, so I wanted to compare this to a disease of our own profession. BTS is good at overcoming difficulty, I think, so we always wanted to share this message of hope and about the future, a bright future, and wanted to melt that down into this song as well.”

    Jungkook: “The seventh song is ‘Stay’ and I participated in making this song. It is a unit song with me, RM, and Jin. This is the first time we have done this unit and I think that it created a song with a unique color.

    ‘Stay’ is kind of a song that is fun, but emotional. We are far apart physically but we always stay together. That’s the message we wanted to put into this song.”

    RM: “We also have a skit in our album, and it has been a while since we have put one in our album. It is something we have done since our debut. When we record a skit, we have a theme or motive for it. This time around we had a hard time doing that. So, this time around we turned on the mic and put in our emotions and reactions when we heard the news we hit number one on the Hot 100 charts for Billboard. So, when you listen to it you will be able to hear the emotions we were feeling live and unedited.”

    We have to talk about the music video for ‘Life Goes On’ and its director, Jungkook.

    Jungkook: “If you call me ‘director,’ I think I will feel embarrassed. I like taking videos just in general, so I was sort of tasked with taking the music video and creating it and I tried to do my best. What I wanted to emphasize is the reality, sincerity, and authenticity. We also talked amongst ourselves of our personal sides that we wanted to show, and I asked the members what they wanted to show of themselves and I tried to reflect these opinions within the video.

    We wanted to show this sort of sensibility, this emotional side. Our tour was canceled due to COVID-19 and we were unable to meet with our fans. I wanted to express this regret and how unfortunate I feel that this situation is. I tried to do my best; it was exciting and amazing to know that some of my videos are in this music video.”

    What is the message you want to send to fans around the world with BE?

    Jin: “For everybody this year everything has stopped for everyone in the world because of COVID-19. It is very confusing for everyone and everyone is feeling emptiness. We feel frustrated and sad. All of these feelings (are) what we wanted to contain in an honest way in this album. And I hope this can resonate with people and many people will be able to say, ‘Yes, that’s how I feel,’ as well and draw consolation and try to consult the people around you.

    Of course, it doesn’t contain songs that are just sad and melancholy. We interpreted this emotion in a unique and fun way. I hope you can all love this album. It seems that the world has stopped but life does go on. I hope we can find small joys and happiness in our lives.”

    Can you talk about your upcoming performance on the 2020 American Music Awards?

    Jimin: “Yes. We will be performing ‘Life Goes On’ for the first time. But not just performing, we are also nominated for two categories which is an amazing honor.”

    (The interview wrapped up with a mention of the upcoming November 25th Grammy nominations announcement, with the moderator expressing hope they’ll earn a nomination.)

    RM: “If I say that I’m not nervous at all that would be a lie. Every time we have an interview we are always asked about our goals or our next target. We often mention this (Grammys) amongst other things, so we are extremely nervous. We are waiting for the 25th as well. It would be amazing if we are nominated but if we’re not…that’s sort of how we are waiting for it. I think it will be announced early in the morning and we will probably be awake and waiting for that. I hope there will amazing news waiting for us all.”




    ‘The Walking Dead’ Season 10’s Six New Episodes Premiere in February 2021

    AMC’s laid out their plans for the upcoming extended episodes of The Walking Dead season 10. The six new episodes will kick off on February 28, 2021 at 9pm ET/PT on AMC and will feature new guest stars Robert Patrick (Scorpion) as ‘Mays,’ Hilarie Burton Morgan (One Tree Hill) as ‘Lucille,’ and Okea Eme-Akwari (Cobra Kai) as ‘Elijah.’

    AMC+ subscribers will be able to catch the new episodes on Thursdays prior to their debuts on AMC.

    The premiere date announcement was accompanied by a video of the “One More” episode table read. The video features cast members Ross Marquand, Seth Gilliam, and Robert Patrick, with Josh McDermitt narrating. The network also released details on each of the upcoming season 10 episodes including titles and plot descriptions.

    The Walking Dead Season 10 Extended Episodes:

    Last on The Walking Dead, we witnessed the fall of Alpha (Samantha Morton) and the end of the Whisperers War. The Kingdom had fallen, Hilltop was virtually destroyed and Alexandria abandoned to prepare for final battle. Our survivors were trapped and separated from one another. Yet, when faced with almost certain death, they rallied together to fight, killing Beta (Ryan Hurst) and eliminating the threat of the horde.

    In these six new episodes, we find our survivors trying to pick themselves up by their bootstraps following the destruction the Whisperers left in their wake. The years of struggle weigh upon them as past traumas surface, exposing their more vulnerable sides. As they question the state of humanity, the state of their collective community, and the states of their minds, will they find the inner strength to persevere with their lives, friendships, and group intact?

    The Walking Dead Season 10
    Callan McAuliffe as Alden, Seth Gilliam as Father Gabriel Stokes, Lauren Cohan as Maggie Rhee, Ross Marquand as Aaron in ‘The Walking Dead’ Season 10 Episode 16 (Photo Credit: Jackson Lee Davis/AMC)
    • EPISODE 1017 – “Home Sweet Home”
      Maggie (Lauren Cohan) has returned with a story she is not ready to share, even when her past catches up to her. Negan’s (Jeffrey Dean Morgan) safety is at stake again. Daryl (Norman Reedus) and Maggie fight an unseen and unknown threat.
      Director: David Boyd
      Writers: Kevin Deiboldt & Corey Reed
    • EPISODE 1018 – “Find Me”
      An adventure for Daryl and Carol (Melissa McBride) turns sideways when they come across an old cabin. It takes Daryl back to the years when he left the group after Rick disappeared as he relives a time that only the apocalypse could manifest.
      Director: David Boyd
      Writer: Nicole Mirante-Matthews
    • EPISODE 1019 – “One More”
      Gabriel (Seth Gilliam) and Aaron (Ross Marquand) search for food and supplies to bring back to Alexandria. Small tragedies lead to bigger tragedies as faith is broken and optimism is fragmented when they are put to the ultimate test.
      Director: Laura Belsey
      Writers: Erik Mountain & Jim Barnes
    • EPISODE 1020 – “Splinter”
      Eugene (Josh McDermitt), Ezekiel (Khary Payton), Yumiko (Eleanor Matsuura), and Princess (Paola Lázaro) are captured and separated. Princess struggles with memories of her traumatic past and tries to escape one way or another with the help of Ezekiel.
      Director: Laura Belsey
      Writers: Julia Ruchman & Vivian Tse
    • EPISODE 1021 – “Diverged”
      Daryl and Carol come to a fork in the road and head their separate ways. Each going into their own type of survival mode, the easiest of challenges become much harder. Will their individual journeys be the tipping point needed to mend their friendship or is the distance between them permanent?
      Director: David Boyd
      Writer: Heather Bellson
    • EPISODE 1022 – “Here’s Negan”
      Carol takes Negan on a journey, hoping to minimize the increasing tension. Negan reflects on the events that led him to this point and comes to a conclusion about his future.
      Director: Laura Belsey
      Writer: David Leslie Johnson-McGoldrick




    ‘Losing Alice’ Series Gets a January 2021 Premiere on Apple TV+

    Losing Alice
    Lihi Kornowski and Ayelet Zurer star in ‘Losing Alice’ (Photo Courtesy of Apple TV+)

    Losing Alice starring Ayelet Zurer (Daredevil) will premiere globally on Apple TV+ on Friday, January 22, 2021. The Apple Original series is described as a neo-noir psychological thriller and comes from writer and director Sigal Avin.

    The eight-episode drama will kick off with the release of three episodes on January 22nd, with the remaining five episodes premiering once a week on Fridays. The series will stream globally as part of a co-production deal with Israel’s Dori Media productions in association with HOT. (Losing Alice has aired on HOT in Israel.)

    The cast of Losing Alice also includes Lihi Kornowski (Kfulim), Gal Toren (Asylum City), Yossi Marshak (Yellow Peppers), Shai Avivi (The Conductor), and Chelli Goldenberg (Out in the Dark).

    The Plot, Courtesy of Apple TV+:

    Shrouded with mystery at every turn, Losing Alice is a cinematic neo-noir psychological thriller that follows an aging director, Alice, and her growing obsession with a young screenwriter, Sophie, whose dark and trouble script appears more truth than fiction.

    Using flashbacks and flash-forwards in a satisfyingly complex narrative that takes the viewer through the conscious and subconscious of its protagonist’s mind, the series follows Alice (Zurer), a 48-year-old female film director, who feels irrelevant since raising her family. After a brief encounter on the train, she becomes obsessed with a 24-year-old screenwriter femme fatale, Sophie (Kornowski), and eventually surrenders her moral integrity in order to achieve power, relevance and success.




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